Photo: Dani Barbieri/The Robert Randolph Foundation via Getty Images
5 Free Musical Events To Observe Juneteenth 2022: Unityfest, Something In The Water & More
In observance of Juneteenth, the holiday commemorating emancipation, Black musical communities are utilizing performance to celebrate the plight of their ancestors. Here are 5 events to attend virtually or in person to observe Juneteenth.
Juneteenth originated on June 19, 1865 in Galveston, Texas to commemorate the official end of enslavement in the United States. The oldest and only day of its kind is a chance for African Americans and people from various ethnicities to gather for picnics, family gatherings, church services and fellowship time to pay homage to Black people who gave their blood, sweat and tears to this country.
On June 17, 2021, Congress passed legislation to make Juneteenth a federal holiday. President Joe Biden signed it into law as the Juneteenth National Independence Day Act, the first federal holiday signed into law since observing Martin Luther King, Jr. Day in 1983.
The Black music and entertainment communities in particular are leading the charge to utilize both performance and sound to celebrate the plight of their ancestors. An incredible range of GRAMMY winners and nominees have come together to share their catalogs, family trees, stages and creative talents to show their appreciation for history and culture and to also raise money for various charitable causes relating to people of African descent.
Also in time for Father's Day and Black Music Month, here are a list of music festivals, special programs and live performances that are held in person, and airing online and on network television in observance of Juneteenth 2022.
Juneteenth: A Global Celebration for Freedom (Sunday, June 19 - 8 p.m ET on CNN and live in Los Angeles)
Produced in partnership with Live Nation Urban, the Hollywood Bowl is presenting a live music festival rich with Black artists spanning all genres of music. Conductor Thomas Wilkins and musician/composer Derrick Hodge will guide the Re-Collective Orchestra — the first all-Black symphony orchestra in the venue's 100-year history — with Ahmir "Questlove" Thompson and Adam Blackstone providing musical direction.
Other performers include Anthony Hamilton, Billy Porter, Jhene Aiko, Khalid, Killer Mike, Lucky Daye, Mary Mary, Mickey Guyton, Robert Glasper, the Debbie Allen Dance Academy, Michelle Williams, the Roots and Earth, Wind and Fire.
Juneteenth UnityFest (Sunday, June 19 - 7:30 p.m. ET, Brooklyn, NY)
GRAMMY-nominated string pedal guitarist/bandleader Robert Randolph and his 501c3 nonprofit the Robert Randolph Foundation return for his second annual multicultural, music and grassroots organization festival.
Livestreamed from various locations across Brooklyn, N.Y., this year's UnityFest kicks off with an afternoon block party featuring DJ Spinna, Josh Milan, Soul Summit Music, and Descendants of Sound. In partnership with BRIC Celebrate Brooklyn, a concert will also be held at the Lena Horne Bandshell in Prospect Park. Headlined by inspirational artist Tye Tribbett and features recording artists Deborah Cox, Mali Music, Israel Houghton, and Randolph. Viewers can stream the concert on the Robert Randolph Foundation's YouTube channel or from Juneteenth UnityFest's mobile app.
National Museum of African American Music's Home Grown Culture Juneteenth Block Party (Sunday, June 19, Assembly Food Hall at Fifth & Broadway in Nashville - 11 a.m. CT)
The only museum dedicated to celebrating the range of musical accomplishments and styles by people of African descent is bringing together legends like Ray Parker Jr. and DJ Collipark with live performances by the Shindellas, Mike Floss, Daru Jones, Willie Jones, Jeverson and O.N.E. The Duo for a free block party for ages 21 and over at the Food Assembly's Skydeck.
The outdoor event in downtown Nashville celebrates freedom through musical expression and is produced following the museum's second annual State of Black Music Summit. The block party is a companion to the Community Day activities at the Roots Theater, which features musicians Tramaine Artemis, Cojo Ko, Thomas Spann, Millie McClain, Candi Willette, Matthew McCoy and Dave Ragland.
The Black Pack Excellence and Brandon Leake: A Family Affair (Sunday, June 19 from 8 - 10 p.m. ET on the CW Network)
"All American" star Taye Diggs, GRAMMY-winning singer/songwriter Ne-Yo and R&B vocalist Eric Bellinger bring some 1960s Vegas strip-style flavor for an hour-long special to commemorate the holiday and celebrate entertainer Sammy Davis, Jr. The trio will be joined by special guest artists Tank and Jordin Sparks.
Immediately following, the "America's Got Talent" winner will showcase eight original spoken word pieces, as well as animation and vignettes about his immediate and extended family tree. The event will be taped at the Haggin Museum in his hometown, Stockton, California.
Something in the Water Festival (Friday, June 17-19 at 3 p.m. ET on Amazon Prime and Twitch)
The three-day music festival created by Pharrell Williams on Independence Ave. in Washington, D.C. this year returns following the GRAMMY-winning superproducer's advocacy efforts to make Juneteenth both an observed and paid holiday in his home state of Virginia. The stage at West Potomac Park will host a pop-up church service for praise and worship near the Martin Luther King Jr. Memorial.
Something in the Water's roster includes 21 Savage, 6LACK, Anderson .Paak and the Free Nationals, Q-Tip, Ashanti, Ja Rule, Calvin Harris, Bia, Chloe x Halle, and Dave Matthews Band.
Listen: GRAMMY.com's Black Joy Playlist, Featuring Stevie Wonder, Beyoncé, Anderson .Paak & Many More
Photo: Kevin Mazur/Getty Images for the Recording Academy
How Hip-Hop Took Over The 2023 GRAMMYs, From The Golden Anniversary To 'God Did'
It's the 50th anniversary of hip-hop, but the 2023 GRAMMYs celebrations didn't stop at the epic, MC-saturated blowout. Here are five ways the genre took over Music's Biggest Night.
The 2023 GRAMMYs' ambitious, world-beating tribute to hip-hop's 50th anniversary is getting a lot of ink — for a very good reason.
Featuring an ensemble ranging from progenitors like Grandmaster Flash and Run-DMC, to legends such as Too Short and Missy Elliott, and modern-day practitioners like Lil Baby, GloRilla and Lil Uzi Vert, the tribute segment was stunning not only on a logistical level, but on conceptual, emotional and historical planes.
But the Recording Academy's tribute to this landmark in time wasn't siphoned off to that 15-minute segment — not even close. In fact, the entirety of Music's Biggest Night radiated with the courageous, intrepid, forward-thinking spirit of hip-hop.
The tribute performance was just one of many nods to rap during GRAMMY week. Days before, Lil Wayne, Missy Elliott and Dr. Dre were honored by the Recording Academy’s Black Music Collective in a ceremony that contained performances by Snoop Dogg, 2 Chainz and Ciara. And the pre-GRAMMY gala featured a performance from Weezy, Latto and Lil Baby.
At Music’s Biggest Night, the hip-hop love roared fully to life. Here are five ways hip-hop took over the 2023 GRAMMYs, a foreshadowing of an entire year in celebration of the epochal artform — with the extended hip-hop tribute as a springboard.
GloRilla performing at the 2023 GRAMMYs. Photo: Getty Images for the Recording Academy
A Global Hip-Hop Rager For The Ages
Until Music's Biggest Night, to fit hip-hop's evolution and essence into 15 minutes would seem logistically untenable. But the Academy did the impossible.
The Questlove-curated set moved lightning-quick from '70s and '80s pioneers, to 2000s radio dominators like Nelly, all the way to the current era.
Like with the last Super Bowl's ensemble cast of rap greats, the result was emotionally walloping, historically edifying and visually spectacular.
Most importantly, the music was exceptional — a tip of the hat to a precious form of American expression. To anyone who still subscribes to some form of stigma — you don't know what you're missing.
The Rap Categories Contained Serious Jewels
Let's take a step back, though, and examine the 2023 GRAMMYs' hip-hop nominees and winners themselves.
Kendrick Lamar was well-represented in both the General and Rap fields, and commensurately for Mr. Morale and the Big Steppers and Lamar's non-album single "The Heart Pt. 5."
For the former, Lamar won Best Rap Album; for the latter, Best Rap Song and Best Rap Performance. With the success of "The Heart Pt. 5," he is now the most-awarded artist in the latter category.
Together, these offerings comprise something of a creative and emotional watershed for Lamar. As for Pusha T, It's Almost Dry — nominated for Best Rap Album — contained some of his most crystal-sharp coke raps to date.
Plus, the sheer range of guests on DJ Khaled's GOD DID — nominated for Best Rap Album — could be the ultimate testament to his indomitable spirit, curatorial acumen and infectious sense of largesse.
This also applies to fellow nominees from Future, who won Best Melodic Rap Performance for "WAIT FOR U," to Jack Harlow, who was nominated liberally throughout the Rap field.
Given the level of craft throughout, hip-hop isn't just ripe to be celebrated for its past, but for its boundless future.
Dr. Dre Was Presented With A Global Impact Award
At the 2023 GRAMMYs, seven-time GRAMMY winner Dr. Dre was the recipient of the inaugural Dr. Dre Global Impact Award for his multitude of achievements through his innovative, multi-decade career.
Dr. Dre was presented the award after a plethora of televised bona fides, and offered his thanks to the Recording Academy and Black Music Collective for the prestigious honor in light of the Recording Academy's celebration of the 50th anniversary of hip-hop.
A tribute to Takeoff during the 2023 GRAMMYs. Photo: Getty Images for the Recording Academy
Quavo Performed A Moving Tribute To The Late Takeoff
There's a bittersweetness to celebrating hip-hop on a global scale in 2023, as so many of its best and brightest have died far too young in recent years.
Among these tragedies was the senseless death of Takeoff, one-third of the family-bound rap trio Migos, along with Offset and Quavo.
Read More: Remembering Takeoff: Why The Unassuming Rapper Was Foundational To Migos
As part of the In Memoriam segment, backed by worship ensemble Maverick City Music, Quavo honored his late nephew with a soul-searing version of "Without You."
"Tears rollin' down my eyes / Can't tell you how many times I cried," he rapped before an empty microphone stand, poignantly hung with Takeoff's chain. "Days ain't the same without you / I don't know if I'm the same without you."
John Legend, Fridayy, and DJ Khaled performing at the 2023 GRAMMYs. Photo: Kevork Djansezian/Getty Images for The Recording Academy
DJ Khaled & Company Closed The Curtain With "GOD DID"
At the end of the ceremony, DJ Khaled brought out collaborators Jay-Z, John Legend, Lil Wayne, Fridayy, and Rick Ross for a rendition of GOD DID's title track, which was nominated for Song Of The Year, Best Rap Song and Best Rap Performance.
Seated horizontally in an opulent, Last Supper-esque tableau, the stars sang their hooks while bathed in purple light, closing out the 2023 GRAMMYs with laconic flair.
It was a fitting conclusion to Music's Biggest Night, one that placed hip-hop where it belongs: on the top shelf.
2023 GRAMMY Nominations: See The Complete Winners & Nominees List
Photo: Jeffrey Neira/CBS © 2014 CBS Broadcasting Inc
Questlove Announces Hip-Hop 50 Tribute Performance At 2023 GRAMMYs, Celebrating Its Past, Present & Future
The performance will feature some of the biggest names in hip-hop and is part of an initiative to honor the genre's 50th anniversary, in partnership with Mass Appeal.
This Sunday (Feb. 5), the 2023 GRAMMYs are going to honor the 50-year anniversary of hip-hop in a big way — courtesy of a bona fide Philadelphia legend.
On Jan. 31, six-time GRAMMY winner Questlove announced he is co-curating the Hip-Hop 50 tribute performance for the 2023 GRAMMYs.
The performance is part of an initiative to honor the 50th anniversary of hip-hop in partnership with Mass Appeal. The artist lineup will be announced in the coming days, but as Questlove hinted in his announcement, it will see "some of the biggest names from the genre coming together to celebrate hip-hop history — its past, its present, its future."
The artist lineup will be announced in the coming days; more info to come.
The 2023 GRAMMYs will be broadcast live from Crypto.com Arena in Los Angeles Sunday, Feb. 5 (8:00-11:30 PM, live ET/5:00-8:30 PM, live PT) on the CBS Television Network, and will be available to stream live and on demand on Paramount+. Be sure to open up live.GRAMMY.com during the show for a second-screen experience!
Check out Questlove's announcement below, and keep checking GRAMMY.com for more news ahead of Music's Biggest Night!
Photos: (L to R): Jeff Kravitz/FilmMagic, Inc; Ethan Miller/Getty Images; KMazur/WireImage; Kevin C. Cox/Getty Images
Songbook: How Mary J. Blige Became The Queen of Hip-Hop Soul Through Empathy, Attitude And An Open Heart
With 14 albums and nine GRAMMYs under her belt, Mary J. Blige puts no limitations on the music she creates. Explore her extensive catalog of hits, soundtrack favorites, stunning covers and impactful remixes.
Mary J. Blige’s tireless work ethic, extraordinary singing talent and soul-level relatability are the secret ingredients to her longevity as a recording artist. Her discography includes nine GRAMMY wins and 37 nominations, and the multi-hyphenate artist continues to demonstrate that there's no limit to her creativity.
Blige is nominated for six awards at the 2023 GRAMMYs, including Album Of The Year and Best R&B Album for Good Morning Gorgeous (Deluxe). The title track is nominated in three categories: Record Of The Year, Best Traditional R&B Performance and Best R&B Song, and "Here With Me" is up for Best R&B Performance.
Good Morning Gorgeous encapsulates the true self-love Blige felt after healing from divorce, abusive relationships and depression. As she explains on an album interlude "good morning gorgeous" is the affirmation Blige now says to herself in the mornings — and, for the first time, she believes it. And when it comes to the odds of adding to her GRAMMY wins on Feb. 5, it’s safe to wager that Blige thinks they’re sound.
"Bet on me, why not?" Blige sings in the chorus of the album’s "On Top." "Don’t act like I never left on top."
For her resonant musical messages, Blige has been crowned the Queen of Hip-Hop Soul. But she’s also an industry professional who deftly sets and iterates on trends, keeping even her earliest releases relevant and exciting.
Blige became a record label boss when she released Good Morning Gorgeous as a joint venture between Lyor Cohen’s 300 Entertainment and her own Mary Jane Productions. She’s a frequent executive producer of her albums and multimedia projects and is set to executive produce two fictional films for Lifetime in 2023 through her production company Blue Butterfly. Real Love and Strength of a Woman are both named for her songs. Real Love is described as a romantic drama set in an upstate New York college.
After more than 30 years of recording, Blige has amassed an acclaimed and extensive discography of consummate original classics, deep soundtrack cuts, scene-stealing covers and remixes. Press play on the Amazon Music playlist above and use the below guide as a diving board into a career full of the empathetic pain, healing, promise and happiness that she has shared with unflinching honesty and vulnerability.
The Queen Of Hip-Hop Soul
Blige was living in a housing project in Yonkers, N.Y. when the late Andre Harrell signed her to his Uptown Records, which released her 1992 debut album, What’s The 411? Harrell coined the nickname Queen of Hip-Hop Soul to describe the fresh way Blige's music melded rap beats with R&B hooks.
Harrell and his then-intern Sean Combs gave her a rugged style to match her music, with boots and baseball caps instead of heels and sparkles. Young women from the inner city saw themselves in Blige's aesthetic and in her rawness.
Yet admiration for Blige’s powerful vocals and unique tone grew before her name was ever recognized. Blige was first heard as a backup singer for Father MC’s 1990 hit "I'll Do 4 U" and, the following year, her own single "You Remind Me" (from the Strictly Business soundtrack) gave Blige some street buzz to lead into What’s The 411? The hip-hop swagger of "Real Love" — which samples "Top Billin'" by Audio Two, a beat highly familiar to New York City fans at the time — served as her formal introduction to the world and remains a calling card decades later.
The My Life Era (Extended Mix)
Contrary to the music industry’s sophomore slump stereotype, Blige’s second album is a seminal work. 1994's My Life became career-defining, and an album that she has subsequently reflected on to show her growth.
The album is a reflection of her volatile relationship with singer Cedric "K-Ci" Hailey, Blige explained in Mary J. Blige’s My Life, a documentary she executive produced for Amazon Studios in honor of the album’s 25th anniversary. Throughout, Blige keenly pairs heights of happiness with depths of her despair on songs like "You Bring Me Joy," "I’m Goin’ Down," "I Love You" and "Be Happy."
"The whole 'My Life' album is, 'Please love me, don’t go, I need you,'" she said in the documentary. Combs, then known as Puffy, continued: "When she made that album, she was fighting for her heart." (Combs and Harrell served as executive producers of My Life.)
Blige and Combs never collaborated quite so closely again, though they remained friends. Combs didn’t produce 2011’s My Life II… The Journey Continues (Act 1), but he appears in a telephone skit to open the album, similarly to how he did on My Life. The sequel features guest stars such as Nas, Beyoncé and Drake.
Though her earlier works hinted at the potential, My Life most firmly established Blige as a beacon for hurt hearts everywhere. In a 2021 interview with Trevor Noah, Blige described how childhood physical and mental abuse, as well as her relationship with Hailey, led to substance abuse and depression. When she used the songs on My Life as a way of saying she needed help, "four million people responded and said, ‘'We need help, too.'"
Covers, Collaborations And Remixes
Cover songs have been an acclaimed — and long-lasting — part of Blige’s career ever since she sang "Sweet Thing" by Rufus featuring Chaka Khan on What’s The 411? Blige released her hugely popular version of Rose Royce’s "I’m Goin’ Down" in 1994, which reached No. 22 on the Billboard Hot 100, and she beat Beyoncé to the punch in 2000 with her take on Maze’s "Before I Let Go."
But her ascension to rock star status has a lot to do with her scene-stealing covers of songs of stadium-level acts. Blige has delivered epic versions of songs by Led Zeppelin ("Stairway To Heaven") and Sting ("Whenever I Say Your Name"), and when she collaborated with U2 on a new version of "One," there’s an audible battle with Bono as to whose song this is now.
Blige collaborates with rap, R&B, rock, country, electronic and classical artists with equal ease, and her discography includes work with late legends, including "Holdin’ On" with Aretha Franklin and a cover of Stevie Wonder’s "As" with George Michael. She won her first career GRAMMY in 1995 for Best Rap Performance By A Duo Or Group for "I'll Be There For You / You're All I Need To Get By," a collaboration with Method Man that covers Marvin Gaye and Tammi Terrell.
A dance music collaboration with London duo Disclosure called "F for You" in 2013 helped to catalyze an entire album from the Capital of England called The London Sessions. The 2014 album features a second collaboration with Disclosure ("Right Now"), a cameo from UK garage DJ/producer MJ Cole ("Nobody But You") and guest vocals from Scottish singer Emeli Sandé ("Whole Damn Year").
Blige has long understood the potency of both hip-hop and dance music remixes, which remain a part of her single roll-outs. Over the years, she created a remix album of songs from What’s The 411?, and in 2002 released club-focused reworks of songs from No More Drama, Mary and Share My World on Dance For Me.
Blige's remixes also pay homage. On her cover of First Choice’s "Let No Man Put Asunder," Blige honors singers who came before by featuring guest vocals from the group's lead singer, Rochelle Fleming.
Her Rap Alter Ego
Blige has rapped a few times on her albums, beginning with a verse in "Love," from 2001’s No More Drama. She won her first solo GRAMMY for Best Female R&B Vocal Performance in 2003 for "He Think I Don't Know" from No More Drama. By the time she rhymed on "Enough Cryin’" and "Take Me As I Am" (both from 2005’s The Breakthrough), her rap alter ego had a name: Brook Lynn.
Her cadence caught the ear of her friend Busta Rhymes, who recruited Blige for his "Touch It (Remix)" the next year. "The haters plot and they watch, lookin’ all pale/While I’m on a yacht overseas, doin’ my nails," she raps alongside Busta, Missy Elliott and Rah Digga.
Brook Lynn took a hiatus for a few years after that, but she came back blazing in 2011. "Homegirls love me and we be ridin' Phantoms/Mad chicks hate me 'cause I be writin' anthems," she rhymes on "Midnight Drive" from My Life II… The Journey Continues (Act 1).
Since "You Remind Me," her first Top 40 entry, appeared on the soundtrack to Strictly Business, Blige has written stunning original songs such as "I Can See in Color" for Precious (2009). She has also licensed other hits to dozens of movies.
After years of contributing to soundtracks, Blige created her own as executive producer and performer of the soundtrack for Think Like a Man Too (2014), which includes a cover of Shalamar’s "A Night to Remember" and guest appearances by Pharrell Williams and The-Dream.
Blige has been cast in several acting roles since she guest starred in an episode of The Jamie Foxx Show in 1998 and has played fictional characters as well as real life figures Betty Shabazz (Betty and Coretta) and Dinah Washington (Respect). She received Academy Award nominations for Best Supporting Actress and Best Original Song for her work on 2017 film Mudbound.
More than 30 years into her recording career, Blige appears happy, energized and ready to add more hits and heartfelt anthems to her songbook.
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Photo: Rachel Kupfer
A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.
It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.
Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.
Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.
In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.
Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.
There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.
Say She She
Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.
While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."
Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.
Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.
Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.
Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.
L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.
During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.
Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.
Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.
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