Photo: Chloe Le Drezen
Quarantine Diaries: Overcoats Are Answering Emails & Braving The Cold In Prospect Park
As the COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to musicians to see how they were spending their time off the road
As the COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to musicians to see how they were spending their days indoors. Today, Brooklyn-based alt-pop duo Overcoats (Hana Elion and JJ Mitchell) share their Quarantine Diary. Their latest project, 'The Fight (Remixed),' is out now.
JJ: I wake up, throw on hideous turquoise scrubs and manically make a latte with my espresso machine that I'm still paying for (not sure they're worth the money). I run out the door, bike across town to the doctor's office where I've worked part-time after touring/music making was officially put on hold due to COVID-19.
Hana: I'm still sleeping at this point. I've probably stayed up until one or two the night before binge-watching movies.
JJ: I file charts, shoot the sh*t with my colleagues and complain about how I can't breathe through my mask.
Hana: At this point I'm up and probably running to babysit for a few hours. Normally we're not in New York enough during the year to do these jobs. But while touring is not on the table, it's a good way to make money and also pass the time. We have found that we actually make our best art when we are busy and multi-tasking. In college when we were first starting our band, we used to work on our theses in the library until 1 a.m., and then write music after that.
JJ: I run to the supermarket around the corner and eat whatever mediocre soup they have that day. I text Hana and answer any urgent Overcoats emails. Occasionally I'll do a phone interview while pretending I'm not at work on my lunch break!
Hana: After I finish babysitting, I get set up at my computer. I'm doing a combination of answering emails, listening to and approving mixes and masters, and maybe even working on a new song. I tend to also post a selfie on socials around this time.
JJ: I bike home from the office, which now means in the dark (OMG winter is terrible).
Hana: I'm probably still working at my computer. It's crazy how being a professional musician involves so much more work than just playing or writing. We're running a business! #GirlBosses
JJ: We usually do an Overcoats Zoom call, writing session, or I'll deep dive into email! Sometimes we'll record a cover for our Patreon subscribers, work on album artwork for upcoming releases, reminisce about life on tour and send each other double chin selfies.
Hana: JJ is back from work and I'm filling her in on updates from the day. If I'm finished working by this point, I'll have a cup of tea and watch some videos on production. I've been really into MasterClass lately. Even though we can't tour, I want to feel like I'm still learning and progressing at my craft.
JJ: I eat dinner with my parents, boyfriend, twin brother and his girlfriend (yes, it's chaos here with my pod).
Hana: I'm either cooking a feast or ordering Thai food. It's literally one or the other.
JJ: MORE OVERCOATS EMAILS! SO. MANY. EMAILS. No one tells you how many emails you actually have to answer, even though you've chosen to be a career musician so that you don't have to sit at a computer and answer emails!
Hana: Yep, I'm also back on email. I might need to go to Hawaii and do a technology cleanse after this is all over.
JJ: I binge watch "The Bold Type," "The Great British Baking Show" or "Gardeners' World." Or in last night's case, I watched Ace Ventura: Pet Detective (which is actually really dated and transphobic, which I unfortunately did not remember).
Hana: Movie time! My boyfriend is a bit of a cinephile, so I'm usually watching some art film. Once he goes to bed, I'll binge watch "The Bachelorette" or "Love Island" for some me time.
Our other activities have included:
JJ: Making hand-built pottery, reading Phoebe Robinson's book, dying my hair, playing online UNO with Hana and other friends, and putting together more IKEA cabinets in my new closet than I care to divulge.
Hana: Doing the occasional online work out, lots of yoga, gluten-free baking, outdoor hangs in the freezing Prospect Park, and a lot of FaceTiming with my family.
ReImagined At Home: Watch Ant Clemons Croon The Cosmic Blues In Performance Of Bill Withers' "Ain't No Sunshine"
Singer/songwriter Ant Clemons puts his own spin on Bill Withers' immortal "Ain't No Sunshine" in an exclusive performance for ReImagined At Home.
Why has Bill Withers' immortal hit, "Ain't No Sunshine," endured for decades? And, furthermore, why does it seem set to reverberate throughout the ages?
Could it be because it's blues-based? Because it's relatable to anyone with a pulse? Because virtually anyone with an ounce of zeal can believably yowl the song at karaoke?
Maybe it's for all of those reasons and one more: "Ain't No Sunshine" is flexible.
In the latest episode of ReImagined At Home, check out how singer/songwriter Ant Clemons pulls at the song's edges like taffy. With a dose of vocoder and slapback, Clemons recasts the lonesome-lover blues as the lament of a shipwrecked android.
Giving this oft-covered soul classic a whirl, Clemons reminds music lovers exactly why Withers' signature song has staying power far beyond his passing in 2020. It will probably be a standard in 4040, too.
Check out Ant Clemons' cosmic, soulful performance of "Ain't No Sunshine" above and click here to enjoy more episodes of ReImagined At Home.
Photo: Christopher Polk/Getty Images
Recordings By Janet Jackson, Louis Armstrong, Odetta & More Inducted Into The National Recording Registry
Selections by Albert King, Labelle, Connie Smith, Nas, Jackson Browne, Pat Metheny, Kermit the Frog and others have also been marked for federal preservation
The Librarian of Congress Carla Haden has named 25 new inductees into the National Recording Registry of the Library of Congress. They include Janet Jackson’s “Rhythm Nation 1814,” Louis Armstrong’s “When the Saints Go Marching In,” Labelle’s “Lady Marmalade,” Nas’ “Illmatic,” Kool & the Gang’s “Celebration,” Kermit the Frog’s “The Rainbow Connection” and more.
“The National Recording Registry will preserve our history through these vibrant recordings of music and voices that have reflected our humanity and shaped our culture from the past 143 years,” Hayden said in a statement. “We received about 900 public nominations this year for recordings to add to the registry, and we welcome the public’s input as the Library of Congress and its partners preserve the diverse sounds of history and culture.”
The National Recording Preservation Board is an advisory board consisting of professional organizations and experts who aim to preserve important recorded sounds. The Recording Academy is involved on a voting level. The 25 new entries bring the number of musical titles on the registry to 575; the entire sound collection includes nearly 3 million titles. Check out the full list of new inductees below:
National Recording Registry Selections for 2020
Edison’s “St. Louis tinfoil” recording (1878)
“Nikolina” — Hjalmar Peterson (1917) (single)
“Smyrneikos Balos” — Marika Papagika (1928) (single)
“When the Saints Go Marching In” — Louis Armstrong & his Orchestra (1938) (single)
Christmas Eve Broadcast--Franklin D. Roosevelt and Winston Churchill (December 24, 1941)
“The Guiding Light” — Nov. 22, 1945
“Odetta Sings Ballads and Blues” — Odetta (1957) (album)
“Lord, Keep Me Day by Day” — Albertina Walker and the Caravans (1959) (single)
Roger Maris hits his 61st homerun (October 1, 1961)
“Aida” — Leontyne Price, et.al. (1962) (album)
“Once a Day” — Connie Smith (1964) (single)
“Born Under a Bad Sign” — Albert King (1967) (album)
“Free to Be…You & Me” — Marlo Thomas and Friends (1972) (album)
“The Harder They Come” — Jimmy Cliff (1972) (album)
“Lady Marmalade” — Labelle (1974) (single)
“Late for the Sky” — Jackson Browne (1974) (album)
“Bright Size Life” — Pat Metheny (1976) (album)
“The Rainbow Connection” — Kermit the Frog (1979) (single)
“Celebration” — Kool & the Gang (1980) (single)
“Richard Strauss: Four Last Songs” — Jessye Norman (1983) (album)
“Janet Jackson’s Rhythm Nation 1814” — Janet Jackson (1989) (album)
“Partners” — Flaco Jiménez (1992) (album)
“Somewhere Over the Rainbow”/”What A Wonderful World” — Israel Kamakawiwo’ole (1993) (single)
“Illmatic” — Nas (1994) (album)
“This American Life: The Giant Pool of Money” (May 9, 2008)
Photo: Nicole Davis
Quarantine Diaries: ARI Is Cuddling With Her Cat, Making Her Own Tea & Preparing For Her Debut 'IDIOT GRL' EP Release
As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors
As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors. Today, rising singer/songwriter ARI shares her quarantine diary. ARI's debut IDIOT GRL EP is out Aug. 14.
[9:40 a.m.] A late start to the day. I just woke up to my cat Malakai licking my face and snuggling under my chin, desperate for cuddles. I reluctantly gave in before diving into my morning routine, which starts by going through all of the daily news on my Snapchat feed to see what’s going on in the world.
[11 a.m.] Just out of the shower and into the kitchen for the usual: tea and avocado toast. I don’t typically like tea or coffee, but I had this amazing tea from Starbucks once and fell in love with it. I ended up finding the recipe and making it myself, and to be honest, I like my version better. Once I boil the kettle, I start part two of my morning “meditation”: watching one of my favourite shows while I respond to emails. With the IDIOT GRL EP coming out next week, I can tell you there are a TON of emails. I turned on "Gilmore Girls" (my guilty pleasure) and opened up my laptop to go through my calendar.
[1:45 p.m.] Recording session time. Zoom calls have become my everyday life. It’s crazy to think that this time last year, you could actually be in a room with people. Now the most social interaction I get is virtually. On the positive side, I get to set up my little home studio from the comfort of my own bed and I find the sessions to be really productive with no outside distractions.
[3:30 p.m.] Malakai is meowing at my door. As I try to sing over him, eventually I can’t ignore his cute little voice. We take a quick break and I have a little playtime with him. I can hear my song playing in the living room—it still weirds me out hearing myself. My guess is my roommate aka my manager is sending off final approval for the “IDIOT GRL” music video, which comes out the same day as the EP. Super excited for everyone to finally see it!
[6:00 p.m.] Time for dinner. It may just be my favourite part of the day. During my session, my roommate cooked us some delicious pasta. We eat dinner together every night, which is really nice. Usually, after dinner, we wind down and watch TV, but we decided to try doing an arts and crafts project tonight. I watched this TikTok video of a DIY way to make music plaques. You take a screenshot of a song on Spotify and use a marker to trace out the name of the song, artist, play button, etc. Once that’s done, you simply add the album artwork of your choice, frame it, and voila! I thought it would be a cool idea to make a wall of each of the songs off of my EP.
[9:00 p.m.] After an eventful day, I decided to go watch a drive-in Maple Leafs game (wearing a mask, of course). My sister works for the TSN network and started hosting drive-in game nights to promote the network and social distancing events. I’ll admit, I’m not the biggest hockey fan, but I’ll never pass up an opportunity to spend time with my family.
[11:30 p.m.] I finally get home and hop straight into bed. I feel like I haven’t spent much time on Instagram today, so figured I’d open it up before getting some shuteye. I launched the pre-save link for the EP today and told my followers that I would DM anyone who pre-saved it and sent me a screenshot. I always love getting to interact with my fans and I can’t tell you how grateful I am to see how excited people are for my debut EP. It’s a great feeling to end the day with.
Herbal Tea & White Sofas: Why Dead Poet Society's Jack Underkofler Has The "Least Picky" Backstage Rider
In the latest episode of Herbal Tea & White Sofas, learn why Dead Poet Society lead singer Jack Underkofler is committed to having the world's most reasonable backstage rider
For their part, Dead Poet Society have decided to take the opposite tack, as their lead singer, Jack Underkofler, attests in the below clip.
In the latest episode of Herbal Tea & White Sofas, learn why Dead Poet Society's Underkofler is committed to having the world's most reasonable backstage rider—including one ordinary pillow to nap on.
Check out the cheeky clip above and click here to enjoy more episodes of Herbal Tea & White Sofas.