Dolly Parton estimates that she has written close to 3,000 songs throughout her illustrious seven-decade career. While 450 of those songs have been recorded, Parton hasn't always been the artist to sing them: Merle Haggard, Hank Williams Jr. and Kenny Rogers have famously recorded and released tracks written by the 10-time GRAMMY winner.

"I love to write songs for men," Parton says in her 2020 book, Dolly Parton, Songteller: My Life in Lyrics. "And it's a good thing I do because back then, there weren't that many women in the country-music business to write songs for. Especially ones who weren't writing their own songs, like Loretta Lynn was. I didn't have a lot of space to write songs for women so I purposefully tried to write songs that men could record. Or songs that could go either way."

That's not to say women haven't been a part of Parton's canon. She penned songs that have been recorded by Emmylou Harris and Skeeter Davis, and even gave Whitney Houston one of the biggest songs of her career.

Parton's songs have taken on new life thanks to artists across countless genres. In celebration of the Country Music Hall of Famer's 76th birthday on Jan. 19, GRAMMY.com takes a look back at 10 songs you may not have known Dolly Parton wrote.

"Put It Off Until Tomorrow," Bill Phillips

Before Parton became a household name for her own music, she was a songwriter for other artists. In January 1966, Bill Phillips released one of the songs she penned, "Put It Off Until Tomorrow," on which she provided backing vocals. The song peaked at No. 6 on Billboard's Hot Country Songs chart three months later, and the track's success helped garner Parton a recording contract with Monument Records. (Phillips also recorded Parton's "The Company You Keep," which became another top 10 hit later that year.)

"Fuel to the Flame," Skeeter Davis

Parton's career may not have taken off without her uncle Bill Owens, who recognized his niece's talent from a young age. In her early years in Nashville, Parton would frequently write with Owens and one of their earliest cuts together was when Skeeter Davis recorded and released "Fuel to the Flame" as a single in 1967. A beautiful ballad of a burgeoning love, "Fuel to the Flame" gave Davis her first major hit in two years, helping the star prolong her career while simultaneously helping launch Dolly's.

"Kentucky Gambler," Merle Haggard

A year before he wrote "Always Wanting You" for Dolly, Haggard recorded "Kentucky Gambler" in September 1974 at Nashville's Columbia Studios while Parton provided harmony. A song about a miner who left behind his wife and kids, "Kentucky Gambler" is a classic Dolly Parton story song providing a lesson on greed.

Released as a single with the Strangers later that year, Haggard's version of "Kentucky Gambler" reached No. 1 on Jan. 18, 1975. Parton recorded her own version of the song in 1973 and included it on her 1975 album The Bargain Store, but Haggard's rendition is most recognized today.

"There'll Always Be Music," Tina Turner

Two years after Tina Turner and then-husband Ike Turner got the world dancing with their iconic hit "Proud Mary," Tina kicked off her solo career by dabbling in country music. Her 10-track debut solo studio album, Tina Turns the Country On!, had an A-list roster of songwriters including Kris Kristofferson, Bob Dylan, James Taylor, Hank Snow and Parton, who penned "There'll Always Be Music."

The piano ballad showcased Turner's soulful vocals and was an introduction to Turner apart from the Ike & Tina Turner Revue. While the album didn't chart, it did earn Turner a GRAMMY nomination for Best R&B Vocal Performance, Female.

"I'm In No Condition," Hank Williams Jr.

Like many of Parton's songs that were recorded by someone else, the singer still included her own version of "I'm In No Condition" on her 1967 album Hello, I'm Dolly. But after listening to Hank Williams Jr.'s rendition, it's hard to believe it was written for anyone but him.

An honest portrayal of the struggle in the aftermath of a breakup, the song laments a love he didn't want to end — underlined by the song's titular chorus line, "I'm in no condition to try to love again." Though it wasn't one of Williams Jr.'s most successful singles, it certainly encapsulated the vulnerability the bellowing star brought to the genre.

"Circle of Love," Jennifer Nettles

Jennifer Nettles played the role of Parton's mother, Avie Lee Parton, in the 2016 television movie "Dolly Parton's Christmas of Many Colors: Circle of Love" based on a true story from Parton's childhood. In classic Dolly fashion, she penned the film's heartfelt title track by herself.

Moved by the waltzing song's biblical message, Nettles also included her version on her solo To Celebrate Christmas holiday album released that year. Parton shared her own recording on her 2020 holiday album, A Holly Dolly Christmas, which is nominated for Best Traditional Pop Vocal Album this year, and teamed up with Nettles to duet the song on "The Voice" that December.

"The Stranger," Kenny Rogers

One month before Parton and her longtime collaborator Kenny Rogers released their revered Once Upon a Christmas holiday album, Rogers unveiled his What About Me? album in October 1984. Though that project didn't include vocals from his singing partner, Rogers still had a touch of Dolly on the record: the powerful story song "The Stranger," written by Parton.

It's a tale of a boy wondering why his father deserted him before he was born only to meet him a decade after his mother's death. "The Stranger" is a descriptive and heart-wrenching tune that pulls the listener right into the song. "It was me and mamma that you left behind," Rogers croons at the song's close. "You're just a stranger."

"Waltz Me to Heaven," Waylon Jennings

While Parton reportedly wrote "Waltz Me to Heaven" for Waylon Jennings, the song first appeared on the 1984 film soundtrack for "Rhinestone," starring Parton and Sylvester Stallone. Her youngest brother, Floyd Parton, sang on the original track.

Later that year, Jennings included "Waltz Me to Heaven" on Waylon's Greatest Hits, Vol. 2. The stirring waltz highlights Jennings' memorable baritone alongside sweeping pedal steel and delicate fiddle accompaniment. Jennings' "Waltz Me to Heaven" made the soundtrack song a hit, reaching No. 10 on Billboard's Hot Country Songs chart.

"To Daddy," Emmylou Harris

A song written from the perspective of a teenager watching an unhappy relationship between her parents transpire, "To Daddy" sees the mother leaving her unaffectionate husband. The poignant tale clearly meant a lot to Harris and Parton, as Emmylou released it as a single from her 1977 album, Quarter Moon in Cent Town, and Dolly included it in her 1995 compilation, The Essential Dolly Parton, Vol. 1.

Harris' version also resonated with fans: It scored her a No. 3 hit on Billboard's Hot Country Songs chart in 1978, and it was the only song featured on the 2003 tribute album Just Because I'm a Woman: Songs of Dolly Parton that wasn't recorded specifically for the project.

"I Will Always Love You," Whitney Houston

Long before Whitney Houston broke countless records with her rendition of "I Will Always Love You," Parton wrote and released the song as a letter to Porter Wagoner. After telling Wagoner she wanted to leave The Porter Wagoner Show countless times and Wagoner ignoring those wishes, Parton decided to do what she does best: write a song.

"I wrote the song, took it back in the next day, and I said, 'Porter, sit down. I've got something I have to sing to you,'" Parton recalled in Dayton Duncan and Ken Burns' Country Music book and documentary. "So, I sang it, and he was sitting at his desk, and he was crying. He said, 'That's the best thing you ever wrote. Okay, you can go, but only if I can produce that record.'"

While Parton's recording landed at No. 1 on two different occasions (upon its release in 1974 and again in 1982, when a new version was recorded and released for the film The Best Little Whorehouse in Texas), it was Houston's spellbinding 1992 version from The Bodyguard that took the world by storm.

Spending 14 consecutive weeks at No. 1 on the Billboard Hot 100 chart, Houston's "I Will Always Love You" became the best-selling physical single by a woman, with 20 million copies sold to date. Houston's version also took home Record Of The Year and Best Pop Vocal Performance, Female at the 1994 GRAMMYs — creating an everlasting legacy for Whitney and Dolly alike.

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Nearly 50 years after its initial release, Dolly Parton's "I Will Always Love You" has been covered by thousands of musicians. But no other rendition compares to Whitney Houston's iconic 1992 cover for the Bodyguard soundtrack — and in 1994, the two shared a full-circle celebration of the song's massive success.

In this episode of GRAMMY Rewind, relive Houston's Best Female Pop Vocal Performance win for her version of "I Will Always Love You" at the 1994 GRAMMY Awards.

"Dolly, of course, coming from you, this is truly an honor. You wrote a beautiful song. Thank you so much for writing such beautiful songs," Houston said to Parton, who presented the award and originally released the recording (which she wrote herself) in 1974.

Houston praised Rickey Minor, her band, and David Foster, who helped Houston arrange the ballad. "All the songwriters and producers on The Bodyguard, BeBe [Winans], I love you," she added before performing an impromptu song to thank her team members at Arista Records.

"I love you, Mommy and Daddy — I wouldn't be here without you. And always first in my life, I thank my Father, Jesus Christ. Without them, I am nothing," Houston said. Before leaving the stage, Houston took a second to uplift her supporters. "To all the fans, I love you! Thank you, and God bless you!"

"I Will Always Love You" also took home Record Of The Year that night, and The Bodyguard won Album Of The Year — one of only four soundtracks to date to win the coveted award.

Press play on the video above to watch Whitney Houston accept her award for Best Female Pop Vocal Performance at the 36th Annual GRAMMY Awards, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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The Queen of Rock 'n' Roll, recording legend, icon of empowerment. No matter how one refers to Tina Turner, her passing constitutes a seismic loss that marks the end of a shining cultural legacy which leaves in its wake an industry-shaping career. Throughout her eight GRAMMY wins and 25 nominations, Turner’s vast and generation-spanning musical output proved equally entertaining and inspirational.

The icon died on May 24 at her home near Zurich, Switzerland. She was 83.

"Tina Turner broke barriers for women on and off the stage throughout her incredible career," said Harvey Mason jr, CEO of The Recording Academy, of Turner who received GRAMMY’s Lifetime Achievement Award in 2018 and is a three-time inductee to the GRAMMY Hall of Fame. "She amazed audiences worldwide with her electrifying performances, including on our GRAMMY stage in 1985 and 2008, and was an undeniable rockstar who paved the way for so many with her signature style and powerful vocals. She will be greatly missed by all the people she touched around the globe."

It’s a sentiment shared by the music industry, and world, at large. "She was truly an enormously talented performer and singer,"Mick Jaggerwrote on social media. "She was inspiring, warm, funny and generous. She helped me so much when I was young and I will never forget her." On her website, Beyoncé — who performed with Turner at the 50th GRAMMY Awards — paid tribute to her "beloved Queen," writing, "I love you endlessly. I’m so grateful for your inspiration and all the ways you paved the way. You are strength and resilience. You are the epitome of power and passion."Elton John put it simply: "We have lost one of the world's most exciting and electric performers," he wrote. "She was untouchable."

Turner’s untouchable talent famously embodied two phases. First, her tumultuous collaboration with husband Ike Turner, during which they performed as a duo and yielded hits including the oft-covered "Proud Mary." The instantly-recognizable song earned the couple a GRAMMY Award for Best R&B Vocal Performance By A Group in 1972 and was inducted in the GRAMMY Hall of Fame in 2003. In her triumphant second act, Turner broke away from the partnership. She reinvented herself as a solo performer, improbably transitioning from a '60s and '70s-era rocker to arena pop star in the 1980s. 

For her efforts, the singer swept the major categories at the 1985 GRAMMY Awards, winning Record of the Year, Song of the Year and Best Female Pop Vocal Performance for "What’s Love Got To Do With It." She also took home the golden gramophone for Best Female Rock Vocal Performance for "Better Be Good To Me."

One of her most indelible hits, Turner utilized "What's Love Got To Do With It" as a call to action, becoming brutally honest about her abusive relationship with her ex-husband along the way. Turner later recalled toRolling Stone that when she left Ike in July 1976, "I had nothing. I didn’t even know how to get money. I had a girl working for me who had worked for Ike, because she knew about ways of getting money. I didn’t know how to do any of that stuff." She later devised what’s considered one of the greatest comebacks in music history.

First offered to Donna Summer — who sat on the track before ultimately passing — songwriter Terry Britten later revealed that she thought "What’s Love Got to Do With It" was "awful." Turner didn't like the song either, but recorded it following encouragement from her manager, Roger Davis.

"I said, 'If it doesn't work out, we won't use it. So let's give it a go,'" Britten recalled in her 2021 documentary, Tina.  It wasn’t until Turner laid down her vocal track that the song was elevated from pop confection into a showcase for the vocal powerhouse. "They weren't used to a strong voice standing on top of music," Turner said in the documentary. "But I converted it and made it my own."

Turner’s deft musical translation is evident throughout her eclectic discography, from the blues-inflicted rock she performed as Ike & Tina Turner, to pop anthems like 1989’s "The Best" (which became a trademark and, naturally, the title of a popular greatest hits album).  In 1962, she was nominated for her first GRAMMY Award for Best Rock and Roll Recording for "It’s Gonna Work Out Fine,"  her and Ike’s hit from the previous year which was offered to them after songwriter Rose Marie McCoy saw their energetic stage show at the Apollo. 

It was an auspicious early hit for Turner, who would become a staple of the category for Best Rock Vocal Performance, Female. Decades later, she earned back-to-back wins in the category for "One of the Living" and "Back Where We Started" in 1986 and 1987, a nomination for "Better Be Good To Me" in ‘88, and took home the golden gramophone in ‘89 for Tina Live in Europe, among many others. 

"My songs are a little bit of everybody’s lives who are watching me," said Turner to Rolling Stonein the midst of her hot streak in 1986. "You gotta sing what they can relate to. And there are some raunchy people out there. The world is not perfect. And all of that is in my performance; I play with it."

Born Anna Mae Bullock, Turner’s journey to musical dynamo began on the farmlands of Tennessee where she discovered early on her passion for artistic expression. "As a girl, every chance I got, I’d go to our local movie theater and memorize scenes so I could reenact them," she recalled in 2021 the Harvard Business Review. "Although I did have a bit of singing training in high school and even learned some opera, my voice and dance abilities have mostly come naturally to me." 

That vocal prowess and inimitable energy as a performer was on full display throughout her life behind the microphone, one of the most memorable examples being "River Deep-Mountain High." Inducted into the GRAMMY Hall of Fame in 1999, her duet with Ike was produced by Phil Spector who Turner said had him cut her vocals ad nauseam to spectacular results. "I must have sung that 500,000 times," she told Rolling Stone after the publication ranked the track No. 33 of their list of the 500 Greatest Songs of All Time. "I was drenched with sweat. I had to take my shirt off and stand there in my bra to sing." 

Upon her death, the New York Times called her "a magnetic singer with explosive power." That power was visible on and off the stage, both in her artistry and ability to soldier on in the face of the numerous obstacles.  In a 2005 interview with Oprah Winfrey, Turner explained, "There's an expression, 'You'll never get out of this world alive.' It's true. We won't. Go forward. Do your best with your makeup, hair, and clothes." 

In that same interview, Turner also mused about her legacy, touching on the inspiration she doled out by being her authentic self. "My wish is to give the kind of truth to people that will help them change their minds. When that happens, I'll be the best that I can be."

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From Post Malone to Peppa Pig vinyls, record stores around the world are stocking up on limited exclusive releases for Record Store Day 2023.

Held annually every April since 2007, the event honors independently owned record stores and the unity of fans and artists. This year, many stores will globally welcome more than 300 limited, exclusive records ranging from rock to jazz to rap on April 22.

With former official ambassadors including Taylor Swift, Metallica, Ozzy Osbourne, Jack White, Chuck D, and St. Vincent, Record Store Day celebrates music of all genres. And that's exactly the case with this year's lineup of special releases, spanning from Miles Davis to Beach House.

In honor of Record Store Day 2023, get excited about these 10 limited, exclusive releases dropping in your local participating store.

The 1975 — I like it when you sleep, for you are so beautiful yet so unaware of it: Live With The BBC Philharmonic Orchestra

Serving as the official Record Store Day UK Ambassadors this year, the 1975 take us back to 2016 with their second LP, I like it when you sleep, for you are so beautiful yet so unaware of it — this time, along with the BBC Philharmonic Orchestra. Available for the first time on double clear vinyl, this orchestral version of the British rock band's second studio album also features a version of their breakout hit, "Chocolate."

Miles Davis — TURNAROUND: Unreleased Rare Vinyl from On the Corner

Miles Davis' album On the Corner celebrated its 50th birthday last October, and its innovation takes yet another turn on Record Store Day. Titled Turnaround, this sky-blue vinyl features four cuts from the expanded 2007 album The Complete On The Corner Sessions, also offering appearances from Herbie Hancock, Dave Liebman and Bennie Maupin.

Björk — the fossora remixes

Fill your record collection with some flora and fauna — natural, eccentric scarlet and green patterns adorn each vinyl sleeve of Björk's exclusive the fossora remixes. The release features two dynamic songs: A1 Ovule featuring Shygirl (Sega Bodega remix) and A2 Atopos (sideproject remix).

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Beach House — Become

Fourteen months after psychedelic pop duo Beach House unveiled their eighth studio album, Once Twice Melody, they continue the story with a new EP. Titled Become, the five-song project — which is available on crystal-clear vinyl on Record Store Day — features five formerly unreleased songs from their 2022 LP.

Nas — Made You Look: God's Son Live 2002

Just over 20 years ago, Nas gave a spectacular performance at Webster Hall in New York City, further solidifying his status as a legend of East Coast hip-hop. The spirited 20-song concert now appears on vinyl for the first time, with familiar artwork calling back to its original DVD release in 2003.

Dolly Parton — The Monument Singles Collection 1964-1968

More than six decades into her career, Dolly Parton joins the Record Store Day fun with a celebration of her early years. The country legend's remastered singles from the 1960s are hitting record store shelves, and the special first-time collection also features liner notes from two-time GRAMMY nominee Holly George-Warren.

The Rolling Stones — Beggars Banquet

As the Rolling Stones sang of "a swirling mass of grey, blue, black, and white" on "Salt Of The Earth," the rock band's upcoming limited vinyl for Beggars Banquet will be pressed with a swirl pattern of the same four colors in tribute. The group merges classic rock with their blues roots on Beggars Banquet, and the vinyl of their 1968 critically-acclaimed album features the original artwork and window display poster.

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Taylor Swift — folklore: the long pond studio sessions

In September 2020, Taylor Swift's GRAMMY-winning album folklore was reimagined at New York's Long Pond Studio with a pair of the singer's closest collaborators, Aaron Dessner (The National) and Jack Antonoff (fun./Bleachers). And in November that year, fans got to witness those sessions in a Disney+ documentary. Now, more than two years later, the serene album's acoustic studio sessions are available on vinyl for the first time, including four sides and bonus track "the lakes."

'Ol Dirty Bastard — Return to the 36 Chambers: The Dirty Version

ODB's memory lives on in the vinyl rerelease of his iconic 1995 debut album, Return to the 36 Chambers: The Dirty Version. Featuring the 2020 remasters of 15 tracks, this drop is the first posthumous release from ODB since 2011, but not the first time fans have heard his voice since then: SZA's SOS track "Forgiveless" concludes with a previously unreleased verse from the late rapper.

Donna Summer — A Hot Summer Night (40th Anniversary Edition)

This year marks the 40th anniversary of Donna Summer's momentous Hard For The Money Tour. This exclusive vinyl celebrates the Queen of Disco in all her glory, capturing her live concert at Costa Mesa's Pacific Amphitheatre from August 1983. The vinyl offers performances by special guests Musical Youth, her sisters Dara and Mary Ellen, and her eldest daughter Mimi.

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From the very start of her career, Lady Gaga taught society that it's okay to be different. While that may be most encapsulated in her 2011 smash "Born This Way," Gaga's 2010 album The Fame Monster — a reissue of her blockbuster 2008 debut, The Fame — solidified Gaga's place as a confidence-boosting superstar.

In this episode of GRAMMY Rewind, we turn back the clock to 2011, when Lady Gaga won Pop Vocal Album for The Fame Monster. Her third win of the night (hit single "Bad Romance" won Best Female Pop Vocal Performance and Best Short Form Music Video), Gaga couldn't help but let out an "Oh sh—!" when she began her acceptance speech.

After thanking her Little Monsters, family, team, and label, Gaga hinted that the moment was a childhood dream come true. And before leaving the stage, Lady Gaga acknowledged that she was particularly inspired by Whitney Houston's impact.

"I wanted to thank Whitney because, when I wrote 'Born This Way,' I imagined she was singing it because I wasn't secure enough in myself to imagine I was a superstar."

Press play on the video above to watch Lady Gaga's candid acceptance speech for Pop Vocal Album at the 2011 GRAMMY Awards, and check back to GRAMMY.com for more episodes of GRAMMY Rewind.

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