Friday’s afternoon downpour wasn’t enough to sizzle the energy (or heat) on the first day of Rolling Loud Miami.

For its last stop of the year, Rolling Loud returned to the Hard Rock Stadium in Miami Gardens for its 8th annual flagship Miami edition. With over 100 artists billed to perform throughout the three-day festival, thousands of fans braved the scorching temperatures to experience some of hip-hop’s biggest acts, including Playboi Carti, Ice Spice, City Girls, Latto, Lil Uzi Vert, Offset, and ASAP Rocky.  This year was also the first time Rolling Loud recruited Latin artists to perform. Reggaetonero Anuel AA and dembow artist El Alfa graced the main stage on Friday and Saturday, respectively, to perform their biggest songs in front of a massive throng of fans.

Known for raucous mosh pits and viral-worthy moments, Rolling Loud wouldn’t be complete without mayhem and spectacle. Aside from delayed set times on the main Gopuff Stage and Travis Scott starting his performance almost an hour late, notable performances included Offset bringing out Cardi B to perform her verse on "Motorsport," Travis Scott announcing the release date for his new album, Utopia and accompanying movie Circus Maximus, and ASAP Rocky seemingly dissing Scott while performing a new song from his upcoming album, Don’t Be Dumb.   

Drama and chaos aside, artists blazed the stages all weekend with energetic, unforgettable performances. Here are our seven standout sets from Rolling Loud Miami. 

Fousheé Captivated Fans With Electric Rage

Clad in a white fur coat and white hair, Fousheé electrified the Culture Kings Stage with heavy metal screams and dizzying twirls. The New Jersey singer/songwriter and guitarist went viral back in 2020 when the vocals for her song "Deep End" were used by rapper Sleepy Hallow on one of his viral songs. Since then, she’s carved out a space for her alternative-pop and rock sound.  

As the sun faded into the sky, Fousheé lit up the crowd performing songs from her softCore album like "simmer down" and "scream my name." Flanked by two guitarists, her captivatingly bold vocals incited energy among the throng of fans lined around her stage. 

She helmed her performance with the grit and charisma of those who came before her like Tina Turner.  Fousheé declared: "Black women started this rock s— and we’re taking it back." 

Sexyy Red Stirred Controversy And Dominated The Stage  

The St. Louis rapper made her Rolling Loud debut on Friday, donning her signature red hair and a glittery red outfit. Sexyy Red left fans stunned as she strutted on to the Sprite Stage, leading two ski-masked men on leashes. Just months prior, she was involved in controversy for appearing to be walked like a dog by NLE Choppa in his "Slut Me Out (Remix) video.  

Sexxy Red set the first day ablaze, performing her most viral hit songs, "Female Gucci Mane," "Pound Town," and "SkeeYee" from her recent album, Hood Hottest Princess. She also brought out rapper Sukihana to perform their raunchy twerk anthem, "Born By the River."  

For her first Rolling Loud set, Sexxy Red’s penchant for bold and brazen lyricism and stunts proved she’s unapologetic and here to stay.   

Rae Sremmurd’s Turned The Sprite Stage Into A Party

Fresh off the release of their new album, Sremm 4 Life, Rae Sremmurd was one of the best performances of Friday night.   The dynamic duo turned the Sprite Stage into a party as they performed back-to-back bangers like "No Flex Zone," "Come Get Her," "Swang," "This Could Be Us" and "Powerglide." The hitmakers reminded fans of their staying power with their mainstage-worthy energy. 

Donning a Dior bodysuit, Swae Lee jumped into a sea of fans on his surfboard while Slim Jxmmi, dressed in all white, jumped on to the barricade at the front of the stage to greet the audience. They kept the crowd ignited as they went back and forth between their most iconic hits and new songs. They slowed things down just for a bit on "Sativa," a mesmerizing, trippy hit with Jhené Aiko.  

The pair held it down on the other side of the festival just as headliner Playboi Carti was gearing up to start his set. But fans didn't seem rushed to head to the main stage. Rae Sremmurd kept a sweltering crowd snaking along the edges of their stage, ready to party throughout the night. 

Travis Scott Surprised Fans With Dates For New Album, Movie 

Travis Scott’s delayed headliner set on Saturday night didn’t deter fans from inciting full-on chaos. His set started with a movie trailer teasing the release of his long-awaited album Utopia and its accompanying movie Circus Maximus. 

The enigmatic rapper appeared on stage surrounded by smoking volcanic terrain and fire shooting from the stage. Unbearable temperatures didn’t rival the heat Scott brought as he performed hits from his acclaimed 2018 ASTROWORLD album, "HIGHEST IN THE ROOM," "BUTTERFLY EFFECT," and "STARGAZING." 

Throughout the rest of his set, Scott emanated an otherworldy presence rapping "Praise God," (a Baby Keem assisted single from Ye’s Donda) and one of his most popular songs, "goosebumps." As fireworks shot into the air around him, Scott ended his set telling fans what they just witnessed was his last ASTROWORLD set and revealing the July 28 release date for his new album and accompanying movie. 

The hour-long performance officially wrapped Scott's ASTROWORLD-themed era, which was both the catalyst for launching Travis Scott into hip-hop superstardom and subject of controversy when a fatal crowd crush at his 2021 annual ASTROWORLD festival resulted in 10 fatalities.  

He invited fans to the Utopia Livestream show at the Pyramids of Giza in Egypt, saying "meet me at the pyramids if you can," before disappearing into the night as quickly as he emerged.  

Luh Tyler Brought Clever Bars And Charisma To The Culture King Stage 

Luh Tyler went viral last year for his steady flow on "Law & Order" — a remix of the theme song from the crime drama of the same name — and in April his debut album, My Vision, peaked at No.2 on the Billboard Top Heatseekers chart. The 17-year-old Tallahassee, Floria native performed on the Culture King stage alongside unexpected guest performers DDG, Danny Tower, DD Osama, and even his own grandmother. 

He rapped some of his most memorable lyrics from the Tiktok viral song "Florida Water" with Danny Towers, DJ Scheme, and Ski Mask the Slump God and closed out his set to "Law & Order."  Recently named one of XXL’s 2023 Freshman, Luh Tyler’s confidence and charm on stage made this newcomer’s set one of the most exciting to witness.  

Coi Leray Danced The Night Away 

With a few years and a new album, Coi, under her belt, Coi Leray has proved to fans and naysayers that she’s more than a one-hit wonder. She confidently helmed her stage with short black hair and scantily clad in a glittery leather two piece. Flanked by dancers dressed in all black, she performed popular Tiktok viral hits, "TWINNEM," "Players," and "No More Parties."  

Coi Leray danced the night away to a set mixed with new songs from Coi, bringing the energy to new heights  with her nostalgic "Pump Up the Jam'' sampled song "Make My Day" and the hype track "Run It Up." She promoted self-love with her Metro Boomin-produced single "Self Love" from the Spider Man: Across the Spiderverse soundtrack before ending the set the girl empowerment anthem "Players." 

Coi Leray’s fun performance was not just a standout but also encompassed the rise of women in rap. Other notable women rappers throughout the weekend were Latto, GloRilla, City Girls and Lola Brooke.  

Danny Towers Embodied Rolling Loud’s Miami Roots  

Danny Towers has been a Florida staple since his rise in South Florida’s SoundCloud era alongside the late XXXTentacion and Juice WRLD, Ski Mask the Slump God, and DJ Scheme. His set embodied Rolling Loud’s roots with songs like "Chunky Monkey," and the viral Ski Mask the Slump God, DJ Scheme, and Lil Yachty hit "How You Feel? (Freestyle)."  

He ended his set on the Culture Kings stage with "Florida Water," a DJ Scheme-produced TikTok viral Florida anthem with Luh Tyler and Ski Mask the Slump God. The closing song was fitting for the last day of Rolling Loud. While fans from all over the country moshed and yelled the lyrics to the song, Danny Towers reminded everyone the city and the culture that was the catalyst for the biggest hip-hop festival in the world.   

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Travis Scott turned Crypto.com Arena into his personal road to Utopia, bringing the 2024 GRAMMYs, where he performed three songs from his latest No. 1 album.

Scott set the tone with a backdrop reminiscent of something out of a musical apocalypse. From sitting atop a stack of speakers in a smoky, strobing haze, the Houston-repping rapper kicked off with "MY EYES" before climbing down and transitioning into the brooding "I KNOW ?" The performance heated up — figuratively and literally, with bursts of flames — when he moved onto "FE!N," bringing out Playboi Carti while throwing chair shots WWE-style. 

"MY EYES" and "I KNOW ?" are two of Scott’s three solo tracks on Utopia, which is packed with collaborators across its 19 tracks. In addition to "FE!N" guest Playboi Carti, the album boasts appearances from some of music’s biggest names (as well as several current GRAMMY nominees), including Beyoncé, Drake, the Weeknd, Bad Bunny, and Future. Its production credits include input from Kanye West, Producer Of The Year nominee Metro Boomin, Daft Punk’s Guy-Manuel de Homem-Christo, and others. 

The heavy name recognition was well worth Utopia’s wait time, five years after Scott’s 2018 LP Astroworld. Upon its release — which arrived with a 76-minute-long visual companion, CIRCUS MAXIMUS — the album debuted at No. 1 on the Billboard 200 chart and peaked atop Top R&B/Hip-Hop Albums. Utopia also earned Scott his first No. 1 UK Album and his eleventh overall GRAMMY nomination, grabbing a 2024 nod for Best Rap Album.

2024 GRAMMYs: See The Full Nominees And Winners List

Kylie Minogue has taken home the golden gramophone for Best Pop Dance Recording — an all-new category — at the 2024 GRAMMYs, for "Padam Padam."

Minogue came ahead of of David Guetta, Anne-Marie and Coi Leray ("Baby Don’t Hurt Me"); Calvin Harris featuring Ellie Goulding ("Miracle"); Bebe Rexha and David Guetta ("One in a Million"); and Troye Sivan ("Rush").

The win marks Minogue’s second GRAMMY win after six career nominations. She had previously won Best Dance Recording for "Come Into My World."

The Australian pop star — along with producer Peter "Lostboy" Rycroft and mixing engineer Guy Massey — are the first-ever winners of the Best Pop/Dance Performance category. It was one of three new categories introduced at the 66th GRAMMYs; the other two are Producer Of The Year, Non-Classical and Best African Music Performance. 

Lostboy took the stage to accept the award on behalf of himself, Minogue, and Massey. 

"Padam Padam" charted at No. 7 on Billboard's Hot Dance/Electronic chart; it was a much bigger hit in the UK, where it was a No. 1 hit. The song was embraced by the LGBTQ+ community on both sides of the Atlantic. 

"It's hugely important to me and so touching," said Minogue of her popularity with LGBTQ+ fans in an interview with GRAMMY.com earlier this year. "I hope that for that community and beyond, I just want to say I am open-minded and I want people to be happy in themselves. That community needed support and still needs support. I'm here. And they padamed for me."

Keep checking this space for more updates from Music’s Biggest Night!

2024 GRAMMY Nominations: See The Full Winners & Nominees List

Even after a flight and an hours-long photo shoot, Coi Leray exudes brightness and warmth as she discusses her monumental year. She carries a vibrant energy that matches her music — all of which is reminiscent of hip-hop's beginnings and bright future. 

Leray brought that vitality to "A GRAMMY to 50 Years of Hip Hop," where she held her own among genre legends with a dynamic performance of her smash hit, "Players." Exactly one month prior to the Dec. 10 event, Leray added another milestone to her booming career: her first GRAMMY nominations.

"Players" earned Leray a nod for Best Rap Performance at the 2024 GRAMMYs, where she's also nominated in the new Best Pop Dance Recording Category, for her collaboration with David Guetta and Anne-Marie, "Baby Don't Hurt Me."

"One of the biggest things and accomplishments for me as a artist is for people to know me and admire my versatility," Coi told the Recording Academy. "To be nominated for two of my voices — my melodic, my rap, my singing — it's a dream come true. I wouldn't want it no other way." 

Her versatility expands outside of her music, too. From her signature braided hairstyle to launching her own beauty and haircare products, the New Jersey-raised rapper is also building a name for herself in the fashion and beauty industries. What's more, Leray has entered the philanthropic space as well, with plans to launch her mental-health-focused Camp Courage World Foundation later this year. 

Even just a few years into her career, Leray is steadfast in leaving a multi-faceted legacy for herself — one that takes inspiration from icons like Beyoncé and J.Lo, but feels uniquely hers. And while she sees herself in every business venture, the rapper vows for one thing to remain true: she'll always be having fun. 

Ahead of the 2024 GRAMMYs, Leray sat down with GRAMMY.com to discuss what she learned in 2023 — and how her breakthrough year was the perfect setup for a long career. 

Congratulations on a wonderful year — from receiving your first GRAMMY nominations for "Players" and "Baby Don't Hurt Me" to opening up for Beyoncé at the Renaissance World Tour in Los Angeles. How would you describe 2023 for you?

This year was the icing on the cake to what my future entails. You know with "Players" being nonstop on the radio, getting nominated to all these big award shows, performing on Beyoncé's stage, and getting a written letter from Beyoncé. 

She told me that she's been watching me grow. It shows how hard I have been working. Most importantly, it shows them what to look forward to in the future. I feel like I'm one of those artists that is going to be here for a very, very long time.

As you described, "Players" has maintained a chart-topping position since its release. The single has a sweeter meaning to it because you are paying homage to the rappers, such as The Grandmaster Flash & The Furious Five, who have come before you.  The group has even publicly thanked you for re-introducing them to the younger generation. 

I wanted to ask about your decision to pay homage to them, because we exist in an era where a majority of songs have samples, but few artists go out of their way to pay respect to the pioneering artists.

I feel like it is my job to educate the youth as much as possible.

I'll be 27 in May. As I get older, I remember when I was 16, 13, 10, 18, 21. Everything that you hear now is inspired by so many great artists, such as Busta Rhymes and The Grandmaster Flash & The Furious Five; those icons in hip-hop made a huge statement. What's derived from Busta's creativity, his flows, his music videos and everything — a lot of kids have to understand the music they hear today and the videos they see are inspired by him and that's where it came from.

I remember the moment where I sat down and listened to Sade. She has one of the most beautiful tones in the music industry, and one of my biggest inspirations. When I go to the studio, I try to master my tone, my melodies, and my voice.  Sade helped me grow, and [I] realize how big she is to hip-hop, the industry, and music in general.

All the icons study music. The way in which you spoke about developing your melodies and voice speaks to that, and shows your dedication to the craft. Another icon that you have spoken of in high regard and worked with is Pharrell Williams. 

He's not only an icon in music, but fashion as well. You sat front row at his debut collection for Louis Vuittion and have become a regular attendee for other notable luxury fashion houses. Are you carving out your own path as an entertainer who has one foot in music and the other in fashion?

I have always been into fashion. I have been building my brand. To me, it's bigger than being an artist. It helps me build my brand. 

I've been building my relationship with YSL. When I landed my Fendi by Marc Jacobs campaign, I was on the frontpage of Fendi's website, alongside Kendall Jenner. I have done Fashion weeks and been dressed by amazing designers, like Jeremy Scott at Moschino, Alexander Wang, AREA, Diesel, and more.

As I continue to elevate and and my music continues to grow, "TWINNEM" ended up on the charts, the success of "Players" and to land with Pharrell, then sit front row at Louis Vuitton; it just shows how much I have been progressing. 

It's also a reminder that through all the hate and negativity that I am going through, even my personal tribulations, it's those moments that make me realize, "Yo! You are a star!" and this is happening in real life. Whether it's next week, next month, you're elevating.

The weekend where I sat front row at Louis Vuitton, I was in the studio with Pharrell. We made four records. I learned so much in my 24 hours with him. I built the most amazing relationship. Pharrell is a mastermind not only when it comes to not only fashion, but when it comes to music. 

In previous interviews, you referred to yourself as a "walking brand." As of late, you have garnered partnerships with brands such as Yves Saint Laurent, Tommy Hilfiger, Ray-Ban, and more. In your interview with Angie Martinez, you mentioned the possibility of a haircare line. I would like to hear more about the business components of your brand and how you are building an empire, adjacent to the music industry?

I have always had braids since I was a kid. When I did my first song, "Huddy," and throughout the beginning of my career, I always wore braids. I always had my baby hairs out.

It was important to me when I signed my deal to make sure that I'm good in the long run. So I sat down and thought about, what is going to help me be a better person? 

Create longevity. Create an asset. 

As much as I did my baby hairs, I ended up inventing a baby hair brush. I'm just getting my first mold. It's been a process because I want this brush to be perfect, and it's crazy because once it's complete, I want to go add something else. It's a learning process, and it feels so good to be able to financially invest into myself, grow my brand, continue to learn, have errors, make mistakes at this age and in my career.

I got my first top 10, but I never got a top five. I'm aiming bigger and everything is on God's timing. With my branding, my music and my YouTube series, "Cooking with Coi Leray," my skincare products, and my nail line products that's coming, it's all going to come in perfect timing because everything's on God's timing.

It brings me joy to hear a young woman artist, especially a Black woman, discuss their plans on building their legacy and ensuring longevity for the duration of their career. I saw this in your decision to have Trendsetter Studios, your creative agency, direct the music video for "Players." Could you walk me through the decision making process to start your agency?

I started Trendsetter Studios because I have always been into content. I've always been the creator behind everything I do. They say that I'm big on TikTok and a lot of these platforms, which I am, and I take pride in it because I'm good at what I do.

I'm great at making content. I'm great in front of the camera. I love the camera. When I signed my deal, I invested in a lot of equipment because I knew this is something. When I want to do a video, I want to be able to just grab the camera whenever I want to. Be able to create my own thing.

There's so many music videos up that Trendsetter Studios produced. I'm very grateful for my team. We're still learning. We're still growing. 

It's still in development. The goal and the key is longevity, having access and being able to build, do what you want, when you want, and how you want it.

**When you look at the projects you have worked on in 2023, such as "Self-Love" on  Spiderman: Across The Spider-Verse soundtrack and your sophomore album, Coi. What are some lessons that you've learned from those projects that you're going to apply in 2024?**

I learned to have fun. This [past] year, I kind of got wrapped up in it. It's hard to not get wrapped up in the political stuff or the numbers or the fans. I don't pay attention to the negative comments and stuff like that. But, it was at a point where I was paying attention to what someone else wanted versus myself.

I realized, in 2024, I'm only catering to what I want to do. I'm going to live in my truth. I'm going to keep growing as a young lady, as a young woman. Do what I want to do, and keep making great music, and just have fun, not get too wrapped up in the other stuff.

I want to have fun. Life is about having fun, and I'm at an age where I need to have fun. In 2024, we're having fun, and I feel like everybody's gonna feel that in my music, in my videos, in my vlogs, and whatever it is I'm doing, they're gonna feel that energy, and I'm gonna make sure of that, because that's the goal.

It seems to be a trend that icons release self-titled albums. 2023 was the 10-year anniversary of Beyoncé's self-titled album. When you look back at Coi, an album that will always be synonymous with you, where do you place that album in your legacy as an artist? 

It's gonna be here forever. It's gonna be one of those records where people are gonna go back and they're going to be like "Yo, what the hell?!"and I know that because it's such an amazing body of work. 

I write through experience, so as I go through new experiences, as I learn new things in the studio or work with more amazing creatives — creatives in all aspects, whether they're producers, engineers, songwriters, videographers, directors, creative directors, labels. As I'm working with all those people. I'm learning and every single time I just end up scoring better.

My next body of work is always my best body of work, but that doesn't mean take away the greatness from that work. It just means that I've been elevating in every single way. Coi is one of those projects where I elevated it, it has amazing music just like Trendsetter.

The more I create and the bigger I get, the more people will go back, listen, and really appreciate the body of work for what it is.  

You have not only achieved success domestically, but internationally with high placements on the Global and K-Pop charts, as well as participating in Paris and Milan fashion weeks. You have crossed over to being a well-known performer across the world. You're a girl from Jersey who has received global recognition. How does that feel for you? 

Recognition is dope. When you go over to places like Australia and Paris, they treat you like a major star. The love over there is immaculate. I get really inspired overseas. There's so many great things.

For example, Paris has so many great music video directors. Their music videos are insane. I had to go out there to really understand that.

It made me want to be the voice that when I come to America, "I'm like, I want to use more videographers so people can see how amazing they are too." It's a blessing to be able to travel.

You mentioned a desire to work with music video directors in Paris and abroad. You have already worked with international talents such as David Guetta and TOMORROW X TOGETHER. It seems you are pivoting yourself as an entertainer who uses music to bridge the gap between these cultures. 

Well, David Guetta is an incredible artist.

He is a mastermind when it comes to the studio, and I want to continue to work with David. We have an incredible relationship, and amazing chemistry in the studio. He's one of the first DJs to bring hip-hop and EDM together. That's another life experience for me that I'm going to remember forever.

You know, being a young Black queen in the music industry and being able to have so much versatility, it allows me to collaborate with so many great artists. David Guetta, he's a mastermind. That's another way to educate the young kids on David Guetta too. I know he's already a major, but they don't know the history.

Some people might not know the history, and I feel like it's important. David Guetta getting nominated with me — I'm getting nominated with my rap song and the pop electronic recording record. It's just a dream come true, I'm telling you. 

**In your music video for "Wasted" with Taylor Hill from Blue Moon, you showed a side of you that is different from your previous works. The video displayed a tender and vulnerable side of you. Can we expect to see more of that from you in 2024?** 

I can admit that I haven't done my best at showing that side. I was under my rock a little bit, but I promised to myself that in 2024 I am going to show more of my process, bring people into my world, my fans, and I think I owe it to my fans 1000%. I think that they want to know Coi Leray outside of Instagram, The Shade Room, social media, and blogs.

I want them to also understand who I am as a woman, as a person. Music is important, but relationships are important. Just as much to me, and I admire that.

Read More: Women In Hip-Hop: 7 Trailblazers Whose Behind-The-Scenes Efforts Define The Culture

Icons not only inspire us through music, but the way they invest in their community. In 2023, you organized a Thanksgiving Giveback in your hometown. What led you to start doing philanthropy efforts? I think people will always want to root for the girl who made it big and paid it forward.

That's why I started my Camp Courage World Foundation. I'm super excited to launch that at the top of 2024.

It's something I've wanted to do for a long time. I finally thought of an amazing name for it and I'm excited. We're focusing on mental health because I feel like that's something that I've dealt with my entire life, my childhood, growing up and now, and there's so many things that I do that I'm pretty sure that these girls would want to know and learn.

For example, just reading books and waking up every day, praying, finding my spirituality and sticking through it, staying consistent, going to church, even if they're not physical, online every Sunday, speaking to my pastors, my life coach, getting therapists, whatever it is that's going to make me better, that doesn't have me relate to anything that can self harm myself mentally, physically, financially, emotionally.

I'm excited for that launch because that's also going to be the next step in a big part of my career that I feel is one of the most important things. 

Having major records is cute. That's fire. Everybody wants a number one record, but with that number one record, you want to be able to give back and inspire because, at that point, what are you doing it for?

Since your debut, conversations about your body, your image, and your contributions to hip-hop have been a point of contention in the cultural zeitgeist. It seems you have decided to take control of the narrative in the media and the press. Whether it is through the development of your brands or the creation of your talent agency, do you feel as if you are on a path of reclamation? 

I'm taking control of it. I should be able to tell it. It's my life.  

I was sitting down talking to my people. I had told them. I said, "Yo. 2024. The future is so bright that the only thing that can stop me is me."

A lot of people don't know what I go through outside of this stuff. I go through a lot, you know what I mean? But going through what I went through, it taught me a lot about myself. 

I realized this year was all about self-awareness, and it prepped me for 2024. Like I said, I'm the only one that can get in my way. 

It's about just staying focused, staying level-headed, staying consistent. And staying prayed up. 

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Burna Boy, Luke Combs and Travis Scott have been added to the performer lineup for the 2024 GRAMMYs. Unveiled earlier today on CBS, these newly announced performing artists join previously announced 2024 GRAMMYs performers Billie Eilish, Dua Lipa and Olivia Rodrigo. Additional performers will be announced in the coming days and weeks. See the full list of performers and host at the 2024 GRAMMYs to date. 

The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, will broadcast live from Crypto.com Arena in Los Angeles on Sunday, Feb. 4, at 8 p.m. ET/5 p.m. PT on the CBS Television Network and will be available to stream live and on demand on Paramount+.^ Prior to the Telecast, the GRAMMY Awards Premiere Ceremony will broadcast live from the Peacock Theater at 12:30 p.m. PT/3:30 p.m. ET and will be streamed live on live.GRAMMY.com. On GRAMMY Sunday, fans can access exclusive behind-the-scenes GRAMMY Awards content, including performances, acceptance speeches, interviews from the GRAMMY Live red-carpet special, and more via the Recording Academy's digital experience on live.GRAMMY.com. 

Two-time GRAMMY-nominated comedian, actor, author, podcast host, and former "The Daily Show" host Trevor Noah returns to host the 2024 GRAMMYs, marking his fourth consecutive year as host of Music's Biggest Night; Noah is currently nominated at the 2024 GRAMMYs in the Best Comedy Album Category for this 2022 Netflix comedy special, I Wish You Would.

Learn more about Burna Boy, Luke Combs and Travis Scott and their current GRAMMY nominations below.

Learn More: How To Watch The 2024 GRAMMYs Live: GRAMMY Nominations Announcement, Air Date, Red Carpet, Streaming Channel & More

GRAMMY Award winner Burna Boy is nominated for four GRAMMY Awards this year including Best Global Music Album (I Told Them...), the inaugural Best African Music Performance ("City Boys"), Best Global Music Performance ("Alone"), and Best Melodic Rap Performance ("Sittin' On Top Of The World").

Learn More: Here Are The Nominees For Best African Music Performance At The 2024 GRAMMYs

Past and current GRAMMY Award nominee Luke Combs is up for one this year for Best Country Solo Performance for his cover of Tracy Chapman's iconic, GRAMMY-winning song "Fast Car."

Read More: 6 Artists Influenced By Tracy Chapman: Luke Combs, Brandi Carlile, Tori Amos & More

Past and current GRAMMY Award nominee Travis Scott is nominated this year for Best Rap Album (Utopia).

Read More: 5 Takeaways From Travis Scott's New Album UTOPIA

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The 66th GRAMMY Awards are produced by Fulwell 73 Productions for the Recording Academy for the fourth consecutive year. Ben Winston, Raj Kapoor and Jesse Collins are executive producers. 

^Paramount+ with SHOWTIME subscribers will have access to stream live via the live feed of their local CBS affiliate on the service, as well as on demand in the United States. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs in the U.S. only.

2024 GRAMMYs Ticket Giveaway: Enter For A Chance To Attend The 66th GRAMMY Awards In Los Angeles