Photo: Cameron Powell
Kari Jobe and Cody Carnes
Positive Vibes Only: Hold Hands, Bow Your Head And Watch Kari Jobe And Cody Carnes Deliver A Devout Performance Of "The Blessing"
The chemistry between singer/songwriters Kari Jobe and Cody Carnes pops off the screen, as the two perform their GRAMMY-nominated track "The Blessing" on the latest edition of Positive Vibes Only
Jobe sits silently with her arms extended, eyes shut and palms raised towards the sky for the first minute and a half before joining her husband to spiritedly sing "Amen." The acclaimed duo repeats this impassioned push-pull performance throughout their Positive Vibes Only appearance. As a result, they replicate the atmosphere of a genuine family prayer.
Join in on Kari Jobe and Cody Carnes' powerful, eight-minute devotion by watching the video above.
"The Blessing" was nominated for Best Contemporary Christian Music Performance/Song at the 63rd GRAMMYs and was featured on both Kari Jobe's latest record The Blessing (Live) and Elevation Worship's record Graves Into Gardens.
Don't let the good vibes stop here—check out more episodes of Positive Vibes Only below.
Photo: Rick Diamond/WireImage.com
First-Time GRAMMY Nominee: Kari Jobe
(The Recording Academy asked some of this year's first-time GRAMMY nominees to collect their thoughts and share what it feels like to be nominated for a GRAMMY.)
Based in Dallas, Kari Jobe is nominated for Best Contemporary Christian Music Album for Where I Find You. Released in January 2012, the album features 10 songs co-written by Jobe, including "Steady My Heart," which she co-wrote with Matt Bronleewe and Ben Glover.
Come back to GRAMMY.com tomorrow as we hear from first-time GRAMMY nominees Jesse Y Joy and Carla Morrison. Tune in to the 55th Annual GRAMMY Awards live from Staples Center in Los Angeles on Sunday, Feb. 10 from 8–11:30 p.m. ET/PT on CBS. Meanwhile, visit The Recording Academy's social networks on Facebook and Twitter for updates and breaking GRAMMY news.
GRAMMY Rewind: Rosalía Thanks Female Trailblazers Who Inspired Her As She Accepts A Latin GRAMMY For "Malamente" In 2018
As she stepped onstage to claim her Best Urban/Fusion Performance trophy at the 2018 Latin GRAMMYs, Rosalía thanked the women who came before her in the music industry — and proved that it pays off to go your own way.
2018 was a banner year for Rosalía at the Latin GRAMMY Awards: She brought home her first Latin GRAMMYs at the ceremony — both for "Malamente," the first single off of her second album, El Mal Querer.
In this episode of GRAMMY Rewind, let's turn back the clock to that big night in November at the MGM Grand Garden Arena in Las Vegas, and revisit the moment when Rosalía's name was called as the winner of a Latin GRAMMY in the Best Urban/Fusion Performance category.
The visibly stunned singer gradually made her way to the stage amid audience applause, and when she arrived at the podium, she was quick to thank those who helped her shape her sound.
"This is incredible. It's like a dream," she told the crowd in Spanish. "Thank you for all the love. Thank you for all this recognition."
Of course, fans and family were foremost on the list of people that Rosalía mentioned in her acceptance speech. Still, she also made special mention of some musical acts who've come before her.
Specifically, she wanted to thank the female artists across all genres who have inspired her, over the course of her career, to make music on her own terms. "I take pride in always leading in my projects and making music that represents me — taking risks, and sharing it with the world, and being here," Rosalía reflected.
"I want to thank women like Lauryn Hill, WondaGurl, Björk, Kate Bush, Ali Tamposi, Ninja," she went on to list. "All the women in the industry who've taught me that it can be done, because I'm here because of them. Thank you from the bottom of my heart. For real."
Press play above to watch Rosalía's full acceptance speech, and keep checking back to GRAMMY.com every Friday for more episodes of GRAMMY Rewind.
Behind The Board: Alex Kline Traces Her Journey To Becoming An In-Demand Nashville Producer And Songwriter
The Nashville-based songwriter and producer explains why working on music behind the scenes with an artist is her "happy place," and discusses the song she produced that made history at country radio.
Songwriter and producer Alex Kline is one of the most in-demand collaborators in Nashville's country music industry today — but she says her career actually started when she fell in love with a Red Hot Chili Peppers hit.
"I picked up the guitar when I was 13 because I heard "Under the Bridge" by the Red Hot Chili Peppers, and something about that guitar intro made me wanna learn how to play guitar," Kline explains in the newest interview of Behind the Board.
Those early interests ultimately led her to Nashville, where she began to work with country legends like Ronnie Dunn and Reba McEntire as well as the younger generation of country stars, such as Mitchell Tenpenny, Cassadee Pope and Meghan Patrick. Her work with Tenille Arts, on Arts' single "Somebody Like That," even led her to a historic No. 1 hit on the Mediabase Country Music charts.
"We actually made history as the first all-female team to have a No. 1," Kline continues. "I was the first solo female producer in country music to have a No. 1. Which is kinda crazy, that it took until 2021 to have a female do that."
Kline says she loves the collaborative work that goes into producing an artist's music. "That's really my happy place — developing with an artist and creating the sound, going from the ground all the way up," she explains, adding that she's even learned to embrace compromise over the course of her career.
"I'll usually have an idea of something, and I'll think that a certain song sounds perfect, and then the artist will say, 'Oh, I want...' something that's maybe 10 percent different than what I would hear. And I sometimes don't necessarily at first think that they're right, but then I always usually come around," Kline continues.
"I think it's just good to be open and flexible," she adds with a laugh, "and as a producer, remember that it's the artist's name on the project, and not my name in big letters with my picture on it. So they have to be in love with it."
Press play on the video above to learn more about Kline's journey towards being a Nashville songwriter and producer, and keep checking GRAMMY.com for more episodes of Behind the Board.
Photo: C Flanigan / Contributor
Everything We Know About Paramore’s New Album, 'This Is Why'
Five years after the release of their last studio album, Paramore will embark on an intimate North American tour before dropping their highly anticipated new album, 'This Is Why.' Here’s everything to know about the new album, out on Feb. 10, 2023.
Paramore fans are used to waiting a while between records, but the five-year break following After Laughter is the longest hiatus the band has taken since its inception.
Luckily, the wait for new music from their faves was coming to an end.
When the group’s website and social media profile photos were updated in early September, fans went hunting for clues about new music — and they weren’t disappointed. Paramore lead singer Hayley Williams, guitarist Taylor York and drummer Zac Farro had planted a few online Easter eggs to tease the release of "This Is Why" — the title track for their forthcoming album.
Then on Sept. 28, the group surprised fans by announcing the release date for their new album and dropping the single concurrently with a new music video. "It was the very last song we wrote for the album. To be honest, I was so tired of writing lyrics, but Taylor convinced Zac and I both that we should work on this last idea. What came out of it was the title track for the whole album," Williams said in a statement. "It summarizes the plethora of ridiculous emotions, the rollercoaster of being alive in 2022, having survived even just the last three or four years."
Ahead of their upcoming tour — which begins Oct. 2 in California and ends Nov. 19 in Mexico — here are four things to know about Paramore’s forthcoming album, This Is Why, out on Feb. 10, 2023.
The Band Has Been Teasing A Comeback For A While
In an interview with NME in May 2020, Williams hinted at the band’s next era. "We’ve thought about [the next Paramore album]," she said. "Taylor’s mentioned things like: ‘Oh, God – I miss guitars. We’ve found ourselves listening to a lot of older music that we grew up being inspired by. T and I liked stuff that was a bit more ratty sounding: The Rapture, Yeah Yeah Yeahs. All three of us loved Queens Of The Stone Age’s Songs For The Deaf."
In a July 2022 interview with Music Connection, GRAMMY-winning mixing engineer Manny Marroquin revealed that Paramore’s new album, also called P6 by fans, had been completed.The news spread through social media like wildfire.
Two months later, the group kicked off the promo cycle by posting a range of cryptic dates on their website, causing fans to channel their inner Sherlock to decipher the clues — 9.1 discord, 9.7 blank, 9.9 wr0ng, 9.12 LA, 9.16 - pre-save t.i.w., 9.19 - NY and 9.28. Each clue represented a mini-milestone for the band’s new era, including the launch of a new Discord, the wiping of their social media pages to signal a new era, fall concert dates, a preview of the new single, and updated profile pics on social media.
The Trio Will Return To Their Guitar-Driven Roots
This Is Why will be a return to Paramore's rock roots — but not the emo-pop-rock sound first heard on their 2005 debut, All We Know Is Falling. (On a recent episode of her new podcast "Everything Is Emo," Williams revealed that the indie rock band Bloc Party played an integral role in helping Paramore figure out the energy of their music.)
With Williams’ signature belt and a riffy, rocking chorus, "This Is Why" is a bit of a departure from the band’s synth-pop and new-wave-infused 2017 effort, After Laughter. The track bears a bit of a resemblance to some of the ‘80s pop heard on Williams’ solo album, Petals for Armor," leaving fans to speculate about whether or not the group will ever return to the rock sound that brought them initial success. However, Paramore has gone on record about their intentions to get back to guitar-driven music, so other songs on P6 may lean further into their rock roots than the title track.
But change can be good, and experimenting with new sounds can yield magic — as was the case with After Laughter, which itself was a sonic departure from their eclectic 2013 self-titled album. According to Williams, experimentation is essential because it keeps things fresh. The singer told Rolling Stone that the band was pleasantly surprised by the album’s production process and had no plans to make a carbon copy of their previous material.
"The music we were first excited by wasn’t exactly the kind of music we went on to make," Williams said. "Our output has always been all over the place, and with this project, it’s not that different. We’re still in the thick of it, but some things have remained consistent from the start. 1) More emphasis back on the guitar, and 2) Zac should go as Animal as he wants with drum takes."
The Group Collaborated With Their Longtime Producer And The Mixing Engineer Behind Rihanna’s "Work"
For P6, Paramore reunited with longtime collaborator Carlos De la Garza, who previously produced the band’s self-titled album, After Laughter, and Williams’ solo projects Petals for Armor and Flowers For Vases/descansos. (Fun fact: De la Garza is the father of two members of the LA-based punk band the Linda Lindas — guitarist Lucia and drummer Mila — who count Paramore among their music heroes.)
To ensure a cohesive sonic experience for This Is Why, the trio recruited 11-time GRAMMY-winning mixer Manny Marroquin, who has mixed tracks for Kanye West, Lizzo, Rihanna, Megan Thee Stallion, and Selena Gomez, among others.
The Group May Play New Music On Their Fall Concert Tour
In October, the trio is hitting the road for a limited fall tour through North America, and there’s a possibility that they’ll preview some new music for fans in attendance. This time around, the GRAMMY-winning rockers are skipping the arenas in favor of cozier venues to provide fans with a more intimate experience — and they’re taking a few up-and-coming bands along for the ride, including Young the Giant and Japanese Breakfast.