Photo: Jason Kempin/Getty Images
CMA Fest Turns 50: Lainey Wilson, Brett Young, Reba McEntire & More Share Memories From The Country Staple
As 80,000 country music fans take over Nashville from June 8-11, genre legends, hitmakers and newcomers celebrate CMA Fest's 50th anniversary by revisiting their favorite moments from on and off stage.
It's where fans were once caught in the crossfire of a silly string war between Tracy Lawrence and Kenny Chesney. It's where Garth Brooks signed autographs continuously for 23 straight hours. It's where Craig Morgan first met Miranda Lambert when she was just a young fan, and where Patty Loveless stood in line to get an autograph from future collaborator Vince Gill. It's where Lainey Wilson realized country music is what she was born to do.
That place is CMA Music Fest, and this year "The Ultimate Country Music Fan Experience" celebrates 50 years of bringing fans and artists together in the heart of country music, Nashville, Tennessee. Originally known as Fan Fair, the event was created by WSM radio and the Country Music Association to provide fans their own unique experience — though it was also a clever marketing ploy to keep fans from crashing the annual country music disc jockey convention, an industry-only annual event. Now, each year, more than 80,000 country music lovers from around the world ascend to Nashville to see their favorite stars.
The first Fan Fair in 1972 drew 5,000 country music lovers to Nashville's Municipal Auditorium, and by 1982, its growth warranted a move to the Nashville Fairgrounds, In 2001, it moved downtown, occupying numerous locations including Nissan Stadium, Riverfront Park and the Music City Center — officially becoming CMA Music Festival, and later CMA Fest.
"The secret to the success of CMA Fest is the preservation of the original Fan Fair," CMA CEO Sarah Trahern tells GRAMMY.com. "The tradition and unique connection between the fans and the artists is celebrated throughout our event, and it becomes a momentous part of an artist's career to be able to say, 'I played at the Riverfront Stage, or I played Nissan Stadium and was part of the television show.' The magic of what CMA Fest is today comes from the history and heart that was created five decades ago."
Trahern has seen firsthand how important CMA Fest is to the fans, and one of her personal highlights each year comes from surprise seat upgrades. "I specifically remember one year we had changed the configuration on the floor based on some sodding issues with the stadium, and one fan was particularly upset that we moved her seats even though we had moved her to a closer section," Trahern recalls. "We later found out that she had brought her husband's ashes and had placed some of them under her seat at the stadium because they used to come to Fan Fair together. It reiterated to me the power of our event to truly become a part of people's lives."
It becomes part of the fabric of country artists' careers, too. CMA Fest is where many artists are discovered, where they perform for the first time, where they celebrate milestone achievements, and where they make invaluable memories with fans. As Morgan puts it, "You know that when you're performing at CMA Fest, you're performing for those who love you the most."
Before CMA Fest kicked off its 50th iteration on June 8, some of country music's legends and newcomers shared their most cherished, hilarious and sometimes embarrassing memories from CMA Fest.
A Thousand Horses
Graham DeLoach: Playing CMA Fest for the first time was gratifying, to say the least. We had really been honing our sound and figuring ourselves out as artists, both on the stage and making an album in the studio during months leading up to the show. I remember it almost getting rained out, but when the weather cleared and we finally got on the stage, we had a defining moment as a band. We had it dialed in more than ever and we're playing to a real crowd who came to listen to real music. It was a big change from the bar rooms that we had toured across America in the years prior. So, we mark our first CMA fest as a defining moment for A Thousand Horses.
Michael Hobby: My favorite memory takes me back to 2015. We were performing on the Chevy stage, right outside the Bridgestone arena in Nashville. It was super hot outside and the sun was beating down on everyone, but the atmosphere was still buzzing with the excitement from all the fans. It was a huge moment for us as a band. Our debut album Southernality was being introduced to the world, and our single "Smoke" had just gone No. 1. I'll never forget hearing the crowd singing the words to all our songs back to us, and the album had only been out a few days. That day had everything I love about music — its ability to move people, bring them together, and to create these unforgettable shared moments.
Bill Satcher: One year at a signing booth, a fan asked us to autograph and write our band name on her arm. Afterwards, she told us that she was going to go get it tattooed on her later that day. Sure enough, she came back to the same signing booth the next year and had our handwritten band name inked on her arm.
David Bellamy of the Bellamy Brothers
Fan Fair was always a special time for us early in our career. We'd be on the road playing shows and our mom, Frances, would load up our cousin Sylvia and my two oldest sons, Jesse and Noah, and make her way to Nashville to decorate our Fan Fair booth. We'd meet them there and spend the next few days meeting and greeting fans for hours at a time every day of the event.
We met so many artists that have remained friends to this day. We even met the Forester Sisters at Fan Fair and ended up recording a duet together, "Too Much Is Not Enough," that went No. 1.
When Fan Fair was over, we'd make our way on down to Alabama's June Jam in Ft Payne. We enjoy CMA Fest also but we're usually in Europe a lot during that time every year so we don't get there as much as we used to.
Our Mom used to live for that time of year. She loved putting our booth together and meeting all the artists new and old — in fact, I think she probably knew more artists than we did. We still run into people that knew our Mom from then.
(L-R) Frances Bellamy and Loretta Lynn at Fan Fair. Photo: Courtesy of David Bellamy
Joe Bonsall of the Oak Ridge Boys
The Oak Ridge Boys go way back to the very beginning of what was then called Fan Fair. My fondest memory of those days was performing in 1982 on the heels of "Elvira" and "Bobbie Sue." It was amazing to see the crowds at the shows and the signing booth. I am thankful that from time to time we still take part even after all these years.
Ben Chism: This is our first year playing CMA Fest. It means the world to me, to Chris, to our families. When we got that email saying we were invited to play CMA Fest, I told my wife and she just jumped up and down. She's been waiting 10 years for this and so have I. Chris has too. We have family coming in from all over the country to watch this 25-minute set because it means as much to them as it does to us.
It's just an amazing feeling to go out there and meet the people at CMA Fest. That's the biggest thing me and Chris have always said is, "Don't ever be afraid to come up to us and talk to us. We'll go on a walk and talk to you all day long."
Chris Ramos: As a musician growing up, I always thought it would be the coolest thing ever to get to play CMA Fest. It's definitely a career defining moment. You have various people say, "My career defining moment was when I headlined Nissan Stadium." We get that, but along the way this is one of those things that when it happens, it's a bucket list item. I wanted to just take a minute and absorb the fact that we got invited by the CMA to play CMA Fest. Talk about career aspirations being fulfilled!
My first CMA Fest experience was very non-traditional, as last year was my very first year not just performing but attending as well. I had the privilege of getting to perform on the Chevy Riverfront Stage and with one of my favorite bands, Lady A, on the main stage. It was a crazy experience.
Something funny happened ahead of the Chevy Riverfront performance, too — I was about to walk on stage and broke my glasses. I didn't have a backup pair so I had to throw on my stylist's sunglasses for the performance. Such a great time regardless!
My favorite memory so far of CMA Fest is playing Ascend Amphitheater with my label mates. Warner Music Nashville put together an amazing lineup, and it's a show I'll never forget.
CMA Fest is so unique because it brings together so many artists and so many fans in one place for the weekend. It's an amazing opportunity to be able to interact with fans and create memories you'll never forget. I love running into fans all over the country and hearing about how they discovered us at CMA Fest!
My first CMA Fest performance was in 2014 on the CMA Close Up Stage at the Music City Center, and it was amazing. As much as the show Nashville had been embraced by TV viewers and the city of Nashville itself, that performance was my first taste of how popular it had become with the group that mattered, perhaps, the most: country music fans. The place was packed, the fans were amazing, and I felt blessed to be there with them, playing my songs and Deacon's, too. I still smile just to think of it.
I can easily tell you my favorite moment. It was in 2016. I, like everyone else, had recently heard the bad news that Nashville, the show that had brought me to Nashville and had changed my life completely, was not being picked up by ABC for a fifth season. That was a hard pill to swallow — not just for those of us who worked on the show, but for the actual Nashvillians and the country music fans that had grown to love the show so much.
For me, it was no small consolation to be stepping out onto the Riverfront Stage that day to perform for CMA Fest. It was a hot but beautiful summer afternoon, and the riverbank was completely covered with amazing Nashville fans who, like me, seemed not quite ready to say goodbye. They poured out their love — even more so when I brought out my co-stars Clare Bowen and Chris Carmack to sing a couple songs. They cheered and sang along with us to their favorite songs from the show that they already missed so much. That was incredibly memorable.
But, what put it over the top — way over the top — was when CMT's Leslie Fram and Cody Alan joined me and my friends onstage for a surprise announcement that, actually, Nashville would NOT be ending. Not yet! CMT was picking it up for Season 5 [and eventually for Season 6]. The crowd went wild. And the show went on!
Randy Goodman, Chairman and CEO of Sony Music Nashville
Jennifer and I got married June 11, so our anniversary would, more likely than not, land during Fan Fair/CMA Music Fest. One of our early, if not first anniversaries, I was at Fan Fair. Of course, Jennifer was with me. I'm working. It was at the Fairgrounds. We had just signed Juice Newton, and she found out it was our anniversary. She sang "The Sweetest Thing" and dedicated it to us. That was pretty cool, and very sweet of her.
I'll never forget the first night I landed in Nashville. It was the Tuesday of CMA Fest. I walked down to Broadway and it was like all my Aussie-Country boy musical dreams came true all at once!
I remember the first time I had a booth at Fan Fair. It was so exciting. That year Alabama was a huge success and the fans screamed for them. Soon after, my records hit the top of the charts, and I got booked to open all their concerts for a couple years. What a thrill and huge boost for me! So thankful!
Way back when Fan Fair was still at the Tennessee State Fairgrounds, I was in the RCA Records booth signing autographs with some other artists. This woman came through the line, and I was signing something for her, and I think we got a picture together. Then she said to me, "We're gonna record together some day." And I thought "Well alright." Turns out that woman was Patty Loveless! We ended up singing on lots of each other's records including our first No. 1 hits. She sang harmonies on "When I Call Your Name" and I sang on her single "Timber I'm Falling in Love."
I vividly remember my very first Fan Fair in 1995 because the line was so long and I just could not believe it. I think we were there for eight hours signing autographs. I was amazed and just so thankful. I was still a very young, naive country boy, and I just remember my mind being absolutely blown that there were that many people standing there to meet me.
Country fans are the best! I remember one year I mentioned something about being gone so much on tour, I didn't have time to go home and wash my socks or something like that and then all of a sudden, I start getting underwear and socks at all the shows for a while. It was pretty funny.
I had been to CMA Fest — then called Fan Fair — many times before I signed my record deal, but 1995 was different. My first single "What Mattered Most" had just gone to No. 1, and when I looked out over that crowd of 60,000 people to perform it, I couldn't hold myself together. The tears started welling up, and was all I could do to get through the song. To hear folks singing my lyrics back to me, there's nothing like it, even today. Words cannot describe it.
HunterGirl (R) and her mom at CMA Fest 2022. Photo: Courtesy of HunterGirl
The funniest fan interaction last year was during the meet and greet at the signing booth. Someone came up and asked me to sign a picture, and I looked down and it was an old photo I used to promote my music in high school. Then, one after another people kept bringing the same photo to sign, and I asked, "Where did y'all get this?" They all go, "the lady in the back corner was passing them out." I looked over and it was my mom giving them to everyone she saw. It was like she was handing out mixtapes on Broadway. I have never laughed so hard. My mom is the best.
The first year I did the stadium was pretty awesome. Me and Hank Jr. did "Born To Boogie." It was me and him and Justin Moore. It was just great because I grew up listening to Hank Jr., and we had toured together so it was great comradery. Then I did "Buy Me A Boat" and it had just hit No. 1 so that was a great time.
I've had a lot of fun fan encounters. I'm pretty easy going, but people get so scared sometimes to say hello. Sometimes I'll notice it, so I'll just initiate the conversation because I can tell they want to say hello or want a picture or something. And I always think to myself, "Be Luke Bryan," because Luke is always very kind to people. So I've always tried to model myself after people like him. He's just a great template for that. Treat people how you want to be treated.
So if I notice somebody wanting to talk or they look like they might want a picture, but they are about to let me walk by because they don't want to bother me, I just tell them, "Hey listen, you ain't bothering me. We're all just putting our pants on the same way this morning and if you'd like a picture, you might as well get it now. This is perfect timing." I appreciate how respectful people are in 99 percent of the cases, but it also just cracks me up that just because I sing songs and have hits and I'm in the public eye doesn't mean I'm not a normal person. I'm probably more normal than most people I know so if you see me out there, come and say hey.
My favorite memory goes way back to when it was called Fan Fair and was held at the fairgrounds. All the artists would be assigned to a booth and we'd be there all day which consisted of signing for two to three hours plus appearances and performances. All the artists would try to outdo each other with our booth setup. We'd also do pranks on each other. One time Kenny Chesney and I had a silly string fight across from each other in our booths.
The first time I performed was at the Fairgrounds in 1992. They set up the main stage on the race track, and my producer, James Stroud, gave me a blue Harley Motorcycle to celebrate Sticks and Stones going Gold. So, it didn't suck.
Tracy Lawrence at Fan Fair 1992. Photo: Courtesy of Tracy Lawrence
I got to perform with Josh Turner on the stadium show the first time I did CMA Music Fest, which was a moment I'll never forget. Through the years, I've done a lot of different events at CMA Music Fest and it's always been fun. The fans who attend are amazing, and music is truly around every corner. I'm glad to be a part of CMA Music Festival's history. The event is truly legendary.
Fans love country music and are so devoted. What I remember best is sitting there at the Polygram/Mercury booth at Fan Fair and sitting there for about two hours and probably signing one autograph. One time mama was there with me, and I had my little Sharpies in front of me and my little stack of pictures and nobody was coming over. Finally, this man and woman looked up at my name over my head and looked at me and walked over to me and mama said, "Get ready! Get ready!" And they walked over to me. I said, "Can I help you?" and they said, "Do you know where the bathroom is?" That was my introduction to Fan Fair. [Laughs.]
Of all the genres that I've been a part of — Broadway, television, the movies and in the clothing line — everybody always says how nice the country folks are, and how appreciative the fans are, and the artists are of their fans. So coming back to CMA Fest just emphasizes how much the artists do appreciate their fans and the fans of country music appreciate the artists and entertainers. I am proud to be a part of country music and a part of a group that do appreciate each other, and they don't take each other for granted.
My favorite CMA Fest memories are the Fan Club parties that I used to do with my mother. She geared up for them months in advance and I got to see the fans bring her such joy with their love. Thank you for those memories. They meant so much to both of us.
One year I played the stadium with a cast on my leg. There's a picture of me somewhere, climbing the trusses with my broken leg hanging off the sides of the stadium.
One of the years I played CMA Fest back when I was younger, I remember a young lady asking me for an autograph. I signed something for her and we chatted for a few minutes. Years later, that young lady became a big star in country music: Miranda Lambert.
I am so excited to perform at CMA Fest again. Last year I was on the Spotlight Stage in Fan Fair X and it was one of the first times I heard fans singing my songs back to me. This year I get to play the Chevy Riverfront Stage & Nissan Stadium Platform Stage which is really exciting!
I can't think of another event where fans travel from all over the world to listen to live country music. It's pretty special to have people from different cultural and geographical locations come together to share their love for their favorite songs and artists. I can't wait to fully experience CMA Fest for the first time and put a little western into the lineup.
My favorite was my first, which I believe was the first time it was downtown. I was 21 and on Mercury Records. I had a sleeveless Michael Jackson t-shirt on, which was borrowed from a friend back home. I was so nervous, but I remember it was really the first time I'd played in front of a crowd that size. I was high on adrenaline for days!
I have a long history with CMA Fest, going all the way back to the late '90s, like '96-'97. I had long hair and a cowboy hat. I was maybe 18 years old starting off my career. I had a booth. That's how you did it back then. You'd put these booths in these real hot buildings, and you'd sit there and sweat all day and say, "Please, look at me, look at me! Let me sign something for you that you don't care about!" [Laughs.]
Those are my original memories of Fan Fair, and as we've moved on through the years with CMA Fest, I've noticed there's a really different vibe around CMA Fest nowadays. It's a big show, a big stadium show that's always been one of my favorite things to play.
We debuted "Tequila Makes Her Clothes Fall Off" in front of 40,000 people at the stadium at CMA Fest, sung it in the rain I believe. I have a lot of fond memories about CMA Fest performing on all the stages, Riverfront, Stadium Stage, CMT Stage in front of Bridgestone, and I've had a blast at all of them. That's what's wonderful about CMA Fest — you have so many fans there that are doing so many things, you're going to find a great crowd anywhere.
My favorite memory of CMA Fest is at Nissan Stadium. Luke Bryan and I actually got to co-host the broadcast, and it was such an amazing moment. We got to talk to so many artists that I hadn't really even got to meet before rehearsing that, and obviously being a co-host with Luke was so much fun.
Over the years, I've had a ton of funny interactions with fans. The most embarrassing one for me, though, happened when there was a guy who said, "Hey, can you come and sign this thing for me?" I thought that he was pointing at his motorcycle, so I got my sharpie and signed the bumper of his motorcycle. Then [my brothers] Reid and Neil pointed out to me that he was actually pointing to the T-shirt laying over his motorcycle. He actually did not see me do it in real time and I didn't know how to tell him, so I just sort of sheepishly crawled back on the tour bus because I didn't know what to do.
I got mistaken for Cody Johnson a couple years ago by a large crowd of fans. I just went along with it. [Laughs.]
As a fan, [I saw] Morgan Wallen perform in the rain on the Riverfront Stage and it was incredible. He only had "Up Down" as a hit at the time, and it always leaves me inspired to keep working and growing. You never know where a song or two will take you. As an artist, getting to play the stadium last year — my first CMA Fest invited to play as an artist— was so humbling and a massive check off of the bucket list.
I have so many fans always asking me to sign their arms and then they get it tattooed. It's a lot of pressure, but hilarious at the same time. Commitment is level 10, always!
One of my first memories of CMA Fest is seeing Keith Urban play the stadium when I was about 12. I was young but, by then, I already knew music was going to be my life, so I went with the intention of learning as much as I could from his live show.
I vividly remember how small he made that massive stadium feel. There aren't many artists who are such good entertainers that I forget to watch as an artist and naturally fall into watching as a fan, but he's one of them. He's so engaging. I remember hoping I'd have a chance to make that many people feel that way about my music one day.
The fans are what makes CMA Fest so special. They're so incredibly passionate about the music and the artists. There's nothing like it. They go above and beyond for you, so it makes you want to go above and beyond for them. One of the first CMA Fests I played, there was a guy who showed up to watch every one of my performances with a poop emoji hat on. You couldn't miss him. I remember not being able to hold it together every time he'd walk in. Just the most ridiculously hilarious thing and we connected over it. I still haven't forgotten it.
Jeannie Seely signing autographs at the first Fan Fair in 1972. Photo: Barry Amato
Thinking back on the first Fan Fair, I remember how excited I was to be entertaining so many wonderful fans all in one place! It was also exciting to be able to spend time with so many other artists, including some you didn't get to see very often, and some that I had not even met. I was in awe watching everyone else perform, and proud to be presenting our new package show with Jack Greene.
Dottie West and I had a great time posing as each other just to watch the puzzled expressions on folks faces as they tried to figure it out. We even did radio promos for some of the DJs as each other. There was such a closeness of the artists back then, and we had so much fun together. Fan Fair gave us that opportunity too. There were a lot of stories told, guitar pulling, clothes and jewelry sharing, and memories made. Sometimes I wonder if the fans had as good a time as we did!
My favorite memory of CMA Fest is getting to play the different stages. They're all cool in their own way. I started playing solo acoustic at Fest, which is fun because those fans typically come to hear artists and songs that are new to them. Now, we get to play the Chevy Riverfront Stage with a full band, and hopefully the crowd will be singing my songs with us, which is such a party!
One of our first times ever visiting Nashville was for CMA Fest. A friend of ours ended up having two extra tickets to the last day of the stadium shows, and it poured down rain. We were still so happy to be at Nissan Stadium with 60,000 other country music fans at the most magical festival ever. We couldn't believe how many people were there! We held trash bags over our heads and sang along to all the country songs we grew up on the entire night.
We recently played in London for the first time, and we had several people tell us that they can't wait to see us play over CMA Fest. It really put into perspective how global the event is!
Man, going from a nobody to somebody overnight was life-changing, and then going straight to CMA Fest right after winning American Idol. I was shocked how many people recognized me, stopped me in the street, and were singing along to my song! An incredible feeling that I will never forget.
My most memorable experience at CMA Fest was truly magical. Just moments before I was about to step on stage and perform in 2022, I received the call that my daughter was going into labor. It was an overwhelming rush of emotions, knowing that my family was expanding and that I was about to become a grandparent. That moment filled me with an incredible sense of joy, love, and anticipation. It reminded me of the power of music to bring people together and create cherished memories that will last a lifetime.
I went every year to CMA Fest from the time I was 14. My parents would take me there so literally I could go get inspired. They would make it like a family vacation really just for me. It felt like country music Christmas to me and my family.
When I finally got to play CMA Fest, it honestly felt like one of those out-of-body experiences because I'd dreamed about it for so long. Every summer we would go and I'd sit there. I wouldn't be jumping up and down with excitement, and my mama would look over at me and be like, "Are you having fun?" The truth is, I was just soaking it up. I was not whooping and hollering. I was just trying to learn and trying to watch the people on the Riverfront stage and on the Hard Rock stage, and then go over to the stadium that night and pick up little tips and tricks.' I was really educating myself, and I loved every single minute of it, so when I actually got the chance to do it myself I felt like, "Dang! We have arrived!" We have a long way to go, but we're heading in the right direction.
Country music brings people together. Of course, country music festivals are special anywhere you place those roots, but there is something so magical about playing for folks in a city where the music was made, and the team of people are there in that town that pushed that music, that played on that song. Everybody feels that when they roll into town for CMA Fest. You feel it to your core in a different kind of way.
I have too many favorite memories to count, but I'll have to go with the year we revived the Ernest Tubb Record Shop Midnite Jamboree, bringing Vince Gill, Brothers Osborne, Brandy Clark, Eric Church and others down to the world's first country music record shop on lower Broadway. The crowd was crammed inside, where the air conditioning couldn't get us any cooler than 115 degrees. We had cops on horses out front as we shut down CMA Fest three nights in a row. I saw the sun come up that Saturday morning before going to bed! Finally, on Sunday morning, it was time for my Donuts and Jam fan party — and I barely made it in time, with my new puppy at the time, Peggy Sue.
One of my favorite stories to tell is the story of my first year at CMA Fest as a solo artist. I was a bit overconfident in my popularity, you see. A couple was approaching me on the sidewalk, pointing to their camera like they wanted a photo together. As I approached them to take a photo and sign autographs, they pointed to the Elvis impersonator behind me and asked, "Do you mind taking our photo with Elvis?" [Laughs.] A lesson in humility, I tell ya!
CMA Fest is unique because there's no other community quite like the country music community and no other place quite like Nashville. Our entire business is built on the close relationship between artists and fans, and CMA Fest is basically Nashville's annual open house. You can feel a spirit of gratitude and excitement and love in the air. As a singer, I'm reminded of how lucky I am to get to be in country music, and as a fan I'm reminded how lucky I am to have country music as the soundtrack to my life.
I didn't come to Nashville as a kid because I grew up in Southern California, so I found out about CMA Fest after I moved here. It was always very much a bucket list thing for me as an artist. The first year I got to perform, I got a call last minute that my second single "In Case You Didn't Know" was going No. 1 that week. I wasn't booked to perform at Nissan Stadium, but they were like, "We can't have the No. 1 song in the country not being performed." They said, "We know it's only two days away, but would Brett play the pop-up stage in the middle of Nissan Stadium for that one song?" I was in North Carolina at the time and the answer was obviously yes! We bussed back, I popped up on this little stage out in the middle of the field at Nissan Stadium, and got to play the No. 1 song in the country. It was really cool.
My favorite memory is probably getting to go as a kid. It was a really big deal when my mom took me when I was really young. We used to go when it was back at the fairgrounds.
The first time I performed was a really long time ago. It was a really tiny acoustic show. It was a lot different playing Riverfront up to the Stadium. It was definitely something I looked forward to, and I remember thinking how cool it was to be on a CMA Fest Stage anywhere.
How To Watch The 2024 GRAMMY Nominations: St. Vincent, Jeff Tweedy, Muni Long, Kim Petras, Jon Bon Jovi, "Weird Al" Yankovic & More To Announce The Nominees; Streaming Live Friday, Nov. 10
The nominations for the 2024 GRAMMYs will be announced on Friday, Nov 10, starting at 7:45 a.m. PT / 10:45 a.m. ET. Watch it live on live.GRAMMY.com and YouTube.
It's that time again: The 2024 GRAMMYs is just a few months out — airing live Sunday, Feb. 4, from Crypto.com Arena in Los Angeles. Which means nominations for the 2024 GRAMMYs are just around the corner. On Friday, Nov 10, starting at 7:45 a.m. PT / 10:45 a.m. ET, nominations for the 2024 GRAMMYs will be announced via a livestream event airing live on live.GRAMMY.com. The nominations will also stream live on the Recording Academy's YouTube channel.
The 2024 GRAMMYs nominations livestream event will feature a diverse cast of some of the leading voices in music today, including St. Vincent, Jeff Tweedy, Muni Long, Kim Petras, 2024 MusiCares Person Of The Year Jon Bon Jovi, and many others, who will be announcing the 2024 GRAMMY nominees across all 94 categories. Plus, the livestream event will also feature an exclusive GRAMMY Nominations Pre-Show and Wrap-Up Show, which will both feature exclusive videos and conversations about the biggest stories and trends to come out of the 2024 GRAMMYs nominations.
City National Bank is the Official Bank of the GRAMMYs and proud sponsor of the 66th Annual GRAMMY Awards Nominations.
See below for a full guide to the 2024 GRAMMYs nominations livestream event happening next week:
How Can I Watch The 2024 GRAMMY Nominations?
When Are The 2024 GRAMMY Nominations Announced?
The 2024 GRAMMYs nominations will be announced Friday, Nov 10. The day kicks off with an exclusive GRAMMY Nominations Pre-Show, starting at 7:45 a.m. PT / 10:45 a.m. ET. Hosted by Emmy-winning TV host and “GMA3” contributor Rocsi Diaz, the GRAMMY Nominations Pre-Show will give music fans an inside look at the various initiatives and campaigns that the Recording Academy, the organization behind the annual GRAMMY Awards, supports on a year-long basis on its mission to recognize excellence in the recording arts and sciences and cultivate the well-being of the music community.
Afterward, starting at 8 a.m. PT / 11 a.m. ET, the GRAMMY nominations livestream event begins. The livestream event will begin with a special presentation announcing the nominees in the General Field categories, aka the Big Six, as well as select categories. On live.GRAMMY.com, exclusive videos announcing the nominees across multiple categories will stream as a multi-screen livestream event that users can control, providing a dynamic, expansive online experience for music fans of all genres. The nomination videos will also stream live on YouTube. The full list of 2024 GRAMMYs nominees will then be published on live.GRAMMY.com and GRAMMY.com immediately following the livestream event.
After the nominations are announced, stay tuned for an exclusive GRAMMY Nominations Wrap-Up Show. Co-hosted by "Entertainment Tonight" correspondents Cassie DiLaura and Denny Directo, the Wrap-Up Show will break down all the notable news and top stories from the 2024 GRAMMYs nominations. The GRAMMY Nominations Wrap-Up Show will stream live on live.GRAMMY.com as well as the Recording Academy's YouTube channel, X profile, Twitch channel, TikTok page, Instagram profile, and Facebook page.
Watch the 2024 GRAMMYs nominations livestream event and make sure to use #GRAMMYs to join the conversation on social media as it unfolds live on Friday, Nov. 10.
The schedule for the 2024 GRAMMYs nominations livestream event is as follows:
GRAMMY Nominations Pre-Show
7:45 a.m. PT / 10:45 a.m. ET
Nominations Livestream Event
8 a.m. PT / 11 a.m. ET
Nominations Livestream Event Ends & Full Nominations Revealed
8:25 a.m. PT / 11:25 a.m. ET
GRAMMY Nominations Wrap-Up Show
8:25 a.m. PT / 11:25 a.m. ET
^All times are approximate and subject to change.
Who's Announcing The 2024 GRAMMY Nominations?
Recording Academy CEO Harvey Mason jr. will be joined by GRAMMY winners Arooj Aftab, Vince Gill, Amy Grant, Jimmy Jam, Jon Bon Jovi, Samara Joy, Muni Long, Cheryl Pawelski, Kim Petras, Judith Sherman, St. Vincent, Jeff Tweedy, and "Weird Al" Yankovic, along with "CBS Mornings" co-hosts Gayle King, Nate Burleson, and Tony Dokoupil, to announce all the nominees for the 2024 GRAMMYs.
When Are The 2024 GRAMMYs?
The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, will air live on Sunday, Feb. 4, at 8-11:30 p.m. ET/5-8:30 p.m. PT from Crypto.com Arena in Los Angeles. Music's Biggest Night will air live on the CBS Television Network and stream on Paramount+.
Mark your calendars now for the 2024 GRAMMY nominations happening Friday, Nov 10.
With additional reporting by Morgan Enos.
Photo: Jess Williams
Inside Charlie Worsham's 'Compadres': How His Friendships With Luke Combs, Lainey Wilson & More Birthed The Collab EP
Friends including Dierks Bentley, Elle King and Kip Moore join the journeyman singer, songwriter and guitar slinger on his latest bid for Nashville glory.
Country singer/songwriter Charlie Worsham didn't find immediate success after arriving in Nashville in the late aughts — but 15 years later, he couldn't be happier about his luck.
"One of the best gifts I could have ever had was a practice run at all this, where I shared the victories and the losses with this band of brothers," says Worsham, who is referring to his stint playing mandolin in KingBilly, which had a brief reality TV show but didn't set the charts on fire.
Since splitting in 2010, though, Worsham has become a Nashville long-hauler, a respected first-call known for his tasteful guitar and mandolin playing, smooth vocal delivery, and ace songwriting heard on an enviable collection of cuts. In case you need a reminder, visit his Spotify playlist "Sh!t I've Played On," which catalogs his appearances with marquee country stars like Eric Church, Luke Combs, Vince Gill, Kacey Musgraves, Carrie Underwood and Keith Urban.
But while his own albums, 2013's Rubberband and 2017's Beginning of Things, as well as his 2021 Sugarcane EP, have produced hits like "Could It Be" — which peaked at No. 13 on the Country Airplay chart and cracked the Billboard Hot 100 in 2013 — solo success has largely eluded Worsham.
So, he kept his head down and did what he came to Nashville to do: make great music. He kept his spirits up by rallying friends like Brothers Osborne's John Osborne and The 400 Unit's Sadler Vaden to play his "Every Damn Monday" Nashville gigs celebrating the music of Lynyrd Skynyrd, Prince and others as fundraisers for his Follow Your Heart arts foundation. In 2022, he earned the ACM Award for Acoustic Guitar Player of the Year, and he is currently nominated for Musician of the Year at the 2023 CMA Awards, which will air on Nov. 8.
For his latest release, the five-song EP Compadres, he stacked the deck with five Nashville friends and collaborators — Combs, Lainey Wilson, Dierks Bentley, Elle King and Kip Moore — and the results are bearing fruit. A re-recording of "How I Learned to Pray," originally cut for Rubberband and now featuring Combs, has already eclipsed the original's Spotify streaming figures two-fold while inspiring more than 14,000 TikTok clips.
"When touring went away in 2020 for a minute, I just picked up more and more session work," Worsham says. "It had always been sort of my moonlighting gig that I loved to do, because the goal is always to play more music and that's one of the best ways to do it with the best players around. I started playing on more and more records and driving to those sessions going, Man, it's going to be a great day. But the one thing that can make it better is that this was my record, so thus began Compadres."
With the Jaren Johnson-produced EP in the can, though, Worsham realized Compadres shouldn't be a one-off event. He now intends to revisit the concept between proper albums, and there's no shortage of potential collaborators. All of which begs the question: Who might make those hypothetical sequels?
"One of the first friends I made in town was John Osborne — how do I not cut a song with him and TJ someday?" he says. "The last couple of times I saw Ashley McBryde, we were talking about our love of bluegrass and what side projects might come of that, and how can I not do a song with her at some point? It would be really cool to create a full-circle moment with Eric Church."
Worsham sat with Grammy.com to share the backstories from the five collaborations on Compadres.
"Creekwater Clear" feat. Elle King
The story of "Creekwater Clear" is that hero's journey of where you grow up in what you know is home, [but] you cross that threshold for a bigger world. You come back changed, but you now have this superpower of perspective. And as Elle has firmly planted her roots in country music, I see it as she's just being welcomed home. She's belonged here this whole time.
She's one of two people who came over to the house actually to sing the vocals. I remember she walked through the front door, my wife's there, and I'm sure if you listen closely you can probably hear [our son] Gabe in the background of her singing. But it's a perfect example of what Compadres represents in terms of not just where I am in music right now, but where I am in life — we're doing a lot of living, and Elle's right there with us sharing the joys and the struggles of parenthood and having a young kid, and doing that while traveling the world. Hers is one of my favorite Instagram accounts to see because it's always something fun that combines rock and roll and toddlers.
"Handful of Dust" feat. Lainey Wilson
I had a [co-]write booked with Lainey and I was really excited about it. She can sing, and she's got songs. "Things a Man Oughta Know" — that's one of those moments where the heart and the chart actually intersect, which is a hard thing to do.
The day before, I went for a run and put her record on and just played it on repeat. I started kicking myself on this run, like, How have I not been jamming this record? This reminds me of Rubberband, my first record. Not tooting my own horn or anything, just I know how much time I put into writing that first record and I thought, I can hear the 10,000 hours that went into this. I can hear that this is somebody who knows exactly who they are and exactly where they're from, and they are unapologetic in presenting themselves in an authentic way.
So I show up, we walk up to each other, and it was like we were finishing each other's sentences. I'm just going, "Lainey, I spent all day listening to your record. I'm blown away. I love it. I can't believe it reminds me of when I put out my first," and she's going, "When I first moved to town in my camper and Rubberband came out, it had this effect on me, too." You just sometimes never know when you're in the middle of something, the impact it has on other people.
I remember the first No. 1 I ever played on was Eric Church's "Like Jesus Does [from 2013's Chief]. But the record that moved me to town was Eric's [2006 debut album] Sinners Like Me. He didn't know me when that record came out, but then I got to know him later and tell him that part of my story and how his story inspired mine.
"How I Learned To Pray" feat. Luke Combs
I love to call it coinci-God, but first chance I had to really get to know Luke was down in Key West to write for what was going to be a bluegrass record that I'm crossing my fingers still gets made.
I gave him a head's up when I got there. I was like, "Man, I don't want to be rude, but there is one phone call that might come that I'm going to have to take." My wife Kristen and I were expecting our son Gabe at the time, and it was that point where we had told a handful of family members but we had yet to tell the bigger world, and we were waiting for the doctor to call to say whether we'd have a boy or a girl. He totally got it — at that point, I'm sure he and [his wife] Nicole were about to head down that same road, too, and thinking about starting a family.
[But] it wasn't while I was down there, it was on the flight home. I was on a layover in Atlanta and I wrote down the gate somewhere, I think it's A29, and my wife calls me: "I got the news, you want to wait until you get home?" It's like, "Baby, you know me, I can't wait." She tells me, and I'm bawling. The first person I text is Luke, and it wasn't much later they were expecting their first. Nothing teaches you how to pray like having a kid, so that song chose itself for us. And to this day, it's actually the highest-streaming song I've ever put out, and I never saw that coming.
"Kiss Like You Dance" feat. Kip Moore
The fall of 2014 was not my happiest season. I had a lot of stuff between the ears I was trying to figure out at that time. I was on tour with Kip, and he's a really perceptive dude. I think he knew I was struggling, and he made a point to look out for me that whole tour. And he just never quit calling and texting since that tour.
He had come to a gig I was playing at Station Inn [in Nashville], trying out new songs just for the heck of it. Kip was probably leaving for bus call later that night, so he came to the gig and we were catching up. I played that song, and later that night he texted me the universal signal for, Hey, you might have a hit on your hands, which is, "Hey man, are you going to cut that 'Kiss Like You Dance' song?" And I said, "I am now."
But it was going to be a while until I could record, so when Compadres started to form as a concept, I thought, How cool would it be if we could both cut this song? We're both a little older and wiser, and we have to pick our nights to go crazy and wild. We made a great video for it, which actually has a great cameo from one of my longest-standing compadres, John Osborne, but we're drinking sweet tea that looks like whisky in the video.
On the rare chance I am going to go have an all-nighter, I want Kip to be there, because the last real great [one] I remember was on tour with him in 2014. Somehow my bus ended up [being] the party bus. We had two nights in Chicago, and I think we had 30 people on a bus designed for 12. Let's just say I had to pay the cleaning fee for that.
"Things I Can't Control" feat. Dierks Bentley
At this point I've been spending the last couple of summers with Dierks, plus one of my funniest studio stories ever was from a Dierks session for Riser [in 2014]. To this day, I can't remember for sure if I'm playing mandolin on "Drunk on a Plane" or not.
Back when he was making that record, I was doing a string of dates with Vince Gill in his band, and Vince had a gig on a Sunday night in Milwaukee, and Dierks's session was on Monday. I thought, Well, if I can get an early flight in, I'll make the session. I wake up probably 3 in the morning. I get to the airport, get on the plane to Nashville, rest my eyes, fall asleep. I wake up in a panic because the plane isn't moving and it turns out there was a snow delay, and so I missed that day of the session with Dierks. Thankfully, he kept calling me back.
I don't remember if I overdubbed the mandolin after the fact, but now I play it in the show [as part of Dierks' band] and he gives me a chance to shine every night. He's like my older brother in country [music], and I continue to learn from him and be reminded of how important it is to have fun, and how important it is to treat people well and share your spotlight.
Photo: (L-R) Mickey Bernal/Getty Images, Neil Lupin/Redferns, Kevin Mazur/Getty Images for The Recording Academy, Scott Kowalchyk/CBS via Getty Images, Jason Kempin/Getty Images
2022 In Review: 6 Trends That Defined Country Music
From Dolly Parton to Zach Bryan, country music's veterans and new generation found room to grow within the genre in 2022.
Country music isn't always heralded as a haven for artists who fall outside the genre's accepted mainstream. But 2022 saw country music claim a bigger piece of the cultural pie than it has in recent years.
Artists are discovering new paths to success, driven by the meme-ification of culture and music and templated by stars like Walker Hayes, whose GRAMMY-nominated song "Fancy Like" broke through in mid-2021 thanks to TikTok and ended 2022 among the top five of Billboard's Hot Country Songs. Breakout stars Zach Bryan and Bailey Zimmerman also rode online acceptance to mainstream success — the former built a career on his YouTube buzz, while the latter turned his TikTok virality into Platinum sales.
The genre expanded in other non-traditional ways in 2022 as well. In particular, indie-rock and LGBTQIA+ artists are no longer hovering in the periphery, but making real impacts on country music listenership, thanks to worthy efforts by Waxahatchee and Adeem the Artist, among others.
As country music continues to expand its horizons into 2023, here are six trends that defined country music in 2022.
New Artists Dominated
If the emergence of new talent is a barometer of a genre's health, country music has nothing to worry about. Not since 2015 has a country artist landed on Billboard's top five Best New Artists, when Sam Hunt broke through big. But this year, country music landed two of the five spots on the year-end chart, thanks to newcomers Zach Bryan and Bailey Zimmerman.
Bryan emerged with an audacious statement, claiming country's biggest first-week sales with his major-label debut, the triple-album American Heartbreak. The album landed at No. 5 on the Billboard Top 200 and topped country streaming tallies on both Spotify and Apple Music.
Like Bryan, who first found success when his music went viral on social media, Bailey Zimmerman parlayed his online following into an impressive run with Platinum singles "Fall in Love" and "Rock and a Hard Place." Both are off of his first EP on Warner Music Nashville, Leave the Light On, which became the most-streamed all-genre debut of the year and the biggest streaming country debut of all time.
Lainey Wilson also had a banner year, proving that her No. 1 hit on country radio with "Things A Man Oughta Know" in 2021 was no fluke. In between winning new artist honors from both the Academy of Country Music and the Country Music Association this year, she landed her second No. 1 on country radio with the Cole Swindell collab "Never Say Never" in April. Most recently, Wilson became the latest country star to appear on the hit Paramount TV drama "Yellowstone"; she debuted on season five as the character Abby, performing her original songs "Smell Like Smoke" and "Watermelon Moonshine," and has become a recurring character.
After Jelly Roll made waves with his 2021 single "Dead Man Walking" and the 2022 Brantley Gilbert collaboration "Son of the Dirty South," the Nashville country rapper solidified himself as a newcomer to watch with "Son of a Sinner." The slow-burning single scored Jelly Roll his first top 10 hit on Billboard's Hot Country Songs and Country Airplay charts, and it broke the Top 40 of the Billboard Hot 100. He also proved his hometown pride is strong: On. Dec 9, he headlined a sold-out show at Nashville's 20,000-cap Bridgestone Arena.
Bluegrass Saw A Resurgence
You'd be hard-pressed to find another artist who has broadened the bluegrass horizon in recent years more than Billy Strings; his progressive approach to the foundational country genre pulls in elements of rock and psychedelia. While he titled his 2019 Grammy-winning album Home, on his 2022 set Me/And/Dad, Strings came full-circle to play traditional bluegrass standards with his father, Terry, like they did when he was a kid. Strings (whose birth name is William Lee Apostol) even located the Martin acoustic guitar Terry played in those early days but pawned to support the family, fulfilling Billy's bucket-list bluegrass album in more ways than one.
Representing the more traditional approach to the genre, bluegrass icon Del McCoury issued his 17th album, Almost Proud, in February. A peer and collaborator of the genre's Mt. Rushmore (Ralph Stanley, Bill Monroe, Lester Flatt and Earl Scruggs), McCoury is keeping the flame lit in his ninth decade — and he hasn't lost a lick of his abilities. McCoury and his sons Ronnie and Robbie pick, roll and harmonize like it's a Saturday night at the Grand Ole Opry.
Up in the Smoky Mountains of Tennessee, the Po' Ramblin' Boys have tapped into a similar authenticity by playing bluegrass standards like their forebears. Although they formed around a regular gig at a moonshine distillery, their 2022 album God's Love Is So Divine walks the straight and narrow on 13 gospel bluegrass tunes.
Old Crow Medicine Show have come a long way since O.G. bluegrass musician Doc Watson discovered them busking on the streets of Boone, North Carolina in 2000. While that growth is evident throughout 2022's Paint This Town, they incorporate bluegrass on tracks like "Painkiller," "DeFord Rides Again" and "Hillbilly Boy." The group also invited Americana mainstay Jim Lauderdale to co-write a couple of tunes, and Mississippi fife master Sharde Thomas to guest on "New Mississippi Flag."
Punk Went Country (And Country Went Punk)
Genre-bending is nothing new in Nashville, and even punk rockers have been acknowledging the raw power of country music since the early '80s — when bands like X, Social Distortion and The Gun Club began incorporating elements into their music, and even covering classics like Johnny Cash's "Ring of Fire." Fast forward to 2022, and the trend has kicked into high gear.
Woody Guthrie, the iconic folk hero of dust-bowl-era America, left behind a large body of unrecorded songs — evidenced by the three volumes of lyrics that have been set to music and recorded as Mermaid Avenue by Billy Bragg and Wilco. Boston pub punks Dropkick Murphys plucked 10 more uncut Guthrie gems for their 2022 set This Machine Still Kills Fascists, a play on the line Guthrie famously scrawled onto the body of his guitar. For their first country album, Dropkick Murphys recruited two of the genre's brightest lights: Nikki Lane, who guests on "Never Git Drunk No More," and Evan Felker of Turnpike Troubadours, who shares the mic on "The Last One."
Foo Fighter Chris Shiflett — who previously played with speedy punks No Use For A Name — got into the act, too. When he isn't cranking guitars alongside Dave Grohl and Pat Smear, he plays his own Bakersfield-inspired country rock, as heard on 2017's West Coast Town and 2019's Hard Lessons. This year, he issued the singles "Born & Raised" and "Long, Long Year," a pair of breezy, pedal steel-assisted cuts that find him leaning more than ever into his sunny SoCal disposition.
Shiflett previously shredded the guitar solo on "Goin' Nowhere," a collaboration with country hitmaker HARDY on his Hixtape Vol. 2, released in the last weeks of 2021. Now, HARDY's back and flipping the script with his own rock record, the mockingbird & THE CROW, set for release in January. Early singles "JACK," "TRUCK BED" and the title track, all released in 2022, show the influence of Nirvana and post-grunge songcraft alongside his distinctive, rhythmic lyrical delivery.
Legends Got Their Due
In 2022, country music proved that age is irrelevant when the music is this good. Newcomers Chapel Hart captured the national spotlight — and a rare Golden Buzzer — on "America's Got Talent" in July with a nod to icon Dolly Parton. The trio's electrifying performance of their original song "You Can Have Him Jolene," an answer to Parton's 1974 smash "Jolene," elevated them to star status, and they spent the latter half of 2022 playing to sold-out audiences across America. Darius Rucker even recruited them to back him on his song "Ol' Church Hymn."
Parton had her own high point this year, earning her first No. 1 on Billboard's Bluegrass Albums chart with her 48th studio album, Run, Rose, Run. She also released a new compilation album, Diamonds & Rhinestones: The Greatest Hits Collection, in November.
After Shania Twain spent the last couple of years featuring on other artist's songs, the best-selling female country artist of all time returned to her throne in 2022. She announced her sixth studio album, Queen of Me (due Feb. 3, 2023), helmed by the dance-floor bop "Waking Up Dreaming." The announcement followed the Netflix documentary Not Just A Girl (and the companion album that featured more than a dozen unreleased songs) and preceded another huge announcement: a 76-date U.S. tour for 2023.
Twain's fellow genre-bending '90s icon, Sheryl Crow, also issued a documentary in 2022. The Showtime special, "Sheryl," was accompanied by a double-album compilation of the same name, which featured two discs of hits plus collaborations with Chris Stapleton, Stevie Nicks, Jason Isbell and more. Crow also featured on 2022 releases from TobyMac and Lucius. The latter track also featured Brandi Carlile, who has played a big role in Tanya Tucker's recent comeback story — as shown in yet another 2022 doc, "The Return of Tanya Tucker," which featured their song "Ready As I'll Never Be."
The CMA Awards paid tribute to icons Jerry Lee Lewis, who passed away in October, and Alan Jackson, who is in the midst of a farewell tour dubbed Last Call: One More For the Road. Firebrand singer Elle King channeled The Killer's wild moves as she performed his signature hit, "Great Balls of Fire," backed by The Black Keys. Meanwhile, Carrie Underwood led a star-studded Jackson tribute featuring Dierks Bentley, Jon Pardi and Lainey Wilson, who performed a melody of his hits including "Chattahoochee" and "Don't Rock the Jukebox."
The legacies continued both on stage and in studio. Brooks & Dunn's Ronnie Dunn, Reba McEntire and Bonnie Raitt all returned with new albums in 2022; meanwhile, Shenandoah, Billy Dean and Wade Hayes appeared on the Country Comeback Tour, and Wynonna led The Judds: The Final Tour in tribute to her mother, Naomi Judd, who passed away in April.
Indie Rockers Infiltrated Country Music
As '90s-style indie rock has a moment thanks to artists like Big Thief, Momma and Alvvays, Katie Crutchfield is leaning deeper into laid-back country vibes. The leader of Waxahatchee, whose blissful 2020 set Saint Cloud landed her on scores of year-end lists, doubled down in 2022.
Waxahatchee collaborated with Wynonna on the single "Other Side," recorded on the Judds singer's farm in Tennessee — an experience both artists ranked among their favorite recording sessions. Crutchfield also collaborated with Jess Williamson on a new project dubbed Plains, releasing the album I Walked With You A Ways in 2022 to critical acclaim. The 10 songs on Plains' debut rival the artists' soothing solo work and combine their strengths with Fleetwood Mac harmonies.
Madison Cunningham, who is best known for weaving mind-bending melodies and harmonies between her voice and guitar, guested on the second edition of Watkins Family Hour — which pairs siblings Sara and Sean Watkins of Nickel Creek with a series of notable collaborators like Fiona Apple and Jackson Browne — contributing her signature spidery guitar playing to "Pitseleh."
Other notables on the indie side of country include Swedish folk duo First Aid Kit, who returned with Palomino, a strummy set of acoustic guitar-driven country pop and their first album in four years. Michaela Anne's gentle LP Oh To Be That Free chronicled a period of personal troubles with compassion, while Sierra Ferrell released the sparse, playful single "Hey Me, Hey Mama" and collaborated with Shakey Graves on "Ready Or Not."
LGBTQIA+ Country Artists Were Celebrated
Acceptance for LGBTQIA+ artists in country music has grown steadily in recent years, thanks to efforts by allies like Kacey Musgraves and Dolly Parton, as well as artists who have publicly discussed their sexuality, including T.J. Osborne, Lil Nas X, Chely Wright, Amythyst Kiah and Shane McAnally. With such star power in their corner, gay and non-binary country artists are now getting a fairer shake.
Non-binary singer-songwriter Adeem the Artist released the acclaimed album White Trash Revelry. Over 11 songs, Adeem chronicles their experiences growing up different in small towns surrounded by smaller minds — from the stomp-along "Going to Hell" to the Heartland rocker "Heritage of Arrogance" and fingerpicked album closer "My America."
Elsewhere, Orville Peck, the masked singer who performs a fever dream of '70s-inspired country music with a deep-throated croon, returned with his second album, Bronco. Peck traded the spare songscapes of his 2019 debut, Pony, for Bronco's more fully realized, cinematic arrangements, broadening his sound and the scope of his persona.
Brandi Carlile, whose pro-LGBTQIA+ activism is tied directly to her music — she founded the Looking Out Foundation early in her music career, and donates a portion of touring proceeds to groups like The Trevor Project — has seen her reputation grow steadily over nearly two decades of releasing music to ever-growing audiences. In 2022, she added to an already storied career by performing with her personal hero, Joni Mitchell, at Newport Folk Festival. Carlile also headlined Tennessee's Pilgrimage Music & Cultural Festival, marking the first time a woman has headlined the fest.
However country music continues to expand and impact culture as a result, 2022's trends certainly set up a promising future for the genre.
Photo: Ralph Bavaro/NBC via Getty Images
Listen: Get Jolly With New Holiday Music From Dolly Parton, Phoebe Bridgers, Pentatonix, Alicia Keys & More
This year saw several new holiday albums and singles from artists of all genres, from Backstreet Boys to Gloria Estefan. Get in the spirit with this festive 30-song playlist.
As we're all stringing up colorful lights and scrambling to buy last-minute gifts, music shines as the one constant in our lives amid the rush of the holiday season.
Some playlists have been bursting with holiday music since early autumn, with releases such as Dolly Parton's "A Smoky Mountain Christmas" dropping back in August and Joss Stone's Merry Christmas, Love releasing in September. Since then, several more holiday albums arrived, whether they were new projects from artists such as Alicia Keys and Thomas Rhett or polished deluxe editions from the likes of Reba McEntire and Norah Jones.
Beyond releasing albums, many artists have also found their holiday spirit by releasing festive singles. Remi Wolf brings her bubbly personality to warm covers of "Last Christmas" and "Winter Wonderland," Dan + Shay remind us to throw a "Holiday Party" with loved ones, and Phoebe Bridgers shares her annual holiday cover, this year a rendition of the Handsome Family's "So Much Wine." And even stars such as RuPaul, Jimmy Fallon and Ryan Reynolds surprised with holiday singles this season.
Groups such as Pentatonix and Backstreet Boys joined in on the fun with their own cheery holiday albums, and Gloria Estefan and her family capture the joys of love in a snowglobe on Estefan Family Christmas. Collaborations sparkle with holiday magic as well; Ingrid Michaelson and A Great Big World team up for "It's Almost Christmas," and Kelly Clarkson and Ariana Grande perform "Santa, Can't You Hear Me" in a thrilling live version.