Imogen Heap On How Musicians Can Thrive In A Technology-Driven World
As an advocate for musician rights, the electro-pop performer has embraced technology not only when creating music, but also as a tool for making the music industry a safer place for artists in a digital-facing world
Last month, the Recording Academy's San Francisco chapter got up close and personal with GRAMMY-winning British singer and musician Imogen Heap, British composer, songwriter and producer Guy Sigsworth and composer and musician Zoë Keating for a talk about technology in music.
Heap, an advocate for musician rights, has embraced technology not only when creating music, but also as a tool for making the music industry a safer place for artists in a digital-facing world. With her Creative Passport project, she hopes to connect music makers "through a verified and decentralised ecosystem, promoting artist-led, fair and sustainable operating practices."
One of the ways the project hopes to protect music makers is by establishing a way to give them proper credit, digitally.
"I was just getting frustrated at the fact that I was going to release another song into the ether, it was basically going to fall off a cliff and I wouldn't know what was happening to it and I wouldnt be able to kind of, arm it or give it all the tools and the tricks that it needs to go and do the business that it needs, to make sure everybody is acknowledged, to make sure everyone gets paid properly, to make sure that it has the correct lyrics or whatever it might need," she said. "It's so frsutarting that that doesn't exist with the song in a form that is then accessed by everyone."
Keating, who introduced Heap to the blockchain technology used in some of the Creative Passport projects, said it's important to keep musicians in the conversations about technology.
"Musicians should not be left out this time ... the technology gets developed and the musicians have to figure out how to react to it and I was like 'Wouldn't it be a great this time if musicians were there at the beginning?" she said.
When it comes to the challenges technology brings, Sigsworth says he thinks the issues will stay the same as time progresses: "I think the problems will be the same whatever the technology does. I sometimes fear that when the technology gets better and better at realizing your ideas, it'll be more apparent that your ideas suck."
Before the conversation came to a close, Heap showed the audience the technology in her proprietary electronic instrument—mimu gloves—whose technology can be recreated in one of the many Creative Passport workshops.
Rotimi On Performing At ESSENCE Fest, Growing Up African-American & More
The Nigerian-American singer and actor sat down with the Recording Academy to talk about what inspired his latest album, 'Walk With Me'
In 2015, Rotimi stepped into the New Orleans Superdome for the first time to experience the magic of ESSENCE Fest. Four years later, in 2019, the "Love Riddim" singer returned to the celebration as a performer, something he said was spoken into existence.
"Last year me and my manager had a conversation and I said, 'Listen, I'm going to be on the [ESSENCE] mainstage this year. 365 days later, we did it," Rotimi told the Recording Academy at the 25th annual ESSENCE Fest.
Rotimi, also an actor on Starz' "Power," has evolved since his last album, 2017's Jeep Music, Vol.1. The singer said he really hit home with its follow-up, the recently released Walk With Me, a project he worked hard for, putting in hours in the studio after filming on set.
"Walk With Me is the first time I actually felt like I was giving myself as an artist, and personally I feel like with everything else I have going on I wanted to show people that this is really what I do," he said. "I wanted people to understand who Rotimi is, who Rotimi was before, who I want to be and just understand my growth and the journey and my passion for what I do."
Part of why the album felt like such a representation of him is because it embodies beats of his African roots, something he said was very present growing up Nigerian-American.
"I grew up with a lot of Fela Kuti and I grew up with Bob Marley," he said of his musical roots. "But I also grew up with Carl Thomas and Genuine and Usher, so there was a genuine mixture of who I am and what I've grown up to listen to. The actual Walk With Me project was a mixture of influences of Akon and Craig David."
Photo: Carlos Alvarez/Getty Images
Rosalía Announces First Solo North American Tour
El Mal Querer Tour, named after the Spanish pop star's latest album, will come to Los Angeles on April 17 in between her Coachella performances
Rosalía is set to perform at some of the most popular music festivals around the globe, including Primavera Sound in Spain, Lollapalooza (Argentina and Chile) and Coachella, but the Spanish pop star isn't stopping there when she gets to the States. Now, she has announced her first solo North American Tour with a string of dates that will bring her to select cities in the U.S. and Canada.
El Mal Querer Tour, named after her latest album, will come to Los Angeles on April 17 in between her Coachella performances. Then she'll play San Francisco on April 22, New York on April 30 and close out in Toronto on May 2.
"I’m so happy to announce my first solo North American tour dates," the singer tweeted.
Rosalía won Best Alternative Song and Best Fusion/ Urban Interpretation at the 19th Latin GRAMMY Awards in November and has been praised for bringing flamenco to the limelight with her hip-hop and pop beats. During her acceptance speech she gave a special shout-out to female artists who came before her, including Lauryn Hill and Bjork.
Rosalía has been getting some love herself lately, most notably from Alicia Keys, who gave the Spanish star a shout-out during an acceptance speech, and Madonna, who featured her on her Spotify International Women's Day Playlist.
Tickets for the tour go on sale March 22. For more tour dates, visit Rosalía's website.
Kevin Parker of Tame Impala
Photo: Rick Kern/WireImage
Listen: Tame Impala Release New Track "Patience"
It's been four years since we've heard new music from Tame Impala, but their new release has come just in time for festival season
Tame Impala have released a new single appropriately called "Patience." The GRAMMY-nominated music project by Australian singer and musician Kevin Parker had not released any new tracks since 2015's Currents.
The long-awaited latest release embodies the exact feeling of having to wait for something: "Has it really been that long? / Did I count the days wrong? ... I've been waiting here / Waiting for the day to come," Parker's soft voice sings on the track featuring an equally soft piano.
Parker, who has come to fame for the psychedelic, dreamy pop sound he shares as Tame Impala, teased the single on Instagram last night. "New track. 1 hour. Speakers/headphones people," the post said.
"I'd be really disappointed if we didn't have something out by then." Parker told Matt Wilkinson on Beats 1. "I love playing the songs live, I love playing Currents songs I love playing Lonerism songs and everything but I think I'm ready to play some other songs live."
Lila Downs Announces New Album Paying Tribute To The Chile Pepper, Releases Tour Info
The announcement was made with the release of the first single, a cover of the Peruvian cumbia classic "Cariñito"
GRAMMY-winning singer/songwriter Lila Downs, known for her eclectic mixture sounds from Mexico and beyond, has announced that her latest album, Al Chile, will pay tribute to the chile pepper and will drop May 3. The news came with the release of the first single, "Cariñito."
Al Chile, produced by the GRAMMY-nominated DJ and producer Camilo Lara (Mexican Institute of Sound) and mixed by Mario Caldato Jr., who has worked with the Beastie Boys and Jack Johnson, is not a joke; it sincerely shows love for the fruit.
"Yes, the music is a tribute to the fruit that causes us so much craving and suffering, but that we really love!" Downs said in a statement. "We fry the chile, add beats from the city, then saxophones, trumpets and drums from the Mexican coast to keep the dance going. The village and the city are united by the same beat. With a mezcal in hand, we dream of a place with a palm tree where one falls in love and reflects."
The first single is Down's take on a Peruvian cumbia classic. The singer also released dates for the album's supporting tour that will take her to Los Angeles' Walt Disney Concert Hall, New York City, Seattle and other cities across the U.S.
For more information on the tour, visit Downs' website.