meta-script15 Must-Hear Albums This August: Jon Batiste, Jihyo, The Hives & More | GRAMMY.com
15 Must-Hear Albums of August 2023
(Clockwise from left) Victoria Monét, Chief Keef, The Hives, Bebel Gilberto, Jon Batiste, Jihyo, Bonnie "Prince" Billy, Shamir, John Lydon of Public Image Ltd., Les Imprimés

Photos: Foxxatron; Prince Williams/WireImage; SOPA Images/LightRocket via Getty Images; Bob Wolfensen; Francis Specker/CBS via Getty Images; JYP Entertainment; Gus Stewart/Redferns; Matthew James-Wilson; Jim Dyson/Getty Images; Tor Stensola

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15 Must-Hear Albums This August: Jon Batiste, Jihyo, The Hives & More

For lovers of rock 'n' roll, K-pop, R&B and blues, August has no shortage of gems. Read on for a list of long-awaited comebacks,exciting debuts and groundbreaking endeavors coming out in August 2023.

GRAMMYs/Aug 1, 2023 - 01:11 pm

While peak summer heat may slow down daily activities, August music releases are keeping 2023’s pace running, with an overflow of music releases for the most varied tastes. There’s long-awaited comebacks and exciting debuts, classic rehashes and groundbreaking endeavors, and — most of all — plenty of exciting sounds to discover.

For the lovers of good ol' rock 'n' roll, this is a busy month: bands like the Hives, Public Image Ltd. and virtual outfit Dethklok make their return after many years in the shadows. In more indie domains, Hozier brings forth his third studio album, Unreal Unearth, and The Band CAMINO is back with their sophomore record, The Dark. In other genres, both R&B singer Victoria Monét and K-pop girl group TWICE’s leader Jihyo will release their debut albums, Jaguar II and Zone, respectively. Meanwhile, Dan Auerbach’s label Easy Eye Sound will issue Tell Everybody!, a compilation of the best stars across all strands of blues.

As there is much more to explore and little time to lose, check below for GRAMMY.com’s guide for the 15 must-hear albums dropping in August 2023.

Neil Young - Chrome Dreams

Release date: Aug. 11

Back in 1977, legendary singer and songwriter Neil Young planned to release Chrome Dreams, though the project was ultimately shelved. However, several bootlegs of the original 12-song acetate circulated around in the past decades, deeming its content as one of Young’s strongests.

Almost 50 years later, Chrome Dreams will finally receive justice with a debut release via Reprise Records. The tracklist is filled with classics recorded between 1974 and 1976, such as "Pocahontas" and "Sedan Delivery," and includes four originals never released on vinyl before. On his official website, the album is described as coming to life "exactly how Young perceives it" and of having a "sense of monumentality about it that conveys a place in history."

Chrome Dreams is the latest in Young’s recent string of archival records, following 2022’s 50th anniversary reissue of 1972’s Harvest, the release of 2001’s shelved album Toast with Crazy Horse, and the fourth installment of his Official Release Series.

The Band CAMINO - The Dark

Release date: Aug. 11

The Band CAMINO will give us another dose of their infectious pop-rock on their sophomore album,The Dark.

Comprising 11 tracks — including singles "Told You So," "Last Man In The World," "See You Later," and "What Am I Missing?" — the album expands on the Nashville-based trio’s thrilling energy and lyrics about the highs and lows of love. "It's no secret we suck together / I tell myself that it's for the better / So why does it keep getting worse?" they wonder in "What Am I Missing?"

In support of the release, The Band CAMINO has also announced a North American tour starting Sept. 14 in Philadelphia, and wrapping it up on Oct. 21 in Nashville.

Public Image Ltd. - End of World

Release date: Aug. 11

Marking their return after eight years, post-punk British band Public Image Ltd. will release their 11th studio album, End of World, next month. The record is dedicated to vocalist and former Sex Pistols member John Lydon’s late wife, Nora Forster, who passed away in April after a long battle with Alzheimer’s disease.

"Nora loved the album, she wouldn’t have wanted us to postpone it or change any of our plans," Lydon said  in a statement. Smooth lead single "Hawaii," which works as a love letter to Forster, is "the most personal piece of songwriting and accompanying artwork that John Lydon has ever shared," according to the same statement. But that doesn’t mean PiL’s raucous essence is amiss;l singles "Penge" and "Car Chase" are welcome punches of enthusiasm as only they can deliver.

PiL started working on the album in 2018 during their 40th anniversary tour, but had to pause activities due to the COVID-19 pandemic. Ever since they got back to the studio, the band was hit with a "massive explosion of ideas," according to Lydon. They will embark on an extensive UK and Europe tour this September.

The Hives - The Death of Randy Fitzsimmons

Release date: Aug. 11

It’s been 11 years since the Swedish rockers of the Hives released new material. With their upcoming sixth studio album, The Death of Randy Fitzsimmons, on the horizon, they prove that time only did them favors.

Led by pre-release singles "Bogus Operandi" and "Countdown to Shutdown," The Hives’ electrifying, demanding energy is back for another round. "There’s no maturity or anything like that bulls—, because who the f— wants mature rock’n’roll?" asked frontman Pelle Almqvist in a press release. "Rock’n’roll can’t grow up, it is a perpetual teenager and this album feels exactly like that, which it’s all down to our excitement."

With a title that refers to the supposed death of the band’s mysterious (and never publicly seen) sixth member, manager, and sole songwriter, it also represents a new chapter. What will the Hives do if Randy Fitzsimmons is indeed gone for good? No one knows. But for now, they are focused on making some noise around the world: the band is booked for concerts and festivals all over Europe and the U.S. throughout the rest of the year.

Chief Keef - Almighty So 2

Release date: Aug. 11

After several delays following its announcement in October 2022, Chief Keef’s well-awaited mixtape Almighty So 2 will finally come out on Aug. 11.

A sequel to 2013’s Almighty So, the mixtape features 17 tracks. Two singles have been released so far: "Tony Montana Flow" and "Racks stuffed inna couch." Also a follow-up to Keef’s latest studio album, 2021’s 4NEM, it sees the Chicago rapper continue his prolific run of releases, which includes four studio albums, four EPs, and over 30 mixtapes since his beginnings in 2011.

Last year, Keef announced his new label 43B in partnership with BMG, and his first signing with Atlanta rapper Lil Gnar. He also released an updated version of his debut album Finally Rich, celebrating its 10th anniversary.

Easy Eye Sound - Tell Everybody! (21st Century Juke Joint Blues From Easy Eye Sound) 

Release date: Aug. 11

A 12-song compilation uniting legends and rising stars alike across the blues spectrum, Tell Everybody! is Nashville label Easy Eye Sound’s latest tour de force. The compilation was produced by the label’s founder and the Black Keys’ member Dan Auerbach

Besides featuring Auerbach’s own band and solo work, the anthology also holds names like GRAMMY-nominated R.L. Boyce and Jimmy "Duck" Holmes, as well as newcomers like Nat Myers, Moonrisers, and Dan Carter. 

Said to draw influences "from acoustic anthems to roiling rock n’ roll" in a press release, Tell Everybody! "continues a commitment to upholding and preserving the blues that sits at the core of Easy Eye Sound’s mission." For a taste of what’s to come, they have shared Robert Finley’s eponymous title track.

Les Imprimés - Rêverie

Release date: Aug. 11

Les Imprimés is a one-man band created by Norwegian singer and songwriter Morten Martens. Blending R&B and soul with a definite modern twist, the project stands as a dreamy refuge to life’s harsh realities.

"It’s soul music, but I don’t exactly have the soul voice," Morten explains on Big Crown Records’ website. "But I do it my own way, in a way that’s mine." Martens’ unique efforts are brought together in his debut album, Rêverie. In the tracklist, a slew of ethereal, captivating singles like "If I" and "Love & Flowers" promise a stirring listening experience, sure to put him on the radar of 2023’s greatests.

Bonnie "Prince" Billy - Keeping Secrets Will Destroy You

Release date: Aug. 11

On Will Oldham’s (a.k.a Bonnie "Prince" Billy) Bandcamp page, his forthcoming record Keeping Secrets Will Destroy You is described vaguely as "a tale as old as time," or simply "an album" whose songs are "by and for people together."

Following 2022’s Blind Date Party with Bill Calahan and 2019’s I Made a Place, Keeping Secrets consists of 12 tracks that put Billy "at the nexus of all the kinds of music he can summon, with friends, with family, and community. All roads roll though him. There can be no holding back. A million billion moments are on the line."

The Louisville singer shared two pre-releases as idiosyncratic as the rest of his oeuvre: "Bananas" and "Crazy Blue Bells." Starting September, he will embark on a U.S. tour through November.

Jon Batiste - World Music Radio

Release date: Aug. 18

"World Music Radio is a concept album that takes place in the interstellar regions of the universe," said multihyphenate Jon Batiste on Instagram about his upcoming 7th studio record. "The listener is led through the album by an interstellar traveling griot named Billy Bob Bo Bob, who takes you sonically all around the world at the speed of light."

A follow-up to We Are, his 2021 GRAMMY-winning Album Of The Year, World Music Radio will feature collaborations with stars from all corners of music, including Lana Del Rey, Lil Wayne, and Kenny G. "I created this album with a feeling of liberation in my life and a renewed sense of exploration of my personhood, my craft, and of the world around me unlike anything I ever felt before," Batiste shared further about the 21-track effort.

The album is preceded by lively singles "Calling Your Name," "Drink Water" featuring Jon Bellion and Fireboy DML, and Coca-Cola collaboration "Be Who You Are (Real Magic)," featuring Cat Burns, J.I.D, Camilo, and NewJeans.

Jihyo (TWICE) - Zone

Release date: Aug. 18

Seven years down the road, TWICE — one of the most acclaimed K-pop girl groups in history — have started branching out their skills into solo careers and sub-units. Starting last year, eldest member Nayeon released her EP Im Nayeon, followed by July’s MISAMO (a Japanese sub-unit formed by Mina, Sana, and Momo) and their Masterpiece EP. Now, it’s time for leader and main vocalist Jihyo to show the world her unique colors.

Known for her passionate, energetic performances and a powerful voice, Jihyo’s debut EP, Zone, features lead single "Killin’ Me Good" and six other tracks, including a duet with K-R&B singer Heize. Until the date of release, Jihyo will release a series of spoilers and special contents that will keep fans anticipating the visual and musical direction chosen.

In June, TWICE made history by becoming the first girl group from any country to sell out Los Angeles’ SoFi stadium for their Ready To Be world tour. Still ongoing, the tour includes 38 shows across North America, Asia, Oceania, and Europe.

Hozier - Unreal Unearth

Release date: Aug. 18

Like so many of us during the pandemic lockdown, Irish singer Hozier took the extra time to pick up on his readings, including Dante Alighieri’s epic Inferno. The literary classic ended up inspiring him so much that his upcoming third studio album, Unreal Unearth, is also arranged into "circles" — a concept that Dante used to depict the nine realms of hell in his work.

In an interview with Rolling Stone UK, Hozier explained that "the album can be taken as a collection of songs, but also as a little bit of a journey. It starts with a descent and I’ve arranged the songs according to their themes into nine circles, just playfully reflecting Dante’s nine circles and then an ascent at the end." As for what it sounds like, the singer said it is "quite eclectic" and reflects "something of a retrospective in what the sounds lean into."

Hozier released the EP Eat Your Young in March as a teaser for Unreal Unearth, featuring an eponymous single and tracks "All Things End" and "Through Me (The Flood)" — all of which appear on his forthcoming release. A second single, "Francesca," came out in June. Hozier will embark on a North American, UK, and Europe tour starting September.

Shamir - Homo Anxietatem

Release date: Aug. 18

In a press release, singer/songwriter Shamir revealed that he felt a lot of anxiety during the first quarter of 2020. "I was fresh out the psych ward and had quit smoking weed and cigarettes cold turkey. I spent the first couple months of 2020 knitting this huge baby blue sweater. It’s basically a wearable security blanket that I used to channel all my anxiety into."

The sweater turned into inspiration for indie pop single "Oversized Sweater," off Shamir’s upcoming ninth studio album, Homo Anxietatem. Although the title translates from Latin into "anxious man," the album is meant to depict "what happens when one of the most prolific songwriters of a generation calms down a bit: the search for meaning becomes mundane."

Homo Anxietatem follows 2022’s Heterosexuality, and is also described as a "perfect pop-punk-rock record." On Oct. 2, the Las Vegas singer will play a sole concert in Paris and then hit up the UK for a short tour across 10 cities.

Victoria Monét - Jaguar II

Release date: Aug. 25

Singer Victoria Monét — who became known through her songwriting for artists such as Ariana Grande, BLACKPINK and Fifth Harmony — is releasing her debut studio album, Jaguar II, on Aug. 25. "I feel like I’ve been behind the bushes and in the background, and I think jaguars themselves live in that way," she explained in a Billboard interview. "They find the right moment to attack — and get what they want."

The record is a sequel to her breakthrough 2020 EP Jaguar, diving further into her R&B roots and exploring a variety of sounds that go from dancehall to Southern rap. Some of these influences can be seen in the pre-releases "Smoke" with Lucky Daye, "Party Girls" with Buju Banton, and "On My Mama."

To celebrate the album, Monét has announced a slew of dates across North America starting Sept. 6 in Detroit and ending with two November shows in London.

Dethklok - Dethalbum IV and Metalocalypse - Army of the Doomstar (Original Motion Picture Soundtrack)

Release date: Aug. 22 and Aug. 25

After nearly a decade, the most vicious virtual metal band is back. Dethklok, from Adult Swim’s TV series "Metalocalypse," will release not one, but two full-length albums next month.

The first is Dethalbum IV, the band’s long-awaited fifth studio record, out Aug. 22. Written by "Metalocalypse" creator Brendon Small, it features 11 tracks, including the merciless single "Aortic Desecration."

Three days later comes the official soundtrack to new film Metalocalypse: Army of the Doomstar’s turn. Also written and directed by Small, the movie boasts a star-studded cast with the likes of King Diamond, Metallica’s Kirk Hammett, and Evanescence’s Amy Lee. It will also offer a closing chapter for the show, which was canceled in 2015.

Dethklok will kick off their U.S. tour with Japanese band Babymetal on Aug. 30 in Houston, TX, and cross a slew of cities until the final concert on Oct. 11, in Los Angeles.

Bebel Gilberto - João

Release date: Aug. 25

"More than a tribute to her father, the unforgettable João Gilberto, the album is a visit to Bebel's most fundamental musical memories," says Bebel Gilberto’s website about her upcoming studio album, João.

Also described as a "musical love letter" to the renowned father of bossa nova, who passed away in 2019, the album was produced by pianist Thomas Bartlett, and comprises 11 songs carefully selected by Bebel. Among her choices are classics such as "Ela É Carioca" and "Desafinado," but also "Valsa," a track also known as "(Como São Lindos os Youguis) (Bebel)" and one of João Gilberto’s few compositions dedicated to his daughter.

Bebel shared an emotive first single off the project, "É Preciso Perdoar," and announced tour dates across North America, Asia, the UK, and Europe starting next month.

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Jon Batiste
Jon Batiste

Photo: Matt Winkelmeyer/Getty Images

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GRAMMY Rewind: Watch Jon Batiste’s Encouraging Speech For His 2022 Album Of The Year Win For 'We Are'

Jon Batiste accepts the Album Of The Year award for We Are, a win that he dedicated to "real artists, real musicians."

GRAMMYs/Apr 26, 2024 - 04:50 pm

Jon Batiste walked into the 2022 GRAMMYs with a whopping 11 nominations, making him the most recognized artist of the evening. By the end of the night, he received five GRAMMYs for Best American Roots Performance, Best American Roots Song, Best Score Soundtrack For Visual Media, Best Music Video, and the highly coveted Album Of The Year.

In this episode of GRAMMY Rewind, watch Batiste take the stage to accept the award for Album Of The Year for his sixth studio album, We Are

Batiste began his praises by acknowledging God: "I just put my head down and work on the craft every day. I love music, he said. "I've been playing since I was a little boy. It's more than entertainment for me — it's a spiritual practice." He also thanked the "many people that went into making this album," including his grandfather, nephew, father, and executive producer, Ryan Lynn.

"This [award] is for real artists, real musicians. Let's just keep going. Be you! That's it. I love you even if I don't know you," Batiste cheered.

Press play on the video above to hear Jon Batiste's complete acceptance speech and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

Watch: Jon Batiste Delivers A Heartfelt Performance Of “Ain’t No Sunshine” & “Lean On Me” | 2024 GRAMMYs Performance

Neil Young performing in 2023
Neil Young performing in 2023

Photo: Gary Miller/Getty Images

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Inside Neil Young & Crazy Horse's 'F##IN' UP': Where All 9 Songs Came From

Two-time GRAMMY winner and 28-time nominee Neil Young is back with 'F##IN' UP,' another album of re-recorded oldies, this time with Crazy Horse. But if that sounds like old hat, this is Young — and the script is flipped yet again.

GRAMMYs/Apr 25, 2024 - 09:33 pm

Neil Young has never stopped writing songs, but for almost a decade, he's been stringing together old songs like paper lanterns, and observing how their hues harmonize.

2016's Earth, where live performances of ecologically themed songs were interspersed with animal and nature sounds, was certainly one of his most bizarre. 2018's Paradox, a soundtrack to said experimental film with wife/collaborator Darryl Hannah, took a similarly off-kilter tack.

He's played it straight for others. Homegrown and Chrome Dreams were recorded in the ‘70s, then shelved, and stripped for parts. Both were finally released in their original forms over the past few years; while most of the songs were familiar, it was fascinating envisioning an alternate Neil timeline where they were properly released.

Last year's Before and After — likely recorded live on a recent West Coast solo tour — was less a collection of oldies than a spyglass into his consciousness: this is how Young thinks of these decades-old songs at 78.

Now, we have F##IN' UP, recorded at a secret show in Toronto with the current version of Crazy Horse. (That's decades-long auxiliary Horseman Nils Lofgren, or recent one Micah Nelson on second guitar, with bassist Billy Talbot and drummer Ralph Molina from the original lineup.)

Every song's been christened an informal new title, drawn from the lyrics; the effect is of turning over a mossy rock to reveal its smooth, untouched inverse.

It's named after a fan favorite from 1990's Ragged Glory; in fact, all of its songs stem from that back-to-the-garage reset album. Of course, that's how they relate; they're drawn from a single source. But Young being Young, it's not that simple: some of these nine songs have had a long, strange journey to F##IN' UP.

Before you see Neil and the Horse on tour across the U.S., here's the breakdown.

"City Life" ("Country Home")

The Horse bolts out of the gate with "Country Home," from Ragged Glory; in 2002's Shakey, Young biographer Jimmy McDonough characterized it as "a tribute to the [Broken Arrow] ranch that is surely one of Young's most euphoric songs."

As McDonough points out, it dates back to the '70s, around the Zuma period. With spring sprung, another go-round of this wooly, bucolic rocker feels right on time.

"Feels Like a Railroad (River Of Pride)" ("White Line")

Like "Country Home," "White Line" also dates back to the mid-'70s — but we've gotten to hear the original version, as released on 2020's (via-1974-and-'75) Homegrown.

The original was an aching acoustic duet with the Band's Robbie Robertson; when the Horse kicks it in the ass, it's just as powerful. (As for Homegrown, it was shelved in favor of the funereal classic Tonight's the Night.)

"Heart Of Steel" ("F##in' Up")

As with almost every Horse jam out there, the title track to F##IN' UP defies analysis. Think of a reverse car wash: the uglier and grungier the Horse renders this song, the more beautiful it is.

"Broken Circle" ("Over and Over")

Title-wise, it’s excusable if you mix this one up with "Round and Round," a round-robin deep cut from the first Neil and the Horse album, 1969's Everybody Knows This is Nowhere. Rather, this is yet another sturdy, loping rocker from Ragged Glory.

"Valley of Hearts" ("Love to Burn")

As McDonough points out in Shakey, "Love to Burn" has an acrid, accusatory edge that might slot it next to "Stupid Girl" in the pantheon of Neil's Mad At An Ex jams: "Where you takin' my kid / Why'd you ruin my life?"

But the chorus salves the burn: "You better take your chance on love / You got to let your guard down."

"She Moves Me" ("Farmer John")

The only non-Young original on F##IN' UP speaks to his lifelong inspiration from Black R&B music — a flavor OG guitarist Danny Whitten brought to the Horse, and has persisted in their sound decades after his tragic death.

Don "Sugarcane" Harris and Dewey Terry wrote "Farmer John" for their duo Don and Dewey; it dates back to Young's pre-Buffalo Springfield surf-band the Squires.

"Not much of a tune, but we made it happen," Bill Edmundson, who drummed with the band for a time, said in Shakey. "We kept that song goin' for 10 minutes. People just never wanted it to end." Sound familiar?

"Walkin' in My Place (Road of Tears)" ("Mansion on the Hill")

"Mansion on the Hill" was one of two singles from Ragged Glory; "Over and Over" was the other.

While it's mostly just another Ragged Glory rocker with tossed-off, goofy lyrics, Young clearly felt something potent stirring within its DNA; back in the early '90s, he stripped it down for acoustic guitar on the Harvest Moon tour.

"To Follow One's Own Dream" ("Days That Used To Be")

Briefly called "Letter to Bob," "Days That Used to Be" is Dylanesque in every way — from its circular, folkloric melody to its shimmering, multidimensional lyrics.

"But possessions and concession are not often what they seem/ They drag you down and load you down in disguise of security" could be yanked straight from Blonde on Blonde.

For more of Young's thoughts on Bob Dylan, consult "Twisted Road," from his 2012 masterpiece with the Horse, Psychedelic Pill. "Poetry rolling off his tongue/ Like Hank Williams chewing bubble gum," he sings, sounding like a still-awestruck fan rather than a peer.

"A Chance On Love" ("Love and Only Love")

Possibly the most resonant song on Ragged Glory — and, by extension, F##IN' UP — "Love and Only Love" is like the final boss of the album, where Young battles hate and division with Old Black as his battleaxe.

(Also see: Psychedelic Pill's "Walk Like a Giant," where Young violently squares up with the '60s dream.)

The 15-minute workout (which feels like Ramones brevity in Horse Time) It's a fitting end to F##IN' UP. There will be more Young soon. A lot more, his team promises. But although his output is a firehose, take it under advisement to savor every last drop.

Inside Neil Young's Before and After: Where All 13 Songs Came From

Composite graphic with the logo for GRAMMY Go on the left with four photos in a grid on the right, featuring (clockwise from the top-left) CIRKUT, Victoria Monét, Recording Academy CEO Harvey Mason jr., and Janelle Monáe
Clockwise from the top-left: CIRKUT, Victoria Monét, Recording Academy CEO Harvey Mason jr., and Janelle Monáe

Graphic & Photos Courtesy of GRAMMY GO

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Recording Academy & Coursera Partner To Launch GRAMMY GO Online Learning Initiative

Class is in session. As part of the Recording Academy's ongoing mission to empower music's next generation, GRAMMY Go offers digital content in specializations geared to help music industry professionals grow at every stage of their career.

GRAMMYs/Apr 17, 2024 - 05:01 pm

The Recording Academy has partnered with leading online learning platform Coursera on GRAMMY GO, a new online initiative to offer classes tailored for music creators and industry professionals.

This partnership empowers the next generation of the music community with practical, up-to-the moment digital content that provides wisdom for both emerging and established members of the industry. Continuing the Academy’s ongoing mission to serve all music people, courses cover a variety of specializations tailored to creative and professional growth. 

GRAMMY GO on Coursera includes courses taught by Recording Academy members, featuring GRAMMY winners and nominees and offers real-life lessons learners can put to work right away.

Starting today, enrollment is open for GRAMMY GO’s first Coursera specialization, "Building Your Audience for Music Professionals," taught by Joey Harris, international music/marketing executive and CEO of Joey Harris Inc. The course features Rock & Roll Hall of Fame inductee and five-time GRAMMY winner Jimmy Jam, 10-time GRAMMY nominee Janelle Monáe and three-time GRAMMY winner and the 2024 GRAMMYs Best New Artist Victoria Monét. This foundational specialization will help participants gain the skills, knowledge and confidence to build a strong brand presence and cultivate a devoted audience within the ever-changing music industry. 

The partnership’s second course, launching later this summer, aims to strengthen the technological and audio skills of a music producer. "Music Production: Crafting An Award-Worthy Song" will be taught by Carolyn Malachi, Howard University professor and GRAMMY nominee, and will include appearances by GRAMMY winner CIRKUT, three-time GRAMMY winner Hit-Boy, artist and celebrity vocal coach Stevie Mackey, five-time GRAMMY nominee and Recording Academy CEO Harvey Mason jr., and 15-time GRAMMY winner Judith Sherman. Pre-enrollment for "Music Production: Crafting An Award-Worthy Song" opens today.

"Whether it be through a GRAMMY Museum program, GRAMMY Camp or GRAMMY U, the GRAMMY organization is committed to helping music creators flourish, and the Recording Academy is proud to introduce our newest learning platform, GRAMMY GO, in partnership with Coursera," said Panos A. Panay, President of the Recording Academy. "A creator’s growth path is ongoing and these courses have been crafted to provide learners with the essential tools to grow in their professional and creative journeys."

"We are honored to welcome GRAMMY GO, our first entertainment partner, to the Coursera community," said Marni Baker Stein, Chief Content Officer at Coursera. "With these self-paced online specializations, aspiring music professionals all over the world have an incredible opportunity to learn directly from iconic artists and industry experts. Together with GRAMMY GO, we can empower tomorrow's pioneers of the music industry to explore their passion today."

GRAMMY GO also serves as the music community’s newest digital hub for career pathways and editorial content that provides industry insights for members of the industry; visit go.grammy.com for more. For information and enrollment, please visit the landing pages for "Building Your Audience for Music Professionals" and "Music Production: Crafting An Award-Worthy Song."

Meet 5 GRAMMY Nominees Who Started At GRAMMY U: From Boygenius Engineer Sarah Tudzin To Pentatonix’s Scott Hoying

Autumn Rowe at the 2023 GRAMMYs
Autumn Rowe at the 2023 GRAMMYs.

Photo: Jeff Kravitz/FilmMagic

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Where Do You Keep Your GRAMMY?: Autumn Rowe Revisits Her Unexpected Album Of The Year Win With Jon Batiste

Acclaimed songwriter Autumn Rowe reveals the inspirational location where her Album Of The Year golden gramophone resides, and details the "really funny way" she first met Jon Batiste.

GRAMMYs/Apr 10, 2024 - 08:33 pm

Ever since Autumn Rowe won a GRAMMY in 2022, it's been her biggest motivation. That's why the musical multi-hyphenate keeps the award nestled in her writing room — to keep her creative juices flowing.

"It reminds me that anything is possible," she says in the latest episode of Where Do You Keep Your GRAMMY?

Rowe won her first-ever career GRAMMY in 2022 with an Album Of The Year award for Jon Batiste's We Are. "It was very stressful," she recalls with a laugh.

"Right before they announced Album Of The Year, the pressure started getting to me," Rowe explains. "Album Of The Year is the biggest possible award you can win. So, I'm like, 'We didn't win any of these [categories], how are we going to win the biggest award?"

The win also taught her one unforgettable, valuable lesson: "We matter. The music matters. Everything matters. We just have to create it. If there isn't space for it, we have to make space for it. Don't wait for something to open."

Rowe says she grew up "super dirt poor" and never even had the opportunity to watch the awards ceremony on television. "To be a GRAMMY winner means it is possible for everyone," she declares.

Press play on the video above to learn more about the backstory of Autumn Rowe's Album Of The Year award, and remember to check back to GRAMMY.com for more new episodes of Where Do You Keep Your GRAMMY?

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