meta-scriptSilk Sonic & Jazmine Sullivan Tie For Best R&B Performance | 2022 GRAMMYs | GRAMMY.com
Silk Sonic & Jazmine Sullivan Tie For Best R&B Performance | 2022 GRAMMYs
Silk Sonic & Jazmine Sullivan

Photos (L-R): Kevin Mazur/Getty Images for The Recording Academy, Rich Fury/Getty Images for The Recording Academy

news

Silk Sonic & Jazmine Sullivan Tie For Best R&B Performance | 2022 GRAMMYs

Silk Sonic and Jazmine Sullivan tied for Best R&B Performance at the 2022 GRAMMYs — for "Leave the Door Open" and "Pick Up Your Feelings," respectively

GRAMMYs/Apr 3, 2022 - 11:34 pm

Silk Sonic and Jazmine Sullivan tied for Best R&B Performance at the 2022 GRAMMYs. The tie netted Silk Sonic's (Bruno Mars and Anderson .Paak) "Leave The Door Open" and Sullivan's "Pick Up Your Feelings" each netted a golden gramophone.

"Leave The Door Open" won Best R&B Song earlier in the evening and is nominated in four categories this year. "Pick Up Your Feelings" was nominated for Best R&B Song, while Sullivan's Heaux Tales is nominated for Best R&B Album.

Snoh Aalegra's "Lost You," Justin Bieber ft. Daniel Caesar & Giveon's "Peaches," and "Damage" by H.E.R were the other nominees in the Best R&B Performance category.

Check out the complete list of winners and nominees at the 2022 GRAMMYs.

GRAMMY Rewind: Watch Baby Keem Celebrate "Family Ties" During Best Rap Performance Win In 2022
Baby Keem (left) at the 2022 GRAMMYs.

Photo: Matt Winkelmeyer/Getty Images

video

GRAMMY Rewind: Watch Baby Keem Celebrate "Family Ties" During Best Rap Performance Win In 2022

Revisit the moment budding rapper Baby Keem won his first-ever gramophone for Best Rap Performance at the 2022 GRAMMY Awards for his Kendrick Lamar collab "Family Ties."

GRAMMYs/Feb 23, 2024 - 05:50 pm

For Baby Keem and Kendrick Lamar, The Melodic Blue was a family affair. The two cousins collaborated on three tracks from Keem's 2021 debut LP, "Range Brothers," "Vent," and "Family Ties." And in 2022, the latter helped the pair celebrate a GRAMMY victory.

In this episode of GRAMMY Rewind, turn the clock back to the night Baby Keem accepted Best Rap Performance for "Family Ties," marking the first GRAMMY win of his career.

"Wow, nothing could prepare me for this moment," Baby Keem said at the start of his speech.

He began listing praise for his "supporting system," including his family and "the women that raised me and shaped me to become the man I am."

Before heading off the stage, he acknowledged his team, who "helped shape everything we have going on behind the scenes," including Lamar. "Thank you everybody. This is a dream."

Baby Keem received four nominations in total at the 2022 GRAMMYs. He was also up for Best New Artist, Best Rap Song, and Album Of The Year as a featured artist on Kanye West's Donda.

Press play on the video above to watch Baby Keem's complete acceptance speech for Best Rap Performance at the 2022 GRAMMYs, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

How The 2024 GRAMMYs Saw The Return Of Music Heroes & Birthed New Icons

5 Essential D'Mile Productions: Silk Sonic, Victoria Monét, & Others
Producer D'Mile

Photo: Monhand Mathurin

interview

5 Essential D'Mile Productions: Silk Sonic, Victoria Monét, & Others

Producer Of The Year, Non-Classical GRAMMY nominee D’Mile revisits his career milestones and discusses his work with H.E.R. Victoria Monét, Silk Sonic and more.

GRAMMYs/Jan 22, 2024 - 02:24 pm

Editor’s note: This article has been updated on Monday, Jan. 22 to include mention of Victoria Monét and reflect D’Mile’s 2024 GRAMMY nomination.

"He is a genius. I don’t feel like most people realize how much of a genius he actually is" producer D’Mile asserts when thinking back on his popular project with Bruno Mars.

But prior to the formation of Silk Sonic, longtime friend and bandmate Anderson .Paak implored Mars and D’Mile to come together for a session. "Once we realized we were doing a group project, I think it was easy for all of us to know what kind of vibe it was going to be," D'Mile says. 

"Leave The Door Open,'' the GRAMMY-winning product of the trio’s collaboration, became a hit for its groovy R&B bridges and velvety vocal harmonies — and D’Mile’s career skyrocketed. Now, he is a creative backbone behind many top artists, infusing discographies with blues, jazz and neo-R&B, while engineering for Beyoncé, Jay Z, Lupe Fiasco, H.E.R. and others. Now, D’Mile is nominated for Producer Of The Year, Non-Classical, at the 2024 GRAMMYs, alongside Jack Antonoff, Hit-Boy and more.

 At the66th GRAMMY Awards, D’Mile is nominated forProducer Of The Year, Non-Classical for his work on JAGUAR II. TheVictoria Monét record is nominated for Best R&B Album and Best Engineered Album. Non-Classical.

Long before earning a clutch of awards, D’Mile was disciplined in a musical household. Dernst Emile II, a.k.a. D'Mile was born to two esteemed Haitian musicians —  vocalist Yanick Étienne and Dernst Emile, an established music arranger and instrumentalist —  with a wide global lineage and appreciation of the music of the African diaspora. Coming up in Brooklyn,  D'Mile learned the piano from his father, and would hear his mother sing jazz and Haitian konpa around the house.

"They would always work together," the music producer bashfully remembers over Zoom, chuckling. "My dad [still] gives private lessons to this day. I was just always around instruments my whole life — the jam and recording sessions. I feel like I am just a younger version of him." 

A young D'Mile inherited the musical aptitude of his parents, nurturing his musical roots while keeping his ear close to the ground as his career blossomed. "One of my first [producer] placements ever was actually Mary J. Blige in 2005," D’Mile reflects bashfully. That single was the title track on Blige’s 2005 album, The Breakthrough, which won the GRAMMY Award for Best R&B Record.  

Nearly two decades into producing music, D’Mile applies artists' personal experiences to the music they create together, tailoring their sounds as a reflection of who they are, at the moment he meets them. "I just do what I know when I feel right in my heart," D’Mile says, shrugging his shoulders. "[But] when I do a collab with an artist, I try to speak to who they are through the music."

That insight, and ability to cohere an artist's essence with contemporary culture, has led to many hit-making moments. After having compulsive thoughts of quitting music over the past decade, D’Mile ignited an artistic flare at the beginning of the pandemic and a plethora of gold-plated accolades was on the horizon. 

From 2020 to 2022, D’Mile experienced highs that accelerated career’s trajectory. At the 2020 GRAMMY Awards, D’Mile received seven nominations for his work on Lucky Daye’s debut album, Painted and H.E.R’s second album, I Used To Know Her. Following the police murder of George Floyd, D'Mile channeled racial tensions into H.E.R.'s "I Can’t Breathe"; the song won the coveted GRAMMY Award for Song Of The Year in 2021. That same year, D'Mile won an Academy Award for Best Original Song ("Fight For You") in the motion picture, Judas and the Black Messiah.

D'Mile's star only continued to rise in 2022. At the 64th GRAMMY Awards, the producer took home three golden gramophones for his work on Silk Sonic's "Leave the Door Open" — including Song and Record Of The Year. A testament to his production expertise and wide-ranging ear, D'Mile was also nominated for his efforts on Christian/Contemporary song "Hold Us Together (Hope Mix)."

"I am not saying my first accomplishments haven’t hit me yet, but it is just unbelievable sometimes to think of all of the good things that have been happening in my career recently," D'Mile reflects.

At the
66th GRAMMY Awards, D’Mile is nominated for his work on JAGUAR II; the Victoria Monét record is nominated for Best R&B Album and Best Engineered Album. Non-Classical.

The Los Angeles-based musician is nourishing the nucleic basis of R&B, creating an environment for upcoming and celebrated artists to rejoice and evolve. The producer shared memories from some of his favorite collaborations with GRAMMY.com.

Joyce Wrice - Overgrown

Executive produced by D’Mile, Joyce Wrice's 2021 debut album is an exquisite gift to R&B buffs. The bluesy 14-track Overgrown is a delineation of nostalgic 90’s R&B and hip-hop, with pitched vocal highs and emotional lows.

"The first time Joyce and I met in the studio, I was picking up on who she is as a woman and her vision for Overgrown," says D’Mile. "I got close with her and I would gather information off of what she would play me. I feel like when I make music, that's me kind of examining who you are."

Throughout Overgrown, the San Diego native sings about the pains of healing from heartbreak and unrequited love. The album is also a celebration of womanhood, where a confidently independent Wrice embraces the mental strength she discovered while finding herself. 

Buddy - "Happy Hour"

Compton-raised rapper Buddy released his sophomore album, Superghetto, in 2022 and D’Mile produced one of the most popular tracks from the project. "Happy Hour" is an ode to letting loose and treating life as joyously chaotic as ordering a drink at a crowded bar on a weekend night.

"Buddy and I created this song a couple of years ago," D’Mile recalls, thinking deeply about the track's origins. 

The single can be seen as a sequel to T-Pain’s 2007 anthem, "Bartender" — and fittingly so. Adds D'Mile, "T-Pain hopped on the track maybe a few months before it was released. I can’t take credit for getting that feature on the song, but it did make all the sense in the world."

H.E.R’s "Fight For You," "I Can’t Breathe" & I Used To Know Her

In 2021, D’Mile got together with longtime collaborators H.E.R and singerTiara Thomas to create socially-charged songs that highlighted the atrocities of police violence against Black Americans.

"The creation of these songs started with a conversation," D’Mile says, smiling as he reflects on the trio's tight bond. "H.E.R and Tiara were talking about what was going on in the world. H.E.R. is an artist that really cares about people and cares about what's right."

D'Mile recalls that H.E.R. picked up a guitar and played "I Can’t Breathe." "I remember tearing up when I first heard the song and I just knew exactly what I needed to do to help."

The producer also assisted on the tearful tune "Could've Been," which was also born from this session and later appeared on H.E.R’s second LP.

Victoria Monét - Jaguar

D’Mile had his hands in all processes behind the production of Victoria Monét’s debut album, Jaguar. The supersonic 2020 project is a funky unification of fun R&B with sultry pop melodies.

While Monét has penned lyrics for Ariana Grande, Nas, Chris Brown and others, Jaguar was the Georgia native's first full-length foray as a solo artist. The performer, dancer and recent mom is also using D’Mile’s musical compositions on her next album.

D'Mile says he's excited for Monét’s next musical chapter, which incorporates her experiences with motherhood and more sass.

"We dug a little deeper. She is an artist that I feel really comfortable with," the producer says of Monét's forthcoming record. "There might be a couple of songs that you wouldn’t expect from her, and then there are songs that are just incredible records."

And all in all? “That’s my fam. That’s like my sister, you know. Me and Vicky have known each other for years,” he said in another interview. “I’ve always been a fan. I’ve seen her grow and we’ve worked on and off pretty much since the beginning.”

Silk Sonic - An Evening With Silk Sonic

The breakout group of 2021 were undoubtedly the nostalgically catchy vocal duo Silk Sonic — a project of Bruno Mars and Anderson .Paak. D’Mile executive produced the entire An Evening With Silk Sonic album, which swept the 64th GRAMMY Awards.

D’Mile related immensely to Bruno Mars, who is also a producer, and found commonality in .Paak's interest in older R&B originals from the likes of Michael Jackson, Donny Hathaway and Stevie Wonder. The stars finally aligned in 2020 when Anderson reached out to D'Mile about a collaboration.

"It took us two years to create the vision and we all just kind of love that era of music [that Silk Sonic is emulating]. That's what we grew up on," D’Mile reminisces. "'Smoking Out the Window' was a song that Bruno and Anderson sat on for five years until the right moment came. It feels like a blur because we were just having so much fun together."

2024 GRAMMY Nominations: See The Full Nominees List

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

video

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

10 Essential Facts To Know About GRAMMY-Winning Rapper J. Cole

ReImagined: Josh Levi Adds A Powerful Twist To Jazmine Sullivan's "Lions, Tigers & Bears"
Josh Levi

Photo: Courtesy of Josh Levi

video

ReImagined: Josh Levi Adds A Powerful Twist To Jazmine Sullivan's "Lions, Tigers & Bears"

R&B singer Josh Levi offers a sublime rendition of Jazmine Sullivan's hit single, "Lions, Tigers & Bears," driven by a hypnotic string orchestra and his effortless, airy vocal runs.

GRAMMYs/Jul 18, 2023 - 05:00 pm

Jazmine Sullivan's 2008 debut, Fearless, solidified her place as one of R&B's key players — especially thanks to a trio of hits, "Need U Bad," "Bust Your Windows" and "Lions, Tigers & Bears." The latter marked the final single from the LP, and later snagged Sullivan two nominations for Best R&B Vocal Performance and Best R&B Song at the 2010 GRAMMYs.

Fifteen years after Fearless' release, R&B singer Josh Levi presents a heavenly cover of Sullivan's "Lions, Tigers & Bears," powered by his seamless vocal runs and an intense string orchestra. Levi places himself in front of an arrangement of lush greenery, only expanding the performance's paradisiacal essence.

Levi began his musical career over a decade ago, posting covers to his YouTube channel, and later appeared as a contestant on the third season of The X Factor. Today, Levi continues to perform covers across social media — most recently delivering his unique imagining of Beyoncé's "Dangerously in Love 2" on Instagram.

Aside from covers, Levi released his debut extended play, DISC ONE, in 2020. Since signing with Atlantic Records in 2021, Levi released the EP's follow-up, DISC TWO, in 2022, and issued a deluxe version, DISC TWO (SCRATCHED UP), in May.

Press play on the video above to watch Josh Levi's whimsical rendition of Jazmine Sullivan's "Lions, Tigers & Bears," and check back to GRAMMY.com for more new episodes of ReImagined.

What To Expect At Beyoncé's Renaissance World Tour In The U.S.: Rhinestones, Samples & An Incredible Supporting Cast