meta-scriptNCT 127 On New Album '2 Baddies' & Why Their U.S. Return Will Be Epic: "Our Fans Will Notice How Much Fun We're Having" | GRAMMY.com
NCT 127 Press Photo 2022
NCT 127

Photo: SM Entertainment

interview

NCT 127 On New Album '2 Baddies' & Why Their U.S. Return Will Be Epic: "Our Fans Will Notice How Much Fun We're Having"

K-pop group NCT 127 sat down with GRAMMY.com to discuss why '2 Baddies' presents an elevated version of their music, and how they’re "going full speed to our goal" of achieving their dreams.

GRAMMYs/Sep 20, 2022 - 02:34 pm

With six years and four full-length Korean albums under their belts, NCT-127 has made one thing very clear: their sound is unpredictable. The K-pop group — a sub-group of South Korean boyband NCT — often merges genres and instrumentation in innovative ways, and their latest album, 질주 (2 Baddies), is no exception.

Released Sept. 16, the album, as the guys describe it, is more hip-hop based than any project they've released before. Though hip-hop is the core, with memorable rap verses found on most of the songs, plenty of other genres are sprinkled across 질주 (2 Baddies) like R&B, pop, and drill. And in fitting NCT 127 fashion, no one track sounds the same.

Throughout the album's 12 tracks, listeners travel through a vast soundscape. On the first four tracks alone, the group delivers low tones (opening track "Faster") transition to the booming and electric title track "질주(2 Baddies)," then slow down to crooning R&B on "Time Lapse" and a mix of R&B and UK drill on "Crash Landing." Other songs have more of a lighter pop sound, like "Designer" and the final track "1,2,7 (Time Stops)". Overall, 질주 (2 Baddies) feels like a more extensive project that showcases their range as a group.

With a balance of braggadocious and feel-good anthems and more emotional, fan-centric tracks, there's something for everyone, showing why NCT 127 has become a mainstay in the Korean music scene. Rappers Mark and Taeyong also contributed to lyric writing on "Time Lapse" and "Designer," adding more of the group's personal flair.

This October, they will play two bi-coastal shows in LA and NY, which will be their first time in the U.S. as a group since 2020. Ahead of their return, GRAMMY.com caught up with all of the NCT 127 guys (TAEIL, JOHNNY, TAEYONG, YUTA, DOYOUNG, JAEHYUN, JUNGWOO, MARK, HAECHAN) via Zoom to discuss 질주 (2 Baddies) and their tour. Even through a computer, the guys' energy is magnetic — it's clear they're excited to reunite with fans and share this new chapter of their careers.

**Where does the title 질주 (2 Baddies) come from?

MARK: It's from the meaning of what we're trying to deliver. 질주 in English means high-speed. It definitely goes well with the Porsche concept that we came up with. We made a point about going full speed to our goal without caring about what the world may put in front of us or whatever opinions people may have. 

We're just focusing on what we live in our dreams. That attitude was very tough for us in the song, so that's what we wanted to portray and put into the song. 

What feels different about this album compared to your previous releases?

JOHNNY: Each song has more of a hip-hop sound than before. You can really tell how much time we took to make the album. The quality is very high and all our members' vocals are well-portrayed throughout the album as well. 

What's different is definitely for "질주 (2 Baddies)," the title song, is going to be the performance in my opinion. There's a lot more smiling than the other songs that we formed. I think our fans will really notice how much fun we're having while performing. That's got to be the biggest difference from the other songs we had before. 

You guys are doing two shows in the U.S., which will be your first time performing in America since 2020. Are you excited? Do you have anything special planned for the performances?

JAEHYUN: We're definitely excited because it's been such a long time since we've been to the U.S. We've prepared that much for the concert and we're coming up with a new album, so I think that would be added as a new thing to do on tour.

MARK and TAEYONG, you two wrote on "Time Lapse" and "Designer." Can you guys talk more about your contributions on those two songs and what was your rap-making process like?

MARK: "Time Lapse" and "Designer" are totally different songs. For each song, we wanted to incorporate our different interpretations of the song. How we all both took our verses — for example, for "Time Lapse," the way we saw loneliness and that dreadful feeling of being alone all the time was different for him and I. 

It's also kind of connected to our dreams. It's always fun to write with him. It really showcases our strong differences as well. Stuff like that really makes it more fun to write raps. I think it came out nice.

Do you guys have a favorite track from the album?

YUTA: "질주 (2 Baddies)."

HAECHAN: "질주 (2 Baddies)."

TAEYONG: The title.

What makes everyone say that one?

MARK: It's that good.

Are there any new genres you guys tried this time around?

TAEYONG: "Faster" is really low-tone. The song starts at a low tone and ends at a low tone. It's the first time we ever worked on a song like that.

What story are you guys trying to tell with this album?

MARK: Like I said, for "질주 (2 Baddies)," the meaning of the song goes well with the word "high-speed." That's why we put the translation of high-speed in Korean as the title. Having that as the title track of the entire album really sets the tone for all the other songs in the playlist.

The other songs revolve around "질주 (2 Baddies)." For example, "Faster" is pretty much an extended version of "질주 (2 Baddies)," in my opinion. That's why the order of "Faster" and "질주 (2 Baddies)" are right there together. Having our albums structured in that type of way kind of made the whole album very well-packaged.

The music video for "질주 (2 Baddies)" looked like it was fun to film. Do you have any memories from filming it?

JOHNNY: It was definitely fun filming it. There were a lot of new things we tried. The main color of the music video is very neon-ish. There were a lot of neon points. 

It was kind of like a cyberpunk feel to the whole music video. That's why it was a lot of fun. We tried to incorporate all those new colors and new styles. We had cars hanging, trying to make [it] more futuristic throughout the whole [video]. It was a lot of fun.

MARK: Skrt!

Do you guys have any new goals for the future?

JAEHYUN: Let's have fun while performing, you guys.

MARK: We just want to have fun.

JAEHYUN: We always enjoy performing "질주 (2 Baddies)." 

JOHNNY: It's been a long time. It's already been a year — almost two years — since our last comeback [music release]. We prepared a lot for this album, music-wise, visual-wise, just everything. 

I hope that our fans have fun with the album. I really hope that they enjoy it as much as we do. We just want to say thank you to our fans all around the world who are going to be listening and thank you for waiting this long. 

MARK: Skrt!

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Kendrick Lamar GRAMMY Rewind Hero
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

video

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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October Albums List
(Clockwise) Black Pumas, Blink-182, Taylor Swift, Gucci Mane, Sampha, BoyWithUke, Troye Sivan

Photos (L-R): Jody Dominigue; Jack Bridgland; Michael Tranafp; Paras Griffin/Getty Images; Jim Dyson/Getty Images; courtesy of the artist; Rodin Eckenroth/Getty Images;

list

15 Must-Hear Albums This October: Troye Sivan, Drake, Blink 182, NCT 127 & More

Don't let the falling leaves bring you down — read on for 15 albums dropping in October from Taylor Swift, Gucci Mane and Riley Green.

GRAMMYs/Oct 2, 2023 - 03:22 pm

Fall has already begun, and 2023 enters its final act with the beginning of October. However, that doesn't mean the music has to slow down — this month offers plenty of new releases for everyone from rap fans to country aficionados.

The month starts with Sufjan Stevens and the release of Javelin, his first fully-written album in eight years. On the same day, after several postponements, Drake will finally put forth For All the Dogs. Later in the month, blink-182 will make a long-awaited return with One More Time…, their first album featuring the original members since 2011, and Migos rapper Offset will drop his sophomore record, Set It Off.

There's also new work from Troye Sivan, NCT 127, Metric, Gucci Mane, and Taylor Swift closing off the month with the re-release of 1989 (Taylor's Version).

Don't let the falling leaves bring you down — below, GRAMMY.com compiled a guide with 15 must-hear albums dropping October 2023.

Sufjan Stevens - Javelin

Release date: Oct. 6

The last time Sufjan Stevens released an album fully written by himself was 2015's Carrie & Lowell. Javelin, his upcoming tenth studio album, will finally break this spell.

Mostly recorded at Stevens' home studio and featuring contributions from several friends (including the National's Bryce Dessner), the 10 tracks of Javelin bring back sounds of "70s Los Angeles' studio opulence" and vibes of a "detailed yet plain" self-portrait, according to a press release.

The album also features a cover of Neil Young's "There's a World" and an ambitious, 48-page art book with collages and essays written by Stevens. Javelin is preceded by the soothing single "So You Are Tired" and the spaced-out "Will Anybody Ever Love Me?"

NCT 127 - Fact Check

Release date: Oct. 6

Within the NCT constellation, NCT 127 is the subgroup anchored in South Korea's buzzing capital, Seoul. Since debuting in 2016, the nine-member ensemble has been infusing the city's vibrancy with innovative EDM and hip hop mixes.

On Oct. 6, NCT 127 will return with their fifth studio album, Fact Check, bringing in another round of their experimental K-pop sound. Consisting of nine songs, including lead single "Fact

Check (Mysterious; 不可思議)," the album expresses 127's confidence.

So far, they released a wealth of teasers that are linked to NCT's overall "dream" concept, video contents, and a highlight medley of the album tracks. After the recent ronclusion of NCT Nation, NCT's first full-group concert in South Korea and Japan, fans are expecting 127 to announce tour dates.

BoyWithUke - Lucid Dreams

Release date: Oct. 6

Mysterious masked singer and TikTok phenomenon BoyWithUke will continue his dream-themed saga with the release of Lucid Dreams, his fourth studio album.

According to a statement by the Korean American star, Lucid Dreams is meant to express "my desires, my fears, my past, and my dreams." He also adds that the each song on the album is "like a different step on the path. I'm facing past traumas, making the music I want to make, and figuring out who I am."

That development can be seen on pre-releases "Migraine" and "Trauma," where he opens up about mental health and childhood struggles over signature ukulele strings. In his own words, this album is truly "BoyWithUke blossoming, spreading his wings, and finding himself."

Drake - For All the Dogs

Release date: Oct. 6

After several postponements, Drake's eighth studio album is finally ready to meet the world. For All the Dogs is spearheaded by singles "Search & Rescue" and "Slime You Out" featuring SZA.

The album's tracklist is still a mystery, but it will reportedly feature names like Nicki Minaj, Bad Bunny, and Yeat, with production credits from 40, Bnyx, and Lil Yachty, among others. For All the Dogs is also linked to the Canadian rapper's debut poetry book, Titles Ruin Everything: A Stream of Consciousness — a 168-page collection written in partnership with longtime friend and songwriter Kenza Samir.

The album follows Drake's two 2022 studio albums: Honestly, Nevermind and Her Loss, in collaboration with 21 Savage. Currently, Drake is finishing up his It's All A Blur North American tour — one of the reasons why the album has been postponed before.

Troye Sivan - Something to Give Each Other

Release date: Oct. 13

On an Instagram post, Australian singer Troye Sivan stated: "This album is my something to give you — a kiss on a dancefloor, a date turned into a weekend, a crush, a winter, a summer. Party after party, after party after after party. Heartbreak, freedom. Community, sisterhood, friendship. All that."

Something to Give Each Other is Sivan's first full-length album in five years, following 2018's Bloom. In an interview with Entertainment Weekly, he revealed many of the inspirations behind this work, including partying, movies like Lost in Translation and Before Sunrise, and simple, ice-cold glasses of beer.

The trippy atmosphere of the album can be felt through pre-release singles "Rush" and "Got Me Started" — which features a sample of Bag Raider's omnipresent 2011 hit, "Shooting Stars." 

Offset - Set It Off

Release date: Oct. 13

Migos rapper Offset said in a statement that his sophomore album, Set It Off, took over two years to finalize. "This season is personal for me. It marks a new chapter in my life," he added.

A follow-up to his 2019 debut LP, Father of 4, the album will feature appearances by stellar names such as rapper Future, Travis Scott, Chloe Bailey, and Latto, as well as Offset's wife Cardi B, who appears on single "Jealousy."

Later in the statement, Offset said he feels "like Michael Jackson coming from a successful group breaking records to superstardom on my own. This body of work is healing for me and a letter to my fans and supporters." Lead single "Fan" brings back that comparison through many Michael Jackson references in the music video — a clever choice for the rapper's keen self-awareness.

Metric - Formentera II

Release date: Oct. 13

Exactly one year after the release of Formentera, indie royalty Metric took to social media to announce their ninth studio album, Formentera II. "Sometimes I feel like I'm in a damn maze and maybe you do too, or maybe you have it totally together, or maybe you feel like you're always floating somewhere in between," they wrote. "Wherever you're at right now, I am here to guide you to the rocking️ conclusion of our Formentera I & II odyssey."

The Canadian band also shared lead single "Just the Once," which was described by vocalist Emily Haines as a "regret disco" song in a press statement. "It's a song for when you need to dance yourself clean," she added. "Beneath the sparkling surface, there's a lyrical exploration of a simple word with many meanings. Once is a word that plays a game of opposites."

In support of the release, Metric revealed another single, "Who Would You Be For Me," and will be playing special concerts in NYC, L.A., Toronto, London, Paris, Berlin, Mexico City, Monterrey, and Santiago starting Oct. 10. The concerts will also celebrate the 20th anniversary of their debut LP, Old World Underground, Where Are You?

Riley Green - Ain't My Last Rodeo

Release date: Oct. 13

Alabama country star Riley Green has a moving story behind his second full-length album. Echoing the 2019 hit "I Wish Grandpas Never Died," Ain't My Last Rodeo came from one of the last conversations the singer shared with his late grandfather, Buford Green, who was an essential figure shaping his love for music and nature.

"I was fortunate enough to grow up within about three miles of my grandparents, so they were a huge part of my growing up and who I am — and this album is a lot of who I am," Green said in a press release. "This is really the first time I was able to really take my time, write and record songs that really felt like a cohesive album."

Ain't My Last Rodeo features 12 tracks (including a cover of Tim McGraw's "Damn Country Music")  and collaborations with Jelly Roll and Luke Combs. In February 2024, Green will embark on a 34-stop tour throughout the U.S.

The Drums - Jonny

Release date: Oct. 13

As its title suggests, the Drums' upcoming sixth studio album, Jonny, dives deep into current solo member Jonny Pierce's life. According to a press release, the album mainly explores "the deep-rooted childhood trauma Pierce experienced growing up in a cult-like religious community in upstate New York."

The singer explains further: "When I finished Jonny, I listened to it, and I heard my soul reflected back at me. It is devastating and triumphant, it is lost and found, it is confused and certain, it is wise and foolish. It is male and female, it is hard and gentle.

"To encapsulate one's whole self in an album, to honor each and every part of you, even the parts that feel at odds with each other, is to make something deeply human, and because my religion is humanism, the album becomes a sacred place for me to worship. Each feeling a different pew, each song a hymn to the human heart."

In the past few months, Pierce gave insight into the 16-track, indie-pop collection through singles "I Want It All," "Plastic Envelope," "Protect Him Always," "Obvious," and "Better." Jonny is the band's first full release since 2019's Brutalism.

Gucci Mane -  A Breath of Fresh Air

Release date: Oct. 17

Following 2016's Ice Daddy, Atlanta rapper Gucci Mane's sixteenth studio album will be named A Breath of Fresh Air.

In it, Mane is likely in his most vulnerable, relatable state yet. "I kind of wanted to let people know that I go through pain," he stated in an interview for Apple Music (via Revolt). "Like I said, I didn't want to have so much just superficial topics. I hit people and let them know, 'Hey, this was going on,' but it ain't a bad thing. It's okay to be happy. You know what I'm saying?"

According to iTunes, the album is set to have two discs and 24 songs, including singles "Bluffin" featuring Lil Baby, "Pissy"  featuring Roddy Ricch and Nardo Wick, "King Snipe" with Kodak Black, and "06 Gucci" with DaBaby and 21 Savage.

Release date: Oct. 20

blink-182's newest single, "One More Time," is a hard-earned reflection about what really matters in life. The punk rock trio, which hadn't been reunited since 2011's Neighborhoods, now realizes how personal struggles impacted their friendship, and how they hope to make it different in the future.

"I wish they told us, it shouldn't take a sickness/ or airplanes falling out of the sky," they sing, referencing Travis Barker's 2008 plane crash and Mark Hoppus' 2021 cancer diagnosis. "I miss you, took time, but I admit it/ It still hurts even after all these years."

A proof of maturity since they stepped into music in 1992, the heartfelt single is also the title track off upcoming LP One More Time... Featuring 2022's "Edging" and "More Than You Know" as well, the album was recorded mostly during their reunion tour this year, and boasts 17 tracks in total.

Sampha - Lahai

Release date: Oct. 20

Lahai is Sampha's grandfather's name and his own middle name. Now, it will become part of his musical history — the singer's sophomore studio album and follow up to 2017's acclaimed Process is due Oct. 20.

Over social media, Sampha described the record through a series of words as intriguing as his music: "Fever Dreams. Continuums. Dancing. Generations. Syncopation. Bridges. Grief. Motherlands. Love. Spirit. Fear. Flesh. Flight." Featuring contributions from singers like Yaeji, El Guincho and Yussef Dayes, it will feature 14 tracks that seemingly take a more positive tone than his previous work.

In a statement about lead single "Spirit 2.0," the south London singer said "it's about the importance of connection to both myself and others, and the beauty and harsh realities of just existing. It's about acknowledging those moments when you need help — that requires real strength."

Starting Oct. 12 in his hometown, Sampha will play a string of concerts throughout the U.K., Europe, and North America, wrapping it up on December 4 in Berlin, Germany.

Poolside - Blame It All On Love

Release date: Oct. 20

"I've spent 15 years being like, 'f—your rules,' and I finally feel like I'm not trying to prove anything or anyone wrong," says Jeffrey Paradise, the man behind "daytime disco" project Poolside, in a statement about his upcoming album, Blame It All On Love.

"It's just pure, unfiltered expression, and that's why I'm really excited about this record," he adds. The album bears 11 tracks described as "funky, soulful, laidback, and full of hooks" — as can be seen in singles like "Float Away," "Each Night" featuring Mazy, and "Back To Life" with Panama. According to the same statement, "the production marks a return to his live music roots and finds ease in simple and radiant layers of sound, even as it comes face-to-face with the complex reality of one's dreams come true."

Blame It All On Love is the follow-up to 2020 and 2021's duo Low Season and High Season. Poolside is on tour across the U.S. until Oct. 14.

Black Pumas - Chronicles of a Diamond

Release date: Oct. 27

Black Pumas' long-awaited second studio album, Chronicles of a Diamond, is "wilder and weirder" than its predecessor, according to an official statement. It is also the Austin-based duo's "fullest expression" of "frenetic creativity and limitless vision."

The album contains 10 tracks that expand on their trademark psychedelic soul sounds, as it can be seen in singles "More Than a Love Song" and "Mrs. Postman." "I wanted to make something we'd be thrilled to play live 200 days a year," says singer/songwriter Eric Burton in the same statement. "I wanted to be able to laugh, cry, bob my head, do the thing: it was all very much a selfish endeavor."

After the release, the Black Pumas will embark on a U.S. tour starting Dec. 4 in Austin, Texas, and follow into an European tour starting March 15 in Paris.

Taylor Swift - 1989 (Taylor's Version)

Release date: Oct. 27

Just three months after the release of Speak Now (Taylor's Version), Swifties will be treated to the singer's fourth re-recorded album this month: 2014's 1989. "To be perfectly honest, this is my most FAVORITE re-record I've ever done because the five From The Vault tracks are so insane," she revealed over social media.

As usual with Swift, the announcement of the album was marked by a slew of hints, starting with the news' date — Aug. 9, or 8/9 — during the final U.S. stop of her Eras Tour at Los Angeles' SoFi Stadium. On that day, she also debuted new, blue outfits that alluded to 1989's assigned color. Afterwards, the discovery continued through a partnership with Google Search for fans to solve word puzzles in order to discover the titles of the five "From the Vault" tracks.

The album, which Swift said "changed my life in countless ways" will be available in digital, cassette, CD, and vinyl. She will also release deluxe versions in four different colors: crystal skies blue, rose garden pink, aquamarine green, and sunrise boulevard yellow.

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NCT Dream In 2023
NCT Dream, one of NCT's six subsets, in July 2023.

Photo: The Chosunilbo JNS/Imazins via Getty Images

list

Breaking Down The NCT System, From The Rotational NCT U To The Upcoming NCT Tokyo

As 20-piece K-pop collective NCT release their fourth full-length album, 'Golden Age,' take a deep dive into the NCT universe with all six iterations of the group.

GRAMMYs/Aug 29, 2023 - 09:09 pm

When NCT released their debut album, NCT 2018 Empathy, an accompanying documentary video mapped out what connects all of its pieces. "NCT shares dreams," utters a voice in English, with another adding in Mandarin, "The tones become one and become music."

This comprehensive scope — where "openness" and "expandability" are the main principles — began developing in January 2016. Then, SM Entertainment founder Lee Soo-man announced the origin of a mega-ensemble called Neo Culture Technology that would have an ever-growing number of members organized under different units with the objective of transforming into a global entity. In the spring of that year, the first iteration, NCT U, debuted with "The 7th Sense," setting the rollout for the subgroups NCT 127, NCT Dream and WayV.

Fast forward to present times, and this supergroup has become one of the most influential K-pop acts in the industry. Currently, there are 20 active members highly skilled in a diverse amount of fields, and each NCT ramification — now six in total — stands out with a unique identity. The entire NCT collective has also teamed up for full-length productions (2018's Empathy, 2020's NCT 2020 Resonance, 2021's Universe, and the newly minted Golden Age), showcasing the full extent of their potency.  

Considering all of this, 2023 has been a transitional year. NCT Dream and NCT 127 concluded their first world tours since the Coronavirus pandemic hit; WayV had its first ventures outside Asia; NCT DoJaeJung was formed; and leader Taeyong debuted as the first official NCT soloist. But most notably, SM Entertainment ended the group's endless expansion, with the upcoming NCT Tokyo being the last subgroup joining the juggernaut.

To celebrate the Aug. 28 release of NCT's fourth studio album, Golden Age, GRAMMY.com breaks down every permutation existing within the NCT system. 

NCT U

As NCT's first subunit, NCT U is considered the core of the intricate engine that binds the supergroup's system. Its constitution is multifaceted and malleable, embodying the premise of all that is the world of Neo Culture Technology, a dominion where the possibilities are infinite.

This extension operates as a nexus where the presence and number of members vary depending on the conceptual choices for each release, opening the door to countless alliances that flaunt their artistic agility. The "U" of its name means "United" — referring to the link between the NCT family.

In early April 2016, the initial lineup of NCT U — Taeyong, Ten, Doyoung, Jaehyun, and Mark — released its debut single "The 7th Sense"; later comebacks like "Baby Don't Stop" and "BOSS" now exist as some of the best songs K-pop has offered in recent years. For Golden Age, this first combination of NCT U got together once again for the record's title track "Baggy Jeans."

NCT 127

By taking Seoul, South Korea, as their base of operations, NCT 127 — its name representing the longitude coordinates of this capital city — have made headway in the world of K-pop as an overwhelming force. For the nine-member contingent (Taeyong, Taeil, Johnny, Yuta, Doyoung, Jaehyun, Jungwoo, Mark, and Haechan) maximalism is a major part of their artistry, and their stage power is nothing short of exciting.

It all starts, of course, with a catalog heavily rooted in EDM and hip-hop, sometimes laced with irresistible R&B transitions that emphasize the shapeshifting eccentricity of their soundscape. The 2016 debut single "Fire Truck" activated this distinctive (and often divisive) music style that eventually stretched to achieve mainstream acknowledgment. But don't be fooled — the group also know how to tap into the luscious side of things (think 2017's "Sun & Moon" and 2019's "Highway to Heaven").

With the release of their second full-length project, NCT #127 Neo Zone — The 2nd Album, in 2020, NCT 127 cemented their position in the upper echelons of K-pop; the album sold a little over million copies, a first for any NCT division. But their next productions, 2021's "Sticker" and 2022's "2 Baddies," proved to be even bigger, both commercially and sonically — they each surpassed 2 million sales, and the booming experimentation continued pushing boundaries. 

Just when you think NCT 127 is living in their zenith, they keep bringing surprises to the game. And they will likely do it again with their fifth full-length album, Fact Check, which is slated for Oct. 6.

NCT Dream

Youthful, captivating and graciously irreverent, NCT Dream is composed of Mark, Renjun, Jeno, Haechan, Chenle, Jaemin, and Jisung. They entered the K-pop landscape hoverboarding (literally) in 2016 with their debut single "Chewing Gum," a joyful vignette of their budding talent.

Originally devised to be both an entry and a nonpermanent harbor for the freshest recruits until they reach the age of 19, NCT Dream had its graduation system dissolved by SM Entertainment in 2020, thus earning a fixed status. Then, Mark Lee — the group's leader and the only member who left — returned for the arrival of NCT 2020 Resonance, where the song "Déjà Vu" saw the septet reunited after almost two years. It was a moment of equal happiness for the fans and the members, as the looming uncertainty of the group's fate vanished.

And as The Dreamies (as they're affectionately called) matured, so did their music. The aural landscape evolved from ebullient teen pop to an adventurous blend of hip-hop and R&B steered by their vocal prowess, resulting in a formula that has paid off. NCT Dream's first studio album, 2021's Hot Sauce, gave them the title of "million-sellers," a milestone replicated in subsequent projects "Hello Future," Glitch Mode, "Beatbox," and their latest full-length venture, ISTJ, which was released on July 17.

WayV

In NCT's oneiric cosmos, WayV (an abbreviation of "We Are Your Vision") is a subgroup whose identity stems from an amalgamation of C-pop and K-pop. Its artistic components fuse Mandarin, Korean and English to navigate lyrical tales threaded with blaze and fantasy, all while bending the frontiers of time. "I finally saw the light hidden behind the darkness," they sing in their 2020 single "Kick Back." "After deciding on the final truth / Unfold the secret of time again."

Formed by Kun, Ten, Xiaojun, WinWin, Hendery, and YangYang, this China-focused iteration debuted in January 2019 with "Regular," the lead song of their first single album, "The Vision." Since their conception, WayV have molded a niche of entrancing, genre-defying music, and B-sides like "Love Talk," "Electric Hearts," or "After Midnight" showcase said idiosyncrasy. Within their lineup, the subunits WayV-TEN&YANGYANG and WayV-KUN&XIAOJUN also inject inventiveness to their repertoire, proving they're authentic chameleons.

At the tail end of 2022, the sextet unveiled Phantom, their fourth EP that marked the conclusion of a two-year lethargy, and a new beginning where they stand stronger than before. 

NCT DoJaeJung

While sonic risks permeate as the key ingredients across all the NCT branches (mainly in their title tracks), this trio — made of vocalists Doyoung, Jaehyun and Jungwoo — found its footing in more conservative territories. The creative direction is nectarous and seductive, dabbling with motifs of longing and romance.

The development of NCT DoJaeJung was previewed in October 2022 during NCT 127's concert tour Neo City – The Link, but the official outset happened last April with their first EP, Perfume. The six-track mini album shines a light on the three members' voices that dazzle over classic cuts of R&B, with the eponymous lead single being the climax. This is a mere taste of what these guys can offer, and a prologue for more alluring releases to come.  

NCT Tokyo

With the concept of NCT's unlimited expansion reaching its final phase, SM Entertainment also announced the formation of one last subgroup — tentatively named NCT Tokyo. 

This ramification already includes Sion and Yushi, members of the pre-debut team known as SM Rookies, who were presented to the public last June and will be completed by aspiring idols selected through the reality show "NCT Universe: LASTART." 

As of press time, the competition is ongoing and features trainees from Japan and South Korea challenging missions to display their range of abilities. Throughout the episodes, they are being mentored by different SM artists, and at the end of each round, evaluations come courtesy of K-pop legends BoA, Super Junior's Eunhyuk and vocal trainer Jang Jinyoung. The debut date of NCT Tokyo is yet to be determined, but it will surely serve as a dynamic addition to the NCT universe.

Breaking Down Every Solo Act From BTS: Singles, Debut Albums & What's Next For The Septet

Franc Moody
Franc Moody

Photo: Rachel Kupfer 

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A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

GRAMMYs/Nov 25, 2022 - 04:23 pm

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea

Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.

Franc Moody

Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.

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