Editor's Note: The 2022 GRAMMYs Awards show, officially known as the 64th GRAMMY Awards, <a href="https://www.grammy.com/grammys/news/2022-grammys-awards-64th-new-air-show-date-location-las-vegas-april-3-announcement "https://www.grammy.com/grammys/news/2022-grammys-awards-64th-new-air-show-date-location-las-vegas-april-3-announcement"">has been rescheduled to Sunday, April 3, at the MGM Grand Garden Arena in Las Vegas. The below article was updated on Tuesday, Jan. 18, to reflect the new show date and location.

The GRAMMY for Album Of The Year is one of the most prestigious and coveted awards a musician can receive. At the 2022 GRAMMYs Awards show, officially known as the 64th GRAMMY Awards, there will be some heady competition for the title.

For the 2022 GRAMMYs, Jon Batiste's WE ARE, Tony Bennett's and Lady Gaga's Love for Sale, Justin Bieber's Justice (Triple Chucks Deluxe), Doja Cat's Planet Her (Deluxe), Billie Eilish's Happier Than Ever, H.E.R.'s Back of My Mind, Lil Nas X's Montero, Olivia Rodrigo's Sour, Taylor Swift's Evermore and Kanye West's Donda have been nominated for Album Of The Year.

Who will take home the golden gramophone in this most vaunted of categories? Will it be Bennett, who just gave the world his farewell gift? Lil Nas X, who metamorphosed from novelty act to a full-fledged, out-and-proud pop star? Perhaps Olivia Rodrigo, who synthesized pop-punk, emo and indie pop like few before her? Or any of the other luminaries on the list?

Ahead of the 2022 GRAMMYs ceremony on April 3, here's a rundown of the Album Of The Year nominees.

Nominations for the 2022 GRAMMYs Awards show are officially here! See the full list of nominations.\

Jon Batiste — WE ARE

The Stay Human bandleader works in a multitude of formats, from film soundtracks to American Symphony, an upcoming large-scale work at Carnegie Hall.

"I'm involved in so many different types of things that so much of my life is balancing the amount of things I have going on and maintaining artistic integrity and keeping my values intact," he told GRAMMY.com in 2021. "It's hard to even encapsulate in one presentation of a thought."

But as a plain old album artist, he's as inventive and luminous as ever — as attests his genre-straddling 2021 album WE ARE — which features other rootsy, GRAMMY-honored greats like PJ Morton, Trombone Shorty and the Hot 8 Brass Band.

Tracks like "FREEDOM," "TELL THE TRUTH" and the title track show that this unique American talent may be kaleidoscopic in his pursuits, but he's able to hone his multifarious talents to a fine point.

Read More: Jon Batiste Talks New Album We Are, His Brain-Breaking Itinerary & Achieving "Freedom" From Genre

Tony Bennett and Lady Gaga, Love for Sale

After more than seven decades in the game, Bennett is hanging up his mic: the vocal jazz titan (and Frank Sinatra's BFF) recently retired at 95 due to his worsening Alzheimer's.

Before he did, though, the 18-time GRAMMY winner signed off with this classy program of well-worn Cole Porterstandards with Lady Gaga — herself a 12-time GRAMMY winner. 

"There's a lot about him that I miss because he's not the old Tony anymore," Bennett's wife, Susan Benedetto, recently expressed in light of his diagnosis. "But when he sings, he's the old Tony."

Indeed, Love for Sale is the work of an American icon not fading away, but going out on top — and Gaga's inspired counterpoint is a fundamental reason it works so well.

Take A Look Back: For The Record: The Liberating Joy Of Lady Gaga's Born This Way At 10

Justin Bieber — Justice (Triple Chucks Deluxe)

The cherubic teenybopper turned mature artist made a quantum leap with his 2020 album Changes. And if its follow-up is any indicator, that momentum shows no signs of slowing.

Justice, which arrived in the spring of 2021, is where the two-time GRAMMY winner and 14-time nominee got rangier than ever and trumpeted his personal values loudest. No longer was he projecting a bad-boy image or a redemption arc, but simply being an artist.

On tracks like "As I Am," "Hold On" and "Peaches," Bieber came to the table with a clear message to the world — both personal and apropos to the wild world where he grew up in public.

Take A Look Back: The GRAMMY Oral History: Justin Bieber's Purpose

Doja Cat — Planet Her (Deluxe)

As pop trajectories go, Doja Cat has had one of the oddest in recent memory — the TikTok wunderkind undulating in a cow costume has now perforated the highest echelon of the music industry. But the mind-blowing success of Planet Her shows her zenith is still ahead of her.

With a little help from collaborators Young Thug, Ariana Grande, the Weeknd, J.I.D. and SZA, she cooks up an assemblage of pop pleasures, like "Payday," "Need to Know" and "Kiss Me More." With "Mooo!" in the rearview and a massive debut album under her belt, the world is Doja Cat's oyster.

Read More: From Meme Queen To Popstar: Revisiting Doja Cat's Inevitable Breakout

Billie Eilish — Happier Than Ever

It was anyone's guess where Eilish (and her talented brother FINNEAS) could have gone after When We All Fall Asleep, Where Do We Go?, but the seven-time GRAMMY winner went deeper than any of us could have imagined.

With a dyed-blonde Billie on the cover and gems like "My Future,” "Your Power" and the title track in the grooves, Happier Than Ever is a masterclass in candor, restraint and elegance.

Happier Than Ever arguably crescendos with the interlude "Not My Responsibility," where Eilish has a few words for online vultures who judge her appearance — a musical mirror to the IDGAF approach she’s taken in this new era, kicking off with her viral Vogue cover story in May.

"Do my shoulders provoke you? Does my chest?/ Am I my stomach? My hips?" she asks in the track, in just above a whisper. "The body I was born with / Is it not what you wanted?"

Read More: Billie Eilish's Road To Happier Than Ever: How The Superstar Continues To Break Pop's Status Quo

H.E.R. — Back of My Mind

As the traditional template of a Prince-style triple threat goes, H.E.R. has the whole package. Gabriella Sarmiento Wilson is an equally talented singer, songwriter and multi-instrumentalist. Now, the four-time GRAMMY winner is out with her bold and revealing debut album (but third Album of the Year contender overall), Back of My Mind.

"I often say things that I think we're afraid to say," Wilson told MTV News in 2021. "I sing the things that are sometimes hard to articulate, the things that sit in the back of our minds that we don't pay much attention to." 

She's a smashing success at this spiritual work — personal-yet-universal tunes like "We Made It," "Bloody Waters" and "Hold On" express the hard emotions we're collectively feeling.

Take A Look Back: H.E.R. Wins Song Of The Year For "I Can't Breathe" | 2021 GRAMMY Awards Show

Lil Nas X — Montero

Some thought Lil Nas X had peaked with his Trent Reznor- and Atticus Ross-assisted "Old Town Road" and its various remixes — that his legacy would forever be hung on a single tune, "Mambo No. 5" or "Incense and Peppermints" style.

Of course, that's not what happened: The proudly gay and Black rapper, singer and songwriter let his critics eat crow with his debut album, Montero.

Colorful and heartfelt highlights like "Montero (Call Me By Your Name)," "Industry Baby" and "Thats What I Want" demonstrate that Lil Nas X has a multiplicity of roads ahead of him — all which lead straight into the heart of pop's future.

Take A Look Back: Lil Nas X, BTS & Billy Ray Cyrus Enter The "Old Town Road" Multiverse At The 2020 GRAMMYs

Olivia Rodrigo — Sour

"Driver's License" would be enough for any artist to hang their hat on, but it was only the beginning for Rodrigo. As it turns out, all the various subgenres of the iPod generation — indie pop, pop-punk, emo — are grist for the mill.

Her debut album, Sour, is a freewheeling, emotionally rending trip through all those styles and more, the work of an artist who arrived fully-formed just shy of her 18th birthday.

Rodrigo's myriad of influences aside — Paramore and Billie Eilish are just two of the artists swimming around her consciousness — there's no mistaking her for anyone else. And that has a lot to do with her music's depth of emotional information.

"I hope people know that deep down, all that I do is write songs and talk about how I feel, and that's the most important thing to me," Rodrigo told Teen Vogue in 2021. "Everything else, I think, is not so important."

Taylor Swift — Evermore

We're so deep into the Taylor's Version era — and punch-drunk from the 10-minute version of "All Too Well" — that it's worth reminding ourselves just how paradigm-shifting Folklore and Evermore were back in 2020. 

First, Swift ripped up the rulebook with Folklore, establishing her cottagecore aesthetic and deepening her storytelling acumen. Then she leaned into both even more — with a little help from go-to collaborators Aaron Dessner and Jack Antonoff.

"To put it plainly, we just couldn't stop writing songs," Swift said in a social media post. "To try and put it more poetically, it feels like we were standing on the edge of the folklorian woods and had a choice: to turn and go back or to travel further into the forest of this music."

Jewels like "Willow," "No Body, No Crime" (feat. Haim) and "Coney Island" (feat. the National)" show that Evermore doesn't suffer from sequelitis one iota — it's an equal and parallel force to its revelatory predecessor.

Read More: Taylor Swift's Road To Folklore: How The Superstar Evolved From 'Diaristic' Country Tunes To Her Most Progressive Music Yet

Kanye West — Donda

We only get one of these artists per generation — it was John Lennon, then Kurt Cobain, and now Kanye West.

Now that the compounding controversies, tabloid drama, on-and-off Drake beef and parade of album delaysare behind us, Donda reveals itself for what it is. Ye's latest is a messy, sprawling, experimental ode to grief and God from a Govinda-like searcher.

Follow the trajectory of these songs and you get a more-or-less clean arc from pure bluster ("I'm pulled over and I got priors!" from "Jail") to a plea for divine redemption ("Come and purify me, come and sanctify me/ You the air that I breathe, the ultra-ultralight beam," from "Come to Life.")

Take it all as a whole with the staggering, shocking performance-art events, and one message shines brightly through the smoke and mirrors: we can't do this on our own.

2022 GRAMMYs Awards Show: Complete Nominations List​

It’s yet another big day for music enthusiasts, as listeners were gifted with unexpected collaborations and fresh new melodies from artists of every genre on Sept. 15. 

With an Instagram caption-worthy single from Drake and SZA , a playful, self-confident anthem from Tate McRae, and a chill, euphoric vibe from Noah Kahan & Lizzy McAlphine, there’s plenty of different sounds to dive into. 

As you’re putting together your autumn 2023 playlist, add these six new tracks to the mix.

Drake feat. SZA - "Slime You Out"

Just hours after GRAMMY winners Drake and SZA announced they’d be teaming up for a new track, the pair unleashed "Slime You Out" promptly at noon ET on Sept. 15. 

As the song’s title insinuates, the duo seem to express their thoughts on someone "sliming" them out — which, in this case, refers to someone playing with their feelings. "Tryna build trust, showin’ me your DMS, how they tryna bag you / Ironic how the news I got about you ended up bein’ bad news."

Drake’s clever wordplay paired with SZA’s mellow, hypnotic voice make the single a memorable one. But perhaps it’s even more memorable because it’s been a team-up long in the making: according to Drake’s eyebrow-raising line in his 21 Savage collab "Mr. Right Now," the two used to date "back in '08."

SZA feat. Justin Bieber - "Snooze (Acoustic Remix)"

As SZA fans awaited her song with Drake, she gave them another high-profile collab in the form of a "Snooze" remix with Justin Bieber. An alluring, stripped-down version of the original SOS track, the "Snooze" remix sees SZA and Bieber passionately harmonize; added guitar chords add a dreamy touch to the song.

The remix also marks a full-circle moment for the pair, as Bieber starred in the original "Snooze" music video, which was released on Aug. 25.  

Offset - "Fan"

Kicking off what seems to be his Michael Jackson era, Offset has released this newest single, "Fan." This song features an infectious, hype beat with lyrics presenting a nonchalant ‘IDGAF’ attitude: "You supposed to hold me down, but it didn't happen (You supposed to hold me down)/ Now I'm over it." 

"Fan" is a taste of Offset’s forthcoming second album, Set It Off, which he will release on October 13. The LP follows his debut solo album, 2019’s Father of 4, which landed him a Best Rap Performance GRAMMY nomination for the single "Clout" featuring his wife, Cardi B. 

In the "Fan" music video, Michael Jackson is heavily referenced, with moments including Offset transforming into werewolf and zombie, and dance moves like the reverse moonwalk. 

Tate McRae - "Greedy"

self-confidence single "greedy." This song is a testament to McRae’s inner thoughts, as the lyrics let listeners know she’s not tolerating insecurities — and definitely not enabling any "greedy" men. 

"I would want myself/ Baby, please believe me/ I'll put you through hell/ Just to know me, yeah, yeah," she sings on the chorus.

"Greedy" is McRae’s first release in 2023, and first solo single since her 2022 debut album, i used to think I could fly. She also teamed up with DJ/producer Tiësto for the late 2022 hit "10:35."  

Noah Kahan feat. Lizzy McAlpine - "Call Your Mom"

Folk-pop favorite Noah Kahan teamed up with rising pop singer Lizzy McAlpine to create a new version of "Call Your Mom," an emotional track from his hit 2022 album Stick Season.

Kahan recently brought McAlpine out as a surprise guest during his sold-out show at L.A.'s Greek Theatre on Aug.11, where the two singer/songwriters performed the song for the first time together. 

Written about giving unconditional support to a loved one struggling with mental health issues and depression, the moving song reaches new heights with two voices on it. Kahan’s and McAlpine’s voices perfectly blend together and capture the lyrics’ powerful  emotions.  

Maren Morris - The Bridge

Maren Morris dropped not one, but two new songs, "The Tree" and "Get The Hell Out of Here," which both seem to focus on a new chapter in Morris’s life. "The Tree" feels like a farewell, as she proudly sings,"I'm done fillin' a cup with a hole in the bottom/ I'm takin' an axe to the tree/ The rot at the roots is the root of the problem/ But you wanna blame it on me."

"Get The Hell Out of Here" has a more mellow country melody that also talks about growth and navigating different areas of her life. Both songs share a different story, yet share the same theme of a transitional period in her life — and tease what’s to come on her next album, which will follow 2022’s Humble Quest. 

As Morris said in a statement, "These two songs are incredibly key to my next step because they express a very righteously angry and liberating phase of my life these last couple of years, but also how my navigation is finally pointing toward the future." 

Listen: *NSYNC Announce "Better Place," First New Song In 20 Years — Hear A Snippet

The pressures on Olivia Rodrigo going into her sophomore album were unlike anything she'd experienced before. After all, it's not every day that a 17-year-old high school senior stuck at home during the pandemic delivers a debut album that promptly takes over the entire world.

And yet, that's precisely what happened when the High School Musical: The Musical: The Series star unleashed SOUR in the spring of 2021, just months after her debut single, "drivers license," rocketed to No. 1 on the Billboard charts and broke countless records around the world. The album earned Rodrigo her first trio of GRAMMYs at the 2022 ceremony, including the coveted trophy for Best New Artist.

Two years later, she makes an equally punchy statement with the title of her sophomore album: GUTS. The 12-track collection delivers on all fronts by leveling up on the maturity, songcraft and vulnerability Rodrigo showcased so expertly on SOUR. GUTS sharpens the alt-inspired rock of its teenaged predecessor into a barbed and poignant exploration of what it means to be a young woman in the 21st century — albeit one who also happens to be one of the most famous singer/songwriters of her time. 

Below, GRAMMY.com assesses how Olivia Rodrigo challenged herself and pushed her music to new heights on GUTS — and the lessons she learned along the way.

The Importance Of Looking Pretty When She Cries

Rodrigo started off SOUR by delving into the paralyzing anxiety and insecurities of being a modern teenager on "brutal"; she further tapped into those feelings with a blistering condemnation of social media's toxicity on album cut "jealousy, jealousy." GUTS delivers the same kind of unabashed honesty, but with a more mature perspective, starting with the raging feminist opener "all american b—h."

On the erratic track, Rodrigo perfectly extrapolates the anger and absurdity that comes with being a woman with sarcasm, sentimentality and a poison-laced dose of doe-eyed sweetness. The song goes even further by laying bare the parasocial pressures of female pop stardom as she sings, "I am built like a mother and a total machine/ I feel for your every little issue, I know just what you mean/ And I make light of the darkness, I've got sun in my motherf—in' pocket, best believe/ Yeah, you know me."

With the elevated platform and giant megaphone afforded by her newfound superstardom, Rodrigo has no qualms about giving acerbic voice to the historically impossible expectations placed on women. The daring statement culminates in an army of Olivias breaking out in a cacophony of high-pitched screams, a cathartic release before she reverts back to sweetly promising, "All the time/ I'm grateful all the time/ I'm sexy and I'm kind/ I'm pretty when I cry." 

The song is a reminder that Rodrigo knows her place and how to declare it — whether she's pouring her heart out or ripping someone (or society at large) apart. 

What The Perfectly Unexpected Second Single Sounds Like

After the meteoric explosion of "drivers license" in 2021, Rodrigo followed the global smash with "deja vu," a biting fantasia pulling from psychedelia and pop-rock that remained rooted in the same sonic universe as its emotional, piano-driven predecessor.

Cut to earlier this summer and the now-20-year-old kicked off her GUTS era with "vampire," another scorching piano ballad aimed at a parasitic ex-love she relishes in labeling a "bloodsucker, famef—er" among other delicious digs. But when it came time to select a second single, Rodrigo made a surprising pivot with "bad idea, right?," a hilarious and willfully delusional justification for hooking up with an ex that sounds unlike anything she's written before.

With its coy, stream-of-consciousness verses ("And I told my friends I was asleep/ But I never said where or in whose sheets"), angsty, top-of-the-lungs chorus and the gleefully perpetual question at its core, the superstar delivers both a chaotic older sister to SOUR standout "good 4 u" and a flawless left turn of a single as she talks herself into making a very good bad decision. The '90s-inspired banger might just be one of the best ideas she's ever had…right?

How To Stop Handing Out Royalties

One of the most notable controversies surrounding SOUR was who did — or didn't — receive credit in the liner notes when the album was released. Rodrigo got permission to sample Taylor Swift's "New Year's Day" on album cut "1 step forward, 3 steps back" after writing the song over the Reputation closer's melody. However, that wasn't the only song the then-18-year-old wrote that owed a debt to some of her musical idols.

After it was released as the record's second single, "deja vu" got an ex post facto update by giving songwriting credit (and royalties) to Swift, Jack Antonoff and St. Vincent for its striking similarities to "Cruel Summer." Similarly, "good 4 u" took direct inspiration from Paramore's "Misery Business," and Hayley Williams and Josh Farro were eventually added to the list of writers on the pop-punk anthem. 

This time around, though, there's not a single sample, interpolation or royalty handout anywhere. In fact, every song on GUTS lists only Rodrigo and her trusted producer Dan Nigro as its writers — with the exception of Julia Michaels helping out on "logical" and Amy Allen co-writing "pretty isn't pretty."

"I was so green as to how the music industry worked, the litigious side," the superstar told The Guardian recently about writing SOUR, adding, "I feel like now I know so much more about the industry and I just feel…better equipped in that regard. It wasn't something I thought about too much [while writing GUTS]."

That Heartbreak Continues To Be Best Served With A Side of Alt-Rock

Much of GUTS' latter half delves into the trials and tribulations of Rodrigo's romantic life, whether she's being gaslit on "logical" or shaking her head at "some weird second-string loser who's not worth mentioning" over the irrepressible surf-rock riff of "love is embarrassing." It's a natural evolution of some of her most heartstring-tugging tracks on SOUR like "enough for you" and "happier."

One of the album's strongest statements, though, is "get him back!," a crunchy tale of revenge (or possibly renewed love?) with a chanting chorus that will inevitably be screamed back at Rodrigo on her next tour. If you happen to be conflicted about your feelings for an ex, just try shouting, "I want sweet revenge and/ I want him again/ I want/ To get him back!" at the top of your lungs as you listen along.

That Teenage Dreams Come With Grown-up Insecurities

In a release-week interview with Apple Music's Zane Lowe, Rodrigo spilled that the first song she and Dan Nigro wrote for GUTS was pensive closer "teenage dream." 

Though they share a title, the quiet piano ballad couldn't be more different from Katy Perry's famous 2010 single of the same name. Instead of the label applying to a crush like Perry did in hers, "teenage dream" finds Rodrigo's questioning her own status as a teen wunderkind — one which, in quite the Swiftian move, she sardonically questioned on SOUR's "brutal" ("I'm so sick of 17/ Where's my f—ing teenage dream?"). 

"Got your whole life ahead of you/ You're only 19/ But I fear that they already got all the best parts of me/ And I'm sorry that I couldn't always be your teenage dream," she intones quietly before the song builds to a haunting refrain of "They all say that it gets better/ It gets better/ What if I don't?" 

However, after listening to everything GUTS has to offer, it's safe to say that, as she comes into her twenties, Rodrigo has no reason to doubt herself. She'll undoubtedly remain one of music's most promising stars and a singular voice of her generation as long as she continues trusting — and spilling — her guts.

For The Record: How Taylor Swift's 'Speak Now' Changed Her Career — And Proved She'll Always Get The Last Word

Olivia Rodrigo has officially returned with the release of her sophomore album, GUTS. With punky anthems like "bad idea right?" and complex emotional ballads like "lacy," this genre-spanning album seems to bring out all the feels for teenagers, who are in their twenties.

The new album, written and produced with longtime collaborator Daniel Nigro, focuses on entering adulthood and coming-of-age, while highlighting emotions of insecurity, envy and longing. 

It's been two years since her ground-breaking debut album SOUR, which landed her seven GRAMMY nominations and three wins — the latter for Best New Artist, Best Pop Vocal Album and Best Pop Solo Performance ("drivers license") at the 2022 GRAMMYs.

To mark the arrival of GUTS, the three-time GRAMMY winner posted a heartfelt Instagram letter to her fans.

"Hey guys! Today is the day my sophomore album GUTS is out everywhere!" she wrote. I feel so many feelings, I feel excited, nervous, proud but mostly I feel so grateful. I feel grateful for everyone on my team who believes in me & supports me so unwaveringly.

"I feel grateful for my collaborator Dan who pushes me & inspires me and without whom this album wouldn't have been possible," she continued. "I feel so immensely grateful for everyone who has so generously supported me over the past few years."

Rodrigo also posted behind-the-scenes content of the making of GUTS, including songs recorded in her notes app, recording sessions and Nigro playing numerous tambourines.

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A post shared by Olivia Rodrigo (@oliviarodrigo)

"For me, this album is about growing pains and trying to figure out who I am at this point in my life," Rodrigo told Variety. "I feel like I grew 10 years between the ages of 18 and 20 — it was such an intense period of awkwardness and change. I think that's all just a natural part of growth, and hopefully the album reflects that."

Most listeners seem to agree that Rodrigo is inspired by the early 2000's main character trope, due to the nostalgic feel of the album. Fans worldwide are obsessing over GUTS' pop-rock elements and sharing their reactions over social media.

Fans also reacted to a possible tour announcement Rodrigo hinted at in her 'making the bed' As the lyrics appear on screen, a GUTS world tour ticket appears on the right side. Fans are thrilled for this potential tour teaser, while also speculating when she'll announce the tour dates.

To longtime Rodrigo fans, this new album era feels like "deja vu." Keep a lookout for upcoming news about Rodrigo — as well as those tour dates.

The Meteoric Rise Of Olivia Rodrigo: How The "Drivers License" Singer Became Gen Z's Queen of Pop

With summer almost in the rear view, it’s time to welcome the first must-hear albums of the fall season. With the onset of chillier days comes a genre-spanning array of new music — from R&B sensation Jorja Smith to indie-rock maestro Mitski. 

September's first big release comes from rock royalty the Pretenders, who return at the top of the month with their twelfth studio album, Relentless. The following week, pop firebrand Olivia Rodrigo will reveal GUTS, the feverishly anticipated follow-up to her 2021 debut, SOUR. 

Rodrigo shares a release date with star-studded company, including disco queen Róisín Murphy, dance veterans the Chemical Brothers, shapeshifting singer/songwriter James Blake, and soul newcomer Jalen Ngonda. Elsewhere in the month, there’s something for all tastes, from the pop-rock reawakening of Demi Lovato to the noodly electronics of Animal Collective.

As we gear up for a season packed with musical highs, we’ve put together a handy guide to the 15 must-hear albums dropping in September 2023.

The Pretenders -  Relentless

Release date: Sept. 1

For a band that released its debut album in 1979, the Pretenders still sounds remarkably vital 44 years on. Led by iconic songwriter and frontwoman Chrissie Hynde, the band is back in full force this September with the appropriately titled Relentless, which follows 2020’s on-form Hate for Sale. 

The Pretenders announced their twelfth LP with a rousing-yet-poetic lead single, "Let the Sun Come In," and the album closes with an intriguing collaboration with Radiohead’s Jonny Greenwood on strings. 

"I think anyone in a band is constantly questioning if they should keep going," Hynde said of the album’s title in a statement. "It starts as a youthful pursuit and eventually, it makes you wonder, why am I doing this? It’s the life of the artist. You never retire. You become relentless."

Speedy Ortiz - Rabbit Rabbit 

Release date: Sept. 1

Philadelphia rock quartet Speedy Ortiz has kept fans waiting five long years for a new LP, having released their pop-inflected Twerp Verse back in 2018. This September, the band returns with Rabbit Rabbit, its first album on mercurial frontwoman Sadie Dupuis’ label, Wax Nine. 

To record Rabbit Rabbit, Speedy Ortiz jumped between two locations steeped in rock lore: Rancho de la Luna in Joshua Tree and Sonic Ranch in Tornillo, Texas. The band has already shared a few songs so far, including the spiky "You S02" and the crunching, cathartic closer "Ghostwriter." The album also opens with a song called "Kim Cattrall."

"I turned 33 while writing this album, a palindrome birthday and a lucky number associated with knowledge," Dupuis said in a statement. "I wanted to mark how I was making better choices as I got older, letting go of heedless anger even when it’s warranted."

Olivia Rodrigo - GUTS

Release date: Sept. 8 

As far as breakout albums go, Olivia Rodrigo’s SOUR was about as good as it gets. Powered by the stage-setting singles "drivers license" and "deja vu," the album dropped in May 2021 as a balm for dark pandemic days. Coming in at a lean 34 minutes, SOUR was all killer, no filler— and went on to pick up Best Pop Vocal Album at the 2022 GRAMMYs, alongside Rodrigo’s wins for Best Pop Solo Performance ("drivers license") and Best New Artist. 

With Rodrigo now a bona fide pop superstar, she’s readying her second album, GUTS, for a buzzy September drop. Lead single "vampire" arrived back in June with a lush, swelling sound (producer Dan Nigro makes several appearances on GUTS) and score-settling lyrics that cut like a knife. Rodrigo followed this strong return with "bad idea right?," a gleefully fun throwback to the pop-punk and grunge that soundtracked her teens.

In an interview with the New York Times ahead of GUTS, Rodrigo enthused about embracing crunchy guitars and big emotional swings: "\[I\] always loved rock music, and always wanted to find a way that I could make it feel like me, and make it feel feminine and still telling a story and having something to say that’s vulnerable and intimate."

James Blake - Playing Robots In Heaven 

Release date: Sept. 8 

Following 2021’s acclaimed Friends That Break Your Heart, which featured guest turns from the likes of SZA, JID and Monica Martin, James Blake is stripping it back to basics on his sixth studio album, Playing Robots Into Heaven. 

This time around, the etherally-voiced singer has seemingly gone back to the electronic roots of his earlier works that emerged as part of the UK’s post-dubstep scene. 

With no featured guests, the tracklist includes the already-released singles "Big Hammer," which is all chopped-up samples and low-end frequencies, and "Loading," which recalls the vocal manipulations of the producer’s self-titled debut LP. Blake also shared the ambient title track, which will close the album in perfect contemplation. 

Jalen Ngonda - Come Around and Love Me 

Release date: Sept. 8

Growing up outside of Washington, D.C., Jalen Ngonda was immersed from an early age in soul music, courtesy of his music-obsessed father. Fast forward to 2023, and Ngonda is himself a talented soul artist signed to the revered Brooklyn indie label Daptone Records. 

The singer's debut album, Come Around and Love Me, features lushly arranged singles "If You Don’t Want My Love" and "Just Like You Used To," which showcase his timeless vocal prowess.

In a statement announcing the album, Ngonda revealed, "To a stranger, I’d describe my music as modern soul and R&B, while trying to fit in the Beach Boys and the Beatles somewhere in between."  

The Chemical Brothers - For That Beautiful Feeling

Release date: Sept. 8

On their ninth album, 2019’s No Geography, UK electronic duo the Chemical Brothers sounded thrillingly energized. Now, after weathering a global pandemic, the veteran producers return with their tenth studio outing, For That Beautiful Feeling. 

The album features a new version of the duo’s cautiously hopeful 2021 release, "The Darkness That You Fear," alongside the propulsive, classically-Chems single, "No Reason," and collaborations with indie darling Beck and French singer/songwriter Halo Maud. 

The duo is set to follow the album in October with a career-spanning retrospective book, Paused in Cosmic Reflection, that’ll have fans clamoring. 

Demi Lovato - REVAMPED 

Release date: Sept. 15

Already an experienced master of reinvention, Demi Lovato is continuing her rock era with REVAMPED 5. On last year’s Holy Fvck, the pop chameleon wholeheartedly embraced hard rock and pop-punk, including collaborations with Yungblud, Royal & the Serpent and Dead Sara. 

While touring Holy Fvck, Lovato also played heavier versions of her earlier songs, and discovered her fans loved it. This inspired her to re-record rock versions of ten songs from past albums, including Demi and Confident, which are now brought together on REVAMPED. 

On the evidence of early singles like "Heart Attack (Rock Version)" and "Sorry Not Sorry (Rock Version)", the latter featuring Guns N Roses shredder Slash, Lovato is relishing the chance to rock out. 

Mitski - The Land Is Inhospitable and So Are We 

Release date: Sept. 15

Back in July, ever-inventive singer-songwriter Mitski sent a voice memo to fans via her newsletter. "Hi, this is Mitski, and I’m at Bomb Shelter Studios in Nashville, where we recorded my new album that’s coming out," Mitski revealed. "It’s called The Land Is Inhospitable and So Are We, and its first single is coming out on Wednesday." 

That beautifully elegiac first single "Bug Like An Angel" suggests a heart-rending album to come from one of the boldest voices in indie-rock. The single also features a surprising (and powerfully effective) appearance from a 17-person choir that’s likely to appear elsewhere on The Land Is Inhospitable and So Are We. As Mitski teased in a statement, "This is my most American album." 

NEEDTOBREATHE - CAVES 

Release date: Sept. 15 

Following 2021’s Into The Mystery and its country-rock crossover hit, "I Wanna Remember," featuring Carrie Underwood, Christian rock troupe NEEDTOBREATHE returns with their ninth album, CAVES. 

As documented in an intimate making-of video, the GRAMMY-winning band assembled in a house overlooking the majestic mountains of Utah to begin writing the album, which they completed while on the road with OneRepublic. 

"We always believed we could make a record that would feel at home on the world’s biggest stages," the band wrote in a statement announcing CAVES. "It was important to us to prove that we could. This is the most ambitious record we’ve made in a really long time."

Kylie Minogue - Tension

Release date: Sept. 22

Thanks to the runaway viral success of her dance-pop earworm "Padam Padam," 2023 has already been a triumphant year for Australian pop veteran Kylie Minogue. Released in May, the single went on to vie for song of the summer status, powered by countless dance videos on TikTok and its warm embrace as a Pride anthem. 

Buoyed by her surprise chart hit, Minogue will release her sixteenth studio album, Tension. As suggested by the glossy cover art, and the presence of producers such as Oliver Heldens and Biff Stannard, Minogue is ready to reclaim her electro-pop crown. 

"I started this album with an open mind and a blank page," Minogue said in a statement. "Unlike my last two albums, there wasn’t a 'theme.' It was about finding the heart or the fun or the fantasy of that moment and always trying to service the song." 

Bakar - Halo

Release date: Sept. 22

Acclaimed British artist Bakar will help kick off the month in style with his second album, Halo. The sophomore release is billed as a sonic counterpart to his genre-hopping 2018 mixtape, BADKID. Like that breakout release, Halo is set to blend indie, punk and hip-hop, with Bakar’s beguiling voice at front and center. 

Ahead of a busy summer jumping between festival stages, Bakar dropped a mood-lifting single, "Alive!," accompanied by a music video featuring the artist bringing traffic to a standstill (for real) in Central London. 

Animal Collective - Isn't It Now?  

Release date: Sept. 29

Following 2022’s Time Skiffs, experimental pop four-piece Animal Collective returns with its most expansive album to date. With a total runtime of 64 minutes, Isn’t It Now? will explore a rich sonic palette, as suggested by the layered and hypnotic single, "Soul Capturer."

Co-produced, mixed and recorded with GRAMMY-winning producer Russell Elevado, Isn’t It Now? reportedly finds each band member digging deep into their current musical whims — such as multi-instrumentalist Panda Bear focusing more on drumming. 

The centerpiece of the album is "Defeat," a 22-minute epic that captures Animal Collective at its most exploratory. 

Jorja Smith -  Falling or Flying 

Release date: Sept. 29

As one of the brightest stars to emerge from the UK in the past decade, Jorja Smith has already put together an accomplished discography. Following her 2018 debut, Lost & Found, and 2021’s three-track EP, Be Right Back, Smith will release her most complete artistic statement to date. 

Like her previous releases, the singer’s long-awaited second album, Falling or Flying, will connect the dots between soul, R&B, UK garage and house, with a song for every mood and situation. 

"This album is like my brain,” Smith said in a statement. “There’s always so much going on but each song is definitely a standstill moment." So far, Smith has given us two standout singles — the garage-tinged "Little Things" and the more contemplative "Try Me" — so anticipation is sky high. 

TINASHE - BB/ANG3L 

Release date: TBD 

While it’s yet to lock an official release date, the hype is building for Tinashe’s sixth studio album, BB/ANG3L — her first under a new deal with GRAMMY-winning hitmaker Ricky Reed’s record label, Nice Life. 

"I’ve enjoyed stripping back layers of aesthetic fluff, smoke & mirrors, and white noise to get down to the core of myself," the alternative R&B star said of the album in a statement. 

On lead single, "Talk to Me Nice," Tinashe’s indelible smoky vocals are offset by skittering, seductive production from hip-hop beatmaker Scoop DeVille and electronic artist Nosaj Thing. Follow-up single "Needs" is another undeniable bop, setting the stage for a standout album.

(G)I-DLE - HEAT

Release date: Oct. 15

Prolific K-pop girl group (G)I-DLE is set to release its first English language project, HEAT. 

HEAT follows the group’s 2022 debut album, I Never Die, which opens with the pop-punk-influenced single, "TOMBOY." While little has been revealed about HEAT, the project comes via the Asian market-focused U.S. music company 88rising and South Korean label Cube Entertainment, and will showcase the songwriting prowess of group leader Jeon So-yeon. 

(G)I-DLE has released one single from HEAT so far — the highly polished synth-pop love song, "I DO" — and the anticipation has K-pop fans feeling giddy.

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