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Watch Will Smith's Powerful GRAMMY Acceptance Speech From 1998 | GRAMMY Rewind

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Watch Will Smith's Powerful GRAMMY Acceptance Speech From 1998 | GRAMMY Rewind

"We want to dedicate this GRAMMY to the memory of Tupac Shakur and the Notorious B.I.G," the 'Men In Black' star said at the time

GRAMMYs/Oct 18, 2019 - 10:18 pm

Here come the Men In Black!

At the 40th GRAMMY Awards in 1998, Will Smith won Best Rap Solo Performance for his title track to the hit comedy Men In Black. In the latest edition of GRAMMY Rewind, the Fresh Prince himself walked up to the podium with his frequent musical collaborator D.J. Jazzy Jeff and gave a poignant speech.

"Hey! This is actually the first time that I've ever been on a GRAMMY stage!" he exclaimed before recounting his at times fraught experience with the Academy: "In 1988, [Jazzy] Jeff and I won the first GRAMMY ever given to a rap artist. But the GRAMMYs weren't televising the rap portion, so we boycotted. In 1991, we won our second GRAMMY, I ain't think we was gonna win, so we didn't come. And now this year we won, so if you guys'll bear with me, I wanna give my speech from '88 and '91.

Smith continued, dedicating his golden gramaphone to his hip-hop heroes: "I'm really excited about winning this for one reason, because, about two-and-a half years ago, the state of rap music was such that I didn't really even want to rap anymore. I like to refer to it as "the rap dark ages." And then with people like Tupac and Biggie, who I consider prophets, with the loss of Tupac and Biggie [Smalls], that kind of shook the industry and people realized that even though we are artists, we do have a responsibility for the ears—and for what goes into the impressionable ears that are listening to the music that we make. So Jeff and I, we want to dedicate this GRAMMY to the memory of Tupac Shakur and the Notorious B.I.G."

Watch Smith's entire '98 speech above, and look out for more GRAMMY Rewind throwback videos in the weeks to come.

GRAMMY Rewind Returns With History-Making Performances, Acceptance Speeches & More

GRAMMY Rewind: Barry Manilow Wins His First GRAMMY For "Copacabana (At The Copa)" In 1979
Barry Manilow at the 1979 GRAMMYs.

Photo: Courtesy of The Recording Academy

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GRAMMY Rewind: Barry Manilow Wins His First GRAMMY For "Copacabana (At The Copa)" In 1979

Relive the cheerful moment Barry Manilow received the first gramophone in his career for Best Male Pop Vocal Performance at the 21st Annual GRAMMY Awards.

GRAMMYs/Dec 8, 2023 - 06:00 pm

No one could predict the success of Barry Manilow's "Copacabana (At the Copa)."

At the time of its release, Manilow was most known for his soft rock ballads, including "Mandy," "Can't Smile Without You," and many more. Yet, "Copacabana" spoke to audiences, rising to No. 8 on the Billboard Hot 100 and earning an award for Best Male Pop Vocal Performance at the 1979 GRAMMY Awards.

In this episode of GRAMMY Rewind, we travel back to the evening Manilow took the stage to accept his golden gramophone for "Copacabana."

"This is the first time I've ever won a GRAMMY, and I couldn't be prouder than to have one for 'Copacabana,'" Manilow said at the start of his speech.

He went on to praise his two co-songwriters, Bruce Sussman — who later recounted the surprise impact of "Copacabana" in Manilow's compilation album, The Complete Collection and Then Some…, in 1992 — and Jack Feldman. Before exiting the stage, Manilow thanked a few other collaborators, including his co-producer and engineer.

Today, "Copacabana" remains one of Manilow's highest-charting and most remixed hits. In 1985, Manilow, Sussman and Feldman developed the track into a made-for-television musical of the same name.

Press play on the video above to watch Barry Manilow's complete acceptance speech for Best Male Pop Vocal Performance at the 21st GRAMMY Awards, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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How DJ Jazzy Jeff & The Fresh Prince Created The Ultimate Prototype For The Producer/Rapper Duo
DJ Jazzy Jeff and The Fresh Prince performing at "A GRAMMY Salute To 50 Years Of Hip-Hop."

Photo: Sonja Flemming/CBS via Getty Images

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How DJ Jazzy Jeff & The Fresh Prince Created The Ultimate Prototype For The Producer/Rapper Duo

Ahead of their much-anticipated reunion on the CBS special "A GRAMMY Salute to 50 Years of Hip-Hop," take a look at the groundbreaking ways DJ Jazzy Jeff & The Fresh Prince bolstered the power of the hip-hop duo.

GRAMMYs/Dec 8, 2023 - 05:12 pm

There were plenty of rapper/DJ duos before DJ Jazzy Jeff & the Fresh Prince. Most notably, T La Rock & Jazzy Jay released the influential 1984 single "It's Yours," Def Jam's first release as a rap label run by Rick Rubin and Russell Simmons. There was Mantronix, consisting of MC Tee and producer Kurtis Mantronik, who had their first hit with "Fresh Is the Word" a year later. Well before that, '70s hip-hop pioneer Kool Herc was a DJ known for getting the party started with rhymer Coke La Rock.

But the Philadelphia duo of Jeffrey Townes and Will Smith went beyond their predecessors in several important ways, and set up a prototype of the rapper/DJ — or, as music-making techniques changed, rapper/producer — combination that would explode in the years following their success.

By the time Jeff and Will (and their third member, beatboxer Ready Rock C) released their first single in 1986, duos were a thing in pop music: Soft Cell, Erasure, Eurythmics. The prominence of musical pairs would continue to grow over the next few years, largely because of technology. 

As a 1987 Philadelphia Inquirer article headlined "Pop’s New Dynamic Duos" pointed out, "The electronic age has yielded not only a new kind of music, via synthesizers, sequencers, drum machines, digital audio computers, hardware and software, but it has also spawned a new kind of group: duos in which one [person] sings and the other pushes buttons."

This division of labor — one person on music and one on lyrics — worked perfectly in hip-hop, a genre that came out of parties where a DJ spun records and someone on a mic hyped up the crowd. But when it came to DJ Jazzy Jeff & the Fresh Prince, unlike some of their predecessors, it was clear they were a team: Not only were they co-billed, but the DJ's name came first. 

That's largely because Jeff was the virtuoso. While Will had the movie-star chemistry and funny stories, Jeff was the music obsessive and the innovative record-spinner who implemented new techniques — most notably, the robotic-sounding "transformer" scratch, which Will takes credit for naming in his 2021 memoir. 

And Jeff was the one who proved his hip-hop bona fides by defeating all comers and being crowned the best DJ in the land at the 1986 New Music Seminar. It's a scene that rightfully opens up the very first episode of Smith's new podcast, a good indication of exactly how important that battle was to Will, Jeff and the entire hip-hop world at the time. (You can listen to Jeff's winning routines here).

Explore More Of "A GRAMMY Salute to 50 Years of Hip-Hop"

Putting Jeff's name first in the pairing made sense in a number of ways: not only was he unimpeachably credentialed and respected, but the order itself was also a nod to the DJ's primacy in the origins of hip-hop, and in the group's home city of Philly. Whether all of those ideas were consciously considered in how they named themselves or not, they were all there in how the duo was considered.

The equality of members was emphasized from the very beginning in their music, too. Sure, their first single was the wacky, I Dream of Jeannie theme-quoting story-song "Girls Ain't Nothing But Trouble." But their second was a tribute to "The Magnificent Jazzy Jeff."

They kept that balance throughout their early career as a group. Their second album, He's the DJ, I'm the Rapper, had it throughout — in its title, and especially in its songs.

The record marked another pivotal moment for rap, as it was the genre's first double album. The first two sides had plenty of Will's stories ("Parents Just Don't Understand"; "A Nightmare on My Street"), but sides C and D — billed as a "Bonus Scratch Album" — belonged almost entirely to Jeff.

Whether it was Will and Jeff's success, the overall prominence of duos across genres, or just something in the water, within a few years of DJ Jazzy Jeff & the Fresh Prince getting their start, co-billed DJ/emcee duos were pretty much everywhere. There was Eric B & Rakim, whose first single came out the same year as Will and Jeff's, and Cash Money & Marvelous, who released their first single one year later. 

We also can't forget L.A.'s entry into the sweepstakes, Rodney-O & Joe Cooley, whose 1987 single "Everlasting Bass" was the city's pre-gangsta rap anthem. X-Clan compatriots Unique & Dashan came out in 1989 and, like Rodney-O and Cooley, billed the rapper first. DJ Chuck Chillout & Kool Chip had limited releases as a team — one single and one album to follow it up — but they made an impact regardless. By the dawn of the 1990s, the equally billed DJ/rapper duo was a hip-hop trope. 

It was a format that would morph over the years. First, into groups like Gang Starr, which consisted of a rapper and a DJ/producer subsumed under a single entity name. Later, into MF DOOM's album-length producer collaborations like Madvillainy (Madlib) and The Mouse and the Mask (Danger Mouse). And even today, into rapper/producer pairings like Drake and Noah "40" Shebib, 21 Savage and Metro Boomin, or The Alchemist and essentially everybody in the world

Without DJ Jazzy Jeff & the Fresh Prince, the world might not have paid so much attention to all of these efforts. If there's one thing that Jeff and Will showed us, it's that in rap music or anywhere else, there's real power in teamwork.

DJ Jazzy Jeff & the Fresh Prince will reunite as part of "A GRAMMY Salute To 50 Years Of Hip-Hop," which will air Sunday, Dec. 10, from 8:30 to 10:30 p.m. ET and 8 to 10 p.m. PT. Tune in on the CBS Television Network, and stream live and on demand on Paramount+.

GRAMMY Rewind: Michael Jackson Wins Best Recording For Children, The Award He Was "Most Proud Of" At The 1984 GRAMMYs
(L-R) Michael Jackson & Quincy Jones at the 1984 GRAMMYs.

Photo: Michael Ochs Archive/Getty Images

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GRAMMY Rewind: Michael Jackson Wins Best Recording For Children, The Award He Was "Most Proud Of" At The 1984 GRAMMYs

Michael Jackson took home eight golden gramophones at the 1984 GRAMMYs, but felt most rewarded by his win for his audiobook and soundtrack companion album for 'E.T. the Extra-Terrestrial.'

GRAMMYs/Dec 1, 2023 - 06:00 pm

Michael Jackson made history with his groundbreaking album Thriller in 1982. But while the icon was smashing pop records, he was also venturing into a new avenue: narration.

Jackson was the voice of the audiobook and soundtrack companion album for Steven Spielberg's groundbreaking 1982 classic, E.T. The Extra-Terrestrial. The album won the King of Pop one of his eight GRAMMYs in 1984 – and it may have been the most important win of his career. 

In this episode of GRAMMY Rewind, relive the night Jackson won Best Recording for Children with Quincy Jones, who produced the LP, at the 26th Annual GRAMMY Awards.

"One of the most dangerous joint decisions Michael and I made was to accept to do an album for Steven Spielberg," Jones explained at the beginning of their acceptance speech before expressing gratitude for the film's cast and crew.

"I don't thank the people who stopped this record from coming out," Jones said, alluding to the backlash MCA Records received from Epic for releasing the project at the same time as Thriller.

"Of all the awards I've gotten, I'm most proud of this one," Jackson revealed. "I think children are a great inspiration, and this album is not for children. It's for everyone. I'm so happy, and I'm so proud. Thank you so much."

Press play on the video above to hear Michael Jackson and Quincy Jones's complete acceptance speech for Best Recording for Children at the 1984 GRAMMY Awards, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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GRAMMY Rewind: Christina Aguilera Celebrates Her Latin Heritage After Winning Her First Latin GRAMMY In 20 Years

Photo: Michael Tran/FilmMagic

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GRAMMY Rewind: Christina Aguilera Celebrates Her Latin Heritage After Winning Her First Latin GRAMMY In 20 Years

In May 2022, Christina Aguilera made a stunning return to Latin music with ‘Aguilera.’ Six months later, she won her second Latin GRAMMY — and she made sure to thank everyone who was part of the journey.

GRAMMYs/Nov 17, 2023 - 06:01 pm

Last year, pop diva Christina Aguilera returned to her Ecuadorian roots with Aguilera, her first full Spanish-language album since Mi Reflejo (2000). By the end of the year, she snagged multiple awards for the LP, including Best Traditional Pop Vocal Album at the 2022 Latin GRAMMY Awards.

In this episode of GRAMMY Rewind, revisit the moment Aguilera took the stage to accept her gramophone for her self-titled project.

"This is so important to me, and it's been amazing to come back to this home," Aguilera shared before expressing gratitude to her collaborators and longtime supporters.

"The fans, the Fighters, thank you so much!" She squealed. "We've been on this journey for so long, so I couldn't thank you more."

It was quite an eventful night for Aguilera. She received seven nominations in total — including Album Of The Year and Record and Song Of The Year for "Pa Mis Muchachas" — and delivered a show-stopping performance of "Cuando Me Dé la Gana" with Christian Nodal.

Press play on the video above to watch Christina Aguilera's complete acceptance speech for Best Traditional Pop Vocal Album at the 2022 Latin GRAMMYs, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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