After dropping two hit pre-release singles, a record-breaking music video and a red-hot VMA performance, BLACKPINK’s summer takeover culminates with the arrival of their new full-length album, Born Pink.

With their signature black-and-pink lightsticks in hand, the best-selling foursome ushered their latest release into the world with an official countdown party on YouTube. During the party, they previewed their new music video for "Shut Down," displayed photos from the Light Up The Pink Campaign — the promotional campaign lit major landmarks across the globe in the group’s signature pink color — and showed off their newest merch. 

As the countdown party drew to a close, Lisa, Rosé, Jisoo and Jennie read letters of gratitude to Blinks — their dedicated fanbase — before wrapping things up with the release of the music video for "Shut Down," which coincided with the arrival of Born Pink on all major streaming platforms.

The long-awaited eight-track LP doubles down on the group’s distinct hip-hop and EDM-infused sound while experimenting with bubblegum pop, disco, and punk elements. "If The Album focused solely on music, we tried to express BLACKPINK’s true nature through [Born Pink]," Rosé told XSportsNews.  

From Jisoo’s rap verse to Rosé’s surprise solo, here are five takeaways from BLACKPINK’s new album, Born Pink. 

'Born Pink' Doesn’t Feature Any Guest Appearances

BLACKPINK has previously collaborated with pop heavy-hitters like Selena Gomez, Lady Gaga, and Cardi B, so there was rampant speculation about the guest appearances on Born Pink. However, Blinks hoping for a Taylor Swift collab — after her response to the group’s breakout VMA performance — were discouraged when the album’s track list was released, and Swift’s name was nowhere to be found. Although there are no collabs, the quartet more than holds their own and highlight their individual talents.

The melancholy ballad "The Happiest Girl" showcases Lisa’s vocals and vulnerability while Jisoo steps into her rap moment with a blistering verse on "Shut Down." Rosé’s soaring vocals shine on "Hard to Love" and "Yeah Yeah Yeah," while Jennie’s rapid-fire flows on "Pink Venom" and "Shut Down" exhilarate thanks to her braggadocious delivery. 

Rosé Takes The Lead On "Hard To Love"

The first few tracks on the album showcase BLACKPINK’s standard hip-hop heavy sound, but halfway through the album, the group flips the script by treating listeners to an unexpected Rosé solo called "Hard to Love," a guitar-pop anthem that channels Taylor Swift. This isn’t Rosé’s first solo outing — in 2021, the singer released her first single album, R, featuring the singles "Gone" and "On The Ground."

"Hard to Love" was well-received on social media, but many Blinks were hoping for a Jisoo solo moment. The singer is the only group member who hasn’t released a single album, and there was heavy speculation that she’d take the lead on one of Born Pink’s tracks. However, she has been on the fence about setting off on her own. 

Last May, Jisoo told Rolling Stone that she wasn’t sure which direction to take her sound. "I love songs with lots of instruments. I love different bands and rock music. What do people want from me? There’s a chaos of conflicting questions. So I’m still tilting my head in confusion. I’m not sure what will happen with my solo plans this year." 

"Shut Down" Captures The Essence of BLACKPINK’s Sound

BLACKPINK’s signature swagger is on full display in this drippy hip-hop track, which features a familiar classical sample —  "La Campanella," by the Italian composer Niccolo Paganini. On the audacious track, the Pinks address their detractors — or antis, as the Blinks call them — with in-your-face lines like, "Praying for my downfall, many have tried, baby" and "Bunch of wannabes that wanna be me, me three if I was you."

After hearing the demo for the first time, the quartet fell in love with the bass-thumping song and decided to make it the album's title track. (In K-pop, a title track refers to a lead single accompanied by a music video.) "We gathered in the recording studio altogether and listened to the demo. When the intro came out, I think all the members were speechless and just looked at each other," Lisa said to XSportsNews. "Through just our eyes, we were telling each other, 'this is the title track!' While listening, I naturally started to imagine the performance. That’s how well BLACKPINK was captured, and I was confident that it was a song BLACKPINK could express well."

There Are Some Familiar Names In Born Pink’s Writing Credits, Including Jisoo and Rosé 

BLACKPINK typically employ the same stable of writers to craft their tracks. Their frequent collaborators include Teddy Park, who is responsible for producing and writing some of the group’s biggest tracks like "Kill This Love" and "Lovesick Girls," and Bekuh Boom, who penned the high-charting hits "Pretty Savage" and "Ice Cream." On Born Pink, Park’s work can be heard on the hip-hop forward tracks "Pink Venom" and "Shut Down" as well as "Ready For Love," while Boom lent her pen to the sassy track "Typa Girl."

Some new collaborators have entered the mix in the Born Pink era: Teddy Sinclair, formerly known as Natalia Kills, composed and co-wrote "The Happiest Girl" with her husband, Willy Moon. (Sinclair also co-wrote Rihanna’s "Kiss It Better.") Jisoo and Rosé lent their vocals and writing skills to Born Pink — each has a writing credit on "Yeah Yeah Yeah," a standout track on the album. 

The Album Is Under 25 Minutes Long

With a runtime of a little over 24 minutes, Born Pink is notably shorter than many standard LPs, much to the chagrin of Blinks, who were hoping for more after waiting nearly two years for new music from the group.

It's likely that their next release will be a live album recorded during one of the stops on their upcoming world tour, though there is a possibility that the group will release a deluxe version of Born Pink featuring additional tracks. (Somewhere in the BLACKPINK vaults are a couple of unreleased collaborations with OneRepublic’s Ryan Tedder, which fans are eager to hear after the veteran songwriter mentioned working with the Pinks in a recent interview.)

What Does "BLACKPINK" Mean? 7 Facts To Know About K-Pop Sensations BLACKPINK

Festival season is upon us and among the many names in those occasionally hard-to-read lineup posters, artists of Asian heritage have been rising to headliner status.

BLACKPINK might be first to come to mind: the South Korean group dropped jaws with their revolutionary Coachella performance, becoming the first K-pop group to headline the massive spring festival. From NewJeans to TOMORROW X TOGETHER to aespa making appearances at festivals later this August, K-pop in particular has continued to take the festival circuit by storm.

Indie, rock and EDM stars of Asian heritage are also making their mark on festival stages this year. Four Tet turned Coachella upside down alongside Skrillex and Fred again.., and Beabadoobee will take on Lollapalooza Chicago, Outside Lands, and All Things Go, all after opening for Taylor Swift on her Eras Tour and headlining her own EU tour.

From mainstays like NIKI and Raveena to rising stars like Yaeji and Wallice, festival lineups are bursting with talent this year. In honor of AAPI month, here are five Asian artists bringing their striking performances to major festival stages this year.

spill tab

Although spill tab makes bedroom pop, her music was destined for festival stages.

Born Claire Chicha, the breakout French Korean singer/songwriter  shapes her introspections into ambitious alternative pop. Swimming through layered vocals and electropop tinges, the artist knows how to transform her dreamy reflections into eye-catching performances.

After playing Austin City Limits last fall, Chicha graced the stage at Kilby Block Party in Utah this spring. Having already opened for everyone from Wallows to Sabrina Carpenter, spill tab knows the stage like the back of her hand.

The Rose

The Rose is making their Lollapalooza Chicago debut this August, but the K-pop four-piece have been festival-ready since their mainstream debut in 2017.

Newly under the management of label Far East Movement, The Rose is known for their escalating soft-rock ballads like “She’s In The Rain” and “sorry.” Able to switch from electric to acoustic with ease, the group’s versatility translates into a bright, contagious energy meant for festival stages.

NoSo

Marked by poignance and soft guitar, NoSo’s performances fill a venue with comfort. Just a few months after performing for NPR’s popular Tiny Desk Concert series, NoSo put on an emotionally enlightening show at Kilby Block Party.

The Korean American artist, who also identifies as nonbinary and transgender, released their debut Stay Proud of Me in 2022. The album tells stories centering around their racial and gender identity, offering a serenity akin to a healing force.

Jackson Wang

Hailing from Hong Kong, Jackson Wang made waves at Coachella as the first Chinese solo artist invited to perform at the festival. Bringing out Ciara to perform their sultry R&B collaboration “Slow,” the singer-rapper proved he’s full of surprises.

Previously part of the K-pop group GOT7, Wang’s massive platform is only continuing to grow. His smooth, breathy voice molds to every genre from pop to rap, and his spectacular Coachella performance highlighted how his shining stage presence will only continue to mesmerize audiences.

Tanukichan

After a long dusty day of stomping around festival grounds, Tanukichan’s refreshing set can help you recharge.

Born Hannah van Loon, the San Francisco-based indie rock star balances warmth and grit perfectly, individualizing her own sound after four years in the pop band Trails and Ways. Just a few months before her Kilby Block Party debut, she released her dynamic album GIZMO, which followed her 2018 Toro y Moi-produced debut and tour support for Kero Kero Bonito.

TXT, Blackpink, Aespa & More: Here Are All The K-Pop Tours And Events You Can Catch This Summer

2023 started off strong for K-pop events in the U.S. Household names like NCT 127, Kang Daniel, and Stray Kids all toured the country, while the Empire State Building was lit up in honor of TWICE's latest EP, Ready to Be. In April, BLACKPINK made history as the first K-pop group to headline Coachella, while  BTS' Suga (under the alias Agust D) began his first solo tour — the first out of all BTS members.

As summer starts to bloom, so do even more tours, festivals and conventions for lovers of Korean music and culture to rejoice. From mid-May to the end of August, almost every week will be busy with affairs that range from concerts by rising groups like WEi, to weekend-long celebrations like KCON, to trailblazing performances like Tomorrow X Together (TXT) headlining Lollapalooza, or aespa becoming the first K-pop group to play at New York’s Governors Ball.

To add some color to your summer, GRAMMY.com assembled a list of all the K-pop concerts and events happening in the next few months so you can enjoy the season at its fullest.

May

Suga: Agust D Tour

April 26 - May 17

The first BTS member to headline his own solo tour, Suga kicked off a string of performances in the U.S. on April 26 in Belmont Park, New York. The setlist included hits from his two mixtapes, August D and D-2, new tracks from his first solo studio album, D-Day, and even some BTS classics. Before heading to the Asian leg of the tour, Suga will play in Los Angeles and in Oakland, California.

Head in the Clouds Festival

Forest Hills, New York

May 20-21

88rising continues its mission of spreading the talents of Asian diaspora artists through their Head in the Clouds Festival. In addition to their usual Los Angeles edition, 2023 sees Head in the Clouds Festival expand to New York for the first time. The lineup includes returning acts such as DPR IAN and DPR LIVE, while K-pop sensation ITZY, global girl group XG, and rising rockstar LØREN will make their HITC debuts.

Tomorrow X Together (TXT): ACT : SWEET MIRAGE World Tour

May 5-27

Dazzling boy group Tomorrow X Together (TXT) grow bigger with each new release and their international tours follow suit. After last year’s ACT : LOVESICK, they return for a six-city stint in the U.S. with ACT : SWEET MIRAGE, kicking it off on May 5 in Charlotte, North Carolina. Members Soobin, Yeonjun, Beomgyu, Taehyun, and Huening Kai perform hits like "0x1=LOVESONG (I Know I Loved You)," "Good Boy Gone Bad" and their latest single, "Sugar Rush Ride."

MAMAMOO: MY CON World Tour

May 16 - June 4

Vocal queens MAMAMOO will soon begin their first-ever U.S. tour. Hwasa, Solar, Moonbyul, and Wheein are set to perform in nine cities, starting with New York on May 16 and ending in Los Angeles on June 4. With almost a decade of classics under their belts, the quartet will likely perform songs such as "Um Oh Ah Yeh," solo songs by each member, and a slew of hits like "HIP" and "Egotistic."

WEi: PASSION World Tour

May 24-31

Boy group WEi also returns to the U.S. for their second world tour, PASSION. Each of its six members — Daehyeon, Donghan, Yongha, Yohan, Seokhwa, and Junseo — are known for competing in different survival shows, with Yohan finishing in first place on Mnet’s "Produce X 101" in 2019. Although Yohan himself will be absent from this tour due to conflicting schedules, the remaining quintet promises to have a blast from coast to coast.

Bang Yongguk: The Colors of Bang Yongguk US Tour

May 31 - June 16

As a singer/songwriter, record producer, and former leader of boy group B.A.P, Bang Yongguk is one of K-pop’s most wide-ranging artists. Through honest lyrics and a voice deeper than the Mariana Trench, Yongguk’s work is immediately identifiable and always innovative. After releasing a brand new album this month, The Colors of Love, he is set to perform 10 concerts across the U.S., beginning in Joliet, Illinois on May 31.

June

TRI.BE: 2023 USA Tour VIDA LOCA

June 6 - July 3

Girl group TRI.BE have graced K-pop with effervescent singles and boundless energy since 2021, when they debuted with "Doom Doom Ta." This year, members Songsun, Kelly, Jinha, Hyunbin, Jia, Soeun, and Mire will embark on their first U.S. tour. The septet will play a massive round of 17 shows throughout the country, starting in Orlando, Florida and concluding in L.A.

aespa: Governors Ball Music Festival

June 10

In less than three years since their debut, aespa are already making history. The quartet — formed by Karina, Giselle, Winter, and Ningning — will be the first K-pop group to perform at NYC outdoor festival Governors Ball, held June 9-11. SM Entertainment’s latest girl group became known for their AI-filled lore that includes avatars and an avant-garde sound in the likes of popular singles "Next Level” and “Savage."

TWICE: 5th World Tour Ready to Be

June 10 - July 9

Unrelenting girl group TWICE return to the U.S. for their 5th World Tour Ready to Be. Named after their latest album, the performances will feature hits from their 8-year spanning discography, as well as solo performances from each of its nine members. After performances in Asia and Australia, they will kick off a 13-stop North American leg of the tour at the SoFi Stadium in Inglewood, California on June 10, and wrap it up at Truist Park in Atlanta on July 9.

CRAVITY: The First World Tour Masterpiece

June 16-25

Last year, rising boy group CRAVITY toured the U.S. as one of the representatives of KCON 2022 Rookies — a series of concerts organized by the All Things Hallyu festival with up-and-coming names in the industry. In 2023, the nine-member group are proving their growth as they headline their own tour through New York, Chicago, San Juan, Atlanta, Dallas, and Los Angeles.

July

JUST B: Otakon

July 28-30

Held in Washington, D.C., Otakon is the place to be for lovers of Asian pop culture. After bringing names like AleXa and PIXY last year, this year’s edition of the festival will bring rookie boy group JUST B — Lim Jimin, Geonu, Bain, JM, DY, and Sangwoo — for a performance and some VIP experiences to get to know them better.

Lee Youngji K-PLAY! FEST

San Mateo, California

July 29-30

Rapper Lee Youngji rose to fame by being the first woman to win survival shows "High School Rapper 3" and "Show Me the Money 11." However, she gathered an even bigger fandom through the YouTube variety show "My Alcohol Diary," where she invites other K-pop idols to her home for drinks and hilarious conversations. On July 30, she will headline the Bay Area edition of K-PLAY! FEST, the "first ever K-pop festival for fans, by fans." Besides spitting fiery bars, she will also do a hi-touch event, a fansign, and take some selfies with fans who purchase VIP packages.

August

Tomorrow X Together, NewJeans, DRP IAN, DPR LIVE: Lollapalooza

Chicago

Aug. 3-6

After last year’s success with performances from Tomorrow x Together and BTS’ j-hope, the Lolla 2023 features even more K-pop. For the first time in history, TXT will headline the festival on August 5, while fellow labelmates and current sensation NewJeans will perform on Thursday, August 3. DPR IAN, 6 and DPR LIVE bring their R&B, rock, and rap fusion to the last day of the festival on Sunday.

(G)I-dle: I am FREE-TY World Tour

Aug. 4-17

K-pop’s resident tomboys will bring their flair and authenticity stateside. After last year’s Just Me ( )I-dle World Tour, the quintet formed by Soyeon, Miyeon, Minnie, Yuqi, and Shuhua will perform in six cities throughout the first half of August. In addition to their attitude-filled setlist, fans can expect new songs from their upcoming sixth EP, I Feel.

Head in the Clouds Festival

Pasadena, California

Aug. 5-6

After their New York edition in May, HITC heads to the West Coast for another weekend celebrating Asian talents. While the lineup is yet to be announced, fans can expect it to hold some of the names who performed in past editions, as well as exciting newcomers. HITC will happen at Brookside at the Rose Bowl on Aug. 5 and 6.

BLACKPINK: BORN PINK World Tour

Aug. 12-26

Headlining Coachella in April wasn’t enough for the unstoppable girl group BLACKPINK. Jennie, Rosé, Lisa, and Jisoo have just announced four stadium concerts in August as an extension of their ongoing BORN PINK World Tour, which also included U.S. dates in 2022. The quartet will perform at MetLife Stadium in East Rutherford, N.J. on Aug. 12, then follow to Allegiant Stadium in Las Vegas, Oracle Park in San Francisco, and wrap it up at Dodger Stadium in Los Angeles on Aug. 26.

aespa: Outside Lands Music & Arts Festival

San Francisco

Aug. 11-13

Once again, the groundbreaking aespa hit the U.S. for another milestone: they will be the first K-pop group to perform at San Francisco’s Outside Lands. The quartet will play their futuristic set on Friday, August 11, along Kendrick Lamar, Janelle Monaé and WILLOW, among others.

KCON

Los Angeles

Aug. 18-20

Known as the largest Korean culture and music festival in North America, KCON has a decade-long legacy of serving as a bridge for "all things Hallyu." Held at the Los Angeles Convention Center and Crypto.com Arena, the festival includes a two-night concert, fan signings, food and merch stalls, panels with professionals in the industry, and many other attractions. KCON hasn’t announced its official lineup yet, but attendees can expect it to maintain the same excellence of past years.

Beyond Coachella: 10 Smaller Festivals Beloved For Their Homegrown Vibes & Huge Lineups

As spring blossoms and May rolls around, AAPI Heritage Month reminds us to recognize and reflect on the talents of Asian American and Pacific Islander artists — across the music industry and beyond.

It's vital to celebrate diversity year-round, and May sparks additional dialogue about reshaping spaces to be more inclusive, especially within industries that are traditionally difficult to break into. Today, the music community views difference not as an obstacle, but an opportunity to celebrate individual and collective identity.

While 2023 marks 60 years since the first Asian American GRAMMY winner, AAPI creatives have been making waves in the music community for centuries. Whether you're raging to Rina Sawayama's enterprising electropop or vibing out with NIKI's soulful indie musings, AAPI artists are continuing to shape contemporary genres like never before.

In celebration of AAPI Heritage Month, GRAMMY.com compiled an original playlist to honor AAPI musicians' creativity and novelty. Take a listen to the playlist featuring more than 40 trailblazing creatives on Spotify, Apple Music, Amazon Music and Pandora.

Smooth Like "Butter": How BTS' GRAMMY-Nominated Mega Hit Came To Be

In a sense, every Coachella is an historic event. 

Held annually at the Empire Polo Field in Indio, Calif., it’s the first major music festival of the year and often showcases artists’ tour launches, effectively providing a sneak preview of what’s to come. It’s also a place where things happen that can seemingly only happen there. The evidence lies in the sheer multitude of special guest appearances spanning the three-day event, with cameos occurring on nearly every one of eight stages. 

The 2023 edition of Coachella — which sold out its first weekend, ushering in roughly 125,000 people from around the globe — was arguably the most consequential in its 22 years. On Friday, Puerto Rican rapper-singer Bad Bunny became the fest’s first Latino solo artist headliner; Saturday’s spectacle from BLACKPINK marked the first K-pop performance to top the bill; and on Sunday, Frank Ocean made history as the first openly gay man to close out the world-class music summit.

The latter artist’s set — his first in nearly six years — was certainly memorable, but not for fond reasons. On the bright side, there were plenty of other dazzling moments, whether enhanced by surprise guests or on their own merits, which made the weekend indisputably unforgettable. Read on for seven of the best sets from Coachella 2023.

The Murder Capital Slays The Sonora Tent

With only two albums under their belt and a relatively packed audience in the Sonora Tent on Friday afternoon (the second slot of the fest), it’s fair to argue that the Irish quintet deserved the nod for one of Coachella’s best up-and-coming bands. 

They earned the accolade handily within just seven songs, a no-holds-barred display of searing, snotty-yet-sincere post-punk tunes (à la hometown contemporaries Fontaines D.C. and British sonic kin Idles and Shame) evenly split between their 2019 debut album When I Have Fears and this year’s follow-up, Gigi’s Recovery.

"We don’t give a f— what time is. We want to see you move," said vocalist James McGovern before launching into the maelstrom "Feeling Fades." Every member contributed to the unrelenting energy, expertly building anticipation during slow-burn portions on songs like "A Thousand Lives" and show closer "Ethel," before thrashing through the songs’ cacophonous climaxes. 

The Coachella performance marks the end of the Murder Capital's first stateside tour and, based on this exceptional performance, they’ll doubtless return ready to release even more panache and sonic punch. Fans of thought-provoking punk rock would be wise to keep a lookout.

Blink-182 Reunites For An Epic Bout Of Pop-Punk Nostalgia

It was confirmed months ago that bassist Mark Hoppus and drummer Travis Barker would reunite with original Blink-182 singer/guitarist Tom DeLonge for a summer tour — the pop-punk trio’s first shows together in nine years — but seeing the band's name appear on the Friday schedule upon its reveal last week stoked some the weekend’s most spirited anticipation.

Fans reacted rabidly to the news — a group of Mexican friends waiting in front, all decked out in Blink attire and sporting tattoos of the band’s logo, said they scrambled to buy tickets and make the trip to the desert with only a single day's notice. Those fellas and the thousands spilling out of the Sahara Tent were rewarded with DeLonge making his entrance with middle fingers raised high, signaling that we were about to witness the same ol’ charmingly crass charades. They wasted no time tearing into a career-spanning set (plus the live debut of recently released new track, "EDGING") peppered with sarcastic and explicit banter that was as nostalgically satisfying as hits like "I Miss You" and "All the Small Things," and deep cuts "Dysentery Gary" and "Dumpweed." 

Despite his near-decade away, DeLonge sounded sharper than ever, especially when the trio took it back all the way to 1997 for show closer "Dammit," mixing in a thrilling snippet of TLC’s "No Scrubs" (which also played in-full as the outro music). It was an odd but appropriate pairing — looking around at several generations of fans singing along to every track with equal enthusiasm, it became clear that for many, Blink’s classic catalog feels just as timeless as that R&B mega-hit.

Metro Boomin Brings The Whole Crew To The Stage

With a resume that includes work with John Legend, Future, Don Tolliver, 21 Savage, and the Weeknd, the anticipation for what might manifest during producer/DJ Metro Boomin’s Friday night set in the Sahara Tent was at an all-time high. And as it so happened, every one of those artists made appearances, in that order, resulting in the most star-studded show of the weekend in an incredibly intimate setting. 

Within the first few seconds of Metro Boomin's set, Legend strolled out to belt on "On Time," and from that point, there was only one track without a heavy hitter at the helm.  Future for five songs, wrapping up on superhit "Mask Off"; Don Tolliver out for three; 21 Savage for six exhilarating tunes; and finally the Weeknd for another half-dozen. The cherry on top: both 21 Savage and Diddy joined the Weeknd for the live debut of Metro Boomin’s "Creepin'" remix to close out the set. Acting as conductor and conduit, Metro stayed relatively hidden atop a center-stage platform for the entirety of the 23-song set, letting his guests and mesmerizing dancers take the wheel. 

This show could’ve and should’ve been on the main stage, and the fact that it wasn’t made it that much more special for the fest-goers wise enough to sacrifice the beginning of Bad Bunny to witness it.

Bad Bunny Makes History

In the moments before Bad Bunny's headlining slot on Friday, footage depicting past lineups and performers — including Prince, Kendrick Lamar and the Black Keys — flashed across the main stage’s massive screens. The suggestion was clear: The Puerto Rican superstar intended to cement his own legacy as Coachellan royalty. 

In some ways, that status was predetermined. As the first Latino solo artist to close out the festival, the GRAMMY-winning reggaeton titan had already made history before even setting foot on stage. El Conejo Malo gave his massive audience their money’s worth and more during a 2-hour tour de force that paid tribute to Latin music and dance. 

Beginning the show atop a platform designed to look like the gas station roof in San Juan, Puerto Rico where he staged a surprise performance last December, the artist lovingly referred to by fans as Benito (his legal first name) serenaded the audience with several songs off chart-topping 2022 album Un Verano Sin Ti. He rarely showed himself on the stage’s screens, instead opting to display videos of historic Latin and Caribbean musical traditions, plus brightly colored graphics paired with sweeping lasers and spurts of pyro that evoked the feel of an enormous Miami nightclub. 

Though hopes were high for Cardi B to appear for her part on breakout single "I Like It," she didn’t show, but no matter. Fans were treated to plenty more surprise guests, including Jowell Y Randy on "Safaera," Jay Cortez on a hat trick of tunes played on a B-stage, and Post Malone accompanying on acoustic guitar for "La Canción" and "Yonaguni." The latter two were diminished by sound issues, but it had little effect on the impact of the show for diehard fans — it was a veritable love letter to Latin culture that his faithful followers will surely hold dear for years to come.

Dinner Party Invites Everyone To The Table

With only a few performances under their belt to date, Dinner Party — the supergroup formed in 2020 by prolific pianist Robert Glasper, saxophonist Kamasi Washington, hip-hop producer/DJ 9th Wonder and renowned producer/musician Terrace Martin — was a must-see in the Gobi Tent on Saturday afternoon. 

The outfit was joined by Arin Ray, who sings on their debut full-length Enigmatic Society (released one day prior on April 14) and in this setting also handled vocal parts from Dinner Party’s self-titled EP sung by Chicago artist Phoelix. His voice set a joyful, uplifting tone on opening track "Breathe," which was followed by segments where each contributor showcased their individual talents, including wild sax duels from Washington and Martin, and a hip-hop DJ mini-set from 9th Wonder. 

But the group was at their best when all players were seated at the table, so to speak, and when Ray rejoined for the show’s finale, "Freeze Tag," an enlivened, church-like feeling overtook the audience — every person in the packed tent was grooving along, no exceptions.

Rosalía Engages With Her Fans

Over the course of Rosalía's hour-long, main stage set on Saturday night, which pulled heavily from new album MOTOMAMI, the Catalonian singer proved that she’s reached superstar status, not only with respect to her spellbinding vocal delivery and dancing, but also her overall artistic vision. 

Even better, she achieved all of it while making her fans feel like an essential part of the show. Case in point: Much of the show’s live feed was shot on stage within the space of three video walls that created an ultra-smooth, almost surreal music video effect. But on "La Noche de Anoche" (a Bad Bunny collaboration), she made her way down to the audience holding a handheld camera and let her fans take turns singing a few of the lyrics. Even if they sounded terribly off-key, it showed unmatched class — a performer who can step down from her well-deserved pedestal to make meaningful connections with her supporters.

The scene was truly touching, and she built on that throughout the set, first by playing a tearjerkingly beautiful rendition of "Hentai" on piano dedicated to her dance teacher, then by bringing out her fiancé Rauw Alejandro for duets on "Beso" and "Vampiros," which wrapped up with the sweetest of on-stage kisses. By the end, there was no doubt of her mastery over balancing raw talent and authenticity.

BLACKPINK Shows Why K-Pop Deserves Coachella Spotlight

Saturday night’s headlining turn from the record-breaking K-pop girl group, the first to top Coachella’s lineup, was unequivocally the most impressive production of Coachella’s first weekend. 

Mind-bending elements came into play before the quartet even appeared. A drone-powered light show above the stage — which first depicted a caterpillar transforming into a butterfly, then a paper crane, then an astronaut, a hippo in a spacesuit and finally a heart — all representations of Coachella’s past installation art pieces — had the crowd gasping in astonishment. 

Over the course of the following 18 songs, the four members danced, sang and rapped flawlessly while their live band conjured a soundtrack powerful enough to fill several arenas. Right out of the gates, they wowed with a ferocity that matched the title of opening track "Pink Venom," then strutted down the stage’s extended catwalks flanked by a brigade of equally impressive backup dancers to a B-stage for "Kill This Love" — all the while being followed by cameras that made their video element look like a high-end production seemingly unachievable in a live setting. The sequence drove the audience into a shouting, jumping frenzy as flames erupted on all sides.

After a few songs in group format, each member took a solo turn. Jennie went first, effortlessly amping up the fans with deep house-inspired "You & Me"; then Jisoo appeared for a fiery take on "Flower"; Rosé stunned with another effortlessly fierce dance routine down the catwalk; and Lisa wrapped up the segment with an unreleased explicit version of "Money," which began with a seductive pole dance followed by a decidedly hardcore rap delivery that would impress some of hip-hop’s heaviest hitters. 

At its core, the performance was the most successful representation of what Coachella set out to do by booking such distinctly diverse headliners: it proliferated inclusivity. Even if you came to Coachella exclusively for another act, Blackpink had something to offer for everyone, from pop to hip-hop to rock to EDM, and it would be no surprise if they converted a new legion of fans in the process. The show concluded with a display of fireworks worthy of the biggest New Year’s Eve celebration, but they really weren't necessary — their performance was explosive enough without them.

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