The 61st GRAMMY Awards are in the books! Find out who was nominated and who won in each of the 84 categories in the full list below (use the links to jump to a desired field).

 

General Field

1. Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

• I LIKE IT
  Cardi B, Bad Bunny & J Balvin
  Invincible, JWhiteDidIt, Craig Kallman & Tainy, producers; Leslie Brathwaite, Kuk Harrell, Evan LaRay & Simone Torres, engineers/mixers; Colin Leonard, mastering engineer
   
• THE JOKE
  Brandi Carlile
  Dave Cobb & Shooter Jennings, producers; Tom Elmhirst & Eddie Spear, engineers/mixers; Pete Lyman, mastering engineer
   
• THIS IS AMERICA - WINNER
  Childish Gambino
  Donald Glover & Ludwig Goransson, producers; Derek "MixedByAli" Ali, Riley Mackin & Shaan Singh, engineers/mixers; Mike Bozzi, mastering engineer
   
• GOD'S PLAN
  Drake
  Boi-1Da, Cardo & Young Exclusive, producers; Noel Cadastre, Noel "Gadget" Campbell & Noah Shebib, engineers/mixers; Chris Athens, mastering engineer
   
• SHALLOW
  Lady Gaga & Bradley Cooper
  Lady Gaga & Benjamin Rice, producers; Brandon Bost & Tom Elmhirst, engineers/mixers; Randy Merrill, mastering engineer
   
• ALL THE STARS
  Kendrick Lamar & SZA
  Al Shux & Sounwave, producers; Sam Ricci & Matt Schaeffer, engineers/mixers; Mike Bozzi, mastering engineer
   
• ROCKSTAR
  Post Malone Featuring 21 Savage
  Louis Bell & Tank God, producers; Louis Bell, Lorenzo Cardona, Manny Marroquin & Ethan Stevens, engineers/mixers; Mike Bozzi, mastering engineer
   
• THE MIDDLE
  Zedd, Maren Morris & Grey
  Grey, Monsters & Strangerz & Zedd, producers; Grey, Tom Norris, Ryan Shanahan & Zedd, engineers/mixers; Mike Marsh, mastering engineer

2. Album Of The Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.

• INVASION OF PRIVACY
  Cardi B
  Leslie Brathwaite & Evan LaRay, engineers/mixers; Belcalis Almanzar & Jorden Thorpe, songwriters; Colin Leonard, mastering engineer
   
• BY THE WAY, I FORGIVE YOU
  Brandi Carlile
  Dave Cobb & Shooter Jennings, producers; Dave Cobb & Eddie Spear, engineers/mixers; Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters; Pete Lyman, mastering engineer
   
• SCORPION
  Drake
  Noel Cadastre, Noel "Gadget" Campbell & Noah Shebib, engineers/mixers; Aubrey Graham & Noah Shebib, songwriters; Chris Athens, mastering engineer
   
• H.E.R.
  H.E.R.
  Darhyl "Hey DJ" Camper Jr, David 'Swagg R'Celious' Harris, H.E.R., Walter Jones & Jeff Robinson, producers; Miki Tsutsumi, engineer/mixer; Darhyl Camper Jr & H.E.R., songwriters; Dave Kutch, mastering engineer
   
• BEERBONGS & BENTLEYS
  Post Malone
  Louis Bell & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Louis Bell & Austin Post, songwriters; Mike Bozzi, mastering engineer
   
• DIRTY COMPUTER
  Janelle Monáe
  Chuck Lightning & Janelle Monáe Robinson & Nate "Rocket" Wonder, producers; Mick Guzauski, Janelle Monáe Robinson & Nate "Rocket" Wonder, engineers/mixers; Nathaniel Irvin III, Charles Joseph II, Taylor Parks & Janelle Monáe Robinson, songwriters; Dave Kutch, mastering engineer
   
• GOLDEN HOUR - WINNER
  Kacey Musgraves
  Ian Fitchuk, Kacey Musgraves & Daniel Tashian, producers; Craig Alvin & Shawn Everett, engineers/mixers; Ian Fitchuk, Kacey Musgraves & Daniel Tashian, songwriters; Greg Calbi & Steve Fallone, mastering engineers
   
• BLACK PANTHER: THE ALBUM, MUSIC FROM AND INSPIRED BY
  (Various Artists)
  Kendrick Lamar, featured artist; Kendrick Duckworth & Sounwave, producers; Matt Schaeffer, engineer/mixer; Kendrick Duckworth & Mark Spears, songwriters; Mike Bozzi, mastering engineer

3. Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

• ALL THE STARS
  Kendrick Duckworth, Solána Rowe, Al Shuckburgh, Mark Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA)
   
• BOO'D UP
  Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai)
   
• GOD'S PLAN
  Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake)
   
• IN MY BLOOD
  Teddy Geiger, Scott Harris, Shawn Mendes & Geoffrey Warburton, songwriters (Shawn Mendes)
   
• THE JOKE
  Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
   
• THE MIDDLE
  Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha & Anton Zaslavski, songwriters (Zedd, Maren Morris & Grey)
   
• SHALLOW
  Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper)
   
• THIS IS AMERICA - WINNER
  Donald Glover, Ludwig Goransson & Jeffery Lamar Williams, songwriters (Childish Gambino)

4. Best New Artist
An artist will be considered for Best New Artist if their eligibility year release/s achieved a breakthrough into the public consciousness and notably impacted the musical landscape.

• CHLOE X HALLE
   
• LUKE COMBS
   
• GRETA VAN FLEET
   
• H.E.R. 
   
• DUA LIPA - WINNER
   
• MARGO PRICE
   
• BEBE REXHA
   
• JORJA SMITH

Pop

5. Best Pop Solo Performance
For new vocal or instrumental pop recordings. Singles or Tracks only.

• COLORS
  Beck
   
• HAVANA (LIVE)
  Camila Cabello
   
• GOD IS A WOMAN
  Ariana Grande
   
• JOANNE (WHERE DO YOU THINK YOU'RE GOIN'?) - WINNER
  Lady Gaga
   
• BETTER NOW
  Post Malone

6. Best Pop Duo/Group Performance
For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.

• FALL IN LINE
  Christina Aguilera Featuring Demi Lovato
   
• DON'T GO BREAKING MY HEART
  Backstreet Boys
   
• 'S WONDERFUL
  Tony Bennett & Diana Krall
   
• SHALLOW - WINNER
  Lady Gaga & Bradley Cooper
   
• GIRLS LIKE YOU
  Maroon 5 Featuring Cardi B
   
• SAY SOMETHING
  Justin Timberlake Featuring Chris Stapleton
   
• THE MIDDLE
  Zedd, Maren Morris & Grey

7. Best Traditional Pop Vocal Album
For albums containing at least 51% playing time of new traditional pop recordings.

• LOVE IS HERE TO STAY
  Tony Bennett & Diana Krall
   
• MY WAY - WINNER
  Willie Nelson
   
• NAT "KING" COLE & ME
  Gregory Porter
   
• STANDARDS (DELUXE)
  Seal
   
• THE MUSIC...THE MEM'RIES...THE MAGIC!
  Barbra Streisand

8. Best Pop Vocal Album
For albums containing at least 51% playing time of new vocal pop recordings.

• CAMILA
  Camila Cabello
   
• MEANING OF LIFE
  Kelly Clarkson
   
• SWEETENER - WINNER
  Ariana Grande
   
• SHAWN MENDES
  Shawn Mendes
   
• BEAUTIFUL TRAUMA
  P!nk
   
• REPUTATION
  Taylor Swift

Dance/Electronic Music

9. Best Dance Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.

• NORTHERN SOUL
  Above & Beyond Featuring Richard Bedford
  Above & Beyond & Andrew Bayer, producers; Above & Beyond, mixers
   
• ULTIMATUM
  Disclosure (Featuring Fatoumata Diawara)
  Guy Lawrence & Howard Lawrence, producers; Guy Lawrence, mixer
   
• LOSING IT
  Fisher
  Paul Nicholas Fisher, producer; Kevin Grainger, mixer
   
• ELECTRICITY - WINNER
  Silk City & Dua Lipa Featuring Diplo & Mark Ronson
  Jarami, Alex Metric, Riton & Silk City, producers; Josh Gudwin, mixer
   
• GHOST VOICES
  Virtual Self
  Porter Robinson, producer; Porter Robinson, mixer

10. Best Dance/Electronic Album
For vocal or instrumental albums. Albums only.

• SINGULARITY
  Jon Hopkins
   
• WOMAN WORLDWIDE - WINNER
  Justice
   
• TREEHOUSE
  Sofi Tukker
   
• OIL OF EVERY PEARL'S UN-INSIDES
  SOPHIE
   
• LUNE ROUGE
  TOKiMONSTA

Contemporary Instrumental Music

11. Best Contemporary Instrumental Album
For albums containing approximately 51% or more playing time of instrumental material. For albums containing at least 51% playing time of new recordings.

• THE EMANCIPATION PROCRASTINATION
  Christian Scott aTunde Adjuah
   
• STEVE GADD BAND - WINNER
  Steve Gadd Band
   
• MODERN LORE
  Julian Lage
   
• LAID BLACK
  Marcus Miller
   
• PROTOCOL 4
  Simon Phillips

Rock

12. Best Rock Performance
For new vocal or instrumental solo, duo/group or collaborative rock recordings.

• FOUR OUT OF FIVE
  Arctic Monkeys
   
• WHEN BAD DOES GOOD - WINNER
  Chris Cornell
   
• MADE AN AMERICA
  THE FEVER 333
   
• HIGHWAY TUNE
  Greta Van Fleet
   
• UNCOMFORTABLE
  Halestorm

13. Best Metal Performance
For new vocal or instrumental solo, duo/group or collaborative metal recordings.

• CONDEMNED TO THE GALLOWS
  Between The Buried And Me
   
• HONEYCOMB
  Deafheaven
   
• ELECTRIC MESSIAH - WINNER
  High On Fire
   
• BETRAYER
  Trivium
   
• ON MY TEETH
  Underoath

14. Best Rock Song
A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

• BLACK SMOKE RISING
  Jacob Thomas Kiszka, Joshua Michael Kiszka, Samuel Francis Kiszka & Daniel Robert Wagner, songwriters (Greta Van Fleet)
   
• JUMPSUIT
  Tyler Joseph, songwriter (Twenty One Pilots)
   
• MANTRA
  Jordan Fish, Matthew Kean, Lee Malia, Matthew Nicholls & Oliver Sykes, songwriters (Bring Me The Horizon)
   
• MASSEDUCTION - WINNER
  Jack Antonoff & Annie Clark, songwriters (St. Vincent)
   
• RATS
  Tom Dalgety & A Ghoul Writer, songwriters (Ghost)

15. Best Rock Album
For albums containing at least 51% playing time of new rock, hard rock or metal recordings.

• RAINIER FOG
  Alice In Chains
   
• M A N I A
  Fall Out Boy
   
• PREQUELLE
  Ghost
   
• FROM THE FIRES - WINNER
  Greta Van Fleet
   
• PACIFIC DAYDREAM
  Weezer

Alternative

16. Best Alternative Music Album
Vocal or Instrumental.

• TRANQUILITY BASE HOTEL + CASINO
  Arctic Monkeys
   
• COLORS - WINNER
  Beck
   
• UTOPIA
  Björk
   
• AMERICAN UTOPIA
  David Byrne
   
• MASSEDUCTION
  St. Vincent

R&B

17. Best R&B Performance
For new vocal or instrumental R&B recordings.

• LONG AS I LIVE
  Toni Braxton
   
• SUMMER
  The Carters
   
• Y O Y
  Lalah Hathaway
   
• BEST PART - WINNER
  H.E.R. Featuring Daniel Caesar
   
• FIRST BEGAN
  PJ Morton

18. Best Traditional R&B Performance
For new vocal or instrumental traditional R&B recordings.

• BET AIN'T WORTH THE HAND - WINNER (TIE)
  Leon Bridges
   
• DON'T FALL APART ON ME TONIGHT
  Bettye LaVette
   
• HONEST
  MAJOR.
   
• HOW DEEP IS YOUR LOVE - WINNER (TIE)
  PJ Morton Featuring Yebba
   
• MADE FOR LOVE
  Charlie Wilson Featuring Lalah Hathaway

19. Best R&B Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

• BOO'D UP - WINNER
  Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters (Ella Mai)
   
• COME THROUGH AND CHILL
  Jermaine Cole, Miguel Pimentel & Salaam Remi, songwriters (Miguel Featuring J. Cole & Salaam Remi)
   
• FEELS LIKE SUMMER
  Donald Glover & Ludwig Goransson, songwriters (Childish Gambino)
   
• FOCUS
  Darhyl Camper Jr, H.E.R. & Justin Love, songwriters (H.E.R.)
   
• LONG AS I LIVE
  Paul Boutin, Toni Braxton & Antonio Dixon, songwriters (Toni Braxton)

20. Best Urban Contemporary Album
For albums containing at least 51% playing time of newly recorded contemporary vocal tracks derivative of R&B.

• EVERYTHING IS LOVE - WINNER
  The Carters
   
• THE KIDS ARE ALRIGHT
  Chloe x Halle
   
• CHRIS DAVE AND THE DRUMHEDZ
  Chris Dave And The Drumhedz
   
• WAR & LEISURE
  Miguel
   
• VENTRILOQUISM
  Meshell Ndegeocello

21. Best R&B Album
For albums containing at least 51% playing time of new R&B recordings.

• SEX & CIGARETTES
  Toni Braxton
   
• GOOD THING
  Leon Bridges
   
• HONESTLY
  Lalah Hathaway
   
• H.E.R. - WINNER
  H.E.R.
   
• GUMBO UNPLUGGED (LIVE)
  PJ Morton

Rap

22. Best Rap Performance
For a Rap performance. Singles or Tracks only.

• BE CAREFUL
  Cardi B
   
• NICE FOR WHAT
  Drake
   
• KING'S DEAD - WINNER (TIE)
  Kendrick Lamar, Jay Rock, Future & James Blake
   
• BUBBLIN - WINNER (TIE)
  Anderson .Paak
   
• SICKO MODE
  Travis Scott, Drake, (Big Hawk) & Swae Lee

23. Best Rap/Sung Performance
For a solo or collaborative performance containing both elements of R&B melodies and Rap.

• LIKE I DO
  Christina Aguilera Featuring Goldlink
   
• PRETTY LITTLE FEARS
  6lack Featuring J. Cole
   
• THIS IS AMERICA - WINNER
  Childish Gambino
   
• ALL THE STARS
  Kendrick Lamar & SZA
   
• ROCKSTAR
  Post Malone Featuring 21 Savage

24. Best Rap Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

• GOD'S PLAN - WINNER
  Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake)
   
• KING'S DEAD
  Kendrick Duckworth, Samuel Gloade, James Litherland, Johnny McKinzie, Axel Morgan, Mark Spears, Travis Walton, Nayvadius Wilburn & Michael Williams II, songwriters (Kendrick Lamar, Jay Rock, Future & James Blake)
   
• LUCKY YOU
  R. Fraser, G. Lucas, M. Mathers, M. Samuels & J. Sweet, songwriters (Eminem Featuring Joyner Lucas)
   
• SICKO MODE
  Khalif Brown, Rogét Chahayed, BryTavious Chambers, Mike Dean, Mirsad Dervic, Kevin Gomringer, Tim Gomringer, Aubrey Graham, Chauncey Hollis, Jacques Webster, Ozan Yildirim & Cydel Young, songwriters (Travis Scott, Drake, (Big Hawk) & Swae Lee)
   
• WIN
  K. Duckworth, A. Hernandez, J. McKinzie, M. Samuels & C. Thompson, songwriters (Jay Rock)

25. Best Rap Album
For albums containing at least 51% playing time of new rap recordings.

• INVASION OF PRIVACY - WINNER
  Cardi B
   
• SWIMMING
  Mac Miller
   
• VICTORY LAP
  Nipsey Hussle
   
• DAYTONA
  Pusha T
   
• ASTROWORLD
  Travis Scott

Country

26. Best Country Solo Performance
For new vocal or instrumental solo country recordings.

• WOULDN'T IT BE GREAT?
  Loretta Lynn
   
• MONA LISAS AND MAD HATTERS
  Maren Morris
   
• BUTTERFLIES - WINNER
  Kacey Musgraves
   
• MILLIONAIRE
  Chris Stapleton
   
• PARALLEL LINE
  Keith Urban

27. Best Country Duo/Group Performance
For new vocal or instrumental duo/group or collaborative country recordings.

• SHOOT ME STRAIGHT
  Brothers Osborne
   
• TEQUILA - WINNER
  Dan + Shay
   
• WHEN SOMEONE STOPS LOVING YOU
  Little Big Town
   
• DEAR HATE
  Maren Morris Featuring Vince Gill
   
• MEANT TO BE
  Bebe Rexha & Florida Georgia Line

28. Best Country Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

• BREAK UP IN THE END
  Jessie Jo Dillon, Chase McGill & Jon Nite, songwriters (Cole Swindell)
   
• DEAR HATE
  Tom Douglas, David Hodges & Maren Morris, songwriters (Maren Morris Featuring Vince Gill)
   
• I LIVED IT
  Rhett Akins, Ross Copperman, Ashley Gorley & Ben Hayslip, songwriters (Blake Shelton)
   
• SPACE COWBOY - WINNER
  Luke Laird, Shane McAnally & Kacey Musgraves, songwriters (Kacey Musgraves)
   
• TEQUILA
  Nicolle Galyon, Jordan Reynolds & Dan Smyers, songwriters (Dan + Shay)
   
• WHEN SOMEONE STOPS LOVING YOU
  Hillary Lindsey, Chase McGill & Lori McKenna, songwriters (Little Big Town)

29. Best Country Album
For albums containing at least 51% playing time of new country recordings.

• UNAPOLOGETICALLY
  Kelsea Ballerini
   
• PORT SAINT JOE
  Brothers Osborne
   
• GIRL GOING NOWHERE
  Ashley McBryde
   
• GOLDEN HOUR - WINNER
  Kacey Musgraves
   
• FROM A ROOM: VOLUME 2
  Chris Stapleton

New Age

30. Best New Age Album
For albums containing at least 51% playing time of new vocal or instrumental new age recordings.

• HIRAETH
  Lisa Gerrard & David Kuckhermann
   
• BELOVED
  Snatam Kaur
   
• OPIUM MOON - WINNER
  Opium Moon
   
• MOLECULES OF MOTION
  Steve Roach
   
• MOKU MALUHIA - PEACEFUL ISLAND
  Jim Kimo West

Jazz

31. Best Improvised Jazz Solo
For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.

• SOME OF THAT SUNSHINE
  Regina Carter, soloist
  Track from: Some Of That Sunshine (Karrin Allyson)
   
• DON'T FENCE ME IN - WINNER
  John Daversa, soloist
  Track from: American Dreamers: Voices Of Hope, Music Of Freedom (John Daversa Big Band Featuring DACA Artists)
   
• WE SEE
  Fred Hersch, soloists
   
• DE-DAH
  Brad Mehldau, soloist
  Track from: Seymour Reads The Constitution! (Brad Mehldau Trio)
   
• CADENAS
  Miguel Zenón, soloist
  Track from: Yo Soy La Tradición (Miguel Zenón Featuring Spektral Quartet)

32. Best Jazz Vocal Album
For albums containing at least 51% playing time of new vocal jazz recordings.

• MY MOOD IS YOU
  Freddy Cole
   
• THE QUESTIONS
  Kurt Elling
   
• THE SUBJECT TONIGHT IS LOVE
  Kate McGarry, Keith Ganz, Gary Versace
   
• IF YOU REALLY WANT
  Raul Midón With The Metropole Orkest Conducted By Vince Mendoza
   
• THE WINDOW - WINNER
  Cécile McLorin Salvant

33. Best Jazz Instrumental Album
For albums containing at least 51% playing time of new instrumental jazz recordings.

• DIAMOND CUT
  Tia Fuller
   
• LIVE IN EUROPE
  Fred Hersch Trio
   
• SEYMOUR READS THE CONSTITUTION!
  Brad Mehldau Trio
   
• STILL DREAMING
  Joshua Redman, Ron Miles, Scott Colley & Brian Blade
   
• EMANON - WINNER
  The Wayne Shorter Quartet

34. Best Large Jazz Ensemble Album
For albums containing at least 51% playing time of new ensemble jazz recordings.

• ALL ABOUT THAT BASIE
  The Count Basie Orchestra Directed By Scotty Barnhart
   
• AMERICAN DREAMERS: VOICES OF HOPE, MUSIC OF FREEDOM - WINNER
  John Daversa Big Band Featuring DACA Artists
   
• PRESENCE
  Orrin Evans And The Captain Black Big Band
   
• ALL CAN WORK
  John Hollenbeck Large Ensemble
   
• BAREFOOT DANCES AND OTHER VISIONS
  Jim McNeely & The Frankfurt Radio Big Band

35. Best Latin Jazz Album
For vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.

• HEART OF BRAZIL
  Eddie Daniels
   
• BACK TO THE SUNSET - WINNER
  Dafnis Prieto Big Band
   
• WEST SIDE STORY REIMAGINED
  Bobby Sanabria Multiverse Big Band
   
• CINQUE
  Elio Villafranca
   
• YO SOY LA TRADICIÓN
  Miguel Zenón Featuring Spektral Quartet

Gospel/Contemporary Christian Music

36. Best Gospel Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.

• YOU WILL WIN
  Jekalyn Carr; Allen Carr & Jekalyn Carr, songwriters
   
• WON'T HE DO IT
  Koryn Hawthorne
   
• NEVER ALONE - WINNER
  Tori Kelly Featuring Kirk Franklin; Kirk Franklin & Victoria Kelly, songwriters
   
• CYCLES
  Jonathan McReynolds Featuring DOE; Jonathan McReynolds & Will Reagan, songwriters
   
• A GREAT WORK
  Brian Courtney Wilson; Aaron W. Lindsey, Alvin Richardson & Brian Courtney Wilson, songwriters

37. Best Contemporary Christian Music Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian pop, Christian rap/hip-hop, or Christian rock single or track.

• RECKLESS LOVE
  Cory Asbury; Cory Asbury, Caleb Culver & Ran Jackson, songwriters
   
• YOU SAY - WINNER
  Lauren Daigle; Lauren Daigle, Jason Ingram & Paul Mabury, songwriters
   
• JOY.
  for KING & COUNTRY; Ben Glover, Matt Hales, Stephen Blake Kanicka, Seth Mosley, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters
   
• GRACE GOT YOU
  MercyMe Featuring John Reuben; David Garcia, Ben Glover, MercyMe, Solomon Olds & John Reuben, songwriters
   
• KNOWN
  Tauren Wells; Ethan Hulse, Jordan Sapp & Tauren Wells, songwriters

38. Best Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.

• ONE NATION UNDER GOD
  Jekalyn Carr
   
• HIDING PLACE - WINNER
  Tori Kelly
   
• MAKE ROOM
  Jonathan McReynolds
   
• THE OTHER SIDE
  The Walls Group
   
• A GREAT WORK
  Brian Courtney Wilson

39. Best Contemporary Christian Music Album
For albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, or rock recordings.

• LOOK UP CHILD - WINNER
  Lauren Daigle
   
• HALLELUJAH HERE BELOW
  Elevation Worship
   
• LIVING WITH A FIRE
  Jesus Culture
   
• SURROUNDED
  Michael W. Smith
   
• SURVIVOR: LIVE FROM HARDING PRISON
  Zach Williams

40. Best Roots Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.

• UNEXPECTED - WINNER
  Jason Crabb
   
• CLEAR SKIES
  Ernie Haase & Signature Sound
   
• FAVORITES: REVISITED BY REQUEST
  The Isaacs
   
• STILL STANDING
  The Martins
   
• LOVE LOVE LOVE
  Gordon Mote

Latin

41. Best Latin Pop Album
For albums containing at least 51% playing time of new Latin pop recordings.

• PROMETO
  Pablo Alboran
   
• SINCERA - WINNER
  Claudia Brant
   
• MUSAS (UN HOMENAJE AL FOLCLORE LATINOAMERICANO EN MANOS DE LOS MACORINOS), VOL. 2
  Natalia Lafourcade
   
• 2:00 AM
  Raquel Sofía
   
• VIVES
  Carlos Vives

42. Best Latin Rock, Urban or Alternative Album
For albums containing at least 51% playing time of new Latin rock, urban or alternative recordings.

• CLAROSCURA
  Aterciopelados
   
• COASTCITY
  COASTCITY
   
• ENCANTO TROPICAL
  Monsieur Periné
   
• GOURMET
  Orishas
   
• AZTLÁN - WINNER
  Zoé

43. Best Regional Mexican Music Album (Including Tejano)
For albums containing at least 51% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.

• PRIMERO SOY MEXICANA
  Angela Aguilar
   
• MITAD Y MITAD
  Calibre 50
   
• TOTALMENTE JUAN GABRIEL VOL. II
  Aida Cuevas
   
• CRUZANDO BORDERS
  Los Texmaniacs
   
• LEYENDAS DE MI PUEBLO
  Mariachi Sol De Mexico De Jose Hernandez
   
• ¡MÉXICO POR SIEMPRE! - WINNER
  Luis Miguel

44. Best Tropical Latin Album
For albums containing at least 51% playing time of new tropical Latin recordings.

• PA' MI GENTE
  Charlie Aponte
   
• LEGADO
  Formell Y Los Van Van
   
• ORQUESTA AKOKÁN
  Orquesta Akokán
   
• PONLE ACTITUD
  Felipe Peláez
   
• ANNIVERSARY - WINNER
  Spanish Harlem Orchestra

American Roots Music

45. Best American Roots Performance
For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).

• KICK ROCKS
  Sean Ardoin
   
• SAINT JAMES INFIRMARY BLUES
  Jon Batiste
   
• THE JOKE - WINNER
  Brandi Carlile
   
• ALL ON MY MIND
  Anderson East
   
• LAST MAN STANDING
  Willie Nelson

46. Best American Roots Song
A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

• ALL THE TROUBLE
  Waylon Payne, Lee Ann Womack & Adam Wright, songwriters (Lee Ann Womack)
   
• BUILD A BRIDGE
  Jeff Tweedy, songwriter (Mavis Staples)
   
• THE JOKE - WINNER
  Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
   
• KNOCKIN' ON YOUR SCREEN DOOR
  Pat McLaughlin & John Prine, songwriters (John Prine)
   
• SUMMER'S END
  Pat McLaughlin & John Prine, songwriters (John Prine)

47. Best Americana Album
For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.

• BY THE WAY, I FORGIVE YOU - WINNER
  Brandi Carlile
   
• THINGS HAVE CHANGED
  Bettye LaVette
   
• THE TREE OF FORGIVENESS
  John Prine
   
• THE LONELY, THE LONESOME & THE GONE
  Lee Ann Womack
   
• ONE DROP OF TRUTH
  The Wood Brothers

48. Best Bluegrass Album
For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.

• PORTRAITS IN FIDDLES
  Mike Barnett
   
• SISTER SADIE II
  Sister Sadie
   
• RIVERS AND ROADS
  Special Consensus
   
• THE TRAVELIN' MCCOURYS - WINNER
  The Travelin' McCourys
   
• NORTH OF DESPAIR
  Wood & Wire

49. Best Traditional Blues Album
For albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.

• SOMETHING SMELLS FUNKY 'ROUND HERE
  Elvin Bishop's Big Fun Trio
   
• BENTON COUNTY RELIC
  Cedric Burnside
   
• THE BLUES IS ALIVE AND WELL - WINNER
  Buddy Guy
   
• NO MERCY IN THIS LAND
  Ben Harper And Charlie Musselwhite
   
• DON'T YOU FEEL MY LEG (THE NAUGHTY BAWDY BLUES OF BLUE LU BARKER)
  Maria Muldaur

50. Best Contemporary Blues Album
For albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.

• PLEASE DON'T BE DEAD - WINNER
  Fantastic Negrito
   
• HERE IN BABYLON
  Teresa James And The Rhythm Tramps
   
• CRY NO MORE
  Danielle Nicole
   
• OUT OF THE BLUES
  Boz Scaggs
   
• VICTOR WAINWRIGHT AND THE TRAIN
  Victor Wainwright And The Train

51. Best Folk Album
For albums containing at least 51% playing time of new vocal or instrumental folk recordings.

• WHISTLE DOWN THE WIND
  Joan Baez
   
• BLACK COWBOYS
  Dom Flemons
   
• RIFLES & ROSARY BEADS
  Mary Gauthier
   
• WEED GARDEN
  Iron & Wine
   
• ALL ASHORE - WINNER
  Punch Brothers

52. Best Regional Roots Music Album
For albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.

• KREOLE ROCK AND SOUL
  Sean Ardoin
   
• SPYBOY
  Cha Wa
   
• ALOHA FROM NA HOA
  Na Hoa
   
• NO 'ANE'I - WINNER
  Kalani Pe'a
   
• MEWASINSATIONAL - CREE ROUND DANCE SONGS
  Young Spirit

Reggae

53. Best Reggae Album
For albums containing at least 51% playing time of new reggae recordings.

• AS THE WORLD TURNS
  Black Uhuru
   
• REGGAE FOREVER
  Etana
   
• REBELLION RISES
  Ziggy Marley
   
• A MATTER OF TIME
  Protoje
   
• 44/876 - WINNER
  Sting & Shaggy

World Music

54. Best World Music Album
For albums containing at least 51% playing time of new vocal or instrumental World Music recordings.

• DERAN
  Bombino
   
• FENFO
  Fatoumata Diawara
   
• BLACK TIMES
  Seun Kuti & Egypt 80
   
• FREEDOM - WINNER
  Soweto Gospel Choir
   
• THE LOST SONGS OF WORLD WAR II
  Yiddish Glory

Children's

55. Best Children's Album
For albums containing at least 51% playing time of new musical or spoken word recordings that are created and intended specifically for children.

• ALL THE SOUNDS - WINNER
  Lucy Kalantari & The Jazz Cats
   
• BUILDING BLOCKS
  Tim Kubart
   
• FALU'S BAZAAR
  Falu
   
• GIANTS OF SCIENCE
  The Pop Ups
   
• THE NATION OF IMAGINE
  Frank & Deane

Spoken Word

56. Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

• ACCESSORY TO WAR (NEIL DEGRASSE TYSON & AVIS LANG)
  Courtney B. Vance
   
• CALYPSO
  David Sedaris
   
• CREATIVE QUEST
  Questlove
   
• FAITH - A JOURNEY FOR ALL - WINNER
  Jimmy Carter
   
• THE LAST BLACK UNICORN
  Tiffany Haddish

Comedy

57. Best Comedy Album
For albums containing at least 51% playing time of new recordings.

• ANNIHILATION
  Patton Oswalt
   
• EQUANIMITY & THE BIRD REVELATION - WINNER
  Dave Chappelle
   
• NOBLE APE
  Jim Gaffigan
   
• STANDUP FOR DRUMMERS
  Fred Armisen
   
• TAMBORINE
  Chris Rock

Musical Theater

58. Best Musical Theater Album
For albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album.

• THE BAND'S VISIT - WINNER
  Etai Benson, Adam Kantor, Katrina Lenk & Ari'el Stachel, principal soloists; Dean Sharenow & David Yazbek, producers; David Yazbek, composer & lyricist (Original Broadway Cast)
   
• CAROUSEL
  Renée Fleming, Alexander Gemignani, Joshua Henry, Lindsay Mendez & Jessie Mueller, principal soloists; Steven Epstein, producer (Richard Rodgers, composer; Oscar Hammerstein II, lyricist) (2018 Broadway Cast)
   
• JESUS CHRIST SUPERSTAR LIVE IN CONCERT
  Sara Bareilles, Alice Cooper, Ben Daniels, Brandon Victor Dixon, Erik Grönwall, Jin Ha, John Legend, Norm Lewis & Jason Tam, principal soloists; Andrew Lloyd Webber & Harvey Mason, Jr., producers (Andrew Lloyd-Webber, composer; Tim Rice, lyricist) (Original Television Cast)
   
• MY FAIR LADY
  Lauren Ambrose, Norbert Leo Butz & Harry Hadden-Paton, principal soloists; Van Dean, David Lai & Ted Sperling, producers (Frederick Loewe, composer; Alan Jay Lerner, lyricist) (2018 Broadway Cast)
   
• ONCE ON THIS ISLAND
  Phillip Boykin, Merle Dandridge, Quentin Earl Darrington, Hailey Kilgore, Kenita R. Miller, Alex Newell, Isaac Powell & Lea Salonga, principal soloists; Lynn Ahrens, Stephen Flaherty & Elliot Scheiner, producers (Stephen Flaherty, composer; Lynn Ahrens, lyricist) (New Broadway Cast)

Music for Visual Media

59. Best Compilation Soundtrack For Visual Media
Award to the artist(s) and/or ‘in studio' producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).

• CALL ME BY YOUR NAME
  (Various Artists)
  Luca Guadagnino, compilation producer; Robin Urdang, music supervisor
   
• DEADPOOL 2
  (Various Artists)
  David Leitch & Ryan Reynolds, compilation producers; John Houlihan, music supervisor
   
• THE GREATEST SHOWMAN - WINNER
  Hugh Jackman (& Various Artists)
  Alex Lacamoire, Benj Pasek, Justin Paul & Greg Wells, compilation producers
   
• LADY BIRD
  (Various Artists)
  Timothy J. Smith, compilation producer; Michael Hill & Brian Ross, music supervisors
   
• STRANGER THINGS
  (Various Artists)
  Matt Duffer, Ross Duffer & Timothy J. Smith, compilation producers; Nora Felder, music supervisor

60. Best Score Soundtrack For Visual Media
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.

• BLACK PANTHER - WINNER
  Ludwig Göransson, composer
   
• BLADE RUNNER 2049
  Benjamin Wallfisch & Hans Zimmer, composers
   
• COCO
  Michael Giacchino, composer
   
• THE SHAPE OF WATER
  Alexandre Desplat, composer
   
• STAR WARS: THE LAST JEDI
  John Williams, composer

61. Best Song Written For Visual Media
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

• ALL THE STARS
  Kendrick Duckworth, Solána Rowe, Alexander William Shuckburgh, Mark Anthony Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA)
  Track from: Black Panther
   
• MYSTERY OF LOVE
  Sufjan Stevens, songwriter (Sufjan Stevens)
  Track from: Call Me By Your Name
   
• REMEMBER ME
  Kristen Anderson-Lopez & Robert Lopez, songwriters (Miguel Featuring Natalia Lafourcade)
  Track from: Coco
   
• SHALLOW - WINNER
  Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper)
  Track from: A Star Is Born
   
• THIS IS ME
  Benj Pasek & Justin Paul, songwriters (Keala Settle & The Greatest Showman Ensemble)
  Track from: The Greatest Showman

Composing/Arranging

62. Best Instrumental Composition
A Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.

• BLUT UND BODEN (BLOOD AND SOIL) - WINNER
  Terence Blanchard, composer (Terence Blanchard)
   
• CHRYSALIS
  Jeremy Kittel, composer (Kittel & Co.)
   
• INFINITY WAR
  Alan Silverstri, composer (Alan Silvestri)
   
• MINE MISSION
  John Powell & John Williams, composers (John Powell & John Williams)
   
• THE SHAPE OF WATER
  Alexandre Desplat, composer (Alexandre Desplat)

63. Best Arrangement, Instrumental or A Cappella
An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.

• BATMAN THEME (TV)
  Randy Waldman & Justin Wilson, arrangers (Randy Waldman Featuring Wynton Marsalis)
   
• CHANGE THE WORLD
  Mark Kibble, arranger (Take 6)
   
• MADRID FINALE
  John Powell, arranger (John Powell)
   
• THE SHAPE OF WATER
  Alexandre Desplat, arranger (Alexandre Desplat)
   
• STARS AND STRIPES FOREVER - WINNER
  John Daversa, arranger (John Daversa Big Band Featuring DACA Artists)

64. Best Arrangement, Instruments and Vocals
An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.

• IT WAS A VERY GOOD YEAR
  Matt Rollings & Kristin Wilkinson, arrangers (Willie Nelson)
   
• JOLENE
  Dan Pugach & Nicole Zuraitis, arrangers (Dan Pugach)
   
• MONA LISA
  Vince Mendoza, arranger (Gregory Porter)
   
• NIÑA
  Gonzalo Grau, arranger (Magos Herrera & Brooklyn Rider)
   
• SPIDERMAN THEME - WINNER
  Mark Kibble, Randy Waldman & Justin Wilson, arrangers (Randy Waldman Featuring Take 6 & Chris Potter)

Package

65. Best Recording Package

• BE THE COWBOY
  Mary Banas, art director (Mitski)
   
• LOVE YOURSELF: TEAR
  Doohee Lee, art director (BTS)
   
• MASSEDUCTION - WINNER
  Willo Perron, art director (St. Vincent)
   
• THE OFFERING
  Qing-Yang Xiao, art director (The Chairman)
   
• WELL KEPT THING
  Adam Moore, art director (Foxhole)

66. Best Boxed Or Special Limited Edition Package

• APPETITE FOR DESTRUCTION (LOCKED N' LOADED BOX)
  Arian Buhler, Charles Dooher, Jeff Fura, Scott Sandler & Matt Taylor, art directors (Guns N' Roses)
   
• I'LL BE YOUR GIRL
  Carson Ellis, Jeri Heiden & Glen Nakasako, art directors (The Decemberists)
   
• PACIFIC NORTHWEST '73-74': THE COMPLETE RECORDINGS
  Lisa Glines, Doran Tyson & Roy Henry Vickers, art directors (Grateful Dead)
   
• SQUEEZE BOX: THE COMPLETE WORKS OF "WEIRD AL" YANKOVIC - WINNER
  Meghan Foley, Annie Stoll & Al Yankovic, art directors ("Weird Al" Yankovic)
   
• TOO MANY BAD HABITS
  Sarah Dodds & Shauna Dodds, art directors (Johnny Nicholas)

Notes

67. Best Album Notes

• ALPINE DREAMING: THE HELVETIA RECORDS STORY, 1920-1924
  James P. Leary, album notes writer (Various Artists)
   
• 4 BANJO SONGS, 1891-1897: FOUNDATIONAL RECORDINGS OF AMERICA'S ICONIC INSTRUMENT
  Richard Martin & Ted Olson, album notes writers (Charles A. Asbury)
   
• THE 1960 TIME SESSIONS
  Ben Ratliff, album notes writer (Sonny Clark Trio)
   
• THE PRODUCT OF OUR SOULS: THE SOUND AND SWAY OF JAMES REESE EUROPE'S SOCIETY ORCHESTRA
  David Gilbert, album notes writer (Various Artists)
   
• TROUBLE NO MORE: THE BOOTLEG SERIES VOL. 13 / 1979-1981 (DELUXE EDITION)
  Amanda Petrusich, album notes writer (Bob Dylan)
   
• VOICES OF MISSISSIPPI: ARTISTS AND MUSICIANS DOCUMENTED BY WILLIAM FERRIS - WINNER
  David Evans, album notes writer (Various Artists)

Historical

68. Best Historical Album

• ANY OTHER WAY
  Rob Bowman, Douglas Mcgowan, Rob Sevier & Ken Shipley, compilation producers; Jeff Lipton & Maria Rice, mastering engineers (Jackie Shane)
   
• AT THE LOUISIANA HAYRIDE TONIGHT...
  Martin Hawkins, compilation producer; Christian Zwarg, mastering engineer (Various Artists)
   
• BATTLEGROUND KOREA: SONGS AND SOUNDS OF AMERICA'S FORGOTTEN WAR
  Hugo Keesing, compilation producer; Christian Zwarg, mastering engineer (Various Artists)
   
• A RHAPSODY IN BLUE - THE EXTRAORDINARY LIFE OF OSCAR LEVANT
  Robert Russ, compilation producer; Andreas K. Meyer & Rebekah Wineman, mastering engineers (Oscar Levant)
   
• VOICES OF MISSISSIPPI: ARTISTS AND MUSICIANS DOCUMENTED BY WILLIAM FERRIS - WINNER
  William Ferris, April Ledbetter & Steven Lance Ledbetter, compilation producers; Michael Graves, mastering engineer (Various Artists)

Production, Non-Classical

69. Best Engineered Album, Non-Classical
An Engineer's Award. (Artists names appear in parentheses.)

• ALL THE THINGS THAT I DID AND ALL THE THINGS THAT I DIDN'T DO
  Ryan Freeland & Kenneth Pattengale, engineers; Kim Rosen, mastering engineer (The Milk Carton Kids)
   
• COLORS - WINNER
  Julian Burg, Serban Ghenea, David "Elevator" Greenbaum, John Hanes, Beck Hansen, Greg Kurstin, Florian Lagatta, Cole M.G.N., Alex Pasco, Jesse Shatkin, Darrell Thorp & Cassidy Turbin, engineers; Chris Bellman, Tom Coyne, Emily Lazar & Randy Merrill, mastering engineers (Beck)
   
• EARTHTONES
  Robbie Lackritz, engineer; Philip Shaw Bova, mastering engineer (Bahamas)
   
• HEAD OVER HEELS
  Nathaniel Alford, Jason Evigan, Chris Galland, Tom Gardner, Patrick "P-Thugg" Gemayel, Serban Ghenea, John Hanes, Tony Hoffer, Derek Keota, Ian Kirkpatrick, David Macklovitch, Amber Mark, Manny Marroquin, Vaughn Oliver, Chris "TEK" O'Ryan, Morgan Taylor Reid & Gian Stone, engineers; Chris Gehringer & Michelle Mancini, mastering engineers (Chromeo)
   
• VOICENOTES
  Manny Marroquin & Charlie Puth, engineers; Dave Kutch, mastering engineer (Charlie Puth)

70. Producer Of The Year, Non-Classical
A Producer's Award. (Artists names appear in parentheses.)

• BOI-1DA

  • Be Careful (Cardi B) (T)
  • Diplomatic Immunity (Drake) (S)
  • Friends (The Carters) (T)
  • God's Plan (Drake) (S)
  • Heard About Us (The Carters) (T)
  • Lucky You (Eminem Featuring Joyner Lucas) (T)
  • Mob Ties (Drake) (T)
  • No Limit (G-Eazy Featuring A$AP Rocky & Cardi B) (S)

• LARRY KLEIN

  • All These Things (Thomas Dybdahl) (S)
  • Anthem (Madeleine Peyroux) (A)
  • The Book Of Longing (Luciana Souza) (A)
  • Can I Have It All (Thomas Dybdahl) (S)
  • Junk (Hailey Tuck) (A)
  • Look At What We've Done (Thomas Dybdahl) (S)
  • Meaning To Tell Ya (Molly Johnson) (A)

• LINDA PERRY

  • Harder Better Faster Stronger (Willa Amai) (S)
  • Served Like A Girl (Music From And Inspired By The Documentary Film) (Various Artists) (A)
  • 28 Days In The Valley (Dorothy) (A)

• KANYE WEST

  • Daytona (Pusha T) (A)
  • Kids See Ghosts (Kids See Ghosts) (A)
  • K.T.S.E. (Teyana Taylor) (A)
  • Nasir (Nas) (A)
  • Ye (Kanye West) (A)

• PHARRELL WILLIAMS - WINNER

  • Apes*** (The Carters) (T)
  • Man Of The Woods (Justin Timberlake) (A)
  • No One Ever Really Dies (N.E.R.D) (A)
  • Stir Fry (Migos) (T)
  • Sweetener (Ariana Grande) (A)

71. Best Remixed Recording
A Remixer's Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.

• AUDIO (CID REMIX)
  CID, remixer (LSD)
   
• HOW LONG (EDX'S DUBAI SKYLINE REMIX)
  Maurizio Colella & Christian Hirt, remixers (Charlie Puth)
   
• ONLY ROAD (COSMIC GATE REMIX)
  Olaf Diekmann & Claus Terhoeven, remixers (Gabriel & Dresden Featuring Sub Teal)
   
• STARGAZING (KASKADE REMIX)
  Kaskade, remixer (Kygo Featuring Justin Jesso)
   
• WALKING AWAY (MURA MASA REMIX) - WINNER
  Alex Crossan, remixer (Haim)

Production, Immersive Audio

72. Best Immersive Audio Album
For vocal or instrumental albums in any genre. Must be commercially released on DVD-Audio, DVD-Video, SACD, Blu-Ray, or burned download-only/streaming-only copies and must provide a new surround mix of four or more channels. Award to the surround mix engineer, surround producer (if any) and surround mastering engineer (if any).

• EYE IN THE SKY - 35TH ANNIVERSARY EDITION - WINNER
  Alan Parsons, surround mix engineer; Dave Donnelly, PJ Olsson & Alan Parsons, surround mastering engineers; Alan Parsons, surround producer (The Alan Parsons Project)
   
• FOLKETONER
  Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Anne Karin Sundal-Ask & Det Norske Jentekor)
   
• SEVEN WORDS FROM THE CROSS
  Daniel Shores, surround mix engineer; Daniel Shores, surround mastering engineer; Dan Merceruio, surround producer (Matthew Guard & Skylark)
   
• SOMMERRO: UJAMAA & THE ICEBERG
  Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Ingar Heine Bergby, Trondheim Symphony Orchestra & Choir)
   
• SYMBOL
  Prashant Mistry & Ronald Prent, surround mix engineers; Darcy Proper, surround mastering engineer; Prashant Mistry & Ronald Prent, surround producers (Engine-Earz Experiment)

Production, Classical

73. Best Engineered Album, Classical
An Engineer's Award. (Artist names appear in parentheses.)

• BATES: THE (R)EVOLUTION OF STEVE JOBS
  Mark Donahue & Dirk Sobotka, engineers; Mark Donahue, mastering engineer (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
   
• BEETHOVEN: SYMPHONY NO. 3; STRAUSS: HORN CONCERTO NO. 1
  Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
   
• JOHN WILLIAMS AT THE MOVIES
  Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Jerry Junkin & Dallas Winds)
   
• LIQUID MELANCHOLY - CLARINET MUSIC OF JAMES M. STEPHENSON
  Bill Maylone & Mary Mazurek, engineers; Bill Maylone, mastering engineer (John Bruce Yeh)
   
• SHOSTAKOVICH: SYMPHONIES NOS. 4 & 11 - WINNER
  Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra)
   
• VISIONS AND VARIATIONS
  Tom Caulfield, engineer; Jesse Lewis, mastering engineer (A Far Cry)

74. Producer Of The Year, Classical
A Producer's Award. (Artist names appear in parentheses.)

• BLANTON ALSPAUGH - WINNER

  • Arnesen: Infinity - Choral Works (Joel Rinsema & Kantorei)
  • Aspects Of America (Carlos Kalmar & Oregon Symphony)
  • Chesnokov: Teach Me Thy Statutes (Vladimir Gorbik & PaTRAM Institute Male Choir)
  • Gordon, R.: The House Without A Christmas Tree (Bradley Moore, Elisabeth Leone, Maximillian Macias, Megan Mikailovna Samarin, Patricia Schuman, Lauren Snouffer, Heidi Stober, Daniel Belcher, Houston Gran Opera Juvenile Chorus & Houston Grand Opera Orchestra)
  • Haydn: The Creation (Andrés Orozco-Estrada, Betsy Cook Weber, Houston Symphony & Houston Symphony Chorus)
  • Heggie: Great Scott (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra)
  • Music Of Fauré, Buide & Zemlinsky (Trio Séléné)
  • Paterson: Three Way - A Trio Of One-Act Operas (Dean Williamson, Daniele Pastin, Courtney Ruckman, Eliza Bonet, Melisa Bonetti, Jordan Rutter, Samuel Levine, Wes Mason, Matthew Treviño & Nashville Opera Orchestra)
  • Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade To Music; Flos Campi (Peter Oundjian & Toronto Symphony Orchestra)

• DAVID FROST

  • Beethoven: Piano Sonatas, Volume 7 (Jonathan Biss)
  • Mirror In Mirror (Anne Akiko Meyers, Kristjan Järvi & Philharmonia Orchestra)
  • Mozart: Idomeneo (James Levine, Alan Opie, Matthew Polenzani, Alice Coote, Nadine Sierra, Elza van den Heever, The Metropolitan Opera Orchestra & Chorus)
  • Presentiment (Orion Weiss)
  • Strauss, R.: Der Rosenkavalier (Sebastian Weigle, Renée Fleming, Elīna Garanča, Erin Morley, Günther Groissböck, Metropolitan Opera Orchestra & Chorus)

• ELIZABETH OSTROW

  • Bates: The (R)evolution Of Steve Jobs (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
  • The Road Home (Joshua Habermann & Santa Fe Desert Chorale)

• JUDITH SHERMAN

  • Beethoven Unbound (Llŷr Williams)
  • Black Manhattan Volume 3 (Rick Benjamin & Paragon Ragtime Orchestra)
  • Bolcom: Piano Music (Various Artists)
  • Del Tredici: March To Tonality (Mark Peskanov & Various Artists)
  • Love Comes In At The Eye (Timothy Jones, Stephanie Sant'Ambrogio, Jeffrey Sykes, Anthony Ross, Carol Cook, Beth Rapier & Stephanie Jutt)
  • Meltzer: Variations On A Summer Day & Piano Quartet (Abigail Fischer, Jayce Ogren & Sequitur)
  • Mendelssohn: Complete Works For Cello And Piano (Marcy Rosen & Lydia Artymiw)
  • New Music For Violin And Piano (Julie Rosenfeld & Peter Miyamoto)
  • Reich: Pulse/Quartet (Colin Currie Group & International Contemporary Ensemble)

• DIRK SOBOTKA

  • Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 (Manfred Honeck & Pittsburgh Symphony Orchestra)
  • Lippencott: Frontier Symphony (Jeff Lippencott & Ligonier Festival Orchestra)
  • Mahler: Symphony No. 8 (Thierry Fischer, Mormon Tabernacle Choir & Utah Symphony)
  • Music Of The Americas (Andrés Orozco-Estrada & Houston Symphony)

Classical

75. Best Orchestral Performance
Award to the Conductor and to the Orchestra.

• BEETHOVEN: SYMPHONY NO. 3; STRAUSS: HORN CONCERTO NO. 1
  Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
   
• NIELSEN: SYMPHONY NO. 3 & SYMPHONY NO. 4
  Thomas Dausgaard, conductor (Seattle Symphony)
   
• RUGGLES, STUCKY & HARBISON: ORCHESTRAL WORKS
  David Alan Miller, conductor (National Orchestral Institute Philharmonic)
   
• SCHUMANN: SYMPHONIES NOS. 1-4
  Michael Tilson Thomas, conductor (San Francisco Symphony)
   
• SHOSTAKOVICH: SYMPHONIES NOS. 4 & 11 - WINNER
  Andris Nelsons, conductor (Boston Symphony Orchestra)

76. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.

• ADAMS: DOCTOR ATOMIC
  John Adams, conductor; Aubrey Allicock, Julia Bullock, Gerald Finley & Brindley Sherratt; Friedemann Engelbrecht, producer (BBC Symphony Orchestra; BBC Singers)
   
• BATES: THE (R)EVOLUTION OF STEVE JOBS - WINNER
  Michael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edward Parks, Garrett Sorenson & Wei Wu; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra)
   
• LULLY: ALCESTE
  Christophe Rousset, conductor; Edwin Crossley-Mercer, Emiliano Gonzalez Toro & Judith Van Wanroij; Maximilien Ciup, producer (Les Talens Lyriques; Choeur De Chambre De Namur)
   
• STRAUSS, R.: DER ROSENKAVALIER
  Sebastian Weigle, conductor; Renée Fleming, Elīna Garanča, Günther Groissböck & Erin Morley; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)
   
• VERDI: RIGOLETTO
  Constantine Orbelian, conductor; Francesco Demuro, Dmitri Hvorostovsky & Nadine Sierra; Vilius Keras & Aleksandra Keriene, producers (Kaunas City Symphony Orchestra; Men Of The Kaunas State Choir)

77. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.

• CHESNOKOV: TEACH ME THY STATUTES
  Vladimir Gorbik, conductor (Mikhail Davydov & Vladimir Krasov; PaTRAM Institute Male Choir)
   
• KASTALSKY: MEMORY ETERNAL
  Steven Fox, conductor (The Clarion Choir)
   
• MCLOSKEY: ZEALOT CANTICLES - WINNER
  Donald Nally, conductor (Doris Hall-Gulati, Rebecca Harris, Arlen Hlusko, Lorenzo Raval & Mandy Wolman; The Crossing)
   
• RACHMANINOV: THE BELLS
  Mariss Jansons, conductor; Peter Dijkstra, chorus master (Oleg Dolgov, Alexey Markov & Tatiana Pavlovskaya; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)
   
• SEVEN WORDS FROM THE CROSS
  Matthew Guard, conductor (Skylark)

78. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.

• ANDERSON, LAURIE: LANDFALL - WINNER
  Laurie Anderson & Kronos Quartet
   
• BEETHOVEN, SHOSTAKOVICH & BACH
  The Danish String Quartet
   
• BLUEPRINTING
  Aizuri Quartet
   
• STRAVINSKY: THE RITE OF SPRING CONCERTO FOR TWO PIANOS
  Leif Ove Andsnes & Marc-André Hamelin
   
• VISIONS AND VARIATIONS
  A Far Cry

79. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.

• BARTÓK: PIANO CONCERTO NO. 2
  Yuja Wang; Simon Rattle, conductor (Berliner Philharmoniker)
   
• BIBER: THE MYSTERY SONATAS
  Christina Day Martinson; Martin Pearlman, conductor (Boston Baroque)
   
• BRUCH: SCOTTISH FANTASY, OP. 46; VIOLIN CONCERTO NO. 1 IN G MINOR, OP. 26
  Joshua Bell (The Academy Of St. Martin In The Fields)
   
• GLASS: THREE PIECES IN THE SHAPE OF A SQUARE
  Craig Morris
   
• KERNIS: VIOLIN CONCERTO - WINNER
  James Ehnes; Ludovic Morlot, conductor (Seattle Symphony)

80. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.

• ARC
  Anthony Roth Costanzo; Jonathan Cohen, conductor (Les Violons Du Roy)
   
• THE HANDEL ALBUM
  Philippe Jaroussky; Artaserse, ensemble
   
• MIRAGES
  Sabine Devieilhe; François-Xavier Roth, conductor (Alexandre Tharaud; Marianne Crebassa & Jodie Devos; Les Siècles)
   
• SCHUBERT: WINTERREISE
  Randall Scarlata; Gilbert Kalish, accompanist
   
• SONGS OF ORPHEUS - MONTEVERDI, CACCINI, D'INDIA & LANDI - WINNER
  Karim Sulayman; Jeannette Sorrell, conductor; Apollo's Fire, ensembles

81. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.

• FUCHS: PIANO CONCERTO 'SPIRITUALIST'; POEMS OF LIFE; GLACIER; RUSH - WINNER
  JoAnn Falletta, conductor; Tim Handley, producer
   
• GOLD
  The King's Singers; Nigel Short, producer
   
• THE JOHN ADAMS EDITION
  Simon Rattle, conductor; Christoph Franke, producer
   
• JOHN WILLIAMS AT THE MOVIES
  Jerry Junkin, conductor; Donald J. McKinney, producer
   
• VAUGHAN WILLIAMS: PIANO CONCERTO; OBOE CONCERTO; SERENADE TO MUSIC; FLOS CAMPI
  Peter Oundjian, conductor; Blanton Alspaugh, producer

82. Best Contemporary Classical Composition
A Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.

• BATES: THE (R)EVOLUTION OF STEVE JOBS
  Mason Bates, composer; Mark Campbell, librettist (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
   
• DU YUN: AIR GLOW
  Du Yun, composer (International Contemporary Ensemble)
   
• HEGGIE: GREAT SCOTT
  Jake Heggie, composer; Terrence McNally, librettist (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra)
   
• KERNIS: VIOLIN CONCERTO - WINNER
  Aaron Jay Kernis, composer (James Ehnes, Ludovic Morlot & Seattle Symphony)
   
• MAZZOLI: VESPERS FOR VIOLIN
  Missy Mazzoli, composer (Olivia De Prato)

Music Video/Film

83. Best Music Video
Award to the artist, video director, and video producer.

• APES***
  The Carters
  Ricky Saiz, video director; Mélodie Buchris, Natan Schottenfels & Erinn Williams, video producers
   
• THIS IS AMERICA - WINNER
  Childish Gambino
  Hiro Murai, video director; Ibra Ake, Jason Cole & Fam Rothstein, video producers
   
• I'M NOT RACIST
  Joyner Lucas
  Joyner Lucas & Ben Proulx, video directors; Joyner Lucas, video producer
   
• PYNK
  Janelle Monáe
  Emma Westenberg, video director; Justin Benoliel & Whitney Jackson, video producers
   
• MUMBO JUMBO
  Tierra Whack
  Marco Prestini, video director; Sara Nassim, video producer

84. Best Music Film
For concert/performance films or music documentaries. Award to the artist, video director, and video producer.

• LIFE IN 12 BARS
  Eric Clapton
  Lili Fini Zanuck, video director; John Battsek, Scooter Weintraub, Larry Yelen & Lili Fini Zanuck, video producers
   
• WHITNEY
  (Whitney Houston)
  Kevin Macdonald, video director; Jonathan Chinn, Simon Chinn & Lisa Erspamer, video producers
   
• QUINCY - WINNER
  Quincy Jones
  Alan Hicks & Rashida Jones, video directors; Paula DuPré Pesmen, video producer
   
• ITZHAK
  Itzhak Perlman
  Alison Chernick, video director; Alison Chernick, video producer
   
• THE KING
  (Elvis Presley)
  Eugene Jarecki, video director; Christopher Frierson, Georgina Hill, David Kuhn & Christopher St. John, video producers

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

10 Essential Facts To Know About GRAMMY-Winning Rapper J. Cole

The 2017 GRAMMYs were a massive night for Adele, who swept all five categories for which she was nominated. But when she was crowned the Album Of The Year winner, the "Hello" singer couldn't help but argue that Beyoncé deserved it.

In this episode of GRAMMY Rewind, revisit the emotional moment between Adele and Beyoncé as the British star claimed her Album Of The Year GRAMMY for 25. After thanking her collaborators for their encouragement to release 25 and calling the win "full-circle," Adele choked up as she acknowledged Beyoncé's Lemonade that was also nominated in the category.

"I can't possibly accept this award. And I'm very humbled, and I'm very grateful and gracious, but my artist of my life is Beyoncé," Adele said as she held back tears. "This album was so monumental, and so well-thought-out and so beautiful and soul-bearing…and all us artists here, we f—ing adore you."

The heartfelt acknowledgement had the crowd roaring, but most poignantly brought Beyoncé to tears as she mouthed "I love you" to Adele. (Lemonade did get some GRAMMY love that night, winning Best Urban Contemporary Album and lead single "Formation" won Best Music Video.)

There could be another powerful Adele/Beyoncé moment at the 2023 GRAMMYs, as the two are once again nominated for Album Of The Year, as well as Song Of The Year and Record Of The Year.

Press play on the video above to watch Adele's tearful acceptance speech. Keep checking back to GRAMMY.com for more episodes of GRAMMY Rewind, and make sure to tune into CBS on Feb. 5 to watch the 2023 GRAMMYs.

A Look At The Nominees For Album Of The Year At The 2023 GRAMMY Awards

Two years after making GRAMMY history, Beyoncé did it again at the 2023 GRAMMYs. Going into the night, she was tied with her husband, Jay-Z, for the most GRAMMY nominations ever, each counting 88 in total. But after adding four more GRAMMY Awards to her collection at the 65th GRAMMY Awards, she became the artist with the most GRAMMYs of all time, counting 32 GRAMMY wins in total.

While the 2023 GRAMMYs may be her most historic, Beyoncé has created an extensive array of GRAMMY moments. She has delivered epic live performances on her own and alongside icons like Prince and Tina Turner, and she's taken home six GRAMMYs in one night.

Starting from her first nominations with Destiny's Child in 2000, take a trip through Beyoncé's most memorable and impactful moments at Music's Biggest Night.

2000 — 42nd GRAMMY Awards

Nominations: Best R&B Performance By A Duo Or Group With Vocal and Best Rhythm & Blues Song ("Bills, Bills, Bills") with Destiny's Child

Beyoncé's first red carpet appearance at the GRAMMYs was with fellow Destiny's Child members Kelly Rowland, Michelle Williams and Farrah Franklin (who was only part of the group for six months). The iteration of the group that was there that day was not the same group that received two nominations for "Bills, Bills, Bills" — that distinction goes to Beyoncé, Rowland, LeToya Luckett, and LaTavia Roberson.

Beyoncé, Luckett and Rowland co-wrote the track with producer Kevin "She'kspeare" Briggs and Xscape singer Kandi Burruss, the latter of whom coincidentally won the GRAMMY for Best Rhythm & Blues Song that year for co-writing TLC's "No Scrubs" with Tameka "Tiny" Cottle.

2001 — 43rd GRAMMY Awards

Photo: Steve Granitz / Contributor / Getty Images

Wins: Best R&B Song ("Say My Name"), Best R&B Performance By A Duo or Group With Vocal ("Say My Name")

Nominations: Record Of The Year and Song Of The Year ("Say My Name"), Best Song Written For A Motion Picture, Television Or Other Visual Media ("Independent Women Part I" From Charlie's Angels)

The first GRAMMY red carpet as a trio with Roland and Williams, the group wore matching silky gowns on the red carpet and "Survivor"-era green outfits backstage, all designed by Beyoncé's mother, Tina Knowles. 

Destiny's Child took home their first GRAMMYs that night, for Best R&B Performance By A Duo or Group With Vocal and Best R&B Song for "Say My Name," which was also nominated for Record Of The Year and Song Of The Year. 

Beyoncé also earned a Best Song Written For A Motion Picture, Television Or Other Visual Media nomination for Destiny's Child's contribution to the 2000 film Charlie's Angels, "Independent Women Part I," which she co-wrote.

2002 — 44th GRAMMY Awards

Wins: Best R&B Performance By A Duo Or Group With Vocal ("Survivor")

Nominations: Best R&B Album (Survivor)

Performance: "Quisiera Ser" with Alejandro Sanz

Destiny's Child's first performance at the GRAMMYs was to duet with Latin star Alejandro Sanz on "Quisiera Ser." They provided supporting vocals and Beyoncé added some English lyrics to his Spanish song. 

The group's own international hit "Survivor," an anthem about thriving as the trio, won a GRAMMY for Best R&B Performance By A Duo Or Group With Vocal, and the Survivor album was nominated for Best R&B Album.

2004 — 46th GRAMMY Awards

Wins: Best Female R&B Vocal Performance ("Dangerously In Love 2"), Best R&B Performance By A Duo Or Group With Vocals ("The Closer I Get To You") with Luther Vandross, Best R&B Song and Best Rap/Sung Collaboration ("Crazy In Love"), Best Contemporary R&B Album (Dangerously In Love)

Nominations: Record Of The Year ("Crazy In Love")

Performance: "Purple Rain," "Baby I'm a Star," "Let's Go Crazy" and "Crazy In Love" with Prince

After dazzling in a gold Tina Knowles dress on the red carpet, Beyoncé opened the show alongside Prince with a medley of his hits "Purple Rain," "Let's Go Crazy" and "Baby I'm a Star," with a dash of her own "Crazy In Love." 

She accepted her first five GRAMMYs as a solo artist, including Best Female R&B Vocal Performance for "Dangerously In Love 2" — which she also performed — Best R&B Performance By A Duo Or Group With Vocals for "The Closer I Get To You" with Luther Vandross, Best Contemporary R&B Album for Dangerously In Love and two wins for "Crazy In Love" (Best R&B Song and Best Rap/Sung Collaboration). 

2005 — 47th GRAMMY Awards

Nomination: Best R&B Performance by a Duo or Group With Vocals ("Lose My Breath")

Destiny's Child celebrated another global smash earning a GRAMMY nomination with "Lose My Breath." The lead single from Destiny Fulfilled — their final studio album — received a nomination for Best R&B Performance by a Duo or Group With Vocals. 

Beyoncé and Rowland co-produced "Lose My Breath" with hitmakers Rodney Jerkins (who also helmed "Say My Name" and "Cater 2 U" from Destiny Fulfilled), and Sean Garrett, who later co-produced Bey solo singles including "Check On It," "Get Me Bodied," "Ring The Alarm" and "Upgrade U" with Swizz Beatz.

2006 — 48th GRAMMY Awards

Win: Best R&B Performance by a Duo or Group With Vocals ("So Amazing") with Stevie Wonder

Nominations: Best Contemporary R&B Album (Destiny Fulfilled), Best Female R&B Vocal Performance ("Wishing On A Star"), Best R&B Performance By A Duo Or Group With Vocals ("Cater 2 U"), Best R&B Song ("Cater 2 U"), Best Rap/Sung Collaboration ("Soldier")

Beyoncé and Stevie Wonder won a GRAMMY for Best R&B Performance by a Duo or Group With Vocals for "So Amazing," a cover of the song Luther Vandross wrote for Dionne Warwick in 1983 and recorded himself three years later. Bey also received a solo nomination for her cover of Rose Royce's "Wishing On A Star" on her Live at Wembley album. 

Meanwhile, Destiny's Child closed out their time as a group with four more nominations, bringing their career total to 14. Although the group had announced in June 2005 that they would be disbanding to pursue solo ventures, they assembled on the GRAMMY stage one last time — igniting eruptive applause — to present the golden gramophone for Song Of The Year, which went to U2 for "Sometimes You Can't Make It on Your Own."

2007 — 49th GRAMMY Awards

Win: Best Contemporary R&B Album (B'Day)

Nominations: Best Female R&B Vocal Performance ("Ring The Alarm"), Best R&B Song and Best Rap/Sung Collaboration ("Deja Vu")

Performance: "Listen" 

Beyoncé performed "Listen," her original song that she also sang as the lead role of Deena Jones in the film adaptation of the Broadway musical Dreamgirls.

She went home a GRAMMY winner again that night, as her second album, B'Day, was victorious as Best Contemporary R&B Album. Two of the album's singles earned nominations as well: "Ring The Alarm" for Best Female R&B Vocal Performance and "Deja Vu" for Best Rap/Sung Collaboration.

2008 — 50th GRAMMY Awards

Wins: Best Compilation Soundtrack (Dreamgirls) 

Nominations: Record Of The Year ("Irreplaceable"), Best Pop Collaboration ("Beautiful Liar") with Shakira

Performance: "Proud Mary" with Tina Turner

Continuing her streak of performing live with legends at the GRAMMYs, Beyoncé joined Tina Turner onstage to sing a fierce rendition of "Proud Mary" and achieve one of her personal bucket-list moments. 

"She's my hero and my icon," she said of Turner at an after party. "It was crazy. I went in the room [after] and I just bawled because I couldn't believe it.”

Dreamgirls won Best Compilation Soundtrack that night, while "Irreplaceable" was nominated for Record Of The Year and "Beautiful Liar," her collaboration with Colombian star Shakira from B'Day, received a nomination for Best Pop Collaboration.

2009 — 51st GRAMMY Awards

Nomination: Best Female R&B Vocal Performance ("Me, Myself & I")

A top 10 hit that was co-produced by Beyoncé and Scott Storch, "Me, Myself & I" touts the benefits of self-care, of being one's "own best friend" and not taking the blame in the face of a partner's infidelity. The relatable song was nominated for Best Female R&B Vocal Performance.

2010 — 52nd GRAMMY Awards

Wins: Song Of The Year, Best R&B Song and Best Female R&B Vocal Performance ("Single Ladies (Put A Ring On It)"), Best Female Pop Vocal Performance ("Halo"), Best Contemporary R&B Album (I Am… Sasha Fierce), Best Traditional R&B Vocal Performance ("At Last" from Cadillac Records: Music From The Motion Picture)

Nominations: Record Of The Year ("Halo"), Album Of The Year (I Am... Sasha Fierce), Best Rap/Sung Collaboration ("Ego"), Best Song Written For Motion Picture, Television Or Other Visual Media ("Once In A Lifetime" from Cadillac Records: Music From The Motion Picture)

Performance: "If I Were a Boy" 

Backed by an army of male dancers, Beyoncé's live performance of "If I Were a Boy" included an even more unexpected moment. At the song's climax, she switched to the chorus from "You Oughta Know" by Alanis Morrissette, the 1996 GRAMMY winner for Best Rock Song and Best Female Rock Vocal Performance.

Bey won an impressive six GRAMMYs in 2010, including three for "Single Ladies (Put A Ring On It)." She also earned a nomination for her portrayal of Etta James in the 2008 film Cadillac Records, as Beyoncé's version of "At Last" won Best Traditional R&B Vocal Performance.

2011 — 53rd GRAMMY Awards

Nominations: Best Female Pop Vocal Performance ("Halo (Live)"), Album Of The Year (The Fame Monster), Best Pop Collaboration With Vocals ("Telephone") with Lady Gaga

Several of Beyoncé's GRAMMY nominations have been for live songs as well as songs with other artists. At the 2011 GRAMMYs, she celebrated nominations for both: "Halo (Live)," which appears on the live album I Am… Yours: An Intimate Performance at Wynn Las Vegas, was nominated for Best Female Pop Vocal Performance, and her collaboration with Lady Gaga, "Telephone," earned Beyoncé two nominations. 

2012 — 54th GRAMMY Awards

Nominations: Best Rap/Sung Collaboration ("Party") and Best Longform Music Video (I Am… World Tour)

"Party," a duet with André 3000 from OutKast, is a highlight from Beyoncé's 4 album for its infectious chorus and the sheer rarity of scoring a verse from Three Stacks. The GRAMMYs recognized this dream team with a nomination for Best Rap/Sung Collaboration. Bey also received her first-ever nomination in the Best Longform Music Video category for I Am…World Tour. The film includes her singing "If I Were a Boy" with a few measures of "You Oughta Know," just like she did in her 2010 GRAMMYs performance.

2013 — 55th GRAMMY Awards

Win: Best Traditional R&B Performance ("Love On Top")

Beyoncé's 17th GRAMMY win occurred in the Premiere Ceremony for the 2013 GRAMMYs, which she and husband Jay-Z did not attend. So when Jimmy Jam announced that Beyoncé had won Best Traditional R&B Performance for "Love On Top," he jokingly offered to drop off the GRAMMY along with the awards Jay-Z won at the ceremony.

"They live in the same place, it's all good," Jam smiled. "Economical!"

2014 — 56th GRAMMY Awards

Photo: Frederic J. Brown / Getty Images

Nomination: Best Rap/Sung Collaboration ("Part II (On The Run)") with Jay-Z

Performance: "Drunk In Love" with Jay-Z

Smoke billowed across the stage as Beyoncé opened the 2014 GRAMMYs with an intimate live performance of "Drunk In Love," joined by her husband Jay-Z for what may just be the sexiest performance of their careers.

Although "Drunk In Love" wasn't nominated until the following year, the couple did celebrate a nomination in 2014 for "Part II (On The Run)," from Jay's album Magna Carta Holy Grail. Backstage, Bey's long white Michael Costello gown got cameras clicking and slayed style watchers, a standout among all of her GRAMMY fits.

2015 — 57th GRAMMY Awards

Wins: Best R&B Performance ("Drunk In Love"), Best R&B Song ("Drunk In Love"), Best Surround Sound Album (Beyoncé)

Nominations: Album Of The Year (Beyoncé), Best Contemporary Album (Beyoncé), Best Music Film (Beyoncé and Jay-Z: On The Run Tour)

Performance: "Take My Hand, Precious Lord"

After the previous year's racy performance of "Drunk In Love" that opened the show, Beyoncé took a markedly more pious approach with her musical number in 2015. Backed by an all-male choir, she sang "Take My Hand, Precious Lord," a gospel classic written by Thomas A. Dorsey in 1932. In a now-deleted behind-the-scenes video posted on her website, she explained that the performance was meant as a statement around police brutality and civil unrest in the wake of the murders of Eric Garner and Michael Brown, among others.

"My grandparents marched with Dr. King, and my father was part of the first generation of Black men that attended an all-white school," Beyoncé said. "My father has grown up with a lot of trauma from those experiences. I feel like now I can sing for his pain, I can sing for my grandparents' pain. I can sing for some of the families that have lost their sons."

During her three wins, fans saw her show some rare PDA with Jay-Z. The pair shared a kiss when they won Best R&B Performance for "Drunk In Love."

Two days after the 2015 GRAMMYs, Beyoncé also took part in a star-studded salute to Stevie Wonder for the CBS special "Stevie Wonder: Songs in the Key of Life — An All-Star Grammy Salute," which aired on Feb. 15, 2015. She sang a medley of "Fingertips," "Master Blaster" and "Higher Ground" alongside Ed Sheeran and Gary Clark Jr.

2016 — 58th GRAMMY Awards

In a year when she didn't have eligible work in the running, Beyoncé still made international waves when she appeared at the GRAMMYs in a white wedding-like gown. She wasn't there to get married, though — she presented the award for Record Of The Year to Bruno Mars for his hit song "Uptown Funk."

"Let's go, Beyoncé, let's do it!" Mars playfully yelled from the audience, just before she said his name.

2017 — 59th GRAMMY Awards

Wins: Best Contemporary Urban Album (Lemonade), Best Music Video ("Formation")

Nominations: Album Of The Year (Lemonade), Best Music Film (Lemonade), Record Of The Year ("Formation"), Song Of The Year ("Formation"), Best Pop Solo Performance ("Hold Up"), Best Rock Performance ("Don't Hurt Yourself"), Best Rap/Sung Performance ("Freedom") 

Performance: "Love Drought" and "Sandcastles"

Beyoncé dressed like a goddess while pregnant with twins Rumi and Sir Carter to perform "Love Drought" and "Sandcastles," songs from her multi-nominated (and GRAMMY-winning) album and music film Lemonade. Her kids were at the forefront of her mind during her acceptance speech for Best Contemporary Urban Album.

"It's important to me to show images to my children that reflect their beauty so they can grow up in a world where they look in the mirror — first through their own families, as well as the news, the Super Bowl, the Olympics, the White House and the GRAMMYs — and see themselves," she said.

Later, in an unexpected — and instantly viral — moment, Adele dedicated her acceptance speech for Album Of The Year to effusively praising Beyoncé and the Lemonade album, which was also nominated in the category.

"You are our light!" Adele exclaimed, calling Lemonade her album of the year.

2018 — 60th GRAMMY Awards

Nomination: Best Rap/Sung Performance ("Family Feud")

It was all in the family when Beyoncé, Jay-Z and their then 6-year-old daughter Blue Ivy Carter sat together at the GRAMMYs in 2018 — though Blue's parents were ironically nominated for a song called "Family Feud" from Jay's 4:44 album. In a clip that went viral, a camera caught Blue seemingly motioning for them to stop clapping. The world fell in love with her commanding presence at that very moment.

2019 — 61st GRAMMY Awards

Win: Best Urban Contemporary Album (Everything Is Love)

Nominations: Best R&B Performance ("Summer"), Best Music Video ("Apes***")

Beyoncé's 2019 win and nominations were given for her collaborations with Jay-Z in their Everything Is Love album. The Carters won Best Urban Contemporary Album with the nine-song album, which they co-produced with Leon Michels and Cool & Dre. They also were nominated for Best R&B Performance for "Summer" as well as Best Music Video for "Apes***," a bold piece which they filmed in front of the Mona Lisa, Venus de Milo, Great Sphinx of Tanis and other seminal works displayed in Paris' Louvre.

2020 — 62nd GRAMMY Awards

Win: Best Music Film (Homecoming)

Nominations: Best Pop Solo Performance ("Spirit"), Best Song Written for Visual Media ("Spirit"), Best Pop Vocal Album (The Lion King: The Gift) 

Homecoming offers an intimate look at the best onstage and behind-the-scenes moments from Beyoncé's massive headline sets at Coachella in 2018. Performed over two consecutive weekends, her show at the Southern California desert festival pays homage to the great Southern bands from HBCUs (Historically Black Colleges and Universities). There's also a brief but thrilling Destiny's Child reunion, as well as plenty of Easter eggs for Southern rap fans in the form of instrumental and lyrical riffs and snippets weaved into her hits. 

Two additional nominations recognized her work for The Lion King: The Gift. She voiced Nala in the film.

2021 — 63rd GRAMMY Awards

Wins: Best R&B Performance ("Black Parade"), Best Music Video ("Brown Skin Girl"), Best Rap Performance ("Savage") and Best Rap Song ("Savage") with Megan Thee Stallion

Nominations: Record Of The Year ("Savage") and Record Of The Year ("Savage") with Megan Thee Stallion, Best R&B Song and Song Of The Year ("Black Parade"), Best Music Film (Black Is King)

Beyoncé's Best R&B Performance win made her the performing artist with the most career GRAMMY wins in history. (She's tied with producer Quincy Jones, and Georg Solti, who has more wins, was a conductor and not a performer.) She also became the woman with the most GRAMMY wins that night.

During her acceptance speech, she shared that she's worked hard since she was 9 years old and congratulated her daughter — also 9 at the time — for scoring her first GRAMMY. Blue stars in the video for "Brown Skin Girl," the Best Music Video winner.

"It has been such a difficult time so I wanted to uplift, encourage, and celebrate all of the beautiful Black queens and kings that continue to inspire me and inspire the whole world," Beyoncé added about her Black Is King project. 

Bey also appeared onstage with fellow Houstonian Megan Thee Stallion, who couldn't contain her excitement about sharing the stage — and two GRAMMYs — with her hometown hero. "I love her work ethic, I love the way she is, I love the way she carry herself," Megan said. "My momma will always be like, 'Megan, what would Beyoncé do?' And I'm always like, 'You know what? What would Beyoncé do, but let me make it a little ratchet.'"

2023 — 65th GRAMMY Awards

Wins: Best Dance/Electronic Music Album (RENAISSANCE), Best R&B Song ("CUFF IT"), Best Traditional R&B Performance ("PLASTIC OFF THE SOFA"), Best Dance/Electronic Music Recording ("BREAK MY SOUL")

Nominations: Album Of The Year (RENAISSANCE), Record Of The Year ("BREAK MY SOUL"), Song Of The Year ("BREAK MY SOUL"), Best Song Written For Visual Media ("Be Alive" from King Richard), Best R&B Performance ("VIRGO’S GROOVE")

Beyoncé made even more GRAMMY history in 2023 — and it was her biggest record yet.

She needed four wins out of her nine nominations to become the artist with the most GRAMMYs of all time with 32. Going into the ceremony, she had two wins down (Best Traditional R&B Performance and Best Dance/Electronic Music Recording), and she was, according to host Trevor Noah, "stuck in traffic" upon winning her third golden gramophone for Best R&B Song. But she made it just in time for her history-making moment, taking deep breaths as she took the stage and noting that she was "trying to just receive this night."

Throughout her speech, Beyoncé first thanked God and her late Uncle Jonny — her main inspiration for RENAISSANCE — then went on to thank her parents as well as Jay-Z and their three kids. She poignantly ended with a tribute to the trailblazers who opened the door for her record-breaking album.

"I’d like to thank the queer community for your love and for inventing this genre," she said. "God bless you, thank you so much to the GRAMMYs."

2023 GRAMMY Nominations: See The Complete Winners & Nominees List

If you've had an issue with an ex in the past 18 months, GAYLE has probably provided some catharsis for you.

Born Taylor Gayle Rutherford, she's the singer behind 'abcdefu,' a kiss-off anthem that offers both deep emotion and inherent irreverence. And just as much as the song offered release for many listeners, it did for GAYLE herself, too.

The pop smash was based on a real-life relationship and subsequent heartbreak GAYLE would later refer to as toxic — making the breakup tune a powerful call for independence as well as an outright display of both anger and the strength of moving on. 

"abcdefu" was also a depiction of teenage angst, as GAYLE was just 16 when she co-wrote the song as a fledgling artist in Nashville. Two years later, the song helped the now 18-year-old GAYLE earn her first GRAMMY nomination, and a coveted one at that: Song Of The Year. 

The nomination comes on the heels of monumental commercial success for the young singer, with her hit going triple platinum, topping Billboard’s Global 200 chart and garnering more than a billion streams. Along the way, she’s released her first two EPS (the aptly-titled A Study of the Human Experience, Volumes One and Two). And just recently, Taylor Swift invited her to open several dates on the superstar’s highly anticipated (and Ticketmaster-breaking) Eras Tour, which kicks off in March.

Ahead of the 2023 GRAMMY Awards, GAYLE gets candid about the song that changed her life, the creative community in Nashville and what’s next. 

Tell me about the genesis of "abcdefu" — where were you when it came together?

We were in Nashville, Tennessee. It was me and [co-writer] Dave Pittenger, along with Sara Davis, who I [have been] writing with since I was 12 and she was 15. Me and Sara were two young girls in Nashville who thought, We can curse in our songs and our moms won’t get mad at us? This is cool. 

We’d write songs in my bedroom, but after a couple years of writing with each other, we started teaming up with producers and writing with guitars and pianos. We started writing with Dave, who had a lot of success with country music and less so pop, so we’d just write songs on a guitar. 

Normally I come in with a vision, because I feel it’s your job as an artist to lead writers where you want to go. But it was in the middle of COVID, and this was my first in-person write in a long time. I said, "I have to be honest, I have no ideas. I really hate being that person." Dave laughed and he said, "Well, I have a bunch." Thank God for him. 

For his first idea, he looked at us, looked back down and looked at us again and was like, "ABCD F— Off!" and me and Sara just burst out laughing. I had never heard that phrase.

The song centers on a breakup where you want nothing to do with your ex. Was there a real inspiration behind that?

My actual ex and my best friend hated each other; they had beef the whole entire time [my ex and I dated]. They never really hung out and I kept them very separated. I was also in a very self-deprecating place the whole entire relationship. 

So you had all of this bottled-up energy you brought into the song?

I had written a million songs about this person, but I was really angry at him and was angry at the people who enabled him and his behavior. One of the reasons why he treats people improperly is because he was treated improperly. So I was mad at him and everyone who enabled him.

Did he actually have a dog?

He does have a dog! It’s a Shih-Poo.

Does this person know the song is about him, and have you heard from him?

I have not heard from him. I blocked him in February 2021, after hitting a point where I said, "I have to be done." It was a very specific moment in time, and I hope he has a happy life. I just want to be as far away from him as possible. I also don’t get any validation from him thinking anything I’m doing is impressive, even if he looked at the charts. 

When did you realize your life was going to change thanks to the success of "abcdefu?"

The first moment I knew something was happening was when it started to hit the Shazam charts in other countries, like Poland or South Korea. That meant it was playing in random places and people were wondering what the song was. I think it was in the top five in Mexico, and it was weird to be in Nashville and know that it was playing somewhere else in a random coffeeshop.

[When a song is rising like that,] whenever it does one thing you hope it does another thing. If it gets on a playlist, you hope it goes higher up on that playlist. So for a while I was playing that game. 

I remember the day it hit the Spotify playlist Today’s Top Hits. I was on tour with the band Winnetka Bowling League as their opener in small clubs. We were just jumping up and down backstage, so excited that it would reach that. But when it hit the radio, I knew that things were going to be different.

You’re also 18 years old experiencing all of this, but at the same time have been working at it for a while. Can you tell me about growing up with these dreams and creative goals, which you’re now experiencing the materialization of?

It’s interesting; why you get into music at 10 is a very different reason why you stay in it at 18. I’m very aware that I’m living my dreams and getting to do all the things I wanted to do as a kid, but at the same time, it’s very real, and there are difficulties that come with those things that I guess I didn’t always expect. [My success] has changed my life and benefited me in so many ways, but it also gave me new difficulties that I have to deal with. 

After this past year, what I’m grateful for is that nobody can make me do something I don’t want to do. The music that I’m making, and the things that I’m doing, I really love and stand behind. I’m trying to appreciate things that happen in the moment and not be too scared for my future as well. I know I have time. 

I just happened to put out my first song through a label that did what it did, and that is amazing. Now I want to build a career that I can stick with. So it’s very exciting and nerve-wracking at the same time. Sometimes it’s hard to breathe, but I’m very hopeful for the next year. 

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You’ve said in the past that you feel kind of like an underdog in the sense that you’re a pop artist coming from Nashville, which is so known for its country scene. Can you elaborate on that?

It’s interesting because there is a lot of pop music in Nashville, and now more than ever, the lines are being blurred on genres. But one thing I really appreciate about the city is how the community really loves you if you’re developing and have nothing. I’ve never felt like I had more of a family than when I was up-and-coming here. I came to Nashville when I was 12, and found people I felt so connected to because we had this unexplainable and undying love and passion for music — [and we] couldn’t help but be a crazy person and move here. 

Also, Nashville for a 12 year old is very different than LA for a 12 year old. In LA, people would always tell me who I was — "You’re this, you’re that." But any meeting I ever had in Nashville was, "Tell me who you are." I needed to find out who I was there in order to work in other places. It’s a community of writers who want to collaborate with each other, and that’s something really beautiful about the Nashville scene. 

You’re now about to join Taylor Swift’s Eras Tour as an opener, one of the most culturally significant tours in many years. What does that mean to you, both personally and as an artist?

She’s been in the music industry for 15 years, so I was 3 when she got her start. As a young, female pop songwriter in Nashville, it means the absolute world that she’d believe in me enough to put me on that tour. 

She’s been such an inspiration my entire time in Nashville, especially since I started out in country music and moved over to pop. I didn’t even know that was a possibility until I saw Taylor do that very successfully. I don’t know if my mom would have even moved me to Nashville if she didn’t see Taylor Swift’s parents do it first. 

Has she ever given you advice?

It’s never been straightforward advice, but more about just the struggles beginning in music. When I met her, I genuinely was just so happy to have the opportunity to thank her for everything she’s done in the Nashville scene, and the writing community there as an iconic representative. 

I barely know what I’m doing and I feel no guarantees about my future. I’m trying to work on having a stable career. I’ve been in the music industry for a year and I’m making my first album. So it’s like, "I don’t know what I’m doing and I’m really scared and tired" and she’s like "It’s okay, baby." She is the biggest star in the world, and [she understands] that is a double-edged sword. 

She knows what it's like to be a young, up-and-coming woman in the industry with social media; it’s an exciting and terrifying time where the highs are really high and the lows are really low. For her to just take me under her wing in any way with belief, hope and inspiration and kindness [is amazing]. Because when all is said and done, [she sees] I’m just a teenage girl who really loves music. 

A Look At The Nominees For Song Of The Year At The 2023 GRAMMY Awards