In 2021, Brazilian DJ ALOK founded an institute to foster the socio-environmental development of Brazil, India, Mozambique, Madagascar, and Malawi. The following year, he spearheaded the foundation's The Future Is Ancestral project to create awareness of the need to preserve and understand indigenous communities — doing so through the power of music.

In collaboration with artists from seven indigenous tribes from different regions of Brazil, ALOK will produce an albums called The Future Is Ancestral. One of the featured tribes is YAWANAWÁ, a Brazilian indigenous community whose traditional chants and songs celebrate their deep, ancient relationship with music and nature.

In this episode of Global Spin, watch ALOK and the YAWANAWÁ tribe light up the United Nations' rooftop with an upbeat performance of "SHINA VAISHU," one of the many songs from The Future Is Ancestral. This performance kicked off New York City's Climate Change Week on September 16, 2022, which also saw a series of panels uplifting indigenous peoples' impact on climate change.

ALOK Institute will release The Future is Ancestral in September, with all proceeds donated to the indigenous communities. "What we did with ALOK was to record our music to pass it on from generation to generation," Rasu YAWANAWÁ said in a press release. "Because one day, this will be necessary to share with men who have no knowledge of what the forest is."

After the release of The Future is Ancestral, ALOK Institute will release another six collections, all featuring original recordings of ancient traditional tribal music from various indigenous communities that have never been recorded before. These albums will be released through the label Native Sounds, created by ALOK Institute specifically for this project and to create an outstanding collection of indigenous music and their culture.

Press play on the video above to watch ALOK and the YAWANAWÁ tribe's magnetic performance of "SHINA VAISHU," and check back to GRAMMY.com for more new episodes of Global Spin.

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On March 22, Bodine unveiled her latest EP, Quemo Lento. Translating to "I burn slow," the eight-song project displays the duality of pain and pleasure — but on the EP's only piano-driven track, "Bambi," it's all heartache.

"It's short, but it explains everything it has to explain in that minute," Bodine said of the song in an interview with Univision. "It describes the feeling of slow-burning, a pain so deep that it is inexplicable."

In the latest episode of Global Spin, the Amsterdam-born, San Juan-raised artist performs a stripped-down version of "Bambi." Mirroring the black-and-white imagery of the song's music video, the performance is even more haunting than the original with just a piano and her soprano vocals.

Quemo Lento has been touted for its dreamy visuals and experimental sound. As of press time, Bodine has released four music videos from the EP, most recently delivering the visual for "Nalgaje," featuring fellow Dutch rapper Zefanio.

Earlier this year, Bodine made her SXSW stage debut and performed a string of shows throughout Puerto Rico to celebrate the release of Quemo Lento.

Press play on the video above to watch Bodine's chilling performance of "Bambi," and remember to check back to GRAMMY.com for more new episodes of Global Spin.

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The mission for The Snuts' third album, Millennials, was to tap into "the emotions that we maybe haven't processed" and put "those big boiling points in your life" into song. And on their B-side, "Novastar," the Scottish indie rock band takes autonomy of their actions and emotions.

"Hey, mama, what you gon' tell me? I can be a heartbreaker, troublemaker, sunshaker/ Yeah, you better bet on me," they declare. "Alive/ I'm a Novastar, coming of age."

In this episode of Global Spin, The Snuts deliver an electrifying performance of "Novastar," playing each of their instruments live in the studio.

The Snuts released the standard and deluxe versions of Millennials on February 23 via Happy Artist Records, their imprint via The Orchard.

"On the last record, there was a bit more nuance," frontman Jack Cochrane said in a press statement. "With this one, we wanted to see how it would feel if we went more direct on the songs and to connect as easily as possible."

They recently wrapped the North American and European leg of the project's accompanying tour. In May, they'll perform a string of shows in Australia and Japan with support from Eliza & the Delusionals.

Press play on the video above to watch The Snuts' explosive performance of "Novastar," and check back to GRAMMY.com for more new episodes of Global Spin.

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On her burning single "she," Slovakian singer Karin Ann beams about a confident, effortlessly beautiful mystery woman — from her unique distaste for modern television to her quaint apartment in the city.

"If someone ever would take her to the dance floor/ The world would disappear, the music would still be playing," Ann croons in the chorus. "Her heart beats so loud, even after everyone is gone/ She'd still be dancing, dancing in her own mind."

In this episode of Global Spin, watch Ann deliver a full-band performance of the track, complete with two guitars, a keyboard and a drum set — and a wall of records as a backdrop.

Ann came up with the concept for the track while searching through her phone during a sleepless night: "I stumbled upon a sentence that sparked inspiration. Most of my songs lean towards the sad or melancholic, but this particular lyric was different. I find it challenging to write happy songs, so it felt like creating this character allowed me the freedom to explore new territories with 'she.'"

"She" is the lead single from Ann's debut album, through the telescope, which arrives May 10 via 3amRecords. As "she" and second single "false gold" hint, the album will explore themes of love, identity and mental health while also showing off Ann's musical versatility.

Press play on the video above to watch Karin Ann's edgy performance of "she," and check back to GRAMMY.com for more new episodes of Global Spin.

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On "sick," K-pop star AleXa is so in love that she's almost physically ill.

"Boy, you make me sick/ You're too f—ing perfect/ I don't deserve it," she gushes in the chorus. "Losing my s—, and you make me sick/ Sick to my stomach/ I wanna vomit/ Kissing your lips."

In this episode of Global Spin, AleXa delivers a grungy performance of the track, tied together by her edgy fashion and a grayscale filter.

"Sick" is AleXa's first single of 2024, dropping on Feb. 23 via Interview Music and ZB Label. The vulnerable song also marks a new sonic era, leaving behind her pop hits like "Back in Vogue" and "Wonderland."

"This era of my career feels like the most authentic version of myself. 'Sick' is a departure from my previous releases, and I'm excited to share a side of me that is deeply connected to my pop-punk influences," she revealed in a press statement.

On March 29, AleXa will commence the Sick of You Tour in New York City. She'll hit six cities — including her hometown, Tulsa, Oklahoma — before ending April 7 in Los Angeles. 

Press play on the video above to watch AleXa's rocking performance of "sick," and check back to GRAMMY.com for more new episodes of Global Spin.

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