K-pop group P1Harmony did not start with the odds in their favor. They debuted months into a global pandemic, without the resources of a huge company, at a time when live performances were nil. But the scrappy sextet persevered, and have now released six EPs, embarked on two tours, and headlined venues in five continents.   

Formed in 2020, the group's name is an amalgamation of "plus," "one," and "harmony," meaning members Keeho, Jiung, Intak, Theo, Jongseob and Soul can achieve endless harmonious possibilities as a unit. P1Harmony's latest album, Killin’ It, is their first full-length release. The album is both a confident celebration of their musical identity and a comprehensive introduction to any new fans.

Out Feb. 5, the 10-track Killin' It  features a minimalist, synth-driven title track with a catchy 808 base and masterful rap that pays homage to '90s hip-hop and K-pop. P1Harmony's catchy electropop permeates the sentimental "Late Night Calls'' and influences the freestyle chants on "Everybody Clap," and the anthemic "Street Star." The record's final track, "I See U," is a confession of love to their fans, known as P1ece.

P1Harmony have had a flair for drama since their debut teaser. In keeping with the K-pop trend of incorporating storylines into their visual releases, six EPs ended with the reveal that P1Harmony were hidden "heroes," facing the world fused as one. Killin’ It continues the "forgotten heroes" theme, with Keeho taking the conceptual reins on the album.

P1Harmony members have been contributing towards their releases since the beginning — a concept that has only recently gained popularity in K-pop. Killin’ It is no different, and Jongseob, Intak, Jiung, and Keeho are credited for lyrics and composition on several tracks. 

In a saturated industry, P1Harmony’s Gen-Z sense of humor gives them a leg up amongst their peers. In fact, they are known as much for their unfiltered personalities as they are for their music. In a particularly viral example, leader Keeho advised a fan to cut her friend's hair off because they were making fun of her curls. 

Ahead of the release of Killin' It, GRAMMY.com caught up with the group over Zoom, to chat about perfectionism, touring dreams, and career milestones.

**Tell us about the first full length album. What were you trying to go for with Killin’ It?** 

Keeho: This is an album where we could really cement what we're good at, what we like to do and what we want to keep doing in the future. I feel like it's kind of different from the EPs because those were more chances for us to experiment and filter out what does and doesn’t stick. 

We've created so many memories and experiences where we learned what things look good on us and sounds sonically good to us. It's a really good turning point as well. Our storylines from the previous EPs are wrapping up and it's a new chapter for us moving forward.

Jongseob: I wrote on all 10 tracks on this album, and that process was very exciting. I feel like I could fit more of my own style in this album than before. This was also like a playground for me because I got to do whatever I wanted with my own verses. 

Do you feel like it took more effort to make Killin’ It than with previous releases? Is there an added pressure because it's P1Harmony's first full length album? 

Intak: Because we were on and off tour, I always had to write on the move. As a writer it took me a lot longer and a lot more focus to write my raps than in previous albums. 

Keeho: Of course there is added pressure. Yes, I am confident and happy to show our P1eces what we’ve made, but even to this day, there's always that feeling of is there anything we could have done better? As perfectionists, we’re always trying to find the flaws so we can minimize them, but no matter how much we try they never go away. It’s not always bad though, because it’s also a way to constantly improve as artists. 

If we were always satisfied with everything we did, there would be nothing pushing us to go that extra mile. It gets stressful, but at the end of the day, if our fans love it then that’s all that matters. 

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Where is the point when you realize you have to stop and let go of what you’re working on?

Jiung: It’s different for each of us, but as a team we also think that if we fix something too much, it goes wrong. We try our best to keep each other from going overboard.

Keeho: They say the first take is always the best take. And also, we have a deadline! [Laughs.] No matter how many times I want to do more, I have to send it across. 

I did a lot of contribution in the conceptual and visual side of this album, and I remember because of the deadline I was at the airport lounge finishing up the PDF and sending it over before I got on the plane. We were writing in hotel rooms, on planes, in the lounges —— there's always a deadline to be met. 

Visually, what was the creative direction for this album? What concepts did you draw inspiration from?

Keeho: The main story created for this full-length album was about P1Harmony being the "forgotten" heroes. Hence the theme I was very inspired by the movie Suicide Squad. 

For the "Killin' It" version, I really wanted to show off each member's identity through the outfits. I feel like a lot of the time when we figure out outfits we tend to play it safe and match a certain color scheme or silhouette, but I really wanted each member to have their own style. If you watch The Hunger Games, each member of Katniss' team has a matching gold emblem to signify they are in one team, like the Mockingjay pin. The one thing that brought us together was our matching necklaces, brooches, and pant chains.

For the "Maximum" version, I thought if we make the set in contrast a lot smaller than we are, we can give off the illusion of literally being bigger than everything. We came up with the amusement park idea because there's something fun and colorful but also eerie and dark about it. Maybe it comes from my fear of clowns and rollercoasters but I liked that difference in feeling. 

I would love to do something cinematic again like we did during our debut. 

What do you want your next milestone to be?

Jiung: I think the next tour, because I feel it would be even better than the one we just finished. I'm excited to fill up the setlist with the album that we're about to release.

**What would need to happen for you to think, okay, we've made it, I can retire peacefully?**

Keeho: We're very young. [Laughs.]  I don’t know about retiring yet. 

Jiung: I don’t think we're gonna retire. We're so passionate and we're so happy to show ourselves in every area. 

Theo: If we did a stadium tour, I would retire. 

Keeho: We’d have to get Beyoncé level. We’re talking big production, we’re talking Renaissance. 

I don't know how convincing it might sound but I feel like, as long as we have a reason and it's something that we love to do, we are so, so, so hardworking. It is almost violent and scary to see. We will sacrifice sleep, food, anything if it's really something we love to do. And if it gets to the point where we get the opportunity to do a stadium tour, I think it'd be awesome. 

**Some of that is a little alarming — please take care of yourselves! Your last EP, Harmony: All In, spoke a lot about the challenges that come with loving yourself. How do you experience self-love today?**

Theo: Nothing has really changed for me. I feel like up until the point where I pass away, I don’t think it will be a difficult task for me to love myself.

Jiung: For me, sometimes it's a roller coaster but I'm good now. It’s all good with my bros.

Five out of the 10 songs on Killin' It are about love. How would you explain what love is to somebody who's lost all their memory?

Jiung: I got the same question about two years ago at a fanmeet. I don't know how to translate it, but in Korean I said something like "love is when I'm thinking about you with my full energy."

Keeho: It’s a tricky question, though because I feel like love you is such a strong [phrase]  and it holds so much meaning. I would just answer like this [Keeho makes several heart shapes with his hands]. 

11 Rookie K-Pop Acts To Know In 2024: NCT Wish, RIIZE, Kiss Of Life & More

The complexity of Korean pop music is akin to an ocean of changing tides. Every year brings a stream of new elements that, in due course, become part of the fabric of the genre. That’s the part of the magic of K-pop: a guaranteed churning of trends and influences that continue to mesmerize millions.

While last year saw an awakening of girl groups, the current landscape of boy groups is reaching an interesting phase. Well-established ensembles are growing more soloists than ever, and different generations of performers exist side-by-side in a way previously unseen. At the same time, survival television shows (those similar to “American Idol” or “The Voice”) remain a cultural phenomenon in Korean music, serving as a vault for trainees and many in this new wave of boy groups.

Within this new wave, K-pop acts such as VERIVERY and ONEUS are experiencing long-awaited recognition, while the groups who debuted during the pandemic are finally performing in front of live audiences. Meanwhile, rookies like xikers are raising their hands with a desire to conquer, and yet-to-debut acts like ZEROBASEONE are hotly anticipated.

Here, get to know 11 rising boy groups — in order of debut — consolidating their position under the bright lights of K-pop’s dominion.

VERIVERY

Energy and precision are integral parts of Verivery’s identity. The group seems to flip a switch in the audience with their impeccable coordination and lively dance-pop sound. But they also embrace dualities in their music — exploring the emotional highs and lows of life.

Hailing from Jellyfish Entertainment, the septet debuted in January 2019 with the new jack swing single "Ring Ring Ring," and continually sharpened their skills to drive impact. Verivery’s third single album, Liminality - EP. Love, and its title track, "Tap Tap," opened a new chapter, and the group captured their first-ever wins in MBC’s "Show Champion" and KBS’s "Music Bank."

ONEUS

If there’s one group that thrives on defying creative limits and building timeless narratives, it’s ONEUS. They’re called "stage geniuses" for a reason. 

Formed by music label RBW in 2019, the quintet have established themselves as versatile performers with intricate choreographies and vocal prowess. Each record reveals a new soundscape, and with it, there’s a seamless unpredictability that increases their public acknowledgement. 

Their eighth mini-album, Malus, released last September, proved to be a breakthrough. ONEUS earned four trophies from South Korean music shows, and they crossed the barrier of one million accumulated sales on the Circle Chart, one of the most notable music charts in their home country.

CRAVITY

CRAVITY combines the words "Creativity" and "Gravity" to state their aura can draw you in like a magnet. They’re joie de vivre personified and may switch gears from "monster rookies" to K-pop dynamos at any moment.  

Since debuting in 2020 under Starship Entertainment, the group has displayed great adaptability when tackling different musical colors. But the arrival of Liberty: In Our Cosmos, the second part of their first full-length album, in March 2022, channeled a youthful approach that’s become their signature sound. This conceptual glow-up fully fleshed out CRAVITY’s abilities that shine the most in feel-good pop terrains, crafting a unique niche as a result. 

TREASURE

Backed by YG Entertainment (Blackpink, BIGBANG), TREASURE burst onto the scene in the summer of 2020 with the hard-hitting single "Boy." It was the crowning of sky-high expectations since they came together a year prior through the challenging survival show YG Treasure Box. However, in November 2022, vocalists Bang Yedam and Mashiho left, and TREASURE had to redirect their trek with 10 members.

TREASURE aren’t only known for their blistering levels of performance, as they also flaunt a diverse sonic palette and self-written material. Take, for example, the potent "JIKJIN," which contrasts with the zestful charisma surrounding "Hello," or the enchanting (and viral) "DARARI," composed by former member Bang Yedam. They’re creative powerhouses and this is just the beginning for them.

DRIPPIN

This seven-member group assembled by Woollim Entertainment demonstrates how it’s possible to mature a career without compromising brilliance. DRIPPIN boasts one of the most solid repertoires in the fourth generation of K-pop. 

When DRIPPIN debuted in 2020 with their EP, Boyager, their musical compass signaled lightness, but as time passed, the course steered towards a darker route. It was an organic and smooth transformation, exemplified by their fantastic Villain album series released throughout 2022.

P1Harmony 

The start of P1Harmony’s journey in October 2020 was literally a cinematic experience that laid the foundation for their exciting artistry. They’re adventurous and fun, so better be prepared every time they take the stage — because you’re in for a ride.

Of course, nothing of this would be possible without having a mesh of talents working in tandem. The voices of Keeho and Theo balance out the fierceness of rappers Intak and Jongseob, while Soul and Jiung are proven all-rounders. This blend and a penchant for electrifying tracks are the main propulsors behind P1Harmony’s international popularity.

TEMPEST

Living up to the essence of their group’s name, up-and-coming stars TEMPEST are a force to be reckoned with. And contrary to the title of their debut song, "Bad News," their entrance into the K-pop realm was a harbinger of potential.

The septet comes from Yuehua Entertainment, home to Iz*One alum Choi Yena and girl group EVERGLOW. Several members participated in competition programs like "Produce 101" and "I-LAND" — so their perspective, along with their collective strengths, indicates that these newcomers wield the confidence of veterans. Last year, the group won accolades across different South Korean music ceremonies as best new artists – including the New Wave Award from the Asia Artist Awards.

TAN

When exploring the vastness of K-pop, it’s always a pleasant surprise to discover captivating hidden gems. This is the case of TAN, a septet formed through MBC’s survival show "Extreme Debut: Wild Idol." 

What makes TAN such an alluring act is its musical nostalgia, which is reminiscent of one of the most brilliant eras of K-pop. Press play on their first single "Du Du Du," and you’ll find yourself immersed in a second-generation revival layered with stunning vocals. Fortunately, the group is holding the line, and their latest record, "FIX YOU," continues with this evocative quality even a year after their debut.

xikers

Xikers are the freshest (and youngest) idols on this list, yet they’re threading a path that has many paying close attention. 

Formerly known as KQ Fellaz 2, the world witnessed the group’s onstage verve when they opened for labelmates ATEEZ during their 2022 North American tour. In March, they debuted with the double-punch "TRICKY HOUSE" and "ROCKSTAR," both singles from their first mini-album, HOUSE OF TRICKY: Doorbell Ringing. The seven-track project has sold more than 140,000 copies in South Korea. With their vibrant teamwork, aural intensity, and rapidly growing recognition, xikers are certainly a bunch to keep your eyes on.

BOYNEXTDOOR

At the end of 2020, K-pop giant HYBE announced the acquisition of KOZ Entertainment, a music label spearheaded by Block B’s leader Zico. The news was received with surprise, and fans wondered what kind of endeavors this business alliance could offer.

What followed has been a series of revelations that have created enthusiasm about their first project together: A group called BOYNEXTDOOR. The six members – Sungho, Riwoo, Jaehyun, Taesan, Leehan and Woonhak – were officially presented on May 12, and the concept is already striking as bright and juvenile. We will get the whole picture once BOYNEXTDOOR debuts on May 30 with their first single album, WHO!    

ZEROBASEONE 

Although the story of ZEROBASEONE (shortened as ZB1) is yet to unfold, a promise of success is darting their presence in the industry. Word on the street says they will inaugurate K-pop’s fifth generation, but that will be a topic of discussion when they step into the spotlight next summer. In the meantime, we’ll see how many records go down before that happens.

This nine-member, multinational ensemble emerged from Mnet’s reality competition Boys Planet – a spin-off of 2021’s Girls Planet 999, which created their sister group Kep1er. It’s a well-rounded lineup that will allow for artistic agility and breathtaking stages, the same characteristics that attracted hundreds of thousands of viewers during ZB1’s formation process week after week. Worth mentioning that Zhang Hao, a music prodigy from Fujian, China, made history as the first foreigner to win a Korean survival show of this kind, and he will be the group’s center.

TXT, Blackpink, Aespa & More: Here Are All The K-Pop Tours And Events You Can Catch This Summer

The 2024 Paris Olympics came to life today as the Parade of Nations glided along the Seine River for the opening ceremony. The opening spectacular featured musical performances from Lady Gaga, Celine Dion, and more. Earlier in the week, some of music’s biggest names were also spotted in the city for the Olympics, including Olympics special correspondent Snoop Dogg, BTS' Jin, Pharrell Williams, Tyla, Rosalía, and Ariana Grande.

Read More: When The GRAMMYs & Olympics Align: 7 Times Music's Biggest Night Met Global Sports Glory

Below, see a full breakdown of some of the special musical moments from the 2024 Paris Olympics opening ceremony.

In a grand entrance, Lady Gaga emerged behind a heart-shaped plume of feathers on the golden steps of Square Barye, captivating the audience with her cover of the French classic "Mon truc en plumes." Accompanied by cabaret-style background dancers, she flawlessly belted out the song, executed impressive choreography, and even played the piano.

Lady Gaga’s connection to the song is notable, as Zizi Jeanmarie, the original artist, starred in Cole Porter’s musical "Anything Goes," which was Lady Gaga’s debut jazz release.

"Although I am not a French artist, I have always felt a very special connection with French people and singing French music — I wanted nothing more than to create a performance that would warm the heart of France, celebrate French art and music, and on such a momentous occasion remind everyone of one of the most magical cities on earth — Paris," Lady Gaga shared on Instagram.

Celine Dion 

Closing out the ceremony with her first performance in four years since being diagnosed with stiff-person syndrome, Celine Dion delivered a stunning rendition of Edith Piaf’s everlasting classic, "L’Hymne à l’amour" from the Eiffel Tower. Her impressive vocals made it seem as though she had never left.

This performance marked Dion’s return to the Olympic stage; she previously performed "The Power of the Dream" with the Atlanta Symphony Orchestra and composer David Foster for the 1996 Olympics.

Axelle Saint-Cirel 

Performing the National Anthem is no small feat, yet French mezzo-soprano Axelle Saint-Cirel knocked it out of the park.

Dressed in a French-flag-inspired Dior gown, she delivered a stunning rendition of "La Marseillaise" from the roof of the Grand Palais, infusing the patriotic anthem with her own contemporary twist.

With the stirring lyrics, "To arms, citizens! Form your battalions. Let’s march, let’s march," Saint-Cirel brought the spirit of patriotism resonated powerfully throughout the city. 

Gojira 

Making history as the first metal band to perform at the Olympics Opening Ceremony is just one way Gojira made their mark at the event.

The French band took the stage at the Conciergerie, a historic site that once housed French kings during medieval times and later became a prison during the French Revolution, famously detaining Marie Antoinette – Creating a monumental moment as the first metal band to perform at the ceremony, but also stirring the pot as they used the chance to nod toward politics. 

Performing a revamped version of "Ah! Ça Ira," an anthem that grew popular during the French Revolution, the artists aren’t new to using their songs as a vehicle for political messages. The GRAMMY-nominated group are outspoken about issues concerning the environment, particularly with their song, "Amazonia," which called out the climate crisis in the Amazon Rainforest. Using music to spread awareness about political issues is about as metal as it gets. 

Aya Nakamura

Currently France’s most-streamed musician, Aya Nakamura went for gold in a striking metallic outfit as she took the stage alongside members of the French Republican Guard. As there were showstopping, blazing fireworks going off behind her, she performed two of her own hit songs, "Pookie" and "Djadja," then followed with renditions of Charles Aznavour’s "For Me Formidable" and "La Bohème." 

Although there was backlash regarding Nakamura’s suitability for performing at the ceremony, French President Emmanuel Macron dismissed the criticism. "She speaks to a good number of our fellow citizens and I think she is absolutely in her rightful place in an opening or closing ceremony," Macron told the Guardian.

Since Ice Spice first caught our attention two summers ago, she's been nothing short of a rap sensation. From viral hits like her breakout "Munch (Feelin' U)," to co-signs from Drake and Cardi B, to a Best New Artist nomination at the 2024 GRAMMYs, the Bronx native continues to build on her momentum — and now, she adds a debut album to her feats.

Poised to be one of the hottest drops of the summer, Y2K! expands on Ice Spice's nonchalant flow and showcases her versatility across 10 unabashedly fierce tracks. She dabbles in Jersey club on "Did It First," throws fiery lines on lead single "Think U the S— (Fart)," and follows the album's nostalgic title with an interpolation of an early '00s Sean Paul hit on "Gimmie a Light."

Y2K! also adds more star-studded features to Ice Spice's catalog, with Travis Scott, Gunna and Central Cee featuring on "Oh Shh...," "B— I'm Packin'," and "Did It First," respectively. At the helm is producer RiotUSA, Ice Spice's longtime friend-turned-collaborator who has had a hand in producing most of the rapper's music — proving that she's found her stride.

As you stream Ice Spice's new album, here are five key takeaways from her much-awaited debut, Y2K!.

Ice Spice is one of the few ladies holding down the New York drill scene on a mainstream level. She's particularly rooted in Bronx drill, a hip-hop subgenre known for its hard-hitting 808s, high-hats and synthesizers — and according to the sounds of Y2K!, it’s seemingly always going to be part of her artistry.

"It's always time to evolve and grow as an artist, so I'm not rushing to jump into another sound or rushing to do something different," Ice Spice told Apple Music of her tried-and-true musical style. 

While Y2K! may not be as drill-driven as her debut EP Like…?, the album further hints that Ice isn't ready to retire the sound anytime soon. The subgenre is the dominant force across the album's 10 tracks, and most evident in "Did It First," "Gimmie a Light" and "BB Belt." Even so, she continues her knack for putting her own flair on drill, bringing elements of trap and electronic music into bops like "Oh Shhh…" and "Think U the S— (Fart)."

Minus a few tunes, all of Ice Spice's songs start off with her signature "Stop playing with 'em, Riot" catchphrase — a direct nod to her right-hand man RiotUSA. Ice and Riot met while attending Purchase College in New York, and they've been making music together since 2021's "Bully Freestyle," which served as Ice's debut single. "As I was growing, she was growing, and we just kept it in-house and are growing together," Riot told Finals in a 2022 interview.

Riot produced every track on Like.. ? as well as "Barbie World," her GRAMMY-nominated Barbie soundtrack hit with Nicki Minaj. Their musical chemistry continues to shine on Y2K!, as Riot had a hand in each of the LP's 10 tracks.

In a surprising move, though, Ice doesn't just lean on Riot this time around. Synthetic, who worked on Lil Uzi Vert's GRAMMY-nominated "Just Wanna Rock," brings his Midas touch to "Think U the S—." Elsewhere, "B— I'm Packin'" is co-produced by Riot, Dj Heroin, and indie-pop duo Ojivolta, who earned a GRAMMY nomination in 2022 for their work on Kanye West's Donda. But even with others in the room, Riot's succinct-yet-boisterous beats paired with Ice's soft-spoken delivery once again prove to be the winning formula.

Named after Ice Spice's birthdate (January 1, 2000), her debut album celebrates all things Y2K, along with the music and colorful aesthetics that defined the exciting era. To drive home the album's throwback theme, Ice tapped iconic photographer David LaChapelle for the cover artwork, which features the emcee posing outside a graffiti-ridden subway station entrance. LaChapelle's vibrant, kitschy photoshoots of Mariah Carey, Lil' Kim, Britney Spears, and the Queen of Y2K Paris Hilton became synonymous with the turn of the millennium.

True to form, Y2K!'s penultimate song and second single "Gimmie a Light" borrows from Sean Paul's "Gimme the Light," which was virtually inescapable in 2002. "We really wanted to have a very authentic Y2K sample in there," Ice Spice said in a recent Apple Music Radio interview with Zane Lowe. Not only does the Sean Paul sample bring the nostalgia, but it displays Ice's willingness to adopt new sounds like dancehall on an otherwise drill-heavy LP.

Taking the Y2K vibes up another notch, album closer "TTYL," a reference to the acronym-based internet slang that ruled the AIM and texting culture of the early aughts. The song itself offers fans a peek insideIce's lavish and exhilarating lifestyle: "Five stars when I'm lunchin'/ Bad b—, so he munchin'/ Shoot a movie at Dunkin'/ I'm a brand, it's nothin.'"

Whether she's flaunting her sex appeal in "B— I'm Packin'" or demanding potential suitors to sign NDAs in "Plenty Sun," Ice exudes confidence from start to finish on Y2K!.

On the fiery standout track "Popa," Ice demonstrates she's in a league of her own: "They ain't want me to win, I was chosen/ That b— talkin' s—, she get poked in/ Tell her drop her pin, we ain't bowlin'/ Make them b—hes sick, I got motion." And just a few songs later, she fully declares it with "BB Belt": "Everybody be knowin' my name (Like)/ Just want the money, I don't want the fame (Like)/ And I'm different, they ain't in my lane."

For Ice, "baddie" status goes beyond one's physical attributes; it's a mindset she sells with her sassy delivery and IDGAF attitude.

In album opener "Phat Butt," Ice boasts about rocking Dolce & Gabbana, popping champagne, and being a four-time GRAMMY nominee: "Never lucky, I been blessed/ Queen said I'm the princess/ Been gettin' them big checks in a big house/ Havin' rich sex," she asserts.

Further down the track list, Ice Spice firmly stands in her place as rap's newest queen. In "BB Belt," she raps, "I get money, b—, I am a millionaire/ Walk in the party, everybody gon' stare/ If I ain't the one, why the f— am I here, hm?"

Between trekking across the globe for her first headlining tour and lighting up the Empire State Building orange as part of her Y2K! album rollout, Ice Spice shows no signs of slowing down. And as "BB Belt" alludes, her deal with 10K Projects/Capitol Records (she owns her masters and publishing) is further proof that she's the one calling the shots in her career.

Whatever Ice decides to do next, Y2K! stands as a victory lap; it shows her prowess as drill's latest superstar, but also proves she has the confidence to tackle new sounds. As she rapped in 2023's "Bikini Bottom," "How can I lose if I'm already chose?" Judging by her debut album, Ice Spice is determined to keep living that mantra.

July has graced us with a diverse array of new music from all genres, lighting up dance floors and speakers everywhere.

The last weekend of the month brings exciting new collaborations, including another iconic track from Calvin Harris and Ellie Goulding, as well as a fierce team-up from Paris Hilton and Meghan Trainor. Halsey and Muni Long offered a taste of their forthcoming projects, while Jordan Davis and Miranda Lambert each delivered fun new country tunes. 

In addition to fresh collabs and singles, there's a treasure trove of new albums to uncover. Highlights include Ice Spice's Y2K!, Rakim's G.O.D., Sam Tompkins' hi, my name is insecure, Wild Rivers' Never Better, Tigirlily Gold's Blonde, and kenzie's biting my tongue.

As you check out all the new music that dropped today, be sure you don't miss these 10 tracks and albums.

Although fans anticipated Machine Gun Kelly's next release to mark his return to hip-hop, no one seems to be complaining about "KellyRoll." Embracing the trend of venturing into the country genre, mgk teams up with fellow GRAMMY-nominated artist Jelly Roll on their newest track, "Lonely Road."

The genre-blending track interpolates John Denver's classic "Take Me Home, Country Roads." However, unlike Denver's sentimental ode to the simplicity of rural life, mgk and Jelly Roll reinterpret the track through the lens of romantic relationships that have come to a, well, lonely end.

As mgk revealed in an Instagram post, "Lonely Road" was a labor of love for both him and Jelly Roll. "We worked on 'Lonely Road' for 2 years, 8 different studios, 4 different countries, changed the key 4 times," he wrote. "We finally got it right."

In another interpolation special, Halsey samples not one but two classics in their latest single, "Lucky." The song's production features elements of Monica's 1999 hit "Angel of Mine," while the chorus flips Britney Spears' fan-favorite "Lucky" into a first-person narrative.

While Halsey has always been a transparent star, their next project is seemingly going to be even more honest than their previous releases. After first revealing their journey with lupus with the super-personal "The End" in June, "Lucky" further details their struggles: "And I told everybody I was fine for a whole damn year/ And that's the biggest lie of my career."

Though they haven't revealed a release date for their next project, Halsey referred to her next era as a "monumental moment in my life" in an Instagram post about the "Lucky" music video — hinting that it may just be their most powerful project yet.

Read More: Everything We Know About Halsey's New Album

Ahead of Paris Hilton's forthcoming album, Infinite Icon — her first in nearly 20 years — the multihyphenate unveiled another female-powered collaboration, this time with Meghan Trainor. Co-produced by Sia, "Chasin'" is a lively pop anthem about discovering self-worth in romantic relationships and finding the strength to walk away from toxicity.

"She is the sister I always needed and when she calls me sis, I die of happiness inside," Trainor told Rolling Stone about her relationship with Hilton. Coincidentally, Trainor first wrote the track with her brother, Ryan, but the pop star was waiting for the right collaborator to hop on the track — and Hilton was just that.

"We made something truly iconic together," Trainor added. "It was a bucket list dream come true for me."

A highly awaited return to music after eight years, Australian electro-pop duo Empire Of The Sun are back with their fourth studio album, Ask That God.

"This body of work represents the greatest shift in consciousness our world has ever seen and that's reflected in the music," says member Lord Littlemore in a press statement.

Like their previous work that transports listeners to a different universe, this album continues that tradition with trancey tracks like lead single "Changes" and the thumping title track. Ask That God offers a chance to reflect on the blend of reality and imagination, while also evoking the radiant energy of their past songs.

Dance music's collaborative powerhouse, Calvin Harris and Ellie Goulding, are back with another summer hit. Their latest track, "Free," marks the fourth collaboration between the duo — and like their past trilogy of hits, the two have another banger on their hands.

The track debuted earlier this month at Harris' show in Ibiza, where Goulding made a surprise appearance to perform "Free" live. With Harris delivering an infectious uptempo house beat and Goulding's silky vocals elevating the track, "Free" proves that the pair still have plenty of musical chemistry left.

Post Malone's transition into country music has been anything but slow; in fact, the artist went full-throttle into the genre. The  New York-born, Texas-raised star embraced his new country era with collaborations alongside some of the genre's biggest superstars, like Morgan Wallen and Blake Shelton. Continuing this momentum as he gets closer to releasing F-1 Trillion, Post Malone teams up with Luke Combs for the new track "Guy For That."

The catchy collaboration tells the story of a relationship that has faded, where the protagonist knows someone who can fix almost anything, except for a broken heart. It's an upbeat breakup song that, like Post's previous F-1 Trillion releases, can get any party going — especially one in Nashville, as Malone and Combs did in the track's music video.

Just one month after Surfaces released their latest album, good morning, the duo's Forrest Frank unveiled his own project, CHILD OF GOD — his debut full-length Christian album. Among several features on the LP, one of the standouts is with GRAMMY-winning artist Tori Kelly on the track "Miracle Worker."

Over a plucky electric guitar and lo-fi beats, Frank and Kelly trade verses before joining for the second chorus. Their impassioned vocals elevate the song's hopeful prayer, "Miracle Worker make me new."

Their collaboration arrives just before both artists hit the road for their respective tours. Frank kicks his U.S. trek off in Charlotte, North Carolina on July 31, and Kelly starts her world tour in Taipei, Taiwan on Aug. 17.

Since their debut in 2022 with "Tippy Toes," Japanese girl group XG has been making waves and showing no signs of slowing down. With their first mini album released in 2023 and now their latest single, "SOMETHING AIN'T RIGHT," the group continues to rise with their distinctive visuals and infectious hits.

The track features a nostalgic rhythm reminiscent of early 90s R&B, showcasing the unique personalities of each member. As an uptempo dance track, it's designed to resonate with listeners from all across the globe.

"SOMETHING AIN'T RIGHT" also serves as the lead single for XG's upcoming second mini album, set to release later this year.

For nearly 15 years, Mustard has been a go-to producer for some of rap's biggest names, from Gucci Mane to Travis Scott. On the heels of earning his first Billboard Hot 100 chart-topper as a producer with Kendrick Lamar's "Not Like Us," he's back with his own collaboration-filled project.

Faith of a Mustard Seed features a robust 14-song track list with contributions from Vince Staples, Lil Yachty, Charlie Wilson, and more. The LP marks Mustard's fourth studio album, and first since 2019's Perfect Ten.

In an interview with Billboard, Mustard shared that the album's title is an ode to late rapper Nipsey Hussle, who suggested the title during one of their final conversations before his untimely death in 2019. And once "Not Like Us" hit No. 1, Mustard knew it was time to release the long-in-the-making album.