A star-studded cast of artists and activists in the LGBTQ+ community will take part in Pride Live's special Stonewall Day streaming event. The lineup features performances by Kesha and Hayley Kiyoko plus appearances by big names from the worlds of music, fashion, entertainment and politics, including Taylor Swift, Demi Lovato, Cynthia Erivo, Katy Perry, Christian Siriano, George Takei, Donatella Versace, Chelsea Clinton and more.

Additionally, President Barack Obama will appear and deliver a special message of support during the livestream event, which will be hosted by trans advocate and model Geena Rocero.

"As a trans woman and immigrant born and raised in the Philippines, it’s an honor to host a Pride event with such world-renowned talent," Rocero told People. "Working with Pride Live, we will ensure that Stonewall Day and its messages of community and resiliency reach LGBTQ people all over the world, especially LGBTQ people of color."

Nearly all in-person Pride events during Pride Month have been cancelled, according to Rolling Stone. The online festivities will celebrate the anniversary of the historic 1969 Stonewall Riots as well as the five year anniversary of the Supreme Court's pivotal ruling in Obergefell v. Hodges for marriage equality. Proceeds from the event will go toward supporting LGBTQ+ organizations affected by COVID-19.

"COVID-19, and the recent events that have placed a national and global spotlight on the need for fair and equal treatment for all people, has impacted so many around the world and the LGBTQ+ community has not been immune," Dr. Yvette C. Burton, the president of the Pride Live board of directors, said in a statement. "This has resulted in vital and life-saving LGBTQ+ organizations having to severely amend their budgets and programs," Dr. Burton continued. "Our hopes are Stonewall Day can assist our beneficiaries in continuing their work and service to the community."

Stonewall Day will air Friday, June 26 from 12:45 p.m. to 3:00 p.m. EDT on Logo's Facebook and YouTube pages. 

How Black Trans Artists Are Fighting To Achieve Racial Justice & Amplify Queer Voices

One of the biggest days in music has arrived: the nominations for the 2024 GRAMMYs.

With the excitement of the 2024 GRAMMYs nominations — which were announced on Nov. 10 — comes many big milestones. Whether it's first-time feats by this year's most nominated artist, SZA, or record-tying nominations by Taylor Swift, there's several intriguing takeaways from the 94 categories.  

Below, check out five major outcomes of the 2024 GRAMMYs nominations.

SZA's Big Year Is Rewarded

There's no denying that SZA has been one of the year's most in-demand artists, and her GRAMMY nominations reflect that. With nine nominations, SZA is the most-nominated artist at the 2024 GRAMMYs — and she has a lot of new milestones to celebrate.

With 15 nominations and one win going into the 2024 GRAMMYs, SZA had already received nods in several major categories. But her most recent noms are particularly special because they're all for her own work.

SZA's ambitious second album, SOS, is the singer's first LP to receive an Album Of The Year nomination, while lead single "Kill Bill" is her first solo song to be nominated in the Record Of The Year and Song Of The Year categories. (She was previously nominated for AOTY as a featured artist on Doja Cat's Planet Her (Deluxe) in 2022, and for ROTY and SOTY with Kendrick Lamar for "All The Stars" in 2019 and with Doja Cat for "Kiss Me More" in 2022.)

Plus, the R&B star expands her nominations within her own genre: she's nominated in the Best Progressive R&B Album (SOS) and Best Traditional R&B Performance ("Love Language") categories for the first time.

Women Lead The Pack

Who run the 2024 GRAMMYs? Girls.

SZA is far from the only female artist with several GRAMMY nominations this year. Of the nine most-nominated artists, eight are women: SZA (9), Phoebe Bridgers (7), boygenius (6), Brandy Clark (6), Miley Cyrus (6), Olivia Rodrigo (6), Taylor Swift (6), and Victoria Monét (6). As Cyrus noted in a social media post celebrating her nominations, "Watching women win & rule the music industry makes me proud."

In fact, a majority of this year's leading nominees are women artists or groups. The Record Of The Year and Album Of The Year categories, as well as the Best Pop Solo Performance category, are all dominated by women.

What's more, four of five nominees in the Best R&B Song and Best R&B Album are women — the latter of which features Babyface's Girls Night Out, an album of collaborations with female artists.

'Barbie' Dominates Once Again

Another woman who took over the 2024 GRAMMYs nominations was Barbie — well, sort of.

The Barbie soundtrack and some of its hit songs received 11 nominations, four of which dominate the Best Song Written For Visual Media category: Nicki Minaj's and Ice Spice's "Barbie World," Dua Lipa's "Dance The Night," Ryan Gosling's "I'm Just Ken," and Billie Eilish's "What Was I Made For?" (They'll be competing against Rihanna's highly anticipated return to music, "Lift Me Up" from Black Panther: Wakanda Forever.)

"Dance the Night" also earned a coveted Song Of The Year nomination, while "What Was I Made For?" scored nods in both Song Of The Year and Record Of The Year, as well as Best Pop Solo Performance. Additionally, "Barbie World" received a nomination for Best Rap Song.

Naturally, Barbie The Album is nominated for Best Compilation Soundtrack For Visual Media nomination. Mark Ronson's genius was further rewarded with a nom for Best Score Soundtrack For Visual Media, which he earned alongside his co-composer, Andrew Wyatt.

Artists Add Big Firsts

Like the 2023 GRAMMYs nominations, the 2024 GRAMMYs nominations resulted in many exciting firsts. While several artists are receiving their first GRAMMY nods — some of which will be highlighted in GRAMMY.com's Meet The First-Time GRAMMY Nominee series in January — there are also several GRAMMY veterans with firsts to celebrate

Taylor Swift, for example, became the first songwriter to receive seven nominations in the Song Of The Year category. Along with her current nomination for "Anti-Hero," she was previously nominated for "All Too Well (10 Minute Version) (The Short Film)," "cardigan," "Lover," "Blank Space," "Shake It Off," and "You Belong With Me." And she could be making even more history at the 2024 GRAMMYs — but more on that later.

Miley Cyrus also achieved new GRAMMY feats, as her acclaimed eighth album, Endless Summer Vacation, is the pop star's first project to receive an Album Of The Year nomination. (She received an AOTY nod in 2022 as a featured artist on Lil Nas X's MONTERO.) The LP's smash lead single, "Flowers," helped Cyrus earn her first nominations in the Record Of The Year, Song Of The Year and Best Pop Solo Performance categories as well, and her collab with Brandi Carlile, "Thousand Miles," earned her first nod for Best Pop Duo/Group Performance.

R&B singer Victoria Monét isn't celebrating her first GRAMMY nominations this year, but she is celebrating her first as an artist. Monét had previously received three nominations: two in 2020 for her work as a songwriter/producer on Ariana Grande's "7 rings" (Record Of The Year) and thank u, next (Album Of The Year), and one in 2021 for Chloe x Halle's "Do It" (Best R&B Song). All six of her 2024 GRAMMY nominations recognize her work as an artist herself, including the esteemed honor of Best New Artist. Her other nods are for her debut album, JAGUAR II: Record Of The Year ("On My Mama"), Best R&B Performance ("How Does It Make You Feel"), Best Traditional R&B Performance ("Hollywood"), Best R&B Song ("On My Mama"), and Best R&B Album.

This also isn't the first time Phoebe Bridgers has received GRAMMY nominations — but it is for her supergroup boygenius, as well as for her bandmates Lucy Dacus and Julien Baker. With their six nods (including Album Of The Year for the record and Record Of The Year for "Not Strong Enough"), they became the first group to receive six or more GRAMMY nominations in a single year since 2012, when fun. and Mumford & Sons received six nominations each at the 2013 GRAMMYs.

A handful of other previously GRAMMY-nominated artists received their first nominations in new categories this year. 2022's Best New Artist, Olivia Rodrigo, earned her first in a Rock category for "ballad of a homeschooled girl" (Best Rock Song); 2022's Album Of The Year winner, Jon Batiste, has his first in the Song Of The Year ("Butterfly") and Best Pop Duo/Group Performance ("Candy Necklace" with Lana Del Rey) categories; Brandy Clark collected her first in the Best Americana Performance ("Dear Insecurity" with Brandi Carlile), Best American Roots Song ("Dear Insecurity") and Best Americana Album (Brandy Clark) categories, as well as her first in the Best Musical Theater Album category for "Shucked."

It's actually the first time a few artists are nominated for contributions to film and theater: Dua Lipa, Nicki Minaj and Rihanna are all first-time Best Song Written For Visual Media nominees, and Josh Groban earned his first nod in the Best Musical Theater Album category, for his role as principal vocalist in "Sweeney Todd: The Demon Barber Of Fleet Street."

Last but certainly not least, in the Best African Music Performance category — one of three new categories for the 2024 GRAMMYs — four of the five artists or groups are first-time GRAMMY nominees: ASAKE & Olamide ("Amapiano"), Davido Featuring Musa Keys ("UNAVAILABLE"), Ayra Starr ("Rush"), and Tyla ("Water").

Taylor Swift Aims For More GRAMMY History

As Swifties know, Taylor Swift is no stranger to making GRAMMY history. In 2021, she made history as the first female artist to win Album Of The Year three times — but in 2024, she could become the artist with the most wins in the category ever.

That's right: If Swift's Midnights takes home the golden gramophone for Album Of The Year, she'll have a record-breaking four wins in the category, passing Frank Sinatra, Paul Simon and Stevie Wonder.

Even if she doesn't win, Swift has already tied a GRAMMY record. With her nomination for Midnights, Swift now ties Barbra Streisand for most nominations by a female artist for Album Of The Year, with six nominations in the category each. 

Will Taylor Swift make more GRAMMY history? Will SZA cap off her unstoppable year with a GRAMMY win? Will Miley Cyrus get her "Flowers"? Tune into CBS on Feb. 4, 2024 to find out!

2024 GRAMMY Nominations: See The Full Nominees List

The Song Of The Year GRAMMY Award honors the best releases in the music business, and the eight nominees for the golden gramophone at the 2024 GRAMMYs come from a variety of established singer/songwriters. From dance anthems to pop bops, ballads and R&B smashes, the nominees for Song Of The Year showcase the breadth of emotions of the past year.

Before tuning into the 2024 GRAMMYs on Sunday, Feb. 4, 2024, learn more about this year's Song Of The Year nominees below.

"A&W" - Lana Del Rey

Songwriters: Jack Antonoff, Lana Del Rey & Sam Dew

The second single from her ninth studio album, Did You Know That There's a Tunnel Under Ocean Blvd, "A&W" is a refreshing addition to Lana Del Rey’s expansive discography.

Another shattered portrait of the American Dream, the seven-minute epic, oscillates from madness to exhaustion, as Del Rey described feeling burned out by being objectified and perceived as an "American whore." What begins as a psychedelic folk ballad erupts into a defiant trap number interpolated with a doo-wop standard by the four-minute mark of the chaotic number.

"I’m a princess, I’m divisive/Ask me why I’m like this/Maybe I just kinda like this," Del Rey anxiously warbles. Later, she expresses her resignation surrounding rape culture: "If I told you that I was raped/ Do you really think that anybody would think/ I didn't ask for it? I didn't ask for it/ I won't testify, I already f—ed up my story."

"Anti-Hero" - Taylor Swift

Songwriters: Jack Antonoff & Taylor Swift

"Anti-Hero" showcased a new side of Taylor Swift — a rare moment where the 33-year-old pop star confronted her flaws in the public eye.

"I really don’t think I’ve delved this far into my insecurities in this detail before," Swift said of the track in an Instagram video. "Not to sound too dark, but, like, I just struggle with the idea of not feeling like a person."

The self-loathing synth-pop anthem — with its cheeky chorus — catapulted "Anti Hero" into virality. With its ubiquitous meaning, the song topped charts and became a staple of pop radio. Now, it’s enjoying the highest praise as a contender for Song Of The Year. 

"Butterfly" - Jon Batiste

Songwriters: Jon Batiste & Dan Wilson

Beyond its sound, what makes Jon Batiste’s "Butterfly" so stunning is the story behind it. The touching jazz-soul fusion track is an iteration of the lullabies Batiste penned while his wife Suleika Jaouad was hospitalized during her cancer treatment.

"It’s just such a personal narrative song in relation to my life and what my family has gone through and my wife and all of the things she’s been able to overcome," the 36-year-old GRAMMY winner told PEOPLE.

"Butterfly" is featured on Batiste's latest album, World Music Radio. Like much of his discography, "Butterfly" is inherently uplifting but there’s an underlying yearning for freedom. "Butterfly in the air/ Where you can fly anywhere/ A sight beyond compare," Batiste croons over stripped-down keys.

"Dance The Night" (From Barbie The Album) - Dua Lipa 

Songwriters: Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt

With the release of her pop-funk epic Future Nostalgia during the COVID-19 pandemic, Dua Lipa proved she could master the art of escapism. On "Dance The Night," a thrilling dance-pop number from the star-studded Barbie soundtrack, she channels that same inspiration with a side of glitter and glam.

"Greta said that the whole film was inspired by disco. There’s a lot of very glittery and pop moments in it," the 28-year-old singer said of how the track fits into the movie in an interview with Dazed.

Over a sleek synth, the pop star reflects the unwavering joy Barbie outwardly emanates while she’s crumbling inside: "Even when the tears are flowin' like diamonds on my face/I'll still keep the party goin', not one hair out of place (yes, I can)."

"Flowers" - Miley Cyrus

Songwriters: Miley Cyrus, Gregory Aldae Hein & Michael Pollack

Miley Cyrus has perfected the art of reinventing herself. With the post-breakup number "Flowers," she reclaimed her independence and took a hard turn from gritty rock back into pop music. "I can take myself dancing, yeah/ I can hold my own hand/ Yeah, I can love me better than you can," she belts over a disco-pop beat.

While the 30-year-old musician wouldn’t share if "Flowers" was indeed about her ex-husband Liam Hemsworth, the song became an empowering earworm from a more refined version of the longtime musician.

"The song is a little fake it till you make it," she said of "Flowers" in an interview with British Vogue. "Which I’m a big fan of." It turns out she made it with a nomination for Song Of The Year at the 2024 GRAMMY Awards.

"Kill Bill" - SZA

Songwriters: Rob Bisel, Carter Lang & Solána Rowe

On the psychedelic R&B groove of "Kill Bill," which references the legendary Quentin Tarantino film, SZA dreams up her own unfiltered revenge fantasy. "I might kill my ex / Not the best idea / His new girlfriend's next / How'd I get here?" she ponders over an airy melody.

The song stands out on the R&B singer’s latest album, SOS, for not only its cheeky wordplay but for how visceral she portrayed the devastation of a breakup. 

Despite its popularity, the 34-year-old singer initially thought one of the other songs on her 23-track album would have topped the charts. "It's always a song that I don't give a f— about that's just super easy, not the s— that I put so much heart and energy into. 'Kill Bill' was super easy — one take, one night," the singer told Billboard of "Kill Bill’s" success.

"Vampire" - Olivia Rodrigo

Songwriters: Daniel Nigro & Olivia Rodrigo

Like her explosive debut "Drivers License," Olivia Rodrigo opted for a swelling power ballad for the lead single of her sophomore album Guts. On "Vampire," the singer/songwriter recalls a parasitic relationship with a swelling power ballad that erupts into a booming guitar breakdown. "Bloodsucker, famef—er/ Bleedin' me dry, like a goddamn vampire," she sings with a bitter lilt.

While many speculated the song was about a toxic relationship, Rodrigo claimed it’s more nuanced than that. "It’s more about my regret and kind of beating myself up for doing something that I knew wasn’t gonna turn out great and kind of just taking ownership of that and dealing with those feelings," she told Sirius XM Hits 1.

Regardless, the 20-year-old artist turned something bitter into something sweet by landing a Song Of The Year nomination.

"What Was I Made For?" [From The Motion Picture "Barbie"] - Billie Eilish

Songwriters: Billie Eilish O'Connell & Finneas O'Connell

Not only was the Barbie movie a massive hit, its soundtrack was, too, thanks to a slew of chart-topping artists including Dua Lipa, HAIM and Sam Smith. So it’s no surprise that Billie Eilish made that list as well, and delivered a gutting ballad that soundtracked one of the most heartbreaking moments of the film.

The wistful single, which arrives at the devastating realization that you’re not real and are instead meant to be consumed, aptly embodies the narrative arc of the box office smash. "Looked so alive, turns out I'm not real/ Just something you paid for/ What was I made for," the 21-year-old musician sings with a heartbreaking lilt. 

While writing the sobering number, Eilish tried to embody the essence of the life-sized doll herself. "I was purely inspired by this movie and this character and the way I thought she would feel, and wrote about that," she told Zane Lowe of Apple Music. 

The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, returns to Los Angeles' Crypto.com Arena on Sunday, Feb. 4, 2024, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

The Recording Academy and GRAMMY.com do not endorse any particular artist, submission or nominee over another. The results of the GRAMMY Awards, including winners and nominees, are solely dependent on the Recording Academy’s Voting Membership.

2024 GRAMMY Nominations: See The Full Nominees List

Throughout the past year, Miley Cyrus, Billie Eilish, Olivia Rodrigo and Taylor Swift delivered inescapable pop anthems, while Victoria Monét and SZA proved that R&B deserves a place in the spotlight. Jon Batiste continued to evolve his artistry, while indie supergroup boygenius made an anticipated comeback.

With so many standout moments, the golden gramophone Record Of The Year — which is awarded to the artist and the producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s) — is shaping up to be a thrilling contest at the 2024 GRAMMYs, officially known as the 66th GRAMMY Awards.

Before tuning into the 2024 GRAMMYs on Feb. 4, 2024, learn more about this year's Record Of The Year nominees below.

Jon Batiste - "Worship" 

Jon Batiste has been revered for his refreshing take on jazz, but the multi-instrumentalist showed that his talents stretch beyond the genre on his seventh album, World Music Radio.

Album highlight "Worship" encapsulates the LP’s message of unification and community by fusing various global sounds. The song is quite the joyride, beginning with bellowing organs before a choir joins with a glorious harmony and finally explodes with a Latin samba party. "We are born the same / Return to that place" Batiste repeats throughout the song, driving home his inclusive mission.

"Worship" is a joyous anthem and, following his Album Of The Year win at the 2023 GRAMMYs for We Are, it’s clear the five-time GRAMMY winner is keeping the celebration going.

boygenius -"Not Strong Enough"  

Nearly five years after boygenius released their debut self-titled EP, the trio of Julien Baker, Phoebe Bridgers and Lucy Dacus returned again with a full-length, The Record. 

The LP beautifully captured just how well the women rockers work together, and their chemistry is best seen in "Not Strong Enough." The single’s lush harmonies and feather-light guitars are a contrast to the candid lyricism, which attempts to juggle insecurities and having a God complex. 

"The two wolves inside us can be self-hatred and self-aggrandizing," Bridgers explained to Rolling Stone. "Being like, ‘I’m not strong enough to show up for you. I can’t be the partner that you want me to be.’ But also being like, ‘I’m too f—ed up. I’m unknowable in some deep way!’"

"Not Strong Enough" marks a career milestone for boygenius, as it's the group’s first nomination for Record Of The Year.

Miley Cyrus - "Flowers"  

A truly great pop star knows how to make a break-up anthem for the ages. Miley Cyrus already had a few under her belt, but she kicked off the year with her strongest offering to date.

"Flowers" was suggested to be inspired by Cyrus’ divorce from Liam Hemsworth, but the song’s messaging goes well beyond the singer’s personal life. Many can relate to having to pick up the pieces of a broken heart, but Cyrus’ confident vocals paired with the soaring disco-inspired melody reassure that self-love is the ultimate healer.

"The chorus was originally: ‘I can buy myself flowers, write my name in the sand, but I can’t love me better than you can,’" the singer told British Vogue of the song’s original lyrics. "It used to be more, like, 1950s. The saddest song. Like: ‘Sure, I can be my own lover, but you’re so much better.’" 

The subtle decision to flip the "can’t" into a "can" showcases the brilliance of Cyrus’ songwriting, which ultimately makes the meaning of "Flowers" that much more empowering.

Billie Eilish & FINNEAS - "What Was I Made For?" 

The Barbie movie was arguably this year’s biggest pop culture phenomenon, so of course the soundtrack had equally big names. But among the midst of fast-paced and glittery pop songs, Billie Eilish’s contribution tugged at heartstrings. The seven-time GRAMMY winner teamed with her brother and go-to collaborator FINNEAS for "What Was I Made For?"

It’s a tender, melancholic ballad that ties in the movie’s themes of autonomy and balancing feminism in a patriarchal world, with Eilish still holding on to hope: "I don’t know how to feel / But someday I might." The song reflects a universal experience for many women, including Eilish herself — although she didn’t realize it at first. 

​​"I was purely inspired by this movie and this character and the way I thought she would feel and wrote about that," Eilish told Zane Lowe for Apple Music 1. "Over the next couple days, I was listening and [realized] I was writing for myself and I don’t even know it." That relatability is one of the beauties of music, for listeners and artists alike.

Victoria Monét - "On My Mama"  

Victoria Monét has a long songwriting history, penning hits for the likes of Brandy, BLACKPINK, Chloe x Halle and longtime friend Ariana Grande. And while she’s released solo music in the past, her debut album Jaguar II cements her place within R&B’s new crop of stars. Third single "On My Mama" took the scene by storm, bringing together millennials and Gen Z’s shared love of ‘00s nostalgia. 

Sampling Chalie Boy’s 2009 song "I Look Good" and lined with Monét’s signature horns, the song is a celebration of Black southern culture. As Monét described it on "The Ebro Show" on Apple Music 1, "It’s an anthem for affirmations, positive self-talk, manifestations, living in abundance, [and] speaking things into existence."

Olivia Rodrigo - "Vampire" 

What makes Olivia Rodrigo a captivating artist is her honesty. Her ability to capture her generation’s emotional nature is why 2021’s debut album Sour took pop music by storm (and also made her a three-time GRAMMY winner). And she’s continued the movement with "Vampire", the lead single from her sophomore album, Guts. 

The song is a red herring of sorts, beginning with melancholic piano keys that often kickstart the singer’s tunes. But rather than shed tears, she unleashes the fury of a woman scorned, dishing out insults to a manipulative ex-lover that ripped her heart out. "Bloodsucker, famef—er / Bleedin' me dry, like a goddamn vampire" she seethes on the chorus. The best revenge is always served cold.

Taylor Swift - "Anti-Hero" 

Taylor Swift has grown to be even more self-aware as her status ascends. She knows being a pop superstar comes with its challenges, and “Anti-Hero” reveals the woman behind the glitzy veil. Inspired by her nightmares, the chart-topping smash from tTaylor Swift has become even more self aware as her status ascends. She knows being a pop superstar comes with its challenges, and "Anti-Hero" reveals the woman behind the glitzy veil.

Inspired by her nightmares, the chart-topping smash from the 12-time GRAMMY winner’s tenth album Midnights is a personal journal into feelings of self-doubt and anxiety. But in natural Swift fashion, the dark lyricism is anchored by hopeful pop synths courtesy of longtime collaborator and co-producer Jack Antonoff. The video heightens the song’s themes, as Swift confronts various versions of her former selves.

"We all hate things about ​​ourselves, and it's all of those aspects of the things we dislike and like about ourselves that we have to come to terms with if we're going to be this person," Swift shared with fans on Instagram. That refreshing honesty is what makes "Anti-Hero" one of the singer’s most successful songs to date.

SZA - "Kill Bill"  

Leave it to SZA to make murder sound so sweet. On SOS standout single "Kill Bill," the singer takes a page from director Quentin Tarantino by nodding to his 2003 film, as she lives out her vengeful fantasies. 

The GRAMMY winner’s raging jealousy landed "Kill Bill" atop the Billboard Hot 100, making it her first-ever solo No.1 hit. SZA brought the fatal single to life with a cinematic music video, which pays homage to Kill Bill with fierce action scenes and  an appearance from Vivica A. Fox, who starred as a Deadly Viper and Thurman's enemy Vernita Green in the film.

"I've never raged the way that I should have. This is my villain era, and I'm very comfortable with that," the singer shared with Glamour about her album’s themes. "It is in the way I say no. It's in the f–ked up things that I don't apologize for." And with lyrics like "I did all of this sober" on "Kill Bill," you have no choice but to believe her.

2024 GRAMMY Nominations: See The Full Nominees List