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Recording Academy Invites & Celebrates Its 2020 New Members Class

2020 New Member Class Roundtable

 

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Recording Academy Invites & Celebrates Its 2020 New Members Class

Recording Academy President/CEO Harvey Mason jr. says about Recording Academy members, "We'll continue to fight to achieve inclusive representation across gender, race, age, national origin, sexual orientation, and beyond within our community."

GRAMMYs/Jul 9, 2020 - 05:30 pm

Today the Recording Academy invited more than 2,300 music professionals the join as its 2020 new member class. The invitees come from wide-ranging backgrounds, genres and disciplines. They have made important contributions to music and posess the potential to influence progressive changes within the music industry.

By the numbers, the 2020 class of invitees is 48 percent female, 21 percent African American/African descent, 8 percent Hispanic, and 3 percent Asian American and Pacific Islander. The representation of this class also spans ages, genre and region. The Recording Academy's current membership is 26 percent female and 25 percent from traditionally underrepresented communities.

"We are proud of the strides we've made toward ensuring our membership is diverse and inclusive, which is reflected within this new pool of invitees,” said Harvey Mason jr., Chair and Interim President/CEO of the Recording Academy. "While this progress signifies meaningful impact, there's still more work to be done. We'll continue to fight to achieve inclusive representation across gender, race, age, national origin, sexual orientation, and beyond within our community. Furthermore, we’re excited to see how the contributions of the incoming new member class will help inspire meaningful change within the music industry."

Ensuring that the Recording Academy's membership is fully representative of the music community has been a longstanding goal of Recording Academy Trustees. In December 2019, the Recording Academy pledged to implement 17 of 18 reforms set forth by the Diversity & Inclusion Task Force, including increasing outreach to diverse communities and doubling the number of women voters by 2025. Specifically, this means 2,500 new women voters by the year 2025. 

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To celebrate the incoming new member class, GRAMMY.com Editor-In-Chief Justin Joseph hosted a roundtable discussion on June 24 titled "Your Academy: Welcoming the 2020 New Member Class." Featuring new invitees and existing members, the conversation showcased an authentic look into what it means to be a member of the Academy, the important initiatives worked on year-round, progress members hope to see within the Academy, and diversity and inclusion in the music industry at large.

“As part of the Membership Committee for the last year for the LA Chapter… this is what I tell everyone when we’re talking about Membership in the Recording Academy," GRAMMY winner John Legend explained. "As much as we all complain about who won the GRAMMY this year for this or that, and how we’re not being represented in the right way, we literally can change it by being there—by showing up, by telling or collaborators to show up and be there…We can literally be the change that we want to see in the Academy.”

Coming from the opposite coast, GRAMMY-winning mastering engineer Emily Lazar also weighed in on the importance of the duty and value of being an active Recording Academy member during the roundtable.

“I became a governor in my local Chapter in New York, and the second I engaged on that level, everything really changed for me as far as understanding what the Academy had for me and what I could bring to the Academy," she said. "That give-and-take was very important to me, personally.”

This message of service resonated with the new members, such as Ozuna, the Latin trap/pop hitmaker who has been hailed as the "New King of Reggaeton."

“I’m entering the Recording Academy as a new member—even though I thankfully have had success early on and throughout my career—but I am still new to experiences in the music industry," Ozuna said. "On this zoom call, I’ve learned that I can influence in the music industry by doing more than just producing and making songs.”

 “At first I had the idea that the Academy was more of over 40, non-black men who would base all action on popularity and stats," admitted versatile singer/songwriter Victoria Monet during the roundtable. "Now learning more about what is actually happening, I think that’s important to communicate to my peers, because I think they also have no idea—they just want the GRAMMY—if they don’t get it, they complain and have no idea about the process.”

With this diverse new class enriching the landscape of the Academy, showcasing more talents from more areas of the music community than ever before, the view for many incoming members feels more like home, somewhere anyone can see themselves making a meaningful difference.

 “I had a realization one day," said rising artist Kiana Ledé. "Why can’t I be the girl that represents all the other girls that feel like me? I think that coincides with how I felt about the GRAMMYs and the Recording Academy. I have definitely been the person to sit back and complain, and cry, and be upset when I haven’t seen myself being represented. And then I realized I have so much power within myself—to put myself in that position—to represent people like me. I can be that person to step out and do that.”

Seconding Lede's empowering words, GRAMMY-winning gospel legend and ardent advocate for music creators' rights Yolanda Adams talked about the education and opportunities Academy membership can help unlock.

 “It is up to us as artists to educate ourselves," Adams said. "We need to get ourselves informed, and the great place to do that is start with the Recording Academy’s websites, their webinars, all of those things are there just for you to make sure that your transition from non-member to member is worth it, because there’s so many things that are afforded to you through the Academy.”

Ultimately, the power is in the hands of the members, which underscores the importance of this year's class becoming involved in the process.

“As much change as you want to see, you can be the voice that makes it happen," said Legend. "If you want to get involved, if you want to make difference, you really have the ability to do so right away. You don’t have to wait until you have more seniority... You can come into these meetings right away, have your voice heard, and folks really want to be responsive to what you have to say.”

Tammy Hurt, Vice Chair of the Academy's Board of Trustees, backed up Legend's powerful words with some insight on what's keeps her passionately involved in the process. "One of my favorite things about the Academy is that everything we do is 100 percent peer-driven," she shared. "The process is driven specifically by the Members who serve the Academy. If there’s something that you love, that you want to get involved with, you’re passionate about, by all means. If there’s something you want to change, by all means. It’s rolling up your sleeves, showing up, engaging and being part of the process.”

In fact, the more than 2,300 new invitations extended today represent the continuation of the Academy's community-driven and peer-reviewed membership model, which was implemented in 2018 in an ongoing effort to be more representative and relevant.

"Building out our membership body is a process that encourages inclusivity from start to finish, and it's a privilege to extend invitations to the 2020 class of invitees that represent the wide-ranging backgrounds and crafts that makes the music industry so unique," said Kelley Purcell, Senior Director of Member Outreach at the Recording Academy. "These individuals will become the driving force behind the Recording Academy, and it's encouraging to see how our membership continues to evolve each year as we take steps toward building a more inclusive and vibrant community."

For more information on the Recording Academy's membership process and requirements, visit here. For full information and details surrounding the new class visit here.

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The GRAMMY Hall Of Fame Returns To Celebrate 50th Anniversary: Inaugural Gala & Concert Taking Place May 21 In Los Angeles
The GRAMMY Hall Of Fame returns to celebrate its 50th anniversary with an inaugural gala and concert taking place Tuesday, May 21, at the NOVO Theater in Los Angeles

Image courtesy of the GRAMMY Museum

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The GRAMMY Hall Of Fame Returns To Celebrate 50th Anniversary: Inaugural Gala & Concert Taking Place May 21 In Los Angeles

Following a two-year hiatus, the GRAMMY Hall Of Fame returns to celebrate its 50th anniversary with an inaugural gala and concert on Tuesday, May 21, at the NOVO Theater in Los Angeles. Ten recordings will be newly inducted into the Hall this year.

GRAMMYs/Mar 5, 2024 - 02:00 pm

Following a two-year hiatus, the GRAMMY Museum and Recording Academy are reinstating the GRAMMY Hall Of Fame on its 50th anniversary. The momentous event will be celebrated with an inaugural gala and concert on Tuesday, May 21, at the NOVO Theater in Los Angeles; tickets and performers for the event will be announced at a later date. As part of the return, 10 recordings, including four albums and six singles, will be newly inducted into the GRAMMY Hall Of Fame later this year.

The GRAMMY Hall Of Fame was established by the Recording Academy's National Trustees in 1973 to honor recordings of lasting qualitative or historical significance that are at least 25 years old. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts with final ratification by the Recording Academy's National Board of Trustees. There are currently 1,152 inducted recordings in the GRAMMY Hall Of Fame. View the full list GRAMMY Hall Of Fame past inductees.

This year, the GRAMMY Museum’s GRAMMY Hall Of Fame Gala will be the first of what will become an annual event, and includes a red carpet and VIP reception on the newly opened Ray Charles Terrace at the GRAMMY Museum, followed by a one-of-a-kind concert at the NOVO Theater in Downtown Los Angeles.

The inaugural gala and concert is produced by longtime executive producer of the GRAMMY Awards, Ken Ehrlich, along with Chantel Sausedo and Ron Basile and will feature musical direction by globally renowned producer and keyboardist Greg Phillinganes. For sponsorship opportunities, reach out to halloffame@grammymuseum.org.

Keep watching this space for more exciting news about the GRAMMY Hall Of Fame!

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Inside The Inaugural Gold Music Alliance GRAMMY Week Reception, Highlighting Growth And Visibility Within The Music Industry
Kev Nish, Jon Yip, Harvey Mason, jr., Grace Jun Baca, Frankie Yaptinchay, Bing Chen, Hiba Irshad, and Dr. Annie V. Lam

Photo: Anna Webber / Getty Images

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Inside The Inaugural Gold Music Alliance GRAMMY Week Reception, Highlighting Growth And Visibility Within The Music Industry

The Recording Academy's new GRAMMY Week event, presented in collaboration with Gold House and Pacific Bridge Arts Foundation, celebrated Pan-Asian contributions to the music industry and beyond.

GRAMMYs/Feb 2, 2024 - 01:51 am

In the midst of GRAMMY Week, The Recording Academy, Gold House and Pacific Bridge Arts Foundation came together for the first-ever Gold Music Alliance reception — an intimate, yet powerful celebration of the Pan-Asian community's vast contributions to the music industry.

"This is the first gathering, but it's definitely not going to be the last," promised Harvey Mason jr., CEO of the Recording Academy, in opening remarks at the Jan. 31 event, which was held at the Fairmont Century Plaza in Century City, California. "We're going to continue to grow, we're going to continue to evolve. This organization and this group of constituents, music makers — it's going to be a powerful platform to make a difference. The importance of this group is so the Academy can listen and learn and understand."

As the son of Harvey Mason Sr. — the acclaimed jazz drummer from Fourplay and original drummer of Herbie Hancock's The Headhunters — Mason jr.'s entire life has revolved around music. Even though he's always been immersed in sound, Mason jr. understands that he needs to keep his ears open to other perspectives within the industry.

"We don't know everything that's going on in every group of music makers or music people," he said, "so having different groups being able to get together, have insight and give us feedback — how can we serve better? How can we represent your group, your constituency, your community better? We need to understand what's missing, what's lacking, how can we get it better?"

Harvey Mason jr. at Gold Music Alliance Reception 2024

Harvey Mason jr. speaking with guests at the Gold Music Alliance Reception on Jan. 31, 2024 | Anna Webber / Getty Images

"Thank you, Harvey, for listening," said Jonathan Yip, who is currently serving as a Trustee, and is the first AAPI+ Trustee elected to the Recording Academy's National Board of Trustees from the Los Angeles Chapter. "You nailed it! That is exactly what we need. We need allies and, with you and the Recording Academy backing us and what we're trying to do here, it means everything to us. So thank you very much for that.

"When I first moved out to LA in 2001, I worked at a couple different record labels, and when I would go in there, I didn't see anybody that looked like me," Yip, a two-time GRAMMY winner for his producing work as part of Stereotypes on "That's What I Like" by Bruno Mars, which took home golden gramophones for Song Of The Year and Best R&B Song in 2018, added. "But, what I did notice 20 years forward, I see a lot, and I think the growth of our community within the music industry is something to be proud of."

Yip acknowledged how important it is to have the Recording Academy's support in pushing the Gold Music Alliance initiative, which he said will "help bridge the gaps in the future and the younger people in our community to give them opportunities to be creative." And the GRAMMY Week reception wasn't just impactful because of the promise in the room, but because it's a moment that the community has long hoped for. 

"We've all been in the music industry where we've always wanted a voice, we've always wanted that visibility," Yip noted. "So for us to be here, to be able to reach out to the community and let them know that it's accessible, that we're here and we have a voice — that to me is a huge moment."

With its mission grounded in lifting Asian founders, creative voices, and leaders, Gold House has played a pivotal role in working with major media companies to help reshape screens in TV and film, with successes like Beef and Everything Everywhere All at Once. Now, the nonprofit organization is bringing its passion to the music business by sponsoring the Inaugural Gold Music Alliance GRAMMY Week reception.

"We all know that awards are so critically important to all of our creative industries, and voting bodies have historically looked very singular," noted Gold House CEO Bing Chen. "So we are so excited to be able to diversify, not just for representation, but for creative excellence, the next waves of artists, producers, musicians and companies."

DJ Virman at Gold Music Alliance Reception 2024

DJ Virman at the Gold Music Alliance Reception on Jan. 31, 2024 | Anna Webber / Getty Images

As Frankie Yaptinchay, Amazon Music's Senior Product Manager, Audience Development & Creative Partnerships,  added, the hope and vision of the Gold Music Alliance is that it will be around for generations to come.

"I think the big thing the Gold Music Alliance is doing is we want to build accessibility," said Yaptinchay, who also serves as governor of the Pacific Northwest chapter of the Recording Academy. "We want to build accessibility, for not only us and the creators, and executives, but for the next generation. We want to use the vehicle that the Recording Academy has built and the prestige and share that with our community. I think this is our time to be visible, our time to speak up, and I'm really really excited we can do this.”

"We are all about uplifting the next generation in music," agreed Annie Lam, executive director of Pacific Bridge Arts Foundation. The nonprofit was founded by Far East Movement, the first Asian-American group to top the Billboard Hot 100 charts with their 2010 party hit "Like a G6". The group's Kev Nish is integrated in every aspect of the event, serving as PBA's Chair of the Board and founder, a Gold House board member, and the Recording Academy's Los Angeles Chapter Governor; his bandmate DJ Virman provided the musical accompaniment for the reception.

"The work that we do is really shaped by their journey and experiences," Lam continued, highlighting some of their programs, including The Bridging Arts Talk, which features GRAMMY nominees, GRAMMY winners and music executives. "We are so proud that all of these leaders are part of our network to give back, because we know the value of mentorship and how important they are and we are working step by step to knock down those barriers. We're still fighting the good fight and hope that you will continue to work with us to keep up with the movement."

Before the event came to a close, Grace Jun Baca, Recording Academy Director of Governance, Member & Industry Relations, expressed her thanks for those who helped make the event a success.

"Tonight was made possible because of the support of Ryan Butler, VP DEI and DEI's DREAM (Diversity Reimagined by Engaging All Musicmakers) Initiative, serving underrepresented groups at the Academy, and of course the ultimate green light from CEO Harvey Mason, jr. Like Harvey said, this is only the beginning. There's much more to come!"

The Recording Academy's Los Angeles Chapter Honored Its Musical Family At 2024 GRAMMY Nominee Celebration

10 Finalists Announced For The 2024 Music Educator Award
Finalists for the 2024 Music Educator Award, presented by the Recording Academy and GRAMMY Museum

Images courtesy of the 2024 Music Educator Award finalists; Graphic courtesy of the GRAMMY Museum

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10 Finalists Announced For The 2024 Music Educator Award

The Recording Academy and GRAMMY Museum have announced 10 music teachers as the finalists for the 2024 Music Educator Award, which recognizes current educators who have made a significant contribution and demonstrate a commitment to music education.

GRAMMYs/Dec 12, 2023 - 03:59 pm

The Recording Academy and GRAMMY Museum today announced a total of 10 music teachers as finalists for the 2024 Music Educator Award, the annual honor that recognizes current educators who have made a significant and lasting contribution to the music education field and who also demonstrate a commitment to the broader cause of maintaining music education in the schools. The 10 finalists, who hail from 10 cities across nine states, were selected from more than 2,000 initial nominations submitted from across all 50 U.S. states. See the full list of the 2024 Music Educator Award finalists below.

Each year, one Music Educator Award recipient is selected from 10 finalists and recognized for their remarkable impact on students' lives. The selected recipient will receive a $10,000 honorarium and matching grant for their school's music program. The nine additional finalists will receive a $1,000 honorarium and matching grants. The remaining 15 semifinalists will receive a $500 honorarium with matching school grants.

The ultimate recipient of the 2024 Music Educator Award will be recognized during GRAMMY Week 2024, just days before the 2024 GRAMMYs take place. Quarterfinalists for the 2024 Music Educator Award were announced in May; semifinalists were announced in October.

Nominations for the 2025 Music Educator Award are now open.

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2024 MUSIC EDUCATOR AWARD FINALISTS: 

Name School Name City     State
Meg Byrne Pleasant Valley High School Bettendorf Iowa
Ernesta Chicklowski Roosevelt Elementary Tampa Florida
Michael Coelho Ipswich Middle and High School Ipswich Massachusetts
Antoine Dolberry P.S. 103 Hector Fontanez School Bronx New York
Jasmine Fripp KIPP Nashville Collegiate High School Nashville Tennessee
J.D. Frizzell Briarcrest Christian School Eads Tennessee
Coty Raven Morris Portland State University Portland Oregon
Annie Ray Annandale High School Annandale Virginia
Kevin Schoenbach Oswego High School Oswego Illinois
Matthew Shephard Meridian Early College High School Sanford Michigan

An established partnership between the Recording Academy and GRAMMY Museum, the Music Educator Award is open to current U.S. music teachers. Anyone can nominate a teacher: students, parents, friends, colleagues, community members, school deans, and administrators. Teachers are also able to nominate themselves. Nominated teachers are notified and invited to fill out an application. 

The Music Educator Award program, including honorariums, is made possible by the generosity and support of the Chuck Lorre Family Foundation. In addition, the American Choral Directors Association, National Association for Music Education, NAMM Foundation, and National Education Association support this program through outreach to their constituencies.

Learn more about the Music Educator Award program.

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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