Pitchfork has revealed the lineup of their 14th annual Pitchfork Music Festival at Union Park in Chicago set to take place July 19-21. The exciting, eclectic musical offering is perfectly embodied by its headliners: GRAMMY-nominated dancefloor-pop innovator Robyn, GRAMMY-winning godfathers of funk The Isley Brothers and GRAMMY-nominated folky-pop sister trio HAIM.

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr"> The 2019 lineup is here. Single day, 3-day, and PLUS passes are on-sale now. Get tickets → <a href="https://t.co/ayNQ0r6klv">https://t.co/ayNQ0r6klv</a> <a href="https://twitter.com/hashtag/P4Kfest?src=hash&amp;ref_src=twsrc%5Etfw">#P4Kfest</a> <a href="https://t.co/YavEn62dTv">pic.twitter.com/YavEn62dTv</a></p>&mdash; Pitchfork Music Festival Chicago (@pitchforkfest) <a href="https://twitter.com/pitchforkfest/status/1103324459975495680?ref_src=twsrc%5Etfw">March 6, 2019</a></blockquote>

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The Isley Brothers, consisting of remaining members Ronald and Ernie Isley, will be celebrating their 60th anniversary as a group at the fest, bringing the funk with "special guests," Pitchfork reports. GRAMMY winning blues and gospel icon Mavis Staples will bring her long-time musical excellence to the the three-day event as well.

GRAMMY-nominated hip-hop powerhouses Earl Sweatshirt, Jeremih and Pusha T, along with fellow GRAMMY nominee and electro-pop stalwart Charli XCX are also slated to play.

Several innovative acts that got their start in the '90s will be performing: London-based avant-garde dream-pop group Stereolab, Scottish folk-pop band Belle & Sebastian and Swedish GRAMMY-nominated MC Neneh Cherry, who earned a nod for Best New Artist at the 32nd GRAMMY Awards in 1999.

The festival prides itself on highlighting emerging talent; some of the up-and-comers on the lineup are 20-year-old dream-pop artist Clairo, L.A.-based social activist/rapper JPEGMAFIA, French-Cuban electro-soul sister duo Ibeyi and 21-year-old NYC-based rapper Rico Nasty.

Weekend and single day tickets are on sale now; visit the fest's site for more info and the complete lineup.

Pharrell Announces Something In The Water Fest Ft. Missy Elliott, Janelle Monae, SZA, Rosalia, Migos & More

Music festival season doesn’t begin or end with Coachella. Festival fever brings millions of revelers to and across the United States annually for events that cater to every taste, style, and budget.

While Coachella, with its big-name lineups and a magnet for celebrities and influencers, often takes the lion's share of press and social media attention, plenty of smaller festivals equally capture the hearts of attendees who make it a tradition to return year after year.

2024 introduces an exciting array of new music festivals across the U.S., many highlighted in our guide below. Whether you want to see your long-time favorites or discover fresh music acts, there’s a ton of talent to consider. Beyond the music, these festivals offer top-notch people watching and other experiential joys that make this kind of creative and communal culture important to people across generations and backgrounds.

Sol Blume

May 3-5, Sacramento, California

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California’s state capital is home to the now three-day Sol Blume, a festival so laid back that its mascot is a skeleton chilling on its side, throwing up a peace sign. This year’s Sol Blume is headlined by Snoh Aalegra, SZA and Kaytraminé (producer Kaytranada and singer Aminé). 

It’s still at Discovery Park, but now Sol Blume is a day longer than last year’s event, the stages are bigger and there are more food and drink options. There’s also a dedicated wellness area, with daily yoga classes, meditation sessions, and tension release workshops — should you get a little bit too worked up by the whole mass musical experience.

Lovers & Friends

May 4, Las Vegas, Nevada

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Once again, Lovers & Friends is set to bring a monster lineup representing the heights of ‘90s R&B, hip-hop, pop, and boy bands to Las Vegas for the third time. It’s hard to overstate the megawatt, dream team, TRL-like quality of this festival. After all, headliners Janet Jackson, Usher, Backstreet Boys and Gwen Stefani have all carried arena tours on their own.

Like many of its single-day festival colleagues around the country, the Lovers & Friends lineup appears to fit what could be at least a couple days of performances into just one, so there may be schedule conflicts that prevent attendees from seeing all of the sets that they might want to enjoy.

Cruel World

May 11, Pasadena, California

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A family-friendly, all-ages music festival with a predilection for nostalgia with a dark edge, Cruel World returns to the world-famous Rose Bowl’s Brookside golf course for the third year. This year’s fest features a top billing performance from Duran Duran, plus appearances by Interpol, Blondie, Simple Minds, Placebo, Soft Cell and Adam Ant. The latter rescheduled from last year’s canceling due to a health matter, so he’s just as anticipated as the top acts this year.

Speaking of 2023, a freak electrical storm cut several performances short last year, and a bonus makeup event was held the next night with Iggy Pop and Siouxsie Sioux. The skies should be kinder this year, and those who don’t get their musical fill can return to the same spot the following weekend for a festival called Just Like Heaven with The Postal Service, Death Cab for Cutie, Phoenix and more.

Movement

May 25-27, Detroit, Michigan

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Launched in 2000 as the Detroit Electronic Music Festival and renamed in 2003, Movement remains the world’s pre-eminent event dedicated to techno music, a style created in Detroit and imitated all over the world. This year’s event features VIP pop-ups, classic record label showcases and veteran artists from Detroit and beyond such as Kevin Saunderson, Stacey Pullen, Delano Smith, Masters At Work, Richie Hawtin, Fatboy Slim and. . . Ludacris? Sure, why not — there’s always a hip-hop twist or three happening here, too.

Movement is still the best time to be in Detroit each year in order to celebrate the musical innovations of the city. Beyond the festival, there are a host of official and unofficial afterparties and alternatives to check out. Some people travel to the area to party and never even make it to the main festival, for all the other events happening at all hours.

La Onda

June 1-2, Napa, California

This year, a brand new festival La Onda will debut the weekend after the annual BottleRock festival at Napa Valley Expo with the same event producers. La Onda’s music headliners are Maná, Fuerza Regida, Alejandro Fernández and Junior H. The other acts booked represent a wide variety of Latinx sounds, including regional Mexican, Spanish rock, Latin pop, reggaetón, mariachi, rap, norteño and cumbia.

Read more: 11 New Music Festivals To Attend In 2024: No Values, We Belong Here & More

The Napa Valley Expo is big enough to hold such a large festival with different stages, but it’s not too exhausting to walk back and forth between the areas. And BottleRock amenities like the silent disco, spa treatments, and adult refreshments will be there for La Onda guests to check out as well. 

Roots Picnic

June 1-2 Philadelphia, Pennsylvania

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The annual Roots Picnic takes place in Philadelphia, the original home of The Roots, and is always a passionate tribute to the City of Brotherly Love (see last year’s highlights). This year, there will also be a big tribute to New Orleans performed by Lil Wayne, Trombone Shorty, PJ Morton and more. 

The festival lineup, which is curated by the band, features musical friends like Jill Scott, Nas, and Victoria Monét as well as a special performance by André 3000, who has been touring the country playing improvisational, flute-led music inspired by his recent solo album New Blue Sun. Tickets to that show alone have been tough to get on other dates, and it’s part of the glorious Roots Picnic.

Pitchfork Music Festival

July 19-21, Chicago, Illinois

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Chicago’s Union Park has been home to the three-day Pitchfork Music Festival since its inception in 2011. The annual event, an extension of the acclaimed music publication, attracts about 60,000 people — see the standout sets from last year to get a good idea of the diversity of this mainstay. Artists bringing the heat this year include Black Pumas, Jamie XX, Alanis Morissette, De La Soul, Brittany Howard, Grandmaster Flash and Carly Rae Jepsen. 

Pitchfork Music Festival is a scorching experience for more than its hot lineup — you can also expect high summer temperatures in the Windy City. Pitchfork’s editorial staff was recently reduced and merged into the men’s magazine GQ by Condé Nast, so the festival’s future shouldn’t be taken for granted.

Fool in Love

Aug. 31, Inglewood, California

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Like Lovers & Friends, people questioned whether this new one-day fest’s heavy-hitting R&B and old-school soul lineup was fake when it was first released. Lionel Richie and Diana Ross take the top tier of the flier, followed by Nile Rodgers & Chic, Al Green, Santana, Charlie Wilson and Gladys Knight. And this festival has more levels of enduring talent booked, including stages headlined by George Clinton and Parliament-Funkadelic and Clinton’s hero, Smokey Robinson. 

It’s been criticized on social media for booking bands that may not have many or any surviving original members, but that has been a very standard part of certain touring legacy acts for decades. Both the multi-generational lineup and the people-watching promise to be legendary.

Bumbershoot

Aug. 31- Sept. 1, Seattle, Washington

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An all-ages event that began back in 1973, Bumbershoot is one of the country’s staple music and arts festivals. After beginning as an independently-produced fest, AEG Live ran it for four years until 2019. Bumbershoot was relaunched in 2023 by Third Stone and New Rising Sun with Seattle Center, the expansive indoor/outdoor venue where it still takes place.

Last year’s 50th anniversary event brought music acts like Brittany Howard, Sleater-Kinney, Jawbreaker and the Descendents. This year’s music lineup will be announced in May, and a full slate of visual programming and activities such a half pipe skateboard program, roller skating and even pole dancing are on the official website now.

Music at the Intersection

Sept. 14-15, St. Louis, Missouri

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Music at the Intersection in St. Louis celebrates the lineage that exists between blues, jazz, soul, rap, R&B and rock, and where that takes us into the future. Hosted by Kranzberg Arts Foundation, this year’s edition of the ambitious two-day, all-ages festival features a stacked lineup of talent including Chaka Khan, Big Boi, Black Pumas, Esperanza Spalding and Samara Joy. There’s even a Gospel Brunch on Sunday in partnership with the Gospel Music Hall of Fame.

As you may have noticed now, music festivals are thriving around the country in 2024! Wherever your flavor of fest takes you this year, may it be safe, fun, and offer the thrills of familiarity, discovery, and friendship.

Music Festivals 2024 Guide: Lineups & Dates For Lollapalooza, Coachella, Bonnaroo & Much More

As one of the longest-running and biggest selling bands in music history, GRAMMY-winners Chicago have staked a claim as the ultimate “rock band with horns” since their debut album was released over a half-century ago.

Since those early days and throughout a run of instantly-recognizable songs from “25 or 6 to 4” to “You’re the Inspiration” and “If You Leave Me Now” (which won the GRAMMY for Best Pop Vocal Performance By A Duo, Group Or Chorus at the 19th Annual Awards Ceremony), vocalist and songwriter Robert Lamm has remained an unchanging frontman in an ever-changing lineup.

It’s an ongoing legacy that continues this holiday season with their latest album Greatest Christmas Hits which extrapolates Lamm and company’s penchant for recording seasonal tunes accented by their unique sound, a creative kick that began in 1998 with Chicago XXV: The Christmas Album.

Along with holiday hallmarks like “Winter Wonderland,” the new album also features guest artists like Dolly Parton who joins in with the band on the Paul McCartney staple "Wonderful Christmas Time.”

Lamm spoke to GRAMMY.com about their long legacy, songwriting and choosing the right seasonal songs to give their personal spin.

You and the band recently performed on the Macy's Thanksgiving Day Parade. Would that rank up there as one of the more unique places you've performed?

Well, there was a circus venue in Paris, and it was a very fancy night for some reason. I guess Chicago had made an impression in Paris, so one day they called us to play in a big top [tent] there. It was quite beautiful and strange.

Do unique spaces make performing more fun, or are you 'on guard' because you're out of your element?

Actually, it wasn't upsetting or scary or anything like that. It was curious, but then we got down to business.

I think the tendency is to group all of your songs together. As a result, a chronology is lost on people. They forget that "Does Anybody Really Know What Time It Is" was the first song you recorded for your debut album. Did that feel like being the first batter of a baseball game scoring a home run?

Well, thank you. Yes, I feel that way. In the early days when we were first recording, a lot of the songs were songs that I had written, and I had no idea what was going to happen with them. We did have a great producer in James William Guercio and most of us had not ever been in a recording studio, so that was the most nervous thing for everybody. It was in a seriously good studio in New York and he had to show us where to stand and what instruments should be put here and there. So it was that kind of thing, all very new.

It was almost like the songs were secondary to figuring out how to do this and record. So thankfully it turned out fine. A number of songs from that first album became popular and for a recent performance, we brought out a lot of songs which were on that first album; we never played most of them for most of our career. We pulled them out to examine them; songs that were very strange rock songs.

When you look back at your peers from the early days, not too many are still touring or recording.

Or still alive.

That must give you a unique perspective on music, success and the industry?

I think we feel mostly very lucky. Obviously 55 years into a career where we really never stopped, the thing that changed was the various people who have come into the band and left for one reason or another. 

That was always something we had to figure out how to do, for someone to come in and be a drummer, bass player or singer even. Being open to learning the repertoire, which obviously throughout every year got larger and larger and larger. That was something we had to learn how to do again. We've done a lot of learning over the years [Laughs].

I know you have lectured at NYU and Stanford University about songwriting. Is there one big lesson you'd give to aspiring songwriters?

Wow, I'm making this up now as we speak, but I think that you have to believe in what you're writing. You have to like it, or love it. I've always tried to not repeat myself ever in writing songs, whether it's the lyrics or the musical structure. 

I have always said, "Don't repeat what you're doing." I've always thought that writing a song is like learning something completely different than I've ever done. Writing the song, I've learned something. It might be a small thing, or it might be a big thing. 

I love writing songs. I didn't know I was going to be a songwriter, I was just a guy in a rock band. For a long time I thought that's what I was. But I'm a songwriter.

So as a songwriter, what are you looking for when you choose to cover a Christmas song? There are millions to choose from, as evidence in your new Greatest Christmas Hits album.

There are millions of bad Christmas songs [Laughs]. I have to like it, the guys in the band have to like it. Like when we did "The Christmas Song," Mel Torme's composition, which is a great song and he's a great musician. But I was living in New York at the time when we had decided to do the first Chrisrtmas album. It's not that we wanted to disguise these songs as something else because these songs are legitimate, popular songs done by many, many people. What we had going for us as a band is that we have a sound. We have a way of arranging things that is us, so the combination of a good song and the arrangement by Chicago, that's the deal.

When it comes to the new Christmas album, the bulk of the songs are remastered. What's the remastering process like for an artist?

As recording technology has blossomed in the digital age, in the beginning it was a little tedious. Between the actual digital equipment on the one hand but also the playback equipment was very different. So the guys who do that for a living are extremely creative and extremely top-drawer. There's a lot of bad recording out there and there always has been.

This Christmas album is one of the only albums you released that isn't numbered. Where did the idea come from to start, and continue numbering?

I have to give credit to our original producer, James William Guercio, who produced probably among the greatest Chicago albums. He suggested, "Let's not get caught up in tricky, phony titles for the albums." So by and large we stayed with the numbering because we want to have people considering collecting the albums, like other collectors of music. We wanted to have it be somewhat more respectable.

What about your inspiration for a song like "Saturday in the Park," which lays out scenes in a park like a little musical? 

We were in New York when I think we were recording our third album. It was summer and those were the days when Central Park was open on the weekends to the public and I think that was a fairly new development in the city. 

Because we were in New York, I always in those days carried around a Beaulieu Super 8 camera just for the hell of it. I shot a lot of footage of what I was seeing and what I was experiencing on that particular day: the park being open like that and people really enjoying the park experience in Manhattan, which is still really great. I was trying to capture that and when I finally got home and looked at the film, I just described what I was looking at to write the lyrics.

What about writing a lyric like "Saturday in the park, I think it was the Fourth of July." Including "I think" adds a deeper layer to it, because you could have just as easily said that it was the Fourth of July.

Well, yeah. And that's because I actually had two consecutive years where I was filming the park. So it was either the Fourth of July, or it may have been the fifth of July the following year. And I also just liked it lyrically, whether it was accurate or not.

Going back to your debut, it was released in 1970. Does it feel like that was a fortuitous time to come onto the scene? If you came out in the mid-60s, maybe it wouldn't have been received at the time because the industry was dealing with the effect of the Beatles. But if you came out in the mid-70s, you would have gotten lost in disco.

Yeah, we would have been lost in the shuffle in the mid-70s and we virtually were by the end of the 70s. We really had to figure out how to survive. We wanted to keep recording, but it was tricky.

Was there a pressure to have a more disco sound?

For a minute, yeah; for as long as disco lasted. We actually came in during the later end of that trend and it was futile. It was awful. We've done other recordings without trying to be disco or thought of as disco. We had done subsequent recordings for subsequent albums that would have qualified but we were past it, and so was everybody else.

Is there a song in your entire discography that you thought should be a bigger hit?

Well, yeah. As the songwriter or the arranger or even the vocalist or instrumentalist of any particular song, there's a lot of them. They're my babies and I'd like people to be introduced to the babies they have never heard before. 

So, is there a song you'd tell people to stream right now?

I can't answer that, there's just too many. I haven't had enough coffee [Laughs.]

5 Ways Peter Gabriel's 'i/o' Furthers And Cements His Legacy

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Lollapalooza, which started off as the brainchild of Jane’s Addiction frontman Perry Farrell in 1991, has become one of the world’s most famous festivals. Its popularity — due in part to the festival's ability to draw some of the biggest names in music, as well as buzzy up-and-comers  — has allowed Lolla to expand into Brazil, Argentina, Sweden, France and India.

Taking place Aug. 3-6, this year's Chicago headliners include Kendrick Lamar, Billie Eilish, Red Hot Chili Peppers, Lana Del Rey and The 1975. The festival will also host a slew of aftershows all over the city featuring festival performers like A Boogie Wit Da Hoodie, Carly Rae Jepsen, Portugal. The Man and Noah Kahan.

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While these stars will undoubtedly put on impressive performances, they aren’t the only musicians that are drawing fans to the festival. Dozens of artists will appear across Lollapalooza's eight stages. From rap to rock, punk to pop, here are 10 artists who deserve to stand in the spotlight all on their own — and whose sets you shouldn't miss.

The Beaches

Canadian alt-rock group The Beaches embody the effortless cool many bands boast but few fail to execute. The all-female quartet, who beautifully meld new-wave sounds with the ferocity of pop-punk, are gearing up to release their sophomore album Blame My Ex due out Sept. 15. 

Lead single "Blame Brett" is an intoxicating anthem in which lead singer Jordan Miller pledges to battle heartbreak with apathy: "I’m sorry in advance / I’m only gonna treat you bad / I’m probably gonna let you down / I’m probably gonna sleep around […] but don’t blame me, blame Brett". 

The Beaches scored a major label deal with Island Records and released their debut album, Late Show, in 2016. They've since amassed six No. 1 singles on Canadian alternative radio, and have toured with the Rolling Stones, Foo Fighters and Avril Lavigne.

The Beaches perform at 1:15 p.m. Thursday at the Bud Light stage.

Beauty School Dropout

This L.A. rock trio got the ultimate endorsement after they were signed by Mark Hoppus under the new label Verswire with Pete Wentz and Sherry Saeedi. In a press release, Hoppus stated that he was "always impressed by how hard these guys work, their talent and uncompromising creativity, and their dedication to their fans." 

In addition to supporting Blink-182 on their long-awaited reunion tour, Beauty School Dropout released their debut album We Made Plans And God Laughed in 2022. Saturated with heavy guitar riffs, catchy choruses and invigorating percussion, the album has received well over 14 million streams.

 Newer songs from the group include the pulsating dance floor anthem "FREAK" as well as "dying to be you." The latter, which was released in conjunction with Mental Health Awareness Month, was written about the band’s mental health struggles and the unceasing desire to be something else.

Beauty School Dropout perform at  2:10 p.m. Thursday at the BMI stage.

Key Glock

Key Glock is a charismatic emcee who possesses the sagacity of rappers nearly twice his age. In an interview with Billboard, the 25-year-old explained that his influences range from Three 6 Mafia to Johnny Taylor. "The soul music, that’s more of the real life stuff, where hip-hop is more of the entertainment and street life stuff. They both had a toll on me coming up."

This February, Key Glock released his third studio album, Glockoma 2, which followed the murder of Glock's cousin and Paper Route Empire founder Young Dolph. Paper Route Empire’s in-house producer Bandplay is responsible for producing half the songs on Glockoma 2, which are a slick combination of pulsating, infectious beats ("Work") and darker, more cerebral offerings ("F— Dat S—"). As Glock continues to double down on his craft, he has stated that Dolph will always serve as his motivation.

Key Glock performs at 7:45 p.m. Thursday at the Bacardi stage.

Karol G

This Columbian siren fiercely established her place in reggaeton with 2020’s her smash hit "Bichoita." Since then, Karol G has performed at Coachella, collaborated with Shakira on the song "TQG" and sold out Madison Square Garden. She was also nominated for a GRAMMY in 2022 and a Latin Grammy that same year. 

She also made history when her most recent album, Mañana Será Bonito ("Tomorrow Will Be Beautiful"), became the first fully Spanish-language album by a female artist to top the Billboard 200 chart. Mañana Será Bonito explores everything from pop-rock to Caribbean melodies. During her attendance record-breaking performance in June as part of TODAY‘s Citi Concert Series, Karol remarked: "The last two years we’ve been growing as a movement and Latinos, we support what we do around the world so we’re here proud of all of us and it’s such an amazing moment." 

Karol G performs at 8:40 p.m. Thursday at the Bud Light stage.

Declan McKenna

Irrefutable pop prodigy Declan McKenna is known for drenching infectious sun-soaked melodies with fiery lyrical realism. His 2015 single "Brazil" catapulted McKenna into the spotlight, and earned him a spot in Glastonbury Festival’s Emerging Talent Competition — which he won. 

The 24-year-old has continuously cranked out tunes that drastically set him apart from his peers. Older gems like "Isombard" challenge repulsive right wing rhetoric while newer songs from Mckenna’s catalog — including his latest single, "Sympathy" — reiterate the importance of authenticity and positivity. That sentiment is present throughout McKenna’s currently unannounced third album, and he couldn’t be prouder. "I’ve made a hella weird new album: it’s got a lot of strangeness to it, but that hasn’t come through me trying to be anything other than myself," he told NME in July.

Declan McKenna performs Friday at 6:30 p.m. at the Bacardi stage.

Hemlocke Springs

Hemlocke Springs’ major breakthrough came courtesy of TikTok, where "Girlfriend'' became a viral sensation. The synth-laced sparkly pop gem has since amassed nearly 30 million streams on Spotify. "People are saying this reminds them of a Prince song, and I’m like ‘Prince?!’ I’m just a small country girl!" the singer told Rolling Stone. 

Springs, who was born in Concord, North Carolina was embarking on a journey to receive a Master of Science degree from Dartmouth when she became more serious about music. Though she hasn’t abandoned her educational aspirations, she does have a few more songs under her belt including "heavun," "stranger danger!" and "sever the blight." 

Hemlocke Springs perform at 1:00 p.m. Friday at the BMI stage.

MAVI

The poetry that MAVI enraptures his listeners with is ripe with blistering sincerity. His first album, 2019’s Let the Sun Talk, was made while the musician was just a freshman at Howard University and was praised for its complexity.

MAVI’s second independent project, End of the Earth, was lauded even more and landed the emcee opportunities to work with the likes of Earl Sweatshirt and producer the Alchemist (MAVI also opened for Jack Harlow on tour in 2021). His latest album, Laughing So Hard It Hurts, shows off the musician’s maturity as he explores themes of generational trauma as well as the painful aftermath of losing people closest to you. 

"I made this gentle album to be gentle with myself," MAVI told OkayPlayer. "Everybody else don’t got to be gentle with me. Being gentle with the album, I feel is the best way to hear it and to listen to it."

MAVI performs at 2:50 p.m. Saturday at the Bacardi stage.

Pusha T

Rap’s most infamous kingpin has been working the festival circuit hard in 2023: Pusha T has performed at Coachella, Governors Ball and Primavera Sound. The Daytona rapper will bring his bold antics (like transforming the stage into own personal drug den) to Lollapalooza with a solid catalog featuring some of hip-hop’s most memorable hits.

Pusha started out his career as one half of the popular duo Clipse, alongside his brother Malice. The GRAMMY-nominated pair released a slew of impressive albums, including 2002’s Lord Willin’ and 2006’s Hell Hath No Fury. Once they disbanded in 2010, Push signed to Kanye West’s GOOD Music record label. In 2013, the emcee released his debut album My Name is My Name which featured the popular single "Numbers on the Boards." Over the last decade, Pusha T has collaborated with artists like Jay-Z, Pharrell, Kehlani, Rick Ross and Kid Cudi. On 2022's It's Almost Dry, fans were treated to a Clipse reunion as Malice appeared on the album’s final track entitled "I Pray For You."

Pusha T performs at 8:45 p.m. Saturday at the Perry’s stage.

Tomorrow X Together

This K-Pop group formed in 2019 and is the second boy band to debut under Big Hit Music, a subsidiary of HYBE corporation (Big Hit is also home to BTS). Earlier this year, Tomorrow X Together embarked on a 16-city worldwide tour, and will be playing Lollapalooza for the second year in a row. The newest EP, The Name Chapter: Temptation, was released earlier this year.

They have recorded three studio albums total and during their debut became the fastest K-pop group to reach number one on the Billboard World Albums and World Digital Song Sales charts with their hit single "Crown" and EP The Dream Chapter: Star. 

Last year, Tomorrow X Together made history by becoming the first K-pop act to perform at Lollapalooza, making the headlining slot they hold this year that much sweeter. In July, they teamed up with the Jonas Brothers for the light-hearted and cheerful "Do It Like That," which was produced by Ryan Tedder.

Together X Tomorrow perform at 8:30 p.m. Saturday at the Bud Light stage.

Dehd

This Chicago trio specializes in moody, midtempo songs with an alt-rock feel. Dehd’s most recent album, Blue Skies, is a sonic testimony to the group’s effortless chemistry as evidenced by their creative approach. The pulsating dexterity of "Bop" feels like the equivalent of catching lightning in a bottle, while "Empty in My Mind" is alluring for its crisp vocals and surprising simplicity. 

However, that straightforwardness also contains depth. On "Waterfall," they speak on the country’s current cultural landscape by saying: "I don’t care about American ways/It doesn’t change/I’m dreaming of the one who understands." In an interview with Under The Radar, singer/guitarist Jason Balla explained the song was written "in the context of all this social unrest. I think America stands for a lot of things, and it can feel so discouraging…but it’s also a reminder that you have to keep working towards undermining that loop."

Dehd perform at 2:30 p.m. Sunday at the T-Mobile stage.

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