Brandi Carlile, Jimmy Eat World, Lizzo and Rodrigo y Gabriela are among the over 100 headlining musical artists that have been announced for Summerfest, the 11-day music festival in Milwaukee, this year.

The massive festival will take place June 26–30 and July 2–7 in downtown Milawaukee and will also feature Billie Eilish, The Roots, The Lonely Island and Atmosphere. The full lineup can be seen at the Summerfest website. 

Last week, the fest announced that Lil Wayne, Snoop Dogg and Schoolboy Q will headline the last day of performances at the American Family Insurance Amphitheater, which will host a series of performances with tickets that can be purchased separately from the Summerfest general admission ticket (but also include G.A. access). A weekday admission ticket can also be purchased. More info on the variety of tickets can be found here.  

Summerfest features 12 stages and over 800 acts in 11 days, according to the fest. For more information on ticket sales, visit the Summerfest website. 

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It’s impossible to ignore the growing global popularity of K-pop. Although Korean pop has been around for decades, the genre's meteoric worldwide success over the past 10 years is reminiscent of Beatlemania and the early 2000s American boy band craze. With a steady increase year-over-year in album sales and K-pop groups touring the U.S. and Europe, interest in K-pop shows no signs of slowing down.

Initially launched in South Korea as a music subgenre with Western pop, R&B and hip-hop influences in the '90s, the K-pop industry is valued at around $10 billion.

Given the worldwide appetite for K-pop, several Western musicians are keen to partner with K-pop acts crossing over into more international markets, often with songs sung partially or entirely in English. While K-pop artists do not need Western artists to be successful — BTS sold out London’s Wembley stadium in under 90 minutes back in 2019, and BLACKPINK made Coachella history twice with performances in 2019 and 2023 — K-pop's massive fanbase and multi-genre influence make it an ideal collaboration for everyone from rappers and singers to electronic DJs.

But don’t take our word for it. Here are nine of the most iconic K-Pop/Western collaborations (not in any order; they are all great songs!).

Usher and Jungkook - "Standing Next to You (Usher Remix)" (2024)

The maknae (the youngest member of the group) of global K-pop superstars BTS and the King of R&B are both having banner years: Jungkook released his debut solo album, and Usher just performed at the Super Bowl. 

The Bangtan Boys have cited Usher as a significant influence (even singing a callback to his 2001 hit "U Got It Bad" in their No. 1 song, "Butter"), so BTS fans were delighted when the Jungkook tapped Usher for a remix of "Standing Next to You." The song marks the fourth single from his Billboard 200 chart-topping debut album, Golden. 

Both singers count Michael Jackson as a major influence. In their collaboration video, Usher and Jungkook pay tribute to the King of Pop as they slide, pop, and lock across the slick floor of an abandoned warehouse. 

John Legend and Wendy of Red Velvet - "Written in the Stars" (2018)

R&B singer/pianist John Legend was the perfect choice for an R&B ballad with Wendy, the main vocalist of K-pop quintet Red Velvet. The final song on the five-track SM Station x 0, a digital music project, "Written in the Stars," is a beautiful, mid-tempo love song. A bit of a departure from K-pop’s typical upbeat sound, Wendy and Legend are in perfect harmony over a warm yet melancholic rhythm.

As Red Velvet’s main vocalist, Wendy was the ideal voice for this collaboration. Additionally, she split her childhood between Canada and the U.S., and has been comfortable singing in English since Red Velvet debuted in 2014. This wasn't her first collab with a Western artist: In 2017, she released an English-language version of the pop ballad "Vente Pa’Ca" with Ricky Martin. 

BLACKPINK and Selena Gomez - "Ice Cream" (2020)

A powerhouse debut single, BLACKPINK collaborated with pop royalty Selena Gomez on the massive 2020 hit "Ice Cream."

An electropop-bubblegum fusion filled with dairy double entendres, "Ice Cream" was an enormous success for both Gomez and the BLACKPINK girls. The track peaked at No. 13 on the Billboard Hot 100 and has racked up nearly 900 million YouTube views to date. 

Written by a consortium of hitmakers, including Ariana Grande and BLACKPINK’s longtime songwriter and producer Teddy Park (a former K-pop idol himself), "Ice Cream" shows that YG Entertainment’s golden foursome and Gomez were the correct partnership for this track. The pop-trap bop marked the first time a K-pop girl group broke the Top 20 on the Billboard Hot 100 chart and immediately solidified BLACKPINK as global superstars. 

Snoop Dogg and Monsta X - "How We Do" (2022)

West Coast rap godfather Snoop Dogg has quietly become one of the go-to Western acts for K-pop collabs, working with Psy, BTS, Girls’ Generation and 2NE1. K-pop is the Dogg Father's "guilty pleasure," and he performed at the Mnet Asian Music Awards with Dr. Dre in 2011. Without Snoop's love of K-pop, the world might not have gotten this fun and energetic collaboration with Snoop and Monsta X, a five-member boy group under Starship Entertainment.

The song appears in The Spongebob Movie: Sponge On The Run in a dance segment where Snoop, decked out in a pink and purple Western suit, is accompanied by zombie dancers. Though we do not see the members of Monsta X, their harmonious crooning is the perfect accent to Snoop Dogg’s trademark casual West Coast flow.

BTS and Steven Aoki - "MIC Drop (Steve Aoki remix)" (2017)

No K-pop list is complete with a nod to the magnificent seven, and "MIC Drop" is one of their catchiest Western collabs to date. 

"Mic Drop" is quintessential BTS: a nod to hip-hop with a heavy bass line and fun choreography. While the original version of "MIC Drop" is excellent, the remix with EDM superstar DJ Steve Aoki and rapper Desiigner cracked the Top 40 on the Billboard Hot 100 — the first of many hits for the Bulletproof Boy Scouts. 

Released at a time when BTS were just starting their ascent to chart-topping Western dominance, the track's boastful lyrics and tension-building electro-trap production offered an excellent introduction to the group that would soon become international superstars. 

JYJ, Kanye West and Malik Yusef - "Ayyy Girl" (2010)

A truly deep K-pop cut, you’d be hard-pressed to find many people who know that Kanye West collaborated with a first-generation K-pop group over 13 years ago. Released as the lead single on JYJ’s English-language album The Beginning, West’s signature bravado and wordplay are on full display over a track that sounds like the Neptunes produced it.

The song garnered attention in the U.S., but after a string of bad luck (including a severely delayed U.S. visa process and issues with their management company, SM Entertainment), JYJ could not capitalize on their American success. The group continued to see success in Korea and Japan in the early 2010s but never made a splash in the Western market again.

IVE and Saweetie - "All Night" (2024)

A reimagining of Icona Pop’s 2013 song of the same name, "All Night," sees fourth-generation K-pop girl group IVE partner with rap’s resident glamor girl Saweetie for a funky, electronic-infused pop song that’s perfect for dancing from dusk till dawn. 

"All Night" is the first English song for the Starship Entertainment-backed group. Interestingly, none of the members of IVE have individual lines in the song, choosing instead to sing the lyrics in a six-part harmony. This choice is exciting but fun, giving listeners the feeling that they are more than welcome to sing along. 

The girl group embarked on their first 24-date world tour in January 2024, with stops in the U.S., Asia, Europe and South America. Given their quest for global dominance, there’s a good chance "All Night" won’t be IVE's last English-language release.

BTS and Megan Thee Stallion - "Butter (Remix)" (2021)

BTS’ "Butter" had already spent three weeks atop the Billboard charts and was declared the "song of the summer" when the group’s label announced Houston rapper Megan Thee Stallion as the guest star for the song’s remix in late August 2021. The GRAMMY-nominated septet is no stranger to collaborating with Western musicians, having worked with Halsey, Jason Derulo, and Coldplay. 

Though only slightly altered from the original (Megan’s verse was added in place of the song’s second original verse, along with several ad-libs), the remix was praised by both fans and critics alike, catapulting the song’s return back to the No. 1. Although the collaborators did not release a new music video featuring the group and the self-proclaimed "Hot Girl Coach," three members of BTS’ "dance line" (members J-Hope, Jungkook and Jimin) released a specially choreographed dance video. Additionally, Megan was a surprise guest during BTS’ record-breaking Permission to Dance LA concert in November of the same year.

LE SSERAFIM and Niles Rodgers - "Unforgiven" (2023)

GRAMMY Lifetime Achievement Award recipient Nile Rodgers' first foray into K-pop was a partnership with LE SSERAFIM, a fourth-gen girl group from the same parent company behind BTS. "Unforgiven" was released earlier this year as the lead single from the group’s debut album of the same name. 

A darker take on the familiar K-pop formula with A Western feel and look (the young quintuplet dons cowboy hats, boots and bolo ties in the song’s accompanying music video), "Unforgiven" is about rebellion and being a fierce, strong and independent risk taker. That riskiness drew Rodgers' ear. 

"It seems like a lot of the K-pop that I'm hearing lately, the…chord changes are a lot more interesting than what's been happening [in other music fields] over the last few years," he told GRAMMY.com in 2023. "I come from a jazz background, so to hear chord changes like that is really cool. They’re not afraid, which is great to me."

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Beneath the empty bottles, Tish Melton wants to know if her love is true; to her, drunken confessions of love mean nothing. It's what happens when the party's over and no one is watching — that's when she sees that person at their most authentic.

"You're standing close/ But you're so far away/ Your eyes are closed/ But you see me anyway," Melton sings on the bridge of her emotional track "Sober." "And I swear you told me you love me on the walk home/ If you meant it, I'll never know/ I think we should stay sober."

In this episode of Press Play, the indie pop newcomer premieres "Sober" with a raw and intimate acoustic performance.

"Sober" is an unreleased track from her upcoming first EP, When We're Older, which arrives on March 1. Melton previously released three singles in 2023, "Damage," "The Chase," and "Michelle."

As she prepares her debut project, Melton already has a major supporter in her corner: nine-time GRAMMY winner Brandi Carlile, who has been a mentor to Melton since recognizing her talent at her debut show at the Troubadour in Los Angeles.

"Tish is so young and so brilliant," Carlile, who produced When We're Older, revealed in a press statement. "Like most lessons in life, I learned this one while I thought I was teaching it. We should guide youth in music, but there is no question that it should lead."

Watch the video above to hear Tish Melton's honest performance of "Sober," and check back to GRAMMY.com for more new episodes of Press Play.

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Since the start of her career, four-time GRAMMY winner Lizzo has been making music that radiates positive energy. Her Record Of The Year win for "About Damn Time" at the 2023 GRAMMYs proved that being true to yourself and kind to one another always wins.

Travel back to revisit the moment Lizzo won her award in the coveted category in this episode of GRAMMY Rewind. 

"Um, huh?" Lizzo exclaimed at the start of her acceptance speech. "Let me tell you something. Me and Adele are having a good time, just enjoying ourselves and rooting for our friends. So, this is an amazing night. This is so unexpected."

Lizzo kicked off her GRAMMY acceptance speech by acknowledging Prince's influence on her sound. "When we lost Prince, I decided to dedicate my life to making positive music," she said. "This was at a time when positive music and feel-good music wasn't mainstream at that point and I felt very misunderstood. I felt on the outside looking in. But I stayed true to myself because I wanted to make the world a better place so I had to be that change."

As tracks like "Good as Hell" and "Truth Hurts" scaled the charts, she noticed more body positivity and self-love anthems from other artists. "I'm just so proud to be a part of it," she cheered.

Most importantly, Lizzo credited staying true to herself despite the pushback for her win. "I promise that you will attract people in your life who believe in you and support you," she said in front of a tearful audience that included Beyoncé and Taylor Swift in standing ovation, before giving a shout-out to her team, family, partner and producers on the record, Blake Slatkin and Ricky Reed. 

Watch the video above for Lizzo's complete acceptance speech for Record Of The Year at the 2023 GRAMMYs. Check back to GRAMMY.com for more new episodes of GRAMMY Rewind, and be sure to tune into the 2024 GRAMMYs on Sunday, Feb. 4, airing live on the CBS Television Network (8-11:30 p.m. LIVE ET/5-8:30 p.m. LIVE PT) and streaming on Paramount+ (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).

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Editor’s note: This story was updated on Monday, Jan. 8, to include mention of Luke Combs and his 2024 GRAMMY nomination.

Renowned for her stripped-back folky sound, social conscience and storytelling abilities, Tracy Chapman has never really fitted into the pop landscape. The singer/songwriter emerged in the late 1980s, a period when big-voiced power balladeers and exuberant teen princesses were all the rage. And throughout the following two decades, the Cleveland native continued to assemble an impressive body of work that remained utterly impervious to fleeting chart trends. 

Chapman's determination to carve out her own distinct path has undeniably reaped its rewards. Her self-titled debut album topped the Billboard 200 in 1988, sold 20 million copies and received six GRAMMY nominations; she won three (Best Contemporary Folk Album, Best Female Pop Vocal Performance and the coveted Best New Artist). A mid-'90s career resurgence, meanwhile, helped to boost her awards tally, with biggest hit "Give Me A Reason" picking up Best Rock Song. 

And whether standing in for Stevie Wonder at Nelson Mandela's 70th Birthday Tribute Concert or performing "Talkin’ Bout a Revolution" on the eve of the 2020 presidential election, Chapman has used her earthy voice to soundtrack several key historical moments.   And the very traditional kind of artist even unwittingly became a viral sensation thanks to a powerful rendition of Ben E. King classic "Stand By Me" in aid of David Letterman's late-night retirement.  

Although Chapman hasn't released a studio album since 2008's Our Bright Future, her music has remained an ever-present. From Sam Smith and Justin Bieber, to Passenger and Luke Combs, it's probably quicker to list which contemporary acts haven't covered her defining single "Fast Car" in recent years; dance producer Jonas Blue even took it back into the Hot 100 In 2015. Kelly Clarkson, Black Pumas and Jamila Woods have all paid tribute by tackling different songs from Chapman's remarkably consistent oeuvre, too.

Of course, Chapman's modern-day cachet extends beyond the odd song. Here's a look at five artists who have credited the star as a formative influence on their entire careers.

Luke Combs

By now, an ocean of ink has been spilled about Luke Combs making Tracy Chapman’s "Fast Car" a hit once more — from its racial, sexual, class, gender, and genre dynamics, to whether whitewashing was at play. But with all due respect to the talking heads, the truth is arguably much simpler: when it comes to great singer/songwriters, game recognizes game.

"There was this one song that really stuck out to me. It was called 'Fast Car,'" Combs said onstage last year. “That song meant a lot to me since then — for my whole life. I always think about my dad when it comes on and us spending time together.” It’s awfully telling, too, that Combs didn’t flip the gender of the song — a token of respect. He, too, is a "checkout girl."

Decades after its creation, Combs' take on "Fast Car" made a U-turn to the top of the Billboard country charts; at the 2024 GRAMMYs, his version is nominated for Best Country Solo Performance.

"It has stayed with me since I have played it in my live show now for six-plus years and everyone — I mean everyone — across all these stadiums relates to this song and sings along," Combs later told Billboard. That’s the gift of a supernatural songwriter." Yes, “Fast Car" is deeply, incontrovertibly human, and earthbound. But Combs reminded us that it’s charged with magic, too. — Morgan Enos

Khalid 

Just like Chapman, Khalid racked up a glut of GRAMMY nominations with his debut album, American Teen. And while promoting the record on BBC Radio One's Live Lounge in 2018, the chart-topper doffed his cap to one of its major influences with an acoustic reworking of "Fast Car." An obvious choice, perhaps, but speaking to Forbes later that same year, Khalid insisted that he was far from just a fair-weather fan. 

"For me, Tracy Chapman was just someone who inspires me in terms of songwriting," the "Talk" hitmaker revealed. "When I think about songwriting just how she can make you feel like you're in that moment." Chapman was also the first name that came to mind when Khalid was asked about his biggest musical inspiration in our One Take series.  

Lisa Marie Presley 

The late Lisa Marie Presley took her time following in her father's footsteps, releasing her debut album, To Whom It May Concern, at the relatively late age of 35. But it was the music of singer/songwriters such as Linda Ronstadt, Shelby Lynne and, in particular, Tracy Chapman (rather than the rock and roll of Elvis) that informed her sound.  

In a 2012 chat to promote third LP Storm and Grace, Presley told Rolling Stone India, "I've never met Tracy, but she's always been a huge influence on me; I don't even know if she knows that. From her first album until everything, she's been such an influence on me as a singer-songwriter." 

Presley also referenced Chapman in an interview with the Huffington Post about her musical inspirations, adding, "I love women who sing, and they mean what they're saying, and they reach in and grab you. It moves you. You can feel the singer, and it's for real." And while appearing on BBC Radio 2’s Tracks of My Years in 2013, the star selected "Smoke and Ashes" from Chapman's 1995 LP New Beginning as one of her all-time favorites.  

Valerie June 

"The missing link between Memphis Minnie and Tracy Chapman" is how singer/songwriter Valerie June was once described. No doubt that Chapman, whose sound combines folk-pop with everything from soul and bluegrass to traditional Appalachian music, would have been on board with such comparisons.   

June became a die-hard Chapman fan while growing up in Jackson, Tennessee, as she explained to the Washington Post in 2014: "I wanted to perform from probably the age of four or five, but I never believed I could. I saw Tracy Chapman and Whitney Houston and wanted to be like them. But I thought, 'Yeah, no way. They didn't come from a little old place like this.'" 

Of course, June did manage to carve a niche for herself in the wider world. She even picked up a Best American Roots Song nod at the 2022 GRAMMYs for "Call Me A Fool," a collaboration with Stax legend Carla Thomas. And one of her proudest career moments was following in Chapman's footsteps by appearing on "Austin City Limits."  

Brandi Carlile 

Brandi Carlile has achieved several GRAMMY milestones throughout her glittering career. The Americana favorite was the most-nominated artist at the 2019 ceremony in which she took home three gongs. Then in 2022, she became the first-ever female songwriter to pick up two Song Of The Year nods simultaneously. And the music of Tracy Chapman helped set Carlile on her 24-time nominated path. 

Carlile has frequently acknowledged the influence that the "Fast Car" hitmaker has had on her career. While hosting "Somewhere Over the Radio," a SiriusXM show designed to celebrate "queer excellence," the star played one of her most cherished Chapman songs. And during her 2023 A Special Solo Performance tour, she brought out wife Catherine to perform a duet of New Beginning cut "The Promise." 

Carlile is such a fan that while responding to a fan on Twitter in the pandemic-hit 2020, she argued that one of the few ways the year could redeem itself was if Chapman dropped a new album.  

Tori Amos 

Eight-time GRAMMY nominee Tori Amos and Tracy Chapman began their careers in tandem: David Kershenbaum executive produced the eponymous first albums from both the former's short-lived synth-pop outfit Y Kant Tori Read and the latter singer-songwriter around the same time. And the flame-haired pianist was one of the first to recognize that her counterpart was something special. 

In a Pitchfork interview about her musical tastes, Amos revealed that Tracy Chapman essentially changed her entire outlook. "It woke me up and took me back to my 5-year-old self, who was creating from a pure place of intention of music being magic, as a place where we could walk into and feel many different things." 

Amos subsequently ditched the crop top, leather pants and copious amounts of hairspray and, like Chapman, followed her artistic instincts. When asked by Glamour magazine in 2012 which female artists its younger readers should explore, the "Cornflake Girl" hitmaker didn't hesitate in mentioning her fellow 1988 debutant.  

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