Today, the Latin Recording Academy announced that Carmen Linares, Mijares, Arturo Sandoval, Simone, Soda Stereo, and Ana Torroja will receive this year's Lifetime Achievement Award, as part of its annual Special Awards Presentation. In tandem, Alex Acuña, Gustavo Santaolalla and Wisón Torres will receive the Trustees Award.

"We are extremely honored for the opportunity to recognize these great figures of Ibero-America, whose musical legacy continues to inspire new generations," Latin Recording Academy CEO Manuel Abud said of the 2023 honorees. "We look forward to celebrating their virtuoso careers during Latin GRAMMY Week in Sevilla this coming November."

Read More: Latin Recording Academy CEO Manuel Abud On The Global Expansion Of The Latin GRAMMYs: "It Is Our Responsibility To Support Our Artists In Their Quest To Go Global"

The Lifetime Achievement Award is presented to performers who have made works of excellence within the Latin musical sphere. The Trustees Award is presented to those who have made tremendous contributions to Latin music outside of performance. Both distinctions are voted on by the Latin Recording Academy's Board of Trustees.

The honorees will be celebrated during a private event as part of Latin GRAMMY Week 2023 on Sunday, Nov. 12, in the Teatro Lope de Vega in Sevilla, Spain. 

This news follows the recent announcement of Laura Pausini as the 2023 Latin Recording Academy Person of the Year.

This November, the 2023 Latin GRAMMYs, officially known as the 24th Latin GRAMMY Awards, will take place in Sevilla, Spain, marking the award show’s first-ever international telecast. This year, the Latin GRAMMYs will introduce several new Latin GRAMMY Award categories, including Best Songwriter Of The Year, Best Singer-Songwriter Song and Best Portuguese-Language Urban Performance, among other changes. 

Learn more about the Latin Recording Academy’s 2023 Lifetime Achievement Award and Trustees Award honorees below:

Read More: 2023 Latin GRAMMYs Explained: 4 Reasons To Be Excited About The New Categories & Changes

Carmen Linares (Spain)

One of the most gifted, passionate and knowledgeable cantaoras in the history of flamenco, Carmen Linares stands alongside Spanish legends such as Camarón de la Isla, Paco de Lucía and Enrique Morente. Born in the city of Linares, Andalucía, in 1951, she learned the musical codes of flamenco at a young age guided by her father's guitar. In 1971, the release of her first album showcased a deep understanding of traditional Spanish styles. It was the beginning of a dazzling career that found her recording the works of Spanish poets like Federico García Lorca, Juan Ramón Jiménez and Miguel Hernández – as well as showcasing the splendor of flamenco artistry in concert halls around the world. Antología De La Mujer En El Cante (1996) is considered one of the essential records in the history of flamenco, and in 2020, she celebrated her career with the tour Cantaora: 40 Años De Flamenco. Linares has performed with symphony orchestras, directed her own shows and recorded songs for film and television soundtracks. In 2022 she received the Princess of Asturias Award for the Arts for a lifetime of dedication and devotion to flamenco.

Mijares (Mexico)

Throughout his distinguished musical career, Mijares has produced a wide variety of records and sold millions of them along the way. Manuel Mijares was born in 1958 in Mexico City, where he began his artistic career with groups Sentido and Los Continentales, and was part of Emmanuel's chorus. His solo debut, Soñador, in 1986, included the international smash "Bella". In 1989 he enjoyed a pinnacle of popularity with the LP Un Hombre Discreto, backed by the torrid ballad "Para Amarnos Más". With hits like "Uno Entre Mil" and "No Se Murió el Amor," in the summer of 2009 he released Vivir Así, an album of balada favorites. After countless international performances, in 2016 he celebrated three decades of uninterrupted career with a concert at the Palacio de Bellas Artes in Mexico accompanied by a symphony orchestra.

Arturo Sandoval (Cuba/U.S.)

A founding member of innovative Cuban group Irakere, Arturo Sandoval has excelled as a Latin jazz musician, pianist, classical composer and trumpet virtuoso. Born in Artemisa, Cuba, in 1949, Sandoval formed Irakere in 1973 with keyboardist Chucho Valdés and saxophonist Paquito D'Rivera. Together, they pioneered a bold fusion of experimental jazz, funky rock'n'roll and rousing Afro-Cuban patterns. Sandoval left the band in 1981, and later moved to the U.S. with the assistance of his mentor Dizzy Gillespie. He then assembled his own band and began touring the world. Sandoval is equally comfortable performing as a classical trumpet soloist with symphony orchestras across the globe, and has also composed two Concertos for Trumpet and Orchestra. He's the recipient of multiple Latin GRAMMYs and GRAMMYs, and won an Emmy for composing the score of For Love or Country—an emotionally stirring HBO biopic based on his life and starring Andy García. He was also awarded the Presidential Medal of Freedom by President Barack Obama in 2013.

Simone (Brazil)

Simone's prolific and massively successful discography sums up the allure of the MPB movement and a samba-fueled revelry of life and romance. Born Simone Bittencourt de Oliveira in Salvador, Bahia, in 1949, the singer released her debut LP in 1973 followed by Quatro Paredes in 1974 and Gotas D'Água a year later. Featuring an ethereal reading of "Proposta" by Roberto Carlos and a soaring rendition of Milton Nascimento's "Idolatrada", respectively, the songbooks of both composers would continue to inspire Simone throughout her career. Simone made a deep imprint in Brazilian popular culture by recording the theme songs of many television soap operas, and also through her powerful live performances. Brilliantly combining a refined artistic palette with pop culture appeal, she is still at the top of her game both in the recording studio and concert stages around the world.

Soda Stereo (Argentina)

The Buenos Aires power trio Soda Stereo was formed in 1982 by Gustavo Cerati, Zeta Bosio and Charly Alberti. Initially influenced by British new wave, Soda's early hits like "Cuando Pase El Temblor" and "Nada Personal," connected with a young generation of fans pining for a rock band that offered a distinct South American perspective. As Soda enjoyed success outside of Argentina, its sound became more sophisticated, and yielded albums like Doble Vida (1988) with classics like "En La Ciudad De La Furia," while Canción Animal (1990) included "De Música Ligera," Soda's biggest hit. The band broke up in 1995, two years after their last studio album, Sueño Stereo, and celebrated their trajectory with the epic double live album El Último Concierto – only to return in 2007 for the final Me Verás Volver tour. Despite Cerati's unexpected death in 2014, Soda Stereo's music continues to live on in the hearts of their fans.

Ana Torroja (Spain)

Ana Torroja became an international pop star in the 1980s as the charismatic voice of the Spanish pop trio Mecano. The iconic group achieved unprecedented levels of success, selling more than 25 million records worldwide. In 1997 Torroja embarked on a solo career with the successful release of Puntos Cardinales, and following the band's definitive breakup a year later, she blossomed as a sophisticated singer/songwriter experimenting with exhilarating mosaic of styles. In 1999 Torroja surprised her fans again with her second album, Pasajes De Un Sueño, which abandoned the radio-friendly hits of the past in favor of a more cosmopolitan sound, with songs like "Ya No Te Quiero" and "Dentro De Mí." She toured the world with Girados (2000), a joint concert with her friend, the legendary Miguel Bosé, with whom she would later record "Corazones." She continues to be active in the recording studio and the concert halls of Europe and the Americas, always committed to both her loyal audience and to the genre she has been masterfully defending for more than four decades. 

2023 Trustees Award Honorees:

Alex Acuña (Peru)

A drummer and percussionist of remarkable technique, Alex Acuña is also a revered jazz and fusion bandleader. Born in Pativilca, Peru, in 1944, he was enlisted by mambo king Pérez Prado at age 18 after moving to Lima. Acuña later worked in Las Vegas with the legendary Elvis Presley and Diana Ross, and joined jazz-rock supergroup Weather Report in the mid-'70s, where he contributed progressive polyrhythms to two of the band's most iconic albums, Black Market (1976) and Heavy Weather (1977). Following his departure from the band, Acuña amassed a prolific discography as a session sideman, working with Paul McCartney, Joni Mitchell, Plácido Domingo, U2 and many others. In the '80s, he flexed his creative muscles with the Christian jazz-funk collective Koinonia, and also paid tribute to his Afro-Peruvian roots with the mystically tinged songs of Los Hijos del Sol. In recent years, he contributed his marvelous percussive skills to the soundtracks of such high-profile films as Coco, Moana, West Side Story and Star Wars: The Last Jedi.

Gustavo Santaolalla (U.S./Argentina)

Argentine composer, singer/songwriter and producer Gustavo Santaolalla—winner of multiple Latin GRAMMYs and GRAMMYs— has single-handedly changed the course of Latin music throughout a tireless career that spans multiple fields, decades and genres. Santaolalla became a rock star in his teens as co-founder of pioneering folk-rock supergroup Arco Iris. After moving to Los Angeles in the late '70s and establishing an artistic partnership with keyboardist Aníbal Kerpel, he became the one of the most influential producers in Latin rock history, helming a series of masterful albums by the likes of Café Tacvba, Maldita Vecindad, Julieta Venegas, Juanes and many others. The 1998 release of Ronroco paved the way for a new chapter as a soulful and inventive composer of soundtracks. His haunting scores for Ang Lee's Brokeback Mountain (2005) and Alejandro González Iñárritu's Babel (2006) won Academy Awards for Best Original Score. Concurrently, he has toured the world as a founding member of the genre-defying Bajofondo, a Rio de la Plata contemporary music group, and has collaborated with a wide array of artists – from Eric Clapton to the Kronos Quartet and classical composer Osvaldo Golijov. In recent years, he has gained acclaim writing the music for the two installments of the video game The Last of Us, as well as its subsequent and highly successful television adaptation, for which he received an Emmy nomination.

Wisón Torres (U.S/Puerto Rico) 

Born in San Juan, Puerto Rico, in 1934, Wisón Torres started playing guitar at just seven years of age, and made his first professional appearance on Puerto Rican radio with Los Sultanes—a group he created and directed—at 14. Then, in 1951, he was given the task of forming and directing Los Hispanos de Puerto Rico, a quartet composed of members of different trios who joined together for special performances throughout the island. Inspired by the progressive arrangements of American jazz quartets, Torres fused their harmonies with a Latin American sensibility, and created a distinct sound for Los Hispanos with his unique ability to arrange and harmonize vocal quartets. The group's refined, distinctive sound led to extensive tours in Latin America and the United States. In the mid-sixties, Tito Rodríguez produced a series of albums with Los Hispanos the transposed their sound to the pop music of the time. Over the years they also recorded with Tito Puente's orchestra, toured England and continued with recording projects. With a career spanning more than 75 years, Torres still creates music to this day.

The Latin Recording Academy and the Recording Academy congratulate the 2023 Lifetime Achievement Award and Trustees Award honorees. Watch this space for more information about the 2023 Latin GRAMMYs!

Clarissa, Giulia Be & Maria Rita Performed At The Best New Artist Showcase In São Paulo: See Images & Watch Videos

The Latin Recording Academy today announced that the 2024 Latin GRAMMYs, officially known as the 25th Latin GRAMMY Awards, will take place on Thursday, Nov. 14, in Miami at Kaseya Center, in partnership with Miami-Dade County and the Greater Miami Convention & Visitors Bureau (GMCVB). Additionally, the nominations for the 2024 Latin GRAMMYs will be announced Tuesday, Sept. 17.

The 2024 Latin GRAMMYs celebrate the 25th anniversary of the Latin GRAMMY Awards, a momentous milestone for the Latin Recording Academy. The show's return to Miami is also a homecoming for the Latin GRAMMYs, returning to the place it calls home, where the Latin Recording Academy's journey commenced and where its headquarters remain today. The 2024 Latin GRAMMYs mark the third time that the Latin GRAMMYs will be held in Miami: The first time took place in 2003 and the second time took place in 2020, when the show was closed to the public due to the COVID-19 pandemic.

The three-hour telecast of the 2024 Latin GRAMMYs, produced by TelevisaUnivision, will air live on Univision, Galavisión, and ViX on Thursday, Nov. 14, beginning at 8 p.m. ET/PT (7 p.m. CT), preceded by a one-hour pre-show starting at 7 p.m. ET/PT.

The 2024 Latin GRAMMYs will see the debut of a new Field and several new Latin GRAMMY Categories, including Best Latin Electronic Music Performance, housed within the new Electronic Music Field, and Best Contemporary Mexican Music Album (Regional-Mexican Field), among other changes.

Ahead of the 2024 Latin GRAMMYs, the Latin Recording Academy will host multiple official Latin GRAMMY Week 2024 events throughout Miami-Dade County, including marquee events like Leading Ladies of Entertainment, the Best New Artist Showcase, Special Awards Presentation, Nominee Reception, Person of the Year, and the Premiere Ceremony preceding the telecast. More details on the official Latin GRAMMY Week 2024 events and calendar will be announced in the coming months.

The news of the 2024 Latin GRAMMYs was announced via a press conference in Miami today. Watch the full press conference, featuring Latin Recording Academy CEO Manuel Abud, below.

"Since our first awards presentation in the year 2000, the Latin GRAMMYs have provided an international spotlight for Latin music second to none and provided iconic performances that have become part of global music and pop culture history.  We are thrilled to celebrate our 25th anniversary in Miami," Latin Recording Academy CEO Manuel Abud said. "Miami has evolved to become the epicenter of Latin entertainment and we are grateful for the community support and enthusiasm we have received."

"Welcome home, Latin GRAMMYs! As the cultural capital for Latinos in the United States, there's no better place than Miami-Dade to host the best of Latin music and entertainment," said Miami-Dade County Mayor Daniella Levine Cava. "It's a true honor to host this incredible event once again and welcome people from all over the world to enjoy the vibrant and diverse cultural hub we call home. This event celebrates the very best in music, and we are proud to showcase Miami's unique energy, where music and culture collide in the most spectacular way."

"We are excited to bring to life the landmark 25-year celebration of the Latin GRAMMYs from the city we call home – the city where Hispanic culture has flourished as a driving force of influence and impact globally," said Ignacio Meyer, President of Univision Television Networks Group at TelevisaUnivision. "As the Home of Latin Music, we're excited to deliver yet another unforgettable night of excellence in music, grounded in our passion and unwavering commitment to shining a bright light on the most culture-defining moments for Spanish-speaking audiences worldwide."

"This announcement underscores Greater Miami's status as a global hub at the intersection of multicultural music, entertainment, events and tourism," said David Whitaker, president and CEO of The Greater Miami Convention & Visitors Bureau. "On behalf of the travel and hospitality industry of Greater Miami, we are absolutely thrilled by the news that the 25th Latin GRAMMYs is returning home to Miami – bringing with it an influx of visitors eager to experience the excitement and energy of this iconic destination."

The Latin GRAMMY Awards are the preeminent international honor and the only peer-selected award celebrating excellence in Latin music worldwide.

Additional key dates for the 2024 Latin GRAMMYs include:

• July 24, 2024 — Aug. 5,2024:  First Round of Voting

• Sept. 17, 2024: Nominations Announcement

• Sept. 27, 2024 — Oct. 10, 2024: Final Round of Voting

Visit the Latin Recording Academy website for more information regarding the 2024 Latin GRAMMY Awards season.

Join the conversation online and share the official hashtags on all popular social media platforms: #LatinGRAMMY #25AñosDeExcelencia. 

The Latin GRAMMY Cultural Foundation Announces The 2024 Sebastián Yatra Scholarship

The Latin Recording Academy has announced significant updates to the eligibility guidelines for the 2024 Latin GRAMMYs, officially known as the 25th Latin GRAMMY Awards, introducing a new field and categories, and revising existing Category requirements to better reflect the evolving musical landscape.

To reflect the evolving landscape of Latin music, The Latin Recording Academy has introduced a new Electronic Music Field, highlighting a Category for Best Latin Electronic Music Performance tailored for singles and tracks, and a Best Contemporary Mexican Music Album Category in the Regional-Mexican Field for albums majorly featuring new material while retaining the core of Regional Mexican Music genres. 

Further adjustments include a renaming in the Portuguese Language Field to encompass Música Popular Brasileira and Afro-Portuguese-Brazilian Music, a refined definition for the Best Singer-Songwriter Song category, an update to the Best Long Form Music Video criteria allowing for shorter videos, and a new nominations protocol based on entry numbers, aiming to enhance the representation and recognition of diverse Latin music genres.

New Field & Category

FIELD: Electronic Music

CATEGORY: Best Latin Electronic Music Performance

For singles and tracks only (vocal or instrumental). Recordings must have 51 percent playing time of Latin Electronic music genres (as defined by the Latin Electronic Committee), as well as related emerging genres, and Latin elements, in order to accurately reflect the current trends in Latin electronic music. Recordings containing interpolations/sampling are eligible if the interpolation/sampling does not constitute more than 25 percent of the lyrics and/or 51 percent of the music of the original song. Latin electronic remixes are eligible. Award is presented to solo artists, duos or groups (for groups of more than 10 members, the statuette will be presented to the “leader” of the group). Winner’s Certificates are presented to producer(s), engineer(s), mixer(s), composer(s) and to the original recording artist, if applicable.

New Category

CATEGORY:  Best Contemporary Mexican Music Album (Regional-Mexican Field)

For vocal or instrumental albums of Contemporary Regional Mexican Music, in Spanish, which contain at least 51 percent of the total time recorded with new material, and which maintain at least 60 percent of the essence of the genres of Regional Mexican Music. Award is presented to solo artists, duos or groups, producer(s), recording engineer(s) and mixing engineer(s) of 51 percent or more of the total playing time of the album. Winner’s Certificates are presented to mastering engineer(s) and to producer(s), engineer(s), and mixer(s) of less than 51 percent of the total playing time (if not the artist).

Additional Category Amendments

CATEGORY NAME CHANGE: Best MPB (Música Popular Brasileira) / MAPB (Música Afro Portuguesa-Brasileira) Album (Portuguese Language Field)

For vocal or instrumental Música Popular Brasileira and Afro-Portuguese-Brazilian Music albums containing at least 51percent of total play time of new material.

AMENDMENT TO DEFINITION: Best Singer-Songwriter Song (Singer-Songwriter Field)

For singles or tracks that contain at least 60 percent of the lyrics in Spanish, Portuguese or any native regional dialect. Must be a new song composed and performed 100percent by the singer-songwriter(s). Award is presented to the songwriter(s). Winner’s Certificate presented to the music publisher.

NEW VIDEO ELIGIBILITY CRITERIA: Best Long Form Music Video Category (Music Video Field)

Eligible videos in Best Long Form Music Category consist of at least 12 minutes of duration (reduced from 20 minutes). 

AMENDMENT TO THE RULE REGARDING NUMBER OF NOMINATIONS: Number of nominations in a category will be based on the number of entries (All Fields)

Each category shall have at least 40 distinct artist entries. If a category receives between 25 and 39 entries, only three recordings will receive nominations in that year. Should there be fewer than 25 entries in a category, that category will immediately go on hiatus for the current year and entries will be screened into the next most logical category. If a category receives fewer than 25 entries for three consecutive years, the category will be discontinued, and submissions will be entered in the next most appropriate category.

Online Entry Process

NEW GUIDELINES FOR SUBMISSIONS: Single Submission Round

 All submissions for the Online Entry Process (for recordings released June 1, 2023 through May 31, 2024) will occur in one single round of entries, starting on April 1, 2024, and closing on April 30, 2024 at 6 p.m. (PT). Any releases scheduled for May 2024 must be submitted in April, before the Online Entry Process closes, and the streaming link and credits must be submitted by May 31, 2024.

REMOVAL OF FINAL SUBMIT CONCEPT

Submissions can be completed ‘as they go’, there is no need to hold on completion of all entries for a final submit, thus facilitating the submission of entries.

All updates go into effect immediately for the upcoming 25th Annual Latin GRAMMY Awards® taking place in November 2024. To view this year’s Awards calendar, visit https://www.latingrammy.com/en/awards/calendar.

Los Angeles' legendary Conga Room is closing its doors, but will not go quietly into the night.

The 25-year-old venue has been home to countless Latin music performances and celebrations — including the 2001 Latin GRAMMYs — and will host its final event on March 27. The official, invitation-only closing celebration will feature a performance by Puerto Rican salsa star Gilberto Santa Rosa and the Conga Kids, as well appearances from Jimmy Smits and Paul Rodriguez, both of whom were investors in the space. 

First opened in 1999 on Wilshire Boulevard by real estate entrepreneur and Latin music lover Brad Gluckstein, the Conga Room drew investors like Jennifer Lopez and Sheila E — all of whom were committed to the venue’s vision of being an upscale nightclub devoted to live Latin music and dancing. In both its Miracle Mile location and its later space at L.A. Live, the club attracted an absolutely staggering lineup of talent, including Celia Cruz, Buena Vista Social Club, Tito Puente, Carlos Santana, Alejandro Fernández, Fito Paez, Jerry Rivera, Bad Bunny, and Maluma. The venue also hosted performances from non-Latinx artists like Prince, Ed Sheeran, Lenny Kravitz, Kendrick Lamar, Stevie Wonder, Chaka Khan, and Avicii.

"I saw Prince perform in venues the world over, but his very first performance at the Conga Room was magical," says talk show host Tavis Smiley. "Of all the times I witnessed my friend on stage, from Madison Square Garden to Montreux, the Conga Room remains my favorite Prince performance."

Gluckstein says that the Conga Room was able to draw such great talent not just because it was one of the only major venues that leaned into Latin music in the United States, but because there was a mutual respect between the artists and the venue. 

"We couldn’t compete financially with [Goldenvoice or AEG], but we were able to bring an incredible amount of talent to the venue," he tells GRAMMY.com. "I was talking to Jerry Rivera’s agent the other day and I said, ‘Jerry just played in front of 10,000 people in Venezuela. Help me understand why playing in front of 1,000 people at the Conga room was so important.’ He went on for 10 minutes about what the room meant to these artists and the way we respected them, the sound system, and the way they were treated. The fan engagement, too, plus the fact that there was never really a comparable room anywhere else, even in New York."

"We provided a stage and a voice for acts that didn’t have a way of getting to their audience here in L.A., because no radio stations were playing their kind of music," says Marcella Cuonzo, the venue’s publicist. "For reggaeton, for example, the Conga Room was a pioneer in the movement around 2010. Radio wasn’t playing that music, but the Conga Room took a gamble on the sound because they saw its vision." 

The Conga Room was also the first venue in Los Angeles to host a wide-range of Cuban musical talent starting in the mid- to late ‘90s. "We had probably 50 shows," says Gluckstein. "We got everything from Bebo Valdés to [Diego] El Cigala to Pablo Milanés, who played his first show ever in the U.S. at our venue. He’s the Bob Dylan of Cuba. We brought Los Van Van, who’s probably the most famous salsa or timba group in the history of Cuba. They couldn’t play in Miami, because Miami wouldn’t allow Cuban music, so the GRAMMYs gave them their trophy [for Best Salsa Performance] at the Conga Room."  

The Latin GRAMMY Awards moved from L.A. from Miami in 2001, and the ceremony was set to take place at the Shrine Auditorium on Sept. 11. That telecast was understandably canceled following the tragic events of that day in New York, and rather than rescheduling the whole event, winners were announced at a press conference on Oct. 30 at the Conga Room. Alejandro Sanz came away with four awards, including Album Of The Year, and Juanes took home three Latin GRAMMYs, including Best New Artist.

"I remember Celia Cruz giving a beautiful speech that night in Spanish, thanking the firefighters and policemen and saying ‘this is for you, but also a little bit for us," says Gluckstein. "In later years, once we were at L.A. Live, we hosted the Latin GRAMMY nominations several times. I have footage of Andy Garcia doing them on-stage with Jimmy Smits." 

The Conga Room is closing now because, Gluckstein says, it just seems like the right time. "The pandemic, of course, played a role," he explains. "And I think the enormity of AEG and Live Nation, with how fierce the competition is, all of that has made buying talent much more expensive and has made talent more selective in terms of what's the best economic opportunity for them." 

There’s also the rising success of Conga Kids, the venue’s non-profit arm, to consider. A county-wide organization with about 100 employees, Conga Kids reaches roughly 50,000 elementary-aged kids in largely under-resourced communities every year, using dance and music from the Afro-Diaspora like salsa, merengue, cumbia, reggaeton, Charleston, and hip-hop to promote social and emotional well-being, as well as diversity, equity, and inclusivity. 

Though fans and artists will undoubtedly miss the space, energy, and community the Conga Room provided, Gluckstein says the venue’s closure doesn’t have to be sad. Instead, he says, it can be celebratory. 

"We accomplished so much," he says. "Now, the venue will just have to live on in the hearts and minds of people, instead of as a brick and mortar space." 

GRAMMY Hall Of Fame 2024 Inductees Announced: Recordings By Lauryn Hill, Guns N' Roses, Donna Summer, De La Soul & More

The 2023 Latin GRAMMYs may have occurred months ago and thousands of miles away, but the leading lights in Latin music also shined at the 66th GRAMMY Awards. From historic wins and meaningful nominations, to electric performances and interesting installations, Latin music excellence was everywhere. 

In anticipation of the 25th anniversary of the Latin GRAMMYs in 2024, the exclusive GRAMMY House — the site of multiple GRAMMY Week events — included a significant installation dedicated to the Biggest Night In Latin Music.

The cylindrical display showcased some of the biggest moments in Latin GRAMMY history, including images, facts, and even a real Latin GRAMMY award. 

The celebration of Latin music continued throughout GRAMMY Week, with several Latin GRAMMY-winning artists also winning on the GRAMMY stage. Among the major moments at the 2024 GRAMMYs, Karol G won her first golden gramophone for her 2023 LP Mañana Será Bonito. "This is my first time at GRAMMYs, and this is my first time holding my own GRAMMY," the Colombian songstress exclaimed during her acceptance speech. 

Música Mexicana star Peso Pluma also took home his first GRAMMY; his album GÉNESIS won in the Best Música Mexicana Album (Including Tejano) Category.

Premiere Ceremony presenter Natalia Lafourcade — whose Todas Las Flores won big at the 2023 Latin GRAMMYs — also took home the GRAMMY Award for Best Latin Rock or Alternative Album. She tied in the Category with Juanes. 

Premiere Ceremony performer Gabby Moreno also took home a GRAMMY Award for Best Latin Pop Album for her album X Mí (Vol. 1). 

Beyond the stage, Latin artists graced the red carpet and the nominations list. For example, producer and songwriter Edgar Barrera was the only Latino nominated in the Songwriter Of The Year, Non-Classical Category.

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