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Seven Days That Will Shake The Music World

There's a lot to love about GRAMMY Week

GRAMMYs/Dec 3, 2014 - 05:06 am

The National Football League sponsored a great prelude to the GRAMMY Awards this year. Yeah, there was the game between the New England Patriots and New York Giants. But for us music lovers, it was all about seven-time GRAMMY winner Madonna's halftime performance with LMFAO, M.I.A. and Best New Artist GRAMMY nominee Nicki Minaj (oh, and the commercials, too). Is there a better way to warm up for the 54th GRAMMY Awards on Feb. 12?

Well, we can think of one other: warm-up following all the star-studded events in the week leading up to the GRAMMYs here at GRAMMY.com. We'll have video, photos and play-by-play after each event, and you can join the action each day and night by following @TheGRAMMYs on Twitter, liking "The GRAMMYs" on Facebook, and joining the GRAMMYs' social communities on YouTube, Tumblr, Foursquare, GetGlue, and Instagram. You never know what one of your favorite music stars may say or do.

For now, we'll simply give you a taste of what's to come.

Arguably the highest-profile event this side of the GRAMMY Awards, the Pre-GRAMMY Gala is a private VIP party held in conjunction with music mogul Clive Davis. It hosts the biggest names in entertainment the night before the GRAMMYs. This red carpet rivals the GRAMMYs and the Oscars.

Next on the "how do I get a ticket to that?" list is the MusiCares Foundation's Person of the Year gala, which both raises money for MusiCares, and features a list of stars honoring a music industry giant. This year legendary Beatle Paul McCartney will be honored.

If that's not exactly the tip of the iceberg, there's still plenty of iceberg left.

The GRAMMY Foundation will host several events that will be especially noteworthy this year. The Entertainment Law Initiative Luncheon is an annual event that brings together legal professionals with aspiring law students to discuss hot-button topics in the entertainment law field. This year, Spotify CEO Daniel Ek will deliver the keynote address. You can also read our exclusive interview with Ek here.

Similarly, the Foundation's 14th Annual Music Preservation Project, "One Night Only — A Celebration Of The Live Music Experience," will bring in the star power to celebrate the impact of live music performance. Robert Cray, Jonny Lang, Bret Michaels, Mavis Staples, Tyrese and others will join co-hosts Sharon Osbourne and Steve Vai, so get your glow sticks and lighter apps eady.

The Foundation also hosts GRAMMY Camp — Basic Training, a one-day educational event that is tailored to give students and aspiring young musicians a taste of what the music industry feels like from the inside. Participants will include GRAMMY-winning producer Warryn Campbell, artists BC Jean and Sarah Darling, and radio personality DJ Skee.

The Academy will also again host the Social Media Rock Stars Summit, a panel discussion featuring some of the prime architects in the field, including Spotify artist-in-residence and Recording Academy member D.A. Wallach as well as GetGlue founder/CEO Alex Iskold, Shazam CEO Andrew Fisher and Turntable.fm CEO Seth Goldstein, among others.

As The Academy continues to focus on minimizing the ecological impact of the GRAMMY Awards, GRAMMY Week will once again feature a greening summit, The Sound Of Social Change, designed to look at how the music industry is taking similar steps.

The Producers & Engineers Wing will present "Moving The Needle," highlighting the career of music producer and entrepreneur Jimmy Iovine. Iovine co-founded Beats Electronics with Dr. Dre and has produced artists ranging from Stevie Nicks to U2.

This year, The Academy will also celebrate music's impact on style and fashion with GRAMMY Glam, which will feature a DJ set by GRAMMY winner Erykah Badu. Looking to take your glam game to the next level? Be sure to visit www.grammy.com/glam.

And The Recording Academy also honors legendary music acts and industry figures with its annual Special Merit Awards Ceremony & Nominees Reception, where groundbreaking artists are honored with the Lifetime Achievement, Trustees and Technical GRAMMY Awards. This year's honorees include such luminary artists as the Allman Brothers Band, Glen Campbell and Diana Ross.

It's all capped off by the 54th Annual GRAMMY Awards on Sunday, Feb. 12. While tuning in to CBS for the telecast, be sure to log on to GRAMMY.com to follow our liveblog, your ticket to follow the show online and join the conversation. After the show, The Academy celebrates in style with its stunning after-party, the GRAMMY Celebration.

How can you experience GRAMMY Week? By checking in at GRAMMY.com. We'll provide blog coverage, photos, and video. And beginning Friday, Feb. 10, you can get an insider's view into the three days of VIP events leading up to the show with GRAMMY Live, including real-time coverage and highlights and a complete stream of the GRAMMY Pre-Telecast Ceremony.

Come back to GRAMMY.com and experience GRAMMY Week, and don't forget to tune in to the 54th Annual GRAMMY Awards on the CBS Television Network from 8–11:30 p.m. ET/PT.

 

20 Albums Turning 50 In 2023: 'Innervisions,' 'Dark Side Of The Moon' 'Catch A Fire' & More
Clockwise: Stevie Wonder 'Inversions', Pink Floyd 'Dark Side of the Moon', the Allman Brothers Band 'Brothers and Sisters', Al Green 'Call me', David Bowie 'Alladin Sane,' Roberta Flack 'Killing Me Softly'

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20 Albums Turning 50 In 2023: 'Innervisions,' 'Dark Side Of The Moon' 'Catch A Fire' & More

1973 saw a slew of influential records released across genres — many of which broke barriers and set standards for music to come. GRAMMY.com reflects on 20 albums that, despite being released 50 years ago, continue to resonate with listeners today.

GRAMMYs/Jan 24, 2023 - 04:08 pm

Fifty years ago, a record-breaking 600,000 people gathered to see the Grateful Dead, the Allman Brothers Band and the Band play Summer Jam at Watkins Glen. This is just one of many significant historical events that happened in 1973 — a year that changed the way music was seen, heard and experienced.

Ongoing advancements in music-making tech expanded the sound of popular and underground music. New multi-track technology was now standard in recording studios from Los Angeles to London. Artists from a variety of genres experimented with new synthesizers, gadgets like the Mu-Tron III pedal and the Heil Talk Box, and techniques like the use of found sounds.  

1973 was also a year of new notables, where now-household names made their debuts. Among these auspicious entries: a blue-collar songwriter from the Jersey Shore, hard-working southern rockers from Jacksonville, Fla. and a sister group from California oozing soul. 

Along a well-established format, '73 saw the release of several revolutionary concept records. The EaglesDesperado, Pink Floyd’s Dark Side of the Moon, Lou Reed’s Berlin and the Who’s Quadrophenia are just a few examples that illustrate how artists used narrative techniques to explore broader themes and make bigger statements on social, political and economic issues — of which there were many.

On the domestic front, 1973 began with the Supreme Court’s landmark decision in Roe v. Wade. Internationally, the Paris Peace Accords were signed — starting the long process to end the Vietnam War. An Oil crisis caused fuel prices to skyrocket in North America. Richard Nixon started his short-lived second term as president, which was marked by the Watergate scandal. 

Politics aside, the third year of the '70s had it all: from classic- and southern-rock to reggae; punk to jazz; soul and R&B to country. Read on for 20 masterful albums with something to say that celebrate their 50th anniversary in 2023. 

Band On The Run - Paul McCartney & Wings

Laid down at EMI’s studio in Lagos, Nigeria and released in December 1973, the third studio record by Paul Mcartney & Wings is McCartney’s most successful post-Beatles album. Its hit singles "Jet" and the title cut "Band on the Run" helped make the record the biggest-selling in 1974 in both Australia and Canada.

Band on the Run won a pair of GRAMMYS the following year: Best Vocal Performance by a Duo, Group or Chorus and Best Engineered Recording, Non-Classical. McCartney added a third golden gramophone for this record at the 54th awards celebration when it won Best Historical Album for the 2010 reissue. In 2013, Band on the Run was inducted into the GRAMMY Hall of Fame. 

Head Hunters - Herbie Hancock

Released Oct. 13, Herbie Hancock’s Head Hunters was recorded in just one week; its

four songs clock in at just over 40 minutes. That the album was not nominated in the jazz category, but instead Best Pop Instrumental Performance, demonstrates how Hancock was shifting gears.

Head Hunters showed Hancock moving away from traditional instrumentation and playing around with new synthesizer technology — especially the clavinet — and putting together a new band: the Headhunters. Improvisation marks this as a jazz record, but the phrasing, rhythms and dynamics of Hancock’s new quintet makes it equal parts soul and R&B with sprinkles of rock 'n' roll. 

The album represented a commercial and artistic breakthrough for Hancock, going gold within months of its release. "Watermelon Man" and "Chameleon," which was nominated for a Best Instrumental GRAMMY Award in 1974, were later both frequently sampled by hip-hop artists in the 1990s.

Greetings From Asbury Park, N.J. - Bruce Springsteen

Bruce Springsteen, 22, was the new kid in town in 1973. This debut was met with tepid reviews. Still, Greetings introduced Springsteen’s talent to craft stories in song and includes many characters The Boss would return to repeatedly in his career. The album kicks off with the singalong "Blinded by the Light," which reached No. 1 on the Billboard 100 four years later via a cover done by Manfred Mann’s Earth Band. This was the first of two records Springsteen released in 1973; The Wild, The Innocent & The E Street Shuffle arrived before the end of the year — officially introducing the E Street Band.

Innervisions - Stevie Wonder 

This Stevie Wonder masterpiece shows an artist, in his early 20s, experimenting with new instrumentation such as TONTO (The Original New Timbral Orchestra) — the world’s largest synth — and playing all instruments on the now-anthemic "Higher Ground."

The song reached No.1 on the U.S. Hot R&B Singles Chart, and Innervisions peaked at No. 4. The album won three GRAMMYS the following year, including Album Of The Year. Wonder was the first Black artist to win this coveted golden gramophone. In 1989, Red Hot Chili Peppers kept the original funk, but injected the song with a lot of rock on their cover — the lead single from Mother’s Milk.

The Dark Side Of The Moon - Pink Floyd

Critics perennially place this Pink Floyd album, the band's eighth studio record, as one of the greatest of all-time. The Dark Side of the Moon hit No.1 and stayed on the Billboard charts for 63 weeks.

A sonic masterpiece marked by loops, synths, found sounds, and David Gilmour’s guitar bends, Dark Side of the Moon is also a concept record that explores themes of excessive greed on tracks like "Money." Ironically, an album lambasting consumerism was the top-selling record of the year and has eclipsed 45 million sales worldwide since its release. The album’s cover has also become one of the most recognized in the history of popular music.

Pronounced 'lĕh-'nérd 'skin-'nérd - Lynyrd Skynyrd

This debut release features several of the northern Florida rockers' most beloved songs: "Gimme Three Steps," "Tuesday’s Gone" and "Simple Man." The record, which has since reached two-times platinum status with sales of more than two million, also includes the anthemic "Free Bird," which catapulted them to stardom. The song with its slow-build and definitive guitar solo and jam in the middle became Lynyrd Skynyrd's signature song that ended all their shows; it also became a piece of pop culture with people screaming for this song during concerts by other artists.

Houses Of The Holy - Led Zeppelin

The first Led Zeppelin record of all originals — and the first without a Roman numeral for a title — Houses of the Holy shows a new side of these British hardrockers. Straying from the blues and hard rock of previous records, Houses of the Holy features funk (“The Ocean” and “The Crunge”) and even hints of reggae (“D’Yer Mak’er”). This fifth studio offering from Page, Plant, Jones and Bonham also includes one of this writer’s personal Zeppelin favorites — "Over the Hills and Far Away.” The song was released as the album’s first U.S. single and reached No. 51 on the Billboard charts. Despite mixed reviews from critics, Houses of the Holy eventually achieved Diamond status for sales of more than 10 million. Interesting fact: the song “Houses of the Holy” actually appears on the band’s next record (Physical Graffiti).

Quadrophenia - The Who

The double-album rock opera followed the critical success of Tommy and Who’s Next. Pete Townshend composed all songs on this opus, which was later adapted into a movie. And, in 2015, classically-scored by Townshend’s partner Rachel Fuller for a new generation via a symphonic version (“Classic Quadrophenia”). The story chronicles the life of a young mod named Jimmy who lives in the seaside town of Brighton, England. Jimmy searches for meaning in a life devoid of significance — taking uppers, downers and guzzling gin only to discover nothing fixes his malaise. With sharp-witted songs, Townshend also tackles classicism. His band of musical brothers: Roger Daltrey, John Entwistle and Keith Moon provide some of their finest recorded performances. The album reached second spot on the U.S. Billboard chart.

Berlin - Lou Reed

Produced by Bob Ezrin, Berlin is a metaphor. The divided walled city represents the divisive relationships and the two sides of Reed — on stage and off. The 10 track concept record chronicles a couple’s struggles with drug addiction, meditating on themes of domestic abuse and neglect. As a parent, try to listen to "The Kids" without shedding a tear. While the couple on the record are named Caroline and Jim, those who knew Reed’s volatile nature and drug dependency saw the parallels between this fictionalized narrative and the songwriter’s life.

Catch A Fire - Bob Marley & the Wailers

The original cover was enclosed in a sleeve resembling a Zippo lighter. Only 20,000 of this version were pressed. Even though it was creative and cool, cost-effective it was not — each individual cover had to be hand-riveted. The replacement, which most people know today, introduces reggae poet and prophet Robert Nesta Marley to the world. With a pensive stare and a large spliff in hand, Marley tells you to mellow out and listen to the tough sounds of his island home.

While Bob and his Wailers had been making music for nearly a decade and released several records in Jamaica, Catch a Fire was their coming out party outside the Caribbean. Released in April on Island Records, the feel-good reggae rhythms and Marley’s messages of emancipation resonated with a global audience. A mix of songs of protest ("Slave Driver," "400 years") and love ("Kinky Reggae"), Catch A Fire is also notable for "Stir it Up," a song American singer-songwriter Johnny Nash had made a Top 15 hit the previous year. 

The New York Dolls - The New York Dolls

The New York Dolls burst on the club scene in the Big Apple, building a cult following with their frenetic and unpredictable live shows. The Dolls' hard rock sound and f-you attitude waved the punk banner before the genre was coined, and influenced the sound of punk rock for generations. (Bands like the Sex Pistols, the Ramones and KISS, cite the New York Dolls as mentors.) Singer-songwriter Todd Rundgren — who found time to release A Wizard, A True Star this same year — produced this tour de force. From the opening "Personality Crisis," this five-piece beckons you to join this out-of-control train.

Aladdin Sane - David Bowie

This David Bowie record followed the commercial success of The Rise and Fall of Ziggy Stardust & The Spiders from Mars. Many critics unfairly compare the two. A career chameleon, with Aladdin Sane, Bowie shed the Ziggy persona and adopted another alter-ego. The title is a pun that means: "A Lad Insane." For the songwriter, this record represented an attempt to break free from the crazed fandom Ziggy Stardust had created.

A majority of the songs were written the previous year while Bowie toured the United States in support of Ziggy. Journal in hand, the artist traveled from city to city in America and the songs materialized. Most paid homage to what this “insane lad” observed and heard: from debauchery and societal decay ("Cracked Actor") to politics ("Panic in Detroit") to punk music ("Watch That Man"). Top singles on Aladdin Sane were: "The Jean Genie" and "Drive-In Saturday." Both topped the U.K. charts.

Faust IV -Faust

This fourth studio album — and the final release in this incarnation by this experimental avant-garde German ambient band — remains a cult classic. Recorded at the Manor House in Oxfordshire, England (Richard Branson’s new Virgin Records studio and the locale where Mike Oldfield crafted his famous debut Tubular Bells, also released in 1973), Faust IV opens with the epic 11-minute instrumental "Krautrock" — a song that features drones, clusters of tones and sustained notes to create a trance-like vibe. Drums do not appear in the song until after the seven minute mark.

The song is a tongue-in-cheek nod to the genre British journalists coined to describe bands like Faust, which musicians largely did not embrace. The rest of Faust IV is a sonic exploration worthy of repeated listens and a great place to start if you’ve ever wondered what the heck Krautrock is.

Brothers & Sisters - the Allman Brothers Band

Great art is often born from grief, and Brothers & Sisters is exemplary in this way. Founding member Duanne Allman died in 1971 and bassist Berry Oakley followed his bandmate to the grave a year later; he was killed in a motorcycle accident in November 1972. Following this pair of tragedies, the band carried on the only way they knew how: by making music.

With new members hired, Brothers & Sisters was recorded with guitarist Dicky Betts as the new de facto band leader. The Allman Brothers Band’s most commercially successful record leans into country territory from the southern rock of previous releases and features two of the band’s most popular songs: "Ramblin’ Man" and "Jessica." The album went gold within 48 hours of shipping and since has sold more than seven million copies worldwide.  

Call Me -  Al Green

Call Me is considered one of the greatest soul records of the 20th century and Green’s pièce de résistance. The fact this Al Green album features three Top 10 Billboard singles "You Ought to Be With Me," "Here I Am" and the title track helps explain why it remains a masterpiece. Beyond the trio of hits, the soul king shows his versatility by reworking a pair of country songs: Hank Williams’ "I’m so Lonesome I Could Cry," and Willie Nelson’s "Funny How Time Slips Away."

Killing Me Softly - Roberta Flack

This Roberta Flack album was nominated for three GRAMMY Awards and won two: Record Of The Year and Best Female Vocal Pop Performance at the 1974 GRAMMYs (it lost in the Album of the Year category to Innervisions). With equal parts soul and passion, Flack interprets beloved ballads that showcase her talent of taking others’ songs and reinventing them. Producer Joel Dorn assembled the right mix of players to back up Flack adding to the album’s polished sound. Killing Me Softly has sold more than two million copies and, in 2020, Roberta Flack received the GRAMMY Lifetime Achievement Award.

The album's title cut became a No.1 hit in three countries and, in 1996, the Fugees prominently featured Lauryn Hill on a version that surpassed the original: landing the No.1 spot in 21 countries. The album also includes a pair of well-loved covers: Leonard Cohen’s "Suzanne" and Janis Ian’s wistful "Jesse," which reached No. 30.

Bette Midler - Bette Middler

Co-produced by Arif Mardin and Barry Manilow, the self-titled second studio album by Bette Midler was an easy- listening experience featuring interpretations of both standards and popular songs. Whispers of gospel are mixed with R&B and some boogie-woogie piano, though Midler’s voice is always the star. The record opens with a nod to the Great American Songbook with a reworking of Johnny Mercer and Hoagy Carmichael’s "Skylark." The 10-song collection also features a take on Glenn Miller’s "In the Mood," and a divine cover of Bob Dylan’s "I Shall be Released." The record peaked at No. 6 on the U.S. charts.

Imagination - Gladys Knight & the Pips

Released in October, Imagination was Gladys Knight & the Pips' first album with Buddha Records after leaving Motown, and features the group’s only No. 1 Billboard hit:  "Midnight Train to Georgia." The oft-covered tune, which won a GRAMMY the following year, and became the band’s signature, helped the record eclipse a million in sales, but it was not the only single to resonate. Other timeless, chart-topping songs from Imagination include "Best Thing That Ever Happened to Me," and "I’ve Got to Use My Imagination."

The Pointer Sisters - The Pointer Sisters

The three-time GRAMMY-winning Pointer Sisters arrived on the scene in 1973 with this critically-acclaimed self-titled debut. Then a quartet, the group of sisters from Oakland, California made listeners want to shake a tail feather with 10 songs that ranged from boogie-woogie to bebop. Their sisterly harmonies are backed up by the San Francisco blues-funk band the Hoodoo Rhythm Devils. The record opens with "Yes We Can," a hypnotic groove of a song written by Allen Toussaint which was a Top 15 hit alongside another cover, Willie Dixon’s "Wang Dang Doodle."

Behind Closed Doors - Charlie Rich

This pop-leaning country record of orchestral ballads, produced by Billy Sherrill, made Rich rich. The album has surpassed four million in sales and remains one of the genre’s best-loved classics. The album won Charlie Rich a GRAMMY the following year for Best Country Vocal Performance Male and added four Country Music Awards. Behind Closed Doors had several hits, but the title track made the most impact. The song written by Kenny O’Dell, and whose title was inspired by the Watergate scandal, was the first No.1 hit for Rich. It topped the country charts where it spent 20 weeks in 1973. It was also a Billboard crossover hit — reaching No. 15 on the Top 100 and No. 8 on the Adult Contemporary charts.

1972 Was The Most Badass Year In Latin Music: 11 Essential Albums From Willie Colón, Celia Cruz, Juan Gabriel & Others

The GRAMMY Museum Announces Official GRAMMY Week 2023 Programming Schedule
(L-R): Merck Mercuriadis, Nile Rodgers and THE-DREAM

Photo: Jill Furmonvsky; courtesy of THE-DREAM

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The GRAMMY Museum Announces Official GRAMMY Week 2023 Programming Schedule

Join in on the GRAMMY Museum's GRAMMY Week 2023 education programs and panels ahead of Music's Biggest Night. Here's the lineup for the upcoming, can't-miss events from Jan. 30 - Feb. 3.

GRAMMYs/Jan 23, 2023 - 02:00 pm

With the 2023 GRAMMYs just around the corner, the GRAMMY Museum has announced its official GRAMMY Week 2023 programming schedule ahead of GRAMMY Sunday.

Flush with unique education and community engagement programs, the events offer conversations, live performances and exclusive content from GRAMMY Award-winning and -nominated musicians and industry professionals. From panels discussing what it takes to have a career in the music industry to a celebration of GRAMMY nominee Muni Long, you won't want to miss the GRAMMY Museum’s GRAMMY Week programming.

Join in on these GRAMMY Week festivities from Monday, Jan. 30, to Friday, Feb. 3, with the full lineup as listed below.

Watch the 2023 GRAMMYs, officially known as the 65th GRAMMY Awards, on Sunday, Feb. 5, live on the CBS Television Network and live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

Mon, Jan. 30:

EVENT: Careers in Music: Music Producers Panel with Isla Management

WHAT: A conversation with GRAMMY® Award-winning and -nominated producers Boi-1da, Jahaan Sweet, Sevn Thomas, Leon Thomas, and Isla Management Founder and Manager Simon Gebrelul on the creative process, working with artists, and what it takes to have a career in the music industry as a music producer.

WHEN: 11 a.m. – 12 p.m.

REGISTER: Click here.

EVENT: Careers in Music: Latin Music Panel

WHAT: A conversation celebrating the culture and impact of Latin Music with singer-songwriter, Gaby Moreno, Vice President of Latin Division at Peermusic, Yvonne Drazan, and Founder and President of Cosmica Records, Gil Gastelum.

WHEN: 1 p.m. – 2 p.m.

REGISTER: Click here.

Tues, Jan. 31:

EVENT: Backstage Pass: Global Music Panel

WHAT: A conversation celebrating music from around the world with GRAMMY-nominated artist Zakes Bantwini, CEO of Creative Agency GridWorldwide Adam Byars, TV/Radio personality and entrepreneur Anele Mdoda, Talent Manager and Music/Entertainment Executive Sibo Mhlungu, and Entrepreneur CEO & Founder of Bathu Sneakers Theo Baloyi. This program will also include a live performance by Zakes Bantwini and Nomcebo Zikode.

WHEN: 11 a.m. – 12 p.m.

REGISTER: Click here.

EVENT: Backstage Pass: LGBTQ Panel & Performance presented by the Ally Coalition

WHAT: Backstage Pass is a career exploration program that gives students a first-hand look at what it takes to get a job in the music industry. This Backstage Pass program will consist of a question-and-answer session with music industry professionals from the LGBTQ community.

WHEN: 1 p.m. – 2 p.m.

REGISTER: Click here.

EVENT: Celebrating GRAMMY® Nominee: Muni Long

WHAT: Join us for this exclusive GRAMMY Week event to celebrate this year’s three-time GRAMMY nominee, Muni Long, just ahead of GRAMMY Sunday. Nominated for Best New Artist, Best R&B Song and Best R&B Performance, Long was an in-demand songwriter for Rihanna, Mariah Carey, Madonna, Ariana Grande, and more before breaking through as a solo artist.

WHEN: 7:30 p.m.

TICKETS: Click here.

Wed, Feb. 1:

EVENT: Careers in Music: 1500 Sound Academy

WHAT: 1500 Sound Academy is a trailblazing music education institution that strives to produce passionate sound creators through mentorship, positive mindset and professional development. Join us for a moderated Q&A with founders of the 1500 Sound Academy and of the legendary musical ensemble, 1500 or Nothin', GRAMMY Award winners James Fauntleroy and Larrance "Rance" Dopson.

WHEN: 11 a.m. – 12 p.m.

REGISTER: Click here.

EVENT: Live Out L!ve Presents: Beyond the Mainstage – Black Professionals in Live Music

WHAT: Join us as we go beyond the mainstage and explore the success, challenges and reality of being a Black professional in the live entertainment industry. In this conversation, we will hear from professionals of color who are leading innovation and change in their respective roles. Our panelists will share their journey of becoming a live industry leader and resources for breaking into the industry, and answer questions from the next generation of music industry leaders.

WHEN: 1 p.m. – 2 p.m.

REGISTER: Click here.

Thurs, Feb. 2:

EVENT: Backstage Pass: Hawaii Day w/ Bobby Moderow, Jr. & Kawika Kahiapo

WHAT: A celebration of the music and culture of Hawaii, this Backstage Pass program will consist of a question-and-answer session as well as a live performance of two to three songs.

WHEN: 11 a.m. – 12 p.m.

REGISTER: Click here.

Fri, Feb. 3:

EVENT: Careers In Music: Merck Mercuriadis, Nile Rodgers and 2023 Six-Time GRAMMY®-nominated Singer/Songwriter/Producer THE-DREAM

WHAT: A conversation with Merck Mercuriadis, Nile Rodgers and The-Dream discussing their background in the music industry, the importance and power of the songwriter, sustaining a career, and celebrating the songs past and present that have led to The-Dream having more than 20 GRAMMY nominations and five wins throughout his career. The-Dream is one of the first nominees for the inaugural Songwriter Of The Year, Non-Classical Award and we are here to celebrate his achievements and those of the other great songwriters being honored including his collaboration with Nile Rodgers, Beyoncé and others on "CUFF IT."

WHEN: 1 p.m. – 2 p.m.

REGISTER: Click here.

Where, What Channel & How To Watch The Full 2023 GRAMMYs

Mayor Of Los Angeles Karen Bass To Give Keynote Address At 25th Annual Entertainment Law Initiative During 2023 GRAMMY Week Event
(L to R): Peter Paterno, Mayor of Los Angeles Karen Bass, and Aron Lichtshein

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Mayor Of Los Angeles Karen Bass To Give Keynote Address At 25th Annual Entertainment Law Initiative During 2023 GRAMMY Week Event

The Recording Academy Entertainment Law Initiative will welcome Los Angeles Mayor Karen Bass as the keynote speaker for its annual GRAMMY Week Event.

GRAMMYs/Jan 20, 2023 - 02:00 pm

Ahead of the 2023 GRAMMYs, the Recording Academy Entertainment Law Initiative will welcome Los Angeles Mayor Karen Bass as the keynote speaker for its annual GRAMMY Week Event. Mayor Bass will join leaders in the legal and creative communities at the Beverly Wilshire Hotel on Fri, Feb. 3, as they celebrate the work of their peers and the year-round efforts of the Entertainment Law Initiative, which aims to encourage discussion and debate around the impact of legal affairs on the music industry.

"We are honored to welcome Mayor Karen Bass to the ELI GRAMMY Week Event as we gather and celebrate with the trailblazing professionals and students who are paving the way forward in the entertainment law industry," Recording Academy CEO Harvey Mason jr. said. "Mayor Bass has been a longtime supporter of music creators' rights in her legislative roles, and she has a unique understanding of how the creative industries intersect with law and policy that we look forward to hearing at this year's event."

"I'm proud to support GRAMMY Week because of the role that our entertainment industry plays in powering our local economy and to encourage efforts to increase equity and opportunities for Angelenos to break into the music business," Mayor Bass said.

Mayor Bass was sworn in as L.A.'s mayor on Dec. 11, 2022, after representing California's 33rd Congressional District from 2011 to 2013 and its 37th Congressional District from 2013 to 2022 in the U.S. House of Representatives. Between 2004 and 2010, she served in the California State Assembly and was elected as Speaker in 2008. 

The event will also honor the winner and runners-up of the Entertainment Law Initiative Writing Contest, co-sponsored by the American Bar Association (ABA). The contest challenges students in Juris Doctorate and Master of Laws programs at U.S. law schools to research a pressing legal issue facing the modern music industry and outline a proposed solution in a 3,000-word essay. The winner of this year's Writing Contest is Aron Lichtschein, a JD student at NYU School of Law, for his essay, "Tickets to Ride: NFTs and the Future of Concert Ticketing." Lichtschein will receive a $10,000 scholarship as well as tickets to the 2023 GRAMMY Awards and other GRAMMY Week events. As well, his essay will be published in the ABA's journal Entertainment & Sports Lawyer. Runners-up Gina Maeng and Amanda Sharp, students at Georgetown Law School and University of San Diego School of Law, respectively, will each receive $2,500 scholarships for their essays.

The Recording Academy announced last month that Peter T. Paterno, Partner at King, Holmes, Paterno & Soriano, LLP, will receive the 2023 Entertainment Law Initiative Service Award at the ELI GRAMMY Week Event; the award is presented each year to an attorney who has demonstrated a commitment to advancing and supporting the music community through service. 

Where, What Channel & How To Watch The Full 2023 Grammys

The Recording Academy Producers & Engineers Wing To Honor Trailblazers Terri Lyne Carrington And Judith Sherman
(L-R): Judith Sherman, Terri Lyne Carrington

Source Photos (L-R): Courtesy of the Recording Academy® / Photo by Jason Kempin for Getty Images © 2023; Courtesy of the Recording Academy® / Photo by Alexandra Wyman for Getty Images © 2023

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The Recording Academy Producers & Engineers Wing To Honor Trailblazers Terri Lyne Carrington And Judith Sherman

The Recording Academy's Producers & Engineers Wing will honor three-time GRAMMY winner Terri Lyne Carrington and revered classical producer and 13-time GRAMMY winner Judith Sherman at its annual GRAMMY Week event in February.

GRAMMYs/Jan 6, 2023 - 02:00 pm

The Recording Academy has announced Terri Lyne Carrington and Judith Sherman as honorees for their accomplishments as pioneering women in jazz and classical music. They will be honored at the Recording Academy Producers & Engineers Wing GRAMMY Week Event on Feb. 1 at The Village Studios in Los Angeles. The 15th annual event will return in-person for the first time since 2020, to kick off GRAMMY Week 2023. 

In addition to celebrating the achievements of three-time GRAMMY winner Terri Lyne Carrington and revered classical producer and 13-time GRAMMY winner Judith Sherman, the event will celebrate the year-round work of the Producers & Engineers Wing and its members. They advocate for excellence and best practices in sound recording, audio technologies and education in the recording arts, along with proper crediting, recognition and rights for music creators.

"We’re thrilled to return live to The Village Studios for the first time in three years to celebrate two groundbreaking music creators who are dedicated to innovating both creatively and technically in the recording field," said Harvey Mason jr., CEO of the Recording Academy. "Both Terri Lyne and Judith have made indelible contributions to music, and we look forward to bringing together producers, engineers and artistic professionals to honor these incredible artists and kick off our GRAMMY Week celebrations."  

Terri Lyne Carrington is an NEA Jazz Master, Doris Duke Artist, and three-time GRAMMY-winning drummer, composer, producer, and educator. She is the founder and artistic director of the Berklee Institute of Jazz and Gender Justice, as well as the artistic director for both Next Jazz Legacy program (a collaboration with New Music USA) and the Carr Center in Detroit. She has performed on more than 100 recordings over her 40-year career and has toured and recorded with luminaries such as Herbie Hancock, Wayne Shorter, Stan Getz, Esperanza Spalding, and numerous others.

Her artistry and commitment to education has earned her honorary doctorates from York University, Manhattan School of Music and Berklee College of Music, and her curatorial work and music direction has been featured in many prestigious institutions internationally. The critically acclaimed 2019 release, Waiting Game, from Terri Lyne Carrington + Social Science, earned the esteemed Edison Award for music and a GRAMMY nomination. In the fall of 2022, she authored two books, Three of a Kind (The AllenCarringtonSpalding Trio) and the seminal songbook collection, New Standards: 101 Lead Sheets By Women Composers. Her current GRAMMY-nominated album, New Standards Vol.1 (Candid Records), and her visual art curatorial debut at Detroit's Carr Center, Shifting the Narrative Part 1: New Standards, have accompanied the songbook release as part of the Jazz Without Patriarchy Project. 

Carrington is a 2022 inductee into the American Academy of Arts and Sciences and is co-executive producer and musical director for the newly formed Jazz Music Awards.

Judith Sherman has made an indelible contribution to the catalog of recorded classical music. 

She is an 18-time GRAMMY Award nominee and 13-time GRAMMY winner, including six GRAMMYs for Producer Of The Year, Classical (at the 36th, 50th, 54th, 57th, 58th, and 64th GRAMMY Awards). Early in her career she was employed at WBAI-FM in New York City, beginning as an engineer and over the course of four years working her way up to become producer and then music director. She was the recording engineer for the Marlboro Music Festival in Vermont during the summers of 1976 through 1994 and worked as audio faculty at the Banff Centre in 2006 and 2008. A member of the board of directors of Chamber Music America, Sherman served first as secretary in 2002, and thereafter as vice president. She currently works as a freelance recording producer and engineer in New York.

Sherman has collaborated with a vast number of artists throughout her career including Rudolf Serkin, Ursula Oppens, Marc-André Hamelin, Llŷr Williams; with the Kronos Quartet and the Cleveland, Ying, Takács, and Pacifica String Quartets; with eighth blackbird and the American Brass Quintet; and with conductors such as Christoph Eschenbach, Donald Runnicles and David Zinman. Her recordings in the field of contemporary classical music have been particularly noted, including work with such composers as Steve Reich, Elliott Carter, Steve Mackey, Charles Wuorinen, John Adams, Shulamit Ran, David Rakowski, Philip Glass, Eric Moe, Joan Tower, and Terry Riley. Her recordings have appeared on many labels, including Nonesuch, Telarc, Cedille, New World, Avie, Albany, Signum, Hyperion, and Bright Shiny Things. 

"The Producers & Engineers Wing is privileged to pay tribute to two women who have pushed boundaries both in and outside of the studio," said Maureen Droney, Vice President of the Producers & Engineers Wing. "As GRAMMY nominees this year, Terri Lyne and Judith are awe-inspiring honorees who represent the best of the recording industry and whose contributions to their respective genres continue to resonate with our music community."

2023 GRAMMY Nominations: See The Complete Nominees List