Bastille’s Dan Smith On Technological Mania & The "Totally Bizarre" Timing Of Their New Album, 'Give Me The Future'

Photo: Sarah Louise Bennett


Bastille’s Dan Smith On Technological Mania & The "Totally Bizarre" Timing Of Their New Album, 'Give Me The Future'

The frontman dives into the futuristic world that inspired 'Give Me The Future,' and how it resulted in the British pop-rock group's most thought-provoking album to date

GRAMMYs/Feb 3, 2022 - 08:22 pm

Like many artists, Bastille's Dan Smith used the unprecedented downtime induced by the COVID-19 pandemic to churn out an abundance of music. But perhaps unlike his peers, Smith had already begun feverishly creating before quarantine — and even more uniquely, he practically manifested the technology-driven era that ensued.

Bastille's fourth album, aptly titled Give Me the Future, explores the transportive nature of technology, and the complexities and pitfalls that come with it. Take the opening verse of the racing track "Back To the Future" ("Feels like we danced into a nightmare/ We're living 1984") or the entire message of "Plug In," which encapsulates in the line "We're living in a sci-fi fantasy."

Despite this, Smith and his band still feel hopeful about what lies ahead. And sonically, Give Me the Future hasn't steered away from the British group's signature upbeat, pop-driven melodies — if anything, the album's escapist nature has sent their anthemic sound into hyperdrive.

Smith attributes part of its impactfulness to their collaborators, as it's the first time Bastille has opened the doors to co-writers and co-producers beyond their go-to guys, Mark Crew and Dan Priddy. GRAMMY-winning superproducer Ryan Tedder executive-produced the LP; pop hitmaker Rami Yacoub co-penned four tracks; and actor Riz Ahmed provided "Promises," a moving interlude that was born out of his takeaways from listening to Give Me the Future.

Ahead of the album's release, Smith chatted with to detail its thought-provoking themes, what it was like to let go creatively, and where he thinks the future is headed.

What was it like seeing the pandemic unfold after you had conceptualized an album that had eerily similar themes to some of what we experienced with technology and beyond?

I wanted to make this record that was about escapism via losing yourself in your mind, and transporting yourself elsewhere with technology and with dreaming — with imagination. And I loved the idea of the freedom that that allowed within an album. But I think, ultimately, it was kind of too freeing. So as the album progressed, we honed in on the science-fiction, more future-leaning elements of it.

The fact that we live in a time where the future can often look pretty grim, and people are trying to reverse that or change it in a positive way. We're constantly confronted by what the future is for us on a macro and micro level, and personally and societally, and that's a f*****ing s***load to get your head around whilst also getting on with your life.

It was just about trying to create a bunch of songs that kind of represent that, and speak to what it is to be a human with a kind of vulnerable brain and existence in and amongst all that stuff. I think the point of the album was to be like, "Some of this is terrifying. Some of this is hilarious. Some of this is completely absurd." Hopefully, it kind of pulls together these themes whilst also being quite honest and human about it.

The irony is not lost on me that we made this album about humanity and its relationship to technology in the context of writing songs over Zoom. Looking back at this album, it feels pretty fitting that it was made in this time.

It's also crazy that the album before this was called Doom Days. Is that a coincidence? Or are you, like, a psychic?

If I am, I'm sorry for what I've brought forward. [Laughs.]

When the pandemic began, all of our fans were joking that we predicted it. To have just come out of an album cycle for an album called Doom Days about a night out during an apocalypse, it's totally bizarre. And very surreal.

We released a song in 2020 called "survivin'." We literally finished it and played it for our A&R guy, like, a week before lockdown hit the UK. For me, it was about mental health struggles, and it was about coming off the back of seven, eight years of touring and the impact that that has on your head. It was quite a personal song, but obviously veiled in imagery.

It took quite a lot of encouraging for me to allow us to put that song out, because I just felt like releasing a song called "survivin'" in the middle of a pandemic, when people were struggling so much and so many people were losing their lives, felt in really poor taste. Also, I was worried that it would seem like I'd written it in response. Enough of my friends who'd heard it had said, "This feels different. It feels fresh, and it also is quite cathartic."

It is a pretty poignant song.

It's just weird. Maybe it's because I only ever write about depressing topics, but it seems to keep happening. First it was the apocalyptic album, then it was "survivin'," and now it's this.

I'm constantly joked with by our team and our managers. They're like, "Just write some f***ing love songs. Write some f***ing breakup songs**.** Make your life a bit easier, stop trying to write about all of these things." That's why I wrote [the Marshmello collab] "Happier," just to prove that I could have a go at writing a breakup song.

You're like, "Screw you guys for asking me for love songs. This is clearly working. Look at this amazing album."

I f***ing love pop music in all of its many, many, many forms. So there's always going to be a pop sensibility to what we write. But it's about having fun within that and exploring, like, "How interesting can you make melodies? How much can we push the lyrical content and themes to take you somewhere you weren't expecting to go?"

I wrote a load of love songs and breakup songs in and around writing this album, and maybe some of them will see the light of day. But I think about "Happier," and it's such a f***ing ridiculously depressing, sad, breakup song. It was written on a piano, but obviously, it's framed in the context of an EDM track. It really transforms it and changes it.

It's those kind of Trojan-horse tracks where you hear it, and you're like, "This is catchy." And then, if you properly listen to the lyrics, you're like, "Oh my god, is this person, okay?"

I feel like nine times out of 10 when you actually listen to a song's lyrics, you're like, "Wait, this is horribly depressing — but I was dancing the whole time?"

I think that's the responsibility of a songwriter, or a musician, or a pop star. It's your responsibility to use your platform to try and subtly — or very obviously — Trojan horse in something interesting, something different, something a bit provocative, or whatever. That's where pop can be really exciting. And it can be like, whatever the f*** you want it to be.

This album was the first Bastille project on which you brought in collaborators, like Ryan Tedder, who executive produced it. How did he get involved?

We can go down rabbit holes with our albums. We just made so much music, we really wanted a fresh perspective from the outside. We sent him all of the music, he listened, and we chatted a few times. It was almost like an A&R role for a minute.

There's a song on the album called "No Bad Days" that I really love, but I wouldn't necessarily have thought that it would be a single. He singled out that track and was like, "This song is amazing. You should definitely make it a kind of focus track for this record."

I think there's probably an expectation with our band, that a single is going to be sonically big, maybe bombastic, and definitely sort of upbeat. But not all of our songs do that. We have so many small, intimate songs — across our albums, we've tried f***ing everything, and I love that about the band. But sometimes, because of the nature of things, the songs that people hear are one type of song.

For him to pick that song out — it's a hugely personal song to me. It's about my aunt who died, and she went down the path of assisted dying. She's from Australia, and she was one of the first people to opt in for that there. That was wildly empowering for her in the context of an illness that didn't really leave her with a huge amount of agency. I went to Australia to say goodbye to her with my sister, and came back, and that song kind of just fell out.

So to have someone from the outside hear something in that song that was maybe relatable, or resonant to him, those were the things, in terms of his involvement, that felt really important. It's become quite an important song on the record.

Did the process kind of make you think, "Hey, maybe we shouldn't be so protective of our music"?

I think so. I feel like as we progress, the moments in our music that I'm most proud of are the ones that other people bring to what we do. I can be like, "Guys, listen to this!" because it's not my f***ing annoying voice singing.

It's me as the sort of dorky music fan getting to sort of signal the genius that other people are generous enough to bring to our music. That's what makes me excited.

[Bastille] has always been quite a DIY project, from sort of concepts to where it gets to. I think I've maybe held onto that slightly too tightly. It's been really nice chilling out a bit.

Between the statements you're making on the album, and the fictional tech world you're creating with Future Inc, are there certain impacts that you're hoping Give Me the Future will have? Or is it more just about saying your piece?

I mean, we're just a little band who make pop songs. So I don't expect there to be any impact at all. I think it's more the catharsis of being able to say things you feel like you want to say, and hopefully articulate them in a way that is vaguely interesting and thought-provoking.

When it comes to the themes of science fiction, and people pondering over the state of the world as it is — and it might be in the future — there are so many incredibly intelligent people spending all of their waking hours thinking about and articulating thoughts on those topics all over the world at all times. I think our whole position is just to sort of wander into it. 

We've watched and read a lot, and written some songs, and it's hopefully the kind of thoughtful ecosystem for us to live in and enjoy for however long this album period might be. That was the thinking behind it rather than like, "We're gonna change the world with this album!" Because I'm not completely naïve [Laughs].

Is there anything about today's technology that excites you? Or are we all f***ed?

Well this is the thing — I'm incredibly excited by so much of what technology is offering. On a practical level, look at what it's doing for medical science. And what it does for bringing people together, and its ability to give people a voice, and foster community. 

It's so wonderfully unifying and world-shrinking. I guess our point with this album, and just in general, is, for all the amazing benefits, it can also be hugely divisive and really corrupted and really corrupting. That's what's so complicated about it. 

So whilst I'm chronically addicted to my phone in a really unhealthy way, it also brings me so much joy because it means I get to chat to people that I miss and be constantly in the loop of things that are happening. There's countless things that it does that are wonderful, for all the hours of doomscrolling I might also partake in.

There's so much to be excited by, but there's also a lot to be scared of. So basically, f*** knows.

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30 Must-Hear Albums In 2022: Kendrick Lamar, Cardi B, Rosalía, Machine Gun Kelly, Charli XCX, Saweetie & More

(L - R): Machine Gun Kelly, Charli XCX, Saweetie, Earl Sweatshirt, Rosalía

(Source Photos L - R): Rich Fury/Getty Images for dcp; Jason Koerner/Getty Images; Tasos Katopodis/Getty Images for iHeartRadio; Marc Grimwade/WireImage; Emma McIntyre/Getty Images for The Recording Academy


30 Must-Hear Albums In 2022: Kendrick Lamar, Cardi B, Rosalía, Machine Gun Kelly, Charli XCX, Saweetie & More

2022 has no shortage of new albums to keep your shuffle hard at work. compiled a list of 30 upcoming releases — from Kid Cudi, Earl Sweatshirt, Combo Chimbita, Dolly Parton, and Guns N' Roses — to keep you moving in the new year.

GRAMMYs/Jan 8, 2022 - 12:28 am

Editor's Note: This piece has been updated to reflect release dates and album titles announced after publishing. 

While it may feel like there's not much to look forward to during yet another wave of COVID-19, music fans around the world are eagerly waiting to load their playlists with new releases as 2022 gets underway.

And there's certainly plenty to look forward to: Along with The Weeknd, who released his fifth studio album, Dawn FM, on Jan. 7, superstars like Machine Gun KellyCamila CabelloDolly PartonGuns N' Roses, and Rosalía have all announced or teased albums coming this year.

The pandemic may have slowed things down, but there's no stopping artists in 2022. Keep an eye out for these 30 albums from ENHYPEN, Mitski, Saweetie, Bastille, and many more.

The Weeknd, Dawn FM

Release date: Jan. 7

Only a year removed from his incendiary Super Bowl Halftime Show performance, the crowned pop prince of Canada returns with the semi-surprise Dawn FM, a hotly anticipated follow-up to his record-breaking 2020 release, After Hours (you know, the one with "Blinding Lights" and "Save Your Tears" on it).

As The Weeknd's album teasers promised, Dawn FM delivered sinister synthesizers, a vocal appearance from Jim Carrey, and old-man makeup that's arguably only slightly less distressing than his wax-faced After Hours persona.Max Martin is back (on lead single "Take My Breath"), and other guests include Tyler, the Creator and Oneohtrix Point Never.

As for what the three-time GRAMMY winner wants his listeners to take away from his latest work? "Picture the album being like the listener is dead," The Weeknd told Billboard. Capisce? — Brennan Carley


Release date: January 10

Seven-piece boy group ENHYPEN may still be relatively new to the K-pop scene (the band formed in 2020 on the Korean survival competition show "I-Land"), but they're already making moves to put themselves in the ranks of BTS and EXO. Their latest release, DIMENSION : ANSWER, marks the group's first studio repackage album, expanding on their 2021 debut set, DIMENSION : DILEMMA.

DIMENSION : ANSWER will feature three new tracks,: "Polaroid Love," "Outro : Day 2," and lead single "Blessed-Cursed." Fans got a first taste of the three B-sides thanks to an album preview the group released on Jan. 4, which teased a wide array of sounds: punchy pop-sprinkled production on "Polaroid Love," sultry R&B vocals with "Outro : Day 2," and guitar-heavy rock on "Blessed-Cursed." With such vast musical prowess, DIMENSION : ANSWER may just be the group's ticket to K-pop superstardom. — Taylor Weatherby

Read More: 5 Rising Korean Artists To Know Now: STAYC, ENHYPEN, ITZY, TOMORROW X TOGETHER & ATEEZ

Cordae, From a Bird's Eye View

Release date: Jan. 14

Cordae set the bar high with his GRAMMY-nominated debut album The Lost Boy and emerged as one of the most exciting new talents of 2019, making his return to the game with his hotly anticipated second album.

The Maryland-raised rapper held fans over with his Just Until… EP last April before launching into his album rollout with the braggadocious hit, "Super" and a collaboration with Lil Wayne, "Sinister." The 24-year-old wordsmith — known for his reflective, carefully-crafted raps — said From a Bird's Eye View was inspired by "a life-changing trip to Africa, enduring the loss of a friend gone too soon and evolving as an artist and a man." 

The album will also mark Cordae's first full-length effort since the official disbanding of his YBN collective in 2020. — Victoria Moorwood

Animal Collective, Time Skiffs

Release date: Feb. 4

Followers of experimental pop adventurers Animal Collective have waited six years for a new album following 2016's Painting With. At last, the four-piece will release Time Skiffs, an album full of otherworldly harmonies and mind-opening melodies.

Animal Collective has released two singles from the LP so far: the gently psychedelic "Prester John" and the equally trippy "Walker." The latter is a tribute to Scott Walker, the prolific singer-songwriter who died in 2019. Its beautifully intricate music video, directed by band member Dave Portner and his sister Abby, brings the Time Skiffs album cover to life in vivid detail. — Jack Tregoning

Avril Lavigne, Love Sux

Release date: Feb 25 

Like everything Y2K, pop-punk is making a comeback. And nearly 20 years since the release of her seminal pop-punk debut Let GoAvril Lavigne brings back her pop-punk princess persona in all its glory — combat boots and all. In early November, the "Sk8r Boi" singer shared her the angsty anthem "Bite Me," first new single in over two years, featuring Travis Barker.

With the new music, Lavigne also shared she had signed to the drummer extraordinaire's label DTA Records. Her seventh studio album is set to be the artist's first LP since her more traditional pop LP Head Above Water in 2019. — I.K.

Bonobo, Fragments

Release date: Jan. 14

Like everyone else around the world, electronic shapeshifter Simon Green had a very unusual past two years. The British musician and DJ, better known as Bonobo, found himself grounded in his adopted home of Los Angeles, itching for new inspiration to get through the pandemic. His wanderings took him from a tent in the Californian desert to a new appreciation for modular synths back home in lockdown, all with a nervous eye on the precarious state of the world.

This activity fed into a flood of music which we'll soon hear on Bonobo's seventh studio album, Fragments, out on Ninja Tune. Fragments features guests including Jamila Woods, Joji and Kadhja Bonet, while channeling influences from UK bass, Detroit techno and global music through Bonobo's widescreen lens. The producer is already up for two Best Dance/Electronic Recording awards at this year's GRAMMYs, for "Heartbreak," his collaboration with Totally Enormous Extinct Dinosaurs, and "Loom," with Ólafur Arnalds. Bonobo begins a tour of the US in February, giving fans a few precious weeks to soak up the album before its live debut. — J.T.

Earl Sweatshirt, SICK

Release date: Jan. 14

With a decade-plus of acclaimed projects such as 2018's Some Rap SongsEarl Sweatshirt is both an underground hero and a critic's darling. He hasn't achieved the same level of mainstream success as former Odd Future colleagues Tyler, the Creator and Syd – which is fine with him.

Judging from SICK's lead track "2010," where he pays homage to his mother in cryptic terms, the 10-track album promises to be another collection of stylized verses, dusty beats and autobiographical confessions (albeit rendered in a clearer voice than his previous album, 2019's lo-fi affair Feet of Clay). As its title suggests, SICK was inspired by the pandemic. "My whole thing is grading things on the truth, you know what I mean? However expansive or detailed the truth is," he told Rolling Stone. — Mosi Reeves

iann dior, On To Better Things

Release date: January 21

After blasting onto the scene with his 24kgoldn team-up (and runaway smash) "Mood" in 2020, iann dior hasn't slowed down, releasing an EP and countless other collabs. On To Better Things marks dior's first full-length album since 2019, serving up 15 tracks that will help the rapper truly come into his own.

Like the Lil Uzi Vert-assisted "V12" and the racing single "Let You," On To Better Things will see dior further explore his capabilities as a rapper while also tapping into his alt-pop/rock sensibilities. Judging by his previous releases, dior won't be afraid to get raw and real on his latest project as he opens up about love, relationships and loyalty. There may be glimmers of hope on the album, though, as dior captioned a post teasing the album, "life is better now." — T.W.

Dive Deep: 9 Revolutionary Rap Albums To Know: From Kendrick Lamar, Black Star, EarthGang & More

Combo Chimbita, IRÉ

Release date: Jan. 28

The melding of cumbia beats and psychedelic vibes was embraced during the '70s by many pioneering outfits in Peru and Colombia. Since the release of their 2017 debut, New York quartet Combo Chimbita has built on that foundation, amping up the mystical tinge of its material through the soulful chanting of extraordinary vocalist Carolina Oliveros. 

Always ready to speak up on social and political issues, Chimbita uses cumbia as a starting point, adding swashes of funk and soul, Afro guitar lines and atmospheric samples. The band's new album expands its palette, enhancing lead single "Oya" with a video shot at the ruins of Puerto Rico's abandoned Intercontinental Hotel. A tour with the awesomeLido Pimienta will follow soon. — Ernesto Lechner

Aaliyah, Unstoppable

Release date: January 2022

Anticipation surrounding Aaliyah's fourth album has been building since 2012, when Blackground Records released "Don't Think They Know," which paired the late singer's vocals with Chris Brown, and a Drake collaboration, "Enough Said." The long-awaited arrival of her back catalog to streaming last fall added fresh fuel for a project that has been controversial, with some diehard fans questioning whether it honors Aaliyah's legacy.

Unstoppable includes guests like Snoop Dogg, Future and Ne-Yo. The first single, a woozy ballad titled "Poison," features The Weeknd as well as lyrics originally written by the late Static Major. "Some of the people Aaliyah liked are on the album. She loved Snoop Dogg," Blackground CEO and Aaliyah's uncle Jomo Hankerson told Billboard. "Everything I do at Blackground is always with her in my heart and my mind." — M.R.

Read More: For The Record: How Aaliyah Redefined Her Sound And Herself On One In A Million

Bastille, Give Me the Future

Release date: Feb. 4

If the pandemic had even a glimmer of a bright side, it comes courtesy of musicians like Bastille pivoting and positioning their art to address the present, as Give Me the Future promises to do.

Bandleader Dan Smith had already begun work on the English pop-rock group's fourth album before COVID-19 threw a wrench in his plans, but the pandemic made the album's probing themes seem that much more prescient. Glistening songs like "Thelma + Louise" and the vocoded "Distorted Light Beam" dig more deeply into Bastille's exploration of escapism when the troubles of the world are thundering outside our windowsall with the help of new collaborators Rami Yacoub and One Republic's Ryan Tedder. We promise it's way more fun than it sounds. — B.C.

Mitski, Laurel Hell

Release date: Feb. 4

Mitski almost pressed pause on her music career which, according to a Rolling Stone interview, was "shaving away my soul little by little." After a final performance, "I would quit and find another life."  Fortunately, though, Mitski has stuck with it.

Three years since the release of her fifth studio album Be the Cowboy, the indie singer-songwriter is set to share her forthcoming project Laurel Hell. While the majority of the LP was penned in 2018, it wasn't mixed until 2021, making it the longest the singer has spent on one of her records. What listeners can expect is a transformative set of songs that pair Mitski's signature vulnerability with uptempo dance beats and, ultimately, catharsis. — Ilana Kaplan

Guns N' Roses, Hard Skool EP

Release date: Feb. 25 

In 2021, 36 years after the band first formed in the hard rock hotbed of Los Angeles, Guns N' Roses returned with two new singles. This productive streak was remarkable enough in itself given the group's notoriously haphazard release schedule. The singles "ABSUЯD" and "Hard Skool" are doubly remarkable, though, because they usher in a new EP that brings beloved members Axl Rose, Slash and Duff McKagan together again after 28 years.

Reinterpreted from the band's Chinese Democracy sessions, "ABSUЯD" features a raw, punk-tinged sound that surprised some fans before rewarding repeat listens. "Hard Skool," meanwhile, harkens back to the classic sound that Guns N' Roses perfected in the late 1980s. The Hard Skool EP will feature the two 2021 singles alongside live renditions of GNR favorites "Don't Cry" and "You're Crazy." To mark this new era, the band is touring arenas throughout 2022, reuniting Axl, Slash and Duff as a powerhouse onstage trio. — J.T.

Take a Look Back: Guns N' Roses' 'Appetite For Destruction' | For The Record


Release date: March 18

Pop polymorph Charli XCX has been promising fans her sellout era for months now ("tip for new artists: sell your soul for money and fame," she tweeted last July), ushered in with last summer's "Good Ones" and buoyed into the holidays with "New Shapes," a powerhouse team-up with Caroline Polachek and Christine and the Queens.

CRASH is the fifth and final album she owes Atlantic Records — a benchmark not lost on fans or Charli herself. For it, Charli promises edge-of-your-seat appearances from Rina Sawayama, frequent collaborator A. G. Cook, and frequent Weeknd cohort Oneohtrix Point Never. Come for the bloody album artwork, stay for the cheeky, self-aware pop concoctions contained within. — B.C.

Dolly Parton, Run, Rose, Run

Release date: March 2022

The beloved, multi-GRAMMY Award-winning singer-songwriter Dolly Parton has built a career as a trailblazer, so it stands to reason that her next musical effort would carry on that grand tradition. Run, Rose, Run is an album of original tunes taking its energetic moniker from a companion novel that Parton co-authored with the acclaimed writer James Patterson.

According to Parton, the accompanying album consists of "all new songs written based on the characters and situations in the book" and centers on a tale about a girl who treks to Nashville to pursue her dreams. Adds Patterson, "the mind-blowing thing about this project is that reading the novel is enhanced by listening to the album and vice versa." Both projects are dropping in tandemIt's a unique undertaking that celebrates a smoldering passion for music; but if you've been following the legend's career, would you expect anything less? — Rob LeDonne

Maren Morris, Humble Quest

Release date: March 25

GRAMMY-winning singer Maren Morris has conquered modern country music with her soulful solo material and even forayed into pop (just mentioning "The Middle" will glue its sticky chorus to your every waking moment for the next week). So whatever magic Morris might make with her highly anticipated third album, Humble Quest, is cause enough for celebration.

Morris kicked off her next LP with "Circles Around This Town," an expansive, freewheeling single that blends the echoing production of her 2016 debut HERO and super-personal lyrics of 2019's GIRL. The album will be Morris' first since the untimely 2019 passing of her longtime creative partner busbee, but her partnership with pop hitmaker Greg Kurstin (who produced "Circles Around This Town" as well as four GIRL tracks) hints that this next project is going to be a timeless trip and an emotional walloping. — B.C.

Thomas Rhett, Where We Started Country Again: Side B

Release date: April 1 / Fall 2022

Though country music has always been the core of what Thomas Rhett has done since his debut album (2013's It Goes Like This), the star's 2021 set, Country Again: Side A, was more traditional than his past projects. Clearly his roots (along with the unexpected pandemic-induced downtime) sparked a bout of inspiration, as Rhett announced in November that he'll be releasing Side B as well as another LP, titled Where We Started, in 2022.

Surprisingly, Side B won't be coming first. But it will create one cohesive Country Again narrative once it arrives, as Rhett promised in an interview with Rolling Stone last year — though he did hint that Side B will feature production that's "a smidge more experimental" than Side A. His latest single, the wistful "Slow Down Summer" hints that Where We Started will also bring back more of the pop-leaning production he's incorporated in his previous albums.

Still, that doesn't mean he'll lose sight of the country boy that has been unleashed: In writing all of this music, Rhett told his producers (per Rolling Stone), "This is the direction I'm headed in, and I think I'm gonna be here for a long time." — T.W.

Read More: Saddle Up With The Best Country Song Nominations | 2022 GRAMMYs

Jack White, Fear of the Dawn / Entering Heaven Alive

Release date: April 8 / July 22 

Epic ambition fuels the very essence of rock 'n' roll and Jack White has embodied the genre's weakness for glamour, dissonance and excess since his days with The White Stripes. The reckless propulsion of "Over and Over and Over" — off 2018's Boarding House Reach — proved that he has kept the bravado in his songwriting very much alive. 

2022 will find the multi-GRAMMY Award winning singer/guitarist releasing two full-length albums: Fear of the Dawn, led by the wonderfully bombastic single "Taking Me Back," will also include a collaboration with rapper Q-Tip. No details are available on July's Entering Heaven Alive, but the appearance of two albums in the same year is the kind of grandiloquent gesture that rock is in need of more than ever before.  — E.L.

Swedish House Mafia, Paradise Again

Release date: TBA, ships April 15

When GRAMMY-nominated Swedish House Mafia announced they were getting back together (and this time for good), fans were cautiously optimistic. The trio of DJ-producers — Steve Angello, Sebastian Ingrosso and Axwell —  promised a host of new music to mark their return, and so far they've kept to their word. The comeback began with the dark, guest-free "It Gets Better," which deviated from the big-room EDM sound championed by the Swedes up to their split in 2013.

From there, the trio delivered "Lifetime," featuring Ty Dolla $ign and 070 Shake, and "Moth to a Flame," featuring The Weeknd, which became their first major hit of the new era. This flurry of activity sets the stage for Swedish House Mafia's first full album, Paradise Again. As Ingrosso told NME, the album will combine their trademark "Scandinavian melodies with dark production and hard sounds." Starting July 2022, the DJs embark on their first tour in a decade, playing 44 dates throughout the US, UK and Europe. — J.T.

Jason Aldean, Georgia 

Release date: April 22

Jumping on country music's 2021 double album trendJason Aldean issued Macon, the first half of his own two-disc set, Macon, Georgia, in November. The title is an homage to his hometown, which he refers to as a "melting pot" that shaped his music, according to Country Now. Yet, the 30-song project expands on Aldean's signature country-rock sound without steering too far away from what fans have grown to love, as evidenced with both Macon and Georgia's crooning lead single, "Whiskey Me Away."

Like its predecessor, Georgia will include 10 new songs and five live recordings of his biggest hits, essentially creating Aldean's first-ever live album.With the aptly titled track "Rock and Roll Cowboy" to boot, Georgia helps make Macon, Georgia a career highlight for Aldean. — T.W.

Machine Gun Kelly, Born with Horns

Release date: TBD 

The upcoming sixth studio album from enigmatic rocker Machine Gun Kelly, ominously titled Born with Horns, was rumored to drop on New Year's Eve 2021, but it seems Kelly had a change of heart tweeting "See you in 2022." While the release date continues to be murky, there is some solid information about the highly anticipated fresh slate of music from the multi-hyphenate rockstar.

For one, the album is produced by fellow rock luminary Travis Barker and includes the decidedly dark single "Papercuts." "It feels more guitar-heavy for sure, lyrically it definitely goes deeper, but I never like to do anything the same," Kelly said of Born with Horns in an interview with Sunday TODAY, noting it'll also mark a personal evolution. "I'm not scared anymore, there's nothing holding me back from being my true self — and my true self can't be silenced, can't be restrained." — R.L.

Watch Now: Up Close & Personal: Machine Gun Kelly On Working With Travis Barker & Influencing The Next Decade Of Music

Camila Cabello, Familia

Release date: TBD

There's perhaps never been a better advertisement for an album than Camila Cabello's edition of NPR's Tiny Desk. Released last fall, the session begins with three old songs and ends with two Familia cuts strong enough to bowl you over. In just 20 minutes, the former Fifth Harmony singer genuflects at the altar of pop's past while steering its ship into the future.

"Don't Go Yet" brims with the promise of comfort as it opens with a warm flamenco guitar. "La Buena Vida" is a Mariachi-based explosion of emotion and evocation, anchored by Cabello's arresting vocals. Whereas her prior albums sought to cement the 24-year-old amidst her contemporaries, the uber-personal Familia seems likely to propel her into a whole new pedigree of artistry. — B.C.


Release date: TBD 

In 2018, Rosalía's cinematic El Mal Querer signified a before-and-after for the music of Spain and Latin America. A visionary blend of flamenco, hip-hop and confessional torch song, the album introduced her to the world as an intellectual, musicologist and pop diva wrapped up into one slick sonic package. Subsequent singles (2019's "Haute Couture" was a gorgeous slice of electro-pop) demonstrated that Rosalía's path to global domination relies on a voracious curiosity for disparate styles and high-profile collaborators such as Billie Eilish and Bad Bunny. 

Titled MOTOMAMI, Rosalía's much anticipated release includes "LA FAMA," a deliciously distorted bachata duet with The Weeknd. We can only imagine what other wonders Rosalía's remarkable imagination has dreamed up for this, her first full-length album since becoming a cultural icon. — E.L.

Saweetie, Pretty Bitch Music

Release date: TBD

Saweetie is set to finally release her debut album, Pretty Bitch Music, this year. After first announcing the project in 2020, the Bay Area native's star power has exploded, reaching new heights last year with major endorsements, her first GRAMMY nominations and a "Saturday Night Live" debut. Pretty Bitch Music was initially slated to arrive in 2021, but Saweetie postponed the effort for some additional fine-tuning.

"I'm just living with it to ensure it's perfect," she told Hollywood Life in August. "I'm really challenging myself and I just want to ensure that I put out a body of work that [will] symbolize art."

Pretty Bitch Music is expected to include Saweetie's 2x Platinum-certified collaboration with Doja Cat, "Best Friend" and her single "Tap In" with production by TimbalandLil Jon and Murda Beatz, among other heavy-hitters. — V.M.

Kid Cudi, Entergalactic

Release date: TBD

Three years after it was announced, Kid Cudi's animated music adventure for Netflix is set to arrive this summer, as the rapper declared during his set at Rolling Loud California in December. "I got some tasty surprises," he told fans before offering a snippet of unreleased music that may be on the soundtrack. 

Not much else is known about the project, which takes its title from a song on Cudi's 2009 debut Man on the Moon: The End of Day, and which co-creator Kenya Barris referred to as "the most ambitious thing" in a 2019 interview with Complex.

Entergalactic might not be where Kid Cudi stops in 2022, either: Amid his Rolling Loud teases, he said, "I want to drop another album before [Entergalactic]... I really am excited about all this new s***, this new music to give to you guys. So that's why I'm teasing this s*** now, 'cause it's comin' out soon." — M.R.

Beach House, Once Twice Melody

Release date: throughout 2022

Nearly four years since the release of their seventh studio album aptly titled 7, Beach House is slowly unveiling their latest record Once Twice Melody. But instead of dropping all 18 tracks at once, the dreamy indie duo has been giving fans a taste of their new sound in four chapters.

Once Twice Melody is a significant shift as it's the first album produced in full by the band. Beach House also thought about its structure completely differently than they had in the past. "It didn't just feel like a regular, like another album of ours, it felt like a larger, newer kind of way of looking at our music," singer Victoria Legrand told Apple Music. Instead, they view it as "cinematic" and "literary." What fans can expect, they say, is "a lot of love" and "a sacredness of nature." — I.K.

Kendrick Lamar, TBA

Release date: TBD

One of our most celebrated artists of his generation may make his triumphant return this year.  Although it's been nearly five years since Kendrick Lamar released his GRAMMY- and Pulitzer Prize-winning album DAMN, Lamar has remained busy. In 2018, Lamar  curated the Black Panther soundtrack and he's also made guest appearances on tracks by artists as varied as Nipsey Hussle, Anderson .Paak, U2 and his cousin, Baby Keem. 

But Lamar has been mostly mum about his own music, save for an August blog post titled "nu thoughts." "Love, loss, and grief have disturbed my comfort zone, but the glimmers of God speak through my music and family," he wrote, adding that his next album will be his last with Top Dawg Entertainment. It's the sort of thoughtful, precise announcement (and perhaps a hint to his album's content) that fans have come to expect from the notoriously private rapper. Lamar will thankfully make an appearance at this year's Super Bowl in February. — Britt Julious

Read More: Black Sounds Beautiful: How Kendrick Lamar Became A Rap Icon

Cardi B, TBA

Release date: TBD

Despite the slow-burning success of her single "Bodak Yellow," few could have predicted the popularity of Cardi B'sdebut album, Invasion of Privacy. A critical and commercial success, "Invasion of Privacy" won Best Rap Album at the 61st Grammy Awards, making Cardi the first woman to win in the category. That's why anticipation for her sophomore record is so high.

Cardi's brand of hip-hop is provocative and fun, and her two singles (possibly from the record) seem to confirm that same mood is still present in her music. In 2020, she dropped "WAP," a cultural reset of a collaboration with Megan Thee Stallion, and in 2021, she released "Up," which later inspired a viral TikTok dance challenge. As with many artists, the COVID-19 pandemic has delayed the release of Cardi's new album. But late last year on Instagram Live, Cardi said she has "lots of jobs now" and one of them is to "put out this album next year." Hopefully fans won't have to wait too long. — B.J.

Koffee, TBA

Release date: TBD  

If Koffee's latest single is any indication, the youngest GRAMMY Award winner for Best Reggae Album is planning a glorious homecoming in 2022. Sung with a wide smile you can nearly hear, "West Indies" is a dancehall love letter to the islands and an upbeat promise for what the singer has in store on her first full-length.   

"I want to speak of a solution and of a way that we can come together and get along, even when things are going wrong," Koffee told Rolling Stone.

Although the pandemic halted her album recording and nixed her first Coachella performance, Koffee defies the dour attitude of much of the past two years. On "West Indies," Koffee assures that she's partying and having the time of her life — her as-yet-untitled album will likely soundtrack yours while you do the same. — Jessica Lipsky

Read More: The Women Essential To Reggae And Dancehall

Girl Ultra, TBA

Release date: TBD 

Few musical experiences are as uplifting as listening to a singer/songwriter's follow-up to a brilliant debut, where they enhance the scope of their craft with new influences and sounds. Nuevos Aires, Girl Ultra's first full-length album, was just that – a breath of fresh air for Latin R&B, anchored on the purity of her voice and collaborations with Ximena Sariñana and Cuco (for the languid hit "DameLove.") 

Following that 2019 release, the artist also known as Mariana de Miguel returns with a new EP. Lead single "Amores de Droga" evokes the sophistication of Everything But The Girl, combining smoldering vocalizing with cool electro grooves. A study in contrasts, it finds the Mexico City chanteuse reaching a pinnacle of inspiration. — E.L.

The Pandemic Robbed Music Of Its Rapport. These Immersive Experiences Are Restoring It In Mind-Blowing Ways.

Bastille's Bad Blood Turns Good
Bastille's Will Farquarson, Kyle Simmons, Dan Smith, and Chris "Woody" Wood

Photo Courtesy of Artist


Bastille's Bad Blood Turns Good

British rock band Bastille on the surprise success of their debut album, 'Bad Blood,' and their global hit "Pompeii"

GRAMMYs/Dec 3, 2014 - 05:06 am

British alternative rock band Bastille recently visited The Recording Academy's headquarters in Santa Monica, Calif., to participate in an exclusive interview. The quartet discussed the unexpected success of their 2013 debut album, Bad Blood, and why they didn't expect their single "Pompeii" to be the biggest hit on the album, among other topics.            

"When we made and released [Bad Blood] in the UK we thought we'd be lucky if we got to do a couple of little tours around the country and maybe make a second album," said frontman Dan Smith. "It never entered our minds that we'd be able to go to Australia, come to the U.S. and all around Europe and Asia. It's been mind-blowing."Bastille — comprising Smith, Will Farquarson (bass), Kyle Simmons (keyboards), and Chris "Woody" Wood (drums) — formed in London in 2010.

The group took their name from Bastille Day, which commemorates the beginning of the French Revolution on July 14, and is also Smith's birthday. After releasing tracks on the Web, Bastille garnered both fans and media attention, while landing performance slots at UK festivals such as Glastonbury and Isle of Wight. They released their debut 7-inch single "Flaws"/"Icarus" in 2011, which was followed later that year by the Laura Palmer EP.

The band's debut studio album, Bad Blood, was released in March 2013. The 12-track set peaked at No. 11 on the Billboard 200 on the strength of the hits "Bad Blood" and "Pompeii," the latter of which landed at No. 2 on the UK singles chart and No. 5 on the Billboard Hot 100. Bad Blood helped Bastille garner a 2014 Brit Award for British Breakthrough Act, as well as nominations for British Album of the Year, British Single for "Pompeii" and British Group.Bastille are currently in the midst of an international tour with dates scheduled through January 2015.