Photo: Courtesy of Wrabel
ReImagined: Wrabel Strips Down Snow Patrol's "Chasing Cars" In A Stunning Acoustic Performance
Cozied up on his couch, pop singer Wrabel delivers an acoustic guitar-led rendition of Snow Patrol's GRAMMY-nominated hit, "Chasing Cars."
Almost two decades ago, Irish-Scottish alt-rock band Snow Patrol became one of the leaders of the 21st century Britpop revival with their hit single "Chasing Cars." Thanks to a placement on Grey's Anatomy, "Chasing Cars" skyrocketed to global success, later snagging a Best Rock Song nomination at the 2007 GRAMMY Awards.
In this episode of ReImagined, pop singer Wrabel offers a beautiful rendition of the mid-2000s smash. While he remains true to the song's original composition, Wrabel adds his own sonic twist with a stripped-down performance, using only his acoustic guitar and soothing vocal tone.
Wrabel has gained a loyal following since releasing his debut EP, Sideways, in 2014. His latest EP, chapter of me, arrived in April, and the singer already delivered another single, "Turn Up the Love," less than a month later. Wrabel also has a prolific career in songwriting, previously collaborating with stars like Kesha and P!nk.
On June 23, Wrabel will perform in Dallas as part of the AT&T Turn Up the Love Tour, alongside Years & Years, Slayyyter, and more. The tour — which highlights LGBTQ+ musicians supporting The Trevor Project — also stopped in Chicago on June 10 and San Francisco on June 17.
Press play on the video above to watch Wrabel's guitar-driven rendition of Snow Patrol's "Chasing Cars," and check back to GRAMMY.com for more new episodes of ReImagined.
Photo: Courtesy of Prateek Kuhad
ReImagined: Prateek Kuhad Delivers A Poignant Acoustic Cover Of John Mayer's "Waiting On The World To Change"
Indian singer/songwriter Prateek Kuhad delivers a stripped-down performance of John Mayer's GRAMMY-winning single, "Waiting on the World to Change."
In 2006, John Mayer wrote "Waiting on the World to Change," feeling hopeless about the ongoing wars and society's future. Almost twenty years later, the track still finds relevancy in a world, once again, ridden by political tension.
"We see everything that's going wrong/ With the world and those who lead it/ We just feel like we don't have the means/ To rise above and beat it," Mayer croons in the opening verse. "So we keep waiting/ Waiting on the world to change."
In this episode of ReImagined, Indian singer Prateek Kuhad offers his take on Mayer's GRAMMY-winning call for peace. He remains faithful to Mayer's signature acoustic sound with a stripped-down performance, using only a guitar and a piano.
Along with Mayer, Kuhad also calls blues and folk singers Elliot Smith and Bob Dylan the primary influences on his songwriting.
Kuhad's cover comes on the heels of his latest project, Mulaqat, which was written exclusively in Hindi. In a social media post on the eve of the EP's release, Kuhad shared that the five-song collection is "stories from my life this year and are very close to my heart."
Press play on the video above to hear Prateek Kuhad's rendition of John Mayer's "Waiting on the World to Change," and check back to GRAMMY.com for more new episodes of ReImagined.
Photo: Courtesy of Kassa Overall
ReImagined: Kassa Overall Transforms Snoop Dogg's "Drop It Like It's Hot" With Jazzy Improvisation
Contemporary jazz star Kassa Overall uses his genre-bending of hip-hop and jazz to offer a new perspective on Snoop Dogg's 2004 hit single with Pharrell, "Drop It Like It's Hot."
While Snoop Dogg and Pharrell boast a bevy of chart-toppers across their respective careers, both artists' first No. 1 can be traced back to 2003 thanks to one special single: "Drop It Like It's Hot." The track went on to receive two GRAMMY nominations, Best Rap Song and Best Rap Duo/Group Performance. By the end of the 2000s, Billboard declared it the most popular rap song of the decade.
In this episode of ReImagined, contemporary jazz artist and drummer Kassa Overall delivers a live performance of "Drop It Like It's Hot" from a highway. Overall uses pieces of the song's original iconic production — like its tongue clicks — but ultimately turns it into his own with jazzy improvisation.
Overall's spirited performance is a teaser for what fans can expect on his Ready to Ball World Tour, which kicked off with a sold-out performance in Tokyo on Oct. 19. The trek will see Overall hit 30 cities in the United States and Europe, ending on March 21 in Knoxville, Tennessee.
Press play on the video above to hear Kassa Overall's unique rendition of Snoop Dogg and Pharrell's "Drop It Like It's Hot," and check back to GRAMMY.com for more new episodes of ReImagined.
Photo: Courtesy of Adi
ReImagined: Adi Feels "Happier Than Ever" In This Thunderous Cover Of Billie Eilish's Hit Single
Mexican singer/songwriter and TikTok star Adi offers a synth-pop take on Billie Eilish's GRAMMY-nominated single "Happier Than Ever."
Though the title "Happier Than Ever" suggests otherwise, Billie Eilish's hit song is far from it. As the track's instrumental transitions from a soothing ukulele to a blazing electric guitar, Eilish comes to terms with her ex's mistreatment before exploding with rage over his behavior she let go over the years.
"I don't talk s— about you on the internet/ Never told anyone anything bad," Eilish exposes in the song's second movement. "'Cause that s—'s embarrassing, you were my everything/ And all that you did was make me f—ing sad."
In this episode of ReImagined, Mexican singer/songwriter Adi delivers an equally cathartic cover of "Happier Than Ever." She remains faithful to Eilish's vocal performance, but trades in the original pop-punk production for synth-pop sounds.
Beyond covers, Adi is a prolific content creator on TikTok and Instagram, boasting more than 450,000 combined followers across all platforms.
Since making her debut with the single "Poison" in March 2022, Adi has released two more singles, "Ojos Marrones" and "Monstruos." According to a press statement, her songwriting "reflects the feelings of a new generation of young people, where loneliness, depression, and love are present in their daily lives."
Press play on the video above to hear Adi's raging cover of Billie Eilish's "Happier Than Ever," and check back to GRAMMY.com for more new episodes of ReImagined.
Photo: Courtesy of Alé Araya
ReImagined: Alé Araya Puts An Atmospheric Spin On Bon Iver's "Holocene"
Chilean artist Alé Araya uses her laptop, synthesizer and a well-worn piano to create an enchanting new version of Bon Iver's GRAMMY-nominated hit "Holocene."
Bon Iver's breakout moment came in 2011 with the release of "Holocene," the second single off the indie rock act's sophomore album Bon Iver, Bon Iver.
"And at once, I knew I was not magnificent/ Strayed above the highway aisle/ Jagged vacance, thick with ice/ But I could see for miles, miles, miles," frontman and founder Justin Vernon sang in floating falsetto on the song's chorus, over the strum of acoustic guitar and gentle percussion.
In this episode of ReImagined, Chilean artist Alé Araya turns the delicate track into a wistful piano ballad. She shows off her many musical talents as well, pivoting between her laptop, synthesizer and a well-worn upright piano as her crystalline vocals tie everything together.
Bon Iver earned dual GRAMMY nominations for both Record Of The Year and Song Of The Year for "Holocene" the following year. While both of those awards went to Adele's "Rolling in the Deep," Vernon and co. ultimately took home two other trophies — for Best New Artist and Best Alternative Music Album.
Araya is having a breakout year of her own in 2023, recently releasing her debut EP, in pieces, which featured collaborations with greek ("Endless Sky"), aisu ("Citrine") and Joseph Chilliams ("Midnight Gospel"). She also joined forces with honey and Vrdnyn on the collaborative 2023 single "Prada Princess."
Press play on the video above to watch Araya interpretation of Bon Iver's fan-favorite single, and check back to GRAMMY.com for more new episodes of ReImagined.