"Everytime I show up, blow up," BLACKPINK sings on their debut single, "Whistle," as if predicting the future. Since then, every step taken by the smoldering quartet grew larger and larger, until they became a worldwide storm — recognizable by people who can barely pinpoint South Korea on a map.

Dubbed "the biggest girl group in the world," and Time’s 2022 Entertainer of the Year, BLACKPINK have collected a litany of accolades, chart-topping hits, and brand deals throughout their nearly seven years together. From fashion weeks all over the world to a virtual in-game concert on PUBG Mobile, "BLACKPINK in your area" has never been a more accurate tagline.

With last year’s Born Pink, BLACKPINK became the first K-pop girl group to sell more than two million copies of an album. Born Pink was also the first album by a female Korean act and by an all-female group in over a decade to top the Billboard 200 chart upon release, evidencing their popularity and the work of their highly-committed fandom, BLINK. The group is currently amidst their Born Pink World Tour, and is also set to headline Coachella later this month — once again, becoming the first Korean group to do so.

But BLACKPINK don’t shine only as a group. Jennie, Lisa, Rosé, and Jisoo are superstars on their own, and each of them have pursued solo careers that translate their singular allures. From Jennie’s 2018 "Solo" to Jisoo’s fresh debut "Flower," GRAMMY.com breaks down all of the quartet’s solo endeavors.

Jennie - "Solo"

It was up to rapper and vocalist Jennie to kickstart the group’s solo debuts. On Nov. 12, 2018, she released the straightforward "Solo" — a minimalistic pop single that showcases both her sweet timbre and sassy rap lines. "Used to be your girl / Now I’m used to being the GOAT," she sings, while parading a slew of lavish outfits that helped establish her as a fashion icon.

"Solo" was a phenomenon upon release, topping Billboard's World Digital Songs chart. Its choreography went viral and the track became YouTube’s most viewed music video by a female Korean solo artist within 24 hours.

While there are no plans for an official comeback, Jennie has been performing the unreleased solo "You & Me" as part of the setlist for Born Pink World Tour. She is also set to make her acting debut later this year on HBO's series The Idol.

Rosé - R

More than two years later, on March 12, 2021, vocalist and dancer Rosé finally unveiled her debut album, R. With writing credits on both title track "On the Ground" and second single "Gone," Rosé laid bare an intimate version of herself and her struggles.

"I worked my whole life just to get high / Just to realize that everything I need is on the ground," she sings over the electropop twinges and guitar plucks of "On the Ground." Elsewhere on the album, the acoustic ballad "Gone" catches her heartbroken with a "hit and run" love story.

R was also a sweeping commercial success, setting the highest first-week sales by a Korean female soloist at the time. The music video for "On the Ground" earned an impressive 41.6 million views in 24 hours on YouTube, breaking Psy's "Gentleman" record for the most viewed music video by a Korean soloist in that same timeframe. The song became the highest-charting by a Korean female soloist in the United Stated by peaking at No. 70 on Billboard’s Hot 100 chart.

While there are no official solo comebacks on the horizon for Rosé, the New Zealand-born, Australia-raised star sings alone on Born Pink’s disco-inspired "Hard to Love."

Lisa - Lalisa

Just six months after Rosé, rapper and dancer Lisa debuted with her own album, Lalisa. Featuring a titular track and B-side "Money," the September 2021 release also broke several records, including the highest first-week sales among all Korean female acts, with 736,221 copies sold.

A reference to her birth name, Lalisa Manobal, and filled with allusions to her Thai roots, the album reintroduces Lisa as a splendid, unforgettable performer. "Remember my name that's standing right in front of you / Love you some L-A-L-I-S-A," she boasts on the title track, as if the world needed another reminder.

Both "Lalisa" and "Money" charted on Billboard’s Hot 100 at No. 84 and No. 90, respectively, and the latter became the first song by a female K-pop soloist to chart for multiple weeks. In October 2021, Lisa furthered her global appeal by co-writing and co-composing "SG," a moombahton collaboration with DJ Snake, Ozuna, and Megan Thee Stallion. Last year, she became the first solo K-pop artist to win both an MTV Video Music Award for Best K-Pop Video for "Lalisa," and an MTV Europe Music Award for Best K-pop.

Jisoo - Me

A year and a half after Lalisa, Jisoo concluded BLACKPINK’s solo debuts with single album Me, out, March 31. The vocalist and burgeoning actress (best known for her roles in South Korean dramas like "Arthdal Chronicles" and "Snowdrop") presented her sublime elegance through title track "Flower" and B-side "All Eyes on Me."

Both songs follow minimalistic EDM melodies, allowing Jisoo’s unique tone to shine as she seeks freedom in the lyrics. In "Flower," she warns an ex-lover that "I fly away like a blue butterfly / It’s all on you that you didn’t hold on," while "All Eyes on Me" sees her defying anyone to "Hold your breath and watch me, I’m a movie."

Like her bandmates, Jisoo also broke records — she is now the first K-pop female solo artist to become a million-seller, with Me exceeding 1.31 million pre-orders as of March 30, and surely more milestones are to come in the following weeks.

Most importantly, Me finalizes a long-winded chapter in BLACKPINK’s history. Although single albums feel more like teasers for the larger-than-life quartet’s true talents, they proved that each member is able to hold their own distinctive musical career. Hopefully it won’t take another four years to see them harness more of that power. 

The Evolution Of The Girl Group: How TLC, BLACKPINK, The Shirelles & More Have Elevated Female Expression

2023 was a busy year for K-pop. As the South Korean industry moves at lightning speed, new albums were released almost every day, and dozens of artists made their debuts. K-pop tours crossed the globe, and acts like TWICE and BLACKPINK filled out stadiums. Songs like Jung Kook’s "Seven" featuring Latto, or Fifty Fifty’s "Cupid," were playing everywhere, from TikTok to Target stores.

Amidst so much content, what singles best defined this year? There’s mighty chart-toppers, such as NewJeans’s "Super Shy" and AKMU’s "Love Lee," and sales monsters like Seventeen’s "Super" and Jisoo’s "Flower." Of equal importance, there are also songs that entered our collective unconscious — whether for their flawless melodies, such as NCT DOJAEJUNG’s "Perfume", or for their sassy irreverence, like (G)I-dle’s "Queencard".

In terms of musical trends, retro sounds dominated the scene, taking inspiration from synth-pop, to disco, to Jersey club. There’s a few blustering tracks, too, proving K-pop’s versatility and reinvention powers in a style that has been often overused.

Years from now, when we look back to the sounds that shaped 2023, the 15 songs below — listed by order of release — will definitely be remembered:

Fifty Fifty - "Cupid"

Rookie girl group Fifty Fifty turned heads with their sublime debut EP, The Fifty, at the end of 2022. This year, they made their first comeback in February with the sweet "Cupid" and reached even further. The single went massively viral on TikTok, peaked at number 17 on Billboard’s Hot 100 chart, and reached no. 8 on the UK Singles Chart.

Fifty Fifty were poised to be 2023’s big breakouts — an impressive feat for a group coming from a small company like ATTRAKT. However, at the end of June, the quartet found themselves embroiled in a complex legal battle against the label. In October, ATTRAKT terminated the contracts of members Aran, Sio, and Saena, leaving Keena as the only active member of the group. For all those reasons, "Cupid" is a bittersweet listen. Its sugary synths and bubbly harmonies are still delightful, but its background story and the feeling of lost potential tinge every chord with sadness.

Jimin - "Like Crazy"

BTS’s Jimin had long proved his prowess as a soloist (seen in "Lie," his 2016 solo released under the group), but it wasn’t until this year that he put forward a proper solo debut album. Out in March, Face presented Jimin at his truest: he co-wrote five out of six songs, and helped conceptualize the record and the music video for title track "Like Crazy."

Inspired by the 2011 movie of the same name, "Like Crazy" is a dark synth-pop journey through desperation. In the lyrics, Jimin tries to hold together whatever is left of a crumbling relationship. "I'd rather be / Lost in the lights, lost in the lights / I'm outta my mind / Can you help me numb the pain?" he pleads. Delivered with stirring mastery, the song resonated with audiences across the globe, leading Jimin to become the first South Korean to top Billboard’s Hot 100 chart.

Jisoo - "Flower"

After Jennie’s "Solo," Rosé’s R and Lisa’s Lalisa, BLACKPINK fans couldn’t be more eager for the quartet’s final member, Jisoo, to make her solo debut. Luckily, her single album Me came out in March, featuring lead single "Flower" and b-side "All Eyes on Me." At the time of release, Jisoo became the first K-pop female solo artist to become a million-seller, with Me exceeding 1.31 million pre-orders.

"Flower" is elegant and delicate, with pop synths that swirl around trap beats and lots of space. Traditional Korean music elements enhance its royal feel, while Jisoo’s husky vocals lament the loss of a relationship. Here, Jisoo proves her potential as a soloist, and opens the doors for BLACKPINK to begin a new era.

IVE - "I Am"

Another promising girl group to emerge in 2022, IVE are hitmakers with an empowering edge. From the meaning of their name ("I have") to their self-penned lyrics, the sextet aims to give the public as much confidence as they display on stage.

"I Am" spearheaded their first full album release in April, I’ve IVE, and quickly topped music charts in South Korea. With a disco flair reminiscent of ABBA, the single is a momentous celebration that reminds us to live life to the fullest. As they sing in the chorus: "That's my life, it’s a beautiful galaxy / Be a writer, the genre is fantasy / A big, big stage will open for me tomorrow / So that is who I am."

NCT DOJAEJUNG - "Perfume"

SM Entertainment’s decision to unite three of the smoothest vocalists under NCT into a subunit was one of 2023’s best decisions. Formed by Doyoung, Jaehyun and Jungwoo — or DOJAEJUNG — the trio released the unexpected but impeccable EP Perfume in April.

The eponymous title track encapsulates their vocal talents in a sultry R&B jam, overflowing with ‘90s nostalgia and heavenly harmonies. "I'll fill your day with heavenly scents / To remind you of my name at every step," they sing. Like the best perfumes, its notes spread and linger, creating a mesmerizing effect. Few songs flow so effortlessly.

Seventeen - "Super (손오공)"

Since their debut in 2015, one of K-pop’s most beloved acts, Seventeen, shows no signs of slowing down. The 13-member group continues to grow their fanbase and break records every year — 2023’s proof being their tenth EP released in April, FML. According to their agency, Pledis Entertainment, the EP sold 6.2 million copies — the highest sales ever in K-pop — and recently won Album of the Year at the 2023 MAMA Awards.

FML came with two lead singles, "F*ck My Life" and "Super," but it’s the latter’s grandiosity that stood out the most. Inspired by Sun Wukong, the mythological Monkey King of classic Chinese novel Journey to the West, the boisterous track blends Jersey club and bass drums into a larger-than-life celebration. "I love my team, I love my crew / We already made it this far," they sing, acknowledging what brought them to where they are.

Le Sserafim - "Unforgiven"

When the legendary Nile Rodgers chooses your song to be his first foray into K-pop, you must be doing something right. That is the case of Le Sserafim, the fearless girl group under Source Music (a sub-label of HYBE), and their May single "Unforgiven."

Off their debut studio album, also named Unforgiven, the track samples Ennio Morricone’s theme song from the 1966 film The Good, the Bad, and the Ugly, with Rodgers’ funky chords adding even more flair to a pop-country, hip-hop feast. "Never asked for forgiveness or anything / Gonna target taboos, watch me now," the quintet professes. Above all, "Unforgiven" is about freedom, and extends that concept to music creation as well.

aespa - "Spicy"

"Tell me what you see / When you look at me / ‘Cause I am a 10 out of 10, honestly," raps Giselle in the ultra-confident "Spicy." Off aespa’s third EP released in May, MY World, this gripping single provides the best of cheeky ‘90s pop mixed with rubbery synths and a revving pulse.

The SM Entertainment quartet gained attention upon their 2020 debut for incorporating avatars of themselves (æ-aespa) and an AI-inspired lore in their music. As their discography has grown, their concept and sound evolved to encompass new styles that reflect a bulletproof self-esteem. With "Spicy," aespa have proven to be more than just a hyper-tech fad, and entered main character territory.

(G)I-dle - "Queencard"

During a press conference for the release of their sixth EP in May, I Feel, the leader and producer of (G)I-dle, Soyeon, said that "the core message of 'Queencard' is that you can be a beautiful person if you adore yourself."   

If you aren’t there yet, "Queencard" might just be the antidote. Here, (G)I-dle employ their megawatt charisma to deliver an irreverent, unabashedly pop track with hints of rock and roll. Part satire, part girl power anthem, "Queencard, I’m hot / My boob and booty is hot," is one of the most iconic lines of 2023, and if that doesn’t boost your self-esteem just a little, you might be taking yourself too seriously.

ATEEZ - "Bouncy (K-Hot Chilli Peppers)"

ATEEZ are one of the most commanding boy groups in K-pop. Since debuting in 2018, they captivate the stage: their facial expressions, knife-sharp choreographies, and hard-hitting sounds make it impossible to do otherwise.

Cut to 2023, when they made everyone "slow it down" and "make it bouncy," as goes the chorus of their June single "Bouncy (K-Hot Chilli Peppers)." Aside from the name reference, this has nothing to do with the Red Hot Chili Peppers — ATEEZ just wanted to show the world "A different kind of spicy, Cheongyang chili pepper vibe." It works. "Bouncy" is a tour de force in their discography, making a wild spectacle out of distorted, dystopian chaos.

NewJeans - "Super Shy"

2023’s definite hit of the summer came by the hands of NewJeans — the trailblazing girl group from HYBE’s sub-label ADOR. Their 2022 debut EP, New Jeans, took K-pop by storm, but this year proved they’re global stars to watch: the quintet was nominated Time's Next Generation Leaders, landed high fashion ambassadorships with brands like Gucci and YSL, performed at Lollapalooza in August, and released their sophomore EP in July, Get Up.

"Super Shy" is the album’s effervescent first single. "I'm super shy, super shy / But wait a minute while I / Make you mine, make you mine," they sing in flirtatious lilts, underpinned by UK garage and Jersey club beats. The result is a shot of pure pop serotonin.

NCT Dream - "ISTJ"

July’s "ISTJ" brings soaring harmonies and a propulsive melody to shape one of this year’s most enthusiastic hits. Off NCT Dream’s third studio album of the same name, it was inspired by the Myers-Briggs Type Indicator (MBTI) personality test, which is widely popular in South Korea. Individuals with the ISTJ personality type are said to be quiet and practical — nothing to do with the high-energy hip hop that NCT Dream portray in their song.

However, that’s because "ISTJ" is written from the point of view of their opposite type: ENFPs, who are usually the life of the party. Such a creative concept reinforces why NCT Dream keep on rising — from the teen sub-group made up of the youngest members from the collective NCT, they have now matured into charismatic leaders of their own.

AKMU - "Love Lee"

The first release in two years from sibling duo AKMU — formed by Lee Su-hyun and Lee Chan-hyuk — "Love Lee" is as lovely as it sounds. Out in August along b-side "Fry’s Dream," the track swept Korean charts since day one, and stayed atop the Circle Digital Chart (one of the biggest music charts in the country) for six non-consecutive weeks.

Initially unassuming, this jaunty ballad reveals its charms slowly, like honey dripping from a spoon. Su-hyun’s crystalline voice would be enough to steal the show, but here it is paired with sweet production quirks from Chan-hyuk, making the track a simple, yet memorable highlight of 2023.

RIIZE - "Get a Guitar"

For the past seven years, all male trainees under SM Entertainment eventually debuted in NCT — a larger group which holds several units like NCT 127 and NCT Dream. 2023 marked a change in that dynamic: in September, fresh-faced RIIZE launched their first single album, Get a Guitar.

The groovy title track is anchored by guitar plucks and retro synths, providing a feel-good introduction to their charms and a bright, light vibe to follow. Preceded by the wistful "Memories," Get a Guitar was a commercial success, receiving over 1 million pre-order sales — a new record for debut albums under SM. In 2024, these young men are sure to rise even higher, starting with an upcoming comeback on January 5.

Jung Kook - "Standing Next to You"

BTS’s youngest member Jung Kook took his time to officially launch a solo career. Since the band announced a break in group activities last year, he carefully directed his efforts to the Western market, releasing a series of collaborative singles like "Left and Right" with Charlie Puth, 2022 FIFA World Cup’s "Dreamers,"  "Seven" with rapper Latto and "3D" featuring Jack Harlow.

While all these songs are hits on their own, it turns out Jung Kook was saving the best for last. In November, he finally dropped his debut solo album, Golden, and title track "Standing Next to You." Inspired by the best of Michael Jackson, he moves through the song with conviction and poise, delivering a timeless hit for years to come.

2023 In Review: 5 Trends That Defined K-Pop

The faintest hint of fall is in the air, but the summer of 2023's musical deluge continues unabated. Across genres, scenes and styles, the landscape continues to flourish.

We have Miley Cyrus's first song since Endless Summer Vacation — a vulnerable, proudly "unfinished" offering. On the opposite end of the vibe spectrum, Selena Gomez has thrown caution to the wind with the carefree "Single Soon."

And that's just the beginning — beloved acts from Burna Boy to BLACKPINK are back with fresh material. Before you dive into the weekend, add these songs to your playlist.

Miley Cyrus — "Used To Be Young"

On her first song since Endless Summer Vacation arrived in March, two-time GRAMMY nominee Cyrus avoids tidiness, and pursues honest reflection.

"The time has arrived to release a song that I could perfect forever. Although my work is done, this song will continue to write itself everyday," she said in a statement. "The fact it remains unfinished is a part of its beauty. That is my life at this moment ….. unfinished yet complete."

"Used to Be Young" belongs to the pantheon of "turning 30" jams; therein, Cyrus looks back on her misspent youth, and the attendant heat of the spotlight. "You say I used to be wild/ I say I used to be young," she sings. 

In the stark video, she gazes unflinchingly into the lens, without varnish or artifice.

Selena Gomez — "Single Soon"

Where Cyrus' new song bittersweetly gazes backward, Gomez's carbonated new jam "Single Soon" is focused on the promised reverie of tomorrow — sans boyfriend.

"Should I do it on the phone?/ Should I leave a little note/ In the pocket of his coat?" the two-time GRAMMY nominee wonders, sounding positively giddy about her unshackling from Mr. Wrong.

As the song unspools, Gomez gets ready for a wild night out; the song ends with the portentous question, "Well, who's next?" If you're ready to slough off your summer fling, "Single Soon" is for you.

Ariana Grande — Yours Truly: Tenth Anniversary

The two-time GRAMMY winner and 15-time nominee's acclaimed debut album, Yours Truly, arrived on Aug. 30, 2013; thus, it's time to ring in its tin anniversary.

Granted, these aren't "new songs," per se: rather, in a weeklong celebration, Grande is reintroducing audiences to Yours Truly.

Dive in, and you'll find "Live From London" versions of multiple songs. Plus — perhaps most enticingly — the sprawling re-release contains two new versions of "The Way," her hit collaboration with late ex Mac Miller.

Maluma — Don Juan

Papi Juancho is dead; long live Don Juan. "Fue un placer," Maluma wrote on Instagram last New Year's Eve. (It translates to "It was a pleasure.")

And with that, the Colombian rap-singing heavyweight ushered in a new character. He's now Don Juan — in a reference both to the fictional libertine and his birth name of Juan Luis Londoño Arias.

Now, Don Juan's out with his titular album — which he dubs a "mature" blending of the musics that got him going, like reggaeton, house, salsa, and hip-hop.

Burna Boy & Dave — "Cheat On Me"

Just over a year after his latest album, Love, Damini, Burna Boy is back with I Told Them… The Nigerian star offers another forward-thinking missive with his seventh album.

Featuring the likes of 21 Savage, J. Cole, and Wu-Tang Clan's GZA and RZA, I Told Them… is one highlight after the next — and "Cheat On Me" is one of them. For the advance single, the GRAMMY-winning Afro-fusion dynamo teamed up with London rapper Dave.

Therein, the pair expound on getting out of their own way. The chorus, powered by a sample from British-Ghanian singer/songwriter Kwabs, sums it all up: "I couldn't see/ I was cheating on, cheating on me." 

Blackpink — "The Girls"

BLACKPINK are a bona fide cross-cultural sensation, but they won't stop at the music: they're a game now.

A little over a year after their second studio album, Born Pink, the acclaimed South Korean girl group has released a mobile app, succinctly called "The Game." Therein — and above — players can watch the video for "The Girls," their first post-Born Pink jam.

Don't say Jisoo, Jennie, Rosé, and Lisa didn't warn you: "Stop sign, we're burning it down/ Better watch out, we coming in loud/ Bang, bang, just playing around/ Don't mess with the girls, with the girls, with the girls."

The Killers — "Your Side of Town"

The Killers' beloved debut album, Hot Fuss, turns 20 next year; as a ramp-up, here's "Your Side of Town," a new slice of electro-pop from the Vegas crew.

The sleek, aerodynamic, Auto-Tuned "Your Side of Town" is their first single since their acclaimed pair of albums, 2020's Imploding the Mirage and 2021's Pressure Machine.

Here, the five-time GRAMMY nominees take a Pet Shop Boys-like tack with the music; lyrically, they're still putting the "heart" in heartland rock.

"I'm hanging on your side of town/ I notice when you're not around," frontman Brandon Flowers sings on the chorus. "Can't keep my cool, I'm burning inside/ A broken heartbeat, barely alive."

But the Killers — like everyone on this list — remain very alive.

New Music Friday: Listen To New Songs From Travis Scott, Britney Spears, NewJeans & More

At one point in BLACKPINK's concert at MetLife Stadium on Aug. 11, Jennie tilted her head toward the sky. It was the K-pop juggernaut's first of two nights playing at the football stadium, and the singer wanted to properly say hello to the tens of thousands who had gathered. 

"Second floor! Third floor! And… is that fourth floor?" She surveyed the BLINKs seated at the edges of the venue before turning to members Jisoo, Rose and Lisa with a look of disbelief. "No way," Lisa responded as the entire stadium erupted in cheer. "New Jersey has leveled up — whole other level," Rosé said. "Unbelievable."

Just last year, BLACKPINK performed in New Jersey at a sizable, but much smaller venue. Prudential Center had three levels instead of four, and the boost in attendance could easily be felt at MetLife. The sky glowed rosy pink as the legions of BLINKs waved the group's hammer-shaped lightsticks in hand. 

The concert on Aug. 11 was part of BLACKPINK's Encore leg of their Born Pink World Tour, and MetLife was the first North American stop. Born Pink kicked off in Seoul in October 2022, and since then, BLACKPINK has traversed dozens of cities around the globe. Though the setlist was expected to be similar to that of last year's — BLACKPINK has not released music as a group since their 2022 stateside concerts — that did not lessen the Encore shows' demand.

Besides, BLINKs know 2023 is a major year for BLACKPINK: the act is celebrating their seventh year anniversary — almost exactly to the date, since they debuted on Aug. 8, 2016. The group's contract is also set to expire this year, and given that YG Entertainment has not announced news of renewals, there's an added sense of urgency for many BLINKS to watch their beloved idols perform live. 

And BLACKPINK did not disappoint. Across two hours, Jisoo, Jennie, Rosé, and Lisa delivered one rousing hit song after another and showed how far they've come since August 2016. Here are five ways the first of the group's two MetLife concerts was a celebration of their career.

At Last, Every Member Performed Solo Music 

Though BLACKPINK has not released new songs as a group in 2023, earlier this year Jisoo made her solo debut, becoming the final member to do so. At past BLACKPINK concerts, Jisoo sang covers including Camila Cabello's "Liar" and Zedd ft. Foxes' "Clarity" as the other members performed their solo music. And while the covers showcased Jisoo's sophisticated charm, they left fans wanting her solo music to come sooner — and the wait was finally over.

Jisoo performed both the springy dance-pop track "Flower" and, for the first time, the buoyant EDM-infused "All Eyes on Me." And all eyes were surely on the eldest BLACKPINK member as she strutted down the runway in a sparkling silver dress.

With all of BLACKPINK performing songs they have their personal stamps on, the setlist not only demonstrated how they have grown both collectively and individually — it felt more complete than ever.

The Throwback Songs Had The Venue Shaking — Literally

BLACKPINK's more recent singles, from "Shut Down" to "Pink Venom," are undeniable pop anthems. But the ensemble has released addictive bangers since the very start of their career, and the fervor at MetLife during the throwback songs was a testament. 

When "Boombayah," one of BLACKPINK's debut songs, started playing, the already roaring screams rose in volume. BLINKS swung their lightsticks more powerfully than before to the heavy beats of the song, and there was no hesitation when Jennie yelled "jump!" as the final verses approached. The floor began to shake as fans on all levels leapt in place while the group did the same on stage.

The quartet's 2020 hit song "Lovesick Girls" played immediately after, and once again the tens of thousands jumping across the stadium caused the ground to quake. The same electrifying energy filled the space when BLACKPINK performed their other early songs — from "DDU-DU DDU-DU" and "Forever Young" to "PLAYING WITH FIRE" and "As If It's Your Last" — in the second half of the show. 

With pyrotechnics and fireworks, the MetLife show was already leaving a searing impression. But there's nothing quite like feeling the impact of a group through the floor literally trembling.    

Diversity Of BLINKs Was On Full Display

Anyone who has attended a BLACKPINK concert knows that the group's fans come from all backgrounds, genders and ages. This was also extremely evident from one look at those waiting in line to enter MetLife. 

But one addition to the concert from last year's Prudential Center show highlighted BLINKS' diversity even more. The giant screens presented a dance challenge in the minutes before the encore, and cameras zoomed in on fans who grooved to the music — some replicating the choreography to a tee while others improvised with pizzazz. 

Two young girls in matching black shirts and sequined magenta skirts danced to "Pink Venom," and moments later a man in a rosy bucket hat performed the "Flower" choreography with a lightstick in hand. Two women in hot pink hijabs swayed to "How You Like That," before a male BLINK in a white dress shirt body rolled to the post-chorus and ended the performance with a wink. 

BLINKS Joined BLACKPINK In Singing Happy Birthday

The most obvious way this show celebrated BLACKPINK's career was, well, with an actual celebration. Near the end of the concert, the members crowded around a four-tiered black and pink cake adorned with ribbons and roses. 

"Can we sing happy birthday to ourselves?" Rosé asked as the four artists held banners that read, "Happy 7th year anniversary / BLACKPINK BLINK FOUREVER." The crowd of course screamed a resounding "YES!" and joined in on the song. "Happy birthday to Jennie Jisoo Lisa Rose," Lisa sang with a chuckle. 

BLACKPINK Reminisced On A First Meeting From 10 Years Ago

The most heartwarming moment of the show happened shortly after the birthday celebration. "Remember the day that we met?" Jennie asked softly. "So romantic," Rosé laughed, seemingly surprised at the turn in conversation — just after she said she didn't want to cry that evening. 

"I remember the first day you came to YG," Lisa said to Rosé. Then, BLINKS were treated to a different kind of performance. "Should we reenact the elevator scene?" Rosé asked as she put down the anniversary banner and stepped in front of the cake to get ready.

"I was with all my books and stuff," Lisa recalled as she gathered more anniversary banners and clutched them in front of her chest as if they were books. Rosé pretended to press an elevator button. "I'll go downstairs to say hi to the girls," she said, almost in a whisper. "Oh, I'm so nervous." 

Together, the two of them pretended that the elevator door opened with a ding. "And then I walked into the room and was like this [motions a wave], 'Hi,' and they were so welcoming!" 

At this moment, Jennie and Jisoo embraced her in a hug. "And then all night we played the guitar, til morning," Rosé remembered as her fingers strummed the air. 

In the past 10 years, BLACKPINK has trained together, debuted together, and now, celebrated their seventh anniversary together. So much of their journey to becoming a top girl group is unseen by the public, but for those few minutes Jisoo, Jennie, Rosé, and Lisa warmly welcomed BLINKS into their memories — creating an unforgettably meaningful celebration for everyone involved.

All images courtesy of YG Entertainment.

Inside SoFi Stadium At TWICE’s Record-Breaking L.A. Show

Festival season is upon us and among the many names in those occasionally hard-to-read lineup posters, artists of Asian heritage have been rising to headliner status.

BLACKPINK might be first to come to mind: the South Korean group dropped jaws with their revolutionary Coachella performance, becoming the first K-pop group to headline the massive spring festival. From NewJeans to TOMORROW X TOGETHER to aespa making appearances at festivals later this August, K-pop in particular has continued to take the festival circuit by storm.

Indie, rock and EDM stars of Asian heritage are also making their mark on festival stages this year. Four Tet turned Coachella upside down alongside Skrillex and Fred again.., and Beabadoobee will take on Lollapalooza Chicago, Outside Lands, and All Things Go, all after opening for Taylor Swift on her Eras Tour and headlining her own EU tour.

From mainstays like NIKI and Raveena to rising stars like Yaeji and Wallice, festival lineups are bursting with talent this year. In honor of AAPI month, here are five Asian artists bringing their striking performances to major festival stages this year.

spill tab

Although spill tab makes bedroom pop, her music was destined for festival stages.

Born Claire Chicha, the breakout French Korean singer/songwriter  shapes her introspections into ambitious alternative pop. Swimming through layered vocals and electropop tinges, the artist knows how to transform her dreamy reflections into eye-catching performances.

After playing Austin City Limits last fall, Chicha graced the stage at Kilby Block Party in Utah this spring. Having already opened for everyone from Wallows to Sabrina Carpenter, spill tab knows the stage like the back of her hand.

The Rose

The Rose is making their Lollapalooza Chicago debut this August, but the K-pop four-piece have been festival-ready since their mainstream debut in 2017.

Newly under the management of label Far East Movement, The Rose is known for their escalating soft-rock ballads like “She’s In The Rain” and “sorry.” Able to switch from electric to acoustic with ease, the group’s versatility translates into a bright, contagious energy meant for festival stages.

NoSo

Marked by poignance and soft guitar, NoSo’s performances fill a venue with comfort. Just a few months after performing for NPR’s popular Tiny Desk Concert series, NoSo put on an emotionally enlightening show at Kilby Block Party.

The Korean American artist, who also identifies as nonbinary and transgender, released their debut Stay Proud of Me in 2022. The album tells stories centering around their racial and gender identity, offering a serenity akin to a healing force.

Jackson Wang

Hailing from Hong Kong, Jackson Wang made waves at Coachella as the first Chinese solo artist invited to perform at the festival. Bringing out Ciara to perform their sultry R&B collaboration “Slow,” the singer-rapper proved he’s full of surprises.

Previously part of the K-pop group GOT7, Wang’s massive platform is only continuing to grow. His smooth, breathy voice molds to every genre from pop to rap, and his spectacular Coachella performance highlighted how his shining stage presence will only continue to mesmerize audiences.

Tanukichan

After a long dusty day of stomping around festival grounds, Tanukichan’s refreshing set can help you recharge.

Born Hannah van Loon, the San Francisco-based indie rock star balances warmth and grit perfectly, individualizing her own sound after four years in the pop band Trails and Ways. Just a few months before her Kilby Block Party debut, she released her dynamic album GIZMO, which followed her 2018 Toro y Moi-produced debut and tour support for Kero Kero Bonito.

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