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Songbook: A Guide To Jack White's Musical Outlets, From The White Stripes To The Dead Weather & Beyond
In this edition of Songbook, celebrate the release of Jack White's new album 'Entering Heaven Alive' by taking a tour through his musical permutations — from the White Stripes to his solo career.
Presented by GRAMMY.com, Songbook is an editorial series and hub for music discovery that dives into a legendary artist's discography and art in whole — from songs to albums to music films and videos and beyond.
There's a hair-raising TV moment that sums up why thousands and thousands of music fans adore and revere Jack White — well, half of why.
Back in 2019, his band the Raconteurs appeared on "The Late Show With Stephen Colbert," performing their new single "Bored and Razed." On the whole, it was dynamic and raucous and engaging — featuring a characteristically harebrained solo from a tangle-headed, Cramps-shirted White.
But what a freaking ending: he lets loose a Roger Daltrey-style, full-chested, life-affirming "Yeeeeeeeeeah!!!" for the ages. Then, White bangs out the six-chord theme of "Bored and Razed" — and hurls his body at drummer Patrick Keeler's kit for the final kaboom.
It doesn't matter if you aren't into this particular sphere of alternative rock, or if you have any particular affection for White. No matter which way you slice it, this is genuine, visceral rock music. And if that form of human expression has any emotional impact on you, the hairs on the back of your neck are liable to stand on end.
That said, if rock 'n' roll anarchy was all White dealt in, we probably would have never heard his name. Like Neil Young before him, White deals in aural extremes — both Godzilla-scaled rock songs and tender, innocent balladry. That was on display when his first band, the White Stripes, appeared on "Late Night With Conan O'Brien" a decade earlier.
What did he and Meg White choose to perform for Coco's final "Late Night" episode, but their final public outing as a band? Not "Seven Nation Army," not "Dead Leaves and the Dirty Ground," not "Ball and Biscuit" — no, a fuzzed-out rager wouldn't have been appropriate. Rather, they performed "We're Going to Be Friends," an innocent, acoustic daydream about school days and young love.
In the valley between "Bored and Razed" and "We're Going to Be Friends" lies White's eccentric, sweet, moving and occasionally flat-out bizarre body of work, which is still taking shape before our ears. How does one begin to process all of it?
In this edition of Songbook, let's dive into White's various bands from the White Stripes onward — concluding with White's solo career, which, five albums in, genuinely feels like it's just beginning.
The White Stripes
When the White Stripes called it a day in 2011, they stressed it wasn't because of creative differences or health issues — but a higher purpose.
"It's for a myriad of reasons," they said in a statement, "but mostly to preserve what is beautiful and special about the band and have it stay that way."
What exactly was "beautiful and special" about the White Stripes? It goes much deeper than tired talk of blues tropes, or their peppermint-colored visual aesthetic, or Meg White's "primal," "cavewoman" approach.
Rather, it was the former married couple's sheer force of personality, aesthetic and songcraft — plus, the fact that White is arguably the most viscerally thrilling electric guitarist of his generation.
All these elements reached their apogees on their third and fourth albums, 2001's White Blood Cells and 2003's Elephant.
Gateway listen: White Blood Cells
Shedding the occasional reliance on blues covers on their first two albums, White Blood Cells showed the awesome range that a singer/guitarist and drummer could command.
So many of its tunes remain classics — the back-porch country of "Hotel Yorba," the frenetic garage-punk of "Fell in Love With a Girl," and, of course, the lovely "We're Going to Be Friends."
The arguable pinnacle, though, is the vulnerable "The Same Boy You've Always Known," which begins downcast and autumnal and slams into an aching chorus.
The heart-rending kicker arrives at the very end: "If there's anything good about me," White sings, "I'm the only one who knows."
Another gateway listen: Elephant
The White Stripes' deepest and dankest album by some margin, Elephant — which won a GRAMMY in 2004 for Best Alternative Music Album — represents the summit of what this duo could accomplish.
"Seven Nation Army" — named after White's childhood misunderstanding of "Salvation Army" — is a football-stadium stomp-along today for a reason. The tender, solitary "You've Got Her in Your Pocket" displays White's mastery of McCartney-style sentimentality. "The Hardest Button to Button" rides one of their most indelible grooves.
And right in the middle of Elephant lies their most gobsmacking displays of brute force: "Ball and Biscuit."
The verses are ominous and lascivious in the blues tradition; when White's raucous, twisted solos slam the frequencies into the red, it's the closest music comes to inflicting whiplash.
Going deeper: The White Stripes and De Stijl
While the aforementioned pair of albums provides the most logical gateway, the records that precede and succeed them come awfully close in cruciality.
But for the purposes of this list, it's worth zeroing in on their first two albums to get a sense of their scrappy power and potential in their early years.
Aurally, 1999's The White Stripes is by far their heaviest, scrappiest, garage-iest work, but the reason it resonates is that the songs are terrific.
Therein, originals like "The Big Three Killed My Baby" and "Astro" stand toe-to-toe with the traditional tunes "John the Revelator" (interpolated into "Cannon") and "St. James Infirmary Blues," Robert Johnson's "Stop Breaking Down" and Bob Dylan's "One More Cup of Coffee."
De Stijl is a relatively underdiscussed gem, too; White indulged his inner Ray Davies in the sunshiney "Apple Blossom" and broadened his emotional palette with the doeful "I'm Bound to Pack it Up."
It all ends with "Your Southern Can is Mine," one of many casual, tongue-in-cheek album closers for the Stripes — this one borrowed from White's hero Blind Willie McTell.
Back in the mid-to-late '90s, Brendan Benson was getting his bearings in the music biz, with an Ethan Johns-assisted debut, One Mississippi, under his belt. But then, he saw a show that changed his entire trajectory.
"I first saw the White Stripes at the Gold Dollar [club in Detroit] and I was blown away. It was one of their first shows, or it might have been their first show," Benson told GRAMMY.com in 2019. "I couldn't believe it. I couldn't believe how cool it was."
Benson made his way over to White and the two got to playing music; the rest is history. In 2005, they made their collaboration official with a new band, the Raconteurs, filled out by the Greenhornes' bassist Jack Lawrence and drummer Patrick Keeler.
Gateway listen: Broken Boy Soldiers
By all means, the place to begin with the Raconteurs is the first song they ever wrote: "Steady, As She Goes."
Filtering White's strut through Benson's pop sensibility, the tune represented an inspired synergy of the two men's personalities — and birthed an entirely new band (don't call it a "supergroup").
More than 15 years later, their home-studio-recorded Broken Boy Soldiers holds up; "Level" and "Store Bought Bones" remain earworms, and hearing two distinct artists fight for the mic is a sorely missed experience in most alternative rock that ensued.
Broken Boy Soldiers set the stage for a fruitful collaboration; 2006's eclectic, '70s-fried Consolers of the Lonely is absolutely worth seeking out as well.
When these two eccentrics made noise together, the result was paradoxically some of the most accessible and commercial output of either's career.
Going deeper: Help Us Stranger
After more than a decade on the backburner, the Raconteurs returned with guns blazing at the end of the 2010s with Help Us Stranger. (The band never broke up or drifted apart; it was just a long pause.)
And while all three Raconteurs albums are strong in their own rights, it's worth homing in on Help Us Stranger for how deftly it refreshes a sound that could have been caught in mid-2000s amber.
Because like the White Stripes before them, the Raconteurs aren't an "aughts band"; they're a rock band, period. At this point, White and Benson were both veterans, and what results are rock-solid, kick-the-tires compositions that straddle the future and the past.
Highlights are everywhere: Benson's "Only Child" aches and kicks rocks, White's "Don't Bother Me" is swollen with barely-contained rage at 21st-century narcissists, and the strutting single "Sunday Driver" is a consummate ass-kicker.
To say nothing of the ascendant "Shine the Light on Me," the smoldering "Now That You're Gone" and a string-popping rendition of the Donovan obscurity "Hey Gyp (Dig the Slowness)."
In the end, what could have been a "reunion record" turned out to be one of White's most rewarding offerings — one predicated on brotherhood and bonhomie.
The Dead Weather
On the shadow side of Planet Jack is the Dead Weather, another post-White Stripes group he formed with the Raconteurs' Jack Lawrence, the Kills' Alison Mosshart and Queens of the Stone Age's Dean Fertita.
The wrinkle here: White isn't on guitar, but his very first instrument: drums. Granted, he sings, adds guitar to a few tunes, and the band still firmly inhabits his aesthetic plane.
Still, this major point of difference means the Dead Weather remains one of the most unique facets of White's songbook. Rest assured: rather than it being like Michael Jordan pivoting to baseball, White the drummer is a force of nature too.
Gateway listen: Horehound
The Dead Weather's debut succeeds for so many reasons — the tension between Mosshart and White, the particular dynamism between this quartet, an ominous atmosphere you could cut with a knife.
"Hang You From The Heavens" sounds conjured from a cauldron, "I Cut Like a Buffalo" is simmering and funky, and "Will There Be Enough Water" inhabits that torn-and-frayed Exile on Main St. vibe. (It's no wonder White previously joined the Stones onstage for "Loving Cup.")
Going deeper: Sea of Cowards and Dodge and Burn
After Horehound, it's not a major investment to check out the rest of the Dead Weather's output — the coiled-tight Sea of Cowards and high-velocity Dodge and Burn are natural outcroppings.
It's been more than seven years since we've heard from the Dead Weather; will we get more of White's and Mosshart's potent collaboration?
If the Raconteurs are any indication, a long time off doesn't mean the ship has sailed for good. For her part, count Mosshart in for a reconvening: "We had no plan or desire to start a band, but the music just seemed to kidnap us," she told Consequence in 2022.
"Maybe one day we'll all be home at the same time and get together and do something again," she continued. "It'll have to be magic again. It'll have to feel just right."
Sure, you could reasonably get into solo Jack White by just starting from the beginning.
His first two albums under his own name, 2012's Blunderbuss and 2014's Lazaretto, beamed White's vision through a maximalist lens — and he scooped up a combined nine GRAMMY nominations and two wins for his trouble.
Gateway listens: Fear of the Dawn and Entering Heaven Alive
But with that in mind, White's latest two albums — both from 2022 — provide a handy twofold entrance to this phase of his career.
The former is a zonked, kaleidoscopic listen that barely gels (in the best way), careening from Cab Calloway ("Hi-De-Ho," featuring Q-Tip) to self-lacerating ragers ("What's The Trick?").
Entering Heaven Alive, on the other hand, embraces a subdued, melodic approach that will doubtlessly satisfy those who really, really miss his more Beatlesque offerings of yore.
Going deeper: Boarding House Reach
If Fear of the Dawn seems rather fragmentary and ADHD, you haven't heard anything yet. Because Boarding House Reach is by far the most confounding entry in White's canon — deliciously so.
This is no hyperbole: there is absolutely no precedent for "Ice Station Zebra," "Hypermisophoniac" or "Get in the Mind Shaft" in White's discography.
This comports with its making — inspired by rappers like Nicki Minaj, White made the album in an isolated frenzy, crafting musical Frankensteins on the reel-to-reel recorder he'd used since he was a teen.
Boarding House Reach received mixed reviews, but that's exactly why you should hear it — it left everyone scratching their heads.
Even more interestingly, it doesn't really exist on the spectrum between light versus heavy, or melodic versus bludgeoning — it points to somewhere new and wholly alien.
Let it be known that the man who showed many of us turn-of-the-century country-blues just might be charting guitar music's future. Twelve GRAMMYs and 33 nominations in, consider us strapped in for his next unforeseeable transformation.
Jay Z Tops 56th GRAMMY Nominations With Nine
Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams earn seven nods each; other top nominees include Daft Punk, Drake, Lorde, Bruno Mars, and Taylor Swift
Nominations for the 56th GRAMMY Awards were announced tonight by The Recording Academy and reflected one of the most diverse years with the Album Of The Year category alone representing the rap, pop, country and dance/electronica genres, as determined by the voting members of The Academy. Once again, nominations in select categories for the annual GRAMMY Awards were announced on primetime television as part of "The GRAMMY Nominations Concert Live!! — Countdown To Music's Biggest Night," a one-hour CBS entertainment special broadcast live from Nokia Theatre L.A. Live.
Jay Z tops the nominations with nine; Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams each garner seven nods; Drake and mastering engineer Bob Ludwig are up for five awards.
"This year's nominations reflect the talented community of music makers who represent some of the highest levels of excellence and artistry of the year in their respective fields," said Neil Portnow, President/CEO of The Recording Academy. "Once again, The Academy's awards process and its voting membership have produced an impressive list of nominations across various genres promising music fans a spectacular show filled with stellar performances and unique 'GRAMMY Moments.' We are off to a great start and look forward to GRAMMY Sunday as Music's Biggest Night takes the stage."
Following are the nominations in the General Field categories:
Album Of The Year:
The Blessed Unrest — Sara Bareilles
Random Access Memories — Daft Punk
Good Kid, M.A.A.D City — Kendrick Lamar
The Heist — Macklemore & Ryan Lewis
Red — Taylor Swift
Record Of The Year:
"Get Lucky" — Daft Punk & Pharrell Williams
"Radioactive" — Imagine Dragons
"Royals" — Lorde
"Locked Out Of Heaven" — Bruno Mars
"Blurred Lines" — Robin Thicke Featuring T.I. & Pharrell Williams
Song Of The Year:
"Just Give Me A Reason" — Jeff Bhasker, Pink & Nate Ruess, songwriters (Pink Featuring Nate Ruess)
"Locked Out Of Heaven" — Philip Lawrence, Ari Levine & Bruno Mars, songwriters (Bruno Mars)
"Roar" — Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry & Henry Walter, songwriters (Katy Perry)
"Royals" — Joel Little & Ella Yelich O'Connor, songwriters (Lorde)
"Same Love" — Ben Haggerty, Mary Lambert & Ryan Lewis, songwriters (Macklemore & Ryan Lewis Featuring Mary Lambert)
Best New Artist:
Macklemore & Ryan Lewis
Following is a sampling of nominations in the GRAMMY Awards' other 29 Fields:
For Best Pop Solo Performance, the nominees are "Brave" by Sara Bareilles; "Royals" by Lorde; "When I Was Your Man" by Bruno Mars; "Roar" by Katy Perry; and "Mirrors" by Justin Timberlake.
The nominees for Best Pop Duo/Group Performance are "Get Lucky" by Daft Punk & Pharrell Williams; "Just Give Me A Reason" by Pink Featuring Nate Ruess; "Stay" by Rihanna Featuring Mikky Ekko; "Blurred Lines" by Robin Thicke Featuring T.I. & Pharrell Williams; and "Suit & Tie" by Justin Timberlake & Jay Z.
For Best Dance/Electronica Album, the nominees are Random Access Memories by Daft Punk; Settle by Disclosure; 18 Months by Calvin Harris; Atmosphere by Kaskade; and A Color Map Of The Sun by Pretty Lights.
The Best Rock Performance nominees are "Always Alright" by Alabama Shakes; "The Stars (Are Out Tonight)" by David Bowie; "Radioactive" by Imagine Dragons; "Kashmir (Live)" by Led Zeppelin; "My God Is The Sun" by Queens Of The Stone Age; and "I'm Shakin'" by Jack White.
For Best Alternative Music Album, the nominees are The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You by Neko Case; Trouble Will Find Me by The National; Hesitation Marks by Nine Inch Nails; Lonerism by Tame Impala; Modern Vampires Of The City by Vampire Weekend.
The nominees for Best Rap/Sung Collaboration are "Power Trip" by J.Cole Featuring Miguel; "Part II (On The Run)" by Jay Z Featuring Beyoncé; "Holy Grail" by Jay Z Featuring Justin Timberlake; "Now Or Never" by Kendrick Lamar Featuring Mary J. Blige; and "Remember You" by Wiz Khalifa Featuring The Weeknd.
For Best Rap Album, the nominees are Nothing Was The Same by Drake; Magna Carta…Holy Grail by Jay Z; Good Kid, M.A.A.D City by Kendrick Lamar; The Heist by Macklemore & Ryan Lewis; and Yeezus by Kanye West.
The Best Country Album nominees are Night Train by Jason Aldean; Two Lanes Of Freedom by Tim McGraw; Same Trailer Different Park by Kacey Musgraves; Based On A True Story by Blake Shelton; and Red by Taylor Swift.
The nominees for Best Americana Album are Old Yellow Moon by Emmylou Harris & Rodney Crowell; Love Has Come For You by Steve Martin & Edie Brickell; Buddy And Jim by Buddy Miller And Jim Lauderdale; One True Vine by Mavis Staples; and Songbook by Allen Toussaint.
This year's Producer Of The Year, Non-Classical nominations go to Rob Cavallo, Dr. Luke, Ariel Rechtshaid, Jeff Tweedy, and Pharrell Williams.
This year's GRAMMY Awards process registered more than 22,000 submissions over a 12-month eligibility period (Oct. 1, 2012 – Sept. 30, 2013). GRAMMY ballots for the final round of voting will be mailed on Dec. 11 to the voting members of The Recording Academy. They are due back to the accounting firm of Deloitte by Jan. 8, 2014, when they will be tabulated and the results kept secret until the 56th GRAMMY telecast.
The 56th Annual GRAMMY Awards will be held Jan. 26, 2014, at Staples Center in Los Angeles and once again will be broadcast live in high-definition TV and 5.1 surround sound on CBS from 8–11:30 p.m. (ET/PT). The 56th Annual GRAMMY Awards are produced by AEG Ehrlich Ventures for The Recording Academy. Ken Ehrlich is executive producer, and Louis J. Horvitz is director.
For updates and breaking news, visit The Recording Academy's social networks on Twitter and Facebook.
(L - R): Machine Gun Kelly, Charli XCX, Saweetie, Earl Sweatshirt, Rosalía
(Source Photos L - R): Rich Fury/Getty Images for dcp; Jason Koerner/Getty Images; Tasos Katopodis/Getty Images for iHeartRadio; Marc Grimwade/WireImage; Emma McIntyre/Getty Images for The Recording Academy
30 Must-Hear Albums In 2022: Kendrick Lamar, Cardi B, Rosalía, Machine Gun Kelly, Charli XCX, Saweetie & More
2022 has no shortage of new albums to keep your shuffle hard at work. GRAMMY.com compiled a list of 30 upcoming releases — from Kid Cudi, Earl Sweatshirt, Combo Chimbita, Dolly Parton, and Guns N' Roses — to keep you moving in the new year.
Editor's Note: This piece has been updated to reflect release dates and album titles announced after publishing.
While it may feel like there's not much to look forward to during yet another wave of COVID-19, music fans around the world are eagerly waiting to load their playlists with new releases as 2022 gets underway.
And there's certainly plenty to look forward to: Along with The Weeknd, who released his fifth studio album, Dawn FM, on Jan. 7, superstars like Machine Gun Kelly, Camila Cabello, Dolly Parton, Guns N' Roses, and Rosalía have all announced or teased albums coming this year.
The pandemic may have slowed things down, but there's no stopping artists in 2022. Keep an eye out for these 30 albums from ENHYPEN, Mitski, Saweetie, Bastille, and many more.
The Weeknd, Dawn FM
Release date: Jan. 7
Only a year removed from his incendiary Super Bowl Halftime Show performance, the crowned pop prince of Canada returns with the semi-surprise Dawn FM, a hotly anticipated follow-up to his record-breaking 2020 release, After Hours (you know, the one with "Blinding Lights" and "Save Your Tears" on it).
As The Weeknd's album teasers promised, Dawn FM delivered sinister synthesizers, a vocal appearance from Jim Carrey, and old-man makeup that's arguably only slightly less distressing than his wax-faced After Hours persona.Max Martin is back (on lead single "Take My Breath"), and other guests include Tyler, the Creator and Oneohtrix Point Never.
As for what the three-time GRAMMY winner wants his listeners to take away from his latest work? "Picture the album being like the listener is dead," The Weeknd told Billboard. Capisce? — Brennan Carley
ENHYPEN, DIMENSION : ANSWER
Release date: January 10
Seven-piece boy group ENHYPEN may still be relatively new to the K-pop scene (the band formed in 2020 on the Korean survival competition show "I-Land"), but they're already making moves to put themselves in the ranks of BTS and EXO. Their latest release, DIMENSION : ANSWER, marks the group's first studio repackage album, expanding on their 2021 debut set, DIMENSION : DILEMMA.
DIMENSION : ANSWER will feature three new tracks,: "Polaroid Love," "Outro : Day 2," and lead single "Blessed-Cursed." Fans got a first taste of the three B-sides thanks to an album preview the group released on Jan. 4, which teased a wide array of sounds: punchy pop-sprinkled production on "Polaroid Love," sultry R&B vocals with "Outro : Day 2," and guitar-heavy rock on "Blessed-Cursed." With such vast musical prowess, DIMENSION : ANSWER may just be the group's ticket to K-pop superstardom. — Taylor Weatherby
Cordae, From a Bird's Eye View
Release date: Jan. 14
Cordae set the bar high with his GRAMMY-nominated debut album The Lost Boy and emerged as one of the most exciting new talents of 2019, making his return to the game with his hotly anticipated second album.
The Maryland-raised rapper held fans over with his Just Until… EP last April before launching into his album rollout with the braggadocious hit, "Super" and a collaboration with Lil Wayne, "Sinister." The 24-year-old wordsmith — known for his reflective, carefully-crafted raps — said From a Bird's Eye View was inspired by "a life-changing trip to Africa, enduring the loss of a friend gone too soon and evolving as an artist and a man."
The album will also mark Cordae's first full-length effort since the official disbanding of his YBN collective in 2020. — Victoria Moorwood
Animal Collective, Time Skiffs
Release date: Feb. 4
Followers of experimental pop adventurers Animal Collective have waited six years for a new album following 2016's Painting With. At last, the four-piece will release Time Skiffs, an album full of otherworldly harmonies and mind-opening melodies.
Animal Collective has released two singles from the LP so far: the gently psychedelic "Prester John" and the equally trippy "Walker." The latter is a tribute to Scott Walker, the prolific singer-songwriter who died in 2019. Its beautifully intricate music video, directed by band member Dave Portner and his sister Abby, brings the Time Skiffs album cover to life in vivid detail. — Jack Tregoning
Avril Lavigne, Love Sux
Release date: Feb 25
Like everything Y2K, pop-punk is making a comeback. And nearly 20 years since the release of her seminal pop-punk debut Let Go, Avril Lavigne brings back her pop-punk princess persona in all its glory — combat boots and all. In early November, the "Sk8r Boi" singer shared her the angsty anthem "Bite Me," first new single in over two years, featuring Travis Barker.
With the new music, Lavigne also shared she had signed to the drummer extraordinaire's label DTA Records. Her seventh studio album is set to be the artist's first LP since her more traditional pop LP Head Above Water in 2019. — I.K.
Release date: Jan. 14
Like everyone else around the world, electronic shapeshifter Simon Green had a very unusual past two years. The British musician and DJ, better known as Bonobo, found himself grounded in his adopted home of Los Angeles, itching for new inspiration to get through the pandemic. His wanderings took him from a tent in the Californian desert to a new appreciation for modular synths back home in lockdown, all with a nervous eye on the precarious state of the world.
This activity fed into a flood of music which we'll soon hear on Bonobo's seventh studio album, Fragments, out on Ninja Tune. Fragments features guests including Jamila Woods, Joji and Kadhja Bonet, while channeling influences from UK bass, Detroit techno and global music through Bonobo's widescreen lens. The producer is already up for two Best Dance/Electronic Recording awards at this year's GRAMMYs, for "Heartbreak," his collaboration with Totally Enormous Extinct Dinosaurs, and "Loom," with Ólafur Arnalds. Bonobo begins a tour of the US in February, giving fans a few precious weeks to soak up the album before its live debut. — J.T.
Earl Sweatshirt, SICK
Release date: Jan. 14
With a decade-plus of acclaimed projects such as 2018's Some Rap Songs, Earl Sweatshirt is both an underground hero and a critic's darling. He hasn't achieved the same level of mainstream success as former Odd Future colleagues Tyler, the Creator and Syd – which is fine with him.
Judging from SICK's lead track "2010," where he pays homage to his mother in cryptic terms, the 10-track album promises to be another collection of stylized verses, dusty beats and autobiographical confessions (albeit rendered in a clearer voice than his previous album, 2019's lo-fi affair Feet of Clay). As its title suggests, SICK was inspired by the pandemic. "My whole thing is grading things on the truth, you know what I mean? However expansive or detailed the truth is," he told Rolling Stone. — Mosi Reeves
iann dior, On To Better Things
Release date: January 21
After blasting onto the scene with his 24kgoldn team-up (and runaway smash) "Mood" in 2020, iann dior hasn't slowed down, releasing an EP and countless other collabs. On To Better Things marks dior's first full-length album since 2019, serving up 15 tracks that will help the rapper truly come into his own.
Like the Lil Uzi Vert-assisted "V12" and the racing single "Let You," On To Better Things will see dior further explore his capabilities as a rapper while also tapping into his alt-pop/rock sensibilities. Judging by his previous releases, dior won't be afraid to get raw and real on his latest project as he opens up about love, relationships and loyalty. There may be glimmers of hope on the album, though, as dior captioned a post teasing the album, "life is better now." — T.W.
Combo Chimbita, IRÉ
Release date: Jan. 28
The melding of cumbia beats and psychedelic vibes was embraced during the '70s by many pioneering outfits in Peru and Colombia. Since the release of their 2017 debut, New York quartet Combo Chimbita has built on that foundation, amping up the mystical tinge of its material through the soulful chanting of extraordinary vocalist Carolina Oliveros.
Always ready to speak up on social and political issues, Chimbita uses cumbia as a starting point, adding swashes of funk and soul, Afro guitar lines and atmospheric samples. The band's new album expands its palette, enhancing lead single "Oya" with a video shot at the ruins of Puerto Rico's abandoned Intercontinental Hotel. A tour with the awesomeLido Pimienta will follow soon. — Ernesto Lechner
Release date: January 2022
Anticipation surrounding Aaliyah's fourth album has been building since 2012, when Blackground Records released "Don't Think They Know," which paired the late singer's vocals with Chris Brown, and a Drake collaboration, "Enough Said." The long-awaited arrival of her back catalog to streaming last fall added fresh fuel for a project that has been controversial, with some diehard fans questioning whether it honors Aaliyah's legacy.
Unstoppable includes guests like Snoop Dogg, Future and Ne-Yo. The first single, a woozy ballad titled "Poison," features The Weeknd as well as lyrics originally written by the late Static Major. "Some of the people Aaliyah liked are on the album. She loved Snoop Dogg," Blackground CEO and Aaliyah's uncle Jomo Hankerson told Billboard. "Everything I do at Blackground is always with her in my heart and my mind." — M.R.
Bastille, Give Me the Future
Release date: Feb. 4
If the pandemic had even a glimmer of a bright side, it comes courtesy of musicians like Bastille pivoting and positioning their art to address the present, as Give Me the Future promises to do.
Bandleader Dan Smith had already begun work on the English pop-rock group's fourth album before COVID-19 threw a wrench in his plans, but the pandemic made the album's probing themes seem that much more prescient. Glistening songs like "Thelma + Louise" and the vocoded "Distorted Light Beam" dig more deeply into Bastille's exploration of escapism when the troubles of the world are thundering outside our windows, all with the help of new collaborators Rami Yacoub and One Republic's Ryan Tedder. We promise it's way more fun than it sounds. — B.C.
Mitski, Laurel Hell
Release date: Feb. 4
Mitski almost pressed pause on her music career which, according to a Rolling Stone interview, was "shaving away my soul little by little." After a final performance, "I would quit and find another life." Fortunately, though, Mitski has stuck with it.
Three years since the release of her fifth studio album Be the Cowboy, the indie singer-songwriter is set to share her forthcoming project Laurel Hell. While the majority of the LP was penned in 2018, it wasn't mixed until 2021, making it the longest the singer has spent on one of her records. What listeners can expect is a transformative set of songs that pair Mitski's signature vulnerability with uptempo dance beats and, ultimately, catharsis. — Ilana Kaplan
Guns N' Roses, Hard Skool EP
Release date: Feb. 25
In 2021, 36 years after the band first formed in the hard rock hotbed of Los Angeles, Guns N' Roses returned with two new singles. This productive streak was remarkable enough in itself given the group's notoriously haphazard release schedule. The singles "ABSUЯD" and "Hard Skool" are doubly remarkable, though, because they usher in a new EP that brings beloved members Axl Rose, Slash and Duff McKagan together again after 28 years.
Reinterpreted from the band's Chinese Democracy sessions, "ABSUЯD" features a raw, punk-tinged sound that surprised some fans before rewarding repeat listens. "Hard Skool," meanwhile, harkens back to the classic sound that Guns N' Roses perfected in the late 1980s. The Hard Skool EP will feature the two 2021 singles alongside live renditions of GNR favorites "Don't Cry" and "You're Crazy." To mark this new era, the band is touring arenas throughout 2022, reuniting Axl, Slash and Duff as a powerhouse onstage trio. — J.T.
Take a Look Back: Guns N' Roses' 'Appetite For Destruction' | For The Record
Charli XCX, CRASH
Release date: March 18
Pop polymorph Charli XCX has been promising fans her sellout era for months now ("tip for new artists: sell your soul for money and fame," she tweeted last July), ushered in with last summer's "Good Ones" and buoyed into the holidays with "New Shapes," a powerhouse team-up with Caroline Polachek and Christine and the Queens.
CRASH is the fifth and final album she owes Atlantic Records — a benchmark not lost on fans or Charli herself. For it, Charli promises edge-of-your-seat appearances from Rina Sawayama, frequent collaborator A. G. Cook, and frequent Weeknd cohort Oneohtrix Point Never. Come for the bloody album artwork, stay for the cheeky, self-aware pop concoctions contained within. — B.C.
Dolly Parton, Run, Rose, Run
Release date: March 2022
The beloved, multi-GRAMMY Award-winning singer-songwriter Dolly Parton has built a career as a trailblazer, so it stands to reason that her next musical effort would carry on that grand tradition. Run, Rose, Run is an album of original tunes taking its energetic moniker from a companion novel that Parton co-authored with the acclaimed writer James Patterson.
According to Parton, the accompanying album consists of "all new songs written based on the characters and situations in the book" and centers on a tale about a girl who treks to Nashville to pursue her dreams. Adds Patterson, "the mind-blowing thing about this project is that reading the novel is enhanced by listening to the album and vice versa." Both projects are dropping in tandem. It's a unique undertaking that celebrates a smoldering passion for music; but if you've been following the legend's career, would you expect anything less? — Rob LeDonne
Maren Morris, Humble Quest
Release date: March 25
GRAMMY-winning singer Maren Morris has conquered modern country music with her soulful solo material and even forayed into pop (just mentioning "The Middle" will glue its sticky chorus to your every waking moment for the next week). So whatever magic Morris might make with her highly anticipated third album, Humble Quest, is cause enough for celebration.
Morris kicked off her next LP with "Circles Around This Town," an expansive, freewheeling single that blends the echoing production of her 2016 debut HERO and super-personal lyrics of 2019's GIRL. The album will be Morris' first since the untimely 2019 passing of her longtime creative partner busbee, but her partnership with pop hitmaker Greg Kurstin (who produced "Circles Around This Town" as well as four GIRL tracks) hints that this next project is going to be a timeless trip and an emotional walloping. — B.C.
Thomas Rhett, Where We Started / Country Again: Side B
Release date: April 1 / Fall 2022
Though country music has always been the core of what Thomas Rhett has done since his debut album (2013's It Goes Like This), the star's 2021 set, Country Again: Side A, was more traditional than his past projects. Clearly his roots (along with the unexpected pandemic-induced downtime) sparked a bout of inspiration, as Rhett announced in November that he'll be releasing Side B as well as another LP, titled Where We Started, in 2022.
Surprisingly, Side B won't be coming first. But it will create one cohesive Country Again narrative once it arrives, as Rhett promised in an interview with Rolling Stone last year — though he did hint that Side B will feature production that's "a smidge more experimental" than Side A. His latest single, the wistful "Slow Down Summer" hints that Where We Started will also bring back more of the pop-leaning production he's incorporated in his previous albums.
Still, that doesn't mean he'll lose sight of the country boy that has been unleashed: In writing all of this music, Rhett told his producers (per Rolling Stone), "This is the direction I'm headed in, and I think I'm gonna be here for a long time." — T.W.
Jack White, Fear of the Dawn / Entering Heaven Alive
Release date: April 8 / July 22
Epic ambition fuels the very essence of rock 'n' roll and Jack White has embodied the genre's weakness for glamour, dissonance and excess since his days with The White Stripes. The reckless propulsion of "Over and Over and Over" — off 2018's Boarding House Reach — proved that he has kept the bravado in his songwriting very much alive.
2022 will find the multi-GRAMMY Award winning singer/guitarist releasing two full-length albums: Fear of the Dawn, led by the wonderfully bombastic single "Taking Me Back," will also include a collaboration with rapper Q-Tip. No details are available on July's Entering Heaven Alive, but the appearance of two albums in the same year is the kind of grandiloquent gesture that rock is in need of more than ever before. — E.L.
Swedish House Mafia, Paradise Again
Release date: TBA, ships April 15
When GRAMMY-nominated Swedish House Mafia announced they were getting back together (and this time for good), fans were cautiously optimistic. The trio of DJ-producers — Steve Angello, Sebastian Ingrosso and Axwell — promised a host of new music to mark their return, and so far they've kept to their word. The comeback began with the dark, guest-free "It Gets Better," which deviated from the big-room EDM sound championed by the Swedes up to their split in 2013.
From there, the trio delivered "Lifetime," featuring Ty Dolla $ign and 070 Shake, and "Moth to a Flame," featuring The Weeknd, which became their first major hit of the new era. This flurry of activity sets the stage for Swedish House Mafia's first full album, Paradise Again. As Ingrosso told NME, the album will combine their trademark "Scandinavian melodies with dark production and hard sounds." Starting July 2022, the DJs embark on their first tour in a decade, playing 44 dates throughout the US, UK and Europe. — J.T.
Jason Aldean, Georgia
Release date: April 22
Jumping on country music's 2021 double album trend, Jason Aldean issued Macon, the first half of his own two-disc set, Macon, Georgia, in November. The title is an homage to his hometown, which he refers to as a "melting pot" that shaped his music, according to Country Now. Yet, the 30-song project expands on Aldean's signature country-rock sound without steering too far away from what fans have grown to love, as evidenced with both Macon and Georgia's crooning lead single, "Whiskey Me Away."
Like its predecessor, Georgia will include 10 new songs and five live recordings of his biggest hits, essentially creating Aldean's first-ever live album.With the aptly titled track "Rock and Roll Cowboy" to boot, Georgia helps make Macon, Georgia a career highlight for Aldean. — T.W.
Machine Gun Kelly, Born with Horns
Release date: TBD
The upcoming sixth studio album from enigmatic rocker Machine Gun Kelly, ominously titled Born with Horns, was rumored to drop on New Year's Eve 2021, but it seems Kelly had a change of heart tweeting "See you in 2022." While the release date continues to be murky, there is some solid information about the highly anticipated fresh slate of music from the multi-hyphenate rockstar.
For one, the album is produced by fellow rock luminary Travis Barker and includes the decidedly dark single "Papercuts." "It feels more guitar-heavy for sure, lyrically it definitely goes deeper, but I never like to do anything the same," Kelly said of Born with Horns in an interview with Sunday TODAY, noting it'll also mark a personal evolution. "I'm not scared anymore, there's nothing holding me back from being my true self — and my true self can't be silenced, can't be restrained." — R.L.
Camila Cabello, Familia
Release date: TBD
There's perhaps never been a better advertisement for an album than Camila Cabello's edition of NPR's Tiny Desk. Released last fall, the session begins with three old songs and ends with two Familia cuts strong enough to bowl you over. In just 20 minutes, the former Fifth Harmony singer genuflects at the altar of pop's past while steering its ship into the future.
"Don't Go Yet" brims with the promise of comfort as it opens with a warm flamenco guitar. "La Buena Vida" is a Mariachi-based explosion of emotion and evocation, anchored by Cabello's arresting vocals. Whereas her prior albums sought to cement the 24-year-old amidst her contemporaries, the uber-personal Familia seems likely to propel her into a whole new pedigree of artistry. — B.C.
Release date: TBD
In 2018, Rosalía's cinematic El Mal Querer signified a before-and-after for the music of Spain and Latin America. A visionary blend of flamenco, hip-hop and confessional torch song, the album introduced her to the world as an intellectual, musicologist and pop diva wrapped up into one slick sonic package. Subsequent singles (2019's "Haute Couture" was a gorgeous slice of electro-pop) demonstrated that Rosalía's path to global domination relies on a voracious curiosity for disparate styles and high-profile collaborators such as Billie Eilish and Bad Bunny.
Titled MOTOMAMI, Rosalía's much anticipated release includes "LA FAMA," a deliciously distorted bachata duet with The Weeknd. We can only imagine what other wonders Rosalía's remarkable imagination has dreamed up for this, her first full-length album since becoming a cultural icon. — E.L.
Saweetie, Pretty Bitch Music
Release date: TBD
Saweetie is set to finally release her debut album, Pretty Bitch Music, this year. After first announcing the project in 2020, the Bay Area native's star power has exploded, reaching new heights last year with major endorsements, her first GRAMMY nominations and a "Saturday Night Live" debut. Pretty Bitch Music was initially slated to arrive in 2021, but Saweetie postponed the effort for some additional fine-tuning.
"I'm just living with it to ensure it's perfect," she told Hollywood Life in August. "I'm really challenging myself and I just want to ensure that I put out a body of work that [will] symbolize art."
Pretty Bitch Music is expected to include Saweetie's 2x Platinum-certified collaboration with Doja Cat, "Best Friend" and her single "Tap In" with production by Timbaland, Lil Jon and Murda Beatz, among other heavy-hitters. — V.M.
Kid Cudi, Entergalactic
Release date: TBD
Three years after it was announced, Kid Cudi's animated music adventure for Netflix is set to arrive this summer, as the rapper declared during his set at Rolling Loud California in December. "I got some tasty surprises," he told fans before offering a snippet of unreleased music that may be on the soundtrack.
Not much else is known about the project, which takes its title from a song on Cudi's 2009 debut Man on the Moon: The End of Day, and which co-creator Kenya Barris referred to as "the most ambitious thing" in a 2019 interview with Complex.
Entergalactic might not be where Kid Cudi stops in 2022, either: Amid his Rolling Loud teases, he said, "I want to drop another album before [Entergalactic]... I really am excited about all this new s, this new music to give to you guys. So that's why I'm teasing this s now, 'cause it's comin' out soon." — M.R.
Beach House, Once Twice Melody
Release date: throughout 2022
Nearly four years since the release of their seventh studio album aptly titled 7, Beach House is slowly unveiling their latest record Once Twice Melody. But instead of dropping all 18 tracks at once, the dreamy indie duo has been giving fans a taste of their new sound in four chapters.
Once Twice Melody is a significant shift as it's the first album produced in full by the band. Beach House also thought about its structure completely differently than they had in the past. "It didn't just feel like a regular, like another album of ours, it felt like a larger, newer kind of way of looking at our music," singer Victoria Legrand told Apple Music. Instead, they view it as "cinematic" and "literary." What fans can expect, they say, is "a lot of love" and "a sacredness of nature." — I.K.
Kendrick Lamar, TBA
Release date: TBD
One of our most celebrated artists of his generation may make his triumphant return this year. Although it's been nearly five years since Kendrick Lamar released his GRAMMY- and Pulitzer Prize-winning album DAMN, Lamar has remained busy. In 2018, Lamar curated the Black Panther soundtrack and he's also made guest appearances on tracks by artists as varied as Nipsey Hussle, Anderson .Paak, U2 and his cousin, Baby Keem.
But Lamar has been mostly mum about his own music, save for an August blog post titled "nu thoughts." "Love, loss, and grief have disturbed my comfort zone, but the glimmers of God speak through my music and family," he wrote, adding that his next album will be his last with Top Dawg Entertainment. It's the sort of thoughtful, precise announcement (and perhaps a hint to his album's content) that fans have come to expect from the notoriously private rapper. Lamar will thankfully make an appearance at this year's Super Bowl in February. — Britt Julious
Cardi B, TBA
Release date: TBD
Despite the slow-burning success of her single "Bodak Yellow," few could have predicted the popularity of Cardi B'sdebut album, Invasion of Privacy. A critical and commercial success, "Invasion of Privacy" won Best Rap Album at the 61st Grammy Awards, making Cardi the first woman to win in the category. That's why anticipation for her sophomore record is so high.
Cardi's brand of hip-hop is provocative and fun, and her two singles (possibly from the record) seem to confirm that same mood is still present in her music. In 2020, she dropped "WAP," a cultural reset of a collaboration with Megan Thee Stallion, and in 2021, she released "Up," which later inspired a viral TikTok dance challenge. As with many artists, the COVID-19 pandemic has delayed the release of Cardi's new album. But late last year on Instagram Live, Cardi said she has "lots of jobs now" and one of them is to "put out this album next year." Hopefully fans won't have to wait too long. — B.J.
Release date: TBD
If Koffee's latest single is any indication, the youngest GRAMMY Award winner for Best Reggae Album is planning a glorious homecoming in 2022. Sung with a wide smile you can nearly hear, "West Indies" is a dancehall love letter to the islands and an upbeat promise for what the singer has in store on her first full-length.
"I want to speak of a solution and of a way that we can come together and get along, even when things are going wrong," Koffee told Rolling Stone.
Although the pandemic halted her album recording and nixed her first Coachella performance, Koffee defies the dour attitude of much of the past two years. On "West Indies," Koffee assures that she's partying and having the time of her life — her as-yet-untitled album will likely soundtrack yours while you do the same. — Jessica Lipsky
Read More: The Women Essential To Reggae And Dancehall
Girl Ultra, TBA
Release date: TBD
Few musical experiences are as uplifting as listening to a singer/songwriter's follow-up to a brilliant debut, where they enhance the scope of their craft with new influences and sounds. Nuevos Aires, Girl Ultra's first full-length album, was just that – a breath of fresh air for Latin R&B, anchored on the purity of her voice and collaborations with Ximena Sariñana and Cuco (for the languid hit "DameLove.")
Following that 2019 release, the artist also known as Mariana de Miguel returns with a new EP. Lead single "Amores de Droga" evokes the sophistication of Everything But The Girl, combining smoldering vocalizing with cool electro grooves. A study in contrasts, it finds the Mexico City chanteuse reaching a pinnacle of inspiration. — E.L.
Photo: Jeff Kravitz/FilmMagic.com
The Week In Music: Prince Is Down In The Digital Dumps
Artist refuses to record until the piracy battle is won
It's been almost a year since Prince formally declared the Internet to be "completely over," and now the artist formerly known as a symbol is back on his Web-hating soap box. "I personally can't stand digital music," said Prince in an interview with the Guardian. "You're getting sound in bits. It affects a different place in your brain. When you play it back, you can't feel anything. We're analog people, not digital." And the other problem with the Internet according to Prince? The lack of regulation when it comes to copyrighted content available for free on the Web. "The industry changed," continued Prince. "We made money [online] before piracy was real crazy. Nobody's making money now except phone companies, Apple and Google. It's like the gold rush out there. Or a carjacking. So I'll just hold off on recording." While we shouldn't expect a new album from the artist anytime soon, we can certainly rest assured that he'll be coming to a town near you, at least for one (or 21) nights.
With a combined 10 GRAMMY Awards, comedian Stephen Colbert and producer/musician Jack White are adding another commonality notch to their belts in the form of a musical collaboration. White and his Nashville-based Third Man Records have produced Colbert's recent single "Charlene II (I'm Over You)," the follow-up to the comedian's '80s new wave release, "Charlene (I'm Right Behind You)." Colbert, along with his backup band — female goth rock group the Black Belles — premiered the single live on June 23 on "The Colbert Report." The song is available for download at iTunes, but audiophiles can also purchase a limited-edition vinyl pressing in red, white and blue available from Third Man Records just in time for the Fourth of July holiday. But fans at iTunes are already looking ahead as one commenter wrote, "Can't wait for Charlene III (Did You Get My Last Record?)!"
Arguably one of music's biggest cult documentaries, Heavy Metal Parking Lot is celebrating its silver anniversary in 2011. Clocking in at just 17 minutes, it's a must-see for aspiring metal heads, and has received accolades from the likes of Oscar-winning writer/director Cameron Crowe, actor Ed Norton and Foo Fighters' Dave Grohl. The film captures the shirtless, beer-guzzling debauchery in the parking lot of the Capitol Centre in Landover, Md., leading up to a 1986 Judas Priest gig. It's lack of cinematography or tangible plot aside, part of the film's charm is its spontaneity. "We certainly didn't go in with an agenda or plan, and 25 years later we are still trying to make sense of Heavy Metal Parking Lot," filmmaker Jeff Krulik told NPR, and said the production cost for the film was a mere $5 for a parking fee. Have any of these headbangers cut their mullets? Find out with a look at what the alumni from Heavy Metal Parking Lot are up to in 2011. And you can relive the film in all its devil-horn glory here.
Politics and music, as they say, make strange bedfellows. They also create a lot of licensing problems. The latest rocker to issue a take-down request is Tom Petty, who will ask the Michele Bachmann presidential campaign to refrain from using his "American Girl" in any campaign-related endeavors, according to an NBC report. Musicians issuing cease-and-desists to politicians trying to co-opt popular songs or musicians into their campaigns has a long contemporary tradition. In 1984 presidential candidate Ronald Reagan invoked Bruce Springsteen during a stump speech, trying to hitch his star to Springsteen's working class fans. In 2008 John McCain apologized to Jackson Browne for using "Running On Empty." That same year California state senatorial candidate Chuck Devore had to make a similar mea culpa to Don Henley for appropriating "The Boys Of Summer" and "All She Wants To Do Is Dance." The grandfather of all political apologies to musicians came in 2010 when U.S. Senate candidate Charlie Crist took to YouTube to issue an official apology to David Byrne for his unauthorized use of "Road To Nowhere." As for Bachmann, maybe this would have been a better choice for her campaign stop.
After she wore a dress made completely out of raw meat to the 2010 MTV Video Music Awards, and arrived encased in an egg shell to the 53rd Annual GRAMMY Awards in February, Lady Gaga has certainly made a name for herself as a raw (no pun intended) and edgy fashionista. With the help of social media network Tumblr, Gaga has created a home for all of her fashion forays in the form of a photo blog titled Amen Fashion. So far, the Fame Monster has posted several entries that picture her showcasing a wide array of styles, from the self-dubbed "Tokyo Unicorn" to her "Born To Kill Look." And, not for the faint of heart, there's also an image of the organ featured in her "Alejandro" video with a post that reads, "He ate my heart, so I put his in the Alejandro video." Moral of the story? Don't eat Gaga's heart, but feel free to get a taste of her fashion sense.
White House party crasher Michaele Salahi made her recording debut back in March and made her live-singing debut (or at least live lip-syncing debut) last week on an NBC affiliate in Miami. Neither events made the splash she and husband Tareq made in 2009 when they crashed an official White House dinner for Indian Prime Minister Manmohan Singh as part of a reality TV stunt. The song, "Bump It," a club-flavored dance track, is available at iTunes, where customer reviewer Klaus Von Bong commented: "Dump it."
Pitbull's "Give Me Everything" featuring Afrojack, Ne-Yo and Nayer is No. 1 on the Billboard Hot 100 and LMFAO's "Party Rock Anthem" featuring Lauren Bennett and GoonRock is tops on iTunes singles chart.
Any news we've missed? Comment below.
Photo: Michael Kovac/WireImage.com
Jack White Spearheads New Industry Conference "Making Vinyl"
The 12-time GRAMMY winner's label Third Man Records is a major sponsor for a new pro-vinyl industry event
It's no secret that vinyl is riding a continuing wave of resurgence in sales and popularity. Just this year, it's been reported that vinyl sales are currently at the peak of a 25-year high, after rising 26 percent in 2016 alone.
Even as far back as 2014, indie labels like Asthmatic Kitty, home to Sufjan Stevens, were already reporting a minimum 3-month wait list for getting their artists' records pressed and ready for distribution, due to rising consumer demands for the once-dying format.
On top of his ongoing contributions to the format, DigitalMusicNews.com is reporting that White's label has become a major sponsor involved in launching a new two-day business conference called "Making Vinyl," which will aim to bring together industry giants to discuss and promote the future of the pressing physical records.
Details are still forthcoming, but White is officially signed on as the opening keynote speaker, with Record Store Day co-founder Michael Kurtz onboard to deliver an additional keynote. DMN has also hinted that White will provide attendees with a multi-hour tour of the Third Man pressing plant.
Registration for the conference opens on Aug. 21, with the event slated to take place in Detroit on Nov. 6–7.