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Vampire Weekend Announce 2020 Tour Dates
As Ezra Koenig and company closed out a show at Madison Square Garden in NYC, they revealed new North American tour dates, beginning in spring 2020
This year has been a big one for Vampire Weekend, who, after months of double-single releases, dropped their long-awaited follow up to 2013's GRAMMY-winning Modern Vampires Of The City. The GRAMMY winners shared the epic 18-track Father of the Bride on May 3 and began part one of the supporting tour in June.
Now, this past Friday, Sept. 6, as Ezra Koenig and company closed out a show at Madison Square Garden in New York, they revealed new North American tour dates, beginning spring 2020, with tickets going on sale this week.
The alt-rock group will wrap up the second leg of the FOTB Tour and second decade of the century in Australia for the four dates of the multi-city Falls Festival. The trek will pick back up in North America on May 29, 2020 in Westbrook, Maine, with 19 more shows slated across the U.S. and Canada. The 2020 dates include many cities they will miss on their current run, including Ashville, N.C. on June 12, Detroit on Sept. 24 and New Orleans on Oct. 6.
In addition to giving their fans more chances to see them live, the three-hour Garden show in Vampire Weekend's birthplace of New York City marked the first live performance of "Sunflower" that included collaborator Steve Lacy. You can check out a fan video of the performance below. As the upload reveals, they also performed a version of "Dark Red," from Steve Lacy's Demo, Lacy's 2017 solo EP, his first release outside of his music with The Internet.
Presales for the new dates begin this Wednesday, Sept. 11 at 10 a.m. local time, with general sales starting Sept. 13. Tickets are also still available for select previously announced dates. All tour info can be found on VampireWeekend.com
Photos Courtesy of the Artists
2023 GRAMMYs Performers Announced: Bad Bunny, Lizzo, Sam Smith, Steve Lacy, Mary J. Blige & More Confirmed
The first wave of 2023 GRAMMYs performers has been announced: Bad Bunny, Mary J. Blige, Brandi Carlile, Luke Combs, Steve Lacy, Lizzo, Kim Petras, and Sam Smith. Catch them all on Sunday, Feb. 5, on CBS, Paramount+, and live.GRAMMY.com!
We all knew Music's Biggest Night would be explosive this year. Now, GRAMMY night just got bigger! The first round of performers for the 2023 GRAMMYs has been announced. Taking the GRAMMY stage will be current nominees Bad Bunny, Mary J. Blige, Brandi Carlile, Luke Combs, Steve Lacy, Lizzo, Kim Petras, and Sam Smith.
Live from Crypto.com Arena in Los Angeles and hosted by Trevor Noah, the 2023 GRAMMYs will be broadcast live on Sunday, Feb. 5, at 8 p.m. ET/5 p.m. PT on the CBS Television Network and will be available to stream live and on demand on Paramount+.
Prior to the Telecast, the GRAMMY Awards Premiere Ceremony will be broadcast live from the Microsoft Theater at 12:30 p.m. PT and will be streamed live on live.GRAMMY.com. Additional performers will be announced in the coming days.
On GRAMMY Sunday, fans can access exclusive, behind-the-scenes GRAMMYs content, including performances, acceptance speeches, interviews from the GRAMMY Live red-carpet special, and more via the Recording Academy's digital experience on live.GRAMMY.com.
Learn more about the 2023 GRAMMYs performers and host here and below:
Two-time GRAMMY winner Bad Bunny is up for three GRAMMY nominations: Album Of The Year (Un Verano Sin Ti), Best Pop Solo Performance ("Moscow Mule") and Best Música Urbana Album (Un Verano Sin Ti).
Nine-time GRAMMY winner Mary J. Blige is nominated for six GRAMMY Awards: Record Of The Year ("Good Morning Gorgeous"), Album Of The Year (Good Morning Gorgeous (Deluxe)), Best R&B Performance ("Here With Me"), Best Traditional R&B Performance ("Good Morning Gorgeous"), Best R&B Song ("Good Morning Gorgeous"), and Best R&B Album (Good Morning Gorgeous (Deluxe)).
Six-time GRAMMY winner Brandi Carlile is nominated for seven GRAMMY Awards this year: Record Of The Year ("You And Me On The Rock"), Album Of The Year (In These Silent Days), Best Rock Performance ("Broken Horses"), Best Rock Song ("Broken Horses"), Best Americana Performance ("You And Me On The Rock"), Best American Roots Song ("You And Me On The Rock"), and Best Americana Album (In These Silent Days).
Luke Combs is up for three GRAMMY nominations: Best Country Duo/Group Performance ("Outrunnin' Your Memory"), Best Country Song ("Doin' This") and Best Country Album (Growin' Up).
Steve Lacy is up for four GRAMMY nominations: Record Of The Year ("Bad Habit"), Song Of The Year ("Bad Habit"), Best Pop Solo Performance ("Bad Habit"), and Best Progressive R&B Album (Gemini Rights).
Three-time GRAMMY winner Lizzo is nominated for five GRAMMY Awards: Record Of The Year ("About Damn Time"), Album Of The Year (Special), Song Of The Year ("About Damn Time"), Best Pop Solo Performance ("About Damn Time"), and Best Pop Vocal Album (Special).
First-time nominee Kim Petras is up for Best Pop Duo/Group Performance ("Unholy").
Four-time GRAMMY winner Sam Smith is nominated for Best Pop Duo/Group Performance ("Unholy").
Keep checking back here on GRAMMY.com for more details on the 2023 GRAMMYs — and tune in on Sunday, Feb. 5, at 8 p.m. ET/5 p.m. PT to watch who takes home GRAMMY gold. And head to live.GRAMMY.com for a dynamic and expansive online experience where you can explore Music's Biggest Night in full.
Press Play On GRAMMY U Mixtape: New Year, It’s Poppin'! Monthly Member Playlist
The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from student members. GRAMMY U celebrates new beginnings with fresh pop tunes that will kickstart 2023.
Did you know that among all of the students in GRAMMY U, songwriting and performance is one of the most sought after fields of study? We want to create a space to hear what these students are creating today!
The GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that students are bringing to this industry directly on the Recording Academy's Spotify and Apple Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.
Each month, we accept submissions and feature 20 to 25 songs that match that month’s theme. This month we're ringing in 2023 with our New Year, It's Poppin'! playlist, which features fresh pop songs that bring new year, new you vibes. Showcasing talented members from our various chapters, we felt these songs represented the positivity and hopefulness that GRAMMY U members embody as they tackle this upcoming year of exciting possibilities.
So, what’s stopping you? Press play on GRAMMY U’s Mixtape and listen now on Spotify below and Apple Music.
Want to be featured on the next playlist? Submit your songs today! We are currently accepting submissions for songs of all genres for consideration for our February playlist. Whether you write pop, rock, hip hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the student member (an original song) and you must be able to submit a Spotify and/or Apple Music link to the song. Students must be a GRAMMY U member to submit.
About GRAMMY U:
GRAMMY U is a program that connects college students with the industry's brightest and most talented minds and provides those aspiring professionals with the tools and opportunities necessary to start a career in music.
Throughout each semester, events and special programs touch on all facets of the industry, including the business, technology, and the creative process.
As part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.
Not a member, but want to submit to our playlist? Apply for GRAMMY U Membership here.
Photo: Paul Natkin/Getty Images
5 Artists Influenced By Paul Simon: Harry Styles, Lorde, Conor Oberst & More
Paul Simon’s songs linger long, and are examples of excellence for generations of musicians. Ahead of "Homeward Bound: A GRAMMY Salute to the Songs of Paul Simon," airing Dec. 21 on CBS, artists reflect on Simon's profound influence.
Paul Simon is a living legend. For nearly six decades, the New Yorker has gifted his songs to the world. An innovator — not just a folk singer — Simon’s curiosity led to constantly discovering new soundscapes. He incorporated these rhythms and instrumentation into his melodies, and then added poetic lyrics to create character-driven narratives.
These compositions are like old friends; they linger long after the needle lifts or the stream ends. Generations have sung Simon’s songs — finding joy in their playful rhythms and sorrow in their beauty.
The accolades and awards are endless: a two-time inductee into the Rock and Roll Hall of Fame, a member of the Songwriters Hall of Fame, a 16-time GRAMMY winner, multiple recordings in the GRAMMY Hall of Fame and a Lifetime Achievement Award from the Recording Academy to name just a few.
In a clip from "Homeward Bound: A GRAMMY Salute to the Songs of Paul Simon," airing Dec. 21 on CBS, Elton John calls him "one of the greatest songwriters of all time" — high praise from an artist with 35 GRAMMY nominations and five wins. Simon’s contemporaries are not the songwriter’s only fans: The writer of iconic songs such as "Bridge Over Troubled Water," "Graceland," "The Boxer," and "50 Ways to Lose Your Lover," has generations of artists as worshippers of his art who continue to discover his deep catalog.
Singer-songwriters, pop stars, country artists and rappers all claim Simon as a musical mentor. For example, Kid Cudi sampled "50 Ways to Leave Your Lover" on his debut mixtape A Kid Named Cudi in the referentially titled "50 Ways to Make a Record." In a Forbes Q&A, Canadian songwriter Donovan Woods cites "Obvious Child" as his all-time favorite.
In advance of the GRAMMY salute to Simon next week, here are five artists that credit the songwriter as a key to their musical education.
Listen to Harry Styles’ turn of phrase and poetic lyrics, and hints of Simon’s influence are evident. Even back in his One Direction days, Styles cited Simon as a touchstone. In an MTV interview, following the release of the boy band’s 2015 bestseller Made in the A.M., Styles said his favorite track was "Walking in the Wind" since it was inspired by Simon.
"I’m a big Paul Simon fan and I think the inspiration behind it is Graceland," Styles said. "The way in which the verse is so conversational and informal, and it’s not like melody melody melody — it’s like spoken word, and kind of drifts and peaks and troughs. I love that album and when I listen to it I love hearing the influence from that in his song."
In a 2019 Rolling Stone interview, Styles again gave a nod to Simon. "I wish I had written '50 Ways to Leave Your Lover,'" he said. "That’s the greatest verse melody ever written, in my opinion. So minimal, but so good — that drum roll."
In a 2011 New York magazine profile on Paul Simon, the singer-songwriter from Omaha, Nebraska, is quoted talking about what a major influence the writer of "The Boxer" is on his art. "I grew up with my folks listening to him," Oberst told writer Alan Light. "But as I got into songwriting, I realized how profound what he does actually is. His work over the years is a treasure trove of ideas."
Listen to Oberst’s cover of "Kodachrome," recorded with his alt-country band the Mystic Valley Band, which he once performed at the Austin City Limits Festival in 2008, telling the audience it was a popular sing-along on the tour bus.
These New York indie rockers burst onto the scene in the mid-2000, and comparisons to Simon abounded beginning with their 2008 self-titled debut. Listen to "Cape Cod Kwassa Kwassa" from their debut; the Simon influence is undeniable — especially his Graceland period.
In a 2019 interview with Radio X, frontman Ezra Koenig was asked about a show that would stay with him forever. He paused, then answered Simon’s Homeward Bound Farewell Tour in 2018. "He is such a legend…We’ve been compared to him many times and he is an influence. We are from the same part of the country…I have a lot to look up to and find in common with him."
The three-time GRAMMY winner Shawn Colvin considers Simon a key piece of her songwriting education. Colvin’s father played guitar and taught her early on; he also played many of the singer-songwriters of the day that included the boy from New York.
Particularly at the start of her career, Colvin always performed "Kathy’s Song" in her sets. In a 2015 interview, the songwriter cited Simon as one of her mentors. "Joni Mitchell was a big time [influence on] me, but also James Taylor, Paul Simon and Bob Dylan to an extent," she said.
The expressive and introspective New Zealand singer-songwriter considers Simon the benchmark for excellence in her craft — a bar she reaches for each day. In a 2017 profile in The Guardian she revealed the following goal:. "I want to be really, really good one day. I think I’m pretty good now. I think I’ve made a good start. But I want to be Paul Simon." Four years later, Lorde named Simon’s "Graceland" as the song she wishes she’d written in this Vogue 73 vide interview.
Photo: Rachel Kupfer
A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.
It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.
Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.
Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.
In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.
Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.
There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.
Say She She
Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.
While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."
Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.
Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.
Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.
Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.
L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.
During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.
Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.
Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.