After dropping two hit pre-release singles, a record-breaking music video and a red-hot VMA performance, BLACKPINK’s summer takeover culminates with the arrival of their new full-length album, Born Pink.

With their signature black-and-pink lightsticks in hand, the best-selling foursome ushered their latest release into the world with an official countdown party on YouTube. During the party, they previewed their new music video for "Shut Down," displayed photos from the Light Up The Pink Campaign — the promotional campaign lit major landmarks across the globe in the group’s signature pink color — and showed off their newest merch. 

As the countdown party drew to a close, Lisa, Rosé, Jisoo and Jennie read letters of gratitude to Blinks — their dedicated fanbase — before wrapping things up with the release of the music video for "Shut Down," which coincided with the arrival of Born Pink on all major streaming platforms.

The long-awaited eight-track LP doubles down on the group’s distinct hip-hop and EDM-infused sound while experimenting with bubblegum pop, disco, and punk elements. "If The Album focused solely on music, we tried to express BLACKPINK’s true nature through [Born Pink]," Rosé told XSportsNews.  

From Jisoo’s rap verse to Rosé’s surprise solo, here are five takeaways from BLACKPINK’s new album, Born Pink. 

'Born Pink' Doesn’t Feature Any Guest Appearances

BLACKPINK has previously collaborated with pop heavy-hitters like Selena Gomez, Lady Gaga, and Cardi B, so there was rampant speculation about the guest appearances on Born Pink. However, Blinks hoping for a Taylor Swift collab — after her response to the group’s breakout VMA performance — were discouraged when the album’s track list was released, and Swift’s name was nowhere to be found. Although there are no collabs, the quartet more than holds their own and highlight their individual talents.

The melancholy ballad "The Happiest Girl" showcases Lisa’s vocals and vulnerability while Jisoo steps into her rap moment with a blistering verse on "Shut Down." Rosé’s soaring vocals shine on "Hard to Love" and "Yeah Yeah Yeah," while Jennie’s rapid-fire flows on "Pink Venom" and "Shut Down" exhilarate thanks to her braggadocious delivery. 

Rosé Takes The Lead On "Hard To Love"

The first few tracks on the album showcase BLACKPINK’s standard hip-hop heavy sound, but halfway through the album, the group flips the script by treating listeners to an unexpected Rosé solo called "Hard to Love," a guitar-pop anthem that channels Taylor Swift. This isn’t Rosé’s first solo outing — in 2021, the singer released her first single album, R, featuring the singles "Gone" and "On The Ground."

"Hard to Love" was well-received on social media, but many Blinks were hoping for a Jisoo solo moment. The singer is the only group member who hasn’t released a single album, and there was heavy speculation that she’d take the lead on one of Born Pink’s tracks. However, she has been on the fence about setting off on her own. 

Last May, Jisoo told Rolling Stone that she wasn’t sure which direction to take her sound. "I love songs with lots of instruments. I love different bands and rock music. What do people want from me? There’s a chaos of conflicting questions. So I’m still tilting my head in confusion. I’m not sure what will happen with my solo plans this year." 

"Shut Down" Captures The Essence of BLACKPINK’s Sound

BLACKPINK’s signature swagger is on full display in this drippy hip-hop track, which features a familiar classical sample —  "La Campanella," by the Italian composer Niccolo Paganini. On the audacious track, the Pinks address their detractors — or antis, as the Blinks call them — with in-your-face lines like, "Praying for my downfall, many have tried, baby" and "Bunch of wannabes that wanna be me, me three if I was you."

After hearing the demo for the first time, the quartet fell in love with the bass-thumping song and decided to make it the album's title track. (In K-pop, a title track refers to a lead single accompanied by a music video.) "We gathered in the recording studio altogether and listened to the demo. When the intro came out, I think all the members were speechless and just looked at each other," Lisa said to XSportsNews. "Through just our eyes, we were telling each other, 'this is the title track!' While listening, I naturally started to imagine the performance. That’s how well BLACKPINK was captured, and I was confident that it was a song BLACKPINK could express well."

There Are Some Familiar Names In Born Pink’s Writing Credits, Including Jisoo and Rosé 

BLACKPINK typically employ the same stable of writers to craft their tracks. Their frequent collaborators include Teddy Park, who is responsible for producing and writing some of the group’s biggest tracks like "Kill This Love" and "Lovesick Girls," and Bekuh Boom, who penned the high-charting hits "Pretty Savage" and "Ice Cream." On Born Pink, Park’s work can be heard on the hip-hop forward tracks "Pink Venom" and "Shut Down" as well as "Ready For Love," while Boom lent her pen to the sassy track "Typa Girl."

Some new collaborators have entered the mix in the Born Pink era: Teddy Sinclair, formerly known as Natalia Kills, composed and co-wrote "The Happiest Girl" with her husband, Willy Moon. (Sinclair also co-wrote Rihanna’s "Kiss It Better.") Jisoo and Rosé lent their vocals and writing skills to Born Pink — each has a writing credit on "Yeah Yeah Yeah," a standout track on the album. 

The Album Is Under 25 Minutes Long

With a runtime of a little over 24 minutes, Born Pink is notably shorter than many standard LPs, much to the chagrin of Blinks, who were hoping for more after waiting nearly two years for new music from the group.

It's likely that their next release will be a live album recorded during one of the stops on their upcoming world tour, though there is a possibility that the group will release a deluxe version of Born Pink featuring additional tracks. (Somewhere in the BLACKPINK vaults are a couple of unreleased collaborations with OneRepublic’s Ryan Tedder, which fans are eager to hear after the veteran songwriter mentioned working with the Pinks in a recent interview.)

What Does "BLACKPINK" Mean? 7 Facts To Know About K-Pop Sensations BLACKPINK

We’ve been feeling the heat for a minute now, but summer is finally, officially, upon us.

What do you have on deck to soundtrack it? Perhaps you’re checking out Camila Cabello’s fourth offering, C,XOXO. Or Jxdn’s expectations-bucking new album, When the Music Stops. And there are so many other worthy candidates for your playlist — from Lupe Fiasco’s Samurai to Omar Apollo’s God Said No.

No matter where your stylistic compass points, this Friday release day has got something for you. As you gather your sunscreen and shades, let’s breeze through a cross-section of what’s out there.

K-pop loves its solo releases, showcasing how the various members of a group can shine individually while combining with ecstatic chemistry. Enter LISA, one-fourth of Korean titans BLACKPINK, who's already turned heads with her 2021 debut album, Lalisa.

"Rockstar" is another swing outside her main gig, featuring serrated chiptune production and LISA's commanding rap flow. The gritty, urban, futuristic video is a visual treat, and the chorus's boast of "Lisa, can you teach me Japanese?" is a multilingual flex — as well as a maddeningly unshakeable earworm.

The "Peter Pan" heavyweight and four-time GRAMMY nominee Kelsea Ballerini has called 2024 "a new chapter of music." Her collaboration with folk/pop singer/songwriter Noah Kahan, "Cowboys Cry Too,"  is the tip of the spear.

More than a month after the pair performed together at the 2024 Academy of Country Music Awards, their first recorded team-up is an aching, yearning ballad about breaking down a gruff exterior and revealing true emotions.

"Cowboys cry too/ They may not let 'em fall down in their hometown thinkin' they still got s*** to prove," Ballerini sings in the chorus. "That well runs deep/ But when he's showin' his skin, lettin' mе in, that's when he's toughest to mе."

"So excited to release the best song of all time this friday!," Lil Nas X proclaimed on Instagram. (And on a Beverly Hills Cop soundtrack, no less!)

"Here We Go!" comes at an inflection point for the "J Christ" singer: "sorry I've been so scared with my art lately," he added in the same post. "I'm coming around to myself again. I will make you guys very proud."

This pro forma banger certainly inspires pride: tenacious lines like "I'm livin' and livin' I wanna die/ They tryna get even/ I'm beatin' the odds" will get under your skin. As for Beverly Hill Cop: Axel F, the Eddie Murphy joint will whiz to your screen July 3 via Netflix.

Lucky Daye picked up a win for Best Progressive Album at the 2022 GRAMMYs, for Table for Two. After a slew of nominations for work with Beyoncé and Mary J. Blige, he's investigating the Algorithm.

The single "HERicane" was just a teaser, with songs like "Blame," featuring Teddy Swims; "Paralyzed," featuring RAYE;" and "Diamonds in Teal" expanding on and honing his soul-funk-R&B vision.

"Don't know pickin' sides/ 'Cause I'm rollin' in desire," he dreamily sings in the gently roiling "Diamonds in Teal." "I don't know which lie's true/ Or maybe I do, or maybe I'm you." It's a suitable mission statement wrapped in a stealthily seductive package.

A jazzy, soulful, psychedelic band of Aussies, Hiatus Kaiyote has been wowing audiences for more than a decade. Whether through sampling or features, they've crossed paths with Drake, Anderson .Paak, and Beyoncé and Jay-Z.

Love Heart Cheat Code builds brilliantly on their last three albums: their 2012 debut Tawk Tomahawk, 2015's Choose Your Weapon, and 2021's Mood Valiant. Tracks like "Telescope," "Everything's Beautiful," and "Make Friends" are burbling brooks of atmosphere, groove and vibe.

Any fans of deep, pungent funk grooves should investigate Boulevards immediately. The project of mastermind Jamil Rashad, their new album Carolina Funk: Barn Burner on Tobacco Road tips its hat to yesterday's funk with a contemporary twist, bringing a refreshing spin on the well-trod template of syncopated basslines and stabbing horns.

Across highlights like "Do It Like a Maniac Part 1&2" and "Run & Move," Boulevards shows — once again — that few can nail this gritty sound quite like Rashad and crew.

British drill-inflected MC Headie One first made a splash overseas with his 2023 debut album, Strength to Strength. Less than a year later, he's returning with The Last One.

Back in 2022, he hinted at the existence of his sophomore album in his non-album track "50s" — "The fans calling for 'Martin's Sofa'/ It might be the first single from my second," he rapped. 

Helmed by that single, The Last One features Potter Payper, Stormzy, Fridayy, Skrillex, and more. The album is a leap forward in terms of production, scale and exploration.

Any theater kid worth their salt knows at least a few bars from the musical "Oklahoma!"; country sensation Kaitlyn Butts has just unfolded it into an entire album.

"It's a love story but there's also a murder and a little bit of an acid-trippy feel to it at times; it's set in the same place where I come from," she said in a statement, noting she saw "Oklahoma!" with her parents every summer during childhood. "Once I got the idea for this album," she continued, "I couldn't believe I hadn't thought of it before, and it turned into something that completely encompasses who I am and what I love." 

A laugh riot as well as a colorful, openhearted statement, Roadrunner! does the old Rodgers and Hammerstein chestnut good.

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Futurist Afropopper Amaarae made a gigantic splash with her second album, 2023's Fountain Baby — even Pitchfork gave it their coveted Best New Music designation.

That lush, enveloping album just got an expansion pack: roses are red, tears are blue — A Fountain Baby Extended Play is a continuation of its predecessor with six new songs. The oceanic "wanted," featuring Naomi Sharon, is a highlight, as is a remix of "Disguise" with 6LACK.

"Ooh, I'll be wanted/ I've been wanted," a pitch-shifted Sharon sings near the end, as if turning over the phrase. "Wanted" is one way to describe Amaraae's position in the music landscape.

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The 50th anniversary of hip-hop may have come and gone, but hip-hop is forever. Today, legendary hip-hop pioneers MC Lyte and Queen Latifah continue to bear the flame of the genre as an elevating force with "King King," a conscious, uplifting offering.

"This is dedicated to all the kings and all the soon to be kings/ We're counting on you/ We love  you/ This is for you, you and you and you," MC Lyte begins, while Latifah holds it down on the chorus with "This your crown hold it/ Even if it all falls down show it/ You know the world is watching now I know you get tired from keepin' it all together/ We need you."

During Women's History Month in March, MC Lyte released "Woman," the first single from her upcoming album, featuring hip-hop icons Salt (of Salt 'N Pepa), Big Daddy Kane, and R&B singer Raheem DeVaughn. MC Lyte's first new album in nearly a decade drops this summer; keep your eyes and ears peeled.

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Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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The faintest hint of fall is in the air, but the summer of 2023's musical deluge continues unabated. Across genres, scenes and styles, the landscape continues to flourish.

We have Miley Cyrus's first song since Endless Summer Vacation — a vulnerable, proudly "unfinished" offering. On the opposite end of the vibe spectrum, Selena Gomez has thrown caution to the wind with the carefree "Single Soon."

And that's just the beginning — beloved acts from Burna Boy to BLACKPINK are back with fresh material. Before you dive into the weekend, add these songs to your playlist.

Miley Cyrus — "Used To Be Young"

On her first song since Endless Summer Vacation arrived in March, two-time GRAMMY nominee Cyrus avoids tidiness, and pursues honest reflection.

"The time has arrived to release a song that I could perfect forever. Although my work is done, this song will continue to write itself everyday," she said in a statement. "The fact it remains unfinished is a part of its beauty. That is my life at this moment ….. unfinished yet complete."

"Used to Be Young" belongs to the pantheon of "turning 30" jams; therein, Cyrus looks back on her misspent youth, and the attendant heat of the spotlight. "You say I used to be wild/ I say I used to be young," she sings. 

In the stark video, she gazes unflinchingly into the lens, without varnish or artifice.

Selena Gomez — "Single Soon"

Where Cyrus' new song bittersweetly gazes backward, Gomez's carbonated new jam "Single Soon" is focused on the promised reverie of tomorrow — sans boyfriend.

"Should I do it on the phone?/ Should I leave a little note/ In the pocket of his coat?" the two-time GRAMMY nominee wonders, sounding positively giddy about her unshackling from Mr. Wrong.

As the song unspools, Gomez gets ready for a wild night out; the song ends with the portentous question, "Well, who's next?" If you're ready to slough off your summer fling, "Single Soon" is for you.

Ariana Grande — Yours Truly: Tenth Anniversary

The two-time GRAMMY winner and 15-time nominee's acclaimed debut album, Yours Truly, arrived on Aug. 30, 2013; thus, it's time to ring in its tin anniversary.

Granted, these aren't "new songs," per se: rather, in a weeklong celebration, Grande is reintroducing audiences to Yours Truly.

Dive in, and you'll find "Live From London" versions of multiple songs. Plus — perhaps most enticingly — the sprawling re-release contains two new versions of "The Way," her hit collaboration with late ex Mac Miller.

Maluma — Don Juan

Papi Juancho is dead; long live Don Juan. "Fue un placer," Maluma wrote on Instagram last New Year's Eve. (It translates to "It was a pleasure.")

And with that, the Colombian rap-singing heavyweight ushered in a new character. He's now Don Juan — in a reference both to the fictional libertine and his birth name of Juan Luis Londoño Arias.

Now, Don Juan's out with his titular album — which he dubs a "mature" blending of the musics that got him going, like reggaeton, house, salsa, and hip-hop.

Burna Boy & Dave — "Cheat On Me"

Just over a year after his latest album, Love, Damini, Burna Boy is back with I Told Them… The Nigerian star offers another forward-thinking missive with his seventh album.

Featuring the likes of 21 Savage, J. Cole, and Wu-Tang Clan's GZA and RZA, I Told Them… is one highlight after the next — and "Cheat On Me" is one of them. For the advance single, the GRAMMY-winning Afro-fusion dynamo teamed up with London rapper Dave.

Therein, the pair expound on getting out of their own way. The chorus, powered by a sample from British-Ghanian singer/songwriter Kwabs, sums it all up: "I couldn't see/ I was cheating on, cheating on me." 

Blackpink — "The Girls"

BLACKPINK are a bona fide cross-cultural sensation, but they won't stop at the music: they're a game now.

A little over a year after their second studio album, Born Pink, the acclaimed South Korean girl group has released a mobile app, succinctly called "The Game." Therein — and above — players can watch the video for "The Girls," their first post-Born Pink jam.

Don't say Jisoo, Jennie, Rosé, and Lisa didn't warn you: "Stop sign, we're burning it down/ Better watch out, we coming in loud/ Bang, bang, just playing around/ Don't mess with the girls, with the girls, with the girls."

The Killers — "Your Side of Town"

The Killers' beloved debut album, Hot Fuss, turns 20 next year; as a ramp-up, here's "Your Side of Town," a new slice of electro-pop from the Vegas crew.

The sleek, aerodynamic, Auto-Tuned "Your Side of Town" is their first single since their acclaimed pair of albums, 2020's Imploding the Mirage and 2021's Pressure Machine.

Here, the five-time GRAMMY nominees take a Pet Shop Boys-like tack with the music; lyrically, they're still putting the "heart" in heartland rock.

"I'm hanging on your side of town/ I notice when you're not around," frontman Brandon Flowers sings on the chorus. "Can't keep my cool, I'm burning inside/ A broken heartbeat, barely alive."

But the Killers — like everyone on this list — remain very alive.

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At one point in BLACKPINK's concert at MetLife Stadium on Aug. 11, Jennie tilted her head toward the sky. It was the K-pop juggernaut's first of two nights playing at the football stadium, and the singer wanted to properly say hello to the tens of thousands who had gathered. 

"Second floor! Third floor! And… is that fourth floor?" She surveyed the BLINKs seated at the edges of the venue before turning to members Jisoo, Rose and Lisa with a look of disbelief. "No way," Lisa responded as the entire stadium erupted in cheer. "New Jersey has leveled up — whole other level," Rosé said. "Unbelievable."

Just last year, BLACKPINK performed in New Jersey at a sizable, but much smaller venue. Prudential Center had three levels instead of four, and the boost in attendance could easily be felt at MetLife. The sky glowed rosy pink as the legions of BLINKs waved the group's hammer-shaped lightsticks in hand. 

The concert on Aug. 11 was part of BLACKPINK's Encore leg of their Born Pink World Tour, and MetLife was the first North American stop. Born Pink kicked off in Seoul in October 2022, and since then, BLACKPINK has traversed dozens of cities around the globe. Though the setlist was expected to be similar to that of last year's — BLACKPINK has not released music as a group since their 2022 stateside concerts — that did not lessen the Encore shows' demand.

Besides, BLINKs know 2023 is a major year for BLACKPINK: the act is celebrating their seventh year anniversary — almost exactly to the date, since they debuted on Aug. 8, 2016. The group's contract is also set to expire this year, and given that YG Entertainment has not announced news of renewals, there's an added sense of urgency for many BLINKS to watch their beloved idols perform live. 

And BLACKPINK did not disappoint. Across two hours, Jisoo, Jennie, Rosé, and Lisa delivered one rousing hit song after another and showed how far they've come since August 2016. Here are five ways the first of the group's two MetLife concerts was a celebration of their career.

At Last, Every Member Performed Solo Music 

Though BLACKPINK has not released new songs as a group in 2023, earlier this year Jisoo made her solo debut, becoming the final member to do so. At past BLACKPINK concerts, Jisoo sang covers including Camila Cabello's "Liar" and Zedd ft. Foxes' "Clarity" as the other members performed their solo music. And while the covers showcased Jisoo's sophisticated charm, they left fans wanting her solo music to come sooner — and the wait was finally over.

Jisoo performed both the springy dance-pop track "Flower" and, for the first time, the buoyant EDM-infused "All Eyes on Me." And all eyes were surely on the eldest BLACKPINK member as she strutted down the runway in a sparkling silver dress.

With all of BLACKPINK performing songs they have their personal stamps on, the setlist not only demonstrated how they have grown both collectively and individually — it felt more complete than ever.

The Throwback Songs Had The Venue Shaking — Literally

BLACKPINK's more recent singles, from "Shut Down" to "Pink Venom," are undeniable pop anthems. But the ensemble has released addictive bangers since the very start of their career, and the fervor at MetLife during the throwback songs was a testament. 

When "Boombayah," one of BLACKPINK's debut songs, started playing, the already roaring screams rose in volume. BLINKS swung their lightsticks more powerfully than before to the heavy beats of the song, and there was no hesitation when Jennie yelled "jump!" as the final verses approached. The floor began to shake as fans on all levels leapt in place while the group did the same on stage.

The quartet's 2020 hit song "Lovesick Girls" played immediately after, and once again the tens of thousands jumping across the stadium caused the ground to quake. The same electrifying energy filled the space when BLACKPINK performed their other early songs — from "DDU-DU DDU-DU" and "Forever Young" to "PLAYING WITH FIRE" and "As If It's Your Last" — in the second half of the show. 

With pyrotechnics and fireworks, the MetLife show was already leaving a searing impression. But there's nothing quite like feeling the impact of a group through the floor literally trembling.    

Diversity Of BLINKs Was On Full Display

Anyone who has attended a BLACKPINK concert knows that the group's fans come from all backgrounds, genders and ages. This was also extremely evident from one look at those waiting in line to enter MetLife. 

But one addition to the concert from last year's Prudential Center show highlighted BLINKS' diversity even more. The giant screens presented a dance challenge in the minutes before the encore, and cameras zoomed in on fans who grooved to the music — some replicating the choreography to a tee while others improvised with pizzazz. 

Two young girls in matching black shirts and sequined magenta skirts danced to "Pink Venom," and moments later a man in a rosy bucket hat performed the "Flower" choreography with a lightstick in hand. Two women in hot pink hijabs swayed to "How You Like That," before a male BLINK in a white dress shirt body rolled to the post-chorus and ended the performance with a wink. 

BLINKS Joined BLACKPINK In Singing Happy Birthday

The most obvious way this show celebrated BLACKPINK's career was, well, with an actual celebration. Near the end of the concert, the members crowded around a four-tiered black and pink cake adorned with ribbons and roses. 

"Can we sing happy birthday to ourselves?" Rosé asked as the four artists held banners that read, "Happy 7th year anniversary / BLACKPINK BLINK FOUREVER." The crowd of course screamed a resounding "YES!" and joined in on the song. "Happy birthday to Jennie Jisoo Lisa Rose," Lisa sang with a chuckle. 

BLACKPINK Reminisced On A First Meeting From 10 Years Ago

The most heartwarming moment of the show happened shortly after the birthday celebration. "Remember the day that we met?" Jennie asked softly. "So romantic," Rosé laughed, seemingly surprised at the turn in conversation — just after she said she didn't want to cry that evening. 

"I remember the first day you came to YG," Lisa said to Rosé. Then, BLINKS were treated to a different kind of performance. "Should we reenact the elevator scene?" Rosé asked as she put down the anniversary banner and stepped in front of the cake to get ready.

"I was with all my books and stuff," Lisa recalled as she gathered more anniversary banners and clutched them in front of her chest as if they were books. Rosé pretended to press an elevator button. "I'll go downstairs to say hi to the girls," she said, almost in a whisper. "Oh, I'm so nervous." 

Together, the two of them pretended that the elevator door opened with a ding. "And then I walked into the room and was like this [motions a wave], 'Hi,' and they were so welcoming!" 

At this moment, Jennie and Jisoo embraced her in a hug. "And then all night we played the guitar, til morning," Rosé remembered as her fingers strummed the air. 

In the past 10 years, BLACKPINK has trained together, debuted together, and now, celebrated their seventh anniversary together. So much of their journey to becoming a top girl group is unseen by the public, but for those few minutes Jisoo, Jennie, Rosé, and Lisa warmly welcomed BLINKS into their memories — creating an unforgettably meaningful celebration for everyone involved.

All images courtesy of YG Entertainment.

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