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Bruce Springsteen Historical Exhibit, "Springsteen: His Hometown," Opening In New Jersey

Bruce Springsteen

Photo by Brian Ach/Getty Images for Bob Woodruff Foundation

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Bruce Springsteen Historical Exhibit, "Springsteen: His Hometown," Opening In New Jersey

The exhibit, hosted by New Jersey’s Monmouth County Historical Association, will be "a comprehensive look at how Monmouth County, NJ has been thematically woven into Bruce Springsteen’s music and art throughout his career"

GRAMMYs/Jul 17, 2019 - 09:39 pm

20-time GRAMMY winner Bruce Springsteen and his music is a vital part of New Jersey history—and now the Garden State's Monmouth County Historical Association, located in Freehold, has announced a new exhibit dedicated to the Boss.

Called "Springsteen: His Hometown," the exhibit will be a "comprehensive look at how Monmouth County, NJ has been thematically woven into Bruce Springsteen’s music and art throughout his career." It opens on Sept. 29, only a few days after Springsteen's 70th Birthday on Sept. 23, as Rolling Stone points out. "His Hometown" is slated to run through the fall of 2020, with proceeds benefiting the historical association.

According to Rolling Stone, the exhibit will feature more than 150 items, many from the Bruce Springsteen Archives and Center for American Music at Monmouth University. Attendees will get to check out early-career items on display, such as an original color poster from Springsteen’s first band the Castiles, a scrapbook from Springsteen's mother, and even family heirlooms like a 19th century Civil War document that includes Bruce's ancestor Alexander Springsteen.

GRAMMY Museum founding director Robert Santelli served as an advisor in curating the exhibit, along with Director of the Archives Eileen Chapman. The exhibit is co-curated by Monmouth University’s Specialist Professor of Public History Melissa Ziobro and Bernadette Rogoff, Director of Collections for MCHA.

"The MCHA is honored to have the opportunity to exhibit some of the most unique, and some never-before-seen items that reflect the unparalleled career and life of Bruce Springsteen,” Linda Bricker, President, MCHA Board of Trustees, said in a statement. "Springsteen remains an essential part of the fabric that comprises the deep history of Monmouth County. We would especially like to thank Eileen Chapman, Melissa Ziobro and the Bruce Springsteen Archives and Center for American Music for their continued generosity and collaboration."

Tickets to the exhibit are available here

Ken Ehrlich Announced As Executive Producer For 62nd GRAMMYs, Ben Winston Named New Executive Producer For 63rd GRAMMYs

The GRAMMY Museum Announces 'Shakira, Shakira: The GRAMMY Museum Experience,' Honoring Her Creative Legacy; Opening March 2023
Shakira performs at Super Bowl LIV in 2020

Photo: Focus On Sport / Contributor / Getty Images

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The GRAMMY Museum Announces 'Shakira, Shakira: The GRAMMY Museum Experience,' Honoring Her Creative Legacy; Opening March 2023

To showcase Shakira's enduring career, the GRAMMY Museum presents 'Shakira, Shakira: The GRAMMY Museum Experience,' opening on Saturday, March 4, as part of the Museum's permanent Latin Music Gallery

GRAMMYs/Jan 26, 2023 - 03:20 pm

On Saturday, March 4, The GRAMMY Museum will open Shakira, Shakira: The GRAMMY Museum Experience, showcasing Shakira's enduring creative legacy spanning more than three decades as a singer, songwriter, producer, dancer, visual artist, philanthropist, and global icon.

Visitors can see the exhibit on display in downtown Los Angeles at the Museum's permanent Latin Music Gallery.

A multi-GRAMMY-winning and Latin GRAMMY Award-winning artist, Shakira has sold more than 85 million records worldwide and has won numerous awards in addition to those from the Recording Academy. Her albums and releases consistently break records, and she is the most-viewed and -streamed Latin female artist of all time on YouTube and Spotify. She was also honored as the Latin Recording Academy’s Person of the Year in 2011 for her artistic achievements in the Latin music industry as well as their humanitarian efforts.

"It's an honor to have the journey of my career displayed at the GRAMMY Museum," Shakira said in a statement. "These pieces are a testament to so many indelible moments that I cherish, and I'm so happy to be able to relive these memories with those who have and continue to support me as an artist."

Shakira, Shakira explores the artist's musical evolution, from her origins as a Latin rock-loving singer/songwriter in Barranquilla, Colombia, to a global superstar whose catalog spans multiple genres, from bhangra and bachata to rock and reggaetón.

Read More: 2023 GRAMMYs Performers Announced: Bad Bunny, Lizzo, Sam Smith, Steve Lacy, Mary J. Blige & More Confirmed

Early in her career, Shakira began fusing elements of her ethnicities and multicultural roots to construct a richly layered sonic universe that allowed her to grow as a creator while appealing to a worldwide audience. Partly by incorporating her Lebanese heritage on her father's side — along with Arabic dancing and the mainstream pop rock that she grew up with — she achieved international crossover success and broke boundaries for Latin artists.

To deepen visitors' appreciation and understanding of how these cultural elements have shaped every aspect of her songs, music videos, performances, and world tours, the first museum exhibit about Shakira features interactive features that provide fresh insights into her creative process.

It also includes a songwriting notebook with handwritten lyrics from her personal archive along with 40 other artifacts, acoustic and Swarovski-studded electric guitars, iconic outfits from her performances and album covers, three original films, and an immersive space that draws inspiration from her El Dorado tour.

Highlights from the Shakira, Shakira: The GRAMMY Museum Experience include:

  • Forty artifacts from Shakira’s personal archive

  • Shakira’s two 2020 Super Bowl LIV outfits (one red, one gold) and her Gibson Firebird electric guitar, covered with 70,000 black Swarovski crystals

  • Taylor acoustic guitar that Shakira uses for songwriting

  • Fender Stratocaster, covered with pink Swarovski crystals, that Shakira played on her Oral Fixation tour (2006-2007)

  • Gold Yamaha Revstar electric guitar Shakira played on her 2018 El Dorado tour

  • Iconic outfits from Shakira’s 2018 El Dorado tour

  • Leaf-covered bikini Shakira wore on the cover of her 2005 album, Oral Fixation, Vol. 2

  • Songwriting notebook with handwritten lyrics

  • And more!

This announcement comes on the heels of Shakira's latest release with Argentinian producer and DJ Bizarrap, "SHAKIRA || BZRP Music Sessions #53," which has made history in its own way. With the most streams in a single day for a Spanish-language song, it raked in more than 14 million streams in the first 24 hours and became the fastest Latin song to reach 100 million streams. Another historic moment for Shakira, the song debuted at #9 on the Billboard Hot 100, making her the first solo woman to reach the Top 10 on the chart with a song recorded in Spanish. She has also broken the all-time record for most monthly listeners for a Latin artist in Spotify history. The video amassed 160 million views on YouTube in the first week. 

"Shakira is the rare superstar who has discovered a way to keep evolving as an artist while growing her expansive audience along with her," said Jasen Emmons, Chief Curator & Vice President of Curatorial Affairs at the GRAMMY Museum. "She's a serious student of music, and the GRAMMY Museum is excited to offer a dynamic exhibit that reflects her intelligence and artistry."

The GRAMMY Museum Announces Official GRAMMY Week 2023 Programming Schedule

20 Albums Turning 50 In 2023: 'Innervisions,' 'Dark Side Of The Moon' 'Catch A Fire' & More
Clockwise: Stevie Wonder 'Inversions', Pink Floyd 'Dark Side of the Moon', the Allman Brothers Band 'Brothers and Sisters', Al Green 'Call me', David Bowie 'Alladin Sane,' Roberta Flack 'Killing Me Softly'

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20 Albums Turning 50 In 2023: 'Innervisions,' 'Dark Side Of The Moon' 'Catch A Fire' & More

1973 saw a slew of influential records released across genres — many of which broke barriers and set standards for music to come. GRAMMY.com reflects on 20 albums that, despite being released 50 years ago, continue to resonate with listeners today.

GRAMMYs/Jan 24, 2023 - 04:08 pm

Fifty years ago, a record-breaking 600,000 people gathered to see the Grateful Dead, the Allman Brothers Band and the Band play Summer Jam at Watkins Glen. This is just one of many significant historical events that happened in 1973 — a year that changed the way music was seen, heard and experienced.

Ongoing advancements in music-making tech expanded the sound of popular and underground music. New multi-track technology was now standard in recording studios from Los Angeles to London. Artists from a variety of genres experimented with new synthesizers, gadgets like the Mu-Tron III pedal and the Heil Talk Box, and techniques like the use of found sounds.  

1973 was also a year of new notables, where now-household names made their debuts. Among these auspicious entries: a blue-collar songwriter from the Jersey Shore, hard-working southern rockers from Jacksonville, Fla. and a sister group from California oozing soul. 

Along a well-established format, '73 saw the release of several revolutionary concept records. The EaglesDesperado, Pink Floyd’s Dark Side of the Moon, Lou Reed’s Berlin and the Who’s Quadrophenia are just a few examples that illustrate how artists used narrative techniques to explore broader themes and make bigger statements on social, political and economic issues — of which there were many.

On the domestic front, 1973 began with the Supreme Court’s landmark decision in Roe v. Wade. Internationally, the Paris Peace Accords were signed — starting the long process to end the Vietnam War. An Oil crisis caused fuel prices to skyrocket in North America. Richard Nixon started his short-lived second term as president, which was marked by the Watergate scandal. 

Politics aside, the third year of the '70s had it all: from classic- and southern-rock to reggae; punk to jazz; soul and R&B to country. Read on for 20 masterful albums with something to say that celebrate their 50th anniversary in 2023. 

Band On The Run - Paul McCartney & Wings

Laid down at EMI’s studio in Lagos, Nigeria and released in December 1973, the third studio record by Paul Mcartney & Wings is McCartney’s most successful post-Beatles album. Its hit singles "Jet" and the title cut "Band on the Run" helped make the record the biggest-selling in 1974 in both Australia and Canada.

Band on the Run won a pair of GRAMMYS the following year: Best Vocal Performance by a Duo, Group or Chorus and Best Engineered Recording, Non-Classical. McCartney added a third golden gramophone for this record at the 54th awards celebration when it won Best Historical Album for the 2010 reissue. In 2013, Band on the Run was inducted into the GRAMMY Hall of Fame. 

Head Hunters - Herbie Hancock

Released Oct. 13, Herbie Hancock’s Head Hunters was recorded in just one week; its

four songs clock in at just over 40 minutes. That the album was not nominated in the jazz category, but instead Best Pop Instrumental Performance, demonstrates how Hancock was shifting gears.

Head Hunters showed Hancock moving away from traditional instrumentation and playing around with new synthesizer technology — especially the clavinet — and putting together a new band: the Headhunters. Improvisation marks this as a jazz record, but the phrasing, rhythms and dynamics of Hancock’s new quintet makes it equal parts soul and R&B with sprinkles of rock 'n' roll. 

The album represented a commercial and artistic breakthrough for Hancock, going gold within months of its release. "Watermelon Man" and "Chameleon," which was nominated for a Best Instrumental GRAMMY Award in 1974, were later both frequently sampled by hip-hop artists in the 1990s.

Greetings From Asbury Park, N.J. - Bruce Springsteen

Bruce Springsteen, 22, was the new kid in town in 1973. This debut was met with tepid reviews. Still, Greetings introduced Springsteen’s talent to craft stories in song and includes many characters The Boss would return to repeatedly in his career. The album kicks off with the singalong "Blinded by the Light," which reached No. 1 on the Billboard 100 four years later via a cover done by Manfred Mann’s Earth Band. This was the first of two records Springsteen released in 1973; The Wild, The Innocent & The E Street Shuffle arrived before the end of the year — officially introducing the E Street Band.

Innervisions - Stevie Wonder 

This Stevie Wonder masterpiece shows an artist, in his early 20s, experimenting with new instrumentation such as TONTO (The Original New Timbral Orchestra) — the world’s largest synth — and playing all instruments on the now-anthemic "Higher Ground."

The song reached No.1 on the U.S. Hot R&B Singles Chart, and Innervisions peaked at No. 4. The album won three GRAMMYS the following year, including Album Of The Year. Wonder was the first Black artist to win this coveted golden gramophone. In 1989, Red Hot Chili Peppers kept the original funk, but injected the song with a lot of rock on their cover — the lead single from Mother’s Milk.

The Dark Side Of The Moon - Pink Floyd

Critics perennially place this Pink Floyd album, the band's eighth studio record, as one of the greatest of all-time. The Dark Side of the Moon hit No.1 and stayed on the Billboard charts for 63 weeks.

A sonic masterpiece marked by loops, synths, found sounds, and David Gilmour’s guitar bends, Dark Side of the Moon is also a concept record that explores themes of excessive greed on tracks like "Money." Ironically, an album lambasting consumerism was the top-selling record of the year and has eclipsed 45 million sales worldwide since its release. The album’s cover has also become one of the most recognized in the history of popular music.

Pronounced 'lĕh-'nérd 'skin-'nérd - Lynyrd Skynyrd

This debut release features several of the northern Florida rockers' most beloved songs: "Gimme Three Steps," "Tuesday’s Gone" and "Simple Man." The record, which has since reached two-times platinum status with sales of more than two million, also includes the anthemic "Free Bird," which catapulted them to stardom. The song with its slow-build and definitive guitar solo and jam in the middle became Lynyrd Skynyrd's signature song that ended all their shows; it also became a piece of pop culture with people screaming for this song during concerts by other artists.

Houses Of The Holy - Led Zeppelin

The first Led Zeppelin record of all originals — and the first without a Roman numeral for a title — Houses of the Holy shows a new side of these British hardrockers. Straying from the blues and hard rock of previous records, Houses of the Holy features funk (“The Ocean” and “The Crunge”) and even hints of reggae (“D’Yer Mak’er”). This fifth studio offering from Page, Plant, Jones and Bonham also includes one of this writer’s personal Zeppelin favorites — "Over the Hills and Far Away.” The song was released as the album’s first U.S. single and reached No. 51 on the Billboard charts. Despite mixed reviews from critics, Houses of the Holy eventually achieved Diamond status for sales of more than 10 million. Interesting fact: the song “Houses of the Holy” actually appears on the band’s next record (Physical Graffiti).

Quadrophenia - The Who

The double-album rock opera followed the critical success of Tommy and Who’s Next. Pete Townshend composed all songs on this opus, which was later adapted into a movie. And, in 2015, classically-scored by Townshend’s partner Rachel Fuller for a new generation via a symphonic version (“Classic Quadrophenia”). The story chronicles the life of a young mod named Jimmy who lives in the seaside town of Brighton, England. Jimmy searches for meaning in a life devoid of significance — taking uppers, downers and guzzling gin only to discover nothing fixes his malaise. With sharp-witted songs, Townshend also tackles classicism. His band of musical brothers: Roger Daltrey, John Entwistle and Keith Moon provide some of their finest recorded performances. The album reached second spot on the U.S. Billboard chart.

Berlin - Lou Reed

Produced by Bob Ezrin, Berlin is a metaphor. The divided walled city represents the divisive relationships and the two sides of Reed — on stage and off. The 10 track concept record chronicles a couple’s struggles with drug addiction, meditating on themes of domestic abuse and neglect. As a parent, try to listen to "The Kids" without shedding a tear. While the couple on the record are named Caroline and Jim, those who knew Reed’s volatile nature and drug dependency saw the parallels between this fictionalized narrative and the songwriter’s life.

Catch A Fire - Bob Marley & the Wailers

The original cover was enclosed in a sleeve resembling a Zippo lighter. Only 20,000 of this version were pressed. Even though it was creative and cool, cost-effective it was not — each individual cover had to be hand-riveted. The replacement, which most people know today, introduces reggae poet and prophet Robert Nesta Marley to the world. With a pensive stare and a large spliff in hand, Marley tells you to mellow out and listen to the tough sounds of his island home.

While Bob and his Wailers had been making music for nearly a decade and released several records in Jamaica, Catch a Fire was their coming out party outside the Caribbean. Released in April on Island Records, the feel-good reggae rhythms and Marley’s messages of emancipation resonated with a global audience. A mix of songs of protest ("Slave Driver," "400 years") and love ("Kinky Reggae"), Catch A Fire is also notable for "Stir it Up," a song American singer-songwriter Johnny Nash had made a Top 15 hit the previous year. 

The New York Dolls - The New York Dolls

The New York Dolls burst on the club scene in the Big Apple, building a cult following with their frenetic and unpredictable live shows. The Dolls' hard rock sound and f-you attitude waved the punk banner before the genre was coined, and influenced the sound of punk rock for generations. (Bands like the Sex Pistols, the Ramones and KISS, cite the New York Dolls as mentors.) Singer-songwriter Todd Rundgren — who found time to release A Wizard, A True Star this same year — produced this tour de force. From the opening "Personality Crisis," this five-piece beckons you to join this out-of-control train.

Aladdin Sane - David Bowie

This David Bowie record followed the commercial success of The Rise and Fall of Ziggy Stardust & The Spiders from Mars. Many critics unfairly compare the two. A career chameleon, with Aladdin Sane, Bowie shed the Ziggy persona and adopted another alter-ego. The title is a pun that means: "A Lad Insane." For the songwriter, this record represented an attempt to break free from the crazed fandom Ziggy Stardust had created.

A majority of the songs were written the previous year while Bowie toured the United States in support of Ziggy. Journal in hand, the artist traveled from city to city in America and the songs materialized. Most paid homage to what this “insane lad” observed and heard: from debauchery and societal decay ("Cracked Actor") to politics ("Panic in Detroit") to punk music ("Watch That Man"). Top singles on Aladdin Sane were: "The Jean Genie" and "Drive-In Saturday." Both topped the U.K. charts.

Faust IV -Faust

This fourth studio album — and the final release in this incarnation by this experimental avant-garde German ambient band — remains a cult classic. Recorded at the Manor House in Oxfordshire, England (Richard Branson’s new Virgin Records studio and the locale where Mike Oldfield crafted his famous debut Tubular Bells, also released in 1973), Faust IV opens with the epic 11-minute instrumental "Krautrock" — a song that features drones, clusters of tones and sustained notes to create a trance-like vibe. Drums do not appear in the song until after the seven minute mark.

The song is a tongue-in-cheek nod to the genre British journalists coined to describe bands like Faust, which musicians largely did not embrace. The rest of Faust IV is a sonic exploration worthy of repeated listens and a great place to start if you’ve ever wondered what the heck Krautrock is.

Brothers & Sisters - the Allman Brothers Band

Great art is often born from grief, and Brothers & Sisters is exemplary in this way. Founding member Duanne Allman died in 1971 and bassist Berry Oakley followed his bandmate to the grave a year later; he was killed in a motorcycle accident in November 1972. Following this pair of tragedies, the band carried on the only way they knew how: by making music.

With new members hired, Brothers & Sisters was recorded with guitarist Dicky Betts as the new de facto band leader. The Allman Brothers Band’s most commercially successful record leans into country territory from the southern rock of previous releases and features two of the band’s most popular songs: "Ramblin’ Man" and "Jessica." The album went gold within 48 hours of shipping and since has sold more than seven million copies worldwide.  

Call Me -  Al Green

Call Me is considered one of the greatest soul records of the 20th century and Green’s pièce de résistance. The fact this Al Green album features three Top 10 Billboard singles "You Ought to Be With Me," "Here I Am" and the title track helps explain why it remains a masterpiece. Beyond the trio of hits, the soul king shows his versatility by reworking a pair of country songs: Hank Williams’ "I’m so Lonesome I Could Cry," and Willie Nelson’s "Funny How Time Slips Away."

Killing Me Softly - Roberta Flack

This Roberta Flack album was nominated for three GRAMMY Awards and won two: Record Of The Year and Best Female Vocal Pop Performance at the 1974 GRAMMYs (it lost in the Album of the Year category to Innervisions). With equal parts soul and passion, Flack interprets beloved ballads that showcase her talent of taking others’ songs and reinventing them. Producer Joel Dorn assembled the right mix of players to back up Flack adding to the album’s polished sound. Killing Me Softly has sold more than two million copies and, in 2020, Roberta Flack received the GRAMMY Lifetime Achievement Award.

The album's title cut became a No.1 hit in three countries and, in 1996, the Fugees prominently featured Lauryn Hill on a version that surpassed the original: landing the No.1 spot in 21 countries. The album also includes a pair of well-loved covers: Leonard Cohen’s "Suzanne" and Janis Ian’s wistful "Jesse," which reached No. 30.

Bette Midler - Bette Middler

Co-produced by Arif Mardin and Barry Manilow, the self-titled second studio album by Bette Midler was an easy- listening experience featuring interpretations of both standards and popular songs. Whispers of gospel are mixed with R&B and some boogie-woogie piano, though Midler’s voice is always the star. The record opens with a nod to the Great American Songbook with a reworking of Johnny Mercer and Hoagy Carmichael’s "Skylark." The 10-song collection also features a take on Glenn Miller’s "In the Mood," and a divine cover of Bob Dylan’s "I Shall be Released." The record peaked at No. 6 on the U.S. charts.

Imagination - Gladys Knight & the Pips

Released in October, Imagination was Gladys Knight & the Pips' first album with Buddha Records after leaving Motown, and features the group’s only No. 1 Billboard hit:  "Midnight Train to Georgia." The oft-covered tune, which won a GRAMMY the following year, and became the band’s signature, helped the record eclipse a million in sales, but it was not the only single to resonate. Other timeless, chart-topping songs from Imagination include "Best Thing That Ever Happened to Me," and "I’ve Got to Use My Imagination."

The Pointer Sisters - The Pointer Sisters

The three-time GRAMMY-winning Pointer Sisters arrived on the scene in 1973 with this critically-acclaimed self-titled debut. Then a quartet, the group of sisters from Oakland, California made listeners want to shake a tail feather with 10 songs that ranged from boogie-woogie to bebop. Their sisterly harmonies are backed up by the San Francisco blues-funk band the Hoodoo Rhythm Devils. The record opens with "Yes We Can," a hypnotic groove of a song written by Allen Toussaint which was a Top 15 hit alongside another cover, Willie Dixon’s "Wang Dang Doodle."

Behind Closed Doors - Charlie Rich

This pop-leaning country record of orchestral ballads, produced by Billy Sherrill, made Rich rich. The album has surpassed four million in sales and remains one of the genre’s best-loved classics. The album won Charlie Rich a GRAMMY the following year for Best Country Vocal Performance Male and added four Country Music Awards. Behind Closed Doors had several hits, but the title track made the most impact. The song written by Kenny O’Dell, and whose title was inspired by the Watergate scandal, was the first No.1 hit for Rich. It topped the country charts where it spent 20 weeks in 1973. It was also a Billboard crossover hit — reaching No. 15 on the Top 100 and No. 8 on the Adult Contemporary charts.

1972 Was The Most Badass Year In Latin Music: 11 Essential Albums From Willie Colón, Celia Cruz, Juan Gabriel & Others

The GRAMMY Museum Announces Official GRAMMY Week 2023 Programming Schedule
(L-R): Merck Mercuriadis, Nile Rodgers and THE-DREAM

Photo: Jill Furmonvsky; courtesy of THE-DREAM

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The GRAMMY Museum Announces Official GRAMMY Week 2023 Programming Schedule

Join in on the GRAMMY Museum's GRAMMY Week 2023 education programs and panels ahead of Music's Biggest Night. Here's the lineup for the upcoming, can't-miss events from Jan. 30 - Feb. 3.

GRAMMYs/Jan 23, 2023 - 02:00 pm

With the 2023 GRAMMYs just around the corner, the GRAMMY Museum has announced its official GRAMMY Week 2023 programming schedule ahead of GRAMMY Sunday.

Flush with unique education and community engagement programs, the events offer conversations, live performances and exclusive content from GRAMMY Award-winning and -nominated musicians and industry professionals. From panels discussing what it takes to have a career in the music industry to a celebration of GRAMMY nominee Muni Long, you won't want to miss the GRAMMY Museum’s GRAMMY Week programming.

Join in on these GRAMMY Week festivities from Monday, Jan. 30, to Friday, Feb. 3, with the full lineup as listed below.

Watch the 2023 GRAMMYs, officially known as the 65th GRAMMY Awards, on Sunday, Feb. 5, live on the CBS Television Network and live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

Mon, Jan. 30:

EVENT: Careers in Music: Music Producers Panel with Isla Management

WHAT: A conversation with GRAMMY® Award-winning and -nominated producers Boi-1da, Jahaan Sweet, Sevn Thomas, Leon Thomas, and Isla Management Founder and Manager Simon Gebrelul on the creative process, working with artists, and what it takes to have a career in the music industry as a music producer.

WHEN: 11 a.m. – 12 p.m.

REGISTER: Click here.

EVENT: Careers in Music: Latin Music Panel

WHAT: A conversation celebrating the culture and impact of Latin Music with singer-songwriter, Gaby Moreno, Vice President of Latin Division at Peermusic, Yvonne Drazan, and Founder and President of Cosmica Records, Gil Gastelum.

WHEN: 1 p.m. – 2 p.m.

REGISTER: Click here.

Tues, Jan. 31:

EVENT: Backstage Pass: Global Music Panel

WHAT: A conversation celebrating music from around the world with GRAMMY-nominated artist Zakes Bantwini, CEO of Creative Agency GridWorldwide Adam Byars, TV/Radio personality and entrepreneur Anele Mdoda, Talent Manager and Music/Entertainment Executive Sibo Mhlungu, and Entrepreneur CEO & Founder of Bathu Sneakers Theo Baloyi. This program will also include a live performance by Zakes Bantwini and Nomcebo Zikode.

WHEN: 11 a.m. – 12 p.m.

REGISTER: Click here.

EVENT: Backstage Pass: LGBTQ Panel & Performance presented by the Ally Coalition

WHAT: Backstage Pass is a career exploration program that gives students a first-hand look at what it takes to get a job in the music industry. This Backstage Pass program will consist of a question-and-answer session with music industry professionals from the LGBTQ community.

WHEN: 1 p.m. – 2 p.m.

REGISTER: Click here.

EVENT: Celebrating GRAMMY® Nominee: Muni Long

WHAT: Join us for this exclusive GRAMMY Week event to celebrate this year’s three-time GRAMMY nominee, Muni Long, just ahead of GRAMMY Sunday. Nominated for Best New Artist, Best R&B Song and Best R&B Performance, Long was an in-demand songwriter for Rihanna, Mariah Carey, Madonna, Ariana Grande, and more before breaking through as a solo artist.

WHEN: 7:30 p.m.

TICKETS: Click here.

Wed, Feb. 1:

EVENT: Careers in Music: 1500 Sound Academy

WHAT: 1500 Sound Academy is a trailblazing music education institution that strives to produce passionate sound creators through mentorship, positive mindset and professional development. Join us for a moderated Q&A with founders of the 1500 Sound Academy and of the legendary musical ensemble, 1500 or Nothin', GRAMMY Award winners James Fauntleroy and Larrance "Rance" Dopson.

WHEN: 11 a.m. – 12 p.m.

REGISTER: Click here.

EVENT: Live Out L!ve Presents: Beyond the Mainstage – Black Professionals in Live Music

WHAT: Join us as we go beyond the mainstage and explore the success, challenges and reality of being a Black professional in the live entertainment industry. In this conversation, we will hear from professionals of color who are leading innovation and change in their respective roles. Our panelists will share their journey of becoming a live industry leader and resources for breaking into the industry, and answer questions from the next generation of music industry leaders.

WHEN: 1 p.m. – 2 p.m.

REGISTER: Click here.

Thurs, Feb. 2:

EVENT: Backstage Pass: Hawaii Day w/ Bobby Moderow, Jr. & Kawika Kahiapo

WHAT: A celebration of the music and culture of Hawaii, this Backstage Pass program will consist of a question-and-answer session as well as a live performance of two to three songs.

WHEN: 11 a.m. – 12 p.m.

REGISTER: Click here.

Fri, Feb. 3:

EVENT: Careers In Music: Merck Mercuriadis, Nile Rodgers and 2023 Six-Time GRAMMY®-nominated Singer/Songwriter/Producer THE-DREAM

WHAT: A conversation with Merck Mercuriadis, Nile Rodgers and The-Dream discussing their background in the music industry, the importance and power of the songwriter, sustaining a career, and celebrating the songs past and present that have led to The-Dream having more than 20 GRAMMY nominations and five wins throughout his career. The-Dream is one of the first nominees for the inaugural Songwriter Of The Year, Non-Classical Award and we are here to celebrate his achievements and those of the other great songwriters being honored including his collaboration with Nile Rodgers, Beyoncé and others on "CUFF IT."

WHEN: 1 p.m. – 2 p.m.

REGISTER: Click here.

Where, What Channel & How To Watch The Full 2023 GRAMMYs

Global Spin Live: LAY Combines East And West With A Magnetic Performance Of "Veil" At The GRAMMY Museum
LAY

Photo: Zhang Yixing Studio

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Global Spin Live: LAY Combines East And West With A Magnetic Performance Of "Veil" At The GRAMMY Museum

Chinese rapper LAY combines traditional Chinese instruments with contemporary Western choreography in this live performance of "Veil."

GRAMMYs/Jan 17, 2023 - 06:00 pm

With every release, singer/songwriter LAY has paid homage to his Chinese heritage. His latest EP, West, is no different, as he croons over the sounds of traditional instruments.

Released as a sequel to his 2021 EP, East, West continues LAY's global exploration and comprehension of western culture through the lens of his upbringing in China. "I'm a proud Chinese person first before an artist," LAY detailed in a media conference. "I just want to share the good things about my culture. I hope it inspires others to do the same."

In this episode of Global Spin Live, LAY offers a highly energetic performance of West's lead single, "Veil," at the GRAMMY Museum. He smoothly transitions between English and his native language, Mandarin.

It's a metaphor for LAY's multicultural mindset that's not only manifested in his lyricism, but additionally in the song's choreography and production; he balances contemporary hip-hop moves with the soft tapping of the Chinese erhu.

Though West presents two versions of "Veil" — one in Mandarin and one predominantly in English — LAY performs the latter on the GRAMMY Museum stage. "'Veil' is [asking listeners to] be more real. Take off your mask and show me the real you," he shares, further emphasizing the message of "Veil" that encourages listeners to share our most authentic selves.

Global Spin Live is held in conjunction with GRAMMY Museum and GRAMMY.com as a live event extension of the popular online series, Global Spin, showcasing Global Music artists. Press play on the video above to watch LAY's suave performance of "Veil," and check back to GRAMMY.com for more episodes of Global Spin.

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