Editor's Note: The 2022 GRAMMYs Awards show, officially known as the 64th GRAMMY Awards, <a href="https://www.grammy.com/grammys/news/2022-grammys-awards-64th-new-air-show-date-location-las-vegas-april-3-announcement "https://www.grammy.com/grammys/news/2022-grammys-awards-64th-new-air-show-date-location-las-vegas-april-3-announcement"">has been rescheduled to Sunday, April 3, at the MGM Grand Garden Arena in Las Vegas. The below article was updated on Tuesday, Jan. 18, to reflect the new show date and location.

Right off the bat, 2021 showed promise for another year of massive hits with unforgettable hooks thanks to Olivia Rodrigo's record-breaking smash "driver's license." 

Less than two months later, Anderson .Paak and Record Of The Year veteran Bruno Mars kicked off the Silk Sonicera with the instantly memorable jam "Leave the Door Open." In the months that followed, Billie Eilish struck again with her sophomore album, Doja Cat and SZA teamed up for one hell of an earworm, and both Lil Nas X and ABBA shook the world (for very different reasons).

Suffice to say, the race for Record Of The Year — which is awarded to the artist and the producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s) — is going to be a tight one at the 2022 GRAMMY Awards show. 

With ABBA, Jon Batiste, Tony Bennett and Lady Gaga, Brandi Carlile, Lil Nas X, Billie Eilish, Doja Cat and SZA, Olivia Rodrigo, Silk Sonic, and Justin Bieber, Daniel Caesar and Giveon delivering equally impactful tunes, it's really anyone's to win. 

Before tuning into the show on April 3, 2022, get fully acquainted with this year's ROTY nominees below.

Nominations for the 2022 GRAMMYs Awards show are officially here! See the full list of nominations.

ABBA — "I Still Have Faith in You"

ABBA sent the world into a frenzy upon their much-anticipated return in September, when they released the first two songs from Voyage, their first album in 40 years. 

"I Still Have Faith In You," a heartfelt ode to their friendships that have endured throughout their time apart, is a song that the group wrote in 2018 along with its partner single, "Don't Shut Me Down." 

"New spirit has arrived/ The joy and the sorrow/ We have a story and it survived," the Swedish superstars sing on the chorus over a majestic rhythm, building to a series of dazzling harmonies for the song's epic finish. It's a musical odyssey that is oh-so-classic ABBA.

Believe it or not, this nomination marks ABBA's first GRAMMY nomination in their career. ("Dancing Queen," however, was inducted into the Recording Academy's Grammy Hall of Fame in 2015.) 

Considering that the group's Agnetha Fältskog has suggested that this album (and forthcoming tour) might be their last, there will likely be many fans glued to their TV to find out if ABBA get to call themselves GRAMMY winners.

Jon Batiste — "FREEDOM"

In an era where more and more artists are advocating acceptance, New Orleans musician Jon Batiste brought a big-band flair to an important message. 

Backed by jazzy instrumentation and a snappy beat, "FREEDOM" is an anthem for simply feeling good and feeling free. "Free to live (How I wanna live)/ I'm gon' get (What I'm gonna get)/ 'Cause it's my freedom," Batiste proclaims in the chorus.

The three-time GRAMMY nominee encapsulated the culture and energy of his hometown in three uplifting minutes, his soulful and impassioned voice bringing listeners on a joyful journey of celebrating themselves.

Ultimately, "FREEDOM" is lyrically and melodically what today's sociopolitical climate needs.

Read More: Jon Batiste Talks New Album We Are, His Brain-Breaking Itinerary & Achieving "Freedom" From Genre

Tony Bennett & Lady Gaga — "I Get a Kick Out Of You"

Who would've ever thought that a song first sung in 1934 would be nominated for a GRAMMY — let alone the coveted Record of the Year — in 2021? 

Lady Gaga and Tony Bennett made that possible with their take on the classic "I Get a Kick Out of You," the lead single from Love for Sale, the duo's second collaborative album of jazz standards by composer Cole Porter. 

Their adoring, decade-long friendship is apparent on the lively track, which builds from a mellow piano beginning into full jazz and swing orchestration by the song's end.

Between the two of them, Gaga and Bennett have 30 GRAMMYs (12 and 18, respectively). Yet, taking home Record of the Year would mark a special moment for the pair, as Gaga has never won the award and Bennett's last ROTY win was in 1963. 

What's more, Love for Sale is said to be Bennett's last album, as the 95-year-old was diagnosed with Alzheimer's disease in 2016, just before he and Gaga began recording the LP.

Take A Look Back: For The Record: The Liberating Joy Of Lady Gaga's Born This Way At 10

Justin Bieber Featuring Daniel Caesar & Giveon — "Peaches"

Just one year after Justin Bieber released his R&B-tinged LP, Changes, he unveiled what would become his biggest R&B hit to date, "Peaches." 

The suave track, which features R&B stars Daniel Caesar and Giveon, incorporates swirling production and a wavy melody, creating a perfect soundtrack for a windows-down cruise. 

The fifth single from Bieber's sixth studio album, Justice, "Peaches" has been highly praised as an album standout. The stats prove it: With nearly 1 billion streams on Spotify alone, the song gave Bieber his eighth Hot 100 No. 1 (and his only No. 1 from Justice). 

But the achievement that may be Bieber's proudest is notching a No. 1 on Hot R&B/Hip-Hop Songs, a feat he couldn't quite manage with last year's GRAMMY-nominated "Yummy." 

It also marks his first Record of the Year nomination as the lead artist (he received a nod for his role on Luis Fonsiand Daddy Yankee's "Despacito" in 2017), making "Peaches" a true career highlight for the Biebs.

Read More: The 64th GRAMMY Awards: Everything You Need To Know About The 2022 GRAMMYs Awards Show & Nominations

Brandi Carlile — "Right On Time"

Another timely tune, Brandi Carlile's "Right On Time" is a commentary on the impact of the COVID-19 pandemic, reflecting on conflict and regret. 

The piano-laced ballad put Carlile's powerful vocals at the forefront, particularly on the dynamic chorus that's reminiscent of the singer's previous ROTY nominee, 2017's "The Joke." Perhaps that's because Carlile herself has said she believes in "Right On Time" as much as she did "The Joke," something she has been waiting to feel for years.

In an interview with Entertainment Weekly, the singer/songwriter expounded on the song's meaning: "There's something really human about the obstacles that we've put in front of ourselves, and then deciding to just somehow explode through it and say, maybe I didn't come out of this right, maybe I didn't handle this the right way, maybe it wasn't right, but something had to happen — so it was right on time."

GRAMMY Flashback: Backstage At The 63rd GRAMMYs: Brandi Carlile Praises The "Artistic Threads That Chain Us All Together" Ahead Of Music’s Biggest Night

Doja Cat feat. SZA — "Kiss Me More"

If the hook of "Kiss Me More" sounds familiar, try listening to Olivia Newton-John's 1981 hit "Physical." 

Doja Cat and SZA's bouncy collab brilliantly interpolates the single, but swelling production and a punchy beat make "Kiss Me More" anything but a cheap ripoff. The lead single from Doja Cat's highly acclaimed third album Planet Her, the track spotlights the star's prowess as both a singer and a rapper, bringing in SZA for a flawless match-up of female power.

The song's rolling melody made it an instant radio hit (and, in turn, inescapable), earning Doja Cat her second No. 1 at pop radio and SZA her first. 

It reached No. 3 on the Billboard Hot 100, where it became the longest-running all-female top 10 hit in the chart's history, surpassing Brandy and Monica's GRAMMY-winning 1998 duet "The Boy Is Mine." 

Read More: From Meme Queen To Popstar: Revisiting Doja Cat's Inevitable Breakout

Billie Eilish — "Happier Than Ever"

After two back-to-back Record of the Year wins, Billie Eilish strikes again with "Happier Than Ever." 

The five-minute track is essentially two songs in one: The first half focuses on Eilish's softer register as she begins to tear into everything that was wrong in a past relationship ("When I'm away from you/ I'm happier than ever," she declares in the chorus); the second part elevates into a gritty guitar-driven, cathartic tell-off as Eilish demands at the song's finish, "Just f–kin leave me alone."

Eilish calls "Happier Than Ever," the titular track from her sophomore album, "probably the most therapeutic song I've ever written or recorded, like ever, ever, ever, 'cause I just screamed my lungs out," according to Genius.

But like much of Eilish's catalog, she presents that therapy session with a captivating melodic ride that keeps listeners hanging on with every word.

It's an amalgamation of everything Eilish has brought to the table in her whirlwind career thus far: haunting vocals, raw lyrics and a mosh-pit-worthy finale.

Read More: Billie Eilish's Road To Happier Than Ever: How The Superstar Continues To Break Pop's Status Quo

Lil Nas X — "MONTERO (Call Me By Your Name)"

It's hard to imagine that Lil Nas X could make a song more ubiquitous than 2019's "Old Town Road," but he put a solid player in the ring with "MONTERO (Call Me By Your Name)." 

The track became the talk of the industry upon the release of its controversial video, which featured raunchy scenes with the devil himself (yes, you read that right).

But beyond the shock factor, "MONTERO" played an important role in Lil Nas X's career, as it was his first official single to address his sexuality since he publicly came out as gay in 2019 ("C7osure [You Like]" from his debut EP, 7,touched on it, but was not released as a single). 

It also ushered in a new sound for the rapper, leaning more into hip-hop and trap and eliminating any country influence he brought with his first project.

The pivot worked: "MONTERO" debuted atop the Hot 100, earning Lil Nas X his second No. 1. The song has more than 1 billion streams on Spotify — and though that's only half of the stream count for "Old Town Road," "MONTERO" ultimately proved that Lil Nas was no one-hit wonder.

Take A Look Back: Lil Nas X, BTS & Billy Ray Cyrus Enter The "Old Town Road" Multiverse At The 2020 GRAMMYs

"driver's license" — Olivia Rodrigo

Whether you're 16 or 65, Olivia Rodrigo tugged at your heartstrings this year with her anthemic power ballad of teenage heartbreak, "driver's license." 

The piano-driven smash first gained traction when Rodrigo teased a snippet on social media last year, resulting in an almost unbelievable debut for the then 17-year-old upon its January release. 

The song broke the Spotify record for the most single-day streams for a non-holiday song, subsequently debuting at No. 1 on the Billboard Hot 100, where it stayed for eight consecutive weeks — earning Rodrigo the title of the youngest artist to debut atop the chart as well as the longest-running number-one debut.

Starting off with an apropos car engine start (a sound that seamlessly flows into the song's plinking piano), "driver's license" allows Rodrigo's tender voice to shine before she lets out howls of heartbreak on the chorus. 

The narrative becomes a full-on sing-along at the song's climax, a bridge you can't help but belt out. 

With so many layers and infectious hooks, the single became such a phenomenon that it even got its own sketch on "Saturday Night Live." Therein, one character summed it up perfectly: "If Olivia taught us anything, it's that pain can be creatively generative."

"Leave the Door Open" — Silk Sonic

A week after Bruno Mars and Anderson .Paak announced that they were joining forces for a superduo back in February, the pair — together, named Silk Sonic — released their first single, "Leave the Door Open." 

And it did not disappoint: The sensual track calls back to the '70s funk and soul music that inspires both singers (after all, Bootsy Collins did bestow them their name), with twinkling instrumentation and a finger-snapping beat that immediately gets you tapping your toes. 

The tune showcases each of their vocal specialties in masterful form, also incorporating their knack for lyrics as smooth as they are cheeky (for one, "And if you're hungry, girl, I got filets"). 

While Mars is no stranger to No. 1s, "Leave the Door Open" gave Anderson his first No. 1 on the Hot 100, Hot R&B/Hip-Hop Songs, and Rhythmic Airplay. 

If the song takes home Record of the Year, it'll be the four-time GRAMMY winner's first ROTY win, and the 11-time winning Mars' third.

2022 GRAMMYs Awards Show: Complete Nominations List

For the first half of 2023, hip-hop’s lack of chart success seemed to be all anyone could talk about. 

No hip-hop album went No. 1 until Lil Uzi Vert’s Pink Tape in July, and it wasn’t until September that Doja Cat broke a 13-month dry spell for the genre on Billboard’s Hot 100 singles chart with "Paint the Town Red" (the single is nominated for Best Pop Vocal Performance at the 2024 GRAMMYs, alongside Miley Cyrus' "Flowers," "Vampire" by Olivia Rodrigo, Taylor Swift's "Antihero" and Billie Eilish's "What Was I Made For?").

This situation caused a bunch of hand-wringing. As hip-hop celebrated its 50th anniversary, was the genre past its prime — artistic, commercial or both? Was it, as one popular radio personality proclaimed, being eased out by mysterious powers-that-be in favor of Afrobeats or reggaeton?

While it may not be reaching the top of the charts as frequently as in years past, hip-hop is as vibrant as ever. As it turns out, there was plenty of great hip-hop around in 2023, thanks to both new and veteran artists. As hip-hop enters its next 50 years, look back on some of the trends that are keeping the genre one of the most innovative.

SoundCloud Rap Returns

"SoundCloud rap" was an appellation given to a group of artists starting sometime in the mid-2010s. It referred to artists like XXXTentacion, Trippie Redd, Smokepurpp, Lil Pump, Denzel Curry, and many more. Often the artists looked as colorful as the music sounded — face tattoos were the norm — and its approach was structurally experimental, emo-influenced, and raw. (A good summary of the movement is here). 

SoundCloud rap as a movement ran out of steam in 2019 after a string of tragic deaths (Lil Peep, XXXTentacion, Juice WRLD). But now a new iteration of it is back. 

Yeat, who in 2018 back at the tail of SoundCloud rap’s initial run was hailed as "SoundCloud’s latest sensation," has developed into a major star who duets with Drake on the latter's For All The Dogs. He and a crew of artists such as Ken Car$on, Midwxst, and SSGKobe are taking the high-energy vibe of the initial wave of SoundCloud rap artists like Playboi Carti, and updating it for a new generation. 

This new slate is, as other coverage has pointed out, overall less chaotic and noisy, and more professional-sounding, than its predecessors, while still having similar youthful energy.

Women Are Leading The Way

For far too long in mainstream hip-hop, women have been relegated to "the one girl in the crew" status, or been pitted against each other by fans, media, and pretty much everyone else with a there-can-only-be-one mentality. Despite that, girls and women have always played a key role in the genre, both in front of the mic and behind the scenes.

Fortunately those retrograde notions are dead in 2023. A diverse array of female rappers are leading the way artistically and commercially. On the commercial side of the ledger, last year’s GRAMMY Best New Artist nominee Latto was the first rapper to score a No. 1 hit in 2023, while GloRilla, Coi Leray and Best New Artist nominee Ice Spice (who is nominated in the category alongside Gracie Abrams, Fred again.., Jelly Roll, Coco Jones, Noah Kahan, Victoria Monét, and the War And Treaty) have all had big chart wins.

Other female artists who are making big noise include Tierra Whack (who this publication pinpointed as someone "leading the next generation"), Rico Nasty, Flo Milli, Kash Doll, BIA, and countless others. For a primer on both how we got here and what the current generation is up to, make sure to watch the Netflix documentary Ladies First: A Story of Women in Hip-Hop.

Change Is Happening At The Margins

As with most art forms, the real excitement happens at the edges. Whether it's people who are operating outside of the commercial mainstream, or artists who are pushing to expand the idea of what being a rapper even means by incorporating other types of music, the margins are where all the fun is.

In 2023, artists continued to incorporate other genres to the point where questioning whether their music is still hip-hop becomes impossible to answer — see Lil Yachty’s recent psychedelic turn and Kassa Overall’s jazzy explorations. There are also the truly outré, experimental artists like Fatboi Sharif, whose dark and abstract vision is unlike anything else; and psychedelic deep thinker Gabe ‘Nandez.

And there is a vibrant, arty underground scene that has its own revered veterans like billy woods whose profile (both solo and as a member of the duo Armand Hammer with ELUCID) has been rising rapidly over the past few years; as well as a contingent of younger aligned musicians like Fly Anakin and Pink Siifu. 

Veterans Are Killing The Stage

While some young artists are canceling or postponing live dates, or having tickets on the secondary market go for surprisingly low prices, there’s one contingent of artists who are having no problem filling seats and satisfying fans: the OGs.

The culture's legends crossed the country on stacked tours — many of which coincided with  the much-heralded 50th anniversary of hip-hop.The Rock the Bells F.O.R.C.E. Tour featured LL Cool J, the Roots, and a busload of veteran rappers. 2023 also saw the Nas and Wu-Tang Clan New York State of Mind Tour, and 50 Cent’s Final Lap Tour. 

Hip-hop’s longtime stars are tearing down stages all over the world, and filling up arenas while doing it. Despite a popular culture always focused on the new and next, these OGs are showing their staying power where it counts — onstage, in front of the people. 

Hip-Hop Celebrates Its Golden Anniversary

Hip-hop officially celebrated 50 years of groundbreaking culture in August, but 2023 became a year-long celebration of the genre’s past. Figures going all the way back to Kool Herc and  DJ Hollywood had huge moments and a renewed focus on their achievements.

The celebration wasn’t limited to one single Yankee Stadium concert or one media outlet. It was instead a long and well-needed look back that spanned live events, museum exhibits, documentaries, books, and more. The retrospective really kicked off in February, with a killer showcase of hip-hop history at the 2023 GRAMMYs. And it continues all the way through to December with the Recording Academy’s "A GRAMMY Salute to 50 Years of Hip-Hop" special. 

20 Iconic Hip-Hop Style Moments: From Run-D.M.C. To Runways

Director Matthew Heineman planted his flag with gritty, warts-and-all documentaries about warfare, drug cartels and the devastating impact of the pandemic. As such, the proposition for American Symphony — a beloved musician's journey to his Carnegie Hall debut — might seem like lighter fare.

But as Heineman expertly draws out, this is a whole other kind of battlefield.

From its first scenes, it's abundantly clear this is not just about Batiste's titular, boundary-bulldozing work from 2022. That story is twinned with a different kind of symphony — the one between human beings, loving one another through unimaginable duress. As Batiste labored over this expansive, freighted production, his wife, Between Two Kingdoms memoirist Suleika Jaouad, reckoned with the return of her leukemia. 

From Batiste's palpable panic to an (unshown) bed filled with blood, American Symphony is unafraid to stare this tribulation in the eyes, as it follows Batiste's inimitable creative process. Even as it builds to its crescendo, Heineman keeps it bracingly human-level — and the result is a triumph.

A week after American Symphony hit Netflix, Heineman and Batiste sat down with the film's co-producer, Lauren Domino, and moderator Joe McGovern of "The Wrap," at Brooklyn Academy of Music for a post-screening spin through the documentation process. Here are five revelations from the discussion.

Working With Jaouad's Health Was Beyond Delicate

First, it must be said: by Batiste's telling, Jaouad is "doing great" today — in fact, she had to miss the event, as she had just headed to Costa Rica. (In a sweet moment at night's end, Heineman pointed his phone at the audience for a mass shout-out: "We love you, Suleika!")

But when the author was in the throes of her rediagnosis, nothing was certain — and given the pandemic was still in full swing, every precaution had to be taken. "After the bone marrow transplant, she didn't have an immune system," Heineman said. "If she got a cold, she could have died."

As such, "It was very complicated from a producing point of view to navigate the puzzle of Jon's insane life, and then trying to find our way into the hospital, and then back out again, and back in again."

But they pulled it off, in the most concise way possible — which, given the unbelievable amount of footage they got, is something of a miracle.

1,500 Hours Were Filmed For American Symphony

As this writer came across Batiste in various situations, over the last couple of years — including in Las Vegas around the 2022 GRAMMYs, and the American Symphony premiere — a camera crew conspicuously trailed him everywhere he went.

Clearly, it was for something down the pike. And that something accrued an unbelievable 1,500 hours of footage — about 62 straight days. This could have resulted in a nine-hour bonanza, like The Beatles: Get Back. Or even an entire television series.

But to Heineman's credit, he resisted going maximal, and opted for a fundamentally quiet story. In fact, in the lynchpin scene of the film, no words are said at all.

About That Scene…

American Symphony arguably hinges on this scene: Batiste sits alone onstage, at the piano, before a smallish audience. He dedicates his next piece to Jaouad. And then he sits silently for 95 seconds; his microexpressions, breath and hands are poetry. Finally, the notes come.

"It's so easy in documentaries… forcing an essay, or an idea, through dialogue, through words, through voiceover, or through talking heads, or whatever," Heineman said. "[I wanted to] hold that space to allow you all to interpret that moment in your own way."

As Batiste clarified, the concert in question was a totally extemporaneous affair, where Batiste played whatever his antenna picked up.

"There'd be moments where I would even sometimes get up from the piano and leave until something came," he recalls. "And it felt like at that moment, there was a prayer that really needed to be specified and spoken out."

When The Power Went Out At Carnegie, Adrenaline Shot Through The Roof

Another of the most powerful scenes in American Symphony is during the titular performance itself — and, naturally, it's also of Batiste playing piano.

Although it was inconspicuous to the audience during the symphony's world premiere, panic had set in at one point: the power had gone out onstage, rendering the microphones and electronics dead.

Right then, he pauses and spins a melody out of the air, reflecting and refracting sad and sweet footage of their couplehood, which plays out onscreen.

"If you could see my blood pressure spike in the control room," Domino said. Of co-producer Joedan Okun: "We're sitting next to each other, and we're like, 'This is what we have anxiety dreams about, and now it's happening.' This guy is used to shooting in war zones. Jon is a genius, and they're just cool as cucumbers."

Suffice to say, when it turned out their 13 cameras didn't kill the power, the relief was unimaginable. And as Okun correctly observed in the moment, "This is a cinematic wonder."

The Ending Was Almost Much Different

True to Heineman's facility for smiting darlings in the editing stage, he was unafraid to completely change the ending at the eleventh hour — even though that version was, by all accounts, tremendous.

"Jon did his encore, which is what happened in real life… this beautiful rendition of the national anthem," Heineman said. "But it just felt like we weren't paying attention to the rest of the film that we had just made, and we didn't feel the two of them together."

"So, I guess I wanted to have my cake and eat it too," he continued. "To have the culmination of American Symphony, but also the symphony of life that we witnessed over the past year, come together with the two of them walking forward."

Right then, against a velveteen, winter sky, Batiste and Jaouad walk together into the future. Regarding both symphonies, personal and musical, together as one: Bravo.

Here's What Went Down At The World Premiere Of Jon Batiste's American Symphony At Carnegie Hall

Across 2023, we've been treated to a shower of fantastic reissues, remixes and/or expansions. From the Beatles' Red and Blue albums, to Pink Floyd's The Dark Side of the Moon, to the Who's Who's Next, the list is far too massive to fit into a single article.

And, happily, it's not over yet: from now until Christmas, there are plenty more reissues to savor — whether they be mere vinyl represses, or lavish plumbings of the source material replete with outtakes.

As you prepare your holiday shopping list, don't sleep on these 15 reissues for the fellow music fanatic in your life — or pick up a bundle for yourself!

X-Ray Spex - Conscious Consumer (Vinyl Reissue)

Whether you view them through the lens of Black woman power or simply their unforgettable, snarling anthems, English punks X-Ray Spex made an indelible mark with their debut 1978 album, Germfree Adolescents.

Seventeen years later, they made a less-discussed reunion album, 1995's Conscious Consumer — which has been unavailable over the next 27 years. After you (re)visit Germfree Adolescents, pick up this special vinyl reissue, remastered from the original tape.

That's out Dec. 15; pre-order it here.

Fall Out Boy - Take This to Your Grave (20th Anniversary Edition)

Released the year before their breakthrough 2005 album From Under the Cork Tree — the one with "Dance, Dance" and "Sugar, We're Goin Down" on it — Fall Out Boy's Take This to Your Grave remains notable and earwormy. The 2004 album aged rather well, and contains fan favorites like "Dead on Arrival."

Revisit the two-time GRAMMY nominees' Myspace-era gem with its 20th anniversary edition, which features a 36-page coffee table book and two unreleased demos: "Colorado Song" and "Jakus Song." It's available Dec. 15.

Coheed and Cambria - Live at the Starland Ballroom

Coheed and Cambria is more than a long-running rock band; they're a sci-fi multimedia universe, as well as a preternaturally tight live band.

Proof positive of the latter is Live at the Starland Ballroom, a document of a performance at the Starland Ballroom in Sayreville, New Jersey, in 2004 — that hasn't been on vinyl until now. Grab it here; it dropped Nov. 24, for Record Store Day Black Friday.

Joni Mitchell - Court and Spark Demos

Post-aneurysm recovery, Joni Mitchell's on a well-deserved victory lap. But it's far more rewarding to analyze her as a musical genius than simply shower her with icon-status accolades.

Joni Mitchell Archives – Vol. 3: The Asylum Years (1972–1975), from last October, is a terrific way to do just that; its unvarnished alternate versions strip away the '70s gloss to spellbinding effect.

Which is no exception regarding the Court and Spark demos, which got a standalone release for RSD Black Friday.

P!NK - TRUSTFALL (Deluxe Edition)

The dependable Pink returned in 2023 with the well-regarded TRUSTFALL, and it's already getting an expanded presentation.

Its Deluxe Edition is filled with six previously unheard live recordings from her 2023 Summer Carnival Stadium Tour. Therein, you can find two new singles, including "Dreaming," a collaboration with Marshmello and Sting. Pre-order it today.

Snoop Dogg - Doggystyle (30th Anniversary Edition)

After his star-making turn on Dr. Dre's The Chronic, 16-time GRAMMY nominee Snoop Dogg stepped out with his revolutionary, Dre-assisted debut album, Doggystyle.

Permeated with hedonistic, debaucherous fun, the 1993 classic only furthered G-funk's momentum as a force within hip-hop.

Revisit — or discover — the album via this 30-year anniversary reissue, available now on streaming and vinyl.

As per the latter, the record is available special color variants, including a gold foil cover and clear/cloudy blue vinyl via Walmart, a clear and black smoke vinyl via Amazon and a green and black smoke vinyl via indie retailers.

Alicia Keys - The Diary of Alicia Keys 20

Alicia Keys has scored an incredible 15 GRAMMYs and 31 nominations — and if that run didn't exactly begin with 2003's The Diary of Alicia Keys, that album certainly cemented her royalty.

Her heralded second album, which features classics like "Karma," "If I Was Your Woman"/"Walk On By" and "Diary," is being reissued on Dec. 1 — expanded to 24 tracks, and featuring an unreleased song, "Golden Child."

The Sound of Music (Super Deluxe Edition Boxed Set)

Fifty-seven years has done nothing to dim the appeal of 1965's The Sound of Music — both the flick and its indelible soundtrack.

Re-immerse yourself in classics like "My Favorite Things" via The Sound of Music (Super Deluxe Edition Boxed Set), which arrives Dec. 1.

The box contains more than 40 previously unreleased tracks, collecting every musical element from the film for the first time, along with instrumentals for every song, demos and rare outtakes from the cast.

Furthermore, an audio Blu-ray features the full score in hi-res plus a new Dolby Atmos mix of the original soundtrack. And the whole shebang is housed in a 64-page hardbound book with liner notes from film preservationist Mike Matessino.

ABBA - The Visitors (Deluxe Edition)

With their eighth album, 1981's The Visitors, the Swedish masterminds — and five-time GRAMMY nominees — stepped away from lighter fare and examined themselves more deeply than ever.

The result was heralded as their most mature album to date — and has been repackaged before, with a Deluxe Edition in 2012.

This (quite belated) 40th anniversary edition continues its evolution in the marketplace. And better late than never: The Visitors was their final album until their 2021 farewell, Voyage, and on those terms alone, deserves reexamination.

Aretha Franklin - A Portrait of the Queen 1970-1974

Rolling Stone didn't recently declare Aretha Franklin the greatest singer of all time for no reason: in 2023, there's nary a pretender to the Queen of Soul's throne.

A Portrait of the Queen 1970-1974 compiles her first five albums of the 1970s: This Girl's In Love With You, Spirit in the Dark, Young Gifted and Black, Hey Now Hey (The Other Side of the Sky), and Let Me In Your Life.

Each has been remastered from the analog master tapes. The vinyl version has a bonus disc of session alternates, outtakes & demos. Both CD and vinyl versions are packaged with booklets featuring sleeve notes by Gail Mitchell and David Nathan. Grab it on Dec. 1.

Fela Kuti - Box Set #6

From the great beyond, Fela Kuti has done music journalists a solid in simply numbering his boxes. But this isn't just any Kuti box: it's curated by the one and only Idris Elba, who turned in a monumental performance as Stringer Bell on "The Wire."

The fifth go-round contains the Afrobeat giant's albums Open & Close, Music of Many Colors, Stalemate, I Go Shout Plenty!!!, Live In Amsterdam (2xLP), and Opposite People. It includes a 24 page booklet featuring lyrics, commentaries by Afrobeat historian Chris May, and never-before-seen photos.

The box is only available in a limited edition of 5,000 worldwide, so act fast: it's also available on Dec. 1.

Kate Bush - Hounds of Love (The Baskerville Edition) / Hounds of Love (The Boxes of Lost Sea)

Kate Bush rocketed back into the public consciousness in 2022, via "Stranger Things." The lovefest continues unabated with these two editions of Hounds of Love, which features that signature song: "Running Up That Hill (A Deal with God.)

There is no new audio on either edition; they feature distinctive packaging, and the latter splits the album into two boxes. Read on here, and pre-order them via Bush's site; they arrive Dec. 1.

The Rolling Stones - December's Children (And Everybody's), Got Live If You Want It! And The Rolling Stones No. 2 (Vinyl Reissues)

These three '60s Stones albums have slipped between the cracks over the years — but if you love the world-renowned rock legends in its infancy, they're essential listens.

No. 2 is their second album from 1965; the same year's December's Children is the last of their early songs to lean heavily on covers; Got Live If You Want It! is an early live document capturing the early hysteria swarming around the band.

On Dec. 1, they're reissued on 180g vinyl; for more information and to order, visit here.

Pink Floyd - Atom Heart Mother (Special Edition)

No, it's not half as famous as The Dark Side of the Moon or The Wall — but 1970's lumpy Atom Heart Mother certainly has its partisans.

Rediscover a hidden corner of the Floyd catalog — the one between Ummagumma and Meddle — via this special edition, which features newly discovered live footage from more than half a century ago.

The Black Crowes - The Southern Harmony and Musical Companion

After endless fraternal infighting, the Black Crowes are back — can they keep it together?

In the meantime, their second album, 1992's The Southern Harmony and Musical Companion, remains a stellar slice of roots rock — as a sprawling, three-disc Super Deluxe Edition bears out. If you're a bird of this feather, don't miss it when it arrives on Dec. 15. 

7 Musical Sibling Rivalries: CCR, Oasis, The Kinks & More

Rap music has changed a lot since the Best Rap Song category was introduced at the 2004 GRAMMYs. Most of the first year's nominees, even if they're still making music, now spend the majority of their time on things like making hit TV shows or running iconic fashion brands.

But the category, then and now, has its finger on the pulse; it gives us a cross-section of what makes hip-hop so important to so many people. The Best Rap Song nominees for the 2024 GRAMMYs are no different. The Category includes a pop princess taking a big left turn; two New Yorkers paying tribute to the greatest of all dolls; a Philly rapper taking us to the club; a duo who can't stop flexing on us; and a Dungeon Family reunion that spans generations. 

Below, take a deep dive into the five tracks up for Best Rap Song at the 2024 GRAMMYs.

Attention" — Doja Cat

Rogét Chahayed, Amala Zandile Dlamini & Ari Starace, songwriters (Doja Cat)

"Attention" marked a new era for Doja Cat — one where she moved away from the pop sounds that made her famous, and into something harder and more aggressive.

In the weeks leading up to the track's release, Doja called her earlier rapping attempts "mid and corny" and referred to the music that broke her into the big time as "mediocre pop." So it only made sense that her big statement single would be exactly that — a statement. 

The beat by Rogét Chahayed and Y2K has a drum loop that wouldn't sound out of place on Ultimate Breaks and Beats, and Doja lets the world see her inner hip-hop fan with some serious rapping — no mid or corny verses here. This is the Doja who can quote underground faves like Homeboy Sandman and Little Brother at the drop of a hat. 

"Attention" finds Doja addressing her often-contentious relationship with fans and social media, as well as the controversies she went through leading up to the song's release. But the whole thing is playful and ambiguous. Does she want the world's attention, now that she has it? What is she willing to do to keep it? In this song — and even more so in its video — Doja plays with these questions like a truly great superstar.  

"Barbie World" [From Barbie The Album] — Nicki Minaj & Ice Spice Featuring Aqua

Isis Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)

Aqua's "Barbie Girl" was too sexy for Mattel when it was released in 1997 — the company sued the band, claiming that people would associate lyrics like "Kiss me here, touch me there" with their wholesome children's toy. So it's both ironic and, given the post-irony tone of the movie itself, somehow fitting that "Barbie Girl" is sampled in a major song from the new Barbie movie.

And who better to bring Barbie to life in rap form than the head of the Barbz? Soundtrack producer Mark Ronson said that there was no way to have a Barbie soundtrack without Nicki Minaj, and he was absolutely right. Nicki, with her career-long association with Mattel's most famous toy, was the perfect choice. Joining her on the track is the hottest rapper of the moment, Ice Spice. Ice's go-to producer RiotUSA did the music for the song, which accounts for both its aggressive drums and its sample drill-style use of the once-verboten Aqua hit. 

Nicki and Ice have great chemistry in the song. Nicki doesn't treat the song like a movie soundtrack throwaway — her rhyming is clear, sharp, layered, and funny. And she gets extra points for referring to a bob-style wig as her "Bob Dylan."

"Just Wanna Rock" — Lil Uzi Vert

Mohamad Camara, Javier Mercado & Symere Woods, songwriters

Lil Uzi Vert took "Just Wanna Rock" from TikTok all the way to the GRAMMYs.

The track began as a snippet on the social media app, where it went viral, garnering hundreds of millions of views; even celebrities like Kevin Hart got into the act. When the actual song came out, at just about two minutes long, it wasn't much longer than a TikTok video. But it didn't need to be — the full track kept all the joy and danceability of the memeable excerpt.

"Just Wanna Rock" features Uzi acting as an MC, but not in a traditional going-for-the-cleverest-rhyme way. Instead, his voice is used more for its rhythmic qualities, darting in and out of the four-on-the-floor pounding of the kick drum with short, punchy phrases. "I just wanna rock, body-ody-ya" may not look like much on the page, but it's placed perfectly, and it's the kernel that blossoms into the rest of Uzi's performance.

He takes the rhythm of that initial phrase and plays with it throughout in increasingly intricate ways, while never losing sight of the source material. The song is heavily influenced by the Jersey club sound that has been all over hip-hop this year. As the most popular rap/Jersey club crossover of 2023, it makes perfect sense that "Just Wanna Rock" is in the running for Best Rap Song — even if it is unfinished.

"Rich Flex" — Drake & 21 Savage

Shéyaa Bin Abraham-Joseph, Charles Bernstein, Isaac "Zac" De Boni, Brytavious Chambers, Aldrin Davis, Aubrey Graham, J. Gwin, Clifford Harris, Gladys Hayes, Anderson Hernandez, Michael "Finatik" Mule, Megan Pete, B.D. Session Jr & Anthony White, songwriters

Simon and Garfunkel. Sam and Dave. Hall and Oates. To that list of great duos, it might be time to add Drake and 21 Savage. Seven years after their first collaboration, Toronto and Atlanta's finest finally got together for a full-length project in 2023, and Her Loss standout (and opener) "Rich Flex" is now up for an award on Music's Biggest Night.

"Rich Flex," like much latter-day Drake, has multiple beats. But in this case, that adds to the song's playful mood. Drizzy and 21 sound like they're actually having fun — Drake even playfully lapses into a sing-songy, nursery rhyme-esque melody on occasion. Savage, for his part, seems to be having a blast interpolating Megan Thee Stallion's "Savage" — a move which earned the Houston rapper a writing credit on the track. 

Drake, as in a lot of his recent work, seems consumed with the costs of fame: haters everywhere you look, hangers-on who make your house feel like a hotel; women who won't leave you alone; unwanted attention from law enforcement. But he almost never sounds this engaged, even joyful, when addressing these topics. Maybe what he needed all along was a duet partner. 

"Scientists & Engineers" — Killer Mike Featuring André 3000, Future And Eryn Allen Kane

Paul Beauregard, Andre Benjamin, James Blake, Tim Moore, Michael Render & Dion Wilson, songwriters

It was Andre 3000's first appearance on a song in two years that got all the attention at first. But there's a lot more to "Scientists & Engineers" than the fact that the reclusive half of OutKast shows up.

For one thing, it's what he shows up with. Andre's verse is smart, well-observed, poetic, and somehow manages to change focus completely in the middle and yet still hold together as an artistic statement.

But he's far from the only talent on the song. The track is a veritable all-star fest — not for nothing did Killer Mike call it a "hip-hop fantasy." On the music side, there are contributions from legendary producers No ID and Three 6 Mafia's DJ Paul, hip-hop's favorite singer/songwriter James Blake, and TWhy. Singer Eryn Allen Kane adds her gorgeous vocals. And Future, who lest we forget, began his career as a "second generation" member of the Dungeon Family collective that included OutKast and Mike, adds his patented boastful vulnerability.

Then there's Mike himself. He needed to bring a stellar performance in order not to be buried by all his very special guests, and he more than pulls it off. "I am Thelonius Monk in a donk," he rhymes, and the combination of the innovative jazz legend and the classic car with big rims perfectly describes not only him, but the entire mood he sets with this song.

The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, returns to Los Angeles' Crypto.com Arena on Sunday, Feb. 4, 2024, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

The Recording Academy and GRAMMY.com do not endorse any particular artist, submission or nominee over another. The results of the GRAMMY Awards, including winners and nominees, are solely dependent on the Recording Academy's Voting Membership.

2024 GRAMMY Nominations: See The Complete Winners & Nominees List