Photo: Farah Sosa
Teragram Ballroom in Los Angeles
Save Our Stages Virtual Festival Reveals Stacked Full Lineup & Schedule
On Oct 16–18, the free #SOSFest livestream will bring live music from huge names playing in empty indie venues around the country to raise much-needed funds
On Oct 16–18, Save Our Stages Festival—or #SOSFest—will bring live music from huge names playing in empty independent venues safely to fans via a star-studded YouTube livestream. The full lineup and schedule have been revealed, so you can make sure to be front row (on your couch) for your favorite artists
FINNEAS, Dillion Francis and Bea Miller will each perform at Los Angeles' Teragram Ballroom, while YG, the Foo Fighters, Phoebe Bridgers, Leon Bridges and Marshmello with Demi Lovato will play at West Hollywood's legendary Troubadour. Comedian and musician Reggie Watts will host the entire weekend.
Miley Cyrus, Sebastián Yatra, G-Eazy and the Black Pumas will also serve up sets from Hollywood's Whisky a Go-Go, Fort Lauderdale's Broward Center, San Francisco's Independent and Austin's The Parish, respectively. Cautious Clay, the Roots, Dizzy Fae, Alec Benjamin and more will also bring their music to the cause.
The organizers, the National Independent Venue Association (NIVA) goal is to deliver much-needed support to the shuttered music spaces with direct financial support and raising awareness for the $10 billion stimulus package currently in Congress.
During the three-day livestream fest, viewers will be encouraged to donate what they can to the NIVA NIVA Emergency Relief Fund, which benefits indie venues at risk of closing. Save Our Stages is part of the updated HEROES Act, which includes essential funding for independent entertainment venues and promoters.
A recent NIVA study found the majority of indie venues—90 percent!—in the U.S. will be forced to close without federal support.
Visit NIVA's YouTube channel, where the show will be streamed this weekend, to set reminders for each day of the fest. You can also visit saveourstages.com for the full lineup, for more info on the fight to Save Our Stages and to contact your elected officials to urge Congress to pass the Act.
Photo: Michael Kovac/Getty Images for The Recording Academy
10 Must-See Moments From The 2023 GRAMMYs: Beyoncé Makes History, Hip-Hop Receives An Epic Tribute, Bad Bunny Brings The Puerto Rican Heat
The 2023 GRAMMYs marked a triumphant — and historic — return to Los Angeles' Crypto.com Arena, where modern superstars and living legends came together for a memorable celebration of music in all its forms.
A wide, uplifting tapestry of sounds was saluted and rewarded during the 2023 GRAMMYs. The telecast's pluralistic approach delivered a view of the present as a time of musical splendor while also celebrating its past — from hip-hop's legacy, to Latin's cultural influence, to pop's boundary-pushing stars.
Between history-making wins from Beyoncé and Kim Petras, a major victory by a young jazz sensation, and celebratory performances honoring greats, there was plenty to be reveled both on and off the GRAMMY stage. Below, take a look at the highlights of another memorable edition of Music's Biggest Night.
Bad Bunny Sticks Close To His Caribbean Roots
After global star Bad Bunny celebrated a year of extraordinary achievements — both artistic and commercial — the Puerto Rican tastemaker used his GRAMMYs performance to celebrate his Caribbean roots.
Benito could have picked an obvious selection, like the crowd-pleasing single "Tití Me Preguntó." Instead, he focused on the soulful roots of Puerto Rico and the Dominican Republic by performing electrifying renditions of "El Apagón" and "Después de la Playa."
Bad Bunny has demonstrated time and again a gift for reinventing Latin genres. And yet, "Después de la Playa" kept its insanely syncopated beats and feverish brass section faithful to traditional merengue. The late Dominican icon Johnny Ventura would have been proud.
The Fans Receive A Much-Deserved Spotlight
The awards, record deals and critical raves are indispensable elements of stardom. But in the end, it is the contributions of average fans that sustain a career. With that in mind, the GRAMMYs organized a roundtable with 10 studious fans, each making a case for their favorite performer to win the Album Of The Year award.
To their delight — and genuine surprise — host Trevor Noah invited them on stage for the coveted award, asking one of the most devoted fans in Harry Styles' pack to announce his win. The two shared a joyous embrace before she handed him his golden gramophone, serving as a touching closing reminder that the fans mean everything.
The Magic Of Motown Becomes Transformational
A brisk tribute to Motown co-founder Berry Gordy and musical genius Smokey Robinson — three songs, augmented by an inspired Stevie Wonder — proved that words will never be enough to capture the label's contribution to pop culture. A factory of beautiful dreams, Motown gave us a string of timeless hits that combine aural poetry with propulsive rhythms, honeyed hooks and virtuoso arrangements. Seeing the 82 year-old Robinson perform the 1967 classic "The Tears of a Clown" was one of the evening's most dazzling moments. (The performance also featured Wonder's rendition of the Temptations' "The Way You Do The Things You Do" and a duet with country singer Chris Stapleton on Wonder's own "Higher Ground.")
Honoring The Past Shows The Future Is Bright
2022 was a year of artistic triumph, but also of tremendous loss. The In Memoriam segment of the telecast was sobering, also honoring performers who are lesser known in the United States but definitely worthy of a mention — such as Brazil's Erasmo Carlos and Argentina's Marciano Cantero.
It began with a stately rendition of "Coal Miner's Daughter" by Kacey Musgraves in tribute to country legend Loretta Lynn, then continued with Quavo and Maverick City Music honoring Migos' Takeoff, ending with an homage to Fleetwood Mac's Christine McVie from Sheryl Crow, Bonnie Raitt and Mick Fleetwood. Many artists were lost during the past 12 months, but their music lives on.
A Queen Breaks Records — To A Disco Beat
Beyoncé was allegedly stuck in traffic when she won her third GRAMMY of the evening — Best R&B Song for the joyful single "CUFF IT" — which, as Trevor Noah noted, put her one win away from making GRAMMY history. Luckily, by the time her name was announced for that record-setting feat, she was in attendance — and very much in shock.
Her seventh studio LP, RENAISSANCE, won Best Dance/Electronic Album. The win put her GRAMMY total at 32, marking the most wins of all time. Visibly emotional, Beyoncé first took a deep breath and said "I'm trying to just receive this night"; before heading off stage, she made sure to honor the queer dance pioneers who inspired the album, an exuberant tribute to classic dance format.
Hip-Hop Shines As A National Treasure
2023 marks the 50th anniversary of hip-hop — so, naturally, the GRAMMYs put together perhaps the most legendary celebration possible. Featuring the Roots, Run-DMC, Queen Latifah, and many, many more, the nearly 15-minute performance highlighted the genre's influence from past to present.
The parade of legends tracing the history of the genre was breathtaking. From Grandmaster Flash ("The Message") and De La Soul ("Buddy") to Missy Elliott ("Lose Control") and Lil Uzi Vert ("Just Wanna Rock"), the extensive medley gave hip-hop its rightful place of honor as the most compelling musical movement of the past 50 years.
The Art Of Songwriting Stands The Test Of Time
One of the show's most endearing images was the utter shock on Bonnie Raitt's face when she was announced as the winner of the Song Of The Year GRAMMY — perhaps because her competition featured the likes of Beyoncé, Adele and Harry Styles. "This is an unreal moment," she said. "The Academy has given me so much support, and appreciates the art of songwriting as much as I do."
In retrospect, Raitt's win shouldn't surprise anyone who is aware of her superb musicianship — and her 15 GRAMMYs to show for it. A rootsy, vulnerable song, "Just Like That" is the title track of her eighteenth studio album; the song also took home the GRAMMY for Best American Roots Song earlier in the evening.
Lizzo Dedicates Her Grammy Win to Prince (And Beyoncé)
By the time Record Of The Year was announced, the prodigiously gifted Lizzo had already brought the GRAMMY house down with rousing performances of the funky "About Damn Time" and the anthemic "Special." But clearly the best was yet to come, as the former track took home one of the night's biggest honors.
As Lizzo began her speech, she paid homage to Prince, who both served as an idol and a mentor to the star. "When we lost Prince, I decided to dedicate my life to making positive music," she said, going on to explain that while she first felt misunderstood for her relentless positivity, mainstream music has begun to accept it — as evidenced by her win for "About Damn Time."
Before leaving the stage, she made sure to give one more idol a shout-out: Beyoncé. "You changed my life," Lizzo said, reflecting on seeing the "BREAK MY SOUL" singer when she was in 5th grade. "You sang that gospel medley, and the way you made me feel, I was like, 'I wanna make people feel this way with my music.' So thank you so much."
Contrary To Popular Belief, Jazz Proves It's Far From Dead
It only takes one listen to the wondrous voice of young Bronx singer Samara Joy to understand that she follows the same path once walked by Sarah Vaughan and Ella Fitzgerald. Joy's second album, Linger Awhile, includes atmospheric versions of such classic nuggets as "Misty," "'Round Midnight" and "Someone To Watch Over Me."
The rising star was already a winner going into the telecast, as Joy took home the golden gramophone for Best Jazz Vocal Album in the Premiere Ceremony. But when she beat out mainstream hitmakers like Latto, Anitta and Måneskin for the coveted Best New Artist GRAMMY, Joy not only set her place in the jazz firmament — it hinted that the genre may be ripe for a revival.
The Pop Concept Album Lives On
It's not only the stunning beauty of its melodies, and the pristine warmth of the production. Harry's House is a special album partly because of its vaguely conceptual sheen — the pervasive feeling that the 13 songs within are interconnected, an intimate journey into the singer's creative soul.
At the telecast, Styles performed an ethereal reading of his luminous mega-hit "As It Was." His well-deserved win for Album Of The Year confirmed that it's perfectly valid to mix accessible pop with a sophisticated unifying theme — and if you do it really right, you may just win a GRAMMY.
Press Play On GRAMMY U Mixtape: New Year, It’s Poppin'! Monthly Member Playlist
The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from student members. GRAMMY U celebrates new beginnings with fresh pop tunes that will kickstart 2023.
Did you know that among all of the students in GRAMMY U, songwriting and performance is one of the most sought after fields of study? We want to create a space to hear what these students are creating today!
The GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that students are bringing to this industry directly on the Recording Academy's Spotify and Apple Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.
Each month, we accept submissions and feature 20 to 25 songs that match that month’s theme. This month we're ringing in 2023 with our New Year, It's Poppin'! playlist, which features fresh pop songs that bring new year, new you vibes. Showcasing talented members from our various chapters, we felt these songs represented the positivity and hopefulness that GRAMMY U members embody as they tackle this upcoming year of exciting possibilities.
So, what’s stopping you? Press play on GRAMMY U’s Mixtape and listen now on Spotify below and Apple Music.
Want to be featured on the next playlist? Submit your songs today! We are currently accepting submissions for songs of all genres for consideration for our February playlist. Whether you write pop, rock, hip hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the student member (an original song) and you must be able to submit a Spotify and/or Apple Music link to the song. Students must be a GRAMMY U member to submit.
About GRAMMY U:
GRAMMY U is a program that connects college students with the industry's brightest and most talented minds and provides those aspiring professionals with the tools and opportunities necessary to start a career in music.
Throughout each semester, events and special programs touch on all facets of the industry, including the business, technology, and the creative process.
As part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.
Not a member, but want to submit to our playlist? Apply for GRAMMY U Membership here.
Photo: Ralph Bavaro/NBC via Getty Images
Listen: Get Jolly With New Holiday Music From Dolly Parton, Phoebe Bridgers, Pentatonix, Alicia Keys & More
This year saw several new holiday albums and singles from artists of all genres, from Backstreet Boys to Gloria Estefan. Get in the spirit with this festive 30-song playlist.
As we're all stringing up colorful lights and scrambling to buy last-minute gifts, music shines as the one constant in our lives amid the rush of the holiday season.
Some playlists have been bursting with holiday music since early autumn, with releases such as Dolly Parton's "A Smoky Mountain Christmas" dropping back in August and Joss Stone's Merry Christmas, Love releasing in September. Since then, several more holiday albums arrived, whether they were new projects from artists such as Alicia Keys and Thomas Rhett or polished deluxe editions from the likes of Reba McEntire and Norah Jones.
Beyond releasing albums, many artists have also found their holiday spirit by releasing festive singles. Remi Wolf brings her bubbly personality to warm covers of "Last Christmas" and "Winter Wonderland," Dan + Shay remind us to throw a "Holiday Party" with loved ones, and Phoebe Bridgers shares her annual holiday cover, this year a rendition of the Handsome Family's "So Much Wine." And even stars such as RuPaul, Jimmy Fallon and Ryan Reynolds surprised with holiday singles this season.
Groups such as Pentatonix and Backstreet Boys joined in on the fun with their own cheery holiday albums, and Gloria Estefan and her family capture the joys of love in a snowglobe on Estefan Family Christmas. Collaborations sparkle with holiday magic as well; Ingrid Michaelson and A Great Big World team up for "It's Almost Christmas," and Kelly Clarkson and Ariana Grande perform "Santa, Can't You Hear Me" in a thrilling live version.
Photo: Matt Winkelmeyer/Getty Images for ABA
5 Standout Moments From Billie Eilish's Happier Than Ever, The Hometown Encore Tour
Opening night of the highly anticipated, sold-out Billie Eilish's Happier Than Ever, The Hometown Encore tour brought new guest stars, tender moments, and a whole lot of holiday cheer. EIlish will perform in her native L.A. for three nights in December.
Billie Eilish is celebrating the holiday season in her native Los Angeles, with a few thousand of her nearest and dearest.
On Dec. 13, the GRAMMY-winning musician kicked off her Billie Eilish's Happier Than Ever, The Hometown Encore tour at The Kia Forum in Inglewood, to a sold-out crowd. Eilish has two additional sold-out gigs at the Forum on Dec. 15 and 16.
While there were no opening acts, just a pre-show soundtrack of classic Christmas tunes. Over the course of two hours, the 20-year-old ran through more than 30 songs on a stage that seemed to be fully constructed from LED screens.
She was not shy about displaying her youthful vigor, jumping in the air, doing the splits, jaunting around with the mic stand like a classic '70s rocker. Even while sitting on the floor during slow songs or confined to a small platform atop a crane as she floated around the arena, Eilish maintained her stage presence to the point that no one could take their eyes off her.
Opening night of the tour showcased how Eilish has stepped into her status as an international superstar — an echelon she continued to climb even as the pandemic marred the release of 2021's Happier Than Ever. She kept very busy in the interim of the COVID-plagued industry, releasing live concert films taped at The Hollywood Bowl, sharing a documentary detailing her previous touring cycle, doing collaborations with Nike, branding new fragrances, and recording an Oscar-winning entry into the legacy of James Bond themes: "No Time To Die."
Then the restrictions cleared, gatherings were permitted, and postponed dates were solidified, and so she hit the road, playing over 75 shows in almost eight months across four continents (she’s visiting the fifth, South America, in 2023), and that number doesn’t include her headlining slots at festivals like Coachella 2022.
Although Eilish performed at both weekends of Coachella 2022 — which, despite its location in Indio, is an L.A. festival for all intents and purposes — her performance within city limits took her infamous energy to a new level. Built on a combination of the considerable experience she gained as a performer in 2022 and her unfettered love for her hometown, Eilish truly seemed happier than ever onstage. Read on for five moments Billie Eilish showed Los Angeles that there is no place home.
Billie Gets Jazzy With Tunes New And Old
Billie Eilish is an artist born into a generation that doesn’t give a darn about genres. With Spotify and other DSPs, everyone has access to every genre in the palm of their hand, and she’s been influenced by all of them — including jazz.
While her music may not fit a jazz aesthetic, Eilish has begun to implement more artistic improvisation into her vocal delivery. A lilt to close a phrase here; a small riff between verses there. The improvisation demonstrates her continued ownership over the songs, and Eilish's ease with manipulating them.
Such skills came front and center during two songs in particular: "my future" (her first time performing it on this tour) and "Billie Bossa Nova." Had there not been thousands of fans screaming every word, Billie’s intricate vocal work could have turned the forum into an intimate jazz lounge for a few minutes.
Listened To Her Fans, And Went Deep Into Her Catalog
In the days leading up to the shows, Billie took to Instagram to ask fans what songs she should perform, because "these shows are for you!"
On Dec. 13, Eilish performed "xanny," the second track on WHEN WE ALL FALL ASLEEP WHERE DO WE GO? and one she hadn't performed in four years.
There’s no way to know whether she decided to perform "xanny" because her fans requested it, though it was one of the most unifying moments in the entire show.
If only she had also done "wish you were gay," which is what I sent to her through Instagram.
She Climbed "Mount Everest" With Some Friends
When Billie says she has a song stuck in her head, everyone in the crowd knows she’s going to sing it.
So when she referenced Labrinth's "Mount Everest," everyone knew what was coming — yes, that includes Labrinth’s appearance. Eilish said she was going to make the shows special, and that just had to include some of her friends.
Labrinth’s music is as titanic as it is poignant, and it may be hard to believe the sweet-voiced Eilish could match his intensity. But she did so with aplomb, especially when she took on the duties for the verse of Labrinth’s song for the "Euphoria" soundtrack, "I’ve Never Felt So Alone."
For "I’ve Never Felt So Alone," the crowd was singing along instead of screaming along. The screams were welcome for the rest of the set, but it was simply impossible not to take it down a notch and be in your feelings in that moment.
Apparently, Finneas Sneezed
Eilish's creative relationship with her brother Finneas — her co-writer, producer and band member — took center stage during the acoustic portion of her performance.
Finneas admitted that he had sneezed on his sleeve earlier, and was worried everyone could see the remnants when he took a seat on his stool next to his sister under the direct front lighting. At this admission, Billie started laughing with sheer glee. Then Finneas started laughing at her.
It may sound like innocuous stage banter, but it’s a kind of chemistry that’s infectious. It was a powerful, honest moment that highlighted the unique chemistry required to make this music.
Everyone in the crowd felt it, and the acoustic versions of "i love you," "Your Power" and "TV," were just as powerful and honest.
Santa Eilish Or Billie Clause?
Billie Eilish was full of holiday cheer, giving not just the gift of music but actual gifts for the audience as well.
From atop a raised platform that moved throughout the arena, where she performed three songs, Eilish took candy from a stocking and threw it into the crowd. Before the final song of the night, "Happier Than Ever," she pulled out a bag of gifts and threw what looked like t-shirts into the crowd as well.
This came after she performed an actual Christmas song —"Have Yourself A Merry Little Christmas."
Billie is an artist who keeps her family close, and the holidays are a time of family. At her Happier Than Ever, The Hometown Encore, everyone in the audience felt like they were a part of the Eilish family…if only for a couple of hours.