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10 Podcasts Every Music Lover Should Listen To Now
Whether you’re looking to learn the ins and outs of your favorite album or are searching for a new song to add to your playlist, these 10 music podcasts have you covered.
What if there was a way to make you fall in love with your favorite album all over again? Or a cheat sheet that could explain the meanings behind your favorite songs? What about a fun way to learn the history behind your favorite genre? Chances are, there’s a podcast for that.
The plethora of music-related podcasts isn't simply a fluke. Podcast creation has increased significantly in recent years, especially during the early months of the pandemic. Listenership spiked during the same period, though a 2021 survey noted a 40 percent increase in spoken word audio listening over seven years. As a result, major music services including Spotify, Apple and iHeartPodcasts have rushed to capitalize on a booming market — which, as of February 2021, featured more than 1.7 million podcasts and 43 million episodes.
So whether you want a behind-the-scenes peek at the creation of a popular record, want to learn about the socio-political history of country or simply enjoy hearing your favorite rapper in conversation, there is a music podcast for you. Here are 10 music podcasts to check out during your next walk, commute or search for entertainment.
On "Dissect," music composition major turned music podcaster Cole Cuchna spends anywhere from 30 to 170 minutes on deep dives into the meanings behind music.
With over 300,000 followers on TikTok alone, Cuchna and the Dissect crew have found success in breathing new life into classic albums like Kendrick Lamar’s DAMN., Frank Ocean’s Blonde and Lauryn Hill’s The Miseducation of Lauryn Hill.
Each season of the Spotify original series focuses on one album, with each episode analyzing a single song. Cuchna spent the past two seasons dissecting Mac Miller’s Circles and Swimming; the newest season — a seven-part analysis on Bo Burnham’s GRAMMY-winning comedy special Inside — launches on April 26.
Punk In Translation: Latinx Origins
One of the premier benefits of podcasts is how micro-niche some of the content can be. The eight-part Audible original series "Punk In Translation" epitomizes that.
Produced by Fresh Produce Media, "Punk In Translation" is hosted by Tijuana No! singer Ceci Bastida and produced by journalist Nuria Net. The series expertly explain the unheralded Latinx roots of punk rock, in hopes of combatting the notion that genre is "the exclusive territory of white men with mohawks."
Topics range from riot grrrls to queer Latin punks, with several episodes featuring guests like Los Saicos singer Erwin Flores and Downtown Boys frontwoman Victoria Ruiz. All eight episodes are available for download.
It’s only right that a podcast on music legends is hosted by six-time GRAMMY winner Questlove.
Originating from the music courses he taught at NYU, "Questlove Supreme" has been described as a “music junkie’s dream.” The Roots drummer makes the dream a reality by listening to around 200 songs to prepare for episodes.
With guests ranging from Chris Rock to Bonnie Raitt, Questlove and Team Supreme fill each episode with a healthy blend of entertainment and insight. Though the first two seasons were initially exclusive to Pandora, all episodes are now available on all streaming platforms.
In Defense Of Ska
If you’re a fan of ska music searching for ways to defend the genre you love, music journalist Aaron Carnes has just the podcast — and book, playlist, and newsletter — for you.
In "Defense Of Ska" the podcast jumps off from Carnes' book of the same name, inviting musicians, DJs, label owners and journalists (including GRAMMY.com Senior Editor Jessica Lipsky) to discuss history, trends and personal stories related to ska and reggae. While the oft-maligned genre has its haters, "In Defense Of Ska" is a treasure trove of insight for the genre's many devoted fans.<em></em>
The Big Hit Show
Despite only having 11 episodes under his belt, journalist Alex Pappademas clearly has something special on his hands with "The Big Hit Show." The latest six-episode season of the Spotify exclusive breaks down 14-time GRAMMY winner Kendrick Lamar’s To Pimp A Butterfly.
With exclusive interviews from Lamar, Dave Free, Sounwave and countless other To Pimp A Butterfly contributors, season two of "The Big Hit Show" unlocks layers of an already esteemed album.
Hosted by former rapper N.O.R.E., also known as Noreaga, and DJ EFN, "Drink Champs" has become a staple of hip-hop culture in recent years. The hours-long show is a refreshing outlet to learn more about some of hip-hop’s finest acts.
A well-balanced guest list of both mainstream and underground legends, honest conversations and alcohol (lots of it) helps "Drink Champs" live up to its self-proclaimed name as "the most professional, unprofessional podcast."
Cocaine & Rhinestones: The History of Country Music
Explaining the history of an entire genre is no small task, but after 33 highly detailed episodes, it’s clear Tyler Mahan Coe is up to the task, writing "most of what I’m talking about on 'Cocaine & Rhinestones' has been written down in books, but nobody’s reading those books."
As the name suggests, "Cocaine & Rhinestones" dives deep into the history of country music to paint a vivid, interesting picture of a beloved and diverse genre. Throughout, Coe weaves seemingly incongruous threads around class, politics, gender and the music business to show country's myriad, complex influences.
Dad Bod Rap Pod
It’s hard to find a podcast with a more representative name than "Dad Bod Rap Pod." Hosted by three lifelong rap fans Demone Carter, David Ma and Nate LeBlanc, "Dad Bod Rap Pod" discusses underground hip-hop through an experienced lens.
The trio are joined each episode by an artist most people already know (like Bay Area legend Too $hort and Easy A.D. of the Cold Crush Brothers), as well as artists on the rise.
Ever wondered what exactly went into a song being made? If so, "Song Exploder" is just the podcast for you. Hosted by musician/podcaster Hrishikesh Hirway, the bi-weekly podcast provides space for artists to dive into the most intricate of details of their creative process.
Established in 2014, "Song Exploder" features guests like Brandi Carlile and Halsey, along with recovered recordings from the likes of John Lennon, making each episode of "Song Exploder" feel like an expansion pack for that episode’s song. The podcast is highly edited, making it seem as if Hirway himself is but a fly on the wall in a musician's internal monologue.
All Songs Considered
NPR Music's cornerstone program "All Songs Considered" is one of the best ways to beef up your playlist (and your first stop before other NPR offerings, like "Alt.Latino"). Through a combination of weekly mixes, “New Music Fridays” and songs the hosts view as life-changing, Bob Boilen and Robin Hilton are constantly sifting through music in pursuit of introducing listeners to their next favorite track.
Per the hosts’ recommendation, check out "All Songs Considered" during a morning commute, a workout or any alone time.
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Remembering Harry Belafonte’s Monumental Legacy: A Life In Music, A Passion For Activism
American icon Harry Belafonte passed away on April 25 at age 96. Throughout his legendary musical and acting career, Belafonte broke barriers and demonstrated a commendable commitment to equality.
An American icon whose outsize influence spanned generations and blazed trails, Harry Belafonte’s death at the age of 96 marks the end of a legendary life and career that shone in not only music, but social issues and the culture at large.
A two-time GRAMMY winner and 11-time career nominee, Belafonte's impact on the Recording Academy has lasted as long as the organization itself. The artist earned a nomination at the first-ever GRAMMY Awards in 1959 for Best Rhythm & Blues Performance (for his album Belafonte Sings the Blues). He’d win three years later for Best Performance- Folk for "Swing Dat Hammer." His other win came in the form of a GRAMMY for Best Folk Recording for An Evening With Belafonte/Makeba. He received a Lifetime Achievement Award in 2000, and three of his recordings are in the GRAMMY Hall of Fame.
"Harry Belafonte has made an immeasurable impact on the music community, our country and our world,” says Harvey Mason jr., CEO of the Recording Academy. "Through his music and his activism in the civil rights movement, Belafonte has used his voice to break racial barriers in America since the ‘50s. It’s been an honor to celebrate his influence on our society throughout his impactful career."
Over nearly a century of life, Belafonte left a significant impact that has resonated with common audiences and up to the highest echelons of arts and politics. As news of his passing spread across the world, remembrances, praise and thanks appeared on social media.
Quincy Jones, one of many luminaries celebrating Belafonte's legacy today, remembered, "From our time coming up, struggling to make it in New York in the '50s with our brother Sidney Poitier, to our work on 'We Are The World' & everything in between, you were the standard bearer for what it meant to be an artist and activist."
"He inspired me so much personally," said John Legend, recalling Belafonte’s immense impact. "I learned at his feet basically about all of the great work he’s done over the years, and if you think about what it means to be an artist and an activist he was literally the epitome of what that was." Former President Barack Obama heralded Belafonte as a "barrier-breaking legend" who transformed "the arts while also standing up for civil rights. And he did it all with his signature smile and style."
A Trailblazing Artist Who Never Simply Toed The Line
In a 1998 "American Masters" interview for PBS, Belafonte mused about his life and legacy, noting, "One way or another, the essence of life is, in fact, the journey itself."
If that’s the case, Belafonte’s momentous path from his humble Harlem, New York youth to a successful club act, singing star and champion of equality amounts to an astonishing rise that no other Black artist had ever experienced before. His velvety voice and penchant for singing earworm songs along with a relaxed style endeared him to his initial '50s-era audiences.
Yet Belafonte was no mere one-note easy-listening act; he helped popularize calypso, was essential in bringing folk music to the mainstream, and also successfully recorded blues and even novelty songs. Sometimes his music was bombastic ("Jump in the Line (Shake, Señora)"), while on other occasions deftly understated ("A Hole in the Bucket"). Early hit "Matilda" begins with Belafonte happily whistling. "Hey! Ma-Til-Da," he cooly croons.
Influenced by his nightclub act, Belafonte's 1956 album Calypso was the first LP to sell one million copies — a stunning achievement for a genre not widely heard before. (As a result, the Library of Congress later added it to the National Recording Registry of significant American work.) Calypso was marketed as "not just another presentation of island songs," and its liner notes can be read as a reflection of the often complex role race and fame played in Belafonte's life.
Calypso's "songs [are] ranging in mood from brassy gaiety to wistful sadness, from tender love to heroic largeness," its liner notes read at the time, helping sell a fresh genre to a new audience. "And through it all runs the irrepressible rhythms of a people who have not lost the ability to laugh at themselves."
Throughout his career, Belafonte deftly navigated the line between mainstream hits and songs with a deeper meaning. When it came to recording "The Banana Boat Song" — the instantly recognizable sing-along party tune from Calypso, which originated as a traditional Jamaican folk song — Belafonte told "American Masters" that the song was a "conscious choice." Singing its memorable "Day-o!" refrain was "beautiful, powerful" and "a classic work song that spoke about struggles of the people who were underpaid and the victims of colonialism. In the song, it talked about our aspirations for a better way of life."
Aside from his singing career, Belafonte also dominated Broadway. In 1954, he won a Tony Award for his role in "John Murray Anderson’s Almanac," a musical revue. He also dabbled in film, from his 1953 debut to Spike Lee’s 2018 movie BlacKkKlansman.
He remained humble, if not slightly casual, about his success. "I had no problem being thrust into the world of stardom because I never thought about it," Belafonte told ABC News in 1981. "Nowhere in my boyhood dreams was I thinking one day I’d be in Hollywood, one day I’d be on Broadway, one day I’d be making an album that was successful. I was quite content, as most Blacks were in that period, to practice my artform and hopefully find a constituency somewhere in the world because the larger dream eluded all of us."
A Lifetime Of Activism
As his fame grew, Belafonte’s penchant for activism collided with a fast-changing America that was confronting the oppression of the '50s and reacting to the turbulence of the '60s. As a result, Belafonte's impressive musical legacy will forever be intertwined with his passion for activism.
Belafonte rubbed shoulders with the titans of his time: He attended John F. Kennedy’s inaugural gala (an invitation extended by Frank Sinatra), received inspiration from artist and activist Paul Robeson, he became a face of the civil rights movement alongside close friend Dr. Martin Luther King Jr.
In fact, it was Dr. King who initiated the meeting with Belafonte. "He was coming to New York to speak to the religious community, the ecumenical community at the Abyssinian Baptist Church," Belafonte recalled to "PBS Newshour" in 2018 of their first encounter. "As a young Black artist on the rise [at the time], I began to make a bit of noise on my own terms. I began to violate the codes of racial separation. I understood the evils of racism and rebelled from my youth. He was 24. I was 26."
That confab began a friendship that would help shape the civil rights movement at large. Belafonte participated in the Freedom Rides and March on Washington, and even hosted "The Tonight Show" for a week in 1968 where Dr. King was one of his guests. The singer took King’s assassination as an exhortation, and committed fully to the quest for equity; he remained a passionate activist for decades.
Musically, that passion included an urge to help the plight of people in war-stricken Africa; his idea for a benefit single resulted in "We Are the World." The smash swept the GRAMMYs in 1986, winning Record Of The Year, Song Of The Year, Best Pop Performance By A Duo Or Group With Vocal and Best Music Video, Short Form. In recent years he founded the social justice organization Sankofa, released the book My Song: A Memoir and was the subject of the documentary Sing Your Song. Last year he was inducted into the Rock and Roll Hall of Fame.
"(He was a) shining example of how to use your platform to make change in the world," said Questlove on Instagram. "If there is one lesson we can learn from him it is, ‘What can I do to help mankind?’"
He added, "Thank you Harry Belafonte!"
From Aretha Franklin To Public Enemy, Here's How Artists Have Amplified Social Justice Movements Through Music
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10 College Courses Dedicated To Pop Stars And Music: Taylor Swift, Bad Bunny & Hip-Hop
In honor of Music in Our Schools Month, check out nine college-level music courses that dissect punk and EDM, global hip-hop culture and the discographies and careers of superstar acts like the Beatles and Harry Styles.
There’s never been a better time to be a music-loving college student.
Beginning in the mid to late aughts, an increasing number of academic institutions have begun offering courses dedicated to major music acts. In the late aughts, rap maverick Jay-Z made headlines after becoming the subject of a Georgetown University course taught by Michael Eric Dyson, a sociologist and best-selling author of Jay-Z: Made in America. In the Sociology of Hip Hop: Jay-Z, students analyzed Hova's life, socio-cultural significance and body of work.
It's easy to see why students would be attracted to these courses — which fill up quickly and are often one-time-only offerings. The intertwining of celebrity and sociology present such fertile grounds to explore, and often make for buzzy social media posts that can be a boon to enrollment numbers. For instance, Beyhivers attending the University of Texas at San Antonio were offered the opportunity to study the Black feminism foundations of Beyoncé's Lemonade in 2016. Meanwhile, Rutgers offered a course dedicated to dissecting the spiritual themes and imagery in Bruce Springsteen's catalog.
Luckily for students clamoring to get a seat in these highly sought-after courses, institutions across the country are constantly launching new seminars and classes about famous pop stars and beloved musical genres. From Bad Bunny to Harry Styles, the following list of popular music courses features a little something for every college-going music fan.
Bad Bunny's Impact On Media
From his chart-topping hits to his advocacy work, Bad Bunny has made waves on and off stage since rising to fame in 2016. Now graduate students at San Diego State University can explore the global superstar's cultural impact in an upcoming 2023 course.
"He speaks out about Puerto Rico; he speaks out about the Uvalde shooting victims and uses his platform to raise money and help them," said Dr. Nate Rodriguez, SDSU Associate Professor of Digital Media Studies. "How does he speak out against transphobia? Support the LGBTQ community? How does all of that happen? So yes, it’s very much relevant to journalism and media studies and cultural studies. It’s all of that mixed into one."
A Deep Dive Into Taylor Swift's Lyrics
Analyzing Taylor Swift's lyrics is a favorite pastime among Swifties, so it's fitting that her work and its feminist themes have been the focus of a string of university courses over the years.
In spring 2022, the Clive Davis Institute of Recorded Music at New York University launched an offering focused on the "Anti-Hero" singer's evolution as an entrepreneur, race and female adolescence. The waitlisted course — the first-ever for the institution — drew loads of media attention and Swift received an honorary degree from NYU in 2022.
In spring 2023, honors students at Sam Houston State University in Huntsville, Texas can analyze the 12-time GRAMMY winner's music and career in a seminar titled Culture and Society- Taylor Swift.
Kendrick Lamar's Storytelling & The Power Of Hip-Hop
Since dropping good kid, m.A.A.d. City in 2012, Kendrick Lamar has inspired a slew of academics to develop classes and seminars around his lyrical content and storytelling, including an English class that juxtaposed his work with that of James Baldwin and James Joyce.
More recently, Concordia University announced that the 16-time GRAMMY winner will be the focus of The Power of Hip Hop, It’s Bigger Than Us, a course examining the lyrical themes of Lamar’s works, such as loyalty, fatherhood, class and racial injustice.
"No artist speaks to this ethos louder and more intricately than King Kunta, the prince of Compton, Kendrick Lamar, 10 years after good kid, m.A.A.d. City dropped," said Yassin "Narcy" Alsalman, the Montreal hip-hop artist and Concordia Professor who developed the class which launches in winter 2023. “He showed us it was okay to work on yourself in front of the world and find yourself internally, that family always comes first, that community and collective missions are central to growth and that sometimes, you have to break free."
EDM Production, Techniques, and Applications
If you dream of hearing your own EDM tracks played at a massive music festival à la Marshmello, Steve Aoki and Skrillex, this all-in-one course at Boston's Berklee College of Music has you covered. Learn about the cultural origins of the various EDM styles — like techno, trance, drum and bass and more — and the techniques that artists use to achieve these sounds.
In between thought-provoking cultural seminars, students will receive lessons on how to operate the technologies necessary to create their own EDM masterpieces, including synths, digital audio workstations (DAW) and samplers.
Harry Styles And The Cult Of Celebrity
While many celebrity-focused courses center around sociology, the Harry’s House singer/songwriter has inspired his own digital history course at Texas State University in San Marcos: Harry Styles and the Cult of Celebrity: Identity, the Internet and European Pop Culture.
Developed by Dr. Louie Dean Valencia during lockdown, the class will cover Styles’ music along with topics like gender, sexual identity and class — but the singer-songwriter’s personal life is off limits. Stylers who are lucky enough to grab a spot in this first-ever university course dedicated to their fave can expect to revisit One Direction’s catalog for homework.
"I’ve always wanted to teach a history class that is both fun, but also covers a period that students have lived through and relate to," Dr. Valencia wrote in a Twitter post. "By studying the art, activism, consumerism and fandom around Harry Styles, I think we’ll be able to get to some very relevant contemporary issues. I think it’s so important for young people to see what is important to them reflected in their curriculum."
Global Hip Hop Culture(s): Hip Hop, Race, and Social Justice from South Central to South Africa
Since its inception, hip-hop has left a lasting mark on the world, influencing language, fashion, storytelling and beyond. At the University of California Los Angeles, students can learn about how the art form has shaped young minds as they analyze the various hip-hop scenes worldwide.
As part of a mission to establish the university as a leading center for hip-hop studies, UCLA’s Ralph J. Bunche Center for African American Studies launched a hip-hop initiative featuring an artist-in-residence program, digital archives, and a series of postdoctoral fellowships. Chuck D, the founder of the barrier-breaking hip-hop group Public Enemy, was selected as the first artist-in-residence.
"As we celebrate 50 years of hip-hop music and cultural history, the rigorous study of the culture offers us a wealth of intellectual insight into the massive social and political impact of Black music, Black history and Black people on global culture — from language, dance, visual art and fashion to electoral politics, political activism and more," said associate director H. Samy Alim, who is leading the initiative.
The Music Of The Beatles
With their catchy two-minute pop hits, artsy record covers, headline-making fashions and groundbreaking use of studio tech, the Fab Five are among the most influential acts in music history. It’s no surprise, then, that they are the subjects of courses in a number of colleges and universities.
Boston’s Berklee College of Music offers The Music of Beatles, which digs into the group’s body of work as well as the music they penned for other acts. Alternatively, if you’re more interested in their post-breakup works, The Solo Careers of the Beatles dives into those efforts. Meanwhile, the University of Southern California takes a look at their music, careers and impact in The Beatles: Their Music and Their Times.
Symbolic Sisters: Amy Winehouse and Erykah Badu
Whether you want to learn about craft, management, building a career, or marketing your work, the Clive Davis Institute at NYU offers an impressive curriculum for musicians and artists. With seminars focusing on the works of Prince, Joni Mitchell, Stevie Wonder, Paul McCartney, and J. Dilla, a unique duo stands out: Erykah Badu and Amy Winehouse.
Framing the pair as "symbolic sisters," this two-credit seminar explores and compares how each songstress fused different genres and styles to forge a magnetic sound of their own. Winehouse rose to prominence for her retro spin on the sounds of Motown and Phil Spector and rebellious styling. A decade before "Back to Black" singer hit the mainstream, Badu — who is recognized as one of Winehouse's influences — rose to stardom thanks to her seamless blend of jazz, R&B, and hip-hop and captivating urban-bohemian style, creating a template for singers like SZA and Ari Lennox.
Selena: Music, Media and the Mexican American Experience
From ascending to the top of the male-dominated Tejano genre to helping introduce Latin music to the mainstream, Selena Quintanilla's impact continues to be felt decades after her untimely death. Artists including Selena Gomez, Demi Lovato, Victoria "La Mala" Ortiz, Becky G and Beyoncé cite the GRAMMY-winning "Queen of Tejano" as an influence.
Throughout the years, her legacy and cultural impact have been the focus of dozens of college courses. In 2023, Duke University continues this tradition with Selena: Music, Media and the Mexican American Experience. The course will explore the life, career and cultural impact of the beloved Tejano singer.
The Art of Punk: Sound, Aesthetics and Performance
Since emerging in the 1970s, punk rock has been viewed as a divisive, politically charged music genre. Its unique visual style — which can include leather jackets, tattoos, chunky boots and colorful hair — was absorbed into the mainstream in the '90s, where it continues to thrive (to the chagrin of hardcore punks everywhere). Over the decades, dozens of subgenres have cropped up and taken the spotlight — including riot grrrl and pop-punk — but very few have left the impact of the classic punk sound from the '70s and its anti-establishment themes.
If you're interested in learning more about the genre that inspired bands like Nirvana, check out Stanford University's The Art of Punk seminar, which explores the genre's visual and sonic origins, as well as its evolution and connections to race, class, and gender.
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The 2023 GRAMMYs Effect: Bad Bunny, Kendrick Lamar, Lizzo & More See Major Sales And Streams Boost After Record-Breaking Show
Take a look at the impressive gains that 2023 GRAMMYs winners and performers made in Spotify streams and album/song sales, from Beyoncé to Harry Styles.
The 2023 GRAMMYs weren't just historic, they were iconic — and the numbers show it.
The telecast itself saw a 30% increase in viewership, with more than 12.4 million viewers tuning into the Feb. 5 ceremony, the best ratings since 2020 per Nielsen data. In turn, several of the night's winners and performers saw major spikes in sales and streams.
Album Of The Year winner Harry Styles returned to the top 10 of the all-genre Billboard 200 albums chart, as Harry's House — which also took home the GRAMMY for Best Pop Vocal Album — earned 38,000 equivalent album units in the U.S., a 51% gain. His previous two albums, 2019's Fine Line and his 2017 self-titled debut also made gains, the former up 15% and the latter up 11%.
Kendrick Lamar and Adele also enjoyed increases in sales and streams on several albums. Lamar — who won three GRAMMYs this year, including Best Rap Album for Mr. Morale & The Big Steppers — had a 20% gain for his fifth LP, as well as a 26% gain for 2015's To Pimp a Butterfly, 11% for 2017's DAMN., and 6% for 2012's good kid, m.A.A.d city.
Adele's 30 had a 25% increase in equivalent album units, while her 2015 album 25 went up 14% and 2011 release 21 went up 10%. (30's lead single, "Easy On Me," earned Adele her fifth GRAMMY for Best Pop Solo Performance — a record in the category.)
After Beyoncé made GRAMMY history at the 2023 ceremony with her 32nd win, her Best Dance/Electronic Music Album-winning RENAISSANCE made a huge jump. The album earned 37,000 equivalent album units, up 109%, helping Bey move from No. 24 to No. 11 on the Billboard 200.
Rising jazz star Samara Joy also had a monumental night, scoring the coveted GRAMMY for Best New Artist. As a result, her 2022 album, Linger Awhile, made its debut on the Billboard 200, with an equivalent album units gain of 319% and a 5,800% increase in Spotify streams in the U.S. The project also hit No. 1 on the Jazz Albums, Traditional Jazz Albums and Heatseekers Albums charts for the first time, as well as the top 10 of the Top Album Sales and Top Current Album Sales charts.
Blues great Bonnie Raitt's win for Song Of The Year (for her 2022 track "Just Like That") served as one of the night's biggest surprises, but also served as a catalyst for some serious streams and sales success. The song spiked from about 10,000 daily on-demand streams in the U.S. on Feb. 3 to 697,000 the day after the GRAMMYs (Feb. 6) — a gain of around 6,700% — according to Luminate. The song's sales were even better, gaining more than 10,000% on Feb. 6; the rest of Raitt's discography also climbed 161%, from 333,000 on-demand U.S. streams on Feb. 3 to 869,000 on Feb. 6.
Most of the 2023 GRAMMYs performers also celebrated sales and streams increases post-telecast. Show opener Bad Bunny saw gains on his GRAMMY-winning albumUn Verano Sin Ti (up 16%), as well as his 2020 albums YHLQMDLG (up 11%) and El Ultimo Tour del Mundo (up 8%). One of the songs Bad Bunny performed, Un Verano Sin Ti single "Despues de la Playa," also saw a 100% increase in Spotify streams in the U.S. in the hour following the telecast.
Lizzo delivered a soaring medley of her Record Of The Year-winning smash "About Damn Time" and the title track from her AOTY-nominated LP Special, the latter of which saw a 260% increase in Spotify streams in the U.S. after the show. Special also moved 11,000 equivalent album units, up 52%.
Steve Lacy won his first GRAMMY in the Premiere Ceremony, Best Progressive R&B Album for his album Gemini Rights. He also took the GRAMMYs stage for a sultry rendition of his hit "Bad Habit," all helping Lacy see a 16% increase in equivalent album units for Gemini Rights.
Sam Smith and Kim Petras also celebrated a historic win at the 2023 GRAMMYs, taking home Best Pop Duo/Group performance for their viral hit "Unholy" — marking the first win in the category by a trans woman. That moment, combined with the pair's risqué performance, helped the song see an almost 80% increase in Spotify streams in the U.S.
The heartfelt In Memoriam segment catalyzed stream increases, the biggest coming from Quavo's "Without U," which he sang in tribute to his late Migos bandmate and nephew Takeoff; the song jumped 890% in U.S. streams following the show. Fleetwood Mac's "Songbird," which Mick Fleetwood, Bonnie Raitt, and Sheryl Crow sang in honor of late Fleetwood Mac member Christine McVie, experienced an almost 100% increase in U.S. streams.
In other U.S. Spotify stream gains for performers, Harry Styles' "As It Was," saw a more than 75% increase; Brandi Carlile's "Broken Horses" saw a more than 2,700% increase; DJ Khaled's star-studded "God Did" (featuring Jay-Z, Rick Ross, Lil Wayne, and John Legend) saw a more than 650% increase; Mary J. Blige's "Good Morning Gorgeous" saw a more than 390% increase.
Streaming numbers are from DKC News, a PR representative of Spotify.
12 Classic Moments From The 2023 GRAMMYs, From The Heartwarming To The Surreal
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How Kendrick Lamar's 2023 GRAMMYs Wins Bolstered His GRAMMYs Legacy
The wildly talented rapper won golden gramophones in three rap categories for Mr. Morale & the Big Steppers and "The Heart Part 5." But as far as the GRAMMYs are concerned, that's just the tip of the iceberg.
When Kendrick Lamar stepped on stage at the 2023 GRAMMYs to receive his golden gramophone for Best Rap Album, he didn't strike a note of bravado or bluster — but of humility.
"First and foremost, I want to thank my family for giving me the courage and vulnerability to share these stories and share my truth with this album," Lamar told the audience at Crypto.com Arena in Los Angeles, referring to Mr. Morale & the Big Steppers' plethora of raw-nerve confessionals.
"As artists, we're all entertainers — stupid, you know — and we say things to provoke thoughts and feelings and emotions," he continued. "This was one of my toughest records to make, and it allowed me to do that — and to share other people's experiences."
That Lamar could hit both artistic goalposts — bare his deepest vulnerabilities, fears and insecurities and channel them into daring and forward-thinking music — speaks to his utter magnitude as an artist. But there's a third component; for his trouble, Lamar was honored by the world's leading society of music professionals — for a staggering 17th time.
Since Lamar won his first golden gramophones for Best Rap Performance and Best Rap Song for To Pimp a Butterfly's "I" at the 2015 GRAMMYs, he's steadily built a GRAMMYs legacy in parallel with his unstoppable creative evolution.
Naturally, Lamar is a steady presence in the rap categories — with his win for Best Rap Performance at the 2023 GRAMMYs for non-album single "The Heart Part 5," he extended his lead as the most awarded artist in that category with six.
But as nominations go, he's consistently burst past the rap categories and into the General Field. This put him in a league of rappers as bona fide superstars, alongside the likes of Jay-Z, who's been nominated for General Field categories for decades, and Drake, who received an Album Of The Year nomination in 2014 for his feature on Lamar's good kid, m.A.A.d city.
Another component of Lamar's GRAMMY legacy is his malleability; he hasn't only been nominated for GRAMMYs for his universally acclaimed releases, but those in collaboration with other artists, and on soundtracks. At the 2019 GRAMMYs, Lamar was nominated for Album Of The Year for the Black Panther soundtrack — which he curated and executive produced — as well as Record Of The Year and Song Of The Year for the SZA-featuring lead single, "All the Stars."
Finally — and most eye-grabbingly — Lamar has delivered at least a couple of the most unforgettable GRAMMY performances of all time, At the 2016 GRAMMYs, his literally fiery one-two salvo of "The Blacker the Berry" and "Alright" got the whole world talking. Two years later, Lamar performed a politically charged medley of "XXX," "DNA," and Jay Rock's "King's Dead," studded with military imagery and blazes of gunfire.
Lamar's latest golden gramophones have only added fuel to the rapper's boundless ascent. And with material as uncompromising and vulnerable as "The Heart Part 5" and Mr. Morale & the Big Steppers, these GRAMMY wins show that courage can truly pay off.
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