By the 1970s, the dichotomies of opulence and post-industrial destitution were stark. Gunshots, abandoned buildings and fires marred many New York City streets. However, in the midst of the city’s tumult, the extended instrumental section of a song played at a back-to-school party forever changed the landscape of music.

That now-infamous party is where hip-hop was fathered by trailblazing DJ Kool Herc, at 1520 Sedgwick Avenue in the Bronx. However, the event itself was the idea of his sister, Cindy Campbell. If it weren’t for her party, we would have never experienced MCing over a song's breaks, which evolved into the cultural phenomenon we now know as rap. 

Female MCs have been integral to hip-hop’s musical melange from its inception, beginning with pioneer (and Mother of the Mic) MC Sha-Rock. Over the decades, audiences have been Funkdafied listening to Supersonic sounds, while still Down to Earth. We’ve been blessed with Da Baddest Bitch and even been "Conceited." We’ve sung along to My Melody, experienced Necessary Roughness and if you don’t know, You Better Ask Somebody.

And while all female rappers deserve their flowers for breaking barriers, there are a few women who deserve grandiose gardens dedicated to their accomplishments. After all, if it were not for them walking first, other women would not have been able to (be) fly. 

This year, as we celebrate the 50th anniversary of hip-hop, we can’t forget to celebrate the female MC’s who blazed the boundless — and euphonious — trails we still travel on.

This list below spans the genre’s humble beginnings, from hip-hop’s "Golden Era," which bore witness to the majority of these historic album drops, to the present day. With the exception of one album, nine of the albums listed are debuts.

Salt-n-Pepa - Hot, Cool & Vicious (1986) 

Salt-n-Pepa’s debut album Hot, Cool & Vicious was one of the first rap albums by an all-female group. With its confident and carefree lyrics and seductively sanguine beats, the album features many hit songs such as "My Mic Sound Nice" and "Tramp." However, there is one song on the album that ruled the dancefloor and became one of their breakout hits: "Push It."

Donning gold rope chains, bamboo earrings, custom leather jackets and red boots, Salt-n-Pepa’s commanding stage presence–and fashionable style–was on full display in the video for “Push It.” The subtly suggestive song provided sex appeal alongside an arresting, uptempo beat. Although the original version of "Push It" was on the album, its remix, with its iconic instrumental intro, was added to the album in 1987. The song, which was nominated for the Best Rap Performance GRAMMY, was certified platinum in 1988 and has gone on to become one of the group’s top hits.  

The album resonates today because universal appeal and ubiquitous sound still captures a wide audience. It has since elevated the presence of women in the game and still empowers listeners with topics that are still very relevant, such as feminism. Its debut marked a shift from predominantly male-driven narratives found in hip hop at the time, and opened the doors for female-centered storytelling. As such, their impact in the industry has not gone unnoticed. In honor of the 50th anniversary of hip-hop, Salt-n-Pepa performed at the 2023 GRAMMYs.

Hot, Cool & Vicious served as a blueprint for future female MCs as it encouraged women to express themselves without apology. Its commercial success garnered mainstream appeal that fortified the album as an important memento of hip-hop’s beginnings. Ultimately, Salt-n-Pepa are pioneers who paved the way for future female rappers, such as those subsequent on this list. 

MC Lyte - Lyte as a Rock (1988) 

Lyte as a Rock is the first full solo album released by a female rapper, and debuted when MC Lyte was only 17. Lyte’s cadence is robust throughout the album, which demonstrated her ability to MC on songs such as "10% Dis" and the title track "Lyte as a Rock." The album also showed listeners that the rapper would not shy away from important issues that encapsulated the ‘80s. The album's lead single, "I Cram to Understand U (Sam)," detailed drug addiction by personifying cocaine.  

Lyte as a Rock’s standout song, "Paper Thin," was written by MC Lyte in her early teens and details infidelity in a relationship. The video features the artist taking the subway after getting a bad feeling her partner was cheating on her. She leaves her perplexed friends (and her "bad Jetta") to board the train, finding her lover in the arms of other women. The distinct, punchy beat on the song’s introduction is layered with samples from music icons Al Green ("I’m Glad You’re Mine") and Prince ("17 Days").

A few years after her album’s debut, in 1994, MC Lyte went on to break history as she became the first female rapper to be nominated for the Best Rap Solo Performance GRAMMY Award. 

Lyte as a Rock is a breakthrough album that paved the way for solo female MCs to shatter stereotypes and show audiences they are as competent as their counterparts. It resonates with the experiences of young women across time periods and encourages unapologetic assertiveness–especially when it comes to addressing cardinal issues. 

Queen Latifah - Black Reign (1993) 

Long before she became an award-winning actress, Queen Latifah made waves in the music industry. Black Reign, which was certified gold in 1994, is Queen Latifah’s third and most successful album. The album cover features a brooding, blurred image of Latifah yelling–and its track list proves she had a few things to say. Popular songs on the album include "Just Another Day" and the chartbusting hit "U.N.I.T.Y."

The song "U.N.I.T.Y." is elegantly assertive and serves as a call to arms for women against insolence from men. Its dreamy, melodious intro features a saxophone sample from Houston-based jazz group the Crusaders. Due to the song’s powerful message, it often was played on the airwaves uncensored. The video, which begins with a brief tribute to the artist’s late brother, visits different scenarios where women are disrespected — and highlights how they combat the disrespect. 

The success of U.N.I.T.Y. earned Queen Latifah a GRAMMY for Best Rap Solo Performance. In 2023, she performed at the GRAMMYs in honor of hip-hop’s 50th anniversary.

Black Reign showcases the importance of female empowerment, as well as Queen Latifah’s versatility as an artist. The messages throughout the album have continued relevance to present-day matters, such as gender equality and social justice. Overall, Black Reign showed audiences that female rappers can use their platforms to demand change.

Lil’ Kim - Hardcore (1996)

Lil’ Kim’s debut album Hardcore has lived up to its namesake due to its carnal content and staunch lyricism. The album features hits such as "No Time" featuring Sean "Diddy" Combs, and "Big Momma Thang" featuring rappers Lil’ Cease and Jay-Z. Although the provocative album was bold for the time period, it sparked crucial conversations that are still very germane. Hardcore impugned gender norms and highlighted struggles female MCs faced in the industry–and beyond. 

Musically and stylistically, Hardcore has inspired a generation of female rappers. From flow to fashion, Kim’s influence in the industry is immeasurable. Since her debut, almost everything about the Queen Bee has been emulated–from her love of high-end fashion to her provocative and controversial promo poster for Hardcore. 

The album cover shows Lil’ Kim surrounded by bouquets of roses, confidently and suggestively posing on a bear-skinned rug. The album’s sexually explicit lyrics pushed boundaries and made listeners take notice of Kim's bravado — and her bars. In 2001, Hardcore was certified 2x platinum. 

The song "No Time" is the only one on the album to achieve gold status. However, one of the more memorable cuts on the album is "Crush On You" with Lil’ Cease. The looped, synthesized piano featured on the song’s beat was sampled from Jeff Lorber’s jazz song "Rain Dance." While the album version of the song features the late Notorious B.I.G. on the chorus, Kim’s appearance on the track brings synergy. 

The video for the hit single gives a nod to the movie The Wiz, and features colorful scenes where everyone’s outfits match the different dancefloors. Lil’ Kim is no exception, as her outfits (and wigs) also correspond to the colors, making the video utterly unforgettable.

Hardcore was a commercial success that challenged industry expectations of female MCs. Largely, the album proved to be pivotal, and Kim’s aptitude helped establish herself as a force in the industry, even beyond hip-hop. For example, later on in her career, Lil’ Kim earned a Grammy for Best Pop Collaboration with Vocals for "Lady Marmalade."

The iconic album celebrated sexuality in a unique way the music world had not seen previously, and ultimately paved the way for women to be unapologetic about their self expression. As such, the impact Hardcore had in 1996 can still be felt–and seen–today. 

Foxy Brown - Ill Na Na (1996) 

Exactly one week after Lil’ Kim dropped her platinum selling debut, then 17-year-old Brooklynite Foxy Brown dropped her seminal album Ill Na Na. The sultry album had a slew of hits, including "I’ll Be" featuring Jay-Z and club anthem "Get Me Home" featuring R&B group Blackstreet. Additionally, the title track featured Wu-Tang Clan’s Method Man. The album also featured production from R&B great Teddy Riley and Trackmasters. 

Foxy Brown's pairing of smooth R&B elements and hip-hop heavyweights proved to be successful; roughly three months after its debut, the album went platinum. It became one of the fastest albums by a female rapper to reach such a status at that time. The album was re-released in 1997, with the addition of the hit song "Big Bad Mamma" with R&B group Dru Hill. The song landed on the soundtrack to the movie How to Be a Player. The album’s breakout song "I’ll Be" heavily samples R&B duo Rene and Angela Winbush’s ‘80s tune "I’ll Be Good." It is the only song on the album to achieve gold status. 

Ill Na Na’s style of sexually explicit lyrics and luscious lyricism followed in the footsteps of her predecessors. The rapper also embraced her sexuality, which further solidified the new level of female empowerment for women in hip-hop that was being incubated in the ‘90s. However, Foxy’s form is clearly her own, and her candor and confidence provide a melodious texture to the album’s tracks. 

Ill Na Na is among the important vestiges of 1990s hip-hop, as its elements have a continued impact on modern audiences and rappers alike. The album’s release and success during a time when women were beginning to rise in rap helped sequester any notions of female MCs being fleeting ideas in the industry. 

Missy Elliot - Supa Dupa Fly (1997)

Missy Elliot’s debut album, Supa Dupa Fly, redrew rap boundaries with its campy lyrics over salient beats. It also showed audiences that female MCs can be found beyond the borders of the Tri-state area. The album, which was recorded in a mere two weeks, features hits such as "The Rain (Supa Dupa Fly)" and "Beep Me 911" featuring R&B group 702 and rapper Magoo. Supa Dupa Fly also contained the chart-topping song "Sock it 2 Me," with fellow female rapper Da Brat. The video for the track features Lil’ Kim, and shows the three rappers fighting robotic monsters in space.

Songs on the album were a blend of R&B, funk and rap, paired with anomalous beats that are still easy to dance to. Artists such as Ginuwine and the late Aaliyah were among those featured alongside Elliot. Although the album is now revered as groundbreaking in many ways, Elliot was not aware how much of an impact it would have as time went on. 

The innovative album embraced creativity and celebrated eccentricity. For example, one of the most memorable visuals from the album is the oversized inflatable, iconic black suit Missy wore in the video "The Rain." The suit and song lyrics brought a more playful feel to the genre and showed the versatility of female rappers to viewers and listeners alike. The song, which was produced by her close friend Timbaland, samples Ann Peeble’s "I Can’t Stand the Rain." 

Supa Dupa Fly empowered women to be confident and independent, and also challenged tradition. The album pushed the perimeter of hip-hop, especially for female MCs. For one, the album embraced Afrofuturism, visually and lyrically. Songs like "The Rain (Supa Dupa Fly)" and “Sock it To Me” provided audiences with a sci-fi element that inspired future MCs to adopt similar looks and sounds. 

Supa Dupa Fly was certified platinum in September 1997, a mere two months after its July 1997 debut. Since its release, Missy has gone on to win four GRAMMY Awards. In early 2023, Missy, alongside other trailblazing female rappers, performed at the GRAMMYs in honor of hip-hop’s 50th anniversary. This November, she will be inducted into the Rock and Roll Hall of Fame. 

Lauryn Hill - The Miseducation of Lauryn Hill (1998) 

The accolades for the blockbuster debut solo album The Miseducation of Lauryn Hill by Fugees frontwoman Lauryn Hill, are endless. The album, which had minimal features by other artists, was certified gold by the RIAA only a mere two weeks after it debuted, and in 2021, the album was certified Diamond. It is the first album by a female rapper to achieve the prestigious honor. 

Hill manages to balance her bars with sensuous R&B crooning, showcasing her range and versatility, while her smooth lyrics remain weighty and cognizant. Many of the tracks on the album became singles: "Ex Factor," "Doo Wop (That Thing)," "Lost Ones," and "Everything is Everything."  The video for "Doo Wop (That Thing)" featured side-by-side scenes of New York City in 1967 and 1998, with everyone styled for both time periods. The song’s lyrics call for men and women to watch out for those who are only about "that thing," which Hill details in dedicated verses. 

Songs on the album covered universal themes, such as loss and love. For example, the song “To Zion” is a heartfelt letter penned to Hill’s son, which details the struggles she faced becoming pregnant at the height of her career. Additionally, in between each track are small interludes that can only be found if one listens to songs in continuity. The captivating sounds Hill’s storytelling captured make that easy for listeners to do, which helped the album reach a wide-ranging audience. Thus, the album garnered critical acclaim and pushed its accolades epically into the stratosphere. 

In 1998, Miseducation became the highest selling debut album of any female rapper–and any female artist of other genres. Hill again made history by becoming the first solo female rapper to win a GRAMMY; the album was nominated for 10 golden gramophones and Hill took home five. Hill also became the first woman (and rapper) to have the most GRAMMY Award nominations in one night. The awards she won included Album of the Year, which was the first time a rapper had ever won the award. Twenty-five years later, her debut album is still among the best selling albums of all time.

The success and sound of Hill’s album still resonates today, ultimately showing audiences the power of the female MC and the importance of female-driven narratives. 

Eve - Let There Be Eve…Ruff Ryders’ First Lady (1999)

Eve wrote all the songs on her debut, Let There Be Eve…Ruff Ryders’ First Lady. The Philly native’s pen proved to be solid, as the freshman album produced a slew of hits, such as "Gotta Man” and "Love is Blind" featuring Faith Evans. Debut single “What Y’all Want” feat. Nokio from Dru Hill was produced by Ruff Ryders’ Swizz Beatz, who also produced most of the songs on the album. 

At the time of Eve’s album’s release, Ruff Ryders was an already established, popular rap collective from Yonkers, whose roster included notable rappers such as the late DMX and The Lox.  Just like her trademark paw print tattoos, Eve stood out, as she was the only female on the label. The unique position earned her the title of First Lady.

Let There Be Eve showcased Eve’s lyrical prowess and versatility. Songs like “Philly, Philly” featuring fellow Philly rapper Beanie Sigel showed audiences that Eve could hold her own on the mic. On the bold "Ain’t Got No Dough," the rapper teamed up with Missy Elliot to deliver a catchy and conspicuous track. The album eventually went 2x platinum. 

The album covered important themes, such as domestic violence. For example, the video for "Love is Blind" features a woman who is in an abusive relationship. Eve plays the role of the friend who advises the woman to leave before it is too late–although the friend sadly dies at the hands of the boyfriend. The cautionary tale Eve illustrates–both visually and lyrically–is touching and powerful, and still resonates today. 

Let There Be Eve provides a strong female perspective that feels personal at times. The album was a cardinal shift from male-dominated narratives and reminded female listeners the importance of speaking on salient issues. It served as a capstone of rap albums released by female MCs in the ‘90s, and was a signpost as hip-hop entered the new millennium. 

Nicki Minaj - Pink Friday (2010) 

The chartbusting debut album Pink Friday by Queens native Nicki Minaj produced a multitude of hits: "Super Bass," "Your Love," and "Check It Out" with will.i.am, just to name a few. The album also featured appearances by Eminem, Drake and Natasha Bedingfield. 

Pink Friday showcases the full gamut of Minaj’s lyricism — a balance of sweet (and spicy) for all to savor — while highlighting her versatility and pushing the parameters of the genre. Songs on the album are a blend of rap, pop, and R&B; a few tracks showcased her singing abilities. Additionally, the genre blending allowed the album to appeal to a more wide-ranging audience. Most of the tracks became radio favorites, and by 2016, Pink Friday was certified 3x platinum; it was the second highest selling debut album by a female rap artist. Since her musical debut, Nicki Minaj has been nominated for 10 GRAMMY Awards. 

The Pink Friday album cover features Minaj styled as a doll with exaggerated features. In many ways, the design is a nod to Barbie — from the way the work "pink" is stylized, to Minaj’s overemphasized legs stretching the length of the album cover. In a way, the cover is symbolic of Nicki’s bold, confident persona.

The hit song "Moment 4 Life," features Minaj’s labelmate Drake, and details cherishing a moment of triumph. The timbre of its introduction is soft and bright, and begins with a modernized twinkle. The warm sound also ties into the music video’s fairytale concept, which shows Minaj as a fairy godmother–and royal figure.

Pink Friday provides listeners with diverse and unique tracks and tackles various relatable issues. Its success and innovation are influential and the album–as well as Nicki herself– have inspired a slew of rappers. Pink Friday ultimately embraces where female MCs have been–and shows audiences the endless possibilities of where they can go. 

Cardi B - Invasion of Privacy (2018) 

All of the songs (yes, every single one) on Cardi B’s blockbuster debut album Invasion of Privacy have become certified platinum — the only album in history to receive such acclaim. Featuring hits such as "I Like It" and "Bodak Yellow," Invasion boasts tracks that are raunchy, confident and strong, a nod to her pioneering predecessors. 

The sultry, yet assertive, video for the Bronx native’s song "Bodak Yellow," which boasts 1 billion views, primarily features Cardi in a desert in Dubai. Throughout the video, she sports various looks — and even sits next to a cheetah. Cardi’s lyrical authority shines through, as the song confidently explores the glamor of luxury fashion, sexual prowess and of course, "making money moves." The single became the first song by a female rapper to be certified diamond, demonstrating just how far women in hip-hop have come.

Cardi again made history when Invasion of Privacy was nominated for two GRAMMYs: Album Of The Year and Best Rap Album. She went on to win the award for Best Rap Album, making her the first solo female artist to do so. 

Invasion of Privacy is pivotal, as it incorporates influences from many aforementioned essential albums. Its success showcases the overall importance of women in hip-hop and helps to open doors for future female MCs to tell their stories–and blaze new, boundless trails for us to travel on.

10 Must-See Exhibitions And Activations Celebrating The 50th Anniversary Of Hip-Hop

The Recording Academy has announced 10 recordings to be newly inducted to the distinguished GRAMMY Hall Of Fame as part of its 2024 inductee class and in celebration of its 50th anniversary this year. This year's GRAMMY Hall of Fame additions, the first inductions since 2021, include four albums and six singles that exhibit qualitative or historical significance and are at least 25 years old. The inducted recordings, which will be added to the iconic catalog residing at the GRAMMY Museum, will be honored at GRAMMY Museum's inaugural GRAMMY Hall Of Fame Gala and concert, presented by City National Bank, taking place Tuesday, May 21, at the NOVO Theater in Los Angeles. Tickets for and performers at the Gala will be announced at a later date. 

The 2024 GRAMMY Hall Of Fame inducted recordings range from Lauryn Hill's The Miseducation of Lauryn Hill to Guns N' Roses' Appetite For Destruction. Others include recordings by De La Soul, Buena Vista Social Club, Donna Summer, Charley Pride, Wanda Jackson, Kid Ory's Creole Orchestra, the Doobie Brothers, and William Bell. Eligible recipients will receive an official certificate from the Recording Academy. With these 10 newly inducted titles, the GRAMMY Hall Of Fame currently totals 1,152 inducted recordings.

See below for a full list of the 2024 recordings inducted into the GRAMMY Hall Of Fame, and see the full list of all past GRAMMY Hall Of Fame inducted recordings.

Full list of 2024 GRAMMY Hall Of Fame Inducted Recordings:

3 FEET HIGH AND RISING
De La Soul
Tommy Boy (1989)
(Album)
Inducted: 2024

APPETITE FOR DESTRUCTION
Guns N' Roses
Geffen (1987)
(Album)
Inducted: 2024

BUENA VISTA SOCIAL CLUB
Buena Vista Social Club
World Circuit/Nonesuch (1997)
(Album)
Inducted: 2024

“I FEEL LOVE”
Donna Summer
Casablanca (1977)
(Single)
Inducted: 2024

“KISS AN ANGEL GOOD MORNIN'“
Charley Pride
RCA Victor (1971)
(Single)
Inducted: 2024

“LET'S HAVE A PARTY”
Wanda Jackson
Capitol (1960)
(Single)
Inducted: 2024

THE MISEDUCATION OF LAURYN HILL
Lauryn Hill
Ruffhouse/Columbia (1998)
(Album)
Inducted: 2024

“ORY'S CREOLE TROMBONE”
Kid Ory's Creole Orchestra (As Spike's Seven Pods of Pepper Orchestra)
Nordskog (1922)
(Single)
2024

“WHAT A FOOL BELIEVES”
The Doobie Brothers
Warner Bros. (1978)
(Single)
Inducted: 2024

“YOU DON'T MISS YOUR WATER”
William Bell
Stax (1961)
(Single)
Inducted: 2024

"We're proud to unveil the diverse mix of recordings entering the GRAMMY Hall Of Fame in its 50th year," Recording Academy CEO Harvey Mason jr. said in a statement. "The music showcased here has played a pivotal role in shaping our cultural landscape, and it's a true honor to recognize these albums and recordings, along with the profound influence each has had on music and beyond."

"The artists, songwriters, producers, and engineers who composed this year's inducted recordings are a reflection of the sheer talent and hard work that goes into creating such seminal music," GRAMMY Museum President/CEO Michael Sticka said in a statement. "It's a privilege to be able to welcome these new additions into our distinguished catalog and celebrate the recordings at our inaugural gala on May 21."

The GRAMMY Hall Of Fame was established by the Recording Academy's National Trustees in 1973. The inducted recordings are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts with final ratification by the Recording Academy's National Board of Trustees.

This year, the GRAMMY Hall Of Fame Gala will be the first of what will become an annual event and includes a red carpet and VIP reception on the newly opened Ray Charles Terrace at the GRAMMY Museum, followed by a one-of-a-kind concert at the NOVO Theater in downtown Los Angeles. 

The inaugural gala and concert is produced by longtime executive producer of the GRAMMY Awards, Ken Ehrlich, along with Chantel Sausedo and Ron Basile and will feature musical direction by globally renowned producer and keyboardist Greg Phillinganes. For sponsorship opportunities, reach out to halloffame@grammymuseum.org.

Explore the history of the GRAMMY Hall Of Fame

From Slick Rick to Cardi B, rap has long been synonymous with exorbitant personalities. But in 2023, Ice Spice showed that you can still make noise with subtle charm.

The 24-year-old charmed the masses with her nonchalant flow and demeanor, paired with boisterous Bronx drill beats. Just two years into her career, Ice Spice was coined the "People's Princess" — a title first given to the late Princess Diana, whose name serves as the title for the rapper's breakthrough single. 

While Ice's Bronx pride, Y2K fashion and relatable disposition contribute to her appeal, a fan noted on Twitter that her most prominent qualities mirror Diana's: "Resilient, determined and blazing their own trail - in [her] own way." Even her mentor (and "Princess Diana" collaborator) Nicki Minaj co-signed the royal title: "Catch it!!" she exclaimed in a March 2023 Instagram Story.

Ice Spice's reign was solidified by countless accolades in 2023, as she scored four top 10 singles on the Billboard Hot 100 and over a billion streams. And when it came to the 2024 GRAMMYs, her impact is apparent: not only did Ice Spice earn her first four nominations, but she's the only rapper up for Best New Artist. (She also earned nods in the Best Rap Song and Best Song Written For Visual Media Categories for her "Barbie World" collaboration with Minaj, as well as Best Pop Duo/Group Performance for her "Karma" collaboration with Taylor Swift.)

The first inklings of Ice Spice's virality came in 2021, when she began making music with her college friend-turned-producer and fellow Bronx native RIOTUSA. That year, the rapper took part in TikTok's "Buss It" challenge, with her seductive dance moves going viral. She quickly capitalized on the moment, using her growing number of followers to draw attention to her music. She soon released debut songs like "Bully Freestyle" and "Name of Love," but it was the following year that officially ignited her rap takeover.

In the summer of 2022, Ice Spice's independently released "Munch (Feelin' U)" single was virtually inescapable following a Drake co-sign, nearly 120 million Spotify streams and a music video that became a meme (Lil Nas X even donned Ice Spice's video look for Halloween). The song's rapid popularity led to a deal with 10K Projects and Capitol Records shortly after its release. But it also had naysayers questioning if the rapper was an industry plant and doubting her career success.

"Everybody was tryna be like, 'Oh, she a one-hit wonder,'" Ice Spice said of her critics in an episode of Genius' "Verified" series. "But now, it's like, 'What? Two-hit wonder?'"

When it comes to virality, Ice Spice has the Midas Touch — and she's well aware of it. Whether it's her signature phrases "grah" and "like", her passion for twerking ("But I'm still shaking ass in the deli", she exclaims on "Deli"), or self-affirmations that are perfect for Instagram captions ("How can I lose if I'm already chose? Like," she assures on "Bikini Bottom"), her calm, cool and collected confidence has held a tight grip on social media and beyond.

"I wouldn't consider myself a lyricist. Obviously, lyrics go into music and I do think about them, and I do be having bars in my music but they're just super simple," she told Complex in October. "I want them to be digestible, I don't want them to fly over people's heads and they never catch it. I want people to hear it right away and be like, 'OK, that was cute.' But it's also fun at the same time."

Following the release of her Like ..? EP in January 2023, Ice Spice proved her versatility and knack for hit-making with an onslaught of both niche and A-list collaborations. Massive singles like "Boy's a Liar Pt. 2" with fellow Gen Z princess PinkPantheress and the "Princess Diana" remix with Nicki Minaj peaked at No. 3 and 4 on the Billboard Hot 100, respectively.

In fact, "Diana" helped Ice Spice already land a history-making feat: it marked the first time that No. 1 co-billed by two women topped Billboard's Hot Rap Songs chart since its launch 34 years ago. And through that collab, Ice Spice gained a mentor in Minaj.

"She be telling me to learn from her mistakes — just watching her in general, if you pay close enough attention, you gonna see what you should do," Ice shared with The Guardian about Minaj. "I love to talk to her about things that I can't talk about publicly — it just means so much to be able to have somebody like her."

Ice Spice further proved her mainstream appeal last May, propelling into the pop stratosphere alongside Taylor Swift. The two joined forces for a remix of Swift's Midnights track "Karma," which peaked at No. 2 on the Billboard Hot 100, making it the rapper's highest-charting song to date as of press time. 

"I relate to Ice in many ways, but I think her dedication and focus is what blew me away from the very start," Swift, who brought the rapper on stage at the New Jersey stop of her blockbuster Eras Tour, shared with Variety in September. "She's extremely professional without being cold. Playful and fun without ever taking her eye off the prize. 

"She knows what is and isn't 'her' and sets those boundaries with grace," Swift continued. "She studies the industry and other artists' careers but is very clear about charting her own definitive, original path. It's her ability to carefully find that balance that impresses the hell out of me."

Ice Spice kept the momentum going last June, latching on to the summer's biggest pop culture moment — the Barbie movie. And what better way to celebrate the occasion than with the Head Barb herself?

The rapper reunited with Minaj for "Barbie World," which sampled Aqua's 1997 Eurodance smash "Barbie Girl" and soundtracked the closing credits of the blockbuster. The drill-meets-Jersey-club collaboration debuted at No. 7 on the Billboard Hot 100, becoming Ice Spice's fourth top 10 hit in just four months. 

"Where we come from, our borough is often 'judged' — people have a lot of mixed opinions on it. So to be able to have such an iconic song with the type of genre that comes from where we're from is awesome," producer RIOTUSA told Billboard of the track. "[We] get to shed new light on the genre and bring it to a bigger place."

Ice Spice wrapped a momentous year with multiple festival performances including Rolling Loud and Hot 97's Summer Jam, a Best New Artist win at the 2023 MTV Video Music Awards, a brilliant partnership with Dunkin' Donuts (the commercial announcement of the Ice Spice Munchkins Drink featured actor and Dunkin superfan Ben Affleck), a musical guest debut for the season 49 premiere of "Saturday Night Live" in October (Swift made a surprise cameo to introduce her new BFF), and opening for Doja Cat's Scarlet Tour in November.

And just one week into 2024, the rapper spawned her first viral moment of the year, sharing a snippet of a hilariously unserious bar, "Thinking you the s—, bitch you not even the fart." The clip was a preview of her first release of 2024, aptly titled "Think U The S— (Fart)," which racked up eight million views on the teaser alone.

On Jan. 30, Ice Spice confirmed that her forthcoming album (titled Y2K, which alludes both to her style and her January 1, 2000 birth date) is coming this year; though she didn't announce a release date, she did reveal it's "almost finished". On the heels of a massive 2023, there's no doubt Ice Spice is ready to continue her rap domination — one drill anthem at a time.

"I always felt like I could do anything I tried to do, but especially now it feels like anything is possible," she told The Guardian. "Being at award shows, being on magazine covers, getting huge features — all those moments made me feel like, Wow, we're really doing it big."

The Official 2024 GRAMMYs Playlist is Here: Listen To Songs By SZA, Doja Cat, Taylor Swift, Jon Batiste, & More

After more than 30 years as a DJ/producer, David Guetta knows the secret to success within dance music.

"What made me famous is to have songs that could be timeless and crossover into the pop world, but are still being played by all the DJs," the French producer says. "It's always a big challenge to do a dance record that every DJ would play, but at the same time would touch the emotions enough so that people that are not in clubs or in festivals would be touched by it. It's that duality that I have to fight every time."

With 14 No. 1 dance hits and two GRAMMYs to his name now — as well as two more nominations at the 2024 GRAMMYs — Guetta flashes a coy smile and says, "I think I've found a few tricks to make it work."

Guetta is one of the inaugural nominees in the new Best Pop Dance Recording Category. He has not one, but two songs in Category: his latest collab with Bebe Rexha, "One In A Million," and his Haddaway-sampling hit with Anne-Marie and Coi Leray, "Baby Don't Hurt Me." 

As the only artist with two nominations in the Category, Guetta's latest GRAMMY nods further solidify his legacy as one of dance music's biggest crossover acts. While he's been making a name for himself since getting his start on the Parisian underground, Guetta broke through to the mainstream U.S. market with his serendipitous collab with Kelly Rowland, "When Love Takes Over," in 2009.

Since then, he's made countless hits for himself and others. He's the in-demand producer behind the Black Eyed Peas' 2009 smash "I Gotta Feeling" who could get Nicki Minaj to sing ("Turn Me On") and Sia to step into the spotlight ("Titanium"), all the while helping to build new talent, such as his frequent collaborator (and current co-nominee) Rexha. 

His latest single is with another pop princess, Kim Petras, a fast-paced dance floor collab titled "When We Were Young" that samples Supertramp's "The Logical Song." Just after making tour stops in South America, Guetta sat down with GRAMMY.com to share the stories behind some of his biggest hits, from his crossover breakthrough with Kelly Rowland to his latest GRAMMY-nominated collab with Bebe Rexha. 

"When Love Takes Over" feat. Kelly Rowland (2009)

Kelly Rowland, I have to give an homage to her because she is the first pop artist that came to me. She was in a club in Cannes where I was playing. All the records I did before that were with this incredible vocalist, Chris Willis. I had some very big dance records, like "Love is Gone" for example. That was really massive in our culture, but I never worked with a big famous pop artist.

So, I'm in Cannes DJing, and I play the instrumental of "When Love Takes Over," and Kelly comes to the DJ booth and asks me, "What is this record?" I said, "It's just a beat I made," and she said, "I really like it. Can I try to write something on it?" 

Crazy, right? I have so much respect for her. I'm grateful to her for life because to go to a DJ that you don't even know, hear a beat and spot that it is a hit? That's big! 

We did this collab, and the record went to No. 1 in the U.K. and charted in 30 countries or something crazy, and this was the first step for me into a big crossover. Right after that, I had "Sexy B—" with Akon, and that was massive and very influential. One of the most influential records I've made, I think. 

"Sexy B—" feat. Akon (2009)

I'm in the U.K. at BBC One radio performing "When Love Takes Over" with Kelly Rowland. Akon is performing after me, and he says "Ah, it's you! You also did 'Love is Gone.' I love those records. Let's do something," so I booked at Metropolis in London that same night. I bring him to the studio, and we did "Sexy B—" that night.

In this industry, it's a lot about "You're only as good as your last hit," so many people basically look at the top 10 say, "Okay, let's work with this guy because it's current." I was never too much like that. I'm just looking for talent, really, and the accidents of life. Because if you look at all my biggest hits, they happen by accident.

Black Eyed Peas' "I Gotta Feeling" (2009)

Dance music is not usually the main leading genre. You have more pop or hip-hop, some moments it was rock, but dance was always more niche. At the same time, it has a huge influence on pop. I've seen an interesting phenomenon, though: Every time there's a major crisis and people are really stressed and suffering, dance music rises.

At the end of the 2008 financial crisis that was so tough on people, I produced "I Gotta Feeling" for Black Eyed Peas, and it was like a revolution at this time. Everyone was like, "What is this?" and then from one day to the other, every radio was playing dance music all day. 

Now, we're in the second time. We've just gotten out of COVID, we have the war in Ukraine and Russia. "I Gotta Feeling" was such a happy song, which is not what I do usually, and again, now, "I'm Good (Blue)" is having the same type of moment. I think dance music has the power to help people forget everything, just live in the moment and feel good. 

"Memories" feat. Kid Cudi (2010)

"Memories" with Kid Cudi is also funny to see how everything is connected — because in the case of "Memories," I'm shooting the video of "I Got A Feeling" with Black Eyed Peas. One of the cameos of the video is Kid Cudi, and I'm also a cameo in the video. I was like, "Oh wow, you're Kid Cudi? I love your work! We should do something together," and boom. We book the studio the day after, and we have "Memories.

"Titanium" feat. Sia (2011)

Titanium was a similar situation. Sia was a very cool and very respected artist, but she was not a big pop artist. Funnily enough, at the time, she decided to stop being an artist and just be a songwriter.

We were working together as a producer and a songwriter for another artist, but when I heard her voice on that record, I was like, "It's impossible. No one is going to be able to sing like this." I literally begged her to stay on the record, and she was like, "Look, I'll do it, but I don't want to do any interviews. I don't want to do a video. I don't want to do tours. I don't want to do any of it." I'm like, "Okay, no problem. Just give me your voice."

After it was released, she became a huge artist. I remember being in the studio with her after "Titanium," and she would receive messages from Rihanna and Beyoncé fighting for her songs. It was really crazy, really incredible. She became one of the most respected artists on the planet. 

"Hey Mama" feat. Nicki Minaj, Bebe Rexha & Afrojack (2015)

I have a long history with Bebe, and we started to work together with "Hey Mama." It's a funny story because I had the sample, and I had Nicki's rap, and I felt the sample was my chorus. It took me two years to understand that the sample needed to be the post, and I needed a real chorus. Imagine spending two years on a record. I was going crazy!*

I knew it was a hit, but it was not totally there. I realized I needed to push the chorus back, make it a post and play some chords.

When you are in the studio, there's studio A, B, C and D — and the door of Studio D was open. I heard this crazy voice, and I come in the door like, "Wow, who's singing?" That was Bebe! She was not an artist yet, but a songwriter. She was writing with a friend of mine and asked, "Can you guys try something on this hook that makes me suffer so much?" In 15 minutes, they wrote the hook. It was insane.

In the middle of the record being released, she asked to feature on the record because she wanted to start an artist career of her own. We changed the credit, then she became a big artist. 

"I'm Good (Blue)" with Bebe Rexha (2022)

Funnily enough, we made this song four years before the release. I was living in London at the time, and Bebe texted me, "I'm going to be in London. Do you want to do something?"

We were writing in the studio, and just for the vibe, we tried that idea. Honestly, I don't use many samples — maybe only three records in my career — but I was like, "Imagine bringing back that happy vibe, it would be so much fun, and those chords are so good." 

So we did it, and honestly, no one believed in it. Still, as a DJ, I try to only play my own productions, so I made a festival version with that exact hook, and I played it at a festival. A few years later, someone sampled it, used it on TikTok, and it was a huge hit. Bebe texted me like, "Do you know what's happening on TikTok?" 

She showed me and she's like, "You got maximum two weeks to finish the record." So I finished the record! 

Two days before it was released, I played it at a festival in the U.K., and everyone was singing all the words. I could not believe it. The record was not out! Usually it's a struggle to build a record, sending it to DJs and to have the support of radio and streaming platforms. Now, it was already a hit before it was out. That's crazy!

"Baby Don't Hurt Me" with Anne-Marie and Coi Leray (2023)

I did this as a follow-up to "I'm Good (Blue)," digging in the classic dance music records from the '90s and 2000s. To be completely honest, I come from house music, and at that time, I would not play Euro dance records. I would be like, "Oh, this is so cheesy." But with life experience, you learn to respect the melodies. I look at it in a very different way, because I'm probably less snobbish with age.

I think a lot of producers are obsessed with technicalities and get caught on "Oh, I found this special way of side-chaining reverb and panning it." At the end of the day, if you have a melody, you can go up against the best-sounding record in the world and always win. 

Those huge Euro records from that time had massive melodies, and "What is Love?" That record is insane! A lot of my ideas for songs come from my DJ sets, and I was playing a mashup of "What Is Love?" and I could see everyone was screaming as much as when I play "Titanium" or those massive records. 

At the same time, Max Lousada, who's the head of Warner Music Group, hooked me up with Ed Sheeran. He also loved "I'm Good." I have this crazy video of him jumping on stage with me when I'm playing it and going absolutely crazy. I was so honored because this guy is such a genius. Ed was like, "Let's have fun," and then we wrote a few songs. I have a few weapons to put out in the year to come, and one of the songs was "Baby Don't Hurt Me." He wrote the verses. 

Anne-Marie is my friend, and she is very good friends with Ed Sheeran. We'd been talking about making a record, the three of us, so I called her. She's one of the most fun people I know, and most down to Earth. So easy to work with, so I had two verses from her. 

Then one day, another crazy accident! I made a remix for Coi Leray of the song "Players" — I was in L.A., and I felt it was cooler to play it for her in the studio where she was recording her album. So I go to the studio and play the remix, and she goes absolutely crazy. She jumps on the table and starts to dance. It was such a vibe, so positive. 

She's like, "David, why don't you stay with us? We have two more days to finish the album." I'm like, "Of course," and there I am making hip-hop beats. We did a few records, one of them being "Make My Day" with a sample of "Pump the Jam" for her album. And we did another one with a sample of James Brown called "Man's World." I really love that record. 

So I produce those two records with Coi, and I'm like, "Can we do a swap? Can you do a verse on my record?" And that's how she did "Don't Hurt Me." If I had asked the record company, it probably would never have happened. You need to give to receive. 

I didn't go to the studio thinking I'm gonna ask her that. I just did it because I thought she was amazing and I was super happy to help her with the album. I'm sure she's going to be a massive artist, and she jumped on my record. 

"One In A Million" with Bebe Rexha (2023)

[Bebe and I] have this special relationship together. I think she's extremely talented. The job I respect the most in our industry is songwriting, and she's a great songwriter. She can sing, but she can write too. That is a different level of looking up to [someone].

"One in a Million" is a little more my traditional style, with a piano arpeggio and a beautiful song. I loved the record from the first second. It has a little bit of a Coldplay vibe that I really love. A lot of people say it feels a little bit like what I did with Kelly Rowland with "When Love Takes Over." It's not the same chords, but it's a feeling, let's say. 

I'm hoping for the best [at the GRAMMYs]. It would be amazing if we could win, for me but also for her. I really want her to win, because I think she's so talented. She deserves the win. 

How Rising Dance Star Dom Dolla Remixed The Gorillaz & Brought Nelly Furtado Back To The Dance Floor

Just a couple of years ago, live music still looked uncertain — would variant X, Y or Z derail the train for the umpteenth time? But in that regard, 2023 felt almost totally in the clear — and that's why it feels like the rubber band is stretched back for 2024, and it's ready to launch.

Sure, compiling every musical act who's touring in 2024 might be impossible. But GRAMMY.com's stylistic purview is far and wide: country, hardcore, soul, R&B, rap, indie rock, you name it. As such, we're giving it our best shot — and will continue to update the list as more tours are announced.

Without further ado, here's a major cross section of the 2024 touring landscape as currently announced — from Alvvays to Adam Ant, from Def Leppard to Danny Brown.

Laura Pausini: Laura Pausini World Tour
Jan. 6 - April 6
North & Latin America

Italian singer (and the Latin Recording Academy's Person Of The Year) Laura Pausini is venturing through North & Latin America in the spring.

Slowdive
Jan. 16 - May 18
U.S., Asia & Europe

The reunited shoegaze greats just released a well-loved new album, everything is alive — which is currently taking on new shades onstage. See them in 2024, on an extensive tour of Europe with Japan dates, and then a plethora of U.S. stops.

Madison Beer: The Spinnin Tour
Jan. 17 - June 13
UK, Europe, & U.S.

The pop, hip-hop, EDM, and R&B star released Silence Between Songs in 2023; she'll support it with The Spinnin Tour, which heads stateside from Europe across the spring of 2024.

Drake with J.Cole: It's All A Blur - Big As The What?
Jan. 18 - March 27
U.S.

Hip-hop kingpins Drake and J. Cole are headed on a co-headlining tour; some Drake gigs will be J.-Cole-less.

Ana Tijoux
Jan. 18 - April 13
North America, UK, & Europe

Chilean musician Ana Tijoux hasn't undergone a world tour since 2018, but she's about to change that with a run of European gigs following the release of VIDA, her first album in several years. .

Melanie Martinez
Jan. 19 - June 27
North America, Asia & Australia

Alt-popper Melanie Martinez will segue her PORTALS Tour into The Trilogy Tour, which will see her revive her alter ego "Cry Baby." See her, in this persona, in the U.S. and across the pond.

Mitski
Jan. 26 - June 6
UK, Europe, & U.S.

Fresh off the release of The Land is Inhospitable and So Are We, Mitski has announced a jaunt across North America with Tamino, Sunny War, Julia Jacklin, and Sarah Kinsley.

Gloria Trevi: Mi Soundtrack World Tour
Jan. 26 - Sept. 22
U.S.

Known as the "Supreme Diva of Mexican Pop," Gloria Trevi is embarking on a world tour to top off the year, as she has recently announced the first leg.

Tinashe: BB/ANG3L U.S. Tour
Jan. 31 - Feb. 15
U.S.

Actress, dancer and singer Tinashe will support her new album, BB/ANG3L, with a run of mostly East Coast dates.

Militarie Gun
Jan. 31 - June 1
North America

Fresh off a tour with Scowl, hardcore-adjacent, brilliantly melodic punks Militarie Gun continue their rise with a 2024 North American tour.

Mariah The Scientist: To Be Eaten Alive Tour
Feb. 1 - May 4
UK, Europe, & U.S.

R&B favorite Mariah the Scientist has been raring to return to the stage: "I miss hearing my fans scream my lyrics at the top of their lungs. I miss seeing all their faces," Mariah told Rolling Stone. "I miss all the different cities. To my fans, I miss us. I'm so ready to eat you alive." She'll be in Europe and the U.S.

Marc Anthony: Viviendo Tour
Feb. 9 - March 9
North America

Latin and Salsa star Marc Anthony can't hide his excitement for his upcoming tour: "See you in 2024 with many moments to write about," Mark shared in his Instagram tour announcement. "We are going to live nights like no other."

Juanes: Vida Cotidiana World Tour
Feb. 13 - March 30
North America

In support of his Vida Cotidiana album, Colombian rock legend Juanes is making stops around North America to celebrate the project.

Los Angeles Azules: El Amor de mi Vida Tour
Feb. 13 - April 20
U.S.

Marking their epic return to the United States, the Cumbia sibling group are kicking off their tour in support of their upcoming album —which is set to be released this year.

Jon Batiste: UNEASY Tour
Feb. 16 - April 27
U.S.

Five-time GRAMMY winner and 20-time nominee Jon Batiste isn't known as a traditional touring act — extemporaneous solo performances and orchestral works tend to be his jam. That's what makes his upcoming North American tour so enticing — how will this consummate shape-shifter approach the headline-touring model?

Chelsea Cutler: The Beauty Is Everywhere Tour
Feb. 16 - March 30
North America

Singer/songwriter, multi-instrumentalist, producer, and engineer Chelsea Cutler has revealed a 2024 headline tour titled The Beauty Is Everywhere Tour, in support of her new album Stellaria.

Red Hot Chili Peppers: Unlimited Love Tour
Feb. 17 - July 30
North America

The veteran rockers are still supporting 2022's Unlimited Love and Return of the Dream Canteen; in 2024, they'll go out with Kid Cudi, Ice Cube, Ken Carson, Otoboke Beaver, Seun Kuti, Wand, and Irontom.

PinkPantheress: Capable of Love Tour
Feb. 20 - April 30
North America, UK & Europe

The TikTok sensation turned pop phenomenon will head out on her Capable of Love Tour, following the release of her debut album Heaven Knows. Rising artists Bktherula and Kanii will join her.

Niall Horan
Feb. 21 - July 31
North America, Europe, & Australia

The Irish singer/songwriter has announced "THE SHOW" LIVE ON TOUR 2024 – his biggest tour yet and first headline run since 2018's Flicker world tour.

Bad Bunny - Most Wanted Tour
Feb. 21 - May 26
U.S.

Bad Bunny's Most Wanted Tour will take him across 47 dates across North America — including three shows in Los Angeles, Chicago and New York.

Olivia Rodrigo: 2024 Tour
Feb. 23 - Aug. 14
UK, Europe, & U.S.

Olivia Rodrigo will make a jaunt around the world with support from the Breeders, Chappell Roan and Pink Pantheress.

Sampha: North America 2024 Tour
Feb. 23 - April 14
North America & Australia

South London singer/songwriter Sampha recently released a music video for "Can't Go Back," from his new album, Lahai. With it come North American dates for 2024.

Mon Laferte: Autopoiética Tour
Feb. 29 - June 2
U.S. & Latin America

Chilean artist Mon Laferte's new album, Autopoiética, has been released to a clamorous response. In 2024, she'll bring the music across Latin America and the U.S.

Idles
Feb. 29 - Dec. 7
North America, UK, & Europe

The purveyors of wild-eyed rock have extended their previously announced 2024 international tour with new dates across North America, Mexico, the UK, and Ireland.

Styx & Foreigner: Renegades & Juke Box Heroes Tour
March 1 - Nov. 9
North America

Don't miss this classic rock heroes together, for the last time ever. Check out dates, along with heartfelt statements from both bands.

Nicki Minaj: Pink Friday 2 Tour
March 1 - June 7
UK, Europe, & U.S.

The Harajuku Barbie is back with a new album, Pink Friday 2, which landed Dec. 8. How will tunes like "Super Freaky Girl" and "Last Time I Saw You" translate to the stage? Don't miss her North American and European tour, which stretches from late March to early June.

Danny Brown: Quaranta '24 Tour
March 3 - April 14
North America

The idiosyncratic MC is riding high off the release of his introspective new album, Quaranta. He's heading across North America in support of it.

Don Omar
March 7 - April 21
North America

The reggaeton pioneer has announced he will be back in arenas in 2024 and bringing fans "Back to Reggaeton," a 20-date trek across North America that spans the artist's decades-long career.

Judas Priest: Invisible Shield Tour
March 11 - May 22
Europe, UK, & U.S.

Metal titans Judas Priest are still going strong; they just announced a Spring 2024 U.S. tour with supporting act abaton.

Busta Rhymes
March 13 - April 21
North America

Rap heavyweight Busta Rhymes has announced his Blockbusta Tour, which will bring him across the U.S. and Canada starting in March.

Tim McGraw: 2024 Standing Room Only Tour
March 14 - June 27
U.S.

The country great's upcoming jaunt kicks off on March 14 and will stop through more than 40 cities. Carly Pearce will be a special guest.

Bleachers: From The Studio To The Stage
March 19 - June 15
U.S. & UK

In late spring and early summer 2024, the Jack Antonoff-led rockers are hitting the road in support of their self-titled new album, which arrives March 8.

Tyla
March 21 - May 28
UK, Europe, & U.S.

The unstoppable, GRAMMY-nominated R&B, amapiano singer Tyla will venture across the UK and Europe in spring 2024.

Adam Ant: ANTMUSIC Tour
March 21 - May 11
U.S.

English post-punk and new wave legend Adam Ant is headed out on his ANTMUSIC tour, his first U.S. trek in five years. The day after it wraps up, he'll appear at the Cruel World 2024 festival.

The Slackers
April 4 - April 14
North America

The revered, long-time purveyors of ska, reggae, dub and more have announced a spring tour across the US and Canada.

Alvvays: US Spring Tour 2024
April 4 - Aug. 8
North America, UK, & Europe

The indie darlings will traverse the United States in April and May, then head to Europe in late June for festival dates.

Tate Mcrae: Think Later World Tour
April 17 - Nov 21
North America, UK, Europe, & Australia

Multi-platinum singer/songwriter Tate McRae will support her second album, THINK LATER, with a world tour in 2024.

The Rolling Stones: Hackney Diamonds Tour
April 18 - July 17
North America

If the Rolling Stones' secret NYC show with Lady Gaga was any indication, the Stones' stadium run around Hackney Diamonds — their first album of new material in 18 years — will be one for the books. For now, only stateside shows have been announced, but keep your eyes peeled for an expansion.

Hozier: Unreal Unearth Tour
April 20 - Sept. 17
U.S.

Singer/songwriter Hozier is undertaking a headline tour of the UK and Ireland next summer, supporting his third album Unreal Unearth.

Alanis Morissette with Joan Jett and the Blackhearts: Triple Moon Tour
June 9 - Aug. 10
North America

Two female pioneers are hitting the road, with special guest Morgan Wade. See where they're heading in the U.S. and Canada.

Pink: Summer Carnival Tour 2024
June 11 - Nov. 23
North America, UK, & Europe

Pink will continue to support her new album Trustfall with her Summer Carnival tour, which returns to North America in 2024. 

The Killers
June 12 - July 11
UK & Ireland

The Killers have reached that stage where they're looking back on the hits. Following the recent release of their best-of compilation album Rebels Diamonds, shout along at these UK and Ireland dates.

Def Leppard, Journey, Steve Miller: 2024 Summer Stadium Tour
July 6 - Sept. 8
U.S.

More oldies favorites, banding together for a U.S. stadium tour in 2024: Def Leppard and Journey will be near you soon. In select markets, Heart and Cheap Trick will also appear.

Earth Wind & Fire and Chicago: Heart & Soul Tour 2024
July 10 - Sept. 7
U.S.

These retro, AOR favorites are hitting the road together for the Heart & Soul Tour 2024, including an encore with both bands on stage. Check out the North American dates.

Sepultura: Farewell Tour
Oct. 30 - Nov. 23
UK & Europe

The Brazilian metal heroes are calling it quits — but not before a final trek, just in time for their 40th anniversary.

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