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Listen to GRAMMY.com's Hispanic Heritage Month 2022 Playlist: Featuring Latin Music Hits & Classics From Anitta, Selena, Bad Bunny, Shakira & More
(L-R): Selena, Bad Bunny, Anitta, Celia Cruz, Cardi B

Source Photos: Jim McHugh © 1994, Gladys Vega/ Getty Images, Marco Ovando, Jean Paul Aussenard/Wireimage.com, Flo Ngala

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Listen to GRAMMY.com's Hispanic Heritage Month 2022 Playlist: Featuring Latin Music Hits & Classics From Anitta, Selena, Bad Bunny, Shakira & More

In honor of Hispanic Heritage Month, GRAMMY.com highlights the riveting, celebratory sounds of Latin music in a genre- and era-spanning playlist featuring iconic songs from Jennifer Lopez, Karol G, Maná, Marco Antonio Solís, and many more.

GRAMMYs/Sep 15, 2022 - 08:02 pm

Latin music isn't a genre — it's a culture. And 80 years of thriving Ibero-American sounds spanning across the Americas, the Caribbean, Spain, and Portugal are evidence of its ever-growing prominence. That's reflected in our 61-track playlist celebrating Hispanic Heritage Month 2022.

Unbeknownst to nearly no one, Latin music, in both the Hispanophone and Lusophone styles, exploded onto the global mainstream in the last five years. When Luis Fonsi's and Daddy Yankee's GRAMMY-nominated global hit "Despacito" broke the internet, the sound crossed into international borders — and markets — like never before. Today, Bad Bunny is one of the biggest stars on the planet, with his glorious, record-breaking, chart-topping, and hit-making streak still going strong.

Read More: 11 Essential Bad Bunny Collaborations: Drake, Rosalía, Cardi B, Bomba Estéreo & Others

Yet formidable contributions Stateside have continued since the golden age of boleros: New York's Mexican/Puerto Rican trio Los Panchos pioneered the romantic, nylon-driven ballad style in the '40s. In 1958, 17-year-old Ritchie Valens turned a son jarocho song into a rockabilly classic ("La Bamba"); Carlos Santana has played a key role in the evolution of Latin rock since Woodstock in the late-'60s; New York Latin troupe Fania All-Stars globalized salsa and Caribbean-rooted rhythms in the late '60s. Lest anyone forget Tejano icon Selena and her techno cumbia or the so-called "Latin explosion," led by Jennifer Lopez, Ricky Martin, Shakira, and Marc Anthony, both in the '90s.

Read More: Latin Music's Next Era: How New Festivals & Big Billings Have Helped Bring Reggaeton, New Corridos & More To The Masses

Although reggaeton and música urbana superstars like Bad Bunny, J Balvin and Karol G continue to reign almighty on the global Latin pop scene, there is a growing number of promising, diverse voices within the Latin music soundscape bubbling up today. Honduran-born SoundCloud creator Isabella Lovestory is spearheading a provocative neo-reggaeton style of her own; Colombia's Ela Minus is giving her defiant electronic sound an exciting darkwave edge; and Mexican viral rapper Santa Fe Klan is resurrecting cumbia sonidera within the rap en español circuit.

The Latin beat goes on, and you can explore its ongoing sonic evolution in our Hispanic Heritage Month 2022 playlist on Spotify, Apple Music, Amazon Music, and Pandora. Playlist powered by GRAMMY U.

Luis Fonsi To Maluma: Who Will Win Record Of The Year Latin GRAMMY?

Maluma

Photo: C Flanigan/Getty Images

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Luis Fonsi To Maluma: Who Will Win Record Of The Year Latin GRAMMY?

Cast your vote. Who will voters choose for Record Of The Year at the 18th Latin GRAMMY Awards?

GRAMMYs/Oct 1, 2017 - 08:57 pm

Including the likes of Shakira and Carlos Vives to Natalia Lafourcade, Marc Anthony, Jesse & Joy, and Alejandro Sanz, the previous Latin GRAMMY winners for Record Of The Year reads like a who's who of Latin music. This year's nominees are no different.

With Rubén Blades' sensual "La Flor De La Canela," Luis Fonsi featuring Daddy Yankee's song of the summer "Despacito," Residente's impactful "Guerra," Ricky Martin with Maluma's Vente Pa' Ca," and Jorge Drexler's "El Surco," among others, this year's class of 18th Latin GRAMMY Awards nominees for Record Of The Year is loaded.  

Which song do you think will take home the Latin GRAMMY for Record Of The Year? Cast your vote below.

Solange To Play Benefit Show For Hurricane Harvey Relief

Solange

Photo: Daniel C. Sims/Getty Images

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Solange To Play Benefit Show For Hurricane Harvey Relief

GRAMMY winner adds her name to the list of artists who are helping to raise millions in relief efforts for victims

GRAMMYs/Aug 31, 2017 - 04:37 am

GRAMMY winner Solange has announced she will be performing a benefit show to raise money for Hurricane Harvey relief efforts. The performance, called Orion's Rise, will be held at Boston's Orpheum Theatre on Sept. 8.

"I'm committed to partnering with organizations on the ground in Houston and making contributions to uplift the city that raised me with so much love," said Solange, a Houston native.

This announcement comes on the heels of other artists pledging their support, including Solange's sister, Beyoncé. But they are certainly not the only ones.

Beyoncé Vows "To Help As Many As We Can" In Wake Of Hurricane Harvey

Houston rapper Bun B and manager Scooter Braun (Justin Bieber, Ariana Grande) are organizing a televised benefit concert that will reportedly air on four national networks on Sept. 12.

Comedian Kevin Hart pledged $50,000 to relief efforts, and the fund he organized has earned nearly $2 million in additional financial support, with contributions from artists such as the Chainsmokers. All funds will go to the American Red Cross.

The Kardashians and Jenners, Nicki Minaj, and DJ Khaled have also announced they will make donations. Jennifer Lopez and her partner Alex Rodriguez joined in the fundraising efforts, pledging $25,000 each to the Red Cross.

In addition, GRAMMY winner Jack Antonoff is matching donations up to $10,000 for the Montrose Center in Houston, an LGBT community center. Chris Brown will donate $100,000 directly to "the people," and T.I. will donate $25,000 to relief efforts.

MusiCares Announces Hurricane Harvey Relief Efforts

A Look At 2022 Nominees For Best Música Urbana Album At The 2023 GRAMMY Awards

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A Look At 2022 Nominees For Best Música Urbana Album At The 2023 GRAMMY Awards

The 2022 Best Música Urbana Album Nominees at the 2023 GRAMMYs come from some of the biggest names in Latin music, each of whom have fused a unique sensibility and a variety of influences into their records.

GRAMMYs/Nov 16, 2022 - 02:38 pm

Perhaps because in its current incarnation música urbana tackles such a wide array of influences — from the expected bounce of reggaetón to ominous trap moods, frantic dembow and a cool dash of Latin pop — the genre has become a hub for freshness and creativity.

All five 2022 nominees for Best Música Urbana Album at the 65th GRAMMY Awards are international stars, but none of them allowed fame to lead into stagnation. On the contrary, their albums are defined by cutting edge innovation and challenging new sounds. Read on to learn more about offerings from Bad Bunny, Daddy Yankee, Farruko, Maluma and Rauw Alejandro.

View the complete list of nominees for the 2023 GRAMMY Awards here.

Rauw Alejandro — TRAP CAKE, VOL. 2

Released in 2019, the first volume of Trap Cake served as a laboratory where the Puerto Rican singer experimented with unusual textures. Vol. 2 marches on the same avant-garde principles, serving as a provocative bridge between Rauw’s genre-defining smash Vice Versa and his restless third album Saturno.

The production is slick and airy on this sumptuous mini-album seeped in a hazy cloud of melancholy nostalgia. The music box-like opening strains of "MUSEO" hint at the precious ambient sonics at hand, whereas the distorted electric guitar and aggressive downbeat of "GRACIAS POR TODO" opens up an intriguing window to the quirks of Rauw as potential rock’n’roller. Co-produced by Jamaican helmer Rvssian, the darkly hued "Caprichoso" features contributions by the singer’s romantic partner — the one and only Rosalía.

Bad Bunny — Un Verano Sin Ti

How do you celebrate the confirmation of your status as a young global pop star? In the case of Bad Bunny, he released the ultimate summer album — an imaginary mixtape, meant to be booming in the background as the poolside party rages on.

The Puerto Rican phenomenon focuses on his usual preoccupations — erotic foreplay, desire as transcendent lifeforce, the stinging aftertaste of romantic separation — but the beats and layers of atmospherics are more abstract and psychedelic than on previous releases. Even though Un Verano Sin Ti boasts stellar collaborations with the likes of Tainy, Rauw Alejandro and Chencho Corleone, the album finds some of its most compelling passages in the stylistic detours of "Ojitos Lindos" — with Colombia’s Bomba Estéreo — and the alternative tropi-rock of "Otro Atardecer," with the Marias.

Daddy Yankee — LEGENDADDY

2022 was the year when the "Gasolina" pioneer shocked the Latin music establishment by announcing his retirement at age 46. Fortunately, Daddy Yankee’s farewell came in the shape of a sprawling party record. LEGENDADDY feels like a passionate, and occasionally wistful, love letter to the limitless variety that has always defined Afro-Caribbean music.

Yankee’s rapid-fire delivery and reggaetón riddims are ever-present, of course, but the menu also includes some wacky dembow ("BOMBÓN," with Lil Jon and Dominican hitmaker El Alfa), and the truly wondrous fusion of salsa, reggaetón and spidery bachata lines on the kinetic "RUMBATÓN." On "AGUA," Yankee is joined by Rauw Alejandro and guitar god Nile Rodgers for a jam infused with post-disco zest. Yankee’s electrifying live performances will be missed, but this emotional swan song delivers an fitting epic finale to a remarkable career.

Farruko — La 167

A seasoned veteran of the urbano landscape, Farruko has always been progressive in his mission to expand stylistic boundaries. The title of his seventh studio album is a reference to the singer/songwriter’s childhood memories: the 167 highway in the Bayamón area of Puerto Rico where he grew up.

At the same time, the album also reflects Farruko’s extensive travels across Latin America. "Pepas," the collection’s bonafide hit, is an anthemic electro-guaracha that stays close to the genre’s roots in Colombia. "Baja Cali" mixes Latin rap with the young generation of corridos that defines the present of música mexicana, and the breezy "W.F.M." (featuring Jamaican vocalist Mavado) delves into sweet dancehall vibes. On "Jíbaro," Farruko cherishes his boricua origins alongside bolero revivalist Pedro Capó. A man of the world, he sounds the happiest when he returns home.

Maluma — The Love & Sex Tape

In 2021, Maluma surprised fans by releasing #7DJ (7 Días En Jamaica), a refreshing EP of reggae infused tracks. A silky mini-album made up of eight new songs, The Love & Sex Tape finds the Medellín native delving back into the sensuous reggaetón narratives that made him famous.

A duet with fellow Colombian Feid, "Mojando Asientos" is appropriately frisky, and the self-explanatory "Nos Comemos Vivos" gains in intensity thanks to the streetwise attitude of the ubiquitous Chencho Corleone. Maluma surrenders to hedonism with abandon, reaching the natural conclusion that life is, indeed, quite beautiful ("La Vida Es Bella.") A classy ending, "Happy Birthday" incorporates the soulful groove of Afrobeats, hinting that Maluma’s brilliant creative detours will surface again in subsequent works.

2023 GRAMMY Nominations: See The Complete Nominees List

Remember When? Marc Anthony's "I Need To Know" Nets Latin GRAMMY

Marc Anthony

Photo: Todd Plitt/Hulton Archive

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Remember When? Marc Anthony's "I Need To Know" Nets Latin GRAMMY

Singer/songwriter takes home the first Latin GRAMMY ever awarded for Song Of The Year

GRAMMYs/Sep 24, 2017 - 08:00 pm

Thanks to the crossover popularity of Latin artists such as Ricky Martin, Enrique Iglesias and Shakira in the late '90s, salsa master Marc Anthony was soon to join the Latin hot flash with his first English crossover album, which was self-titled.

The result of Marc Anthony was not only his first Billboard Hot 100 Top 5 hit, "I Need To Know," but it also landed the singer his first-ever Latin GRAMMY Award, and the distinction of earning the very first Latin GRAMMY for Song Of The Year in 2000 for the Spanish version of the catchy tune, "Dímelo."

Anthony has gone on to win an additional four Latin GRAMMYs and two GRAMMY Awards. In 2016 he was honored as the Latin Recording Academy Person of the Year for his outstanding achievements as an artist and for his philanthropic work.