Inauguration Day is here. On Wednesday, Jan. 20, Joe Biden will take the oath of office to begin his term as the 46th president of the United States. While celebrations will be different this year, in honor of the new administration, some of music’s biggest stars will make appearances at a 59th Inauguration program special that Americans will be able to watch from home. After the swearing-in of President-elect Biden and Vice-President-elect Kamala Harris, Tom Hanks will host the 90-minute "Celebrating America" special that will feature appearances from Demi Lovato, the Foo Fighters, Justin Timberlake, Jon Bon Jovi, John Legend, Bruce Springsteen, and more.

Stream the program at 8:30 p.m. EST above or at BidenInaugural.org/watch, YouTube, Facebook, Twitter, and Twitch. Amazon Prime Video, Microsoft Bing, NewsNOW from Fox, and AT&T U-verse (Channel 212/1212 in SD/HD) and DIRECTV (Channel 201) will also stream the program. ABC, CBS, CNN, NBC, MSNBC, and PBS will broadcast the program live as well.

But, while major performances will take place Wednesday, the celebrations have already started. Revisit some of the performances and check out one more set of performances before “Celebrating America” below:

“Official Latino Inaugural 2021: Inheritance, Resilience & Promise” With Gaby Moreno, Farruko And More. 

Actor Eva Longoria Bastón will host a program on Tuesday, Jan. 19 featuring big names in the Latino community. The event will have “performances from Gilberto Santa Rosa, Gaby Moreno featuring David Garza, and All-Star Tejanos United – Stefani Montiel, Jose Posada, Shelly Lares, DJ Kane, and Mariachi Nuevo Santander from Roma High School in Roma, Texas. The event will also include an Emilio Estefan produced performance of One World, One Prayer by the Wailers, featuring Skip Marley, Farruko, Shaggy and Cedella Marley,” according to the Biden inaugural website.

Rita Moreno, Lin-Manuel Miranda, John Leguizamo, Ivy Queen, and more will also make appearances.

The special will go live at bideninaugural.org/watch at 9:30 p.m. EST, as well as Telemundo and Univision digital platforms. Telemundo: YouTube, Facebook. Univision: Twitter and Facebook.  

Black Pumas and Resistance Revival Chorus With Deva Mahal At “America United: An Inauguration Welcome Event Celebrating America’s Changemakers”

2021 GRAMMY Award nominees Black Pumas, and Resistance Revival Chorus With Deva Mahal performed at an event celebrating the diversity of the country on Jan. 16. Catch appearances from Darren Criss, Whoopi Goldberg and more .

Bebe Winans, Aloe Blacc, Yo-Yo Ma And More At "United We Serve: A Celebration of the National MLK Day of Service"

Celebrations in remembrance of Martin Luther King Jr. on Jan. 18 included performances from many names familiar to the GRAMMYs. BeBe Winans, Aloe Blacc, Yo-Yo Ma, Andra Day were among performers paying tribute to the late Civil Rights leader. In another performance, Chesca delivered a Spanish-language performance with Diane Warren on piano. Alejandro Fernandez and Mana also teamed up for another Spanish-language performance. Replay the stream above.

Tune in to "Celebrating America" with Demi Lovato, Foo Fighters and more at 8:30 p.m. EST on Jan 20., above.

2021 GRAMMYs: Complete Nominees List

Foo Fighters — one of contemporary rock’s most pivotal mainstays — boasts an almost mythical history. What began as Dave Grohl’s one-man band in 1994 after the devastating end of Nirvana has become a seminal machine with a catalog that spans three decades.

The group currently holds the record for the most GRAMMY wins in the Best Rock Album category, picking up awards in 2000 (There Is Nothing Left to Lose), 2003 (One By One), 2007 (Echoes, Silence, Patience & Grace), 2012 (Wasting Light) and 2022 (Medicine at Midnight). At the 2023 GRAMMY Awards, Medicine at Midnight also took home awards for Best Rock Performance ("Making a Fire") and Best Rock Song ("Waiting on a War").

Their recently released 11th studio album, But Here We Are, is the facet’s first project following the death of drummer and vocalist Taylor Hawkins last year. Hawkins, who joined Foo Fighters in 1997 and would become a driving creative force in the group, was mourned by musicians and fans across the world. Tribute concerts in London and Los Angeles presented by the Hawkins family in conjunction with Foo gracefully paid homage to his legacy. 

Grohl and company managed to push through their collective grief on But Here We Are. The project serves as a gripping confessional of both painful loss and blistering resilience. In honor of their latest endeavor, GRAMMY.com lists 10 of Foo Fighters’ most essential tracks.

"Big Me," Foo Fighters (1995)

Released one year after Kurt Cobain's death, Foo Fighters’ debut  album brimmed with promise. "Losing Kurt was earth-shattering, and I was afraid of music after he died," he told Anderson Cooper during a 2014 episode of "60 Minutes."

Though Grohl insisted that the record was just an outlet for grief, it marked the beginning of his illustrious career. "Big Me," the final saccharine single from the project, proved that the drummer-turned-frontman had a knack for crafting catchy tunes that would become undeniable hits. 

The campy nature of the track was the result of Grohl not putting much thought into the album, but that intrinsically simple approach — which trickled down to the song’s video which famously parodied Mentos commercials — was the start of something great.

"Everlong," The Colour and The Shape (1997)

One of Foo Fighters’ most exhilarating moments to date comes in the form of a love song. "Everlong," which was the second single from the band's sophomore effort, pulls listeners in with its gentle, melodic chords, keeping  their attention with sweltering percussion and heart wrenching lyricism. 

"Everlong" is about being so in tune with a romantic partner that the conclusion of that relationship is wholly devastating. "Come down and waste away with me," Grohl serenely sings. "Down with me/Slow, how you wanted it to be/I'm over my head/Out of her head, she sang." He performed it for the first time acoustic in 1998 on "The Howard Stern Show," which Grohl said "gave the song a whole new rebirth" during a performance at Oates Song Fest 7908.

"Breakout," There Is Nothing Left To Lose (1999)

"Breakout" appeared on both the band’s third album, There Is Nothing Left To Lose, and is filled with a frenzied, punk energy that channels Grohl’s grunge roots. While critics praised the album and noted the Foos' notable progression toward more melodic anthems, this quick, fast hit remains worthy of the hype it received over 20 years ago. 

The track also appeared in the 2000 comedy film Me, Myself & Irene starring Jim Carrey, and several of its stars appear in its music video. There Is Nothing Left To Lose also spurred the radio hit "Learn To Fly," which won the GRAMMY Award for Best Short Form Music Video in 2000. 

"Times Like These," One By One (2002)

The Foo Fighters' fourth studio album marked a turbulent period in the band’s history. Aside from personal issues, Grohl had just recorded drums for Queens of the Stone Age’s Songs for the Deaf, and joined the group for a subsequent tour. 

While the fate of Foo remained unknown, a triumphant performance at Coachella in 2002 gave the members a new outlook on their future. "‘Times Like These’ was basically written about the band disappearing for those two or three months and me feeling like I wasn’t entirely myself," Grohl stated in the group’s 2011 documentary Back and Forth. "I just thought, ‘Okay, I’m not done being in the band. I don’t know if they are, but I’m not.’"

 With its lyrical simplicity and crippling sincerity ("It’s times like these you learn to live again/It’s times like these you give and give again"), the song has come to embody love, togetherness and hope.

"Best Of You," In Your Honor (2005)

"I’ve got another confession to make/I’m your fool," Dave Grohl howls at the top of lungs on the riveting opening for "Best of You." His declaration is followed by the existential proposition: "Were you born to resist or be abused?" 

In Your Honor’s lead single is ripe with emotion, in which the Foo frontman is buoyantly defiant and encourages those listening to his words to be the same. That sentiment was politically driven, as "Best of You" was penned after Grohl made several appearances on the 2004 Democratic presidential campaign for John Kerry. 

"It’s not a political record, but what I saw inspired me," he told Rolling Stone in 2005. "It’s about breaking away from the things that confine you." "Best of You" is their only song in the U.S. to reach platinum status.

"The Pretender," Echoes, Silence, Patience & Grace (2007)

One of the group’s most highest charting songs was "The Pretender," from 2007’s Echoes, Silence, Patience & Grace. Grohl’s songwriting on the track is of macabre proportions, as introductory solemn chords give way to the lyrics: "Send in your skeletons/Sing as their bones go marching in again/They need you buried deep/The secrets that you keep are ever ready." 

Heavier riffs and pulsating percussion make it quite the auditory experience. Perfectly paced crescendos on the "The Pretender" give it just the right amount of suspense, making it indelible to the Foo discography.

"White Limo", Wasting Light (2011)

In 2012, Wasting Light earned four GRAMMY Awards including Best Rock Album. "White Limo" snagged the accolade for Best Hard Rock/Metal Performance — and for good reason. 

The second single from Foo Fighters’ seventh studio album is a ferocious number saturated with primal screams and whirlwind rhythms. "White Limo" was one of their most raucous songs to date and the group does their best Motorhead impression (Lemmy Kilmister’s appearance in the music video serves as the ultimate seal of approval). The group was intentional in maximizing their aggression on the heavy-metal track, making "White Limo" the sonic equivalent of a lightning bolt in their immense catalog.

"Make It Right," Concrete & Gold (2017)

2017’s Concrete and Gold wasn’t about redefining the wheel as much as it was perfecting it. The group’s ninth studio album is as rock 'n' roll as it gets. 

There were a slew of memorable guest appearances including Paul McCartney on "Sunday Rain," Boyz II Men’s Shawn Stockman on "Concrete & Gold," and the Kills’ Alison Mosshart on "The Sky Is a Neighborhood" and "La Dee Da." 

The album’s best track, "Make It Right," features an uncredited, sonically off-putting cameo from Justin Timberlake . Yet the collaboration’s venture into heavier territory pays off, with Grohl paying respect to Led Zeppelin. The rock legends'  influence oozes all over "Make It Right"  in the form of ragged taunts and splintering riffs. Timberlake slinks into the background with additional vocals, making sure to not alter Foo’s formula in any way.

"Waiting on a War," Medicine at Midnight (2021)

Foo Fighters’ 10th album, Medicine at Midnight, was a refreshing return to form for the rockers. 

Sparked by a conversation by Grohl’s daughter, "Waiting on a War" embodied the group’s pensiveness about  America’s ominous future.  Over four minutes, Grohl  states that he’s "waiting for the sky to fall," though his melancholy thoughts ultimately transform from wistful crooning over acoustic guitar chords to a rumbling, full-throated ferocious outro. Foo’s bold approach snagged them a GRAMMY Award in 2022 for Best Rock Song.

"Rescued," But Here We Are (2023)

The power in "Rescued," the emotionally-charged first single from But Here We Are, relies not only on the lyrics to spell out the feeling of despondency, but on Grohl’s expression of them. 

"We’re all free to some degree/To dance under the lights," he sings. "I’m just waiting to be rescued/Bring me back to life." His voice languishes between fatigue and vigor as swirling guitars and ethereal buildups provide catharsis for both the band and the listener. The vulnerability of "Rescued" channels the intriguing self-awareness heard on albums like The Colour and The Shape and In Your Honor. But this song represents a brand new chapter for Foo and it’s one that confronts their pain head on.

Foo Fighters Are An Indestructible Music Juggernaut. But Taylor Hawkins' Death Shows That They're Human Beings, Too.

"10 songs that run the emotional gamut from rage and sorrow to serenity and acceptance, and myriad points in between." Without knowledge of their recent history, Foo Fighters' summary of their forthcoming record sounds like the usual pre-release spiel. Yet, as with everything Dave Grohl has touched over the past 35 years, this statement is grounded firmly in authenticity.  

But Here We Are is the Foos' 11th studio effort and first record since the untimely passing of Taylor Hawkins, just hours before they were due on stage at Colombia's Estéreo Picnic Festival in March 2022. The drummer had been the backbone of the constantly changing group for quarter of a century, and so his death at the age of just 50 inevitably threw their future into question. Following hugely affecting tribute concerts on both sides of the Atlantic, Grohl et al concluded, much to fans’ relief, that the show must go on. 

Expectedly, the devastation of losing a bandmate permeates their first studio effort since; it takes just 12 seconds to position But Here We Are as something of a musical eulogy. "It came in a flash/It came out of nowhere/It happened so fast/And then it was over," an anguished Grohl sings on opener "Rescued," one of many attempts to make sense of the sudden nature of his bandmate's death. But while the album's words are often steeped in melancholy, its sound is lean and loud.

First taster"Rescued" harks back to the '00s triple whammy of lead singles ("All My Life," "Best of You," "The Pretender") by combining stadium-sized hooks with speaker-blowing guitar riffs and dynamic rhythms. Perhaps not in the right headspace to hire a permanent replacement, Grohl returned to his former day job by taking to the drum kit for all ten tracks. And the majority of this third consecutive collaboration with Greg Kurstin, the super producer best-known for his work with pop powerhouses Adele and Sia, shares a similar full-blooded energy. 

Of course, the Foos were born out of a similar tragedy. Grohl only made that rare leap from drummer to frontman in the wake of Nirvana bandmate Kurt Cobain's 1994 suicide. The "nicest guy in rock" had initially considered joining Tom Petty and the Heartbreakers before heading into the studio to test out his singer/songwriter skills. Knocked out in just five days, the 15 tracks that emerged were distributed on cassette to friends, with the overwhelmingly positive feedback inspiring Grohl to pursue the Foo Fighters ("the stupidest f—ing band name in the world," he'd later concede) concept further. 

Grohl quickly assembled a line-up that included drummer William Goldsmith and bassist Nate Mendel of the defunct Sunny Day Real Estate and Nirvana's brief touring second guitarist Pat Smear to help perform the self-titled debut he issued on his own Roswell Records label. Fans hoping for insights into Grohl’s state of mind may have been left disappointed: Feeling pressured to address Cobain's demise, he opted for a stream-of-consciousness lyrical approach that resulted in gibberish.  

First taster "Rescued" harks back to the '00s triple whammy of lead singles ("All My Life," "Best of You," "The Pretender") by combining stadium-sized hooks with speaker-blowing guitar riffs and dynamic rhythms. Perhaps not in the right headspace to hire a permanent replacement, Grohl returned to his former day job by taking to the drum kit for all ten tracks. And the majority of this third consecutive collaboration with Greg Kurstin, the super producer best-known for his work with pop powerhouses Adele and Sia, shares a similar full-blooded energy. 

Of course, the Foos were born out of a similar tragedy. Grohl only made that rare leap from drummer to frontman in the wake of Nirvana bandmate Kurt Cobain's 1994 suicide. The "nicest guy in rock" had initially considered joining Tom Petty and the Heartbreakers before heading into the studio to test out his singer/songwriter skills. Knocked out in just five days, the 15 tracks that emerged were distributed on cassette to friends, with the overwhelmingly positive feedback inspiring Grohl to pursue the Foo Fighters ("the stupidest f—ing band name in the world," he'd later concede) concept further. 

Grohl quickly assembled a line-up that included drummer William Goldsmith and bassist Nate Mendel of the defunct Sunny Day Real Estate and Nirvana's brief touring second guitarist Pat Smear to help perform the self-titled debut he issued on his own Roswell Records label. Fans hoping for insights into Grohl’s state of mind may have been left disappointed: Feeling pressured to address Cobain's demise, he opted for a stream-of-consciousness lyrical approach that resulted in gibberish.  

However, Foo Fighters' sound wasn't too much of a departure from the quiet/loud grunge-rock that had catapulted Nirvana to blockbuster success. And despite a deliberate lack of promotion, melodic singles such as "This Is A Call" and "Big Me" — the latter penned in honor of Grohl's then-wife Jennifer Youngblood — steered the record to nearly 1.5 million domestic sales and the first of many GRAMMY nominations. Interestingly, it lost Best Alternative Music Album to Nirvana's MTV Unplugged in New York.  

1997 follow-up The Colour and the Shape also had ties to Grohl's previous day job. "February Stars" derived from a Nirvana recording session with bassist Krist Novoselic in early 1994, while producer Gil Norton had also worked with the Pixies — Cobain's biggest inspiration. And just like Nevermind, it's a sophomore that remains its band's commercial peak: despite charting no higher than No. 10 on the Billboard 200, it's still the Foos' biggest seller.  

Although the group now sounded even bigger than before, their lyrics this time round were of a far more intimate nature. Propulsive lead single "Monkey Wrench" is one of several numbers inspired by the breakdown of Grohl's marriage, a period the rocker has described as the winter of his discontent, while "Everlong" (David Letterman's all-time favorite song) found him lauding new love, Veruca Salt’s Louise Post. There was even talk of placing a therapist's couch on the album artwork to reflect the more confessional tone.  

But The Colour and the Shape also kickstarted a personnel merry-go-round: Goldsmith left to be replaced by Alanis Morissette drummer Hawkins, while Smear followed suit soon after due to exhaustion. Within a year, his successor Franz Stahl, formerly of Grohl's early hardcore punk outfit Scream, had been given his marching orders over the age-old reason of creative differences.  

By the time There Is Nothing Left to Lose hit the shelves in 1999, the Foos had been reduced to a three-piece. Nevertheless, what they'd lost in members they appeared to gain in melodies. Accompanied by an MTV-dominating video in which Grohl assumed multiple identities, "Learn to Fly" became the band’s first Hot 100 hit. And the swoonsome college rock of "Next Year" proved the band could be compelling without turning things up to eleven. It was little surprise when they scooped their first-ever GRAMMY for Best Rock Album.  

Whereas There Is... was created in idyllic circumstances ("It was one of the most relaxing times of my whole life," Grohl later enthused. "All we did was eat chili, drink beer and whiskey and record whenever we felt like it"), the recording of 2002's One by One was fraught with tension. Firstly, Hawkins had delayed proceedings when a heroin overdose left him in a coma for two weeks. Then Mendel and Grohl spent most of their studio time warring with each other, with new guitarist Chris Shiflett often left twiddling his thumbs as a result. The situation eventually got so bad their headline slot at Coachella was regarded as make-or-break. 

Luckily, the band enjoyed playing together again on stage so much they decided to keep the Foos train running. And after re-recording much of the material Hawkins dismissed as "million-dollar demos" in Grohl's basement, One by One eventually saw the light of day. Despite such a difficult inception, the album spawned two of the group's most enduring songs: the turbo-charged ode to oral sex that is "All My Life" and the contrastingly sweet "Times Like These," a self-help anthem which has since been championed by everyone from Glen Campbell to George W. Bush (and taken to the UK No. 1 spot by a Grohl-led charity supergroup). 

While Grohl later became disillusioned with One by One ("four of the songs were good, and the other seven I've never played again in my life"), he's remained positive about 2005 follow-up In Your Honor, a double album which allowed the Foos to showcase both their full-throttle and sensitive sides. Audiences appeared just as enthused about this separation of electrified and stripped-back material: it posted the highest first-week sales of the group's career. GRAMMY voters leaned into all the magnum opus talk, showering the LP with five nominations. However, the band still went home empty-handed on Music's Biggest Night.

A disappointing awards haul is far from the only notable thing about In Your Honor, though. Based on his experiences living with Cobain and Novoselic, "Friend of a Friend" originates from 1990, making it Grohl's first acoustic composition. "Cold Day in the Sun" gives Hawkins a debut on lead vocals, while Norah Jones collaboration "Virginia Moon," an unlikely detour into bossa nova, is the band's first duet.   

2007’s Echoes, Silence, Grace and Patience also boasted a Foo Fighters milestone: "Ballad of the Beaconsfield Miners" was their first ever instrumental piece. But elsewhere, the band went back to basics, reuniting with Norton to produce what some considered to be a belated sequel to The Colour and the Shape. Once again, multiple GRAMMY nods followed, although on this occasion, the Foos got to add to their trophy cabinet, winning Best Rock Album and Best Hard Rock Performance for anthemic lead single "The Pretender."  

A 2009 Greatest Hits compilation appeared to close the door of another Foo Fighters' era. Yet 2011's Wasting Light suggested the group still had one eye on the past. Not only did they invite Smear back into the recording fold, they also hired Butch Vig — the man behind Nevermind — as producer, asked Novoselic to guest and made the whole thing analog-style in Grohl's Encino garage ("Why go into the most expensive studio with the biggest producer and use the best state-of-the-art equipment?" he posited. "Where's the rock 'n' roll in that?") 

The nostalgic approach paid off when Wasting Light became the Foos' first U.S. chart-topper and added three GRAMMY Awards to their collection. However, few fans would agree it achieved Grohl's goal to create the band's definitive album, its 11 tracks following the arena rock handbook just a little too closely to stand out.  

Playing it safe is not an accusation you could level at 2014's Sonic Highways, an albumteased by Grohl as one made "in a way that no-one's ever done before." And he wasn't exaggerating. Accompanied by a same-named HBO documentary in which the rocker interviewed local musicians, engineers and producers, the highly ambitious project attempted to recapture the musical spirit of eight different American cities.

The Foos also roped in several hometown heroes on record, with country star Zac Brown representing Nashville, Cheap Trick frontman Rick Nielsen flying the flag for Chicago and, most unexpectedly of all, the Preservation Hall Jazz Band paying tribute to New Orleans. The Vig-produced affair was still very much a Foo Fighters album, albeit one steeped in classic rather than alternative rock.  

The unpredictable collaborations continued on 2017's Concrete and Gold, a deliberately weird record featuring Boyz II Men's Shawn Stockman, saxophonist Dave Koz and Justin Timberlake, not to mention Paul McCartney on drums. The strangest aspect of the album for Grohl, however, was the location of its recording: "I thought, 'What's the strangest thing for this band to do at this point?' And then I realized it was just to go into a studio and make a f—ing album like a normal band," he told Rolling Stone.

The first LP since keyboardist Rami Jafeee became a permanent member took a little longer to make than expected: Grohl was forced out of action for six months after breaking his leg during an on-stage fall in Sweden. The timeout, which occurred during Donald Trump's rise to power, allowed the frontman to take stock of America's future, resulting in the Foos' most politically charged effort as well as their poppiest. 

Foo Fighters doubled down on the big hooks for 2021's Medicine at Midnight, resulting in their first ever consecutive No.1. Grohl even compared it to Let's Dance, the David Bowie record which briefly reinvented the musical chameleon as the ultimate party-starter. GRAMMY voters obviously approved, awarding the band Best Rock Album, Best Rock Song for "Waiting on a War" and Best Rock Performance for "Making a Fire." Of course, just over a year later the feel-good vibes dissipated in the most heartbreaking way imaginable. 

Whereas Grohl completely avoided the subject of Cobain's passing on Foo Fighters’ debut LP, almost every song on their 11th album alludes to Hawkins'.

Under You" finds Grohl looking at "pictures of us sharing cigarettes and songs," going through the various stages of grief via a punchy piece of power pop. And on the cathartic title track, the frontman unleashes the kind of fierce, throat-busting howls more suited to his extracurricular forays into death metal. 

And then there's the behemoth named "The Teacher." Surpassing "Come Back" as the Foos' longest song, the 10-minute epic is also one of their most powerful, encompassing themes of existential despair and extolling various life lessons ("Try to make good with the air that's left/Counting every minute, living breath by breath") while segueing from riotous post-grunge to bittersweet folk-rock and back again.  

But Here We Are does have other quieter moments of introspection. Violet Maye Grohl — teenage daughter of the Foos’ leader — lends her cooing tones and a reassuring presence ("I'll take care of everything from now on") to the gorgeously ethereal melodies and dreamy crystalline guitars of "Show Me How." And there's unlikely to be a dry eye in the house as a hushed Grohl Sr. bids a final farewell on the closing stripped-back bars of finale Rest, ("Waking up, I had another dream of us/In the warm Virginia sun/There I will meet you"). 

The recent appointment of Josh Freese, the journeyman drummer who appears to have played with every notable rock band of the past 30 years, appears to confirm this won't be the last we hear from Foo Fighters. Indeed, Grohl and company have described But Here We Are as "the first chapter of the band's new life." This heartfelt yet utterly emphatic tribute suggests it will be just as compelling as those gone by.  

Foo Fighters Are An Indestructible Music Juggernaut. But Taylor Hawkins' Death Shows That They're Human Beings, Too.

June is an important moment in the year, as it brings us Pride Month, Black Music Month and Juneteenth. It also marks the official start of summer, where rising temperatures invite late afternoons enjoying good music — whether it’s outdoors at one of the season’s many festivals or in the comfort of your own home.

As for the good music, this month brings us plenty of new releases by queer artists, like Kim Petras' long-awaited debut, Feed The Beast, and the Aces’ I’ve Loved You For So Long. Black musicians have much on offer in June as well, including Janelle Monáe (who is also queer) The Age of Pleasure, house music DJ and producer Jayda G’s Guy, and Ghana-born singer Amaarae’s Fountain Baby. Last but not least, June also marks the return of both Foo Fighters and Lucinda Williams after life-altering events, and the ultimate release of Bob Dylan’s 2021 concert film soundtrack, Shadow Kingdom.

To inspire you further with their bold artistry and moving stories, GRAMMY.com compiled a guide to the 15 must-hear albums dropping June 2023. 

Foo Fighters - But Here We Are

Release date: June 2

In dark times, humans often turn to art. Even if they have no answers for what the future holds, the transmuting power of expression reminds us that, sometimes, existing is enough. But Here We Are, Foo Fighters’ 11th studio album, does just that.

After "a year of staggering losses, personal introspection and bittersweet remembrances," as they state in their website  — referring to the sudden loss of longtime drummer, Taylor Hawkins,  and of frontman Dave Grohl’s mother, Virginia — they find both grievance and strength in what has been called "the first chapter of the band’s new life."

In support of this change, Foo Fighters have announced over 25 performances across the U.S. and Europe in the upcoming months. But Here We Are drops on June 2, and features ten new tracks, including promotional singles "Rescued," "Under You," "Show Me How," and "The Teacher."

Juan Wauters - Wandering Rebel

Release date: June 2

For most of his life, the Uruguay-born, New York-raised singer Juan Wauters was a rover — never for too long in one place. But as he sings on the upcoming titular track of his new album, Wandering Rebel, "During COVID I discovered/ that I like stability."

In a statement, Wauters reflected about moving back to his home country because of the pandemic, and the personal changes that came with it: "New York was the place I always came back to, but I never really had a 'home.' My parents left Uruguay, their home, when I was young. Now, [in Montevideo], I have a place to come home to, and people that are waiting for me."

The 12 songs on Wandering Rebel are defined as "candid reflections on subjects like career, romantic commitment, mental health, and the personal toll of touring," some of which can be seen through singles "Milanesa al Pan (ft. Zoe Gotusso)" and "Modus Operandi (ft. Frankie Cosmos)." As to not lose sight of his itinerant roots, Wauters will embark on a lengthy U.S. tour starting this month.

Bob Dylan - Shadow Kingdom

Release date: June 2

When the COVID-19 pandemic stalled Bob Dylan’s illustrious Never Ending Tour, he decided to baffle the world with something entirely different.

First released in 2021 as a concert film directed by Alma Har'el, Shadow Kingdom sees Dylan perform 14 tracks from the first half of his career in an acoustic, intimate atmosphere. In the setlist, "It's All Over Now, Baby Blue" from 1965’s Bringing It All Back Home marks the earliest composition to be featured, while "What Was It You Wanted" from 1989's Oh Mercy is the latest.

With little-to-no prior information, the film originally premiered on livestream platform Veeps, and swiftly disappeared 48 hours after. On June 2, an official soundtrack release will revive the experience for all those who missed it.

Rancid - Tomorrow Never Comes

Release date: June 2

Breaking a six-year absence of new music, California’s boisterous Rancid are back. Tomorrow Never Comes, the band’s tenth album, proves that the verve from one of punk rock’s biggest acts in the mid-1990s is still alive.

Produced by longtime collaborator and Bad Religion guitarist Brett Gurewitz, the record holds 15 tracks, but runs just short of 29 minutes — Rancid’s briefest album yet. But judging by singles "Tomorrow Never Comes," "Don't Make Me Do It," and "Devil in Disguise," quick-paced or not, the quality remains the same.

Right after the release, Rancid will kick off an European tour for the rest of the month, before hitting Canada and a few cities in the U.S. starting September.

The Aces - I’ve Loved You For So Long

Release date: June 2

Pride month celebrations have just gotten the perfect soundtrack: I’ve Loved You For So Long, the Aces’ third studio album, comes out on June 2. 

Preceded by the title track and singles "Girls Make Me Wanna Die," "Always Get This Way," and "Solo," the album marks the Utah quartet’s first release since 2020’s LP Under My Influence. According to a press release, I’ve Loved You For So Long is "rife with songs that celebrate their queer identities, juxtaposed by tracks that reflect on their early relationships with Mormonism."

The 11-track collection is also described as "a nostalgic look back at the formative experiences that shaped who they are as a band today, like pages straight from their diaries that will leave their listeners feeling seen and critics wanting more."

Janelle Monáe - The Age of Pleasure

Release date: June 9

Marking her return to music five years after 2018’s Dirty Computer, the chameleonic singer and actor Janelle Monáe ushers in The Age of Pleasure. Her fourth studio album features 14 tracks, including collaborations from Grace Jones, Amaarae, Seun Kuti, and others.

During an interview with Zane Lowe on Apple Music 1, Monáe said all the songs "were written from such an honest space," with the goal of being "so specific to this Pan-African crowd who are my friends. I want it to be a love letter to the diaspora."

If its two delightful singles "Float" and "Lipstick Lover" are any indication, it looks like Monáe has nailed her target — while also providing us a much-needed new era for the summer.

Amaarae - Fountain Baby

Release date: June 9

"Coming back after so long, I had a lot of time to think and reflect on what I wanted my message to be. Last time it was about confidence, this time it’s about love and faith," said Ghanaian-American singer Amaarae in a statement about her single, "Reckless & Sweet."

The mystifying track gives a taste of her upcoming sophomore album, Fountain Baby, set to release on June 9. Following her acclaimed 2020 debut The Angel You Don’t Know, the album also features last month’s cheeky "Co-Star," and points to an expansion of the singer’s avant-garde Afro-pop sound, as well as a celebration of Black women all over the world.

Jayda G - Guy

Release date: June 9

Canadian producer and DJ Jayda G was only 10 years old when she lost her father, William Richard Guy. However, his memories shaped her life in significant ways, and now she is ready to share them with the world through her upcoming studio album, Guy.

Through a press release, Jayda said that she wanted the album to be "a blend of storytelling, about the African American experience, death, grief, and understanding." The singer also added that "it’s about my dad and his story, and naturally in part my story, too, but it’s also about so many people who wanted more for themselves and went on a search to find that. This album is just so much for people who have been oppressed and who have not had easy lives."

The first single of the project, "Circle Back Around," features archival footage of Jayda and her father — an endearing portrait that ultimately delivers an uplifting message. As she explains further in the press release: "I think it’s just a testament that it’s never too late to look at yourself and try to understand why you are the way you are, and strive to be better. Understanding the Black man’s experience, Black people’s experience in terms of America, and rising above what society tells you you’re supposed to be."

King Krule - Space Heavy

Release date: June 9

British singer King Krule was inspired by "the space between" his London and Liverpool commutes — both places he considers home — to craft Space Heavy, his fourth studio album.

Written throughout 2020 to 2022, the record was produced by Dilip Harris, and recorded alongside bandmates Ignacio Salvadores, George Bass, James Wilson, and Jack Towell. In April, the hazy "Seaforth" was released as the album’s first single.

King Krule, whose real name is Archy Marshall, will soon embark on a summer tour spanning North America, Europe, and the UK. The first stop is in Minneapolis on July 21.

Killer Mike - Michael

Release date: June 16

It’s been more than a decade since Killer Mike released a solo album (2012’s R.A.P. Music), but June brings forward new, exciting material from the Atlanta rapper and member of Run the Jewels. Upcoming LP Michael is said to be his "most autobiographical" work so far, and features 14 tracks that depict "an origin story," according to a statement.

2022 singles "RUN" and "Talkin Dat S—!" are also included in the album, as well as this year’s "Don’t Let The Devil" and "Motherless" — whose two music videos form a short film paying homage to Mike’s late mother, Mama Niecy. The rapper is also set to perform a 19-stop tour in the U.S. this summer.

Home Is Where - the whaler

Release date: June 16

Florida emo band Home Is Where built a reputation for delivering catharsis through their gloomy lyrics and angry melodies. Their upcoming sophomore LP, the whaler, takes that up a notch: It was defined as a project about "getting used to things getting worse" in a press release.

Produced by Jack Shirley and containing 10 interconnected songs, the whaler "paints a bleak picture of a world in an endless state of collapse — of ruined utopias and desperate people faking normalcy — [but] there’s a humanity-affirming undercurrent throughout that screams to break free."

Ahead of the release, the band shared the lead single "yes! yes! a thousand times yes!," and is currently gearing up for a U.S. tour through the East Coast and Midwest in July and the West Coast in September.

Kim Petras - Feed the Beast

Release date: June 23

The much-awaited debut LP of German singer Kim Petras, Feed the Beast, finally has a birth date: June 23. After struggling with the leaking and eventual scrapping of would-have-been album Problématique, Petras compiled 15 tracks for this new effort — including last year’s mega hit "Unholy" featuring Sam Smith, which earned them both a GRAMMY Award for Best Pop Duo/Group Performance.

In an interview with Vice, the singer said Feed the Beast marks "a transition from being an independent artist to being at a major label now. Spearheaded by singles "If Jesus Was a Rockstar," "Brrr," and lead single "Alone" featuring Nicki Minaj, Petras will celebrate the release with a performance at NBC’s TODAY Citi Concert Series, as well as live sets at Governor’s Ball in NYC and Life is Beautiful Festival in Las Vegas.

Lunice - OPEN

Release date: June 23

Described as a project that "focuses on the natural human ability and behavior of intuition, instinct, openness, flexibility, and adaptation," and also as "a bizarre ride through the Montreal underground," OPEN is the sophomore album by Canadian producer and TNGHT member, Lunice.

Following up his 2017 acclaimed solo debut, CCCLX, the new record aims to be even more dynamic, with every track conceived to be performed live. Featuring collaborations with Cali Cartier, Zach Zoya, Yuki Dreams Again, DAGR and GRAMMY-winning producer DRTWRK, OPEN drops on June 23.

"No Commas," the pulsating first single off the project, sets the mood to the upcoming folly. "This track is the result of multiple natural occurrences where the melody, drums, and vocal performance coincidentally fit with each other in the moment of creation without any prior motive behind it," Lunice said in a statement. "I find these instinctual moments of creativity beautiful and inspiring."

Maisie Peters - The Good Witch

Release date: June 23

British singer/songwriter Maisie Peters calls herself The Good Witch — the "keeper of the keys and the holder of the cards" to her own universe, soon on display through her upcoming second album.

Written last year while she was on tour, Peters explains that its 15 tracks represent a time when she was "searching for balance between career highs and personal lows," a quality that can be seen through "Body Better," the album’s acutely honest lead single. 

"This is my heart and soul, my blood on the page, the collection of stories that I’ve managed to capture in the past year," said Peters. "A true chronicle of my life in recent history, it is my own twisted version of a breakup album and it all draws upon the same couple of months’ worth of experiences and inspirations." 

The singer is also set to tour 27 cities in the U.S. and Canada from August to October.

Lucinda Williams - Stories From a Rock n Roll Heart

Release date: June 30

Lucinda Williams is living proof that getting older doesn’t mean getting duller. The Americana legend just celebrated her 70th birthday in January — and the last three years of her life have been some of the most tumultuous yet.

In 2020, her Nashville home was damaged by a tornado. Then, came the COVID-19 pandemic. And lastly, a stroke that affected her ability to play the guitar, therefore changing the way she writes songs. But Williams didn’t let any of that stop her — Stories from a Rock n Roll Heart, her 15th studio album, comes out on June 30, and shows that she’s only getting better.

The project already has three singles out: "New York Comeback," "Stolen Moments," and "Where the Song Will Find Me," and counts on backing vocals from artists like Bruce Springsteen, Patti Scialfa, and Angel Olsen.

Listen To GRAMMY.com's LGBTQIA+ Pride Month 2023 Playlist Featuring Demi Lovato, Sam Smith, Kim Petras, Frank Ocean, Omar Apollo & More

In the past year, artists in the LGBTQIA+ community have continued to create change and make history — specifically, GRAMMY history. Last November, Liniker became the first trans artist to win a Latin GRAMMY Award when she took home Best MPB Album for Indigo Borboleta Anil; three months later, Sam Smith and Kim Petras became the first nonbinary and trans artists, respectively, to win the GRAMMY Award for Best Pop Duo/Group Performance for their sinful collab "Unholy."

Just those two feats alone prove that the LGBTQIA+ community is making more and more of an impact every year. So this Pride Month, GRAMMY.com celebrates those strides with a playlist of hits and timeless classics that are driving conversations around equality and fairness for the LGBTQIA+ community.

Below, take a listen to 50 songs by artists across the LGBTQIA+ spectrum — including "Unholy" and Liniker's "Baby 95" — on Amazon Music, Spotify, Apple Music, and Pandora.