meta-scriptCountry Legend Jimmy Dean Dies | GRAMMY.com

news

Country Legend Jimmy Dean Dies

GRAMMYs/Dec 3, 2014 - 04:22 am

Country Legend Jimmy Dean Dies
GRAMMY-winning country artist Jimmy Dean died Sunday at his home in Varina, Va. No cause of death was provided. He was 81 years old. Dean was known for his work in music, television and film, and as a sausage business entrepreneur with the Jimmy Dean Meat Company. His signature songs included "Big Bad John," which reached the top of the Billboard Hot 100 and won him a GRAMMY for Best Country & Western Recording in 1961, and hits such as "I.O.U." and "The Cajun Queen." Dean also hosted the variety television program "The Jimmy Dean Show" in the mid-'60s and appeared regularly on the "Daniel Boone" series. He was among this year's inductees into the Country Music Hall of Fame. "The world has lost a great country music artist, entrepreneur, and witty character, and our deepest condolences go out to his family, his friends and his fans," said Recording Academy President/CEO Neil Portnow. 
 (6/14)

"Memphis" Wins Best Musical At Tonys
"Memphis" took home Best Musical honors at the 2010 Tony Awards Sunday at Radio City Music Hall in New York. "Memphis," with music by GRAMMY-winning Bon Jovi keyboardist David Bryan and lyrics by Bryan and Joe DiPietro, also won awards for Best Book of a Musical, Best Original Score (Music and/or Lyrics) Written for the Theatre and Best Orchestrations. GRAMMY winners Jay-Z, Alicia Keys and Will Smith's production of "Fela!" was honored with awards for Best Choreography, Best Costume Design of a Musical and Best Sound Design of a Musical. Also picking up awards was "American Idiot," based on the GRAMMY-winning Green Day album, for Best Scenic Design of a Musical and Best Lighting Design of a Musical. (6/14)

World Cup Concert Draws 8.5 Million Viewers
The FIFA World Cup Kick-Off Celebration Concert on June 10 in Soweto, South Africa, drew nearly 8.5 million South African television viewers, according to Nielsen. The concert, which was the highest-viewed local entertainment event since the 2008 South African Music Awards drew approximately 5 million viewers, was broadcast live around the world and included performances by GRAMMY winners Black Eyed Peas, Juanes, Angelique Kidjo, John Legend, and Shakira, among others. (6/14)

 

National Recording Registry Announces Inductees

Photo: Library of Congress

news

National Recording Registry Inducts Music From The Notorious B.I.G., Green Day, Blondie, The Chicks, & More

Recordings by the Cars, Bill Withers, Lily Tomlin, Doug E. Fresh and Slick Rick, and the all-Black 369th U.S. Infantry Band after World War I are also among the 25 selected for induction.

GRAMMYs/Apr 17, 2024 - 12:54 am

As a founding member of the National Recording Preservation Board, the Recording Academy was instrumental in lobbying and getting the board created by Congress. Now, the Library of Congress has added new treasures to the National Recording Registry, preserving masterpieces that have shaped American culture.

The 2024 class not only celebrates modern icons like Green Day’s punk classic Dookie and Biggie Smalls' seminal Ready to Die, but also honors vintage gems like Gene Autry’s "Rudolph, the Red-Nosed Reindeer" and Perry Como’s hits from 1957. These recordings join over 650 titles that constitute the registry — a curated collection housed within the Library’s vast archive of nearly 4 million sound recordings. 

Librarian of Congress Carla Hayden announced these additions as essential pieces of our nation’s audio legacy, each selected for their cultural, historical, or aesthetic importance. This selection process is influenced by public nominations, which hit a record number this year, emphasizing the public's role in preserving audio history.

Read more: Inside Green Day's Intimate "Right Here, Right Now" Global Climate Concert In San Francisco

"The Library of Congress is proud to preserve the sounds of American history and our diverse culture through the National Recording Registry," Hayden said. "We have selected audio treasures worthy of preservation with our partners this year, including a wide range of music from the past 100 years, as well as comedy. We were thrilled to receive a record number of public nominations, and we welcome the public’s input on what we should preserve next."

The latest selections named to the registry span from 1919 to 1998 and range from the recordings of the all-Black 369th U.S. Infantry Band led by James Reese Europe after World War I, to defining sounds of jazz and bluegrass, and iconic recordings from pop, dance, country, rock, rap, Latin and classical music.

"For the past 21 years the National Recording Preservation Board has provided musical expertise, historical perspective and deep knowledge of recorded sound to assist the Librarian in choosing landmark recordings to be inducted into the Library’s National Recording Registry," said Robbin Ahrold, Chair of the National Recording Preservation Board. "The board again this year is pleased to join the Librarian in highlighting influential works in our diverse sound heritage, as well as helping to spread the word on the National Recording Registry through their own social media and streaming media Campaigns."

Tune in to NPR's "1A" for "The Sounds of America" series, featuring interviews with Hayden and selected artists, to hear stories behind this year’s picks. Stay connected to the conversation about the registry via social media and listen to many of the recordings on your favorite streaming service.

For more details on the National Recording Registry and to explore more about the selections, visit The Library of Congress's official National Recording Registry page.

National Recording Registry, 2024 Selections (chronological order)

  1. "Clarinet Marmalade" – Lt. James Reese Europe’s 369th U.S. Infantry Band (1919)

  2. "Kauhavan Polkka" – Viola Turpeinen and John Rosendahl (1928)

  3. Wisconsin Folksong Collection (1937-1946)

  4. "Rose Room" – Benny Goodman Sextet with Charlie Christian (1939)

  5. "Rudolph, the Red-Nosed Reindeer" – Gene Autry (1949)

  6. "Tennessee Waltz" – Patti Page (1950)

  7. "Rocket ‘88’" – Jackie Brenston and His Delta Cats (1951)

  8. "Catch a Falling Star" / "Magic Moments" – Perry Como (1957)

  9. "Chances Are" – Johnny Mathis (1957)

  10. "The Sidewinder" – Lee Morgan (1964)

  11. "Surrealistic Pillow" – Jefferson Airplane (1967)

  12. "Ain’t No Sunshine" – Bill Withers (1971)

  13. "This is a Recording" – Lily Tomlin (1971)

  14. "J.D. Crowe & the New South" – J.D. Crowe & the New South (1975)

  15. "Arrival" – ABBA (1976)

  16. "El Cantante" – Héctor Lavoe (1978)

  17. "The Cars" – The Cars (1978)

  18. "Parallel Lines" – Blondie (1978)

  19. "La-Di-Da-Di" – Doug E. Fresh and Slick Rick (MC Ricky D) (1985)

  20. "Don’t Worry, Be Happy" – Bobby McFerrin (1988)

  21. "Amor Eterno" – Juan Gabriel (1990)

  22. "Pieces of Africa" – Kronos Quartet (1992)

  23. Dookie – Green Day (1994)

  24. Ready to Die – The Notorious B.I.G. (1994)

  25. "Wide Open Spaces" – The Chicks (1998)


21 Albums Turning 50 In 2024: 'Diamond Dogs,' 'Jolene,' 'Natty Dread' & More

Shakira
Colombian singer Shakira performs with Argentine record producer and songwriter Bizarrap on the Sahara Stage during the Coachella Valley Music and Arts Festival in Indio, California, on April 12, 2024

Photo: VALERIE MACON / AFP) (Photo by VALERIE MACON/AFP via Getty Images

list

Coachella 2024 Weekend 1 Recap: 20 Surprises And Special Moments, From Billie Eilish & Lana Del Rey To Olivia Rodrigo With No Doubt

Weekend 1 of Coachella 2024 is a wrap, and the internet can’t stop talking about it. Here are 20 surprises and special moments from Coachella so far, including inspired team-ups, wackadoo moments in the clutch, and much more.

GRAMMYs/Apr 15, 2024 - 09:11 pm

It may be hard to believe, but Weekend 1 of Coachella 2024 is already over. Clearly, time flies when you’re having fun — particularly when beholding the world’s leading artists, convened in the Indio desert in California.

If you weren’t there, the festival was filmed, of course. You can enjoy Coachella from the comfort of your own home, sans-sunburn, undrenched with champagne.

As you survey Coachella’s sold-out first weekend, read on for 20 performances, debuts and moments that surprised and touched us from Coachella Weekend 1.

Lana Del Rey's Headlining Set Brought Out GRAMMY Winners Billie Eilish, Jon Batiste & Jack Antonoff

After rolling deep up to her desert set on a fleet of motorcycles for her Friday performance, Lana Del Rey infused her iconic sad-girl pop persona into every facet of her Gatsby-esque performance. 
Her headlining set also included some special GRAMMY-winning guests: Jon Batiste and 2024 Producer Of The YearJack Antonoff both accompanied on piano, while Billie Eilish joined her idol on stage for duet performances of "Ocean Eyes" and "Video Games." Sharing a moment with her hero on stage at the end of the set, Eilish declared, "This is the reason for half you bitches’ existence, including mine.”

Tyler, The Creator Brings Out Childish Gambino, A$AP Rocky, Kali Uchis and Charlie Wilson

Saturday's main stage event kicked off with a ruckus 80-minute set by creative magnet Tyler, The Creator, who transformed the stage into an ever-changing desert scene to host fellow performers.

First up, Childish Gambino hit the stage to perform a duet of "Running Out of Time," before A$AP Rocky joined for a performance of two tracks, "Potato Salad" and "Who Dat Boy."

Tyler admitted he once saw both as rivals, but now considers them friends. Kali Uchis also returned to the desert stage with Tyler for a quick appearance as well as legendary singer/songwriter Charlie Wilson, who made an unexpected appearance to accompany Tyler on a laid-back version of "EARFQUAKE." 

No Doubt Made Their Grand Re-Entrance (With Olivia Rodrigo!)

No Doubt electrified Coachella with their first performance in nine years, featuring all original members and a blend of eclectic hits that defined their career. Their memorable reunion set highlighted their timeless appeal and was punctuated by a surprise appearance from pop sensation Olivia Rodrigo for a duet performance of No Doubt classic, "Bathwater."

Taylor Swift and Travis Kelce Show Up To Support Ice Spice And Jack Antonoff's Bleachers

The Queen of Pop, Taylor Swift herself, showed up on Sunday with her boyfriend Travis Kelce among the crowds to support her friends: producer and Bleachers band member Jack Antonoff and Eras tourmate Ice Spice

Will Smith Joined J Balvin For The “Men In Black” Theme

What slap? Last year, Will Smith appeared at “A GRAMMY Salute To 50 Years Of Hip Hop” as one half of DJ Jazzy Jeff and the Fresh Prince. And at Coachella 2024, the world was treated to another throwback, as he and four-time GRAMMY nominee J Balvin performed the immortal theme to Men in Black.

Doja Cat Brought Out A$AP Rocky, 21 Savage and Teezo Touchdown

GRAMMY winner and 19-time nominee Doja Cat turned in a performance heavy on rap — and also puppet dinosaurs. As per the former, A$AP Rocky, 21 Savage and Teezo Touchdown touched down, collaborating with Doja on “Urrrge,” “N.H.I.E.,” and “Masc,” respectively.

Ice Spice Previewed A New Song Onstage

Something’s stirring in Ice Spiceworld. At Coachella, she wowed with her live debut of a new song that sampled Sean Paul’s 2005 track “Gimme the Light.” (She closed out with “Think U the Shit (Fart).”)

As reported earlier in April, Ice Spice is going to make her acting debut in Spike Lee’s new movie High and Low, starring Denzel Washington

Peso Pluma Made His Coachella Debut

¡Corridos tumbados de por vida! In the wake of his big win at the 2024 GRAMMYs — Best Música Mexicana Album (Including Tejano), for GÉNESIS Peso Pluma lit up Coachella 2024 with that signature fusion of folky guitar ballads and modern hip-hop, with special guests including Becky G and Arcángel.

Lil Uzi Vert Previewed A New Song Onstage

Ice Spice wasn’t the only act to preview new material at Coachella 2024. Enter four-time GRAMMY nominee Lil Uzi Vert, who performed a hypnotic and — again — unnamed track, one that seemed to be tailor-made for Coachella.

A Mini-Fugees Reunion Went Down (Thanks To YG Marley)

Lauryn Hill and Wyclef Jean are no strangers to reigniting the Fugees spirit onstage — they did so at Essence Fest 2022, while GRAMMY.com was reporting on site. This time, they kept it in the family; during Hill’s son YG Marley’s set, both Fugees came out, playing classics like “Killing Me Softly.” (The embattled Pras wasn’t present.)

Blur Announced This Was Their Last Performance Together

Social media is currently abuzz at the allegedly unresponsive audience for Blur — but what’s a viral, out-of-context clip supposed to prove, anyway? Whatever the case may be, after their rollicking set, Damon Albarn and company declared that the Britpop icons were entering another hiatus.

Bizarrap Brought Out Shakira

Mega-watt Argentine producer Bizarrap brought his BZRP Music Sessions to the Coachella stage and included a surprise appearance from superstar Shakira.

Shakira and Bizarrap won the Latin GRAMMY for Song Of The Year at the 2023 Latin GRAMMYs for "Shakira: Bzrp Music Sessions, Vol. 53," a featured track on her fresh-out-the-trap album, Las Mujeres Ya No Lloran

Billie Eilish Threw A Special “Billie & Friends” Party & Hyped Up The Crowd With The Killers’ “Mr. Brightside”

After surprising fans during Lana Del Rey's Friday set, Billie Eilish treated fans and special guests to a preview of her new album, Hit Me Hard and Soft at the Do LaB Stage on Saturday night.

The previewed songs were well-received by an enthusiastic set of attendees who were introduced to yet-to-debut tracks "“Lunch,” "L’Amour De Ma Vie," and "Chihiro." 

"Yo Gabba Gabba!" Showed Up To The Aquabats’ Pool Party

Christian Jacobs, lead singer of the Aquabats, co-created the "Yo Gabba Gabba!" TV show — and the colorful cast of costumed characters showed up to their pool party! This marks yet another example of ska picking up at Coachella — see the transcendent No Doubt and Sublime performances.

Sublime Made Their Coachella Debut With Jakob Nowell

As you may have read, Sublime are back, against the odds — not with Rome, but with Jakob Nowell, original Sublime frontman Bradley’s son. (It must be said: Bradley died at 28, ending the band’s original run; as he takes the guitar and mic, Jakob himself is 28.)

Speaking of the guitar — he wielded his old man’s, in an emotional and electrifying set that proved these songs’ durability and beyond.

Vampire Weekend Brought Paris Hilton Onstage To Play Cornhole

Life imitates Mad Libs! The beloved indie rockers are out promoting their new album, 2024’s Only God Was Above Us — and who better to cheerlead than the one and only Paris Hilton, to play the classic bean bag game with the crew?

Dom Dolla Brought Out Nelly Furtado

Dance/electronic sensation Dom Dolla returned to Coachella for a charged set featuring festival first-timer Nelly Furtado who joined to perform their GRAMMY-nominated track, "Eat Your Man."

Furtado gave her all during the rousing performance, a testament to the duo's synergy after Dom Dolla brought the singer out of a six year hiatus to work together on the song.

Sky Ferreira Made A Surprise Appearance With Kevin Abstract

If Sky Ferreira seems like an unlikely candidate to belt out a Lady A hit, think again. The singer/songwriter brought newfound heft to the five-time GRAMMY winners’ classic hit, “Need You Now,” with Kevin Abstract.

Does this foreshadow a reappraisal of the country mainstays’ catalog? Once the dust settles re: the ska revival, we’ll have that conversation.

Kesha Showed Up To Rock With Reneé Rapp (And Diss A Certain Disgraced Rapper)

“Wake up in the morning feeling like P. Diddy,” Kesha once rapped, in her inescapable 2009 hit “Tik Tok.” Well, that didn’t age well, and Kesha knew that. So she changed “P. Diddy” to “me” — and if that’s just going to be the official lyric now, that’s fine by the music industry. Reneé Rapp, of Mean Girls fame, bolstered her.

Mac DeMarco Joined Forces With Lil Yachty

Mac DeMarco’s been a savvy chameleon at this stage in his career, prioritizing brainy collaborations over typical album release cycles.

He has two songwriting credits on Yachty’s game changing 2023 album Let’s Start Here, and during Yachty’s performance, he showed up to perform two of his song songs: “On The Level,” from 2017’s This Old Dog, and “Chamber of Reflection,” from his decade-old album Salad Days.

Additional reporting by Nina Frazier.

10 Must-See Artists At Coachella 2024: Skepta, The Last Dinner Party, Mdou Moctar, Cimafunk & More

“The Outsiders” Broadway cast.
“The Outsiders” Broadway cast.

Photo: Miller Mobley

list

New Broadway Musicals To See This Spring: "Hell's Kitchen," "The Wiz" & More

Broadway’s newest musicals have something for everyone, from works by GRAMMY-winning artists, to highly-anticipated revivals. Read on for everything you need to know about the new musicals appearing on Broadway.

GRAMMYs/Apr 3, 2024 - 01:27 pm

It’s a busy spring season on Broadway, with 11 musicals opening by April 25 — the cutoff for this year’s Tony Award eligibility.

Spring 2024 musicals span a wide range of styles and genres, from adaptations of literary classics and histories, to timeless revivals and jukebox musicals from GRAMMY winners Huey Lewis and Alicia Keys. The season also features some recognizable singers including Deborah Cox, Jeremy Jordan, Shoshana Bean, and Brandon Victor Dixon.

Here’s a breakdown (in alphabetical order) of what’s playing; unless listed, all of the following musicals have open run dates.

"Cabaret"

August Wilson Theatre

Set within the seedy Kit Kat Club in 1930s Berlin as the Nazi regime was beginning to take over,  "Cabaret" premiered on Broadway in 1966. The hit play starred Joel Grey as the Emcee and Jill Haworth. Sally Bowles, with music and lyrics by the legendary John Kander and the late Fred Ebb. In 1972, the musical was turned into a movie starring Gray and Liza Minnelli; it subsequently won eight Academy Awards, including Best Actor and Actress for Grey and Minnelli. 

The 2024 revival stars Eddie Redmayne as the Emcee, who will perform in the round on an  immersive set. While the stage may be different, fans can still expect unique renditions of iconic songs such as "Willkommen," "Cabaret" and "Don’t Tell Mama." 

"Hell's Kitchen"

Shubert Theater 

Sixteen-time GRAMMY winner Alicia Keys brings her artistry from the Super Bowl to the Broadway stage in the jukebox musical "Hell’s Kitchen." Loosely based on Keys' life growing up in the Manhattan neighborhood of Hell’s Kitchen, the story centers around 17-year-old Ali, played by newcomer Maleah Joi Moon, as she navigates her teenage years through love and loss.

Written by Pulitzer Prize-finalist playwright Kristoffer Diaz, "Hell's Kitchen" features songs by Keys with new arrangements, as well as the recently debuted "Kaleidoscope."  Shoshana Bean and two-time GRAMMY nominee Brandon Victor Dixon co-star in the musical, all reprising their roles from its premiere at the Public Theatre last fall.

"Illinoise"

St. James Theatre 

April 24 - Aug. 10

This new, dance-centered musical was the last show to announce its arrival on Broadway this season, and is moving from the New York’s Upper East Side Park Avenue Armory after a sold out run in order to meet the Tony Award eligibility deadline.

"Illinoise" features music by GRAMMY-nominated musician Sufjan Stevens and is based on his beloved 2005 concept album Illinois. The album features stories, people and places from the state. The show is conceived and choreographed by Justin Peck, of the New York City Ballet, who also choreographed Maestro and Steven Spielberg’s West Side Story. "‘Illinoise’ is a coming-of-age story that takes the audience on a journey through the American heartland — from campfire storytelling to the edges of the cosmos — all told in through a unique blend of music, dance, and theater," Peck said in a statement.

Dancers featured in the show include Yesenia Ayala, Gaby Diaz, Jeanette Delgado and  Ben Cook, who also were in West Side Story.

"Lempicka"

Longacre Theatre

"Lempicka" is a brand new, original musical with a "pop infused sound" with a script and lyrics by Carson Kreitzer and book and music by Matt Gould.

The musical tells the tale of real Polish painter Tamara de Lempicka, who was famous for her art deco portraits of aristocrats and highly stylized nude paintings. While Lempicka changed art and culture in the late 1800s, she struggled with decades of political and personal turmoil. Eden Espinosa stars in the title role, and previously played Elphaba in "Wicked." Amber Iman, the first woman to perform on Broadway after the Coronavirus shutdown and Tony Award winner Beth Leavel also star in the show.

"The Great Gatsby"

Broadway Theatre

First it was a book, turned into a movie, and now a Broadway musical. "The Great Gatsby" is based on F. Scott Fitzgerald’s literary classic, and has all the glitz and jazz-aged glam of the 1925 novel.

Starring Jeremy Jordan as Long Island millionaire Jay Gatsby and Eva Noblezada as Daisy Buchanan, the Broadway adaptation features all new music with a modern jazz and pop score by Jason Howland with lyrics by Nathan Tysen. As in the book, "Gatsby" tells the story of how Gatsby is after his long lost love Daisy and all the stops to bring her back into his life.

"The Heart of Rock and Roll"

James Earl Jones Theatre

Songs by GRAMMY winners Huey Lewis & the News appear in two new musicals this season. "The Power of Love" is featured in "Back to the Future" (which opened last summer) and the new jukebox musical, "The Heart of Rock and Roll." 

Set in 1987 and featuring many hits from the time, the story centers on the young couple, played by Cory Cottand McKenzie Kurtz, who work at the same company and eventually fall in love. Bobby, a rock and roller, trades his guitar for the corporate ladder and his boss Cassandra is always putting the family business first. The musical is jam packed with Huey Lewis megahits like "Do You Believe in Love", "Hip to Be Square," and "If This Is It." 

"The Notebook"

Schoenfeld Theatre

Singer/songwriter Ingrid Michaelon wrote the music and lyrics for this tear-jerker musical adapted from Nicholas Sparks’ best-selling novel and the classic romantic movie starring Rachel McAdams and Ryan Gosling. Michaelson admits she’s best at the "weepy and romantic" songs.

The musical tells the story of how leads Allie and Noah shared a lifetime of love despite growing up in opposite socioeconomic classes. And if you’re wondering: yes, the famous rain scene from the movie makes a big splash with audiences on Broadway. 

"The Outsiders"

Bernard B. Jacobs Theater

"The Outsiders" transforms S.E. Hinton's novel — perhaps most famous for the 1983 movie starring Matt Damon, Patrick Swayze and Tom Cruise — into a Broadway musical. One of its co-producers is Angelina Jolie, who saw the show with her family when it debuted out-of-town in California. 

"The Outsiders" features a book by Adam Rapp with Justin Levine, along with music and lyrics by Jamestown Revival (Jonathan Clay & Zach Chance) and Justin Levine. Set in Tulsa, Oklahoma in 1967, Ponyboy Curtis and Johnny Cade along with their fellow Outsiders  battle their rivals, the Socs.

"The Who’s Tommy"

Nederlander Theatre

Perhaps the most famous song from 1975 rock opera The Who’s Tommy is "Pinball Wizard" written by guitarist Pete Townshend. The musician won a GRAMMY for Best Musical Show Album in 1993 for the musical’s original cast recording. 

Des McAnuff — who co-wrote the musical's script with Townshend and also directed the original musical 30 years ago — is back in the director’s chair for this revival. The musical, about a boy who finds a knack for playing pinball, is based on the Who’s 1969 album, Tommy. It was also turned into a 1975 film called Tommy, which starred Elton John, Tina Turner, Ann Margaret and Roger Daltry as Tommy. On Broadway, Ali Louis Bourzgui stars in the title role. 

"The Wiz"

Marquis Theatre

Ease on down the road to the Marquis Theatre! "The Wiz" returns to Broadway for the first time since it premiered back in 1974 for a limited run followed by subsequent shows around the country. The show is based on The Wizard of Oz and, in 1978, was turned into a film starring Diana Ross as Dorothy and Michael Jackson as the Tinman. 

The revival features music and lyrics by Charlie Smalls, and book by William F. Brown with script updates by Amber Ruffin (whose Some Like It Hot won Best Musical Theater Album at the 2024 GRAMMYs). JaQuel Knight, who choreographed Beyoncé’s "Single Ladies," choreographed "The Wiz."

Newcomer Nichelle Lewis plays Dorothy along with Wayne Brady as The Wiz and Deborah Cox as Glinda. Look out for Avery Wilson as the Scarecrow; the R&B singer appeared on "The Voice" and their single "Kiss The Sky" cracked the Top 20 on Billboard’s R&B chart. 

"Suffs"

Music Box Theatre

On the heels of "Hamilton" is a historic musical called "Suffs." It’s 1913 and the women’s suffrage movement is heating up in America. The suffragists, or "Suffs," are relentless in their pursuit of the right to vote. 

Shaina Taub stars as Alice Paul, one of the leaders of the National Women’s Party. Taub also wrote the book, music and lyrics (She’s also collabing with five-time GRAMMY winner Elton John on the "Devil Wears Prada" musical). "Suffs" is produced by Hillary Clinton, tying the suffrage movement to contemporary politics in a tangible way.

"Water for Elephants"   

Imperial Theatre

Sara Gruen’s novel and 2011 film adaptation has now turned into a musical with music/lyrics by PigPen Theatre Co. 

Rick Elice (known for writing the book for "Jersey Boys") puts his stamp on this show about Jacob Jankowski, who jumps on a train finding a new home with a traveling circus. 

Like "The Notebook," this "memory musical" is told from his point of view as an old man and goes back and forth between the present and the past when he worked for the circus. Audiences will love the aerial tricks and impressive elephant puppetry. "

Artists Who Are Going On Tour In 2024: The Rolling Stones, Drake, Olivia Rodrigo & More

Usher performs in 2023
Usher at iHeartRadio’s Living Black 2023 Block Party.

Photo: Kevin Winter/Getty Images for iHeartRadio

list

9 Reasons Why Usher's 'Confessions' Is R&B's Definitive Blockbuster Album

Just before Usher kicks off his extensive world tour, the R&B superstar celebrates the 20th anniversary of his magnum opus, 'Confessions.' Here's a look at the ways the album changed the genre — and cemented Usher as an icon.

GRAMMYs/Mar 22, 2024 - 02:29 pm

"All of us have our Pandora's boxes or skeletons in our closets," Usher told MTV News while promoting his 2004 album, Confessions. "I've got a lot of things and stuff built in me that I just want to let go of."

He sure wasn't kidding. The concept album, and loosely based around his relationship with TLC's Rozonda "Chilli" Thomas — essentially played out like a prime-time soap opera set to music. But its brutally honest narrative and earworm hooks connected like no other contemporary R&B record before or since, solidifying Usher as one of music's modern greats.

In fact, Confessions was the second-best selling album of the 2000s (only behind *NSYNC's 2000 juggernaut, No Strings Attached), thanks in part to four consecutive Billboard Hot 100 chart-toppers and a string of attention-grabbing videos that allowed Usher to showcase his skills as a singer, dancer, actor, and all-round loverman.

Just after delivering a career-defining Super Bowl halftime show performance, Usher celebrates  20 years of Confessions on March 23. To commemorate the anniversary, here's a look at why Confessions remains the R&B scene's definitive blockbuster.

It Saved The Record Industry 

Thanks to the rise in illegal downloads and decline of "Total Request Live"-friendly blockbusters, the music industry began 2004 staring down a fourth consecutive year of declining sales. Step forward their savior, Usher Raymond IV.

Confessions shifted a colossal 1.1. million copies in its first week, the highest number since Eminem's The Eminem Show in 2002, and didn't stop selling. By the end of December, its total had ballooned to nearly eight million — double its closest competitor, Norah Jones' Feels Like Home, to become the year's biggest commercial smash.

Usher's magnum opus was widely credited with getting the American public back into record stores again, resulting in a 1.6 percent increase in overall album sales. But Confessions' journey wasn't done there. In 2012, it was awarded diamond status, joining TLC's CrazySexyCool and Boyz II Men's II as the only R&B representatives in the exclusive club, with its current tally now reportedly standing at 18 million!

It Invented Crunk&B 

Crunk, an energetic form of southern hip-hop defined by its 808 basslines, kick drums, and general party-starting vibes, originated in the mid-1990s. But it took nearly a decade for the sound to crossover from the Miami underground to the top of the charts. And then the lead single from Confessions took the scene to another level.

With its high-pitched synth hook, emphatic beats, and hype man chants from the subgenre's self-proclaimed king Lil Jon, "Yeah!" had all the hallmarks of a crunk classic. But Usher's smooth, soulful tones and Ludacris' playful rhymes gave the dance floor anthem a much stronger melodic edge, prompting critics to coin a new term, Crunk&B.

Several artists took note of the crunk and contemporary R&B crossover, with both Ciara's "Goodies" and Chris Brown's "Run It" also topping the Hot 100. But "Yeah!" remains the sound's crowning glory, as proven by the diamond status it achieved right before Usher's Super Bowl halftime show (Usher is also now only the third ever Black artist to have a diamond-certified single and album, alongside Michael Jackson and Whitney Houston).

It Further Bridged The Gap Between R&B And Hip-Hop 

While previous albums Usher, My Way, and 8701 had all been grounded in slick, soulful R&B, Confessions was a concerted attempt to bridge the gap between his signature sound and the grittier world of hip-hop. The man himself admits that he took just as much inspiration from Eminem and Bone Thugs-N-Harmony as his usual suspects, like Michael Jackson and James Brown, to create an album that was aimed equally at the bedroom and the clubs.

Alongside the famous guest appearances from Lil Jon and Ludacris, the LP also drew upon the production talents of Roc-A-Fella regular Just Blaze. Meanwhile, on the special edition, Jadakiss laid down some bars on "Throwback," while the remix of "Confessions Part II" boasted rhymes from Shyne, Twista, and Kanye West.

That's not to say thatNot that Usher forgot his roots, though., Has proven by his collab with Keys ("My Boo"), recruitment of legendary producers Jimmy Jam and Terry Lewis, and contributions from long-time collaborators Jermaine Dupri and Bryan-Michael Cox all helped remind of his R&B prowess. "I feel like it is the base of everything," Usherhe said about his love of R&B at the time. "I want to make it more prominent."

It Was A GRAMMY Favorite 

Although Ray Charles posthumously won the most awards of the night, the 2005 GRAMMYs undoubtedly still belonged to Usher. The R&B star not only took home three golden gramophones, but he also brought the house down thanks to a spellbinding duet with the Godfather of Soul.

A sharp-suited Usher first took to the stage for an epically choreographed performance of Confessions' fifth single "Caught Up," before James Brown — who even at the age of 71 still had several moves of his own — popped up for a joint rendition of his classic, "Sex Machine."

Usher was no doubt in a celebratory mood. By this point, he'd picked up three of the eight categories he'd been nominated in: Best Contemporary R&B Album, Best Rap/Sung Collaboration for "Yeah!," and Best R&B Performance by a Duo or Group with Vocal alongsideAlicia Keys for "My Boo." (As of press time, Usher has won eight GRAMMYs and received 23 GRAMMY nominations.)

It Brought A Confessional Side Back To R&B 

From Marvin Gaye's Here, My Dear to D'Angelo's Brown Sugar, some of the greatest R&B records of the 20th century resulted from artists baring their souls as if their lives depended on it. This was an approach that had largely fallen by the wayside as time went on, with some suggesting that the genre gradually became more emotionally stunted.

Usher, on the other hand, had no qualms whatsoever about laying it all on the line, namely the ups and downs of his relationship with Thomas. On the falsetto-voiced "Burn," he willingly displays devastation over his breakup ("I'm twisted 'cause one side of me's telling me that I need to move on/ On the other side I wanna break down and cry"). And even by the penultimate track, "Take Your Hand," he still seems to be in a state of torment ("In your loving, every time I feel your touch/ Second thoughts, more doubts started building up").

Usher's confessional approach continued in 2008 with Here I Stand's love letter to then-wife Tameka Foster and then again in 2010 with the divorce-themed Raymond vs. Raymond. And many other R&B artists, including Janelle Monae and Beyoncé, have since made career bests by delving similarly deep into their personal lives.

It Inspired A Generation Of R&B Lotharios 

Think of any R&B lothario who's emerged in the last 20 years and chances are they've been heavily inspired by Confessions. Jason Derulo has said as much, describing it as a "classic album" and "just start to finish awesome"; Ne-Yo echoed that sentiment to BBC Radio 1, calling it "flawless top to bottom." While Bryson Tiller explicitly told Fuse he wanted to make a record in the same vein. And you can hear its influence in everything from Drake's more romantic offerings to August Alsina's intimate revelations.

And 10 years after Robin Thicke co-penned and co-produced Confessions' sensuous bedroom jam, "Can U Handle It," he released his own breakup tale with 2014's Paula.  Though he hasn't ever explicitly cited Confessions as an influence, Paula is a concept album about Thicke's real-life marriage breakdown, which essentially doubled up as a begging letter to his estranged wife.

It's A Storytelling Masterclass 

In 2023, it was announced that an untitled drama series inspired by Usher's back catalog was in the works. No doubt that the project, said to be "about Black love in Atlanta and individuals looking to find a place to call home," will draw heavily upon the storytelling masterclass that is Confessions.

Take "Truth Hurts," for example, the relationship tale in which Usher initially presents himself as the wounded party before revealing that he was, in fact, the one being adulterous ("I've been blaming you when I'm the one that's doing wrong/ I'ma go on/ My guilty conscience is the real reason I wrote this song").

Usher also appeared to enjoy keeping audiences guessing about whether his confessions were truly autobiographical or borrowed from the album's male-centric production team. See the two title tracks, which suggested the lothario had himself become a father following a one-night stand, when in reality, the paternity drama was all Dupri's.

"We wanted the media to ask us questions," the latteradmitted to Vibe in 2014, citingMichael Jackson as a key attention-grabbing influence. "Nobody knows who the f— Billie Jean is. We're still looking for her."

It Helped Breathe New Life Into Several Soul Classics 

While much of Confessions was interested in pushing R&B forward, it wasn't entirely averse to getting a little nostalgic. The record is filled with cleverly chosen samples from the soul of yesteryear, from Harold Melvin and the Blue Notes' "Is There a Place for Me" on "Take Your Hand" to Willie Hutch's Mack's Stroll on "Superstar" and Preston Love's "Chili Mac" on "Whatever I Want."

And nearly 20 years before Doja Cat repurposed a Dionne Warwick classic to chart-topping effect on 2023's "Paint the Town Red," Usher brought the Motown legend into the contemporary R&B world by borrowing from "You're Gonna Need Me" on the aptly titled "Throwback."

It Broke Multiple Chart Records  

You know an artist has reached true greatness when they start being mentioned in the same breath as The Beatles. In 2004, Usher became the first act since the Fab Four to have both the biggest and second biggest-selling singles of Billboard's year-end chart with "Yeah!" and "Burn," respectively. And this was far from the only major milestone Confessions achieved. 

Until Taylor Swift's Fearless spent an additional fortnight in the top spot in 2009, the album's nine weeks atop the Billboard 200 was the longest run of the millennium. And with "Confessions Part II" also reaching No. 1 on the Hot 100 (ironically, replacing "Burn"), Usher not only became the first artist in  history to achieve three consecutive chart toppers, but also the first act to spend more than half a calendar year atop the Hot 100 at 28 combined weeks. 

Twenty years on, Confessions is still the highest-selling record by a Black artist this century. And further exemplifying his staying power and impact across the globe, Usher will soon embark on a lengthy world tour that has sold out from Brooklyn to Berlin — a momentous way to honor the album that changed the R&B game.

24 Songs Turning 20: Listen To 2004's Bangers, From "Yeah!" To "Since U Been Gone"