meta-scriptKesha, Hayley Kiyoko, Taylor Swift & President Obama To Appear On Pride Live's Stonewall Day Streaming Event | GRAMMY.com

Kesha

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Kesha, Hayley Kiyoko, Taylor Swift & President Obama To Appear On Pride Live's Stonewall Day Streaming Event

The June 26 online spectacular will celebrate the anniversaries of the historic 1969 Stonewall Riots as well as the Supreme Court's 2015 ruling in Obergefell v. Hodges for marriage equality

GRAMMYs/Jun 24, 2020 - 01:21 am

A star-studded cast of artists and activists in the LGBTQ+ community will take part in Pride Live's special Stonewall Day streaming event. The lineup features performances by Kesha and Hayley Kiyoko plus appearances by big names from the worlds of music, fashion, entertainment and politics, including Taylor SwiftDemi Lovato, Cynthia ErivoKaty Perry, Christian Siriano, George Takei, Donatella Versace, Chelsea Clinton and more.

Additionally, President Barack Obama will appear and deliver a special message of support during the livestream event, which will be hosted by trans advocate and model Geena Rocero.

"As a trans woman and immigrant born and raised in the Philippines, it’s an honor to host a Pride event with such world-renowned talent," Rocero told People. "Working with Pride Live, we will ensure that Stonewall Day and its messages of community and resiliency reach LGBTQ people all over the world, especially LGBTQ people of color."

Nearly all in-person Pride events during Pride Month have been cancelled, according to Rolling Stone. The online festivities will celebrate the anniversary of the historic 1969 Stonewall Riots as well as the five year anniversary of the Supreme Court's pivotal ruling in Obergefell v. Hodges for marriage equality. Proceeds from the event will go toward supporting LGBTQ+ organizations affected by COVID-19.

"COVID-19, and the recent events that have placed a national and global spotlight on the need for fair and equal treatment for all people, has impacted so many around the world and the LGBTQ+ community has not been immune," Dr. Yvette C. Burton, the president of the Pride Live board of directors, said in a statement. "This has resulted in vital and life-saving LGBTQ+ organizations having to severely amend their budgets and programs," Dr. Burton continued. "Our hopes are Stonewall Day can assist our beneficiaries in continuing their work and service to the community."

Stonewall Day will air Friday, June 26 from 12:45 p.m. to 3:00 p.m. EDT on Logo's Facebook and YouTube pages. 

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Moby performing on stage
Moby

Photo: Mike Formanski

interview

"Let Yourself Be Idiosyncratic": Moby Talks New Album 'Always Centered At Night' & 25 Years Of 'Play'

"We're not writing for a pop audience, we don't need to dumb it down," Moby says of creating his new record. In an interview, the multiple-GRAMMY nominee reflects on his latest album and how it contrasts with his legendary release from 1999.

GRAMMYs/Jun 11, 2024 - 01:29 pm

Moby’s past and present are converging in a serendipitous way. The multiple-GRAMMY nominee is celebrating the 25th anniversary of his seminal work, Play, the best-selling electronic dance music album of all time, and the release of his latest album, always centered at night. 

Where Play was a solitary creation experience for Moby, always centered at night is wholly collaborative. Recognizable names on the album are Lady Blackbird on the blues-drenched "dark days" and serpentwithfeet on the emotive "on air." But always centered at night’s features are mainly lesser-known artists, such as the late Benjamin Zephaniah on the liquid jungle sounds of "where is your pride?" and Choklate on the slow grooves of "sweet moon." 

Moby’s music proves to have staying power: His early ‘90s dance hits "Go" and "Next is the E" still rip up dancefloors; the songs on Play are met with instant emotional reactions from millennials who heard them growing up. Moby is even experiencing a resurgence of sorts with Gen Z. In 2023, Australian drum ‘n’ bass DJ/producer Luude and UK vocalist Issey Cross reimagined Moby’s classic "Porcelain" into "Oh My." Earlier this year, Moby released "You and Me" with Italian DJ/producer Anfisa Letyago. 

Music is just one of Moby’s many creative ventures. He wrote and directed Punk Rock Vegan Movie as well as writing and starring in his homemade documentary, Moby Doc. The two films are produced by his production company, Little Walnut, which also makes music videos, shorts and the podcast "Moby Pod." Moby and co-host Lindsay Hicks have an eclectic array of guests, from actor Joe Manganiello to Ed Begley, Jr., Steve-O and Hunter Biden. The podcast interviews have led to "some of the most meaningful interpersonal experiences," Moby tells GRAMMY.com. 

A upcoming episode of "Moby Pod" dedicated to Play was taped live over two evenings at Los Angeles’ Masonic Lodge at Hollywood Forever Cemetery. The episode focuses on Moby recounting his singular experiences around the unexpected success of that album — particularly considering the abject failure of his previous album, Animal Rights. The narrative was broken up by acoustic performances of songs from Play, as well as material from Always Centered at Night (which arrives June 14) with special guest Lady Blackbird. Prior to the taping, Moby spoke to GRAMMY.com about both albums. 

'Always centered at night' started as a label imprint then became the title of your latest album. How did that happen? 

I realized pretty quickly that I just wanted to make music and not necessarily worry about being a label boss. Why make more busy work for myself?

The first few songs were this pandemic process of going to SoundCloud, Spotify, YouTube and asking people for recommendations to find voices that I wasn’t familiar with, and then figuring out how to get in touch with them. The vast majority of the time, they would take the music I sent them and write something phenomenal.

That's the most interesting part of working with singers you've never met: You don't know what you're going to get. My only guidance was: Let yourself be creative, let yourself be idiosyncratic, let the lyrics be poetic. We're not writing for a pop audience, we don't need to dumb it down. Although, apparently Lady Blackbird is one of Taylor Swift's favorite singers 

Guiding the collaborators away from pop music is an unusual directive, although perhaps not for you? 

What is both sad and interesting is pop has come to dominate the musical landscape to such an extent that it seems a lot of musicians don't know they're allowed to do anything else. Some younger people have grown up with nothing but pop music. Danaé Wellington, who sings "Wild Flame," her first pass of lyrics were pop. I went back to her and said, "Please be yourself, be poetic." And she said, "Well, that’s interesting because I’m the poet laureate of Manchester." So getting her to disregard pop lyrics and write something much more personal and idiosyncratic was actually easy and really special. 

You certainly weren’t going in the pop direction when making 'Play,' but it ended up being an extremely popular album. Did you have a feeling it was going to blow up the way it did?

I have a funny story. I had a date in January 1999 in New York. We went out drinking and I had just gotten back the mastered version of Play. We're back at my apartment, and before our date became "grown up," we listened to the record from start to finish. She actually liked it. And I thought, Huh, that's interesting. I didn't think anyone was going to like this record. 

You didn’t feel anything different during the making of 'Play?'

I knew to the core of my being that Play was going to be a complete, abject failure. There was no doubt in my mind whatsoever. It was going to be my last record and it was going to fail. That was the time of people going into studios and spending half a million dollars. It was Backstreet Boys and Limp Bizkit and NSYNC; big major label records that were flawlessly produced. Play was made literally in my bedroom. 

I slept under the stairs like Harry Potter in my loft on Mott Street. I had one bedroom and that's where I made the record on the cheapest of cheap equipment held up literally on milk crates. Two of the songs were recorded to cassette, that's how cheap the record was. It was this weird record made by a has-been, a footnote from the early rave days. There was no world where I thought it was going to be even slightly successful. Daniel Miller from Mute said — and I remember this very clearly — "I think this record might sell over 50,000 copies." And I said, "That’s kind of you to say but let's admit that this is going to be a failure. Thank you for releasing my last record."  

Was your approach in making 'Play' different from other albums? 

The record I had made before Play, Animal Rights, was this weird, noisy metal punk industrial record that almost everybody hated. I remember this moment so vividly: I was playing Glastonbury in 1998 and it was one of those miserable Glastonbury years. When it's good, it's paradise; it's really special. But the first time I played, it was disgusting, truly. A foot and a half of mud everywhere, incessant rain and cold. I was telling my manager that I wanted to make another punk rock metal record. And he said the most gentle thing, "I know you enjoy making punk rock and metal. People really enjoy when you make electronic music." 

The way he said it, he wasn't saying, "You would help your career by making electronic music." He simply said, "People enjoy it." If I had been my manager, I would have said, "You're a f—ing idiot. Everyone hated that record. What sort of mental illness and masochism is compelling you to do it again?" Like Freud said, the definition of mental illness is doing the same thing and expecting different results. But his response was very emotional and gentle and sweet, and that got through to me. I had this moment where I realized, I can make music that potentially people will enjoy that will make them happy. Why not pursue that? 

That was what made me not spend my time in ‘98 making an album inspired by Sepultura and Pantera and instead make something more melodic and electronic. 

After years of swearing off touring, what’s making you hit stages this summer? 

I love playing live music. If you asked me to come over and play Neil Young songs in your backyard, I would say yes happily, in a second. But going on tour, the hotels and airports and everything, I really dislike it.  

My manager tricked me. He found strategically the only way to get me to go on tour was to give the money to animal rights charities. My philanthropic Achilles heel. The only thing that would get me to go on tour. It's a brief tour of Europe, pretty big venues, which is interesting for an old guy, but when the tour ends, I will have less money than when the tour begins. 

Your DJ sets are great fun. Would you consider doing DJ dates locally? 

Every now and then I’ll do something. But there’s two problems. As I've become very old and very sober, I go to sleep at 9 p.m. This young guy I was helping who was newly sober, he's a DJ. He was doing a DJ set in L.A. and he said, "You should come down. There's this cool underground scene." I said, "Great! What time are you playing?" And he said "I’m going on at 1 a.m." By that point I've been asleep for almost five hours.

I got invited to a dinner party recently that started at 8 p.m. and I was like, "What are you on? Cocaine in Ibiza? You're having dinner at 8 p.m.  What craziness is that? That’s when you're putting on your soft clothes and watching a '30 Rock' rerun before bed. That's not going out time." And the other thing is, unfortunately, like a lot of middle aged or elderly musicians, I have a little bit of tinnitus so I have to be very cautious around loud music.

Are you going to write a third memoir at any point? 

Only when I figure out something to write. It's definitely not going to be anecdotes about sobriety because my anecdotes are: woke up at 5 a.m., had a smoothie, read The New York Times, lamented the fact that people are voting for Trump, went for a hike, worked on music, played with Bagel the dog, worked on music some more went to sleep, good night. It would be so repetitive and boring. 

It has to be something about lived experience and wisdom. But I don't know if I've necessarily gotten to the point where I have good enough lived experience and wisdom to share with anyone. Maybe if I get to that point, I'll probably be wrong, but nonetheless, that would warrant maybe writing another book.

 Machinedrum's New Album '3FOR82' Taps Into The Spirit Of His Younger Years 

 

 

Billie Eilish performs at Lollapalooza Chile 2023.
Billie Eilish performs at Lollapalooza Chile 2023

Photo: Marcelo Hernandez/Getty Images

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The Environmental Impact Of Touring: How Scientists, Musicians & Nonprofits Are Trying To Shrink Concerts' Carbon Footprint

"It’s not just [about] a single tour, it’s every tour," singer Brittany Howard says of efforts to make concerts more sustainable. From the nonprofit that partnered with Billie Eilish, to an MIT initiative, the music industry aims to curb climate change.

GRAMMYs/Jun 10, 2024 - 01:30 pm

Beloved by fans around the globe, yet increasingly unaffordable for many artists, concert tours are central to the world of entertainment and local economies. After the pandemic-era global shuttering of concert venues large and small, tours are back, and bigger than ever.  

Taylor Swift’s Eras Tour is smashing records, selling more than four million tickets and earning more than $1 billion. But that tour made headlines for another reason: as reported in Business Insider and other outlets, for a six-month period in 2023, Swift’s two jets spent a combined 166 hours in the air between concerts, shuttling at most a total of 28 passengers. 

Against that backdrop, heightened concerns about the global environmental cost of concert touring have led a number of prominent artists to launch initiatives. Those efforts seek both to mitigate the negative effects of touring and communicate messages about sustainability to concertgoers. 

A 2023 study sponsored by Texas-based electricity provider Payless Power found that the carbon footprint of many touring bands was massive. In 2022, concert tours in five genres — country, classic rock, hip-hop/rap, metal and pop — were responsible for CO2 emissions totaling nearly 45,000 metric tons. A so-called greenhouse gas, carbon dioxide contributes to climate change by radiative forcing; increased levels of CO2 also contribute to health problems.  

No serious discussion of climate issues suggests a worldwide halt to live music touring, but there exists much room for improvement. Both on their own and with the help of dedicated nonprofit organizations, many artists are taking positive steps toward mitigating the deleterious effects that touring exerts upon the environment.  

Smart tour planning is one way to lessen an artist’s carbon footprint. Ed Sheeran’s 2022 European run minimized flights between concert venues, making that leg of his tour the year's most environmentally efficient. Total carbon dioxide emissions (from flights and driving) on Sheeran’s tour came to less than 150 metric tons. In contrast, Dua Lipa’s tour during the same period generated 12 times as much — more than 1800 metric tons — of CO2 

In July, singer/songwriter and four-time GRAMMY nominee Jewel will embark on her first major tour in several years, alongside GRAMMY winner Melissa Etheridge. During the planning stage for the 28-city tour, Jewel suggested an idea that could reduce the tour’s carbon footprint.

"I always thought it was so silly and so wasteful — and so carbon footprint-negative — to have separate trucks, separate lighting, separate crews, separate hotel rooms, separate costs," Jewel says. She pitched the idea of sharing a backing band with Etheridge. "I’ve been trying to do this for 25 years," Jewel says with a laugh. "Melissa is the first person who took me up on it!" 

The changes will not only reduce the tour’s carbon footprint, but they’ll also lessen the cost of taking the shows on the road. Acknowledging that there are many opportunities to meet the challenges of touring’s negative impact upon the environment, Jewel emphasizes that “you have to find [solutions] that work for you.”

Sheeran and Jewel aren’t the only popular artists trying to make a difference. A number of high profile artists have become actively involved in creating the momentum for positive change. Those artists believe that their work on sustainability issues goes hand in hand with their role as public figures. Their efforts take two primary forms: making changes themselves, andadvocating for action among their fans.  

The Climate Machine 

Norhan Bayomi is an Egypt-born environmental scientist at Massachusetts Institute of Technology and a key member of the Environmental Solutions Initiative, a program launched to address sustainable climate action. She’s also a recording artist in the trance genre, working under the name Nourey 

The ESI collaborates with industry heavyweights Live Nation, Warner Music Group and others as well with touring/recording acts like Coldplay to examine the carbon footprint of the music industry. A key component of the ESI is the Climate Machine, a collaborative research group that seeks to help the live music industry reduce carbon emissions. "As a research institution, we bring technologies and analytics to understand, in the best way possible, the actual impact of the music industry upon climate change," says John Fernández, Director of the ESI.  

"I’m very interested in exploring ways that we can bridge between environmental science, climate change and music fans," Bayomi says. She explains that the tools at the ESI’s disposal include "virtual reality, augmented reality and generative AI," media forms that can communicate messages to music fans and concertgoers. Fernández says that those endeavors are aimed at "enlisting, enabling and inspiring people to get engaged in climate change." 

The Environmental Solutions Initiative cites Coldplay as a high-profile success. The band and its management issued an "Emissions Update" document in June 2024, outlining its success at achieving their goal of reducing direct carbon emissions from show production, freight, band and crew travel. The established target was a 50 percent cut in emissions compared to Coldplay’s previous tour; the final result was a 59 percent reduction between their 2022-23 tour and 2016-17 tour.  

A significant part of that reduction came as a result of a renewable-energy based battery system that powers audio and lights. The emissions data in the update was reviewed and independently validated by MIT’s Fernández.  

Change Is Reverberating 

Guitarist Adam Gardner is a founding member of Massachusetts-based indie rockers Guster, but he's more than just a singer in a rock band. Gardner is also the co-founder of REVERB, one of the organizations at the forefront of developing and implementing climate-focused sustainability initiatives.  

Founded in 2004 by Gardner and his wife, environmental activist Lauren Sullivan, REVERB  began with a goal of making touring more sustainable; over the years its focus has expanded to promote industry-wide changes. Today, the organization promotes sustainability throughout the industry  in partnership with music artists, concert venues and festivals.  

REVERB initiatives have included efforts to eliminate single-use plastics at the California Roots Music & Arts Festival, clean energy projects in cooperation with Willie Nelson and Billie Eilish, and efforts with other major artists. Gardner has seen sustainability efforts grow over two decades 

"It’s really amazing to see the [change] with artists, with venues, with fans," Gardner says. "Today, people are not just giving lip service to sustainable efforts; they really want to do things that are real and measurable."  

The Music Decarbonization Project is one tangible example of REVERB’s successes. "Diesel power is one of the dirtiest sources of power," Gardner explains. "And it’s an industry standard to power festival stages with diesel generators." Working with Willie Nelson, the organization helped switch the power sources at his annual Luck Reunion to clean energy. At last year’s festival, Nelson’s headlining stage drew 100 percent of its power from solar-powered batteries. "We set up a temporary solar farm," Gardner says, "and the main stage didn’t have to use any diesel power."  

Billie Eilish was another early supporter of the initiative. "She helped us launch the program," Gardner says. Eilish’s set at Lollapallooza 2023 drew power from solar batteries, too.  

With such high-profile successes as a backdrop, Gardner believes that REVERB is poised to do even more to foster sustainable concerts and touring. "Our role now," he says, "isn’t just, ‘Hey, think about this stuff.’ It’s more how do we push farther, faster?"  

Adam Gardner believes that musicians are uniquely positioned to help make a difference where issues of sustainability are concerned. "When you’re a musician, you’re connecting with fans heart-to-heart. That’s what moves people. And that’s where the good stuff happens."  

Small-scale, individual changes can make a difference — especially when they’re coordinated and amplified among other concertgoers. Gardner provides real-world examples. "Instead of buying a plastic bottle, I brought my reusable and filled it up. Maybe I carpooled to the show." Conceding that such steps might seem like drops of water in a giant pool, he emphasizes the power of scale. "When you actually multiply [those things for] just one summer tour, it adds up," he says. "And it reminds people, ‘You’re not alone in this; you’re part of a community that’s taking action."  

Gardner understands that REVERB’s arguments have to be framed the right way to reach concertgoers. "Look," he admits, "It’s a concert. We’re not here to be a buzzkill. Our [aim] now is making sure people don’t lose hope." He says that REVERB and its partners seek to demonstrate that, with collective action and cultural change, there is reason for optimism.  

"There’s a wonderful feedback loop between hope and action," Gardner says with a smile. "You can’t really have one without the other."  

Sustainable Partnerships 

Tanner Watt is Director of Partnerships at REVERB; he works directly with touring artists to develop, coordinate and implement initiatives that bring together his organization’s objectives and the specific personal concerns of the artists. "I get to come up with all the fun, big ideas," he says with a wide smile.  

Watt acknowledges that like every concertgoer, each touring artist has a certain level of responsibility where sustainability is concerned. "And everyone can be doing something," he says, noting a number of straightforward actions that artists can put in place while on tour. "They can eliminate single-use waste. They can donate hotel toiletries that [would otherwise] hit the landfill."  

Watt stresses that artists can lead by example. "Nobody wants to listen to an artist telling them what to do if they’re not doing it themselves," he says. "But we believe that everybody cares about something." He suggests that if an artist has cultivated a following, "Why not use [that platform] to be that change you want to see in the world?"  

Each artist has his or her own specific areas of concern, but Watt says that there’s a base level of "greening" that takes place on every REVERB-affiliated tour. Where things go from there is up to the artist, in coordination with REVERB. Watt mentions Billie Eilish and her tour’s sustainability commitment. "The Venn diagram of food security, community health, access to healthy food, and the impact on the planet is a big cause for her," he says. "So there’s plant-based catering for her entire crew, across the entire tour." 

Speaking to Billboard, Eilish's mother Maggie Baird said championing sustainability starts with artists. "If artists are interested, it does really start with them telling their teams that they care and that it’s foremost in their thoughts." In the same conversation, Eilish called the battle for sustainability "a never-ending f–king fight."  

Watt acknowledges that with so many challenges, it’s important for a concerned artist to focus on the issues that move them the most, and where they can make the biggest difference. "Jack Johnson is a great example," he says. While Johnson is a vocal advocate for many environmental issues, on tour he focuses on two (in Watt’s words) "cause umbrellas": single-use plastics solutions and sustainable community food systems. Each show on the tour hosts tables representing local nonprofit organizations, presenting concertgoers with real-world, human-scale solutions to those specific challenges.  

Four-time GRAMMY winner Brittany Howard is another passionate REVERB partner. "Knowing that I wanted to make my tours more sustainable was a start," she tells GRAMMY.com, "but working with REVERB really helped me bring it to life on the road. REVERB has helped us with guidelines and a green rider to keep our stage, greenrooms and buses more sustainable." 

After listing several other specific ways that her tour supports sustainability, Howard notes, "By supporting these efforts, I am helping ensure future generations have access to clean water, fish, and all that I love about the outdoors." A dollar from every ticket sold to a Brittany Howard concert goes toward support of REVERB’s Music Decarbonization project. "I’m also excited to see industry-wide efforts that are reducing the carbon pollution of live music," Howard continues. "Because it’s not just [about] a single tour, it’s every tour." 

There’s a popular aphorism: "You can’t manage what you can’t measure." From its start, REVERB has sought not only to promote change, but to measure its success. "As long as I’ve been at REVERB, we’ve issued impact reports," says Tanner Watt. "We include data points, and give the report to the artists so they understand what we’ve done together." He admits that some successes are more tangible than others, but that it’s helpful to focus on the ones that can be quantified. "We’re very excited that our artists share those with their fans."  

Watt is clear-eyed at the challenges that remain. "Even the word ‘sustainable’ can be misleading," he concedes, suggesting that the only truly sustainable tour is the one that doesn’t happen. "But if folks don’t step it up and change the way we do business in every industry — not just ours — we’re going to get to a place where we’re forced to make sacrifices that aren’t painless." Getting that message across is REVERB’s aim. "We can’t stop the world," Watt says. "So we find ways to approach these things positively."  

Watt says that the fans at concerts featuring Jack Johnson and the Dave Matthews Band — both longtime REVERB partners — are already on board with many of the sustainability-focused initiatives which those artists promote. "But there are lots of artists — and lots of fan bases — out there that aren’t messaged to, or have been mis-messaged to," he says. "I’m really excited to find more ways to expand our reach to them, beyond mainstream pop music. Because these are conversations that are meaningful for everyone, regardless of political affiliation or other beliefs."  

Reimagining The Planet’s Future 

Singer, songwriter and multi-instrumentalist Adam Met does more than front AJR, the indie pop trio he founded in 2005 with brothers Jack and Ryan. Met has a PhD in sustainable development and is a climate activist; he's also the founder/Executive Director of Planet Reimagined, a nonprofit that promotes sustainability and activism through its work with businesses, other organizations and musicians.  

"I’ve spent years traveling around the world, seeing the direct impact of climate change," Met says. He cites two recent and stark examples. "When we pulled up to a venue in San Francisco, the band had to wear gas masks going from the bus into the venue, because of forest fires," he says. AJR’s road crew had to contend with a flash flood in Athens, Greece that washed out their hotel. "And in Rome, some of our crew members fainted because of the heat."  

Encouraged by representatives from the United Nations, Met launched Planet Reimagined. Met’s approach focuses on tailored, city-specific actions to empower fans and amplify diverse voices in the climate movement. Through social media and live shows, Met strives to galvanize climate activism among AJR fans. And the methods he has developed can be implemented by other touring artists.  

Met points out that one of the most climate-unfriendly parts of the entire concert tour enterprise is fans traveling to and from the concerts. And that’s something over which the artist has little or no control. What they can do, he says, is try to educate and influence. Working closely with Ticketmaster and other stakeholders, Met’s nonprofit initiated a study — conducted from July to December 2023, with results published in April 2024 — to explore the energy that happens at concerts. "In sociology," he explains, "that energy is called collective effervescence." The study’s goal is to find ways to channel that energy toward advocacy and action.  

Polling a quarter million concertgoers across musical genres, the study collected data on attitudes about climate change. "Seventy-three percent of fans who attend concerts believe that climate change is real, and that we need to be doing more about it," Met says. "Seventy-eight percent have already taken some sort of action in their lives." He believes that if his organization can activate even a fraction of the estimated 250 million people annually who attend concerts around the globe, "that’s the ballgame."  

Met’s goal is to do more than, say, get concertgoers to switch from plastic to paper drinking straws. "At scale those things make a difference. But people want to see actions where there’s a track record," he says; a return on investment.  

AJR will be putting a plan into action on the second half of their upcoming arena tour. Part of the initiative is encouraging concertgoers to register to vote, and then actually vote. Beyond that, Met has specific actions in mind. "At every single stop, we’re putting together materials around specific policies that are being debated at the local level," he explains. "We give people a script right there, so they can call their elected representative and say, ‘I want you to vote [a certain way on this issue].’"  

He believes the initiative will lead to thousands of people contacting – and hopefully influencing – their representatives. With regard to sustainability issues, Met is convinced that "the most impact that you can have as an artist is when you give fans ways to pick up the mantle themselves." 

Artists Who Are Going On Tour In 2024: The Rolling Stones, Drake, Olivia Rodrigo & More 

 

Troye Sivan performs in concert during Primavera Sound Festival on May 31, 2024 in Barcelona, Spain. (Photo by Xavi Torrent/Redferns)
Troye Sivan performs during Primavera Sound Festival on May 31, 2024

Photo: Xavi Torrent/Redferns

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9 Outstanding Sets From Barcelona’s Primavera Sound Festival 2024: SZA, Amaarae, Charli XCX & More

Barcelona’s illustrious city festival celebrated 20 years of big music moments at Parc del Fòrum. From Vampire Weekend to Troye Sivan, read on for nine unforgettable sets from Primavera Sound 2024.

GRAMMYs/Jun 5, 2024 - 06:04 pm

Primavera Sound is known for its heavy-hitting lineup and even bigger surprise guests. The Spanish festival celebrated 20 years in 2024, and transformed Barcelona's Parc del Fòrum into a masterclass of genre diversity and LGBTQIA+ inclusivity. There, under mostly sun-soaked skies, a wide range of international and native acts lit up multiple stages from May 29 - June 2.

Primavera Barcelona always promises an eclectic mix of performances that showcase native Spanish talent as well as major international headliners to get the party going. However, it’s not just the massive talent that pulls in the crowd. While the mainstages were graced by American superstars  Lana Del Rey,  SZA and Troye Sivan, the festival’s line-up was elevated by the vibrant non-stop DJ stylings of rising Brazilian star Clementaum and the divinity of Arca — who was rightfully labeled "madre!" by a buzzed up Boiler Room x Cupra activation. 

Primavera Sound’s diverse lineup guaranteed a highlight for every kind of festival goer: from the dad rocker to the 20-something throwing themselves head-first into new music. The festival amped up the energy and was keen to ensure a safe space for all music lovers (including regularly signposting a pro-LGBTQIA+ "Nobody Is Normal" campaign). If you weren't in Barcelona to experience the magic happening at Parc del Fòrum, read on for nine highlights from Primavera Sound BCN.

Arca Delivers A Divine Boiler Room Performance

Drawing on heavy doses of electronica, pop and techno, Venezuelan producer and DJ Arca’s unpinnable sound is exactly what made her sets unmissable. Arca set Primavera alight with two incredible sets: an early morning rave on the Amazon Music Stage on May 31, and a second, more intimate event inside Boiler Room x Cupra’s industrial set up on June 1.

The musician's Boiler Room set brought the club to Barcelona, weathering attendees through a humid thunderstorm with sweaty, fusion beats and remixes (Beyoncé, Lady Gaga and Zedd) that made her experimental anthems even more exceptional. 

Read more: 8 Essential Latin Electronic Releases: Songs And Albums From Bizarrap, Arca & More

Vampire Weekend Ignite Indie Nostalgia On Their Primavera Return

We all love a bit of Spanish sunshine, but nobody seemed quite as home on-stage as Vampire Weekend. Having last played at the festival in 2008, the 16-year wait was well worth it with a set list doused with indie rock nostalgia and new bangers that kept the late-night crowd grooving.

It’s not easy to keep a mainstage crowd going on opening night (especially as the band faced some line-up changes for the festival) but Vampire Weekend's catalog-spanning performance rocked. They ran though hits "A-Punk, "Campus" "Oxford Comma," and new tracks ("Classical", "Gen-X Cops", "Connect")  from their new fifth album, Only God Was Above Us – a record which frontman Ezra Koeing described as "feeling perfect" on stage. 

No Vampire Weekend set is complete with some curveball covers. This year, to match the beat of their long-overdue festival return, the band kept things fresh with an incredible cover of Sbtrkt’s "New Drop, New York" performed against a smokey, dark red stage backdrop. Whether performing their own catalog, making surprise appearance alongside French rock band Phoenix  or dropping electric covers, Vampire Weekend prove they’re music more than hitmakers — they’re also a summer festival bucket list act too. 

Troye Sivan Kept His Headliner Set Hot

Troye Sivan kicked off his mainstage set on Friday night dripping with innuendo. Replete with sexy outfit changes (including a pair of crotchless pants), effortlessly cool choreography and a very well-positioned mic in his pelvic region, the two-time GRAMMY nominee showed Barcelona that he not only has stadium-worthy tunes but is a stadium-worthy performer. Performing a medley of hits from his third studio album Something To Give You, Sivan's infectious pop tracks were perfectly timed to sexy and immaculately polished dance choreography (featuring his reliable backup dancer troupe of Simone Nolasco, Mauro van de Kerkhof, Benjamin Williams, Ainsley Hall Ricketts and Theo Maddix) against a campily creative set. 

The singer yearned alongside Spanish musician guitarricadelafuente on a silver silk bed as they duetted "In My Room," and belted out Ariana Grande’s "supernatural" in front of a mesmerizing anime video backdrop. Whether it was intimately crooning to synth-pop summer banger "Honey" or throwback hit "1999," Sivan was undoubtedly a mainstage highlight. As he wrapped up his set, the singer shouted out Barcelona's art and culture as an inspiration for Something To Give You. The Primavera performance was one of the biggest shows of his life, and closed this set with his anthem queer hit "RUSH."


Read more:
Meet The First-Time GRAMMY Nominee: Troye Sivan On "Rush," The Importance Of Dance-Pop & The Spirituality Of Partying

Yeule Opens Primavera With An Electric Set

Kitted out with tattoos, American flag-styled cargo trousers, a heather gray bikini top and chunky boots,  yeule is exactly as you see them: an uncategorizable phenomenon. While their set clashed with major alt-metal and indie acts Deftones and Pulp, yeule’s distorted, glitchy universe was more than immersive; it was an electronic, energetic undertaking that swept the audience away. Away from the main stages, yeule’s set felt like a charged techo-pop portal to their world of emotional, alt-rock tunes.

Shaped by everything from nu-metal, Avril Lavigne and My Chemical Romance, yeule sounds neither human nor computerized. Often conceptualized as being something of a "cyborg identity," yeule's music translates with a darkly alluring style onstage. They opened with the melodic "Electric" from their second studio album Glitch Princess, while the rest of the setlist beautifully emulated their recent album Softscares; an emotional futuristic electro-pop record. The musician’s punk rock inflected "cybermeat," "sulky baby" and "dazies" were highlights, pulling the crowd closer to the stage as well as new listeners in from nearby smaller stages. 

Performing against a flickering urban city backdrop illuminated the midnight sky, yeule's set created the perfect isolated, small-stage universe to hear their deafening screamo notes during "Bite My Neck" and the hauntingly mellow electro-rock closeout track "software update."

Clementaum Brings The Brazilian Party Spirit To The Boiler Room

The Boiler Room x Cupra stage was the place to be this year. While the Parc del Fòrum never fails to pull together an eclectic mix of talent, Primavera Sound truly thrived in showing its ability to channel the club, ballroom and EDM into a live festival setting. There was never a set that didn’t bring the festival goers in glam outfits and the ultimate dance party vibes. However, the raging techno beats of Clementaum that most caught our attention.

Playing to a packed room with festival-goers tightly crammed in even behind her decks, Clementaum led a chant ("Vai Brazil!") as her country’s flag was proudly waved in the crowd.  Feeling more like a late-night rave, the Brazilian DJ had us thriving on deep beat drops and pummeling beats that you couldn’t help but dance to. Artfully skilled, Clementaum fuses Afro-Latin rhythms, ballroom culture and amped-up electronica for an incredible, heart-racing high.

The trance beat-packed El NICK DGO x Clementaum banger "Dale Pal Party" had everybody dancing, while a full-throttle remix of "Puttuna" pushed things into another level. However, her live rendition of "Pirigótika" (a track with Brazilian singer Bibi Babydoll) was her hallmark performance, and proved that if you haven’t heard of Clementaum, be sure this won’t be the last time you come across her name. 

Amaarae’s Captivating Set Can't Be Boxed In By Genre 

There’s nothing Amaarae can’t do. Taking over the Amazon Music stage on May 30, the Ghanaian American Afrobeats musician can take on anything from punk to R&B. In Barcelona, Amaarae’s chameleonic talent showcases that no style (or genre) is too much for her to turn into a captivating set.

Amaarae proved that whatever mood she brings to stage, she devours, from effortlessly performing slow burner "Wasted Eyes" to silkily switching to "Disguise," a song of desire and domination, and segueing to alternative anthem "Sex, Violence, Suicide." 

Learn more: Meet The Latest Wave Of Rising Afrobeats Stars: AMAARAE, BNXN, Oladapo & More

Charli XCX Proves Her Pop Legacy For Primavera’s Final Night

Nobody throws a party like the ultimate "it" girl Charli XCX. From ranging pop bangers ("I Love It" to "Party 4 U"), the British pop star kept crowds dancing until 4 a.m. — and for good reason. While fans weren’t frightened away by heavy rain and thunderstorms during the festival’s final night, Charli XCX and her fans made Primavera’s final night one to remember. 

And, if you were lucky, you might’ve caught the star pull off an incredible surprise DJ set alongside co-collaborator A.G Cook, and finance The 1975 band member George Daniel. While the early announced pop-up set for her upcoming sixth studio album Brat fell just outside of the festival on Sunday, the sweaty beach-side crowd was packed with fans flocking from Primavera Sound to make sure they got their early hit of Charli XCX ahead of her mainstage set later that night. 

Ethel Cain Gets Political (And Personal)

Following the breakthrough of her sophomore album Preacher’s Daughter, Ethel Cain has been on an unstoppable rise. A goth-pop mix of Lana Del Ray and heartland-style emo rock, the Tallahassee-born musician is crafting her own Americana aesthetic shaped by desire, death and South Baptist Christian influences.

While playing a late afternoon set, the singer stepped out under the blazing sun delivering incredible vocals to fan favorites "Crush’’ and "House of Nebraska." The singer’s set highlights were elevated by two things: a new song and a political call-out that broke the divide between the festival crowd and on-stage artist. Dressed in a ‘Free Palestine’ t-shirt and with a keffiyeh hanging from her mic, the musician denounced genocide and advocated for the people of Gaze before launching into her viral anti-pop song, "American Teenager." 

Amidst her anti-war advocacy, the singer also slotted into a somber new song "Amber Waves," showcasing her penchant for eerie melodies and what fans can expect on her currently untitled upcoming project. 

Learn more: 15 LGBTQIA+ Artists Performing At 2024 Summer Festivals

SZA Brings Stardom, Swords & The Splits To 'SOS' Set

Whether it’s the instantly recognizable intro to "Good Days" or the viral rotations of "Kill Bill," SZA has long been dominating and driving contemporary pop and R&B. The GRAMMY winner highlighted her artistic versatility with deep cuts and chart hits (including those from her massively popular sophomore album SOS) to a packed mainstage crowd.

With a stage set designed to look like a ship, SZA was amplifying the message of SOS loud and clear – with hits, charismatic stage movements and impressive vocals to match. And, she didn’t stop there. From knife play routine to "Kill Bil" to full-throttle Miley Cryus-style and riding an anchor to dropping the splits mid-set, SZA gave a performance that continuously raised the bar. 

Read more: How 'SOS' Transformed SZA Into A Superstar & Solidified Her As The Vulnerability Queen

Music Festivals 2024 Guide: Lineups & Dates For Lollapalooza, Coachella, Bonnaroo & Much More

Photo of Romy performing during the C6 Fest at Parque Ibirapuera in Sao Paulo, Brazil, in May 2024. Romy is singing with her eyes closed in a blue and pink shirt.
Romy performs in Sao Paulo, Brazil

Photo: Mauricio Santana/Getty Images 

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15 LGBTQIA+ Artists Performing At 2024 Summer Festivals

From Renée Rapp, Chappell Roan and Ethel Cain, to Megan Thee Stallion and Conan Gray, 2024 summer festivals are stacked with a rainbow of amazing queer artists to see.

GRAMMYs/Jun 5, 2024 - 01:27 pm

Festival season is well underway, both stateside and abroad, with NYC’s Gov Ball, Chicago’s Lollapalooza, Tennessee’s Bonnaroo, and the UK’s Glastonbury Festival offering an array of acts across multiple stages.

In honor of Pride Month, we’ve rounded up a bunch of LGBTQIA+ artists gracing this summer’s festival circuit  — as well as a few Pride-specific festivals —  that you won’t want to miss. Whether you’re in the mood to dance the night away, cry on your best friend’s shoulder, or just vibe out, there are established and rising artists to suit festival-goers with a variety of musical tastes.

Chappell Roan

After opening for Olivia Rodrigo on her GUTS tour, Midwest Princess Chappell Roan took the world by storm with her live-streamed Coachella performance during the desert festival’s first weekend, coming back just as strong in the second weekend. She also performed on NPR's Tiny Desk series, and her latest single “Good Luck, Babe!” slingshotted her even further into super-stardom. You’d be foolish to miss your chance to catch her on this year’s festival circuit. This time next year, she’ll probably be headlining.  

Where to see Chappell Roan: 

The Governor’s Ball  

Queens, New York  

Performing Sunday, June 9 

Kentuckiana Pride Festival  

Louisville, Kentucky 

June 15 

Bonnaroo  

Manchester, Tennessee  

Performing Sunday, June 16 

Lollapalooza  

Chicago, Illinois 

Performing Thursday, Aug. 1 

Hinterland Music Festival 

Saint Charles, Iowa 

Performing Sunday, Aug. 4 

Osheaga Music & Arts Festival 

Montréal, Canada 

Performing Saturday, Aug. 3 

Outside Lands  

San Francisco, California 

Aug. 9 – Aug. 11 

Performance date TBD 

All Things Go 

Columbia, Maryland 

Performing Sunday, Sept. 29 

Renée Rapp 

“Mean Girl” Reneé Rapp has had a banner year promoting her 2023 debut album, Snow Angel, the follow-up to her 2022 EP Everything to Everyone, reprising her Broadway role of Regina George in the movie adaptation of the "Mean Girls" musical, collaborating with Megan thee Stallion, and coming out as a lesbian. Snow Angel found the singer exercising her range both vocally and emotionally, and her live performances show off those impressive vocals even more. Luckily, you have a few chances to catch her at a festival this summer. 

Where to see Renée Rapp: 

The Governor’s Ball  

Queens, New York  

Performing Sunday, June 9 

Bonnaroo  

Manchester, Tennessee  

Performing Saturday, June 15 

Lollapalooza  

Chicago, Illinois 

Performing Friday Aug. 2 

Osheaga Music & Arts Festival 

Montréal, Canada 

Performing Saturday, Aug. 3 

All Things Go 

Columbia, Maryland 

Performing Sunday, Sep. 29 

Blondshell 

Previously performing under the moniker BAUM, Sabrina Teitelbaum has found her niche as Blondshell, writing unflinchingly honest and relatable lyrics about the human condition and belting them out over noisy guitars. Blondshell burst on the scene in 2022 with a '90s-inspired sound, reminiscent of the shoegaze bands of grunge’s golden era. Her self-titled 2023 debut album explores themes of failed relationships and shame, sobriety, unrequited love for a woman, and even a little murder, all with levity and vulnerability most 20-somethings can relate to. 

Aside from the obvious perks of the loud guitars during her live set, you might also be lucky enough to catch a cool cover–she’s known to perform Le Tigre’s “Deceptacon” at shows, and she just released a cover of the Talking Heads’ “Thank You For Sending Me An Angel” for the A24 tribute album, Everyone’s Getting Involved.  

Where to see Blondshell: 

The Governor’s Ball  

Queens, New York  

Performing Friday, June 7 

Day In Day Out 

Seattle, Washington  

Performing Sunday, July 13 

Lollapalooza  

Chicago, Illinois 

Performing Thursday, Aug. 1 

Hinterland Music Festival 

Saint Charles, Iowa 

Performing Saturday, Aug. 3  

All Things Go 

Columbia, Maryland 

Performing Sunday, Sep. 29 

G Flip 

Maybe you always knew who G Flip was. Maybe you were introduced to the nonbinary Aussie artist when they made headlines for their relationship with reality TV star Chrishell Stause. Or maybe you became a fan when you heard their incredible, sapphic-twisted cover of Taylor Swift’s “Cruel Summer” for triple-J’s Like a Version series (which even got Taylor’s stamp of approval).   

However you found G Flip, you probably became a little obsessed instantly, marveling at their ability to croon and play the drums simultaneously without missing a beat. The energy G brought to their in-studio performance at triple-J is indicative of the energy you’ll see on the stage when they play a couple of festivals this summer.  

Where to see G Flip: 

The Governor’s Ball  

Queens, New York  

Performing Sunday, June 9 

Nashville Pride 

Nashville, Tennessee 

Performing Sunday, June 23 

Backlot Bash 

Chicago, Illinois 

June 30 

Spin Off Adelaide 

Adelaide, Australia 

July 19 

Romy

Romy might be better known as part of British indie trio the xx, but her career as a solo artist is just as worthy of recognition. Making feel-good dance music about queer love, the 2024 GRAMMYs first time nominee has the unique ability to transport you to a world where everything is okay and there’s no better place to be than moving in tandem with the people around you. For a true one-with-the-crowd festival experience, jumping around to Romy’s electro-pop is the perfect option. 

Where to see Romy: 

Osheaga Music & Arts Festival 

Montréal, Canada 

Performing Friday, Aug. 2 

Lollapalooza  

Performing Saturday, Aug. 3 

Outside Lands  

San Francisco, California 

Aug. 9 – Aug. 11 

Performance date TBD 

Ethel Cain

Ethel Cain is a force to be reckoned with. Despite the unconventional nature of her music  — which explores themes of religion and conceptual stories about abuse — she’s made a place for herself in the mainstream with singles like “Crush” and “American Teenager" (the latter track nabbed a spot on President Barack Obama’s end-of-year playlist in 2022).   

More than just a great storyteller, she’s an easy to admire artist who is outspoken about human rights. Plus, her performances always feel intimate, even when they’re on festival stages in front of a huge crowd. 

 Bonnaroo  

Manchester, Tennessee  

Performing Saturday, June 15 

Lollapalooza  

Chicago, Illinois 

Performing Saturday, Aug. 3 

Hinterland Music Festival 

Saint Charles, Iowa 

Performing Sunday, Aug. 4 

Thing Festival 

Carnation, Washington 

Aug. 9 – Aug. 11 

Performing Saturday, Aug. 10 

 All Things Go 

Columbia, Maryland 

Performing Saturday, Sep. 28 

Ryan Beatty

Singer/songwriter Ryan Beatty may be your favorite artist’s favorite artist. He became a bit of a teen sensation in the early aughts for his YouTube covers of popular songs, later gaining wider recognition for his Brockhampton collaborations. His solo career has since taken off, making him a reference point for other singer/songwriters — especially following his 2023 album, Calico 

His knack for songwriting even led him to working on a number of tracks on Beyoncé’s COWBOY CARTER album. Ryan’s songs are tender and full of yearning, brimming with raw and real emotion–it’s best to bring some tissues when you catch one of his sets. 

Where to see Ryan Beatty: 

The Governor’s Ball  

Queens, New York  

Performing Friday, June 7 

Bonnaroo  

Manchester, Tennessee  

Performing Saturday, June 15 

Lollapalooza  

Chicago, Illinois 

Performing Friday, Aug. 2 

Outside Lands  

San Francisco, California 

Aug. 9 – Aug. 11 

Performance date TBD 

The Japanese House 

Amber Bain, or the artist known as the Japanese House, shied away from publicity at the beginning of her career. Hand-picked by Matty Healy of The 1975 to make music under his label, Dirty Hit, Bain's haunting melodies and painfully relatable lyrics resonated with listeners and critics — even when they didn’t know who was singing and producing the tracks they were falling for.   

Now, she’s proud to take all the credit for her hard work and talent. The Japanese House’s latest effort, In the End It Always Does, is packed with resonant tracks about growing up, longing, existentialism, and even a sweet, sad ode to man’s best friend — her dog, Joni Jones, is named for Joni Mitchell — all of which sound incredible live. 

Where to see The Japanese House: 

Bonnaroo  

Manchester, Tennessee  

Performing Friday, June 14 

Lollapalooza  

Chicago, Illinois 

Performing Thursday, Aug. 1 

Osheaga Music & Arts Festival 

Montréal, Canada 

Performing Friday, Aug. 2 

Outside Lands  

San Francisco, California 

Aug. 9 – Aug. 11 

Performance date TBD 

 MUNA 

When MUNA calls themselves “the greatest band in the world,” they aren’t lying. The L.A.-based queer pop trio toured for nearly all of 2023, including playing as an opening act for select dates of Taylor Swift’s record-breaking Eras tour. Their fanbase blew up since signing to Phoebe Bridgers’ Saddest Factory Records in 2021 and releasing their third album, led by the hit single “Silk Chiffon.”   

MUNA has built on that momentum by perfecting their live show, as evidenced by two stellar sold out tour-closing shows at Los Angeles' Greek Theater. While they’re taking a break from touring to work on their next record, MUNA are making a few festival stops this summer, including in singer Katie Gavin’s hometown of Chicago.  

L.A. Pride in the Park 

Los Angeles, California 

Saturday, June 8 

Summerfest 

Milwaukee, Wisconsin 

June 20 – 22, June 27 – 29, July 4 – 6 

Performing Friday, June 27 

Pitchfork Music Festival 

Chicago, Illinois 

July 19 – July 21 

Performing Sunday, July 21 

Newport Folk Festival 

Newport, Rhode Island 

July 26 – July 28 

Performing Friday, July 26 

Ashnikko 

Ashnikko doesn’t fit into any box, and no two songs sound the same. The blue-haired phenom’s catalog spans from upbeat hyperpop-rap infusions about hard work, reimagined cheers from Bring It On with horror influences, and emo-tinged ballads about how scary it feels to be safely in love. With such a diverse range, you couldn’t possibly be bored watching her perform, especially since her live sets usually boast great visual effects and choreography.  

Where to see Ashnikko: 

Outloud Festival  

Los Angeles, California 

June 1 – June 2 

Performing Sunday, June 2 

Bonnaroo  

Manchester, Tennessee  

Performing Sunday, June 16 

Open’er Festival 

Gdynia, Poland 

July 3 – July 6 

Performing Wednesday, July 3 

Arlo Parks

GRAMMY-nominated singer/songwriter Arlo Parks is the mellow you need in your hectic festival schedule. The 24-year-old is wise beyond her years, as reflected in the gorgeous lyrics about falling in love all over her 2023 album, My Soft Machine: On “Devotion,” she sings, “Your touch embroiders me/I'm wide open,” on “Pegasus,” which features Phoebe Bridgers, she muses, “Never felt luckier than I do right now/Tell me you love me, let me have it.”  

Arlo also released her debut poetry book, The Magic Border, last year, offering her lyrical talent in an even more raw form of expression. While her music is soft and dreamy, she doesn’t shy away from hard and fast guitars on a bunch of tracks, making live performances more exhilarating than you might expect.  

Where to see Arlo Parks: 

Glastonbury Festival 

Pilton, England 

June 26 – June 30 

Performing Wednesday, June 26 

Mad Cool Festival 

Madrid, Spain 

July 10 – July 13 

Performing Saturday, July 13 

Osheaga Music & Arts Festival 

Montréal, Canada 

Performing Friday, Aug. 2 

Thing Festival 

Carnation, Washington 

Performing Saturday, Aug. 10 

Palehound

Indie band Palehound got a shoutout from the New York Times for their 2023 single, “Independence Day,” a hopeful, if not deluded, breakup song with plucky guitar and a fun-to-chant chorus about “living life like writing a first draft.” Despite having a pretty major reach, Palehound, made up of El Kempner (they/them) Zoë Brecher, and Larz Brogan, is still a fairly DIY band, which makes them all the more fun to listen to, especially live.  

NICE, a fest  

Somerville, Massachusetts  

July 25 – 28 

Performing Saturday, July 28 

Hinterland Music Festival 

Saint Charles, Iowa 

Performing Sunday, Aug. 4 

End of the Road Festival 

Larmer Tree Gardens, United Kingdom 

Aug. 29 – Sept. 1 

Performing Saturday, Aug. 31 

Megan thee Stallion 

Despite people trying to keep her down, Megan Thee Stallion continues to rise and conquer, putting the work above everything else. As an independent artist, this feat is even more impressive, but the total creative control she benefits from has allowed for exciting opportunities of self-expression that align with all the things that make Meg one-of-a-kind.  

Her 2024 video for “BOA” let the self-proclaimed anime nerd tap into her geek side, rich with references to her favorite animated shows and video games. And if you’ve seen any of her tour outfits lately–you know that you don’t wanna miss the chance to catch her at a festival this summer.  

Where to see Megan Thee Stallion: 

Bonnaroo  

Manchester, Tennessee  

Performing Sunday, June 16 

Broccoli City Festival 

Washington, D.C. 

July 27 – July 28 

Performing Saturday, July 27

Doechii 

Self-proclaimed “Swamp Princess” Doechii is one of the most exciting new artists of her time, seamlessly blending house influences and smooth R&B vocals with hip-hop beats and clever raps. She’s not afraid to have fun, either, especially when it comes to self-expression in her stylistic choices. Her surrealist music videos have garnered her praise and comparisons to legends like Missy Elliott, but despite all the influences, Doechii is truly one of a kind.  

Where to see Doechii: 

Outloud Festival  

Los Angeles, California 

Performing Saturday, June 1 

The Governor’s Ball  

Queens, New York  

Performing Saturday, June 8 

Tinashe

Tinashe has been around for years, but she’s having a renaissance at the moment thanks to her new single “Nasty,” a sexy bop for the summer which has inspired viral dance trends on TikTok. The multi-talented singer is also a hell of a dancer herself, and her live shows give her the perfect opportunity to show off her moves. If you get the chance to catch her at a festival this summer, don’t pass it up.  

Where to see Tinashe:  

Nashville Pride 

Nashville, Tennessee 

Performing Saturday, June 22 

Open’er Festival 

Gdynia, Poland 

Performing Wednesday, July 3 

Underscores

No music festival bill is complete without a dubstep-adjacent artist, and Underscores is here to fill the gap with her Skrillex-inspired beats. A self-taught producer and vocalist, Underscores started playing around with making beats and loops as a kid, graduating to GarageBand before releasing music at just 13 years old.  

Now 24, she’s been officially releasing music for over a decade, showing off her wide range of influences in eclectic tracks that have hints of bedroom pop, hyperpop, emo, metal, and of course, dubstep. While her production is unique and stellar, her topical and tongue-in-cheek lyrics are not to be overlooked, either.  

Where to see Underscores: 

The Governor’s Ball  

Queens, New York  

Performing Friday, June 7 

Conan Gray

After rising to fame on TikTok in 2020 with his soft and sad unrequited love anthem, “Heather,” Conan Gray has kept the momentum going by not being afraid to try new things. His latest album, Found Heaven, is full of '80s new wave inspired synth pop, offering him a new slate to show off some powerhouse vocals. It also features production and writing assistance from powerhouse producer/songwriter Max Martin, elevating Conan’s sound to new levels that are good for more than just TikTok soundbites.  

Where to see Conan Gray: 

 Lollapalooza  

Chicago, Illinois 

Performing Sunday, Aug. 4 

Music Festivals 2024 Guide: Lineups & Dates For Lollapalooza, Coachella, Bonnaroo & Much More 

PRIDE & Black Music Month: Celebrating LGBTQIA+ & Black Voices