Editor's Note: The 2022 GRAMMYs Awards show, officially known as the 64th GRAMMY Awards, <a href="https://www.grammy.com/grammys/news/2022-grammys-awards-64th-new-air-show-date-location-las-vegas-april-3-announcement "https://www.grammy.com/grammys/news/2022-grammys-awards-64th-new-air-show-date-location-las-vegas-april-3-announcement"">has been rescheduled to Sunday, April 3, at the MGM Grand Garden Arena in Las Vegas. The below article was updated on Tuesday, Jan. 18, to reflect the new show date and location.

Música urbana has had an undeniable impact on music far beyond the Latin landscape over the last two decades, with a more recent, rampant revival that has seeped into the U.S. mainstream via various experimental, multicultural tracks. Bilingual songs and collaborations with artists in the Anglo and K-pop markets and beyond have made the genre's global impact undeniable.

On a more microscopic level, música urbana has rewritten the blueprint for Latin pop, expanding the possibilities of the sound and canon. At the 2022 GRAMMYs Awards show, officially known as the 64th GRAMMY Awards, the Recording Academy will further recognize and celebrate that shift with a new category: Best Música Urbana Album.

Encompassing several Latin genres, this newly minted category will aim to highlight the varied work of artists producing albums with at least 51% playing time of new Música Urbana recordings. The inaugural nominees are some of Latin's biggest stars — Rauw Alejandro, Bad Bunny, J Balvin, KAROL G, and Kali Uchis — further proving just how impactful música urbana has become.

Ahead of the 2022 GRAMMYs Awards show, which air April 3 on CBS, take a look at the albums in the running for the first-ever Best Música Urbana Album GRAMMY.

Read More: Get To Know The First-Ever Best Global Music Performance Nominees | 2022 GRAMMYs

AFRODISÍACO — Rauw Alejandro

A few years into his career, Rauw Alejandro has proven to be one of the most promising well-rounded acts of his generation.

On Afrodisíaco, Alejandro paints outside of the lines of urbano to infuse it with refreshing electronic elements and Spanish-language R&B. The singer/rapper incorporates an experimental wave of pop that bends genres, setting him apart from his peers.

The Puerto Rican artist shows off his range with standouts like the EDM-meets-reggaeton track “Química,” and a futuristic pop song that lives up to its name, “Algo Mágico” (or ”Something Magic”). Eleven of the album’s 16 tracks are collaborations, which see Alejandro joining forces with Latin heavy hitters like Tainy ("Pensándote") and Camilo ("Tattoo Remix"), as well as rapper Trippie Redd on "Un Sueño."

A valiant and versatile effort, Afrodisiaco established a strong foundation for Alejandro: After the album gave the singer his first two Top 10 hits on Billboard’s Hot Latin Songs chart (”Tattoo” and ”Reloj”), his follow-up project, 2021’s Vice Versa, debuted atop the Top Latin Albums chart.

EL ÚLTIMO TOUR DEL MUNDO — Bad Bunny

Since his start in 2016, Bad Bunny has proven he isn't afraid to get weird and tap into his varied musical inspirations, including rock en español.

On El Último Tour Del Mundo, the Puerto Rican singer/rapper reminds us of his range with tracks like the rock-inspired track "MALDITA POBREZA," which he performed at the 2021 Latin GRAMMYs. Kicking off with "EL MUNDO ES MÍO," the 16-track project is a diverse collection that flaunts Benito’s range, from the thumping hip-hop infused track "HOY COBRÉ" to the soulful “SORRY PAPI,” featuring Queens-born Alt R&B princess Abra.

The album is one of three offerings Bad Bunny released in 2020, following YHLQMDLG (which won the singer his first GRAMMY last year) and a compilation album titled Las que no iban a salir. El Último Tour Del Mundo spawned one of his biggest hits to date, the wavy reggaeton smash "Dákiti" featuring Jhay Cortez, earning Bad Bunny his first No. 1 on the Billboard Global 200.

Read More: J Balvin On His New Album 'Jose,' The Future Of Reggaeton & Getting Back On Stage: "It's About Getting Back To Feeling That Vibe Again"

JOSE — J Balvin

JOSE is J Balvin's sixth studio album, self-defined as his most personal yet — encapsulated in the project's title, his first name. Throughout the hefty 24-track project, we hear Balvin lean into his signature suave poppy reggaetón sound, mixing his worldwide appeal with unprecedented sentimentality.

Balvin's longest project to date, JOSE teams up with fellow superstars both in and out of the Latin genre, including Ozuna ("Pa' Guayarte"), Karol G and Nicky Jam ("Poblado - Remix"), Khalid ("Otra Noche Sin Ti") and Skrillex ("In Da Getto"). The album also makes room for rising acts like Dominican trapera Tokischa ("Perra") and Argentine singer Maria Beccera ("Qué Más Pues?").

Pushing his diverse sound even further, JOSE is a personal win more than anything. "The album was made thinking about myself and what I like to do," Balvin explained to Billboard. "The concept is me."

KG0516 — KAROL G

Nearly 18 months after Karol G's Nicki Minaj collaboration "Tusa" took off, the Colombian star produced a holistic, confident heartbreak album. KG0516 channels a place of hurt to eventually heal and release one's inner "Bichota," loosely translated to a boss woman.

Following 2019's introspective Ocean, Karol G takes on more heartfelt ballads, honors reggaetón greats, and even delves into corridos for the first time on “200 COPAS.” The 16-song project includes collaborations with Camilo ("CONTIGO VOY A MUERTE"), Nathy Peluso ("GATO MALO"), and even Ludacris ("BEAUTIFUL BOY," which also features rising singer Emilee). 

KG0516 saw Karol G produce her project for the first time, as she co-produced "Déjalos Que Miren," "200 COPAS" and "EL BARCO." She told ET earlier this year that she "really wanted to experiment with new sounds,” including country guitars on the J Balvin collab "LOCATION."

"For me, it's like every song is an opportunity to bring something different to my people," the singer said. "That's what I love to do with my music."

Read More: Kali Uchis On What It Means To Be A Latin "Crossover" Star In The 21st Century

SIN MIEDO (DEL AMOR Y OTROS DEMONIOS) — Kali Uchis

Kali Uchis' all Spanish-language project Sin Miedo (del Amor y Otros Demonios) is a statement piece of freely creating, with longevity and connection in mind. The Colombian-American singer dawned into this new space without fear, making its title — which translates to "Without Fear (of Love and Other Demons)" — all the more significant.

Standouts like the sweet and sultry bilingual song "telepatía" and tribute cover of late Cuban star La Lupe's "que te pedí" exhibit Uchis' multifaceted abilities. Across the album's 13 tracks, she blends old-school reggaetón and soulful alt-pop with grace and ease.

The Virginia-born star's goal for this project (and her work at large) is simple: "I'm going to make something timeless that inspires people and pushes people to reflect and feel something," Uchis said last year. "It comes from the most authentic parts of me."

2022 GRAMMYs Awards Show: Complete Nominations List

The Latin GRAMMYs Album Of The Year category honors the work of both the established leaders and hottest rising stars in Latin music. The 2023 Latin GRAMMYs nominees for Album Of The Year include recordings by reggaeton and pop artists who are breaking down barriers in the music industry, alongside some of the most well-known and beloved singer/songwriters in Spanish.

These 10 albums were chosen to represent the most significant voices in Latin music for 2023: La Cu4rta Hoja (Pablo Alborán), A Ciegas (Paula Arenas), De Adentro Pa Afuera (Camilo), Décimo Cuarto (Andrés Cepeda), Vida Cotidiana (Juanes), Mañana Será Bonito (Karol G), De Todas Las Flores (Natalia Lafourcade), Play (Ricky Martín), Eadda9223 (Fito Páez), and Escalona Nunca Se Había Grabado Así (Carlos Vives). 

Ahead of the 2023 Latin GRAMMYs, officially known as the 24th Annual Latin GRAMMY Awards — which will be held on Thursday, Nov. 16, in Sevilla, Spain — learn about the nominees for this prestigious category. Don’t miss the broadcast on Univision at 8 p.m. ET/PT (7 p.m. CT).

Read More: 2023 Latin GRAMMYs: See The Complete Nominations List

La Cu4rta Hoja – Pablo Alborán

Pop singer/songwriter Pablo Alborán closed out 2022 with an explosion of optimism and carefree experimentation titled La Cu4rta Hoja. 

Throwing off the isolation of the pandemic, the Spanish chart-topper found himself ready to collaborate. The album features bold duets with música Mexicana star Carín León and Argentinian singer María Becerra, providing Alborán with the opportunity to branch out into genres, such as flamenco, that he’d never flirted with before. 

Evidently, he also felt like dancing as the normally ballad oriented artist stacked his album with breezy, playa-ready dance beats. Alborán has already been nominated for 24 Latin GRAMMYs, including a nomination for Best New Artist. He was nominated for Album Of The Year in 2013 for his sophomore album Tanto, making this his second Album Of The Year nomination. 

A Ciegas – Paula Arenas

Colombian singer/songwriter Paula Arenas’ career has been defined by an independent spirit since its beginning. The unconventional pop artist sang covers in nightclubs until she scored a hit single with "Lo Que El Tiempo Dejó" (featuring alt-pop legend Esteman) from her self-released debut EP, and except for a brief period with Sony Music Colombia, when she released her debut album Visceral, all her other releases have been with smaller labels. 

The indie darling’s roots are still showing on the clever, intimate A Ciegas, which finds her exploring a more stripped down version of her piano driven sound. Lead single "Puro Sentimiento," featuring fellow Colombian Manuel Medrano, shines with quirky-cool, ’80s inspired glamor. Being just a little different doesn’t seem to be holding her back: The video for "Puro Sentimiento" has more than 1 million streams on YouTube and counting. 

De Adentro Pa Afuera – Camilo

Iconic, stylish, unforgettable — and we’re not just talking about Camilo's mustache. The mononymous pop singer with the disarming soprano already has a few Latin GRAMMYs to his name, notably album of the year for 2021’s Mis Manos. He’s written hits for Becky G and Bad Bunny, but solo work is where Camilo really lets his creativity off the leash. 

The songs on his third studio album, De Adentro Pa Afuera, range from scruffy, loosely slung takes on reggaeton to bouncy folk pop jams that showcase his romantic side. It also hosts such diverse musical guests as Camila Cabello, Myke Towers and Grupo Firme. In the hands of a lesser artist it might be disjointed, but with Camilo at the controls it’s a masterclass in joyful chaos.

Décimo Cuarto – Andrés Cepeda

A master of the devastating love song made an exuberant return this year with help from a few equally formidable friends. Colombia’s Andrés Cepeda corralled the talents of such artists as Ximena Sariñana and Gusi for a delicately tropical, massively emotional album titled simply Décimo Cuarto. 

Gentle danzón and milonga rhythms ("Le Viene Bien") and lyrics about love that defies time, space and reality ("En Otra Vida") are just a couple of the elements that make up the album's restrained, yet robust mix. Décimo Cuarto also includes sweeping power ballads with Reik and Joss Favela ("Tu Despertador" and "Si Todo Se Acaba," respectively). Cepeda previously won a Latin GRAMMY in 2013 for Best Traditional Pop Vocal Album for Lo Mejor Que Hay En Mi Vida. 

Vida Cotidiana – Juanes

Loyal fans of Juanes’ rock side were rewarded for their patience when the Colombian superstar released Vida Cotidiana, an epic return to form complete with psychedelic flourishes and a healthy dose of funk and varied Caribbean influences. 

Early pandemic quarantine found the artist with a lot of time at home with his family, which provided some of the inspiration for the album. He used the unanticipated pause to study poetry, take voice and guitar lessons, and record the numerous demos that would, in time, become Vida Cotidiana. Juanes said he considers it his best album, and the time and passion he put into it is obvious. 

The legendary singer and songwriter has brought home 26 Latin GRAMMYs over the years and, with his 10th solo album he’s made a strong case for a 27th.

Mañana Será Bonito – Karol G

Musical powerhouse, reggaetonera and general bichota, Karol G is one major reason why all eyes are on Colombia. After establishing herself as a hit-making star in the adjoining worlds of reggaeton and Latin trap is clearly enjoying her success and savoring the moment.

As you might be able to guess from the sunshine and rainbows doodled on the album cover, Mañana Será Bonito was one of 2023' most fun albums, bubbling over with sass and unapologetic sexuality. Everyone is invited to the party: Mañana Será Bonito has features with Romeo Santos, Shakira, Carla Morrison and Sean Paul. It debuted at the top of the Billboard Hot 200 making it the first all-Spanish language album by a female artist with that distinction.

De Todas Las Flores – Natalia Lafourcade

De Todas Las Flores is the first collection of completely original material from Mexican singer/songwriter Natalia Lafourcade since 2015’s critically acclaimed Hasta La Raiz (for which she received two Latin GRAMMYs). 

Both Lafourcade and producer Adán Jodorowsky took a less-is-more approach on this new offering, which allowed for a subtle play of emotion on songs such as the aching title track. Famously a fan of Mexico’s rich musical heritage, De Todas Las Flores finds Lafourcade experimenting with stripped down cumbia and son, while also branching out into other regions of Latin America with bossa nova, samba and bolero. The understated arrangements perfectly complement the profound and profoundly personal tracks, which Lafourcade has described as "a musical diary." 

Play – Ricky Martín

After winning a Latin GRAMMY for his 2020 EP Pausa, Ricky Martín returned in 2022 with the logical bookend: a second EP titled Play. The Puerto Rican icon made the first recording in response to the cumulative challenges in his home island, ranging from Hurricane Maria to the pandemic. It also tackled heavy issues and served as a kind of therapy for Martín, who had started suffering from panic attacks. 

If Pausa was a held breath, Play is the satisfying exhale. More upbeat and even decidedly danceable in the case of the songs "Ácido Sabor" and "Paris in Love," it represents a return to life, if not a return to normal, and a focus on the romance and sensuality for which Martín has long been world famous.

Eadda9223 – Fito Páez

It takes someone unique to get both Elvis Costello and Nathy Peluso to guest on their album. Fito Páez has both on back-to-back songs on Eadda9223. 

The Argentinian rocker’s latest full-length is a revisiting of his epochal El Amor Después del Amor, this time letting a few more folks in on the caper. Besides the aforementioned co-conspirators, Páez is joined by Ca7riel and many other Argentinian iconoclasts who no doubt owe something to the trailblazing rock en español singer/songwriter. Each track on Eadda9223 is reimagined: The new version of "Sasha, Sissí Y El Círculo De Baba" with Mon Laferte crackles with Tex-Mex electricity that bears no connection to the original, but is a perfect vehicle for Laferte’s vocal range and flair for drama.

Escalona Nunca Se Había Grabado Así – Carlos Vives

What happens when a legend offers a tribute to a legend? Escalona Nunca Se Había Grabado Así, the Carlos Vives album celebrating the music of vallenato composer Rafael Escalona answers that question with moving clarity. 

Vives has brought the tropical sounds of Colombian vallenato to the world mixing them with pop and rock music, becoming a major star in the process. His deepest debt is to Escalona, who is remembered in Colombia as a storyteller and legendary personality. 

Escalona Nunca Se Había Grabado Así updates the Escalona’s famous compositions while striving to preserve their inherent spirit. The album is also a celebration of Vives’ own career, which now spans three decades. In addition to his innovation and longevity, Vives is an extremely prolific artist whose many releases have brought him two GRAMMYs and 15 Latin GRAMMYs.

Latin GRAMMYs 2023: Song Of The Year Nominees — Read Them Here

The Latin Recording Academy has just announced the nominees for the 2023 Latin GRAMMYs, which air Thursday, Nov. 16, from Sevilla's Conference and Exhibition Centre (FIBES), marking the first-ever international telecast in the history of the organization and awards. This year, 11 performing artists and producers have a chance at one of the night's top awards: Record Of The Year. Christina Aguilera, Pablo Alborán, Paula Arenas with Jesús Navarro, Bizarrap with Shakira, Fonseca with Juan Luis Guerra, Karol G, Natalia Lafourcade, Lasso, Maluma with Marc Anthony, Rosalía, and Alejandro Sanz with Danny Ocean have been nominated in the category this year. 

Below, get to know all of the 2023 Latin GRAMMYs Record of the Year nominees. Then, be sure to tune into the 24th Latin GRAMMY Awards on Univision at 8 p.m. ET/PT (7 p.m. CT) to see who wins!

Read More: 2023 Latin GRAMMYs: See The Complete Nominations List

"No Es Que Te Extrañe" – Christina Aguilera

Christina Aguilera rounded out her self-titled Latin album last fall with "No Es Que Te Extrañe," one of her most personal songs. The pop icon highlighted her Latina heritage by embracing the music stylings of pasillo, a popular genre in Ecuador. 

Aguilera's powerhouse voice soars as she sings about finding healing and closure from a traumatic childhood experience. The song builds from a vulnerable ballad to a moment of flamenco-infused catharsis. 

"Carretera y Manta" – Pablo Alborán

Musical worlds collide in Pablo Alborán's "Carretera y Manta," in which the Spanish singer/songwriter blends '80s-inspired pop with elements of contemporary Latin urbano beats. 

The standout single from his La Cuarta Hoja album, Alborán sings about not worrying about the destination, but instead enjoying the journey to get there. Alborán is known for big ballads and with this carpe diem anthem, he shows off a more upbeat and danceable side to his artistry. 

"Déjame Llorarte" – Paula Arenas Feat. Jesús Navarro

Colombian singer/songwriter Paula Arenas explores the emotional depth of Latin pop music in "Déjame Llorarte," teaming up with Jesús Navarro, the powerhouse voice behind Mexican group Reik. 

The heartfelt ballad is centered by Arenas and Navarro's sweet shared harmonies, which detail moving on from a breakup. Backed by piano and strings, the soulful collaboration was included on Arenas' A Ciegas album.

"Shakira: Bzrp Music Sessions, Vol. 53" – Bizarrap Feat. Shakira

Shakira turned a difficult time in her personal life into a global moment of empowerment. The Colombian pop icon teamed up with Argentinian producer Bizarrap for "Shakira: Bzrp Music Sessions, Vol. 53." 

Bizarrap seamlessly blends elements of EDM and Latin urbano music, as Shakira unleashes her inner "She Wolf" once again. In her Bzrp session, Shakira gave women wronged by an ex a kiss-off anthem that is packed with plenty of punchlines. "Women no longer cry, women get paid," she sings in Spanish. 

"Si Tú Me Quieres" – Fonseca & Juan Luis Guerra

Two giants in Latin music joined forces on the romantic "Si Tú Me Quieres." Colombia's Fonseca teamed up with Juan Luis Guerra, who hails from the Dominican Republic. The traditional vallenato sound of Fonseca's country is beautifully blended with the tropical music that Guerra is known for. 

The dreamy duo serenade listeners around the world, trading verses about the power of love behind a kiss. 

"Mientras Me Curo Del Cora" – Karol G

In addition to scoring further reggaetón hits from Mañana Será Bonito, Karol G also showed versatility to her artistry on her latest album. 

The Colombian superstar sampled the feel-good classic "Don’t Worry, Be Happy" by Bobby McFerrin in "Mientras Me Curo Del Cora." With a bit of reggaetón in the mix, she turns a dark moment in her life into Latin pop positivity and allows listeners get to know Carolina Giraldo Navarro — the woman behind Karol G. 

"De Todas Las Flores" – Natalia Lafourcade

After paying homage to the music of Mexico and Latin America in her past few releases, Natalia Lafourcade returned last year with De Todas Las Flores, an album of all original music. 

On the hypnotic title track, Lafourcade shows why she is one of Mexico's most exciting and innovative alternative acts. Lafourcade masterfully melds the sound of her guitar, folkloric Latin music, and jazz in the song where she mourns the memories of a past romance. 

"Ojos Marrones" – Lasso

Last year, Lasso scored one of the biggest global hits that was outside the Latin urbano genre. The Venezuelan singer/songwriter channeled the spirit of '70s soft rock in "Ojos Marrones, citing Fleetwood Mac as one of his inspirations for the alluring love song.

With his raspy voice, Lasso sings about getting lost in his partner's brown eyes. Lasso continued to put a refreshing spin on the music of pop past throughout his album Eva. 

"La Fórmula" – Maluma & Marc Anthony

To tap into the sound of salsa music, Maluma teamed up with one of the genre's giants. In "La Fórmula," the Colombian superstar joined forces with Nuyorican icon Marc Anthony for a charming duet. 

The colorful and sweeping song was included on Maluma's Don Juan album. Backed by a full band and tropical beats, Maluma and Anthony sing about wanting to reignite the romance with an old flame. 

"Despechá" – Rosalía

Rosalía continued to push Latin music to new places in the deluxe version Motomami, last year's Latin GRAMMY Album Of The Year winner. 

This year, the Spanish pop star blended elements of merengue, pop, and house music in "Despechá." Instead of being bogged down by a breakup, Rosalía gets the mambo dance line started while singing about cutting loose with her close friends. The genre-bending track was Rosalía's fierce remedy for channeling spiteful feelings into a cathartic club experience. 

"Correcaminos" – Alejandro Sanz Featuring Danny Ocean

Spanish pop icon Alejandro Sanz teamed up with rising Venezuelan star Danny Ocean for "Correcaminos." The sultry collaboration combines the alternative reggaetón sound of Ocean with flamenco influences from Sanz's home country.

Sanz and Ocean sing from the heart about winning over the women of their dreams. Whether that happens in this lifetime or the next, both singers are determined to make that happen in this magical duet.

Latin GRAMMYs 2023: Song Of The Year Nominees — Read Them Here

The Latin Recording Academy has announced the complete list of nominees for the 2023 Latin GRAMMYs, and the race for Song Of The Year is on.

The prestigious Category features this year’s most-nominated artist, Mexican American songwriter and producer Edgar Barrera, who earned an impressive 13 nods. It also includes three Colombian singers who have collaborated with Barrera — Karol G, Camilo, Shakira — the latter of whom set a record as the first artist to have three entries in Latin GRAMMYs' Song Of The Year Category.

The 2023 Latin GRAMMYs show will also make history, as the Thursday, Nov. 16, ceremony will be the first-ever international telecast in the history of the organization and awards, broadcasting from the Conference and Exhibition Centre (FIBES) in Sevilla, Spain.

Read on to learn more about the 10 bops nominated for Song Of The Year, and the artists and songwriters that penned them. (All lyrics noted below are translated from Spanish.)

Read More: 2023 Latin GRAMMYs: See The Complete Nominations List

"Acróstico" — Kevyn Mauricio Cruz Moreno, L.E.X.U.Z, Luis Fernando Ochoa & Shakira, songwriters (Shakira)

"Acróstico," the third lead single from Shakira's upcoming 12th studio album, is a heartfelt love letter to her young sons Milan and Sasha, in the wake of her split from their father Gerard Piqué. The tear-jerking ballad features her sons' vocals.

The track's Spanish title translates to acrostic, which is a poem where the first letter of each line spells out a word — and in Shakira's song, the opening lyrics spell out Milan. "This year Milan has written songs that have made me tear up, and Sasha has dedicated hours playing the piano and discovering his voice. Both have spent some time with me in the studio, and upon hearing this song, they've asked to be part of it," she wrote in Spanish in an Instagram post about the song.

Shakira co-wrote the song with a powerhouse team of Colombian gold:Keityn and L.e.x.u.z, of La Crème collective, and longtime collaborator Luis Fernando Ochoa, who first linked with Shakira back in 1995 on Pies Descalzos. (Keityn, born Kevyn Mauricio Cruz Moreno, also worked on two of Shakira's other big 2023 hits and Song Of The Year contenders: the record-breaking "Shakira: Bzrp Music Sessions, Vol. 53" with Bizarrap and "TQG" with Karol G.)

"Amigos" – Pablo Alborán & María Becerra, songwriters (Pablo Alborán Featuring María Becerra)

Spanish singer/songwriter Pablo Alborán linked up with Argentian reggaetónera María Becerra on "Amigos," a platonic love song to the friend that always has your back — and makes life a party. They wrote the sweet, vibey song together for his late-2022 album, La cuarto hoja.

"Amigos" opens with a chilled guitar instrumental, building up to an anthemic shout-it-with-your-bestie chorus: "I can see life in color/ the whole neighborhood looks at us/ We drink the hours as if it were liquor."

"De Todas Las Flores" – Natalia Lafourcade, songwriter (Natalia Lafourcade)

On "De Todas Las Flores," the title track of Natalia Lafourcade's first album of all original music in seven years, she beautifully paints the picture of a lost love. "Of all the flowers we plant/ There are only a few left/ Every morning they wonder/ When you will arrive to sing to them," she sings over sparse, tenderly melancholic instrumentation.

The backing vocals offer ethereal ooohs and ahhhs, like the fading memories shared with the lover no longer there. The Latin GRAMMY- and GRAMMY-winning Mexican singer/songwriter has always been a compelling storyteller, and it's a joy to hear her rich voice share new sonic poems on the project she's called an "extremely personal musical diary."

"Ella Baila Sola" – Pedro Julian Tovar Oceguera, songwriter (Eslabon Armado, Peso Pluma)

"Ella Baila Sola" (or, she dances alone) was written by 20-year-old Pedro Tovar, lead singer of Mexican regional band Eslabon Armado. It's about two friends noticing a pretty girl at a party, and one of them winning her affection.

The song features rapidly rising Mexican singer/rapper Peso Pluma, who is bringing Mexican corridos worldwide, fused with reggaetón and Latin trap. The dynamo pairing has helped "Ella Baila Sola" have a massive, record-breaking run; after it went viral on TikTok, it became the first regional Mexican song to reach the Top 10 on the Billboard Hot 100 (reaching No. 4) and the first performed on late-night TV. It was also the most-streamed song globally on Spotify this summer, and second-most streamed song in the U.S.

"NASA" – Édgar Barrera, Camilo & Alejandro Sanz, songwriters (Camilo & Alejandro Sanz)

On "NASA," Latin GRAMMY-winning Colombian singer/songwriter Camilo teams up with Latin GRAMMY- and GRAMMY-winning Spanish star Alejandro Sanz to ask his lover for forgiveness for what he admits is unwarranted jealousy.

"I know/ That NASA has cameras rotating in space/ They spend day and night looking up and down/ And I'm about to call and ask for a job/ To see if I relax." It's a tender, vulnerable love song with playful lyrics exchanged back-and-forth by the two Spanish-language crooners, who also co-wrote the song together.

"Ojos Marrones" – Luis Jiménez, Lasso & Agustín Zubillaga, songwriters (Lasso)

"It's the first time/ I invited someone/ Since you left/ And I'm fine," Lasso opens on "Ojos Marrones," before revealing he's only kinda sorta fine. "Nothing is the same / Nothing is the same/ Nothing/ without your brown eyes," Lasso repeats empathetically in the chorus.

It's a sunset-hued pop rock heater with dreamy guitar licks reminiscent of those in Chris Issak's classic "Wicked Game." The Venezuelan singer/songwriter paired up Luis Jiménez and Agustín Zubillaga to pen the impactful track about trying — and failing — to get over an ex with a new lover, which is featured on his latest album, Eva. The track went viral on TikTok after a user compared its narrative to Justin Bieber's relationships, and its success spawned a remix with Sebastian Yatra.

"Shakira: Bzrp Music Sessions, Vol. 53" – Santiago Alvarado, Bizarrap, Kevyn Mauricio Cruz & Shakira, songwriters (Bizarrap Featuring Shakira)

It's an understatement to say that Shakira has had a momentous year. As she went through a very public separation — and tabloids across the globe zeroed in on her every move and social media post — she proved yet again she's a global pop superstar at the top of her game.

She started the year off with the viral "Shakira: Bzrp Music Sessions, Vol. 53," a sassy, synth-pop clap back at her ex. In just 24 hours, it garnered over 15 million streams on Spotify to top the platform's Top 50 global list, and the video saw over 55 million views on YouTube, the record for a Spanish-language track.

On it, she asserts herself and reclaims her power — who needs trashy gossip rags when Shakira is here to tell it like it is? "A she-wolf like me/ isn't for guys like you," the Colombian queen declares. "I was out of your league/ That's why you're/ With someone just like you," also coming for her ex's new girlfriend (the Casio he traded in for a Rolex, as Shaki put it). The fiery diss track came out of a session with forever-sunglassed Argentinan DJ and producer Bizarrap. They co-wrote the song with Keityn and Santiago Alvarado.

"Si Tú Me Quieres" – Fonseca, Yadam González & Yoel Henríquez, songwriters (Fonseca & Juan Luis Guerra)

It was a dream of Latin GRAMMY-winning Colombian singer/songwriter Fonseca to collab with Latin GRAMMY- and GRAMMY-winning Dominican superstar Juan Luis Guerra. "Si Tú Me Quieres" is a sweet tropical pop love song, a gorgeous result of Fonseca's dream brought to life.

It was co-produced by Colombian pop/rock king Juanes, and was co-written by Fonseca with two Latin GRAMMY-winning songwriter/producers: Puerto Rican Yoel Henríquez and Cuban Yadam González. When Fonseca finished the initial demo, he imagined Luis Guerra's distinctive voice on it, who quickly agreed to join in on it. They bring their voices, styles and homelands together for a joyful fiesta, with delightful touches of Colombian vallenato and Dominican bachata.

"Tqg" – Kevyn Mauricio Cruz, Karol G, Ovy On The Drums & Shakira, songwriters (Karol G Featuring Shakira)

Shakira and Keityn strike again — this time alongside Colombian reggaetónera Karol G, and her regular collaborator Ovy On The Drums.

On "TQG," Karol G and Shakira link up for the first time and come for their exes, reminding them who's on top. "You left and I went triple 'M'/ Much hotter, much tougher, much more class," Shakira sings defiantly.

"TQG" stands for te quedó grande, which roughly means too much for you to handle, and is featured on Karol's fourth album, MAÑANA SERÁ BONITO. When Karol saw the gossip fodder about Shakira, she knew she was the perfect collaborator to add fire to the reggaetón diss track,which she wrote with Keityn and Ovy during the same session of "Mamiii," her collab with Becky G.

"Un X100to" – Bad Bunny, Édgar Barrera, Marco Daniel Borrero & Andrés Jael Correa Ríos, songwriters (Grupo Frontera Featuring Bad Bunny)

With "un x100to," Grupo Frontera, a Texas-based regional Mexican band specializing in norteños, struck gold and brought regional Mexican music to the top of the charts. The song peaked at No. 5 on Billboard's Hot 100 — the fifth regional Mexican song ever to chart on it — with a little help from Puerto Rican superstar Bad Bunny.

Frontera lead singer Adelaido "Payo" Solis II and Bad Bunny sing passionately about trying to reconnect with an ex with a harrowing 1 percent battery left on their phone, on a playful romp that mixes norteño and cumbia. What makes the track even more remarkable is that Grupo Frontera didn't know Bad Bunny would be on the track until he appeared at the music video shoot — proving that sometimes the most impactful collabs can come from an unexpected pairing.

Latin GRAMMYs 2023: Record Of The Year Nominees — Read Them Here

Lollapalooza, which started off as the brainchild of Jane’s Addiction frontman Perry Farrell in 1991, has become one of the world’s most famous festivals. Its popularity — due in part to the festival's ability to draw some of the biggest names in music, as well as buzzy up-and-comers  — has allowed Lolla to expand into Brazil, Argentina, Sweden, France and India.

Taking place Aug. 3-6, this year's Chicago headliners include Kendrick Lamar, Billie Eilish, Red Hot Chili Peppers, Lana Del Rey and The 1975. The festival will also host a slew of aftershows all over the city featuring festival performers like A Boogie Wit Da Hoodie, Carly Rae Jepsen, Portugal. The Man and Noah Kahan.

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While these stars will undoubtedly put on impressive performances, they aren’t the only musicians that are drawing fans to the festival. Dozens of artists will appear across Lollapalooza's eight stages. From rap to rock, punk to pop, here are 10 artists who deserve to stand in the spotlight all on their own — and whose sets you shouldn't miss.

The Beaches

Canadian alt-rock group The Beaches embody the effortless cool many bands boast but few fail to execute. The all-female quartet, who beautifully meld new-wave sounds with the ferocity of pop-punk, are gearing up to release their sophomore album Blame My Ex due out Sept. 15. 

Lead single "Blame Brett" is an intoxicating anthem in which lead singer Jordan Miller pledges to battle heartbreak with apathy: "I’m sorry in advance / I’m only gonna treat you bad / I’m probably gonna let you down / I’m probably gonna sleep around […] but don’t blame me, blame Brett". 

The Beaches scored a major label deal with Island Records and released their debut album, Late Show, in 2016. They've since amassed six No. 1 singles on Canadian alternative radio, and have toured with the Rolling Stones, Foo Fighters and Avril Lavigne.

The Beaches perform at 1:15 p.m. Thursday at the Bud Light stage.

Beauty School Dropout

This L.A. rock trio got the ultimate endorsement after they were signed by Mark Hoppus under the new label Verswire with Pete Wentz and Sherry Saeedi. In a press release, Hoppus stated that he was "always impressed by how hard these guys work, their talent and uncompromising creativity, and their dedication to their fans." 

In addition to supporting Blink-182 on their long-awaited reunion tour, Beauty School Dropout released their debut album We Made Plans And God Laughed in 2022. Saturated with heavy guitar riffs, catchy choruses and invigorating percussion, the album has received well over 14 million streams.

 Newer songs from the group include the pulsating dance floor anthem "FREAK" as well as "dying to be you." The latter, which was released in conjunction with Mental Health Awareness Month, was written about the band’s mental health struggles and the unceasing desire to be something else.

Beauty School Dropout perform at  2:10 p.m. Thursday at the BMI stage.

Key Glock

Key Glock is a charismatic emcee who possesses the sagacity of rappers nearly twice his age. In an interview with Billboard, the 25-year-old explained that his influences range from Three 6 Mafia to Johnny Taylor. "The soul music, that’s more of the real life stuff, where hip-hop is more of the entertainment and street life stuff. They both had a toll on me coming up."

This February, Key Glock released his third studio album, Glockoma 2, which followed the murder of Glock's cousin and Paper Route Empire founder Young Dolph. Paper Route Empire’s in-house producer Bandplay is responsible for producing half the songs on Glockoma 2, which are a slick combination of pulsating, infectious beats ("Work") and darker, more cerebral offerings ("F— Dat S—"). As Glock continues to double down on his craft, he has stated that Dolph will always serve as his motivation.

Key Glock performs at 7:45 p.m. Thursday at the Bacardi stage.

Karol G

This Columbian siren fiercely established her place in reggaeton with 2020’s her smash hit "Bichoita." Since then, Karol G has performed at Coachella, collaborated with Shakira on the song "TQG" and sold out Madison Square Garden. She was also nominated for a GRAMMY in 2022 and a Latin Grammy that same year. 

She also made history when her most recent album, Mañana Será Bonito ("Tomorrow Will Be Beautiful"), became the first fully Spanish-language album by a female artist to top the Billboard 200 chart. Mañana Será Bonito explores everything from pop-rock to Caribbean melodies. During her attendance record-breaking performance in June as part of TODAY‘s Citi Concert Series, Karol remarked: "The last two years we’ve been growing as a movement and Latinos, we support what we do around the world so we’re here proud of all of us and it’s such an amazing moment." 

Karol G performs at 8:40 p.m. Thursday at the Bud Light stage.

Declan McKenna

Irrefutable pop prodigy Declan McKenna is known for drenching infectious sun-soaked melodies with fiery lyrical realism. His 2015 single "Brazil" catapulted McKenna into the spotlight, and earned him a spot in Glastonbury Festival’s Emerging Talent Competition — which he won. 

The 24-year-old has continuously cranked out tunes that drastically set him apart from his peers. Older gems like "Isombard" challenge repulsive right wing rhetoric while newer songs from Mckenna’s catalog — including his latest single, "Sympathy" — reiterate the importance of authenticity and positivity. That sentiment is present throughout McKenna’s currently unannounced third album, and he couldn’t be prouder. "I’ve made a hella weird new album: it’s got a lot of strangeness to it, but that hasn’t come through me trying to be anything other than myself," he told NME in July.

Declan McKenna performs Friday at 6:30 p.m. at the Bacardi stage.

Hemlocke Springs

Hemlocke Springs’ major breakthrough came courtesy of TikTok, where "Girlfriend'' became a viral sensation. The synth-laced sparkly pop gem has since amassed nearly 30 million streams on Spotify. "People are saying this reminds them of a Prince song, and I’m like ‘Prince?!’ I’m just a small country girl!" the singer told Rolling Stone. 

Springs, who was born in Concord, North Carolina was embarking on a journey to receive a Master of Science degree from Dartmouth when she became more serious about music. Though she hasn’t abandoned her educational aspirations, she does have a few more songs under her belt including "heavun," "stranger danger!" and "sever the blight." 

Hemlocke Springs perform at 1:00 p.m. Friday at the BMI stage.

MAVI

The poetry that MAVI enraptures his listeners with is ripe with blistering sincerity. His first album, 2019’s Let the Sun Talk, was made while the musician was just a freshman at Howard University and was praised for its complexity.

MAVI’s second independent project, End of the Earth, was lauded even more and landed the emcee opportunities to work with the likes of Earl Sweatshirt and producer the Alchemist (MAVI also opened for Jack Harlow on tour in 2021). His latest album, Laughing So Hard It Hurts, shows off the musician’s maturity as he explores themes of generational trauma as well as the painful aftermath of losing people closest to you. 

"I made this gentle album to be gentle with myself," MAVI told OkayPlayer. "Everybody else don’t got to be gentle with me. Being gentle with the album, I feel is the best way to hear it and to listen to it."

MAVI performs at 2:50 p.m. Saturday at the Bacardi stage.

Pusha T

Rap’s most infamous kingpin has been working the festival circuit hard in 2023: Pusha T has performed at Coachella, Governors Ball and Primavera Sound. The Daytona rapper will bring his bold antics (like transforming the stage into own personal drug den) to Lollapalooza with a solid catalog featuring some of hip-hop’s most memorable hits.

Pusha started out his career as one half of the popular duo Clipse, alongside his brother Malice. The GRAMMY-nominated pair released a slew of impressive albums, including 2002’s Lord Willin’ and 2006’s Hell Hath No Fury. Once they disbanded in 2010, Push signed to Kanye West’s GOOD Music record label. In 2013, the emcee released his debut album My Name is My Name which featured the popular single "Numbers on the Boards." Over the last decade, Pusha T has collaborated with artists like Jay-Z, Pharrell, Kehlani, Rick Ross and Kid Cudi. On 2022's It's Almost Dry, fans were treated to a Clipse reunion as Malice appeared on the album’s final track entitled "I Pray For You."

Pusha T performs at 8:45 p.m. Saturday at the Perry’s stage.

Tomorrow X Together

This K-Pop group formed in 2019 and is the second boy band to debut under Big Hit Music, a subsidiary of HYBE corporation (Big Hit is also home to BTS). Earlier this year, Tomorrow X Together embarked on a 16-city worldwide tour, and will be playing Lollapalooza for the second year in a row. The newest EP, The Name Chapter: Temptation, was released earlier this year.

They have recorded three studio albums total and during their debut became the fastest K-pop group to reach number one on the Billboard World Albums and World Digital Song Sales charts with their hit single "Crown" and EP The Dream Chapter: Star. 

Last year, Tomorrow X Together made history by becoming the first K-pop act to perform at Lollapalooza, making the headlining slot they hold this year that much sweeter. In July, they teamed up with the Jonas Brothers for the light-hearted and cheerful "Do It Like That," which was produced by Ryan Tedder.

Together X Tomorrow perform at 8:30 p.m. Saturday at the Bud Light stage.

Dehd

This Chicago trio specializes in moody, midtempo songs with an alt-rock feel. Dehd’s most recent album, Blue Skies, is a sonic testimony to the group’s effortless chemistry as evidenced by their creative approach. The pulsating dexterity of "Bop" feels like the equivalent of catching lightning in a bottle, while "Empty in My Mind" is alluring for its crisp vocals and surprising simplicity. 

However, that straightforwardness also contains depth. On "Waterfall," they speak on the country’s current cultural landscape by saying: "I don’t care about American ways/It doesn’t change/I’m dreaming of the one who understands." In an interview with Under The Radar, singer/guitarist Jason Balla explained the song was written "in the context of all this social unrest. I think America stands for a lot of things, and it can feel so discouraging…but it’s also a reminder that you have to keep working towards undermining that loop."

Dehd perform at 2:30 p.m. Sunday at the T-Mobile stage.

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