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Honoring The Legacy Of Loretta Lynn: Jeannie Seely, Amanda Shires, Ingrid Andress, Connie Smith & The Oak Ridge Boys Pay Tribute
Loretta Lynn

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Honoring The Legacy Of Loretta Lynn: Jeannie Seely, Amanda Shires, Ingrid Andress, Connie Smith & The Oak Ridge Boys Pay Tribute

Country icon Loretta Lynn died on Oct. 4, months after her 90th birthday. The multiple GRAMMY winner and Lifetime Achievement Award recipient's influence ricochets through the decades. In a roundtable tribute, Lynn's peers and fans reflect on her legacy.

GRAMMYs/Oct 5, 2022 - 08:38 pm

Country music lost one of its singular icons with the passing of Loretta Lynn, who died on Oct. 4 just months after her 90th birthday.

A creative beacon for singers and songwriters who was also beloved by fans, Lynn’s deep influence ricochets through the decades. Her work and life is an example of a true artist who sang from her heart, preached empowerment and gave voice to the voiceless.

A self-taught artist who was born into poverty, Lynn later became known as the Coal Miner’s Daughter — the title of her signature hit and her first song inducted into the GRAMMY Hall of Fame in 1998. The artist received  a slew of GRAMMY honors during her lifetime, with three wins and eighteen nominations in addition to a Lifetime Achievement Award bestowed on her in 2010. 

"It has been a privilege for the Recording Academy to honor Loretta throughout her illustrious career and celebrate her contributions to the music community," said Recording Academy CEO Harvey Mason Jr. "Loretta has had an indelible impact on country music and her voice will continue to resonate with generations of music lovers for years to come."

Lynn's first GRAMMY honor came during the ninth-ever GRAMMY Awards in 1967, with a nomination for "Don’t Come Home A Drinkin'," an upbeat track where she tells her husband to sober up, famously crooning, "liquor and love just don’t mix." Her first GRAMMY win arrived in 1972 for "After the Fire Has Gone," a duet with fellow country legend Conway Twitty.

"The main thing about country music is that I love to sing it and there’s a lot of people who love to hear it," she said during her acceptance speech after her most recent GRAMMY win, this one for Best Country Album in 2005 for Van Lear Rose, a collaboration with Jack White.  It was a succinct way to encapsulate a seismic career.

In tribute to Lynn, GRAMMY.com gathered a disparate group of Loretta’s peers and fans to reflect on her legacy.

The Trailblazin’ Queen Of Country

Jeannie Seely (GRAMMY-winning singer, Grand Ole Opry legend): As an artist/songwriter, her impact will be felt and studied by historians for years to come. Aside from being such a legendary artist, Loretta was my Opry sister, a connection that has always meant the world to me. That is a special bond to us as we’ve all shared the same dreams, same disappointments, the same personal challenges, and, most of all, the same love of the Grand Ole Opry.

Joe Bosnall (GRAMMY-winning member of The Oak Ridge Boys): She was truly the Queen of country music. One of the greatest American success stories of all time. Humble beginnings to iconic legend, with a meaningful career and body of work that may never be equaled.

Sunny Sweeney (Country singer-songwriter): Loretta Lynn was a trailblazer for all of us following in her footsteps, making it ok to write and sing about real-life situations, even if they weren't always pretty.  

Ingrid Andress (GRAMMY-nominated singer/songwriter): There are not enough words to thank Loretta Lynn as one of the first to make a path for women in country to ride on. She paved the way for so many by sharing her talent and voice at a time when women’s voices weren’t being heard. May we be so lucky as to have artists and songwriters continue this country music tradition of sharing the stories that unite us in the most important ways.

Connie Smith (GRAMMY-nominated singer-songwriter):  Loretta was always my favorite singer and a great friend.

Rita Wilson (Actress, singer): She was smart, she was strong and she was kind.  As she said, "I ain’t got much education but I got some sense."

"Grace, With Vocals That Sounded Like A Million Bucks"

Amanda Shires (GRAMMY-winning singer-songwriter, member of The Highwoman): My grandad listened to a lot of music. When we’d go selling flowers (he was a wholesale nursery man), one of the artists he loved to play was Loretta Lynn. I admire the way he loved fearless women. Loretta was fearless. Both Garland Shires and Loretta Lynn helped me learn how to lean into my gut feelings and strength inside my own self.  And I’m grateful that he introduced me to her music."

Connie Smith: The first time I came to Nashville I went to the Ernest Tubb Record shop and a guy said my wife wants to meet you and it was Loretta. She said "I heard you up there and you’re going to make it. I’m going to do for you what Patsy Cline did for me." She even brought me out on stage for the Grand Ole Opry during her show for the first time.

Sunny Sweeney: She was such an inspiration to me personally. I carry the words of advice she gave me many years ago to every writing appointment: "Just write what you know, baby, just write what you know."

Joe Bosnall: I joined the Oak Ridge Boys 49 years ago and right away we found ourselves on a Loretta Lynn CBS special. We wore these checkered coats that exist today in Loretta’s museum. I thought she was beautiful, gracious and kind. That never changed over the years.

Sierra Hull (Bluegrass singer, guitarist and mandolinist): I first saw Loretta perform six or seven years ago from backstage at the Grand Ole Opry in Nashville. I was so struck by how gorgeous she was in her long, flowing, red sequined dress. I couldn’t stop watching her as she took the stage with such grace and her vocals still sounded like a million bucks. I’ll never forget it. I went home and started obsessing over her albums with a fresh excitement.

Michael Trotter (Singer-songwriter, The War And Treaty): Growing up, in my bedroom was my grandmother's old school ACME radio. FM was happening back then....playing all the latest in Hip Hop and R&B. AM played all the religious stuff like Moody Bible. But at night the classic country western music played all night long. Mama rigged my radio to only play that AM station and I went to sleep to Loretta Lynn nightly.

Rita Wilson: You didn’t have to be from the south to love Loretta Lynn. Her force of talent reached me as a young woman in another kind of south, Southern California.  To hear a woman singing "You Ain't Woman Enough To Take My Man" was shocking. It was the ultimate diss track and ahead of its time. She enabled women to have a voice literally and metaphorically. It was so empowering to hear this in a song. 

A Discography Of Country Classics

Jeannie Seely: My favorite song is "Blue Kentucky Girl." It’s so sincere you have to believe every word she’s singing because she makes you feel it.  And anyone can relate it to wherever they are from, like I did.

Connie Smith: I love all of her songs, but my favorite is "Here I Am Again."

Michael Trotter: The first song I ever heard from Loretta was back in the '80s.... "Don’t Come Home A Drinkin'." In fact when Daddy would come home drunk and he and Mama were fighting I’d go in their room and start singing that song to Daddy and they’d actually stop fighting. That’s when I knew she had super angelic powers. I will never forget the first time I ever heard her.

Joe Bosnall: [My favorite Loretta song is] "Don’t Come Home A Drinkin'." Every man alive knew what that meant.

Amanda Shires: "The songs I love the most are the ones I can relate to the most: "Don’t Come Home a Drinkin'," "The Pill." She was pro-choice. And when I read that in her memoir, I thought, amen…glad there’s more of us than I thought."

Sunny Sweeney: "She was already my queen with her music from her first single on, but when she released Van Lear Rose she was placed on the highest of high pedestals. "Miss Being Mrs" is quite possibly one of the greatest songs of all time."

Rita Wilson: [My favorite song is]  "Coal Miner’s Daughter." My dad was an immigrant and came to America on a freighter ship where he shoveled the coal powering the boat’s engines. Loretta seemed to be singing about my family.

Loretta’s family didn’t have a lot of money but they were happy and they had love. She sang about her life with pride, not embarrassment. In this song she embraced the values that are important in life: family, love, hard work and a spiritual life.

Tanya Trotter (Singer-songwriter, The War And Treaty): "You Ain’t Woman Enough To Take My Man" was my first song [of Loretta Lynn's that I loved].  It was the most classy way I had ever heard a woman tell another woman off, ha! 

Hard Hitting And Meaningful

Joe Bosnall: She wrote songs that were hard hitting and meaningful. Great Britain lost their long reigning Queen and now we have lost OUR Queen as well.

Tanya Trotter: She leaves this world with no regret, no recourse or no shame and we’ll  work hard on earth's playground with her in memory.

Amanda Shires: I’m grateful for the times I got to be in her presence or sing for her. We’re all in a better world because of her. Loretta will always remain a hero and a light.

Sunny Sweeney: I'm so brokenhearted that we have lost another of my heroes. My deepest sympathy is with Miss Loretta's family.

Country & Western's New Generation Is Defiantly Of The Moment: Meet Charley Crockett, Colter Wall, Sierra Ferrell, Bella White & Others

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GRAMMY SoundChecks With Gavin DeGraw

GRAMMYs/Dec 3, 2014 - 05:06 am

On Aug. 28 Nashville Chapter GRAMMY U members took part in GRAMMY SoundChecks with Gavin DeGraw. Approximately 30 students gathered at music venue City Hall and watched DeGraw play through some of the singles from earlier in his career along with "Cheated On Me" from his latest self-titled album.

In between songs, DeGraw conducted a question-and-answer session and inquired about the talents and goals of the students in attendance. He gave inside tips to the musicians present on how to make it in the industry and made sure that every question was answered before moving onto the next song.

 

Juan Gabriel named 2009 Latin Recording Academy Person Of The Year

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Juan Gabriel named 2009 Latin Recording Academy Person Of The Year

Annual star-studded gala slated for Nov. 4 in Las Vegas during 10th Annual Latin GRAMMY Week celebration

GRAMMYs/May 15, 2017 - 01:36 pm

 GRAMMY.com

 Internationally renowned singer/songwriter/performer Juan Gabriel will be celebrated as the 2009 Latin Recording Academy Person of the Year, it was announced today by The Latin Recording Academy. Juan Gabriel, chosen for his professional accomplishments as well as his commitment to philanthropic efforts, will be recognized at a star-studded concert and black tie dinner on Nov. 4 at the Mandalay Bay in Las Vegas, Nev. 

The "Celebration with Juan Gabriel" gala will be one of the most prestigious events held during Latin GRAMMY week, a celebration that culminates with the 10th Annual Latin GRAMMY Awards ceremony. The milestone telecast will be held at Mandalay Bay Events Center in Las Vegas on Nov. 5 and will be broadcast live on the Univision Television Network at 8 p.m. Eastern/7 p.m. Central. 

"As we celebrate this momentous decade of the Latin GRAMMYs, The Latin Recording Academy and its Board of Trustees take great pride in recognizing Juan Gabriel as an extraordinary entertainer who never has forgotten his roots, while at the same time having a global impact," said Latin Recording Academy President Gabriel Abaroa. "His influence on the music and culture of our era has been tremendous, and we welcome this opportunity to pay a fitting tribute to a voice that strongly resonates within our community.

Over the course of his 30-year career, Juan Gabriel has sold more than 100 million albums and has performed to sold-out audiences throughout the world. He has produced more than 100 albums for more than 50 artists including Paul Anka, Lola Beltran, Rocío Dúrcal, and Lucha Villa among many others. Additionally, Juan Gabriel has written more than 1,500 songs, which have been covered by such artists as Marc Anthony, Raúl Di Blasio, Ana Gabriel, Angelica María, Lucia Mendez, Estela Nuñez, and Son Del Son. In 1986, Los Angeles Mayor Tom Bradley declared Oct. 5 "The Day of Juan Gabriel." The '90s saw his induction into Billboard's Latin Music Hall of Fame and he joined La Opinion's Tributo Nacional Lifetime Achievement Award recipients list. 

At the age of 13, Juan Gabriel was already writing his own songs and in 1971 recorded his first hit, "No Tengo Dinero," which landed him a recording contract with RCA. Over the next 14 years, he established himself as Mexico's leading singer/songwriter, composing in diverse styles such as rancheras, ballads, pop, disco, and mariachi, which resulted in an incredible list of hits ("Hasta Que Te Conocí," "Siempre En Mi Mente," "Querida," "Inocente Pobre Amigo," "Abrázame Muy Fuerte," "Amor Eterno," "El Noa Noa," and "Insensible") not only for himself  but for many leading Latin artists. In 1990, Juan Gabriel became the only non-classical singer/songwriter to perform at the Palacio de Bellas Artes in Mexico City and the album release of that concert, Juan Gabriel En Vivo Desde El Palacio De Bellas Artes, broke sales records and established his iconic status. 

After a hiatus from recording, Juan Gabriel released such albums as Gracias Por Esperar, Juntos Otra Vez, Abrázame Muy Fuerte, Los Gabriel…Para Ti, Juan Gabriel Con La Banda…El Recodo, and El Mexico Que Se Nos Fue, which were all certified gold and/or platinum by the RIAA. In 1996, to commemorate his 25th anniversary in the music industry, BMG released a retrospective set of CDs entitled 25 Aniversario, Solos, Duetos, y Versiones Especiales, comprised appropriately of 25 discs.   

In addition to his numerous accolades and career successes, Juan Gabriel has been a compassionate and generous philanthropist. He has donated all proceeds from approximately 10 performances a year to his favorite children's foster homes, and proceeds from fan photo-ops go to support Mexican orphans. In 1987, he founded Semjase, an orphanage for approximately 120 children, which also serves as a music school with music, recreation and video game rooms. Today, he continues to personally fund the school he opened more than 22 years ago.   

Juan Gabriel will have the distinction of becoming the 10th Latin Recording Academy Person of the Year honoree, and joins a list of artists such as Gloria Estefan, Gilberto Gil, Juan Luis Guerra, Julio Iglesias, Ricky Martin, and Carlos Santana among others who have been recognized. 

For information on purchasing tickets or tables to The Latin Recording Academy Person of the Year tribute to Juan Gabriel, please contact The Latin Recording Academy ticketing office at 310.314.8281 or ticketing@grammy.com.

Set List Bonus: Bumbershoot 2013
Grizzled Mighty perform at Bumbershoot on Sept. 1

Photo: The Recording Academy

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Set List Bonus: Bumbershoot 2013

GRAMMYs/Dec 3, 2014 - 04:22 am

Welcome to The Set List. Here you'll find the latest concert recaps for many of your favorite, or maybe not so favorite, artists. Our bloggers will do their best to provide you with every detail of the show, from which songs were on the set list to what the artist was wearing to which out-of-control fan made a scene. Hey, it'll be like you were there. And if you like what you read, we'll even let you know where you can catch the artist on tour. Feel free to drop us a comment and let us know your concert experience. Oh, and rock on.

By Alexa Zaske
Seattle

This past Labor Day weekend meant one thing for many folks in Seattle: Bumbershoot, a three-decade-old music and arts event that consumed the area surrounding the Space Needle from Aug. 31–Sept. 2. Amid attendees wandering around dressed as zombies and participating in festival-planned flash mobs to Michael Jackson's "Thriller," this year the focus was on music from the Pacific Northwest region — from the soulful sounds of Allen Stone and legendary female rockers Heart, to the highly-awaited return of Death Cab For Cutie performing their 2003 hit album Transatlanticism in its entirety.

The festival started off on day one with performances by synth-pop group the Flavr Blue, hip-hop artist Grynch, rapper Nacho Picasso, psychedelic pop group Beat Connection, lively rapper/writer George Watsky, hip-hop group the Physics, and (my personal favorite), punk/dance band !!! (Chk Chk Chk). Also performing on day one was Seattle folk singer/songwriter Kris Orlowski, who was accompanied by the Passenger String Quartet. As always, Orlowski's songs were catchy and endearing yet brilliant and honest.

Day one came to a scorching finale with a full set from GRAMMY-nominated rock group Heart. Kicking off with their Top 20 hit "Barracuda," the set spanned three decades of songs, including "Heartless," "Magic Man" and "What About Love?" It became a gathering of Seattle rock greats when, during Heart's final song, Pearl Jam guitarist Mike McCready joined for 1976's "Crazy On You."

Day two got off to an early start with performances from eccentric Seattle group Kithkin and Seattle ladies Mary Lambert and Shelby Earl, who were accompanied by the band Le Wrens. My highlight of the day was the Grizzled Mighty — a duo with a bigger sound than most family sized bands. Drummer Whitney Petty, whose stage presence and skills make for an exciting performance, was balanced out by the easy listening of guitarist and lead singer Ryan Granger.

Then the long-awaited moment finally fell upon Seattle when, after wrapping a long-awaited tour with the Postal Service, singer/songwriter Ben Gibbard returned to Seattle to represent another great success of the Pacific Northwest — Death Cab For Cutie. The band celebrated the 10-year anniversary of their album Transatlanticism by performing it from front to back. While a majority of attendees opted to watch the set from an air-conditioned arena, some of us recognized the uniqueness of this experience and enjoyed the entire set lying in the grass where the entire performance was streamed. 

Monday was the day for soul and folk. Local blues/R&B group Hot Bodies In Motion have been making their way through the Seattle scene with songs such as "Old Habits," "That Darkness" and "The Pulse." Their set was lively and enticing to people who have seen them multiple times or never at all.

My other highlights of the festival included the Maldives, who delivered a fun performance with the perfect amount of satirical humor and folk. They represent the increasing number of Pacific Northwest bands who consist of many members playing different sounds while still managing to stay cohesive and simple. I embraced the return of folk/pop duo Ivan & Alyosha with open arms and later closed my festival experience with local favorite Stone.

For music fans in Seattle and beyond, the annual Bumbershoot festival is a must-attend.

(Alexa Zaske is the Chapter Assistant for The Recording Academy Pacific Northwest Chapter. She's a music enthusiast and obsessed with the local Seattle scene.)

Neil Portnow Addresses Diversity & Inclusion, Looks Ahead During Speech At 2019 GRAMMYs

Neil Portnow and Jimmy Jam

Photo: Michael Kovac/Getty Images

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Neil Portnow Addresses Diversity & Inclusion, Looks Ahead During Speech At 2019 GRAMMYs

Jimmy Jam helps celebrate the outgoing President/CEO of the Recording Academy on the 61st GRAMMY Awards

GRAMMYs/Feb 11, 2019 - 10:58 am

As Neil Portnow's tenure as Recording Academy President/CEO draws to its end, five-time GRAMMY winner Jimmy Jam paid tribute to his friend and walked us through a brief overview of some of the Academy's major recent achievements, including the invaluable work of MusiCares, the GRAMMY Museum, Advocacy and more.

Portnow delivered a brief speech, acknowledging the need to continue to focus on issues of diversity and inclusion in the music industry. He also seized the golden opportunity to say the words he's always wanted to say on the GRAMMY stage, saying, "I'd like to thank the Academy," showing his gratitude and respect for the staff, elected leaders and music community he's worked with during his career at the Recording Academy. "We can be so proud of what we’ve all accomplished together," Portnow added.

"As I finish out my term leading this great organization, my heart and soul are filled with gratitude, pride, for the opportunity and unequal experience," he continued. "Please know that my commitment to all the good that we do will carry on as we turn the page on the next chapter of the storied history of this phenomenal institution."

Full Winners List: 61st GRAMMY Awards