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7 Things We Learned At The GRAMMY Museum's 'The Power Of Women In Country Music' Exhibit
Items on display at the GRAMMY Museum's 'The Power Of Women In Country Music' Exhibit in Los Angeles.

Photo: Courtesy of the Recording Academy/Rebecca Sapp for Getty Images

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7 Things We Learned At The GRAMMY Museum's 'The Power Of Women In Country Music' Exhibit

Artifacts from Taylor Swift, Dolly Parton and more shine at the new exhibit, which celebrates the role of women in one of music’s oldest genres.

GRAMMYs/Jun 7, 2022 - 11:34 pm

"The Power Of Women In Country Music" exhibit opened May 27 at the GRAMMY Museum in downtown Los Angeles, and it's a must-see for any lover of country music, strong women, or the history of the recording industry at large. 

Encompassing almost 100 years of female-led folk or hillbilly music, the exhibit looks at the evolution of what it means to be a woman in the country genre — from its first pioneers to today's generation of future stars. 

Whether you're a fan of Dolly Parton, Shania Twain, Maybelle Carter, or Kelsea Ballerini, you'll find something to love at "The Power Of Women." Full of stage-worn costumes, hand-written lyrics sheets, and well-loved instruments, the exhibit will allow visitors to see relics such as Taylor Swift's stage props and Patsy Cline's dress made by her mother. 

There's lots to learn, too. You can get to know tones of instruments like the autoharp, or explore the early plight of women in country music, when the industry was a bit more concerned with style than substance. 

The exhibit will run through Sun. Oct. 2. Whether you are hoping to check it out yourself or just curious what it's all about, here are some of the biggest takeaways from "The Power Of Women In Country Music" at the GRAMMY Museum.

The Arc Of Women In Country Music Is Long

Long before country music was recorded, women were helping define its sound, whether it was through strumming a banjo on a front porch or belting out a twangy traditional in church.

In 1927, the Carter Family's Maybelle and Sara Carter made the first country music recordings featuring women. That doesn't mean the doors busted wide open in their wake — women were still mainly shuffled into roles primarily as family caregivers and support staff for their working husbands. 

That started to change a bit after World War II, when artists like Patsy Cline and Rose Maddox started to make waves by crossing over onto the pop charts. But the real heyday of women in country music didn't come until perhaps the late '80s or early '90s, when stars like Reba McEntire and Shania Twain became truly international superstars. 

Many, many women helped pave the road along the way, and "The Power Of Women In Country Music" helps celebrate their stories.

Read More: 5 Women Essential To Country Music: Dolly Parton, Mickey Guyton, Jo Walker-Meador, The Love Junkies & Mother Maybelle Carter

"The Singing Cowgirl" Deserves More Credit

Everyone knows about Gene Autry and Roy Rogers, but in the mid-'30s, female country artists like Patsy Montana, Rose Maddox, and The Girls Of The Golden West found success as "singing cowgirls." (In fact, as her part of the exhibit details, Montana was the first female country singer to sell a million records.)  

Dressed in fringed skirts, bolero vests, and wide-brimmed Stetson hats, singing cowgirls reminded Depression-struck America that it was still possible to be determined, optimistic, and in charge of their own destiny — even when things didn't always seem so bright. 

Fun fact: The success of singing cowgirls and their male counterparts is part of the reason that the genre eventually became called "Country & Western."

There's More To Country Music Than Just Being On Stage

Many women have made their mark in country music through songwriting rather than through performance. There's some crossover, of course — Dolly Parton and Maren Morris broke into the industry by writing songs for others before finding their own success — but women like Jessie Jo Dillon, Laura Veltz, and Liz Rose have become country powerhouses because of the power of their pens rather than their voices. 

That makes a lot of sense, given how much Nashville values the craft of songwriting. "The Power Of Women" contains handwritten lyrics for songs like Diane Warren's "How Do I Live" (made famous by LeAnn Rimes) and Dan + Shay's "Tequila," which was co-written by Nicolle Galyon, who has co-written nine other no. 1 hits as well as Miranda Lambert's GRAMMY-nominated "Automatic." 

Read More: 10 Songs You Didn't Know Dolly Parton Wrote: Hits By Whitney Houston, Kenny Rogers & More

Country Women Can Be Stronger Together

Among country's singular female stars like Dolly, Reba, and Shania, the exhibit reminds that some of the genre’s biggest women acts have found strength and success in groups. The Judds and the Chicks had massive success in the '80s and '90s, respectively;  today, groups like the Pistol Annies and the Highwomen create songs and sounds that mesmerize and mystify. 

Those groups are also often made up of powerhouse acts in their own right, like Dolly Parton, Linda Rondstandt, and Emmylou Harris' Trio, and the Pistol Annies' Miranda Lambert, Ashley Monroe, and Angeleena Presley. Visitors to "The Power Of Women" exhibit can check out the Pistol Annies' fun nameplates ("Lonestar Annie," "Hippie Annie" and "Holler Annie"), as well as the outfits the trio wore on the cover of their 2021 Christmas album, Hell Of A Holiday

Country's Females Have Always Pushed Genre Limits

Starting in the '70s and '80s, a group of female musicians emerged that would challenge what it meant to be a country music star. Emmylou Harris, Linda Ronstadt, and Rosanne Cash blurred the lines between country and rock, while Alison Krauss broke into bluegrass's boys club. 

"The Power Of Women" pays tribute to those pioneers with a display case containing, among other things, the beautifully embroidered, Manuel-created boots Harris wore on the cover of 1979's excellent Blue Kentucky Girl

The exhibit also tips its hat to genre-crossing artists like Shania Twain, Faith Hill, and Taylor Swift, all of whom crossed over into the pop and rock spheres, pushing both the boundaries of what country music could be and drawing new fans to the genre.

Even Taylor Swift Used To Buy Off The Rack

Some of the most interesting artifacts in "The Power Of Women" exhibit are the stage and video-worn outfits sent from the closets of country's biggest stars. There are two looks from Dolly Parton set on mannequins that really let viewers know just how tiny she really is. One — a red and pink high-necked dress — was worn by Parton on the cover of 1972's Together Always with Porter Wagoner

One of the sweetest garments on display in "The Power Of Women" is also one of its most understated: An orange cotton day dress made in the '50s or early '60s for Patsy Cline by her mother, Hilda Hensley. Cline died in a plane crash in 1962, when she was just 30, and the dress is a bittersweet reminder of how young she was, and how close she remained with her family.

Taylor Swift sent over four outfits, including one worn on stage at the 63rd GRAMMY Awards. The other three outfits were worn in various music videos, like 2008's "Tim McGraw," which found Swift and her stylist pulling from racks at BCBGIRLS and Betsey Johnson to create the starlet's on-screen look. 

Speaking of GRAMMY-worn outfits, Shania Twain fans will certainly recognize the satin suit/gown and top hat that Twain wore for both the "Man! I Feel Like A Woman" music video and on stage at the 41st Annual GRAMMY Awards. It sits not too far from one of Faith Hill's actual GRAMMY statues, her Best Female Country Vocal Performance gramophone she won for “Cry” in 2003.

Country's Female Future Is Strong

"The Power Of Women" devotes considerable space to women that might not yet be household names, but who have a strong chance at becoming country's next big stars. It's an incredibly diverse group of artists — something country music hasn't always been known for — including Black women like Reyna Roberts and Brittney Spencer, Mexican-American artists like Leah Turner, and stars who have risen from TV competitions, like The Voice's Danielle Bradbery. 

The exhibit even highlights acts from outside of the U.S. who have found their way to country music, like the U.K.'s Yola, proving that the genre is only growing in popularity and reach — with women continuing to break the mold. 

10 Things We Learned At "An Evening With LeAnn Rimes" At The GRAMMY Museum

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GRAMMY SoundChecks With Gavin DeGraw

GRAMMYs/Dec 3, 2014 - 05:06 am

On Aug. 28 Nashville Chapter GRAMMY U members took part in GRAMMY SoundChecks with Gavin DeGraw. Approximately 30 students gathered at music venue City Hall and watched DeGraw play through some of the singles from earlier in his career along with "Cheated On Me" from his latest self-titled album.

In between songs, DeGraw conducted a question-and-answer session and inquired about the talents and goals of the students in attendance. He gave inside tips to the musicians present on how to make it in the industry and made sure that every question was answered before moving onto the next song.

 

Juan Gabriel named 2009 Latin Recording Academy Person Of The Year

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Juan Gabriel named 2009 Latin Recording Academy Person Of The Year

Annual star-studded gala slated for Nov. 4 in Las Vegas during 10th Annual Latin GRAMMY Week celebration

GRAMMYs/May 15, 2017 - 01:36 pm

 GRAMMY.com

 Internationally renowned singer/songwriter/performer Juan Gabriel will be celebrated as the 2009 Latin Recording Academy Person of the Year, it was announced today by The Latin Recording Academy. Juan Gabriel, chosen for his professional accomplishments as well as his commitment to philanthropic efforts, will be recognized at a star-studded concert and black tie dinner on Nov. 4 at the Mandalay Bay in Las Vegas, Nev. 

The "Celebration with Juan Gabriel" gala will be one of the most prestigious events held during Latin GRAMMY week, a celebration that culminates with the 10th Annual Latin GRAMMY Awards ceremony. The milestone telecast will be held at Mandalay Bay Events Center in Las Vegas on Nov. 5 and will be broadcast live on the Univision Television Network at 8 p.m. Eastern/7 p.m. Central. 

"As we celebrate this momentous decade of the Latin GRAMMYs, The Latin Recording Academy and its Board of Trustees take great pride in recognizing Juan Gabriel as an extraordinary entertainer who never has forgotten his roots, while at the same time having a global impact," said Latin Recording Academy President Gabriel Abaroa. "His influence on the music and culture of our era has been tremendous, and we welcome this opportunity to pay a fitting tribute to a voice that strongly resonates within our community.

Over the course of his 30-year career, Juan Gabriel has sold more than 100 million albums and has performed to sold-out audiences throughout the world. He has produced more than 100 albums for more than 50 artists including Paul Anka, Lola Beltran, Rocío Dúrcal, and Lucha Villa among many others. Additionally, Juan Gabriel has written more than 1,500 songs, which have been covered by such artists as Marc Anthony, Raúl Di Blasio, Ana Gabriel, Angelica María, Lucia Mendez, Estela Nuñez, and Son Del Son. In 1986, Los Angeles Mayor Tom Bradley declared Oct. 5 "The Day of Juan Gabriel." The '90s saw his induction into Billboard's Latin Music Hall of Fame and he joined La Opinion's Tributo Nacional Lifetime Achievement Award recipients list. 

At the age of 13, Juan Gabriel was already writing his own songs and in 1971 recorded his first hit, "No Tengo Dinero," which landed him a recording contract with RCA. Over the next 14 years, he established himself as Mexico's leading singer/songwriter, composing in diverse styles such as rancheras, ballads, pop, disco, and mariachi, which resulted in an incredible list of hits ("Hasta Que Te Conocí," "Siempre En Mi Mente," "Querida," "Inocente Pobre Amigo," "Abrázame Muy Fuerte," "Amor Eterno," "El Noa Noa," and "Insensible") not only for himself  but for many leading Latin artists. In 1990, Juan Gabriel became the only non-classical singer/songwriter to perform at the Palacio de Bellas Artes in Mexico City and the album release of that concert, Juan Gabriel En Vivo Desde El Palacio De Bellas Artes, broke sales records and established his iconic status. 

After a hiatus from recording, Juan Gabriel released such albums as Gracias Por Esperar, Juntos Otra Vez, Abrázame Muy Fuerte, Los Gabriel…Para Ti, Juan Gabriel Con La Banda…El Recodo, and El Mexico Que Se Nos Fue, which were all certified gold and/or platinum by the RIAA. In 1996, to commemorate his 25th anniversary in the music industry, BMG released a retrospective set of CDs entitled 25 Aniversario, Solos, Duetos, y Versiones Especiales, comprised appropriately of 25 discs.   

In addition to his numerous accolades and career successes, Juan Gabriel has been a compassionate and generous philanthropist. He has donated all proceeds from approximately 10 performances a year to his favorite children's foster homes, and proceeds from fan photo-ops go to support Mexican orphans. In 1987, he founded Semjase, an orphanage for approximately 120 children, which also serves as a music school with music, recreation and video game rooms. Today, he continues to personally fund the school he opened more than 22 years ago.   

Juan Gabriel will have the distinction of becoming the 10th Latin Recording Academy Person of the Year honoree, and joins a list of artists such as Gloria Estefan, Gilberto Gil, Juan Luis Guerra, Julio Iglesias, Ricky Martin, and Carlos Santana among others who have been recognized. 

For information on purchasing tickets or tables to The Latin Recording Academy Person of the Year tribute to Juan Gabriel, please contact The Latin Recording Academy ticketing office at 310.314.8281 or ticketing@grammy.com.

Set List Bonus: Bumbershoot 2013
Grizzled Mighty perform at Bumbershoot on Sept. 1

Photo: The Recording Academy

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Set List Bonus: Bumbershoot 2013

GRAMMYs/Dec 3, 2014 - 04:22 am

Welcome to The Set List. Here you'll find the latest concert recaps for many of your favorite, or maybe not so favorite, artists. Our bloggers will do their best to provide you with every detail of the show, from which songs were on the set list to what the artist was wearing to which out-of-control fan made a scene. Hey, it'll be like you were there. And if you like what you read, we'll even let you know where you can catch the artist on tour. Feel free to drop us a comment and let us know your concert experience. Oh, and rock on.

By Alexa Zaske
Seattle

This past Labor Day weekend meant one thing for many folks in Seattle: Bumbershoot, a three-decade-old music and arts event that consumed the area surrounding the Space Needle from Aug. 31–Sept. 2. Amid attendees wandering around dressed as zombies and participating in festival-planned flash mobs to Michael Jackson's "Thriller," this year the focus was on music from the Pacific Northwest region — from the soulful sounds of Allen Stone and legendary female rockers Heart, to the highly-awaited return of Death Cab For Cutie performing their 2003 hit album Transatlanticism in its entirety.

The festival started off on day one with performances by synth-pop group the Flavr Blue, hip-hop artist Grynch, rapper Nacho Picasso, psychedelic pop group Beat Connection, lively rapper/writer George Watsky, hip-hop group the Physics, and (my personal favorite), punk/dance band !!! (Chk Chk Chk). Also performing on day one was Seattle folk singer/songwriter Kris Orlowski, who was accompanied by the Passenger String Quartet. As always, Orlowski's songs were catchy and endearing yet brilliant and honest.

Day one came to a scorching finale with a full set from GRAMMY-nominated rock group Heart. Kicking off with their Top 20 hit "Barracuda," the set spanned three decades of songs, including "Heartless," "Magic Man" and "What About Love?" It became a gathering of Seattle rock greats when, during Heart's final song, Pearl Jam guitarist Mike McCready joined for 1976's "Crazy On You."

Day two got off to an early start with performances from eccentric Seattle group Kithkin and Seattle ladies Mary Lambert and Shelby Earl, who were accompanied by the band Le Wrens. My highlight of the day was the Grizzled Mighty — a duo with a bigger sound than most family sized bands. Drummer Whitney Petty, whose stage presence and skills make for an exciting performance, was balanced out by the easy listening of guitarist and lead singer Ryan Granger.

Then the long-awaited moment finally fell upon Seattle when, after wrapping a long-awaited tour with the Postal Service, singer/songwriter Ben Gibbard returned to Seattle to represent another great success of the Pacific Northwest — Death Cab For Cutie. The band celebrated the 10-year anniversary of their album Transatlanticism by performing it from front to back. While a majority of attendees opted to watch the set from an air-conditioned arena, some of us recognized the uniqueness of this experience and enjoyed the entire set lying in the grass where the entire performance was streamed. 

Monday was the day for soul and folk. Local blues/R&B group Hot Bodies In Motion have been making their way through the Seattle scene with songs such as "Old Habits," "That Darkness" and "The Pulse." Their set was lively and enticing to people who have seen them multiple times or never at all.

My other highlights of the festival included the Maldives, who delivered a fun performance with the perfect amount of satirical humor and folk. They represent the increasing number of Pacific Northwest bands who consist of many members playing different sounds while still managing to stay cohesive and simple. I embraced the return of folk/pop duo Ivan & Alyosha with open arms and later closed my festival experience with local favorite Stone.

For music fans in Seattle and beyond, the annual Bumbershoot festival is a must-attend.

(Alexa Zaske is the Chapter Assistant for The Recording Academy Pacific Northwest Chapter. She's a music enthusiast and obsessed with the local Seattle scene.)

Neil Portnow Addresses Diversity & Inclusion, Looks Ahead During Speech At 2019 GRAMMYs

Neil Portnow and Jimmy Jam

Photo: Michael Kovac/Getty Images

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Neil Portnow Addresses Diversity & Inclusion, Looks Ahead During Speech At 2019 GRAMMYs

Jimmy Jam helps celebrate the outgoing President/CEO of the Recording Academy on the 61st GRAMMY Awards

GRAMMYs/Feb 11, 2019 - 10:58 am

As Neil Portnow's tenure as Recording Academy President/CEO draws to its end, five-time GRAMMY winner Jimmy Jam paid tribute to his friend and walked us through a brief overview of some of the Academy's major recent achievements, including the invaluable work of MusiCares, the GRAMMY Museum, Advocacy and more.

Portnow delivered a brief speech, acknowledging the need to continue to focus on issues of diversity and inclusion in the music industry. He also seized the golden opportunity to say the words he's always wanted to say on the GRAMMY stage, saying, "I'd like to thank the Academy," showing his gratitude and respect for the staff, elected leaders and music community he's worked with during his career at the Recording Academy. "We can be so proud of what we’ve all accomplished together," Portnow added.

"As I finish out my term leading this great organization, my heart and soul are filled with gratitude, pride, for the opportunity and unequal experience," he continued. "Please know that my commitment to all the good that we do will carry on as we turn the page on the next chapter of the storied history of this phenomenal institution."

Full Winners List: 61st GRAMMY Awards