After dropping two hit pre-release singles, a record-breaking music video and a red-hot VMA performance, BLACKPINK’s summer takeover culminates with the arrival of their new full-length album, Born Pink.

With their signature black-and-pink lightsticks in hand, the best-selling foursome ushered their latest release into the world with an official countdown party on YouTube. During the party, they previewed their new music video for "Shut Down," displayed photos from the Light Up The Pink Campaign — the promotional campaign lit major landmarks across the globe in the group’s signature pink color — and showed off their newest merch. 

As the countdown party drew to a close, Lisa, Rosé, Jisoo and Jennie read letters of gratitude to Blinks — their dedicated fanbase — before wrapping things up with the release of the music video for "Shut Down," which coincided with the arrival of Born Pink on all major streaming platforms.

The long-awaited eight-track LP doubles down on the group’s distinct hip-hop and EDM-infused sound while experimenting with bubblegum pop, disco, and punk elements. "If The Album focused solely on music, we tried to express BLACKPINK’s true nature through [Born Pink]," Rosé told XSportsNews.  

From Jisoo’s rap verse to Rosé’s surprise solo, here are five takeaways from BLACKPINK’s new album, Born Pink. 

'Born Pink' Doesn’t Feature Any Guest Appearances

BLACKPINK has previously collaborated with pop heavy-hitters like Selena Gomez, Lady Gaga, and Cardi B, so there was rampant speculation about the guest appearances on Born Pink. However, Blinks hoping for a Taylor Swift collab — after her response to the group’s breakout VMA performance — were discouraged when the album’s track list was released, and Swift’s name was nowhere to be found. Although there are no collabs, the quartet more than holds their own and highlight their individual talents.

The melancholy ballad "The Happiest Girl" showcases Lisa’s vocals and vulnerability while Jisoo steps into her rap moment with a blistering verse on "Shut Down." Rosé’s soaring vocals shine on "Hard to Love" and "Yeah Yeah Yeah," while Jennie’s rapid-fire flows on "Pink Venom" and "Shut Down" exhilarate thanks to her braggadocious delivery. 

Rosé Takes The Lead On "Hard To Love"

The first few tracks on the album showcase BLACKPINK’s standard hip-hop heavy sound, but halfway through the album, the group flips the script by treating listeners to an unexpected Rosé solo called "Hard to Love," a guitar-pop anthem that channels Taylor Swift. This isn’t Rosé’s first solo outing — in 2021, the singer released her first single album, R, featuring the singles "Gone" and "On The Ground."

"Hard to Love" was well-received on social media, but many Blinks were hoping for a Jisoo solo moment. The singer is the only group member who hasn’t released a single album, and there was heavy speculation that she’d take the lead on one of Born Pink’s tracks. However, she has been on the fence about setting off on her own. 

Last May, Jisoo told Rolling Stone that she wasn’t sure which direction to take her sound. "I love songs with lots of instruments. I love different bands and rock music. What do people want from me? There’s a chaos of conflicting questions. So I’m still tilting my head in confusion. I’m not sure what will happen with my solo plans this year." 

"Shut Down" Captures The Essence of BLACKPINK’s Sound

BLACKPINK’s signature swagger is on full display in this drippy hip-hop track, which features a familiar classical sample —  "La Campanella," by the Italian composer Niccolo Paganini. On the audacious track, the Pinks address their detractors — or antis, as the Blinks call them — with in-your-face lines like, "Praying for my downfall, many have tried, baby" and "Bunch of wannabes that wanna be me, me three if I was you."

After hearing the demo for the first time, the quartet fell in love with the bass-thumping song and decided to make it the album's title track. (In K-pop, a title track refers to a lead single accompanied by a music video.) "We gathered in the recording studio altogether and listened to the demo. When the intro came out, I think all the members were speechless and just looked at each other," Lisa said to XSportsNews. "Through just our eyes, we were telling each other, 'this is the title track!' While listening, I naturally started to imagine the performance. That’s how well BLACKPINK was captured, and I was confident that it was a song BLACKPINK could express well."

There Are Some Familiar Names In Born Pink’s Writing Credits, Including Jisoo and Rosé 

BLACKPINK typically employ the same stable of writers to craft their tracks. Their frequent collaborators include Teddy Park, who is responsible for producing and writing some of the group’s biggest tracks like "Kill This Love" and "Lovesick Girls," and Bekuh Boom, who penned the high-charting hits "Pretty Savage" and "Ice Cream." On Born Pink, Park’s work can be heard on the hip-hop forward tracks "Pink Venom" and "Shut Down" as well as "Ready For Love," while Boom lent her pen to the sassy track "Typa Girl."

Some new collaborators have entered the mix in the Born Pink era: Teddy Sinclair, formerly known as Natalia Kills, composed and co-wrote "The Happiest Girl" with her husband, Willy Moon. (Sinclair also co-wrote Rihanna’s "Kiss It Better.") Jisoo and Rosé lent their vocals and writing skills to Born Pink — each has a writing credit on "Yeah Yeah Yeah," a standout track on the album. 

The Album Is Under 25 Minutes Long

With a runtime of a little over 24 minutes, Born Pink is notably shorter than many standard LPs, much to the chagrin of Blinks, who were hoping for more after waiting nearly two years for new music from the group.

It's likely that their next release will be a live album recorded during one of the stops on their upcoming world tour, though there is a possibility that the group will release a deluxe version of Born Pink featuring additional tracks. (Somewhere in the BLACKPINK vaults are a couple of unreleased collaborations with OneRepublic’s Ryan Tedder, which fans are eager to hear after the veteran songwriter mentioned working with the Pinks in a recent interview.)

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Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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The faintest hint of fall is in the air, but the summer of 2023's musical deluge continues unabated. Across genres, scenes and styles, the landscape continues to flourish.

We have Miley Cyrus's first song since Endless Summer Vacation — a vulnerable, proudly "unfinished" offering. On the opposite end of the vibe spectrum, Selena Gomez has thrown caution to the wind with the carefree "Single Soon."

And that's just the beginning — beloved acts from Burna Boy to BLACKPINK are back with fresh material. Before you dive into the weekend, add these songs to your playlist.

Miley Cyrus — "Used To Be Young"

On her first song since Endless Summer Vacation arrived in March, two-time GRAMMY nominee Cyrus avoids tidiness, and pursues honest reflection.

"The time has arrived to release a song that I could perfect forever. Although my work is done, this song will continue to write itself everyday," she said in a statement. "The fact it remains unfinished is a part of its beauty. That is my life at this moment ….. unfinished yet complete."

"Used to Be Young" belongs to the pantheon of "turning 30" jams; therein, Cyrus looks back on her misspent youth, and the attendant heat of the spotlight. "You say I used to be wild/ I say I used to be young," she sings. 

In the stark video, she gazes unflinchingly into the lens, without varnish or artifice.

Selena Gomez — "Single Soon"

Where Cyrus' new song bittersweetly gazes backward, Gomez's carbonated new jam "Single Soon" is focused on the promised reverie of tomorrow — sans boyfriend.

"Should I do it on the phone?/ Should I leave a little note/ In the pocket of his coat?" the two-time GRAMMY nominee wonders, sounding positively giddy about her unshackling from Mr. Wrong.

As the song unspools, Gomez gets ready for a wild night out; the song ends with the portentous question, "Well, who's next?" If you're ready to slough off your summer fling, "Single Soon" is for you.

Ariana Grande — Yours Truly: Tenth Anniversary

The two-time GRAMMY winner and 15-time nominee's acclaimed debut album, Yours Truly, arrived on Aug. 30, 2013; thus, it's time to ring in its tin anniversary.

Granted, these aren't "new songs," per se: rather, in a weeklong celebration, Grande is reintroducing audiences to Yours Truly.

Dive in, and you'll find "Live From London" versions of multiple songs. Plus — perhaps most enticingly — the sprawling re-release contains two new versions of "The Way," her hit collaboration with late ex Mac Miller.

Maluma — Don Juan

Papi Juancho is dead; long live Don Juan. "Fue un placer," Maluma wrote on Instagram last New Year's Eve. (It translates to "It was a pleasure.")

And with that, the Colombian rap-singing heavyweight ushered in a new character. He's now Don Juan — in a reference both to the fictional libertine and his birth name of Juan Luis Londoño Arias.

Now, Don Juan's out with his titular album — which he dubs a "mature" blending of the musics that got him going, like reggaeton, house, salsa, and hip-hop.

Burna Boy & Dave — "Cheat On Me"

Just over a year after his latest album, Love, Damini, Burna Boy is back with I Told Them… The Nigerian star offers another forward-thinking missive with his seventh album.

Featuring the likes of 21 Savage, J. Cole, and Wu-Tang Clan's GZA and RZA, I Told Them… is one highlight after the next — and "Cheat On Me" is one of them. For the advance single, the GRAMMY-winning Afro-fusion dynamo teamed up with London rapper Dave.

Therein, the pair expound on getting out of their own way. The chorus, powered by a sample from British-Ghanian singer/songwriter Kwabs, sums it all up: "I couldn't see/ I was cheating on, cheating on me." 

Blackpink — "The Girls"

BLACKPINK are a bona fide cross-cultural sensation, but they won't stop at the music: they're a game now.

A little over a year after their second studio album, Born Pink, the acclaimed South Korean girl group has released a mobile app, succinctly called "The Game." Therein — and above — players can watch the video for "The Girls," their first post-Born Pink jam.

Don't say Jisoo, Jennie, Rosé, and Lisa didn't warn you: "Stop sign, we're burning it down/ Better watch out, we coming in loud/ Bang, bang, just playing around/ Don't mess with the girls, with the girls, with the girls."

The Killers — "Your Side of Town"

The Killers' beloved debut album, Hot Fuss, turns 20 next year; as a ramp-up, here's "Your Side of Town," a new slice of electro-pop from the Vegas crew.

The sleek, aerodynamic, Auto-Tuned "Your Side of Town" is their first single since their acclaimed pair of albums, 2020's Imploding the Mirage and 2021's Pressure Machine.

Here, the five-time GRAMMY nominees take a Pet Shop Boys-like tack with the music; lyrically, they're still putting the "heart" in heartland rock.

"I'm hanging on your side of town/ I notice when you're not around," frontman Brandon Flowers sings on the chorus. "Can't keep my cool, I'm burning inside/ A broken heartbeat, barely alive."

But the Killers — like everyone on this list — remain very alive.

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At one point in BLACKPINK's concert at MetLife Stadium on Aug. 11, Jennie tilted her head toward the sky. It was the K-pop juggernaut's first of two nights playing at the football stadium, and the singer wanted to properly say hello to the tens of thousands who had gathered. 

"Second floor! Third floor! And… is that fourth floor?" She surveyed the BLINKs seated at the edges of the venue before turning to members Jisoo, Rose and Lisa with a look of disbelief. "No way," Lisa responded as the entire stadium erupted in cheer. "New Jersey has leveled up — whole other level," Rosé said. "Unbelievable."

Just last year, BLACKPINK performed in New Jersey at a sizable, but much smaller venue. Prudential Center had three levels instead of four, and the boost in attendance could easily be felt at MetLife. The sky glowed rosy pink as the legions of BLINKs waved the group's hammer-shaped lightsticks in hand. 

The concert on Aug. 11 was part of BLACKPINK's Encore leg of their Born Pink World Tour, and MetLife was the first North American stop. Born Pink kicked off in Seoul in October 2022, and since then, BLACKPINK has traversed dozens of cities around the globe. Though the setlist was expected to be similar to that of last year's — BLACKPINK has not released music as a group since their 2022 stateside concerts — that did not lessen the Encore shows' demand.

Besides, BLINKs know 2023 is a major year for BLACKPINK: the act is celebrating their seventh year anniversary — almost exactly to the date, since they debuted on Aug. 8, 2016. The group's contract is also set to expire this year, and given that YG Entertainment has not announced news of renewals, there's an added sense of urgency for many BLINKS to watch their beloved idols perform live. 

And BLACKPINK did not disappoint. Across two hours, Jisoo, Jennie, Rosé, and Lisa delivered one rousing hit song after another and showed how far they've come since August 2016. Here are five ways the first of the group's two MetLife concerts was a celebration of their career.

At Last, Every Member Performed Solo Music 

Though BLACKPINK has not released new songs as a group in 2023, earlier this year Jisoo made her solo debut, becoming the final member to do so. At past BLACKPINK concerts, Jisoo sang covers including Camila Cabello's "Liar" and Zedd ft. Foxes' "Clarity" as the other members performed their solo music. And while the covers showcased Jisoo's sophisticated charm, they left fans wanting her solo music to come sooner — and the wait was finally over.

Jisoo performed both the springy dance-pop track "Flower" and, for the first time, the buoyant EDM-infused "All Eyes on Me." And all eyes were surely on the eldest BLACKPINK member as she strutted down the runway in a sparkling silver dress.

With all of BLACKPINK performing songs they have their personal stamps on, the setlist not only demonstrated how they have grown both collectively and individually — it felt more complete than ever.

The Throwback Songs Had The Venue Shaking — Literally

BLACKPINK's more recent singles, from "Shut Down" to "Pink Venom," are undeniable pop anthems. But the ensemble has released addictive bangers since the very start of their career, and the fervor at MetLife during the throwback songs was a testament. 

When "Boombayah," one of BLACKPINK's debut songs, started playing, the already roaring screams rose in volume. BLINKS swung their lightsticks more powerfully than before to the heavy beats of the song, and there was no hesitation when Jennie yelled "jump!" as the final verses approached. The floor began to shake as fans on all levels leapt in place while the group did the same on stage.

The quartet's 2020 hit song "Lovesick Girls" played immediately after, and once again the tens of thousands jumping across the stadium caused the ground to quake. The same electrifying energy filled the space when BLACKPINK performed their other early songs — from "DDU-DU DDU-DU" and "Forever Young" to "PLAYING WITH FIRE" and "As If It's Your Last" — in the second half of the show. 

With pyrotechnics and fireworks, the MetLife show was already leaving a searing impression. But there's nothing quite like feeling the impact of a group through the floor literally trembling.    

Diversity Of BLINKs Was On Full Display

Anyone who has attended a BLACKPINK concert knows that the group's fans come from all backgrounds, genders and ages. This was also extremely evident from one look at those waiting in line to enter MetLife. 

But one addition to the concert from last year's Prudential Center show highlighted BLINKS' diversity even more. The giant screens presented a dance challenge in the minutes before the encore, and cameras zoomed in on fans who grooved to the music — some replicating the choreography to a tee while others improvised with pizzazz. 

Two young girls in matching black shirts and sequined magenta skirts danced to "Pink Venom," and moments later a man in a rosy bucket hat performed the "Flower" choreography with a lightstick in hand. Two women in hot pink hijabs swayed to "How You Like That," before a male BLINK in a white dress shirt body rolled to the post-chorus and ended the performance with a wink. 

BLINKS Joined BLACKPINK In Singing Happy Birthday

The most obvious way this show celebrated BLACKPINK's career was, well, with an actual celebration. Near the end of the concert, the members crowded around a four-tiered black and pink cake adorned with ribbons and roses. 

"Can we sing happy birthday to ourselves?" Rosé asked as the four artists held banners that read, "Happy 7th year anniversary / BLACKPINK BLINK FOUREVER." The crowd of course screamed a resounding "YES!" and joined in on the song. "Happy birthday to Jennie Jisoo Lisa Rose," Lisa sang with a chuckle. 

BLACKPINK Reminisced On A First Meeting From 10 Years Ago

The most heartwarming moment of the show happened shortly after the birthday celebration. "Remember the day that we met?" Jennie asked softly. "So romantic," Rosé laughed, seemingly surprised at the turn in conversation — just after she said she didn't want to cry that evening. 

"I remember the first day you came to YG," Lisa said to Rosé. Then, BLINKS were treated to a different kind of performance. "Should we reenact the elevator scene?" Rosé asked as she put down the anniversary banner and stepped in front of the cake to get ready.

"I was with all my books and stuff," Lisa recalled as she gathered more anniversary banners and clutched them in front of her chest as if they were books. Rosé pretended to press an elevator button. "I'll go downstairs to say hi to the girls," she said, almost in a whisper. "Oh, I'm so nervous." 

Together, the two of them pretended that the elevator door opened with a ding. "And then I walked into the room and was like this [motions a wave], 'Hi,' and they were so welcoming!" 

At this moment, Jennie and Jisoo embraced her in a hug. "And then all night we played the guitar, til morning," Rosé remembered as her fingers strummed the air. 

In the past 10 years, BLACKPINK has trained together, debuted together, and now, celebrated their seventh anniversary together. So much of their journey to becoming a top girl group is unseen by the public, but for those few minutes Jisoo, Jennie, Rosé, and Lisa warmly welcomed BLINKS into their memories — creating an unforgettably meaningful celebration for everyone involved.

All images courtesy of YG Entertainment.

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Festival season is upon us and among the many names in those occasionally hard-to-read lineup posters, artists of Asian heritage have been rising to headliner status.

BLACKPINK might be first to come to mind: the South Korean group dropped jaws with their revolutionary Coachella performance, becoming the first K-pop group to headline the massive spring festival. From NewJeans to TOMORROW X TOGETHER to aespa making appearances at festivals later this August, K-pop in particular has continued to take the festival circuit by storm.

Indie, rock and EDM stars of Asian heritage are also making their mark on festival stages this year. Four Tet turned Coachella upside down alongside Skrillex and Fred again.., and Beabadoobee will take on Lollapalooza Chicago, Outside Lands, and All Things Go, all after opening for Taylor Swift on her Eras Tour and headlining her own EU tour.

From mainstays like NIKI and Raveena to rising stars like Yaeji and Wallice, festival lineups are bursting with talent this year. In honor of AAPI month, here are five Asian artists bringing their striking performances to major festival stages this year.

spill tab

Although spill tab makes bedroom pop, her music was destined for festival stages.

Born Claire Chicha, the breakout French Korean singer/songwriter  shapes her introspections into ambitious alternative pop. Swimming through layered vocals and electropop tinges, the artist knows how to transform her dreamy reflections into eye-catching performances.

After playing Austin City Limits last fall, Chicha graced the stage at Kilby Block Party in Utah this spring. Having already opened for everyone from Wallows to Sabrina Carpenter, spill tab knows the stage like the back of her hand.

The Rose

The Rose is making their Lollapalooza Chicago debut this August, but the K-pop four-piece have been festival-ready since their mainstream debut in 2017.

Newly under the management of label Far East Movement, The Rose is known for their escalating soft-rock ballads like “She’s In The Rain” and “sorry.” Able to switch from electric to acoustic with ease, the group’s versatility translates into a bright, contagious energy meant for festival stages.

NoSo

Marked by poignance and soft guitar, NoSo’s performances fill a venue with comfort. Just a few months after performing for NPR’s popular Tiny Desk Concert series, NoSo put on an emotionally enlightening show at Kilby Block Party.

The Korean American artist, who also identifies as nonbinary and transgender, released their debut Stay Proud of Me in 2022. The album tells stories centering around their racial and gender identity, offering a serenity akin to a healing force.

Jackson Wang

Hailing from Hong Kong, Jackson Wang made waves at Coachella as the first Chinese solo artist invited to perform at the festival. Bringing out Ciara to perform their sultry R&B collaboration “Slow,” the singer-rapper proved he’s full of surprises.

Previously part of the K-pop group GOT7, Wang’s massive platform is only continuing to grow. His smooth, breathy voice molds to every genre from pop to rap, and his spectacular Coachella performance highlighted how his shining stage presence will only continue to mesmerize audiences.

Tanukichan

After a long dusty day of stomping around festival grounds, Tanukichan’s refreshing set can help you recharge.

Born Hannah van Loon, the San Francisco-based indie rock star balances warmth and grit perfectly, individualizing her own sound after four years in the pop band Trails and Ways. Just a few months before her Kilby Block Party debut, she released her dynamic album GIZMO, which followed her 2018 Toro y Moi-produced debut and tour support for Kero Kero Bonito.

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