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Here Are The Record Of The Year Nominees At The 2024 GRAMMYs
The 2024 Record Of The Year nominees at the 2024 GRAMMYs are hits from some of music’s biggest names Jon Batiste, boygenius, Miley Cyrus, Billie Eilish & FINNEAS, Victoria Monét, Olivia Rodrigo, Taylor Swift and SZA.
Throughout the past year, Miley Cyrus, Billie Eilish, Olivia Rodrigo and Taylor Swift delivered inescapable pop anthems, while Victoria Monét and SZA proved that R&B deserves a place in the spotlight. Jon Batiste continued to evolve his artistry, while indie supergroup boygenius made an anticipated comeback.
With so many standout moments, the golden gramophone Record Of The Year — which is awarded to the artist and the producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s) — is shaping up to be a thrilling contest at the 2024 GRAMMYs, officially known as the 66th GRAMMY Awards.
Before tuning into the 2024 GRAMMYs on Feb. 4, 2024, learn more about this year's Record Of The Year nominees below.
Jon Batiste - "Worship"
Album highlight "Worship" encapsulates the LP’s message of unification and community by fusing various global sounds. The song is quite the joyride, beginning with bellowing organs before a choir joins with a glorious harmony and finally explodes with a Latin samba party. "We are born the same / Return to that place" Batiste repeats throughout the song, driving home his inclusive mission.
"Worship" is a joyous anthem and, following his Album Of The Year win at the 2023 GRAMMYs for We Are, it’s clear the five-time GRAMMY winner is keeping the celebration going.
boygenius -"Not Strong Enough"
The LP beautifully captured just how well the women rockers work together, and their chemistry is best seen in "Not Strong Enough." The single’s lush harmonies and feather-light guitars are a contrast to the candid lyricism, which attempts to juggle insecurities and having a God complex.
"The two wolves inside us can be self-hatred and self-aggrandizing," Bridgers explained to Rolling Stone. "Being like, ‘I’m not strong enough to show up for you. I can’t be the partner that you want me to be.’ But also being like, ‘I’m too f—ed up. I’m unknowable in some deep way!’"
"Not Strong Enough" marks a career milestone for boygenius, as it's the group’s first nomination for Record Of The Year.
Miley Cyrus - "Flowers"
A truly great pop star knows how to make a break-up anthem for the ages. Miley Cyrus already had a few under her belt, but she kicked off the year with her strongest offering to date.
"Flowers" was suggested to be inspired by Cyrus’ divorce from Liam Hemsworth, but the song’s messaging goes well beyond the singer’s personal life. Many can relate to having to pick up the pieces of a broken heart, but Cyrus’ confident vocals paired with the soaring disco-inspired melody reassure that self-love is the ultimate healer.
"The chorus was originally: ‘I can buy myself flowers, write my name in the sand, but I can’t love me better than you can,’" the singer told British Vogue of the song’s original lyrics. "It used to be more, like, 1950s. The saddest song. Like: ‘Sure, I can be my own lover, but you’re so much better.’"
The subtle decision to flip the "can’t" into a "can" showcases the brilliance of Cyrus’ songwriting, which ultimately makes the meaning of "Flowers" that much more empowering.
Billie Eilish & FINNEAS - "What Was I Made For?"
The Barbie movie was arguably this year’s biggest pop culture phenomenon, so of course the soundtrack had equally big names. But among the midst of fast-paced and glittery pop songs, Billie Eilish’s contribution tugged at heartstrings. The seven-time GRAMMY winner teamed with her brother and go-to collaborator FINNEAS for "What Was I Made For?"
It’s a tender, melancholic ballad that ties in the movie’s themes of autonomy and balancing feminism in a patriarchal world, with Eilish still holding on to hope: "I don’t know how to feel / But someday I might." The song reflects a universal experience for many women, including Eilish herself — although she didn’t realize it at first.
"I was purely inspired by this movie and this character and the way I thought she would feel and wrote about that," Eilish told Zane Lowe for Apple Music 1. "Over the next couple days, I was listening and [realized] I was writing for myself and I don’t even know it." That relatability is one of the beauties of music, for listeners and artists alike.
Victoria Monét - "On My Mama"
Victoria Monét has a long songwriting history, penning hits for the likes of Brandy, BLACKPINK, Chloe x Halle and longtime friend Ariana Grande. And while she’s released solo music in the past, her debut album Jaguar II cements her place within R&B’s new crop of stars. Third single "On My Mama" took the scene by storm, bringing together millennials and Gen Z’s shared love of ‘00s nostalgia.
Sampling Chalie Boy’s 2009 song "I Look Good" and lined with Monét’s signature horns, the song is a celebration of Black southern culture. As Monét described it on "The Ebro Show" on Apple Music 1, "It’s an anthem for affirmations, positive self-talk, manifestations, living in abundance, [and] speaking things into existence."
Olivia Rodrigo - "Vampire"
What makes Olivia Rodrigo a captivating artist is her honesty. Her ability to capture her generation’s emotional nature is why 2021’s debut album Sour took pop music by storm (and also made her a three-time GRAMMY winner). And she’s continued the movement with "Vampire", the lead single from her sophomore album, Guts.
The song is a red herring of sorts, beginning with melancholic piano keys that often kickstart the singer’s tunes. But rather than shed tears, she unleashes the fury of a woman scorned, dishing out insults to a manipulative ex-lover that ripped her heart out. "Bloodsucker, famef—er / Bleedin' me dry, like a goddamn vampire" she seethes on the chorus. The best revenge is always served cold.
Taylor Swift - "Anti-Hero"
Taylor Swift has grown to be even more self-aware as her status ascends. She knows being a pop superstar comes with its challenges, and “Anti-Hero” reveals the woman behind the glitzy veil. Inspired by her nightmares, the chart-topping smash from tTaylor Swift has become even more self aware as her status ascends. She knows being a pop superstar comes with its challenges, and "Anti-Hero" reveals the woman behind the glitzy veil.
Inspired by her nightmares, the chart-topping smash from the 12-time GRAMMY winner’s tenth album Midnights is a personal journal into feelings of self-doubt and anxiety. But in natural Swift fashion, the dark lyricism is anchored by hopeful pop synths courtesy of longtime collaborator and co-producer Jack Antonoff. The video heightens the song’s themes, as Swift confronts various versions of her former selves.
"We all hate things about ourselves, and it's all of those aspects of the things we dislike and like about ourselves that we have to come to terms with if we're going to be this person," Swift shared with fans on Instagram. That refreshing honesty is what makes "Anti-Hero" one of the singer’s most successful songs to date.
SZA - "Kill Bill"
Leave it to SZA to make murder sound so sweet. On SOS standout single "Kill Bill," the singer takes a page from director Quentin Tarantino by nodding to his 2003 film, as she lives out her vengeful fantasies.
The GRAMMY winner’s raging jealousy landed "Kill Bill" atop the Billboard Hot 100, making it her first-ever solo No.1 hit. SZA brought the fatal single to life with a cinematic music video, which pays homage to Kill Bill with fierce action scenes and an appearance from Vivica A. Fox, who starred as a Deadly Viper and Thurman's enemy Vernita Green in the film.
"I've never raged the way that I should have. This is my villain era, and I'm very comfortable with that," the singer shared with Glamour about her album’s themes. "It is in the way I say no. It's in the f–ked up things that I don't apologize for." And with lyrics like "I did all of this sober" on "Kill Bill," you have no choice but to believe her.
Photo: Eugene Gologursky/Getty Images for Netflix
Inside 'American Symphony': 5 Revelations About The Jon Batiste Documentary
'American Symphony,' a new Netflix documentary about five-time GRAMMY winner Jon Batiste and his wife, author Suleika Jaouad, is an uncommonly intimate and incisive work. At a screening, Batiste and the filmmakers revealed how it came together.
Director Matthew Heineman planted his flag with gritty, warts-and-all documentaries about warfare, drug cartels and the devastating impact of the pandemic. As such, the proposition for American Symphony — a beloved musician's journey to his Carnegie Hall debut — might seem like lighter fare.
But as Heineman expertly draws out, this is a whole other kind of battlefield.
From its first scenes, it's abundantly clear this is not just about Batiste's titular, boundary-bulldozing work from 2022. That story is twinned with a different kind of symphony — the one between human beings, loving one another through unimaginable duress. As Batiste labored over this expansive, freighted production, his wife, Between Two Kingdoms memoirist Suleika Jaouad, reckoned with the return of her leukemia.
From Batiste's palpable panic to an (unshown) bed filled with blood, American Symphony is unafraid to stare this tribulation in the eyes, as it follows Batiste's inimitable creative process. Even as it builds to its crescendo, Heineman keeps it bracingly human-level — and the result is a triumph.
A week after American Symphony hit Netflix, Heineman and Batiste sat down with the film's co-producer, Lauren Domino, and moderator Joe McGovern of "The Wrap," at Brooklyn Academy of Music for a post-screening spin through the documentation process. Here are five revelations from the discussion.
Working With Jaouad's Health Was Beyond Delicate
First, it must be said: by Batiste's telling, Jaouad is "doing great" today — in fact, she had to miss the event, as she had just headed to Costa Rica. (In a sweet moment at night's end, Heineman pointed his phone at the audience for a mass shout-out: "We love you, Suleika!")
But when the author was in the throes of her rediagnosis, nothing was certain — and given the pandemic was still in full swing, every precaution had to be taken. "After the bone marrow transplant, she didn't have an immune system," Heineman said. "If she got a cold, she could have died."
As such, "It was very complicated from a producing point of view to navigate the puzzle of Jon's insane life, and then trying to find our way into the hospital, and then back out again, and back in again."
But they pulled it off, in the most concise way possible — which, given the unbelievable amount of footage they got, is something of a miracle.
1,500 Hours Were Filmed For American Symphony
As this writer came across Batiste in various situations, over the last couple of years — including in Las Vegas around the 2022 GRAMMYs, and the American Symphony premiere — a camera crew conspicuously trailed him everywhere he went.
Clearly, it was for something down the pike. And that something accrued an unbelievable 1,500 hours of footage — about 62 straight days. This could have resulted in a nine-hour bonanza, like The Beatles: Get Back. Or even an entire television series.
But to Heineman's credit, he resisted going maximal, and opted for a fundamentally quiet story. In fact, in the lynchpin scene of the film, no words are said at all.
About That Scene…
American Symphony arguably hinges on this scene: Batiste sits alone onstage, at the piano, before a smallish audience. He dedicates his next piece to Jaouad. And then he sits silently for 95 seconds; his microexpressions, breath and hands are poetry. Finally, the notes come.
"It's so easy in documentaries… forcing an essay, or an idea, through dialogue, through words, through voiceover, or through talking heads, or whatever," Heineman said. "[I wanted to] hold that space to allow you all to interpret that moment in your own way."
As Batiste clarified, the concert in question was a totally extemporaneous affair, where Batiste played whatever his antenna picked up.
"There'd be moments where I would even sometimes get up from the piano and leave until something came," he recalls. "And it felt like at that moment, there was a prayer that really needed to be specified and spoken out."
When The Power Went Out At Carnegie, Adrenaline Shot Through The Roof
Another of the most powerful scenes in American Symphony is during the titular performance itself — and, naturally, it's also of Batiste playing piano.
Although it was inconspicuous to the audience during the symphony's world premiere, panic had set in at one point: the power had gone out onstage, rendering the microphones and electronics dead.
Right then, he pauses and spins a melody out of the air, reflecting and refracting sad and sweet footage of their couplehood, which plays out onscreen.
"If you could see my blood pressure spike in the control room," Domino said. Of co-producer Joedan Okun: "We're sitting next to each other, and we're like, 'This is what we have anxiety dreams about, and now it's happening.' This guy is used to shooting in war zones. Jon is a genius, and they're just cool as cucumbers."
Suffice to say, when it turned out their 13 cameras didn't kill the power, the relief was unimaginable. And as Okun correctly observed in the moment, "This is a cinematic wonder."
The Ending Was Almost Much Different
True to Heineman's facility for smiting darlings in the editing stage, he was unafraid to completely change the ending at the eleventh hour — even though that version was, by all accounts, tremendous.
"Jon did his encore, which is what happened in real life… this beautiful rendition of the national anthem," Heineman said. "But it just felt like we weren't paying attention to the rest of the film that we had just made, and we didn't feel the two of them together."
"So, I guess I wanted to have my cake and eat it too," he continued. "To have the culmination of American Symphony, but also the symphony of life that we witnessed over the past year, come together with the two of them walking forward."
Right then, against a velveteen, winter sky, Batiste and Jaouad walk together into the future. Regarding both symphonies, personal and musical, together as one: Bravo.
Photo: Adrián Monroy/Medios y Media/Getty Images
New Music Friday: Listen To Releases From Beyoncé, Lana Del Rey, ATEEZ & More
December begins with a blast of new music from some of music's biggest stars. Press play on five new releases Jung Kook & Usher, Tyla and others, out on Dec. 1.
While 2023 may be coming to an end, the first releases of December prove that it's far from time to wind down.
From Taylor Swift — who released "You’re Losing Me," a song originally recorded for her 2022 smash album — to Dua Lipa’s extended edit of her single "Houdini," and Lana Del Rey's cover of "Take Me Home, Country Roads," listeners are being treated to new tracks from familiar favorites today.
Start off your month by listening to these tracks and albums from seven artists that will jumpstart your month.
Beyoncé - "MY HOUSE"
Queen Bey surprised fans with an early Christmas present by dropping "MY HOUSE," her first single since 2022’s Renaissance. This track was featured during the credits of her new Renaissance concert film.
Written and produced by The-Dream, this song showcases Beyoncé’s rapping skills, as she effortlessly weaves verses over a powerful horn melody. There's a vibe check in the song's second half, where the music becomes a smooth, electronic dance groove reminiscent of Renaissance’s ballroom vibe.
Jung Kook & Usher - "Standing Next To You (Remix)"
BTS' pop singer Jung Kook is back with a remix to his track "Standing Next To You," this time joined by an R&B sensation. The remix features a new verse from Usher, who adds a delicate touch to the vibrant, high-paced song.
The original track was released last month as a single on Jung Kook’s debut album, GOLDEN. This could be fans' last time hearing Jung Kook's music for a while — the "golden maknae" of BTS announced he’s enlisting for mandatory military service this month.
Tyla - "Truth or Dare"
GRAMMY-nominated Afrobeats star Tyla is closing the year with a sneak peek of her upcoming self-titled album. The hypotonic single "Truth or Dare," following the success of her GRAMMY-nominated song "Water" (the song is nominated for Best African Music Performance at the 2024 GRAMMYs alongside "Amapiano" by ASAKE & Olamide, "City Boys" by Burna Boy, Davido's "UNAVAILABLE" feat. Musa Keys, and "Rush" by Ayra Starr).
In this new song, Tyla revisits an old flame — this time with newfound wisdom and assurance that she won’t fall for his charm anymore: "So let's play truth or dare, dare you to forget / That you used to treat me just like anyone."
Tyla announced her upcoming self-titled album on social media, captioning, "African music is going global and I’m so blessed to be one of the artists pushing the culture. I’ve been working on my sound for 2 years now and I’m so ready for the world to hear it."
Lana Del Rey - "Take Me Home, Country Roads"
This cover might not come as a shock for fans after she referenced a line from Denver’s 1972 "Rocky Mountain High" on her track "The Grants" from GRAMMY-nominated album Did You Know There’s A Tunnel Under Ocean Blvd. (At the 2024 GRAMMYs, Did You Know is nominated for Album Of The Year alongside Jon Batiste's World Music Radio, Olivia Rodrigo's Guts, Swift's Midnights, Janelle Monae's The Age Of Pleasure, SZA's SOS, Miley Cyrus' Endless Summer Vacation and the record by boygenius. Did You Know is also nominated for Best Alternative Music Album alongside The Car by Arctic Monkeys, PJ Harvey's I Inside The Old Year Dying, Gorillaz's Cracker Island and boygenius' album.)
The track features Del Rey’s signature soothing vocals, as a Western-style melody balances the instrumentation. She brings her own sultry style to this '70s country classic, while continuing to show her musical versatility.
ATEEZ - The World EP:FIN:WILL
Five years after their debut album, K-pop group ATEEZ have returned with The World EP:FIN:WILL. The 12-track album is led by "Crazy Form," an Afrobeats/dancehall-influenced track, and also features many solo and unit tracks from the group.
Members Hong Joong and Seonghwa took the reins on "Matz," a dynamic hip-hop track, while Yeosang, San and Wooyoung collaborated for the R&B-influenced "It’s You."
During a Seoul press conference, Lead Hong Joong spoke about the group’s evolution and how fans should look forward to future releases.
"This year marks our fifth debut anniversary and so far, our greatest achievement has been establishing a strong relationship with our fans around the world. We hope to continue presenting music that can make our fans proud of us," he said.
Image courtesy of the Recording Academy
2024 GRAMMYs Ticket Giveaway: Enter For A Chance To Attend The 66th GRAMMY Awards In Los Angeles
Want to go to the GRAMMYs? Don't miss this once-in-a-lifetime opportunity to attend the 2024 GRAMMYs in Los Angeles. Enter now for your chance to win two tickets to attend the 66th GRAMMY Awards or official 2024 GRAMMY Awards merchandise.
The 2024 GRAMMY nominations are here — and with them, all the excitement that surrounds Music's Biggest Night: the GRAMMYs red carpet, unforgettable GRAMMY performances, heartwarming acceptance speeches, and so much more. Next year, your GRAMMYs experience doesn't need to be confined to the television or laptop or water-cooler chatter — you can be there with the nominees!
That's right: The Recording Academy is offering a once-in-a-lifetime opportunity to attend the 2024 GRAMMYs, which take place Sunday, Feb. 4, 2024, at Crypto.com Arena in Los Angeles. We're also giving away official 2024 GRAMMY Awards merchandise.
Enter here for a chance to be one of the five (5) lucky Grand Prize winners who will receive two (2) tickets to attend the 2024 GRAMMY Awards, officially known as the 66th GRAMMY Awards. Ten (10) First Prize winners will also be chosen to receive $100 worth of official 2024 GRAMMY Awards merchandise.
To enter for your chance to win, all you need to do is submit your information here, opt-in to the GRAMMY.com newsletter, and follow the Recording Academy on Instagram and TikTok to be eligible. The deadline to enter is Tuesday, Jan. 30, 2024, at 6 p.m. PT / 9 p.m. ET. Contest winners will be named and notified on Wednesday, Jan. 31, 2024.
The giveaway contest is open only to legal residents of the United States who are 18 years of age or older at the time of entry. Read the official contest rules before entering. Travel and accommodation are not included.
Photo: Courtesy of The Latin Recording Academy/Kevin Winter, Getty Images © 2023
Shakira Brings Her Explosive Star Power To The 2023 Latin GRAMMYs With "Acróstico"
After Shakira breaking records — and the internet — this year, the hit-making superstar took the 2023 Latin GRAMMYs stage for a victory lap, performing "Acróstico."
Shakira has had a massive year — so massive, in fact, that she's performing not once, but twice, at the 2023 Latin GRAMMYs.
For her performance, the Colombian superstar performed a moving rendition of her "Acróstico," which has been nominated for Song of the Year. Wearing a glittering gold high-cut gown adorned with an image of the Virgin Mary and clutching a rhinestone encrusted mic, she glided across the stage to a grand piano where her accompanist played along.
The Latin phenom maintained devastatingly regal bearing, even while conveying the tenderest love and most fragile emotion in the pop ballad, which is directed at her two children Milan and Sasha. The telecast included clips of Milan and Sasha, who are featured on the track.
Latin pop's reigning queen first reconfirmed her claim to the throne in early January, when her collaboration with Argentinian DJ and producer Bizarrap lit the internet on fire. "Bzrp Music Sessions, Vol. 53" — a scorched-earth rebuke to Shakira's ex — earned Shakira her first top 10 hit on the Billboard 200 in over 16 years, landing at No. 9 in January.
Less than two months later, Shakira scored another top 10 hit thanks to "TQG," her reggaeton collab with fellow Colombian juggernaut Karol G. Along with reaching No. 7 on the Hot 100, the track hit No. 1 on Billboard's Global 200 and Hot Latin Songs charts.
"TQG" earned Shakira her first win of the night before the 2023 Latin GRAMMYs telecast began, as it was awarded Best Urban Fusion/Performance in the Premiere Ceremony. The smash collaboration also received nominations for Song Of The Year and Best Urban Song.
"Bzrp Music Sessions, Vol. 53" marked the first win of the 2023 Latin GRAMMYs telecast, taking home Best Pop Song. It also received Latin GRAMMYs nominations for Record Of The Year and Song Of The Year; the latter category also includes her single "Acróstico."