meta-scriptSeven Days That Will Shake The Music World | GRAMMY.com

news

Seven Days That Will Shake The Music World

There's a lot to love about GRAMMY Week

GRAMMYs/Dec 3, 2014 - 05:06 am

The National Football League sponsored a great prelude to the GRAMMY Awards this year. Yeah, there was the game between the New England Patriots and New York Giants. But for us music lovers, it was all about seven-time GRAMMY winner Madonna's halftime performance with LMFAO, M.I.A. and Best New Artist GRAMMY nominee Nicki Minaj (oh, and the commercials, too). Is there a better way to warm up for the 54th GRAMMY Awards on Feb. 12?

Well, we can think of one other: warm-up following all the star-studded events in the week leading up to the GRAMMYs here at GRAMMY.com. We'll have video, photos and play-by-play after each event, and you can join the action each day and night by following @TheGRAMMYs on Twitter, liking "The GRAMMYs" on Facebook, and joining the GRAMMYs' social communities on YouTube, Tumblr, Foursquare, GetGlue, and Instagram. You never know what one of your favorite music stars may say or do.

For now, we'll simply give you a taste of what's to come.

Arguably the highest-profile event this side of the GRAMMY Awards, the Pre-GRAMMY Gala is a private VIP party held in conjunction with music mogul Clive Davis. It hosts the biggest names in entertainment the night before the GRAMMYs. This red carpet rivals the GRAMMYs and the Oscars.

Next on the "how do I get a ticket to that?" list is the MusiCares Foundation's Person of the Year gala, which both raises money for MusiCares, and features a list of stars honoring a music industry giant. This year legendary Beatle Paul McCartney will be honored.

If that's not exactly the tip of the iceberg, there's still plenty of iceberg left.

The GRAMMY Foundation will host several events that will be especially noteworthy this year. The Entertainment Law Initiative Luncheon is an annual event that brings together legal professionals with aspiring law students to discuss hot-button topics in the entertainment law field. This year, Spotify CEO Daniel Ek will deliver the keynote address. You can also read our exclusive interview with Ek here.

Similarly, the Foundation's 14th Annual Music Preservation Project, "One Night Only — A Celebration Of The Live Music Experience," will bring in the star power to celebrate the impact of live music performance. Robert Cray, Jonny Lang, Bret Michaels, Mavis Staples, Tyrese and others will join co-hosts Sharon Osbourne and Steve Vai, so get your glow sticks and lighter apps eady.

The Foundation also hosts GRAMMY Camp — Basic Training, a one-day educational event that is tailored to give students and aspiring young musicians a taste of what the music industry feels like from the inside. Participants will include GRAMMY-winning producer Warryn Campbell, artists BC Jean and Sarah Darling, and radio personality DJ Skee.

The Academy will also again host the Social Media Rock Stars Summit, a panel discussion featuring some of the prime architects in the field, including Spotify artist-in-residence and Recording Academy member D.A. Wallach as well as GetGlue founder/CEO Alex Iskold, Shazam CEO Andrew Fisher and Turntable.fm CEO Seth Goldstein, among others.

As The Academy continues to focus on minimizing the ecological impact of the GRAMMY Awards, GRAMMY Week will once again feature a greening summit, The Sound Of Social Change, designed to look at how the music industry is taking similar steps.

The Producers & Engineers Wing will present "Moving The Needle," highlighting the career of music producer and entrepreneur Jimmy Iovine. Iovine co-founded Beats Electronics with Dr. Dre and has produced artists ranging from Stevie Nicks to U2.

This year, The Academy will also celebrate music's impact on style and fashion with GRAMMY Glam, which will feature a DJ set by GRAMMY winner Erykah Badu. Looking to take your glam game to the next level? Be sure to visit www.grammy.com/glam.

And The Recording Academy also honors legendary music acts and industry figures with its annual Special Merit Awards Ceremony & Nominees Reception, where groundbreaking artists are honored with the Lifetime Achievement, Trustees and Technical GRAMMY Awards. This year's honorees include such luminary artists as the Allman Brothers Band, Glen Campbell and Diana Ross.

It's all capped off by the 54th Annual GRAMMY Awards on Sunday, Feb. 12. While tuning in to CBS for the telecast, be sure to log on to GRAMMY.com to follow our liveblog, your ticket to follow the show online and join the conversation. After the show, The Academy celebrates in style with its stunning after-party, the GRAMMY Celebration.

How can you experience GRAMMY Week? By checking in at GRAMMY.com. We'll provide blog coverage, photos, and video. And beginning Friday, Feb. 10, you can get an insider's view into the three days of VIP events leading up to the show with GRAMMY Live, including real-time coverage and highlights and a complete stream of the GRAMMY Pre-Telecast Ceremony.

Come back to GRAMMY.com and experience GRAMMY Week, and don't forget to tune in to the 54th Annual GRAMMY Awards on the CBS Television Network from 8–11:30 p.m. ET/PT.

 

Teezo Touchdown, Tiana Major9 & More Were In Bloom At The 2024 GRAMMYs Emerging Artist Showcase
Musical group Aint Afraid

Photo: Unique Nicole/Getty Images for The Recording Academy

news

Teezo Touchdown, Tiana Major9 & More Were In Bloom At The 2024 GRAMMYs Emerging Artist Showcase

Part of the all-new GRAMMY House programming for GRAMMY Week 2024, PEOPLE and Sephora teamed up to highlight some promising new talent from around the country with the Beats & Blooms Emerging Artist Showcase.

GRAMMYs/Feb 7, 2024 - 12:00 am

Artists on the rise got their metaphorical flowers on Feb. 1, when GRAMMY House played host to the Beats & Blooms Emerging Artist Showcase. The performance-heavy event was produced in conjunction with PEOPLE and Sephora and hosted by comedian Matt Friend.

Some took the floral theme quite literally — like Texas rapper and singer Teezo Touchdown, who took to the stage clasping a giant flower bouquet, his microphone tucked somewhere inside. With his crisp white leather jacket and white gloves, Teezo looked fresh as he performed tracks from his recently released debut album, How Do You Sleep at Night? It wasn't hard to see how late legends like Prince and Rick James have influenced his artistry, and the audience appreciated his fly sartorial style.

Another dynamic performance came from Cocoa Sarai, a Jamaican-American singer/songwriter who has worked with artists such as Dr. Dre and Anderson .Paak (the latter of whom helped Sarai earn a GRAMMY in 2020 for her work on his Best R&B Album-winning project, Ventura). The Brooklyn-born artist — who is part of the new Music Artist Accelerator initiative presented by MasterCard, GRAMMY House’s primary sponsor — delivered an impactful set that included her bird-flipping anthem "Bigger Person" and was assisted by a great beatboxer named Fahz.

As many attendees got glammed up at Sephora's makeup station, the event co-sponsor also presented one of the night's performers. Sephora Sounds highlighted twin sisters Inah and Yahzi of the viral group Ain't Afraid, whose energetic performance hit home. During their charismatic set, which featured the sisters both singing and rapping, the pair told the crowd that their lighthearted stage presence is a way to turn some of their trauma into positive art.

Inah and Yahzi weren't the only sibling duo to take the stage at Beats & Blooms. Brandon and Savannah Hudson — aka BETWEEN FRIENDS — first got national attention as quarter-finalists on "America's Got Talent" in 2013, and have since racked up millions of monthly plays on Spotify for what they like to call "laptop dream pop". BETWEEN FRIENDS performed songs from their 2023 album, I Love My Girl, She's My Boy.

Tiana Major9 closed out the event with an exciting performance that featured a song debut and a sing-along. After premiering a new track called "Braids," the Motown artist got everyone to join together for an exquisite cover of Faith Evans' smoldering "Soon As I Get Home". 

GRAMMY House's three days of events are a place for a diverse array of music industry professionals, musicians and social creators to immerse in the pulse of culture, take the torch and carry it forward — and Beats & Blooms was a powerful example of just that.

The Rise Of Ice Spice: How The "Barbie World" Rapper Turned Viral Moments Into A Full-On Franchise

Inside The 2024 Entertainment Law Initiative Gala: Fierce Advocates Reflect & Honor Their Careers
Michael Kushner and Julie Greenwald attend the 26th Annual Entertainment Law Initiative Gala

Photo: Alberto Rodriguez/Getty Images for The Recording Academy

news

Inside The 2024 Entertainment Law Initiative Gala: Fierce Advocates Reflect & Honor Their Careers

Held days before the 2024 GRAMMYs the Entertainment Law Initiative was a chance for the bold-faced names of the industry — including keynote speaker Michelle Jubelirer and honoree Michael Kushner — to toast each other and their essential craft.

GRAMMYs/Feb 6, 2024 - 08:42 pm

It was at a rollicking Guns N Roses concert in Philadelphia in the late 1980s when Michelle Jubelirer, the Chair and Chief Executive Officer of Capitol Music Group, first knew she wanted to forge her life in music. 

"They were my first real concert and I can still remember and feel that excitement and energy emanating from the stage and absolutely ripping through the crowd," Jubelirer, the keynote speaker at Friday's Entertainment Law Initiative, said. "20,000 people and five performers, all together as one. That visceral feeling is difficult to convey into words, but the rush never left me and I’m always looking for even a glimmer of that feeling."

Jubelirer was speaking to a like-minded group of superstars of their craft, who had gathered in a lush ballroom at the Beverly Wilshire Hotel days before the 2024 GRAMMYs. Affectionately referred to by one attendee as "lawyer prom," the Entertainment Law Initiative was a chance for the bold-faced names of the industry from a disparate array of labels and companies, to toast each other and their essential craft, an all-important and sometimes unsung cog in the music industry machine. 

At the event, Jubelierer, who has helped guide the careers of artists ranging from Best New Artist GRAMMY nominees Ice Spice and Troye Sivan to Sam Smith, reflected on her long path to chasing that "Guns N Roses feeling." And while her current position has her at the helm of Capitol Records, she built her career on a foundation of law. 

Raised by a single mother in rural Pennsylvania, she followed in the footsteps of her late father and entered law school. "I had zero connections in music or entertainment," she explained.  "I cold-called (the entertainment law giant) Alan Grubman to ask for advice, he said to get a job at the best law firm I could."

Eventually, Jubelirer spoke of becoming an attorney for SONY Music and later, the first woman to run Capitol Records in its nearly century-long history. "I only wish such a gender-based fact was not worth mentioning, our business would be in a much better place," she said to applause. "I want to lift the next generation of female artists, executives and attorneys." 

2024 Entertainment Law Initiative Writing Contest winner Olivia Fortunato (center) receives her scholarship award from ELI Executive Committee member Stephanie Yu and 2023 winner Aron Lichtschein

2024 ELI Writing Contest winner Olivia Fortunato (center) receives her scholarship award from ELI Executive Committee member Stephanie Yu and 2023 winner Aron Lichtschein┃Alberto Rodriguez

Being a fierce advocate for the people one believes in was a recurring theme.

Recording Academy CEO Harvey Mason Jr. who opened up the proceedings by noting, "Just before I got here, I was testifying to the House Judiciary committee to pass legislation to protect artists' name, likeness and voice," he said. "We ask everyone to engage with your clients and push them to understand why this issue affects them, and to use their voices to make change happen."

Julie Greenwald, Chairperson and Chief Executive Officer of Atlantic Music Group, also feted Michale Kushner, the EVP of Business and Legal Affairs and General Council, this year’s recipient of the Entertainment Law Initiative Service Award. 

"It has not only been a pleasure but an honor, you have been our moral compass," Greenwald said before a video rolled of some of the music industry’s most important names, from Atlantic Co-Chairperson Craig Kallman to executive Jason Flom, musing about the impact Kushner made on all of their lives and careers. "There is not a fairer human being and no bigger advocate for artists than Michael Kushner."

"The record company lawyers who entered the music business in the 80s and survived into the today are truly fortunate," said Kushner in his acceptance speech. "We were witness to the joys of CD boom, file sharing and then industry’s return to growth with the arrival of streaming. We had to think about new ways to approach the business, but it didn't change the fundamental reason why we want to be in the business: we still believe in the magic and power of music."

It’s that power of music that Jubelirer was referring to. "But for the artists in the music business, it’s not a coincidence that the ones who are adept at the business side of things [are the ones who have the most success]," she noted. "And giving them Don Passman’s book is not enough," Jubelirer stated, alluding to the author’s legendary tome All You Need to Know About the Music Business.

"Career-wise, we are nothing without artists and anyone who thinks otherwise is either delusional, egomaniacal or both," said Jubelirer. "I hope it's clear, every moment of every day is all about artists and fulfilling my promises to them."

Jubelirer also shared with attendees a promise she made with herself upon joining Capitol: "The day I stop changing the record company more than it was changing me, would be the day I’d walk away," she said, adding that she regularly evaluates her purpose.   

"I am keenly aware that the role I play in an artist's career can have impactful and long lasting  effects. I feel immense responsibility and gratitude to the talented human beings who have trusted me to such a degree," she continued.

But for Jubelirer, it naturally always goes back to that aforementioned Guns N Roses feeling. "No matter where I find myself in this business, I will always approach my relationships with artists as an advocate, protector and fan."

2024 GRAMMYs: See The Full Winners & Nominees List

Recording Academy Entertainment Law Initiative Awards Writing Contest Scholarships For 26th Annual Entertainment Law Initiative During GRAMMY Week 2024

Image courtesy of the Recording Academy

news

Recording Academy Entertainment Law Initiative Awards Writing Contest Scholarships For 26th Annual Entertainment Law Initiative During GRAMMY Week 2024

The Recording Academy Entertainment Law Initiative has announced the winner and runners-up of its annual ELI Writing Contest who will be recognized at the 26th Annual Entertainment Law Initiative during GRAMMY Week 2024.

GRAMMYs/Jan 26, 2024 - 02:59 pm

The Recording Academy Entertainment Law Initiative has revealed the winner and runners-up of its annual ELI Writing Contest who will be honored during the 26th Annual Entertainment Law Initiative GRAMMY Week Event.

Co-sponsored by the American Bar Association, the ELI Writing Contest sends forth law students to identify and research a current legal issue in the music industry and outline a proposed solution in an essay. The winning paper is published in the ABA's journal, Entertainment & Sports Lawyer.

A $10,000 scholarship is awarded to the winner, a $2,500 scholarship is awarded to two runners-up, and a mentor session with a leading entertainment attorney is given to all three. The winner will also receive tickets to attend the 66th GRAMMY Awards, MusiCares Person of the Year, and the ELI Event.

The winners and runners-up are below:

Winner

Olivia Fortunato, J.D. Candidate
Benjamin N. Cardozo School of Law
New York, NY
Paper Title: "Post-Mortem Right of Publicity and Technological Advancements"

Runner-Up

Matthew Citron, J.D. Candidate
UCLA School of Law
Los Angeles, CA
Paper Title: "BMI's For-Profit Model and Consent Decree Regulation"

Runner-Up

Emily Cohen, J.D. Candidate
Duke University School of Law
Durham, NC 
Paper Title: "A 'Perfect Storm' For Reworking The Copyright Test"

The 2024 Entertainment Law Initiative Service Award will also be presented to Atlantic Records Executive Vice President of Business & Legal Affairs and General Counsel, Michael Kushner at the event. This accolade is awarded to an attorney who has demonstrated commitment to advancing and supporting the music community through service. Capitol Music Group Chair & Chief Executive Officer Michelle Jubelirer will deliver the keynote address at the luncheon.

The Recording Academy established the Entertainment Law Initiative in partnership with the nation's most prominent entertainment attorneys to promote discussion and debate around compelling legal matters and trends in the ever-evolving music industry.

The ELI GRAMMY Week Event is the premier annual gathering of entertainment attorneys to celebrate the achievements of their own practitioners, hear from legal thought leaders, and support students who are pursuing careers in music law.

Keep checking GRAMMY.com for news about the Entertainment Law Initiative!


2024 GRAMMY Nominations: See The Full Nominees List

'Meet The Beatles!' Turns 60: Inside The Album That Launched Beatlemania In America
The Beatles in 1964

Photo: Mark and Colleen Hayward / Redferns / Getty Images 

news

'Meet The Beatles!' Turns 60: Inside The Album That Launched Beatlemania In America

A month before the Beatles played "The Ed Sullivan Show," they released their second American studio album — the one most people heard first. Here's a track-by-track breakdown of this magnitudinous slab of wax by the Fab Four.

GRAMMYs/Jan 19, 2024 - 06:48 pm

For many in America, Meet the Beatles! marked their first introduction to the legendary Fab Four — and their lives would be forever altered.

Released on Jan. 20, 1964 by Capitol Records, the Beatles' second American studio album topped the Billboard 200 within a month and stayed there for 11 weeks — only to be ousted by their next U.S. album release, The Beatles' Second Album.

It's almost impossible to put into words the impact of Meet
the Beatles! on an entire generation of the listening public. But Billy Corgan, of the Smashing Pumpkins, gave it a shot as an early fan of the Beatles in a series of LiveJournal remembrances — in this case, of himself at five years old, in 1972.

"I am totally overwhelmed by the collective sound of the greatest band ever blasting in mono thru a tin needle into a tiny speaker," he wrote. "I associate this sound forever with electricity, for it sends bolts thru my body and leaves me breathless. I can not stand still as I listen, so I must spin… I spin until I am ready to pass out, and then I spin some more."

So many other artists remember that eureka moment. "They were doing things nobody was doing. Their chords were outrageous, just outrageous, and their harmonies made it all valid," Bob Dylan said of the opening track, "I Want to Hold Your Hand." "I knew they were pointing the direction of where music had to go." Everyone from Ozzy Osbourne to Sting and Questlove agreed.

From Meet the Beatles!, the Fabs would have the most astonishing five-or-six-year run in music. And so much of their songwriting and production innovation can be found within its grooves; truly, the world had no idea what it was in for. In celebration of the 60th anniversary of Meet the Beatles!, here's a quick track-by-track breakdown.

"I Want to Hold Your Hand"

The Fabs' first American No. 1 hit may have been about the chastest of romantic gestures. Still, there's nothing heavier than "I Want to Hold Your Hand," because it's clamor and fraternity. That seemingly saccharine package also contained everything they'd ever do in concentrate — hints of the foreboding of "Ticket to Ride," the galactic final chord of "A Day in the Life," and beyond.

"I Saw Her Standing There"

A few too many awards show tributes have threatened to do in "I Saw Her Standing There," but they've failed. As the opening shot of their first UK album, Please Please Me, it's perfect, but as the second track on Meet the Beatles!, it just adds to the magnitude. What a one-two punch.

"This Boy"

Songwriting-wise, "This Boy" drags a little; it becomes a little hazy who "this boy" or "that boy"  are. But it's not only a killer Smokey Robinson rip; John Lennon's double-tracked vocal solo still punches straight through your chest. (Where applicable, go for the 2020s Giles Martin remix, which carries maximum clarity, definition and punch — said solo is incredible in this context.)

"It Won't Be Long"


Half a dozen other songs here have overshadowed "It Won't Be Long," but it's still one of the early Beatles' most ruthless kamikaze missions, an assault of flying "yeahs" that knocks you sideways.

"All I've Got to Do"

Lennon shrugged off "All I've Got to Do" as "trying to do Smokey Robinson again," and that's more or less what it is. One interesting detail is the conceit of calling a girlfriend on the phone, which was firmly alien to British youth: "I have never called a girl on the 'phone in my life!"he said later in an interview. "Because 'phones weren't part of the English child's life."

"All My Loving"

"All My Loving" was the first song the Beatles played on the American airwaves: when Lennon was pronounced dead, eyewitnesses attest the song came over the speakers. It's a grim trajectory for this most inventive and charismatic of early Beatles singles, with Lennon's tumbling rhythm guitar spilling the composition forth. (About that unorthodox strumming pattern: it seems easy until you try it. And Lennon did it effortlessly.)

"Don't Bother Me"

As Dreaming the Beatles author Rob Sheffield put it, "'Don't Bother Me,' his first real song, began the 'George is in a bad mood' phase of his songwriting, which never ended." Harrison wouldn't pick up the sitar for another year or two, but the song still carries a vaguely dreamy, exotic air.

"Little Child"

"I'm so sad and lonely/ Baby, take a chance with me." For a tortured, creative kid like Corgan, from a rough background — and, likely, a million similar young folks — Lennon's childlike plea must have sounded like salvation.

"Till There Was You"

McCartney's infatuation with the postwar sounds of his youth never ended, and it arguably began on record with this Music Man tune. As usual, McCartney dances right on the edge of overly chipper and apple-cheeked. But here, George Martin's immersive, soft-focused arrangement makes it all work.

"Hold Me Tight"

Like "Little Child," "Hold Me Tight" is a tad Fabs-by-numbers, showing how they occasionally painted themselves into a corner as per their formula. Their rapid evolution from here would leave trifles like "Hold Me Tight" in the rearview.

"I Wanna Be Your Man"

Tellingly, Lennon and McCartney tossed this half-written composition to the Stones — and to Ringo Starr. Mick Jagger's typically lusty performance works, but Starr's is even better — the funny-nosed drummer throws his whole chest into this vocal workout.

"Not A Second Time"

Meet the Beatles! concludes with this likable Lennon tune about heartbreak — maybe C-tier by his standards, but it slouches toward his evolutionary step that would be A Hard Day's Night

Soon, these puppy-dog emotions ("And now you've changed your mind/ I see no reason to change mine/ I cry") would curdle and ferment in astonishing ways — in "Ticket to Ride," in "Girl," in "Strawberry Fields Forever." And it all began with Meet the Beatles! — a shot heard around the world.

1962 Was The Final Year We Didn't Know The Beatles. What Kind Of World Did They Land In?