Photo: Courtesy of Sterling Sound
Adele, Beyoncé's mastering engineer Tom Coyne dies
Six-time GRAMMY winner was the go-to mastering craftsman for a variety of top-tier artists, including Bruno Mars, Taylor Swift and Beyoncé
Six-time GRAMMY-winning mastering engineer Tom Coyne has died at age 62 from multiple myeloma.
Outpourings of support and public remembrances have streamed in from producers and artists who worked with Coyne. In a heartfelt post to his Instagram page, Questlove said, "Man this hurts. The only dude I let master all of my product Tom Coyne passed away today. Coming to his studio was always my fav part of making records."
A prolific trusted engineer since the '70s, Coyne shared in GRAMMY Album Of The Year honors for his work with Adele on 21 and 25, along with a Record Of The Year Win for "Hello" at the 59th GRAMMY Awards. Rounding out his six career GRAMMY wins were an additional Album Of The Year win for his mastering efforts on Taylor Swift's 1989, and two more Record Of The Year wins for work on Mark Ronson and Bruno Mars' "Uptown Funk" and Sam Smith's "Stay With Me (Darkchild Version)." Coyne garnered 18 career GRAMMY nominations and 19 career Latin GRAMMY nominations. He won a Latin GRAMMY for Record Of The Year for Marc Anthony's "Vivir Mi Vida" for 2013.
In 2015 alone, Coyne mastered four of the five top-selling albums of that year: Adele's 25, Swift's 1989, Justin Bieber's Purpose, and The Weeknd's Beauty Behind The Madness. Across his 30-year-plus career, Coyne worked on recordings for a diverse roster of artists, including Beyoncé, Kool & The Gang, Metallica, A Tribe Called Quest, R. Kelly, Digable Planets, the Roots, Wu-Tang Clan, Buddy Guy, Britney Spears, Erykah Badu, Lady Gaga, Bruno Mars, and Keith Urban.
"Tom Coyne was a universally respected mastering engineer and was considered one of the most influential and trusted ears in music," said Recording Academy President/CEO Neil Portnow. "His expertise brought an important finishing touch to the works of many icons such as Lady Gaga, Beyoncé, the Weeknd, and many others throughout his career."
Universal language: Why humans need music
Learn why music is truly a common language that is key to human development and evolution
There's no doubt music finds a way into nearly every moment of our daily lives, whether it's marking milestones such as a first dance at a wedding, the soundtrack to our favorite movie or singing in the shower for fun. In fact, it's hard to imagine times when we are more than an ear-length away from hearing another song.
But why does music mean so much to us? A powerful form of communication that transcends all barriers — music is our common language, but why?
A composer and educator with a lifelong fascination for music, Adam Ockelford has traced our connection with music back to infants and caregivers. Infants are unable to follow words, but they are developmentally primed to trace patterns in sound, such as through the songs a caretaker sings to them. Therefore, understanding music is intuitive for humans, even at a very young age, and it encourages healthy development.
In addition, there may be another evolutionary purpose for music. Music provides a sense of sameness between humans — if you can copy the sounds someone else makes, you must be an ally. This synergy plays a role in human survival because it evokes empathy and understanding, a lesson we still learn from music in today's culture.
"Music is central to the notion of what it is to be human, and spans cultures, continents and centuries," writes Ockelford. "My music, your music, our music can bind us together as families, as tribes and as societies in a way that nothing else can."
Photo: Daniel Boczarski/Getty Images
Original Misfits Unleash One Night Only L.A. Reunion Show
Dark punk legends to play first show with Glenn Danzig and Jerry Only since last year's Riot Fest reunion
There's big news today for punk-rock fans aware that the Misfits made much more than just T-shirts.
The massively influential punk band announced a special show touted as the "only 2017 performance in this world… or any world" and billed as "The Original Misfits" in Los Angeles at the Forum on Dec. 30.
This will be the first Misfits show featuring original singer Glenn Danzig and original bassist Jerry Only with long-time guitarist Doyle Wolfgang von Frankenstein since the band reunited for a pair of Riot Fest appearances in Chicago and Denver in 2016. Last year's Riot Fest gigs, which featured drummer Dave Lombardo, marked the first time in 33 years the original Misfits members played together.
"OK Los Angeles, you've waited almost 35 years for this, here's your chance to see the "Original Misfits" in this Exclusive L.A. only performance." said Glenn Danzig. "No Tour, No BS, just one night of dark metal-punk hardcore brutality that will go down in the history books. See you there."
Tickets for this "one night only" show go on sale Friday, August 25.
Photo: Anthony Harvey/Getty Images
Lady Gaga Steps In To Support Youth Impacted By Hurricanes
GRAMMY winner pledges support for those impacted by hurricanes this year through Save the Children’s Journey of Hope program
On Oct. 10 Lady Gaga announced she is devoting her $1 million donation in support of those impacted by the recent hurricanes in Texas, Florida and Puerto Rico and the earthquakes in Mexico, to a specific cause — the mental and emotional well being of children and youth.
Gaga announced on her Born This Way Foundation website she will support Save the Children’s Journey of Hope program, which uses a variety of tools to help young people deal with trauma in the wake of natural disasters.
"Through a curriculum that includes cooperative play, discussion, art, meditation, and mindfulness practices, young people learn to recognize and understand their emotions and develop healthy coping skills," Gaga wrote. "Tens of thousands of youth have benefited from the program since it’s development in the wake of Hurricane Katrina and Save the Children is working to bring it to hundreds of thousands more in Texas, Florida and Puerto Rico."
The announcement came on World Mental Health Day, and the Fame Monster has invited all of us to step up and consider making a contribution to the Journey of Hope program to support to mental and emotional needs of children.
"Mental health is just as vital to our wellbeing as physical health. That’s true for each of us, everyday, but it’s especially important for those coping with disaster and recovering from trauma," wrote Lady Gaga. "We must do everything within our power to support the full, vibrant recovery of these communities, from meeting their immediate needs to helping them to rebuild sustainably."
Photo: Jason LaVeris/Getty Images
Mixcloud Signs Warner Music For Subscriptions Remix
There is more to the Mixcloud difference than just electronic dance music, and now the listening service has signed its first major label deal
Among the 1 million curators who have helped build British-based listening service Mixcloud into a destination visited by 17 million listeners each month are GRAMMY winners Erykah Badu, David Byrne, and Tiësto. Limited to streaming-only since its founding in 2008, Mixcloud announced a direct licensing agreement with Warner Music Group this morning, opening the door to offering downloads and new kinds of subscriptions.
Perhaps the standout statistic that describes the Mixcloud difference is that the average length of its user-uploaded programs is 45 minutes. Within the service's general emphasis on DJing, EDM and remix culture, the tendency to drill down and explore narrower listening topics in depth distinguishes the service from competitors such as Spotify or SoundCloud.
Warner Music Group Executive VP for Business Development & Chief Digital Officer Ole Obermann said, "Mixcloud's success is driven by the curiosity and passion of its community, as they engage with new music and rediscover timeless older songs."
Being able to listen to downloads offline seems a natural follow-up to direct licensing deals, but the service hints there's more in store. Mixcloud still hopes to sign indies and the other majors, as its fans have speculated. And with its own proprietary Content ID in place and established relationships with royalty collecting societies, the company has the tech infrastructure to explore new monetization strategies, paying artists and curators in new ways. Launching a new business model for its upcoming approach to paid content and subscriptions is a remix many are anticipating. Not knowing what to expect is part of the excitement.