Rick James (L), Grace Jones (R)
GRAMMY Flashback: Watch The Evolution Of Style At The GRAMMYs From The 1960s To The Present
In just over a minute, viewers are treated to a rundown of how styles have changed at the GRAMMYs Awards—from Frank Sinatra’s cocktail attire to Daft Punk’s spacesuits
The GRAMMY Awards have been around since 1959, which means six decades of styles—from Frank Sinatra's tuxedos to Billie Eilish's baggy streetwear—have passed through its 62 ceremonies. Survey the decades, and you'll find a mini-history of how fashion and music have remained intertwined.
In this episode of GRAMMY Flashback, a special series for this year's GRAMMY season, watch how the evolution of style at the GRAMMYs has changed over the decades. Tune into the 2021 GRAMMYs Awards show Sunday, March 14, on CBS to see what styles will be at the ceremony—and to find out who will win!
ReImagined At Home: Watch Ant Clemons Croon The Cosmic Blues In Performance Of Bill Withers' "Ain't No Sunshine"
Singer/songwriter Ant Clemons puts his own spin on Bill Withers' immortal "Ain't No Sunshine" in an exclusive performance for ReImagined At Home
Why has Bill Withers' immortal hit, "Ain't No Sunshine," endured for decades? And, furthermore, why does it seem set to reverberate throughout the ages?
Could it be because it's blues-based? Because it's relatable to anyone with a pulse? Because virtually anyone with an ounce of zeal can believably yowl the song at karaoke?
Maybe it's for all of those reasons and one more: "Ain't No Sunshine" is flexible.
In the latest episode of ReImagined At Home, check out how singer/songwriter Ant Clemons pulls at the song's edges like taffy. With a dose of vocoder and slapback, Clemons recasts the lonesome-lover blues as the lament of a shipwrecked android.
Giving this oft-covered soul classic a whirl, Clemons reminds music lovers exactly why Withers' signature song has staying power far beyond his passing in 2020. It will probably be a standard in 4040, too.
Check out Ant Clemons' cosmic, soulful performance of "Ain't No Sunshine" above and click here to enjoy more episodes of ReImagined At Home.
Will Smith at the 1999 GRAMMYs
GRAMMY Rewind: Watch Will Smith Dedicate His 1999 Best Rap Solo Performance GRAMMY To His Son
In his acceptance speech, he offers thanks to his family and "the jiggiest wife in the world, Jada Pinkett Smith"
Today, Sept. 25, we celebrate the birthday of the coolest dad—who else? Will Smith! For the latest episode of GRAMMY Rewind, we revisit the Fresh Prince's 1999 GRAMMY win for Best Rap Solo Performance for "Gettin' Jiggy Wit It."
In the below video, watch rappers Missy Elliott—donning white leather—and Foxy Brown present the GRAMMY to a stoked Smith, who also opted for an all-leather look. In his acceptance speech, he offers thanks to his family and "the jiggiest wife in the world, Jada Pinkett Smith." He dedicates the award to his eldest son, Trey Smith, joking that Trey's teacher said he (then just six years old) could improve his rhyming skills.
The classic '90s track is from his 1997 debut studio album, Big Willie Style, which also features "Miami" and 1998 GRAMMY winner "Men In Black," from the film of the same name. The "Está Rico" rapper has won four GRAMMYs to date, earning his first back in 1989 GRAMMYs for "Parents Just Don't Understand," when he was 20 years old.
Photo: Cara Robbins
Frank Sinatra ReImagined By Milo Greene
Folk/rock band cover GRAMMY winner's classic ballad "Strangers In The Night" and perform three original songs exclusively for GRAMMY.com
Folk/rock band Milo Greene recently performed a cover of Frank Sinatra's classic ballad "Strangers In The Night" for an installment of The Recording Academy's ReImagined series at Smidi Music in Venice, Calif. Linking GRAMMY history with current music makers, ReImagined is a performance-based series featuring artists interpreting an iconic GRAMMY-winning song and performances of original music.
"Strangers In The Night" is the title track from Sinatra's 1966 album, which earned a GRAMMY for Album Of The Year at the 9th Annual GRAMMY Awards. The song garnered Sinatra GRAMMYs for Record Of The Year and Best Vocal Performance, Male honors. In addition to their adaptation of "Strangers In The Night," Milo Greene performed three original songs from their self-titled debut album — "1957," "Cutty Love" and "Take A Step."
"It doesn't get cooler than Frank Sinatra," said Milo Greene's Robbie Arnett. "['Strangers In The Night' is] a classic song, something that we're all familiar with and something that we all kind of grew up with. I know Frank Sinatra was played a lot in my house growing up so it was an obvious choice and one that we could have a lot of fun with."
Formed in Northern California in 2009, Milo Greene was originally the fictional character used to promote the creative endeavors of college friends and vocalists/multi-instrumentalists Arnett, Andrew Heringer and Marlana Sheetz. The band later added bassist Graham Fink and drummer Curtis Marrero and began performing as Milo Greene. They subsequently landed slots on tour with artists such as the Belle Brigade, GRAMMY winners the Civil Wars and Grouplove before releasing a four-song EP, The Hello Sessions, in 2011.
Milo Greene's self-titled debut album was released in 2012 and topped Billboard's Heatseekers Albums chart. On April 20 the quintet will release an exclusive 7-inch vinyl single in conjunction with Record Store Day, featuring live performances of "What's The Matter" from Milo Greene and the previously unreleased "Staging Point." Milo Greene will kick off a European tour with Cold War Kids on April 24 before returning to the United States to perform select dates through August.
Photo: Christopher Polk/Getty Images
Recordings By Janet Jackson, Louis Armstrong, Odetta & More Inducted Into The National Recording Registry
Selections by Albert King, Labelle, Connie Smith, Nas, Jackson Browne, Pat Metheny, Kermit the Frog and others have also been marked for federal preservation
The Librarian of Congress Carla Haden has named 25 new inductees into the National Recording Registry of the Library of Congress. They include Janet Jackson’s “Rhythm Nation 1814,” Louis Armstrong’s “When the Saints Go Marching In,” Labelle’s “Lady Marmalade,” Nas’ “Illmatic,” Kool & the Gang’s “Celebration,” Kermit the Frog’s “The Rainbow Connection” and more.
“The National Recording Registry will preserve our history through these vibrant recordings of music and voices that have reflected our humanity and shaped our culture from the past 143 years,” Hayden said in a statement. “We received about 900 public nominations this year for recordings to add to the registry, and we welcome the public’s input as the Library of Congress and its partners preserve the diverse sounds of history and culture.”
The National Recording Preservation Board is an advisory board consisting of professional organizations and experts who aim to preserve important recorded sounds. The Recording Academy is involved on a voting level. The 25 new entries bring the number of musical titles on the registry to 575; the entire sound collection includes nearly 3 million titles. Check out the full list of new inductees below:
National Recording Registry Selections for 2020
Edison’s “St. Louis tinfoil” recording (1878)
“Nikolina” — Hjalmar Peterson (1917) (single)
“Smyrneikos Balos” — Marika Papagika (1928) (single)
“When the Saints Go Marching In” — Louis Armstrong & his Orchestra (1938) (single)
Christmas Eve Broadcast--Franklin D. Roosevelt and Winston Churchill (December 24, 1941)
“The Guiding Light” — Nov. 22, 1945
“Odetta Sings Ballads and Blues” — Odetta (1957) (album)
“Lord, Keep Me Day by Day” — Albertina Walker and the Caravans (1959) (single)
Roger Maris hits his 61st homerun (October 1, 1961)
“Aida” — Leontyne Price, et.al. (1962) (album)
“Once a Day” — Connie Smith (1964) (single)
“Born Under a Bad Sign” — Albert King (1967) (album)
“Free to Be…You & Me” — Marlo Thomas and Friends (1972) (album)
“The Harder They Come” — Jimmy Cliff (1972) (album)
“Lady Marmalade” — Labelle (1974) (single)
“Late for the Sky” — Jackson Browne (1974) (album)
“Bright Size Life” — Pat Metheny (1976) (album)
“The Rainbow Connection” — Kermit the Frog (1979) (single)
“Celebration” — Kool & the Gang (1980) (single)
“Richard Strauss: Four Last Songs” — Jessye Norman (1983) (album)
“Janet Jackson’s Rhythm Nation 1814” — Janet Jackson (1989) (album)
“Partners” — Flaco Jiménez (1992) (album)
“Somewhere Over the Rainbow”/”What A Wonderful World” — Israel Kamakawiwo’ole (1993) (single)
“Illmatic” — Nas (1994) (album)
“This American Life: The Giant Pool of Money” (May 9, 2008)