meta-scriptMeet The Record Of The Year Nominees At The 2023 GRAMMYs | GRAMMY.com
Meet The Record Of The Year Nominees At The 2023 GRAMMYs

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Meet The Record Of The Year Nominees At The 2023 GRAMMYs

The 2022 Record Of The Year nominees at the 2023 GRAMMYs are hits from some of the biggest names in music, old and new: ABBA, Adele, Beyoncé, Brandi Carlile and Lucius, Doja Cat, Harry Styles, Kendrick Lamar, Lizzo, Mary J. Blige, and Steve Lacy.

GRAMMYs/Nov 15, 2022 - 05:38 pm

Looking at this year's roster of the 2022 Record Of The Year nominees for the 2023 GRAMMY Award show, there's two stories to be told: superstar comebacks made a killing, and the new crop of stars are proving to be equally as powerful.

The past year has given us much-anticipated returns from titans like Adele, Beyoncé, Kendrick Lamar, and Mary J. Blige, and even ABBA made a triumphant comeback after nearly 40 years. And while genre-melding mainstays Lizzo, Doja Cat and Brandi Carlile continued to crank out hits, Steve Lacy had a true breakthrough moment, and Harry Styles’ latest evolution solidified him as a pop icon.

Suffice to say, the race for Record of the Year — which is awarded to the artist and the producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s) — is going to be hotly contested at the 2023 GRAMMY Awards show. From Beyoncé's foray into dance music to Styles' unstoppable chart-topper, the winner is far from a sure thing. 

Before tuning into the 2023 GRAMMYs on Feb. 5, 2023, get fully acquainted with this year's 2022 Record Of The Year nominees below. 

The 2023 GRAMMY nominations are officially here. See the complete list of nominees across all 91 GRAMMY categories.

ABBA — "Don't Shut Me Down"  

After almost four decades away from the limelight, Swedish pop royalty ABBA made a joyous return in 2021 with the dual single, "I Still Have Faith In You" and "Don't Shut Me Down." The latter opens with the ageless sound of Agnetha Fältskog's voice over gently plucked strings, evoking the opening swell of a Broadway musical. Then the disco guitars hit, and we're right back in ABBA's world.

"Don't Shut Me Down" helped usher in an unexpected next act for the beloved group, including a new album, Voyage, and a groundbreaking live show featuring their de-aged "digital avatars." As band member Björn Ulvaeus told The Guardian, their new music was written "absolutely trend-blind" to preserve its essential ABBA-ness. Luxuriating in the rich, open-hearted sound of "Don't Shut Me Down," you'd think no time had passed at all. 

Adele — "Easy On Me"

Adele has built a highly decorated career on the gale-force strength of her emotions, and 'Easy On Me' is no exception. Released as the lead single from the British superstar's first album in six years, 30, "Easy On Me" taps into the pain of her divorce and its toll on her son.

Written as a plea for understanding from a mother to her child, the result is a rousing piano-led torch song as only Adele can make. With her emotions laid bare, "Easy On Me" set the stage for the 15-time GRAMMY winner's latest era. 

"There's something hopeful about it, as well as sad," Adele told Radio 1 of her comeback ballad. "Obviously I bawled my eyes out when I was writing it and singing it." As ever, her toil was our gain. 

Beyoncé — "BREAK MY SOUL"

Back in June, Beyoncé set the internet alight by casually updating her Instagram and Twitter bios with the message, "6. BREAK MY SOUL midnight ET." Fittingly for its late-night drop, "BREAK MY SOUL" saw the 28-time GRAMMY winner coming for house dance floors.

With a four-to-the-floor beat that references Robin S's classic "Show Me Love," Bey's banger also pulls in elements of hip-hop and bounce music to thrilling effect. Reteaming with Tricky Stewart and The-Dream — the co-producers on Bey’s Song Of The Year-winning smash "Single Ladies (Put a Ring on It)" — the pop hitmaker skillfully paid homage to house music's Black queer roots in the context of a post-pandemic anthem. 

Generous and bursting with life, "BREAK MY SOUL" provided the perfect entrance to Beyoncé's seventh album, Renaissance, which followed the next month with heavyweight club credentials. 

Mary J Blige. — "Good Morning Gorgeous"

In the week before she took to the stage at the 2022 Super Bowl for over 100 million viewers, R&B icon Mary J. Blige seized the moment to release her 14th studio album, Good Morning Gorgeous. On the rousing title track, Blige moves past heartbreak to preach self-love above all else — a message embraced and amplified by fans on TikTok.

That silky, yet powerful voice — familiar from 2000s classics like "Family Affair" and "Be Without You" — is once again the centerpiece on "Good Morning Gorgeous," backed by warm bass and steadily strumming guitars. Blige co-produced the song with her frequent collaborator D'Mile and five-time GRAMMY winner H.E.R., the latter of whom considered the assignment a dream come true. 

Ever honest in her music, Blige told "Good Morning America" she "had to learn how to love myself out of a negative place." Self-acceptance looks great on her. 

Brandi Carlile featuring Lucius — "You and Me on the Rock"

After revisiting the past in her bestselling memoir, Broken Horses, Brandi Carlile returned to her pen and paper to conjure her seventh album, In These Silent Days. The album opens strikingly with Carlile's GRAMMY-nominated hit, "Right On Time," before easing into "You and Me on the Rock" — now, another GRAMMY-nominated single.

Deeply personal and quietly romantic, "You and Me on the Rock" reflects on the solid foundation of Carlile's home life with her wife, Catherine, and their two daughters. "Me out in my garden and you out on your walk/ Is all the distance this poor girl can take," the six-time GRAMMY winner sings to her love, evoking a scene of  blissfully domestic groundedness. 

Produced by folk and country lifers Dave Cobb and Shooter Jennings, "You and Me on the Rock" also features Jess Wolfe and Holly Laessig of indie-pop group Lucius on backing vocals. As Carlile described it to Stereogum, "The song just felt really feminine to me."  

Doja Cat — "Woman"

On her GRAMMY-nominated third album, Planet Her, Doja Cat invited listeners into a world entirely of her own creation. After seeing success with the album’s first three singles — the GRAMMY-winning SZA collab "Kiss Me More," the Weekend-featuring hit "You Right" and the top-10 jam "Need To Know" — Doja kept the momentum alive with "Woman."

To craft the song's distinctive Afrobeats-inspired sound, Doja turned to a brains trust of producers who are practiced in dancehall, reggae, pop and R&B: Crate Classics, Linden Jay, Aynzli Jones and Yeti Beats. For all the sleekness of the production, Doja holds center stage, stepping lithely between singing and rapping on the theme of female empowerment. Top it all off with her immaculately choreographed dancing in the song’s music video, and consider Doja Cat a triple threat.

Steve Lacy — "Bad Habit"

"You can't surprise a Gemini," Steve Lacy croons with breezy nonchalance on "Bad Habit," the second single from his 2022 album, Gemini Rights. That sentiment might be true, but even someone as effortlessly cool as Lacy was surprised by the runaway success of his breakout hit.

A laidback rumination on a could-have-been love affair, "Bad Habit" caught fire on TikTok before beginning its unlikely ascent to No. 1 on the Billboard Top 100, unseating the weeks-long reign of Harry Styles' "As It Was." (Now, the two meet again in this very category.)

With its loping guitar, funk synths and Lacy's never hurried vocals, "Bad Habit" isn't your typical chart hit. Before taking off on his own, Lacy honed his pared-back melodies and Prince-inspired hooks as part of alternative R&B group the Internet, as well as in collaboration with the likes of Solange and Kendrick Lamar. Those experiences all inform "Bad Habit" — but even Lacy admits that his newfound solo success "still doesn't feel real yet."

Kendrick Lamar — "The Heart Part 5"

Having secured his place in the hip-hop pantheon, Kendrick Lamar is not one to coast on reputation. On "The Heart Part 5" — a brilliantly dense rap masterclass released ahead of his fifth album, Mr. Morale & the Big Steppers — Lamar sounds as urgent as ever. The "Heart" series of standalone releases began in 2010, with each signaling the start of a new era for the Compton rapper.

"The Heart Part 5" sees the 14-time GRAMMY winner lay out his state of the union over a restless beat that samples Marvin Gaye's "I Want You," helmed by production outfit Beach Noise. Flipping that song's sultry strut, Lamar raps in long, detailed verses about the challenges and contradictions of Black life, delivering diamond-cut lines like, "Desensitized, I vandalized pain." Accompanied by a video that uses deepfake technology to morph Lamar into Black celebrities, "The Heart Part 5" is a pure artistic statement that deepens on each listen. 

Lizzo — "About Damn Time"

As Lizzo was nearing completion on her fourth album, Special, the three-time GRAMMY winner got the feeling something was missing. Eager to channel the uplifting confidence of her 2019 hit, "Good As Hell," Lizzo created "About Damn Time" — and found that positivity and then some.

Co-produced by Lizzo’s trusted producer Ricky Reed and hitmaking songwriter/producer Blake Slatkin, "About Damn Time" delivers an infectious disco-funk beat and a slew of instantly quotable (and very Lizzo-esque) lines. With a viral TikTok dance to boot, "About Damn Time" hit its stride as summer warmed up, and landed Lizzo her second No. 1 hit. 

After the "major traumas and hard experiences" of recent years, Lizzo told Audacy she "wanted to write a song that allowed us to take a moment and celebrate our survival, and celebrate how far we've come." Mission accomplished.**

Harry Styles — "As It Was"

Harry Styles staked his claim on 2022 with the announcement of his third album, Harry's House, offering up "As It Was" as an early gift. The lead single rushes along with gleaming synth-pop melodies and an achingly catchy chorus, elevating the pop-rock sounds of Styles’ previous album, 2019’s Fine Line — and subsequently launching him into an even bigger superstar stratosphere.

From the moment of its release, "As It Was" went on an unstoppable run, becoming the longest-running U.S. No. 1 by a UK act on the Billboard Hot 100, with 15 weeks in the top spot. Ironically, "As It Was" is lyrically centered on loneliness, but its racing melody disguises the song as a feel-good hit — and that might just be what makes "As It Was" so special.

It also marks a big moment for Styles and his right-hand men, co-producers/co-writers Tyler Johnson and Kid Harpoon. "As It Was" earned Styles his first nominations for Record Of The Year and Song Of The Year, and Harrys House notched his first Album Of The Year nod.

2023 GRAMMY Nominations: See The Complete Nominees List

 The 2023 GRAMMYs, officially known as the 65th GRAMMY Awards, returns to Los Angeles' Crypto.com Arena on Sunday, Feb. 5, 2023, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

The eligibility period for the 65th GRAMMY Awards is Friday, Oct. 1, 2021 – Friday, Sept. 30, 2022. All eligible awards entries must be released within this timeframe.

The Recording Academy and GRAMMY.com do not endorse any particular artist, submission or nominee over another. The results of the GRAMMY Awards, including winners and nominees, are solely dependent on the Recording Academy’s Voting Membership.

GRAMMY Rewind: Watch Doja Cat & SZA Tearfully Accept Their First GRAMMYs For "Kiss Me More"
(L-R) Doja Cat and SZA at the 2022 GRAMMYs.

Photo: Kevin Mazur/Getty Images for The Recording Academy

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GRAMMY Rewind: Watch Doja Cat & SZA Tearfully Accept Their First GRAMMYs For "Kiss Me More"

Relive the moment the pair's hit "Kiss Me More" took home Best Pop Duo/Group Performance, which marked the first GRAMMY win of their careers.

GRAMMYs/Mar 1, 2024 - 06:11 pm

As Doja Cat put it herself, the 2022 GRAMMYs were a "big deal" for her and SZA.

Doja Cat walked in with eight nominations, while SZA entered the ceremony with five. Three of those respective nods were for their 2021 smash "Kiss Me More," which ultimately helped the superstars win their first GRAMMYs.

In this episode of GRAMMY Rewind, revisit the night SZA and Doja Cat accepted the golden gramophone for Best Pop Duo/Group Performance — a milestone moment that Doja Cat almost missed.

"Listen. I have never taken such a fast piss in my whole life," Doja Cat quipped after beelining to the stage. "Thank you to everybody — my family, my team. I wouldn't be here without you, and I wouldn't be here without my fans."

Before passing the mic to SZA, Doja also gave a message of appreciation to the "Kill Bill" singer: "You are everything to me. You are incredible. You are the epitome of talent. You're a lyricist. You're everything."

SZA began listing her praises for her mother, God, her supporters, and, of course, Doja Cat. "I love you! Thank you, Doja. I'm glad you made it back in time!" she teased.

"I like to downplay a lot of s— but this is a big deal," Doja tearfully concluded. "Thank you, everybody."

Press play on the video above to hear Doja Cat and SZA's complete acceptance speech for Best Pop Duo/Group Performance at the 2022 GRAMMY Awards, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

How 'SOS' Transformed SZA Into A Superstar & Solidified Her As The Vulnerability Queen

15 Must-Hear Albums In March 2024: Beyoncé, Ariana Grande, Shakira & More
(Clockwise) Sheryl Crow, Deryck Whibley, Tierra Whack, Justin Timberlake, Schoolboy Q, Kasey Musgraves, Kim Gordon, Tyla, Beyoncé, Dua Lipa

Photos: Jeff Kravitz/FilmMagic; RICHARD THIGPEN; Jon Kopaloff/Getty Images for WIRED; Owen Schatz; Jason Armond/Los Angeles Times via Getty Images; KELLY CHRISTINE SUTTON; Jason Squires/FilmMagic; JASON ARMOND / LOS ANGELES TIMES VIA GETTY IMAGES; KEVIN MAZUR/GETTY IMAGES FOR THE RECORDING ACADEMY; Araya Doheny/FilmMagic

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15 Must-Hear Albums In March 2024: Beyoncé, Ariana Grande, Shakira & More

From the debuts of Tyla and rapper Tierra Whack, to a new salvo from Kim Gordon, women dominate the list of releases for March. While it may be Women's History Month, there are a few major releases from male artists, including Justin Timberlake.

GRAMMYs/Mar 1, 2024 - 04:02 pm

March is Women’s History Month, and women in music are more powerful than ever. 

The month begins with the comeback of several queens, starting with Kim Gordon’s The Collective and Ariana Grande’s Eternal Sunshine. Later, country darling Kacey Musgraves will unveil Deeper Well, and Shakira will drop the empowering Las Mujeres Ya No Lloran. Long-awaited debuts by GRAMMY-winning singer Tyla and singer/bassist Blu DeTiger will also join the lineup, with their respective Tyla and All I Ever Want Is Everything. Wrapping up March on a high note, Beyoncé will drop her highly-anticipated Act II on the 29th.

Men will release music in March as well: Expect new releases by Justin Timberlake, Bleachers, the last record from pop-punk band Sum 41, and (allegedly) Kanye West and Ty Dolla $ign’s Vultures 2.

To make the most of this prolific time, GRAMMY.com compiled all the must-hear albums dropping March 2024.

Schoolboy Q - Blue Lips

Release date: March 1

On Feb. 1, Schoolboy Q’s website was updated with a mysterious countdown and a 37-second video. In it, the rapper finally unveiled the setlist and title of his much-awaited sixth studio album, Blue Lips, as well as its release date — March 1.

Blue Lips is Q’s first full record since 2019’s Crash Talk, although he had been teasing the album since 2020. Hopefully, it was worth the wait: Blue Lips holds 18 tracks and participations by Rico Nasty, Freddie Gibbs, and more. Q has also started a new vlog series on social media called "wHy not?," where he takes the viewers behind the scenes of making the album and previews snippets of the songs.

So far, the rapper shared tracks "Blueslides," "Back n Love" with Devin Malik, "Cooties" and "Love Birds" with Devin Malik and Lance Skiiwalker, as well as lead single "Yeern 101."

Bleachers - Bleachers

Release date: March 8

Fronted by 10-time GRAMMY winner and 2024 Producer Of The Year Jack Antonoff, rock band Bleachers will release its eponymous fourth studio album on March 8.

In a press release, Bleachers is described as Antonoff’s "distinctly New Jersey take on the bizarre sensory contradictions of modern life." The self-titled record will blend sadness and joy into "music for driving on the highway to, for crying to and for dancing to at weddings."

The band shared four singles so far: lead track "Modern Girl," "Alma Mater" featuring Lana del Rey, "Tiny Moves" and "Me Before You." Through serendipitous melodies and soulful writing, Bleachers commit to "exist in crazy times but remember what counts." 

Bleachers will tour the U.K. in March and the U.S. in May and June.

Kim Gordon - The Collective

Release date: March 8

Former Sonic Youth vocalist Kim Gordon will release her sophomore LP, The Collective, on March 8. The album is a follow-up to her 2019 debut No Home Record, and furthers her collaboration with producer Justin Raisen, as well as additional producing from Anthony Paul Lopez.

"On this record, I wanted to express the absolute craziness I feel around me right now," said Gordon in a press statement. "This is a moment when nobody really knows what truth is, when facts don’t necessarily sway people, when everyone has their own side, creating a general sense of paranoia. To soothe, to dream, escape with drugs, TV shows, shopping, the internet, everything is easy, smooth, convenient, branded. It made me want to disrupt, to follow something unknown, maybe even to fail."

Back in January, the singer unveiled the album’s moody first single, "Bye Bye," and a music video starring her daughter, Coco Gordon Moore. The second single, "I’m A Man," came out in February. Gordon will play six concerts in support of The Collective, starting March 21 in Burlington, Vermont.

Ariana Grande - Eternal Sunshine

Release date: March 8

It’s been almost four years since Ariana Grande’s last studio album, 2020’s Positions. The starlet spent the past few years filming Wicked, an adaptation of the Broadway musical of the same name, and declared that she wouldn’t be releasing any new records until it was done.

The wait is finally over, as Grande announced her seventh studio album, Eternal Sunshine. The album’s first and only single, "Yes, And?," dropped in January, followed by an Instagram video of the soprano singer explaining the concept of the album to her Republic Records team. 

"It’s kind of a concept album ’cause it’s all different heightened pieces of the same story, of the same experience," she said. "Some of [the songs] are really vulnerable, some of them are like playing the part of what people kind of expect me to be sometimes and having fun with it."

"I think this one may be your favorite," Grande wrote of Eternal Sunshine on her Instagram Story. "It is mine." The 13-song collection will reportedly explore house and R&B, and will have only one feature: Grande’s grandmother, who appears on the last track, "Ordinary Things."

Kanye West and Ty Dolla $ign -Vultures 2

Release date: March 8

After a series of delays, Kanye West and Ty Dolla $ign’s first collaborative album, Vultures 1, ultimately dropped on Feb. 10, 2024. Set to be the first installment of a trilogy, the album was released independently through West’s YZY label, and debuted at No. 1 on the Billboard 200 chart, with all of its 16 tracks also charting on Billboard’s Hot 100.

Billed as ¥$, the duo plans to release Vultures 2 on March 8, and follow up with Vultures 3 on April 5. Although any other info about the upcoming volumes is still unclear, Timbaland recently shared on X (formerly Twitter) that Vultures 2 is "OTW." (Timbaland produced Vultures 1’s "Keys to My Life" and "Fuk Sumn" with Playboi Carti and Travis Scott.)

In the past month, West and $ign held a few listening parties for the album in the U.S. and Europe, but additional schedules are yet to be revealed.

The Jesus and Mary Chain - Glasgow Eyes

Release date: March 8

To celebrate their 40th anniversary, alt-rock band the Jesus and Mary Chain will release their eighth studio album, Glasgow Eyes, on March 8.

As it can be seen on lead single "Jamcod," the Scottish group still runs strong on the distorted synths and electrifying guitars that shaped their sound. "People should expect a Jesus and Mary Chain record, and that’s certainly what Glasgow Eyes is," vocalist Jim Reid said in a statement. "Our creative approach is remarkably the same as it was in 1984, just hit the studio and see what happens. We went in with a bunch of songs and let it take its course. There are no rules, you just do whatever it takes."

Glasgow Eyes also mends a six-year gap since the Jesus and Mary Chain’s latest album, 2017’s Damage and Joy. To further commemorate, the band will also release an autobiography and embark on a European tour throughout March and April.

Justin Timberlake - Everything I Thought It Was

Release date: March 15

Justin Timberlake is back with his first studio album since 2018’s Man of the Woods. The new record, Everything I Thought It Was,  is spearheaded by singles "Selfish" and "Drown."

"I worked for a long time on this album, and I ended up with 100 songs. So, narrowing them down to 18 was a thing," said Timberlake in an interview with Zane Lowe on Apple Music 1. "I’m really excited about this album. I think every artist probably says this, but it is my best work." The Memphis singer also shared that there are "incredibly honest" moments in the album, but also "a lot of f—ng fun."

To celebrate his return, Timberlake announced his Forget Tomorrow World Tour. Set to kick off on April 29 in Vancouver, the tour will cross through North America and Europe until its final date on Dec. 16 in Indianapolis.

Kacey Musgraves - Deeper Well

Release date: March 15

Fresh off winning Best Country Duo/Group Performance at the 2024 GRAMMYs for the Zach Bryan duet "I Remember Everything," Kacey Musgraves announced her fifth studio album, Deeper Well..

"My Saturn has returned/ When I turned 27/ Everything started to change," she sings in the contemplative title track, exploring how she changed over the last few years. The single sets the tone for the rest of the record, which was co-produced by longtime collaborators Ian Fitchuk and Daniel Tashian

Featuring 14 tracks, Deeper Well was mostly recorded at the legendary Electric Lady studios in New York City. "I was seeking some different environmental energy, and Electric Lady has the best mojo. Great ghosts," the country star noted in a press release.

On social media, Musgraves wrote: "it’s a collection of songs I hold very dear to my heart. I hope it makes a home in all of your hearts, too." Deeper Well follows 2021’s star-crossed

Tierra Whack - World Wide Whack

Release date: March 15

When rapper Tierra Whack released her first album, 2018’s Whack World, she quickly garnered the admiration of both critics and fans. Comprising 15 one-minute tracks and music videos for each, the release was a refreshing introduction to a groundbreaking artist.

In 2024, the Philadelphia-born star is preparing to release World Wide Whack, labeled her official debut album in a press release. The cover artwork, created by Alex Da Corte, was inspired by theater character Pierrot, fashion designer Elsa Schiaparelli and Donna Summer, and represents "the first reveal of the World Wide Whack character, an alter ego both untouchable and vulnerable, superhuman and painfully human, whose surprising story will unfold in images and video over the course of the album’s visual rollout."

The album follows Whack’s 2021 EP trilogy — Rap?, Pop? and R&B? — and is foreshadowed by the poignant "27 Club" and the eccentric "Shower Song."

Tyla - Tyla

Release date: March 22

After a glowing 2023 with viral hit "Water," South African newcomer Tyla started 2024 with a blast. Last month, she became the first person to win a GRAMMY for Best African Music Performance, and the youngest-ever African singer to win a GRAMMY Award at 22 years old.

Next month is poised to be even better: Tyla’s eponymous debut LP drops on March 22, featuring "Water" and other hits like  "Truth or Dare," "Butterflies" and "On and On," as well as a guest appearance by labelmate Travis Scott.

"African music is going global and I’m so blessed to be one of the artists pushing the culture," Tyla shared on Instagram. Her unique blend of amapiano, pop and R&B is making waves around the world, and the star will rightfully celebrate by touring Europe and North America throughout this spring.

Shakira - Las Mujeres Ya No Lloran

Release date: March 22

The title of Shakira’s new album, Las Mujeres Ya No Lloran, is a nod to her 2023 hit "Shakira: Bzrp Music Sessions, Vol. 53" with Argentine DJ Bizarrap. In the lyrics, she states that "las mujeres ya no lloran, las mujeres facturan" — "women don’t cry anymore, they make money."

The single is a diss to Shakira’s ex-partner, footballer Gerard Piqué, and, like the rest of the record, served as a healing experience after their separation. "Making this body of work has been an alchemical process," the Colombian star said in a statement. "While writing each song I was rebuilding myself. While singing them, my tears transformed into diamonds, and my vulnerability into strength."

Las Mujeres will feature 16 songs, including her Bizarrap collaboration and singles "Te Felicito" with Rauw Alejandro, "Copa Vacía" with Manuel Turizo, "Acróstico," "Monotonía" with Ozuna, "El Jefe" with Mexican band Fuerza Regida, and "TQG" with fellow Colombian Karol G.

Back in 2018, Sheryl Crow said that the LP Threads would be her last — fortunately, she changed her mind. "I said I’d never make another record, though there was no point to it," the singer shared in a statement about her upcoming album, Evolution. "This music comes from my soul. And I hope whoever hears this record can feel that."

According to the same statement, "Evolution is Sheryl Crow at her most authentically human self," and its music and lyrics "came from sitting in the quiet and writing from a deep soul place." 

The entire album was written in a month, starting with the title track, which expresses Crow’s anxieties about artificial intelligence and the future of humans. From then on, Crow and producer Mike Elizondo found bliss. "The songs just kept flowing out of me, four songs turned into nine and it was pretty obvious this was an album," she said.

In addition to the album's title track, Crow also shared singles "Do It Again" and "Alarm Clock."

Sum 41 - Heaven :x: Hell

Release date: March 29

After nearly three decades together, punk-metal mavericks Sum 41 are parting ways. Their final release will be a double album. Heaven :x: Hell, set to drop on March 29.

Heaven is composed of 10 pop-punk tracks reminiscent of the band’s early years, while Hell is 10 tracks of pure heavy metal, reflecting the direction they took more recently. "Once I heard the music, I was confident enough to say, ‘This is the record I’d like to go out on,'" frontman Deryck Whibley said in a statement. "We’ve made a double album of pop punk and metal, and it makes sense. It took a long time for us to pave this lane for ourselves, but we did, and it’s unique to us."

The band shared singles "Landmines," "Rise Up" and "Waiting on a Twist of Fate," and proved that they’re leaving on top of their game. "I love Sum 41, what we’ve achieved, endured, and stuck together through, which is why I want to call it quits," Whibley added. "It’s the right time to walk away from it. I’m putting all of my energy into what’s ahead."

But before embarking on new ventures, Sum 41 will spend the rest of the year touring throughout Asia, North America, and Europe.

Blu DeTiger - All I Ever Want Is Everything

Release date: March 29

At only 26 years old, Blu DeTiger has already toured with Caroline Polachek, played bass for Jack Antonoff’s band Bleachers, partnered with Fender, and appeared on the 2023 Forbes 30 Under 30’s music list.

Now, she prepares to release her debut studio album, All I Ever Want Is Everything. "This album is about growing and becoming, settling into yourself and learning to love where you’re at through it all. It’s about learning how to be your own best friend," the bassist and singer wrote on Instagram.

"Dangerous Game," the lead single off the album, showcases DeTiger’s effervescent energy and potential for pop stardom. Starting April, she will also headline a U.S. tour across Boston, Washington D.C., New York, Toronto, Chicago, San Francisco, Los Angeles and San Diego.

Beyoncé - Act II

Release date: March 29

What better event to announce a new album than the most-watched TV program ever? That’s what Beyoncé did during Super Bowl LVIII, on Feb. 11. At the end of a Verizon commercial, the singer declared "Okay, they ready. Drop the new music," while simultaneously releasing Act II’s lead singles, "16 Carriages" and "Texas Hold 'Em," on social media and streaming platforms.

Coming out March 29, Act II is the second part of Beyoncé’s ongoing trilogy, which was written and recorded during the COVID-19 pandemic. The album is preceded by 2022’s acclaimed Act I: Renaissance, but instead of house and disco, the singer will reportedly take a deep dive into country music.

This isn’t Queen Bey’s first foray into the genre — in 2016, she released Lemonade’s "Daddy Lessons," and her 2021 IVY PARK Rodeo collection was inspired by "the overlooked history of the American Black cowboy," as she told Harper’s Bazaar. It was just a question of time for Beyoncé to enter her country era, and it is finally upon us.

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How Beyoncé Is Honoring Black Music History With "Texas Hold Em," 'Renaissance' & More
Beyoncé performs during the RENAISSANCE World Tour in Inglewood, California.

Photo: Kevin Mazur/WireImage for Parkwood/GettyImages

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How Beyoncé Is Honoring Black Music History With "Texas Hold Em," 'Renaissance' & More

From ventures into country and dance music, Bey's drive for creativity is an exercise in freedom.

GRAMMYs/Feb 28, 2024 - 02:18 pm

The most powerful thing for a Black woman to be is free; to embrace freedom of expression, freedom of agency and freedom of autonomy. In all aspects and areas of our lives, Black women strive to be free. 

In the Black American consciousness, freedom takes on a political nature. But the ways in which we reach our freedom, individually and collectively, are complex and nuanced. Take Beyoncé for example: To the average African American, she is free; her billionaire status frees her from participation in a capitalist state plagued by classism, sexism, and racism.

Yet an individual actor (regardless of star status or income bracket) cannot free themselves from the system at large. And one of the few spaces where people who live on the margins can find a freedom similar to that of a 32-time GRAMMY winning icon is on the dancefloor.

Dance has always been a source of liberation for Black people, where "...shakes of the head, bending of the spinal column, throwing of the whole body backward may be deciphered as in an open book the huge effort of a community to exorcise itself, to liberate itself, to explain itself," philosopher Frantz Fanon wrote in The Wretched of the Earth. In a scene from Renaissance: A Film by Beyoncé, the singer shares a similar sentiment: "This tour…I feel liberated. I have transitioned into a new animal."

This is not Beyoncé’s first attempt at liberation, but it may be her most vocal. Her journey first began in 2013 with the release of Beyoncé, followed by 2016’s Lemonade, and continued on 2022’s Renaissance. Throughout these three albums, she has made declarative statements about her role in 21st century pop culture feminism, reveled in the exploration of Black Southern womanhood identity, and blended these intersecting identities to form a new being. 

It’s poetic how Beyoncé uses music to define herself. In lieu of speaking directly to the press, she has used the vehicle of pop culture to communicate her needs, desires, as well as her understanding of the world. The strategy has proven successful: Through her groundbreaking and popular works, Beyoncé has dominated much media for the past decade. She knows that whoever controls the media, controls the mind. 

Her last two albums have consciously explored genres created by Black artists, whose contributions had disappeared from the narrative. In the media frenzy that inevitably follows Bey's releases, the icon put this history — as well as contemporary artists — back on the global consciousness. 

When Renaissance dropped, the artistry and voices of Big Freedia, Grace Jones, Honey Dijon, Moi Renee, and TS Madison were heard across the world. However, their presence was more than a simple collaboration or feature."This a reminder," Beyoncé says on "Cozy," the album’s second track. 

The album — an auditory homage to the house music her late uncle Johnny loved — introduced audiences to the above artists, all of whom have made their own impacts on dance music. But it also educated listeners about the Black trans and queer underground dance scenes that birthed dance music and culture. In "chocolate cities," such as Baltimore, Chicago, Detroit, dance music was liberation music. Renaissance is and continues to be a call for liberation.

Read more: Obsessed With Beyoncé's 'Renaissance'? Keep The Dance Party Going With Albums From Frankie Knuckles, Big Freedia & More

But liberation becomes confusing when it is Southern. Although the South has a long history of Black liberation — extending as far back as maroon communities to the freedom rides movement to protests against police training facilities in Atlanta — it still is associated with enslavement in the African American mind. 

Country music, a genre with roots in the musical styling and traditions of Black people in Appalachia and the South, becomes whitewashed over time. This erasure, amplified through gender and racial discrimination policies, paints the South and country music as a hostile environment for Black Americans. 

As a result, the banjo, "an instrument of innovation and collaboration," an instrument that is of African origin often used in minstrel shows and artists in blackface, becomes associated with the degradation of Black people. It is no coincidence that the banjo takes prominence on "Texas Hold Em"; when Rhiannon Giddens plays the banjo on the track she recontextualizes a fraught relationship between African Americans and country music.

So what happens when the most powerful entertainer in the world reminds people that she is not only Southern, but country in nature? The world begins to lose its mind. 

Prior to the release of "16 Carriages" and "Texas Hold Em," Beyoncé had attended two significant events in western wear: The 66th GRAMMY Awards and Super Bowl LVIII. Donning a Stetson hat and a bolo tie (the official state tie of Texas), everything signaled a return to home. A return to the South. 

As a little girl, Beyoncé spent summers in Alabama with her paternal grandparents; her grandfather would play and sing country music to her. With such foundational experiences, it makes sense why Beyoncé would use country music to describe the theft of her girlhood on "16 Carriages."

Throughout her discography, Beyoncé has alluded to her country origins — from costuming in her early days as the frontwoman of Destiny’s Child to songs like "Creole" and "Formation." And while she may not have held country in a full-on embrace, its spirit has never left her. 

Yet, she needed to experience liberation of the Renaissance World Tour to bring this version of herself forward. On tour, she found liberation in the booming voice of ballroom legend and commentator Kevin JZ Prodigy, and through the joy of her daughter Blue Ivy Carter. Beyoncé found liberation not only through her dancers, narrator and her daughter, but in the ways in which the stage provided an opportunity for them all to be free. 

She needed to be liberated in order to be the most actualized version of herself. A self, unlike the little girl in Alabama, who knows how unwelcoming the country music industry can be.

One singular action cannot bring forth liberation, and Beyoncé cannot take down the country music industry by herself. However, she can work in unison with Black country musicians like Rhiannon Giddens and Robert Randolph on "16 Carriages" and "Texas Hold Em" to make a change in the industry.

Her presence is giving visibility to the artists who have been working in country music long before Bey entered the playing field. Shortly after the release of "16 Carriages" and "Texas Hold Em," Black female country artists such as Tanner Adell, Reyna Roberts, K. Michelle, Rhiannon Giddens, and Rissi Palmer received a significant increase in streams. Palmer is one of the few Black women in the genre to chart on Billboard, prior to Beyoncé breaking the mold as the first Black woman to top the Billboard country chart.   

Although she is one powerful person, Beyoncé understands each movement in music, culture, and politics is the byproduct of those who have come before her like Linda Martell, the first Black woman country star. 

There is much to be speculated about the lasting impacts act ii, scheduled for release on March 29, will have on the country music industry, Its arrival certainly heralds an important impact on the artist herself. 

Beyoncé is free, in her career, sound and attitude toward life. And the unintended (or possibly intended) consequence of her freedom and self actualization is that Black people in country music are allowed to be free too. 

How Beyoncé Has Empowered The Black Community Across Her Music And Art | Black Sounds Beautiful

GRAMMY Rewind: Watch Baby Keem Celebrate "Family Ties" During Best Rap Performance Win In 2022
Baby Keem (left) at the 2022 GRAMMYs.

Photo: Matt Winkelmeyer/Getty Images

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GRAMMY Rewind: Watch Baby Keem Celebrate "Family Ties" During Best Rap Performance Win In 2022

Revisit the moment budding rapper Baby Keem won his first-ever gramophone for Best Rap Performance at the 2022 GRAMMY Awards for his Kendrick Lamar collab "Family Ties."

GRAMMYs/Feb 23, 2024 - 05:50 pm

For Baby Keem and Kendrick Lamar, The Melodic Blue was a family affair. The two cousins collaborated on three tracks from Keem's 2021 debut LP, "Range Brothers," "Vent," and "Family Ties." And in 2022, the latter helped the pair celebrate a GRAMMY victory.

In this episode of GRAMMY Rewind, turn the clock back to the night Baby Keem accepted Best Rap Performance for "Family Ties," marking the first GRAMMY win of his career.

"Wow, nothing could prepare me for this moment," Baby Keem said at the start of his speech.

He began listing praise for his "supporting system," including his family and "the women that raised me and shaped me to become the man I am."

Before heading off the stage, he acknowledged his team, who "helped shape everything we have going on behind the scenes," including Lamar. "Thank you everybody. This is a dream."

Baby Keem received four nominations in total at the 2022 GRAMMYs. He was also up for Best New Artist, Best Rap Song, and Album Of The Year as a featured artist on Kanye West's Donda.

Press play on the video above to watch Baby Keem's complete acceptance speech for Best Rap Performance at the 2022 GRAMMYs, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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