Photo: Tom Pennington/Getty Images
Demi Lovato performs at Super Bowl 2020
Watch Demi Lovato Sing The National Anthem At Super Bowl 2020
Following a touching performance at the 62nd GRAMMY Awards last month, the two-time GRAMMY nominee delivered a powerful rendition of the U.S. national anthem at the big game
Two-time GRAMMY nominee Demi Lovato is known for pouring her heart and soul into each of her songs and live shows, and her performance of the U.S. national anthem at Super Bowl 2020 today (Sunday, Feb. 2) was no different.
Dressed in a stunning, all-white suit, Lovato took on the highly coveted slot with confidence, tackling the song's high notes and powerful vocal melodies with poise and aplomb. Lovato now joins previous GRAMMY winners like Beyoncé, Alicia Keys, Lady Gaga, Christina Aguilera and Carrie Underwood among the artists who have performed "The Star-Spangled Banner" at the big game.
In what may seem like a cosmic coincidence, Lovato, who was announced as a guest singer for the big game last month, actually predicted she would one day "sing the national anthem at a Super Bowl" in a tweet she posted on Feb. 7, 2010, nearly 10 years to the day when she finally accomplished that same feat.
The Super Bowl show is the latest major performance for Lovato this year. Last month, she made her grand return to the stage when she delivered a touching performance of her new song, “Anyone,” at the 62nd GRAMMY Awards. Her rendition, her first televised performance following a drug-related medical emergency in 2018, quickly became one of the most unforgettable moments from this year's GRAMMYs.
Other musical highlights from Super Bowl 2020 included a dazzling, star-studded halftime show from Jennifer Lopez and Shakira, which featured surprise performances from Bad Bunny and J Balvin, plus a beautiful rendition of "America the Beautiful" from four-time GRAMMY-winning gospel icon Yolanda Adams.
Photo: Daniele Venturelli/Daniele Venturelli/Getty Images for Luisaviaroma
Jennifer Lopez's Biggest Hits, From Her Best Hip-Hop Collaborations To The Dance Floor Classics
As fans await the much-anticipated arrival of J.Lo's new album, 'This Is Me…Now,' revisit the hits and deep cuts that have made her a beloved icon for nearly three decades.
Jennifer Lopez boasts one of the most impactful resumes in entertainment. Along with selling over 80 million albums and garnering four Billboard Hot 100 chart-toppers, she has smashed barriers for Latin performers as a career chameleon — becoming the ultimate multi-hyphenate icon.
It feels almost unbelievable to think that J.Lo's balancing act was once deemed too risky. By the time she was releasing her debut album, On the 6, in 1999, Lopez had made a name for herself in Hollywood thanks to her starring role in 1997's biographical musical drama Selena (which foreshadowed her power in the entertainment business, as her $1 million salary made her the highest paid Latina actress at the time). Under the guidance of music mogul Tommy Mottola, On the 6 was met with much acclaim and propelled J.Lo into another stratosphere.
Now, nearly 25 years later, Lopez has released eight albums, starred in over 30 films — which have collectively grossed over $3 billion — and embarked on numerous business ventures, including her launch of JLo Beauty and alcohol brand Delola. Her fragrances alone have raked in over $2 billion.
Of the many hats Lopez wears, her music career is the most awe-inspiring for many of her fans. In honor of Hispanic Heritage Month, and ahead of Lopez's eagerly awaited This Is Me… Now album (her first in nearly a decade), GRAMMY.com is revisiting the hits that made the Bronx native a household name, as well as lesser-known songs that rival even her biggest anthems.
"If You Had My Love," On the 6 (1999)
"If You Had My Love" was first offered to King of Pop, Michael Jackson, before finding a home on Lopez's debut album, On the 6, named after a New York City subway line that she frequented before fame. On the Rodney Jerkins-produced tune, Lopez's assertiveness takes center stage as she addresses a potential lover: "Now if I give you me, this is how it's got to be/ First of all I won't take you cheating on me/ Tell me who can I trust if I can't trust in you/ And I refuse to let you play me for a fool."
Staying atop the Hot 100 for five consecutive weeks, "If You Had My Love" was undeniable proof that Lopez was capable of achieving crossover success in the music industry. It also coincided with 1999's "Latin Explosion" — which launched the careers of fellow Latin pop icons Shakira and Ricky Martin.
"Waiting for Tonight," On the 6 (1999)
Of all of Lopez's smash hits, "Waiting for Tonight" is arguably one of the most timeless. As Lopez's first song to top the Dance Club Songs chart (she has since scored 18), "Waiting for Tonight" is synonymous with helping to usher in the Y2K era, thanks to its celebratory lyrics and accompanying New Year's Eve-themed video. It showed that she had critical clout, too, as "Waiting for Tonight" earned Lopez her first GRAMMY nomination for Best Dance Recording in 2000.
The Latin house anthem is so quintessentially J.Lo that it's easy to forget that it's a remake of short-lived girl group 3rd Party's song, further exemplifying her star power. What's more, it teased her future Spanish-language project, as she cut a sultry Spanish version titled "Una Noche Más" which closes out On the 6.
"Let's Get Loud," On the 6 (1999)
On the 6 opens with a string of R&B tracks — including "Feelin' So Good" featuring Fat Joe and Big Pun — before taking a different turn with "Let's Get Loud," which flaunts Lopez's Latin heritage. Within the first few seconds, the proud Nuyorican declares "Ya Jeny llegó, presente!" (translating to "Jenny has arrived, present!"), and it's impossible not to dance along.
Co-written by Gloria Estefan, the salsa number mostly flew under the radar, never cracking the Hot 100. Even so, "Let's Get Loud" managed to score Lopez her second GRAMMY nomination for Best Dance Recording in 2001. It also remains one of J.Lo's signature songs, becoming a set list staple and playing part in career-defining performances, including the Super Bowl halftime show in early 2020 and Joe Biden's inauguration the next year.
"Love Don't Cost a Thing," J.Lo (2001)
A self-proclaimed "hopeless romantic," Lopez told potential suitors that her love don't cost a thing on her second album, J.Lo. Reaching No. 3 on the Hot 100 and even taking the top spot in several countries, the song's commercial success solidified her hitmaker status, simultaneously thrusting her relationship with then-boyfriend Sean "Diddy" Combs further into the spotlight. It's rumored that "Love Don't Cost a Thing" was aimed toward the Bad Boy Records founder: "When I took a chance, thought you'd understand/ Baby, credit cards aren't romance/ Still, you're tryna buy what's already yours/ What I need from is not available in stores," she sings in the second verse.
"Love Don't Cost a Thing" also kicked off Lopez's tradition of releasing catchy earworms like "I'm Glad," "I'm Into You," and "Marry Me" that chronicle the A-lister's quest for happily ever after.
"Walking on Sunshine," J.Lo (2001)
With anticipation-filled lyrics like "I can't wait, wanna see how this night is gonna be," "Walking on Sunshine" (not to be confused with Katrina and the Waves' 1985 classic) sounds like a sequel to On the 6's "Waiting for Tonight." Lopez even performed a mashup of the songs during her 2001 tour.
The infectious song follows platinum hits "I'm Real" and "Play" on J.Lo — and yet, it still manages to outshine both. At its core, "Walking on Sunshine" is pure bliss, and perfectly captures the dance-pop genre that flourished in the early aughts.
"I'm Real" (Murder Remix) feat. Ja Rule, J to tha L-O! The Remixes (2001)
Armed with a slinky smooth Rick James sample, Ja Rule's grittiness paired with Lopez's soft coos are a match made in vocal heaven on the "Murder Remix" of "I'm Real," which pushed her more into urban territory after Black radio stations complained that her J.Lo album lacked an R&B-leaning single. (And Ja Rule screaming "What's my motherf—in' name?," to which Lopez responds "R-U-L-E, still reigns as one of the best opening lines in a song.)
Despite drawing criticism at the time due to Lopez's use of the n-word, the collaboration became so popular that it was added to the reissue of J.Lo, making the original version seem almost nonexistent — paving the way for more major reworkings of Lopez's songs, including "I'm Gonna Be Alright" and "Ain't It Funny." The latter started as a Latin pop record before being reimagined as a hip-hop track with all-new lyrics and an in-your-face "Flava In Ya Ear" sample, making it completely unrecognizable to listeners while serving multiple demographics.
"I'm Gonna Be Alright" (Track Masters Remix) feat. Nas, J to tha L-O! The Remixes (2001)
Reworked for her J to tha L-O! The Remixes album, "I'm Gonna Be Alright" is easily Lopez's most forgotten hit — but it's one of her finest, thanks to Lopez's confident delivery, along with its captivating melody and resilient lyrics. "I said I couldn't do it but I did it/ After telling everybody that I wasn't with it," she sings on the chorus. "Though it brings tears to my eyes, I can feel it/ And that voice inside says I'm gonna be alright."
Featuring Nas (who replaced then-rising rapper 50 Cent, which ignited a feud between the two), and a sample of "Why You Treat Me So Bad" by Club Nouveau, "I'm Gonna Be Alright" stands out as one of Lopez's few singles that deal with a failed relationship.
"Still," This Is Me… Then (2002)
Creatively, Lopez was at the top of her game when her third studio album, This Is Me… Then, arrived in late 2002. Yet, it sold fewer copies compared to J.Lo, even despite producing megahits "Jenny from the Block" and "All I Have" (more on those later). As iconic as those songs are, they don't compare to the soulful album's opener "Still," which set the perfect tone for This Is Me… Then — her most romantic and sonically cohesive project to date.
Built around a sample of Teddy Pendergrass' 1979 song "Set Me Free" and enhanced with synthetic record scratches for a retro feel, the lyrics heard in "Still" are actually quite simple. But it's the haunting melody and Lopez's sincerity that pulls in the listener immediately, and makes them wonder why it wasn't released as a single in lieu of "Baby, I Love U!," which stalled at No. 72 on the Hot 100.
"Jenny from the Block" feat. Styles P and Jadakiss, This Is Me… Then (2002)
It's a running joke that Lopez shouts out The Bronx every chance she gets, so it's only fitting that a song like "Jenny from the Block" exists in her arsenal.
Featuring The LOX's Styles P and Jadakiss, "Jenny from the Block" teeters on pretentious as Lopez insists that fame and fortune haven't changed her. But fans and music lovers alike ate it up: The song spent three weeks at No. 3 on the Hot 100 and remains one of her most-streamed and highest-charting singles.
At the time, she was still riding high off making history as the first person to have a No. 1 album (J.Lo) and movie (The Wedding Planner) in the same week. By then, Lopez and then-boyfriend (and now husband!) Ben Affleck's romance had turned into total tabloid fodder, as seen in its accompanying video — which is infiltrated with shots of Bennifer on a yacht, grabbing lunch, and stopping for gas while the paparazzi captures their every move.
In a lot of ways, "Jenny from the Block" represents just how ubiquitous J.Lo was in the early 2000s. Outside the Bennifer craze, the rags-to-riches song remains an ode to Lopez's Bronx upbringing. It even birthed Becky G's "Becky from the Block" and seemingly inspired Fergie's "Glamorous," which topped the Hot 100 in 2007.
"All I Have" feat. LL Cool J, This Is Me… Then (2002)
Lopez and LL Cool J's chemistry is undeniable on "All I Have." Relying on a controversial sample of Debra Laws' "Very Special," the song's call-and-response quality is what makes it so fun to sing along to even after all these years.
Though the ballad showcases Lopez's softer side, female empowerment takes over: "'Cause I'm good holdin' down my spot/ And I'm good reppin' the girls on the block/ And I'm good, I got this thing on lock/ So without me you'll be fine, right," she sings on the song's pre-chorus.
"All I Have" not only became Lopez's fourth No. 1 hit, but thanks to its holiday-timed release and winter wonderland-themed video, it was dubbed a "Christmastime breakup theme."
"Get Right," Rebirth (2005)
In the three-year gap between This Is Me... Then and Lopez's fourth album, Rebirth, she hit a career low when Gigli bombed at the box office. She and Ben Affleck famously called off their engagement a mere five months later. Surprisingly, though, much of Rebirth is void of heartbreak and takes a lighter approach, as evidenced by the horn-laden lead single "Get Right," which sees Lopez enjoying herself at a club.
"My hips moving, oh, so slow/ Bar tab looking like a car note," she sings in the second verse. At face value, it's easy to view "Get Right" as just another dance tune, but it doubles as a metaphor for Lopez's openness to finding love again in the face of heartbreak.
"Qué Hiciste," Como Ama una Mujer (2007)
Lopez fully embraced her Puerto Rican roots from day one, recording Spanish-language and bilingual songs here and there, like 1999's "No Me Ames" and 2001's "Cariño." But after recording 2004's "Escapémonos," a duet with then-husband Marc Anthony, she was inspired to go all in — and she did so with 2007's Como Ama una Mujer.
A self-described "dream come true," Como Ama una Mujer spawned the rock-infused "Qué Hiciste" (translating into "What Did You Do"), Lopez's first Spanish-language song to crack the Hot 100 at No. 86 — though it ruled the US Hot Latin Songs chart. On the tune, Lopez sings from a scorned woman's perspective (e.g., "Hoy empañaste con tu furia mi mirada," which translates to "Today you clouded my gaze with your fury"), showing off her flair for drama with a blazing hot video to match.
"Stay Together," Brave (2007)
Seven months after Como Ama una Mujer's release, Lopez returned to her more radio-friendly sound, but it came with a funky twist à la her sixth album, Brave. Lead singles "Do It Well" and "Hold It Don't Drop It" were lauded by music critics, though "Stay Together," the LP's opener, arguably steals the show.
On the pro-monogamy track, Lopez exudes confidence while dropping words of wisdom: "Through the bumpy roads, the others bite the dust/ 'Cause they be thinking they're in love when they're in lust."
"On the Floor" feat. Pitbull, Love? (2011)
Ahead of joining the 10th season of "American Idol" as a judge, "On the Floor" was the chart comeback Lopez needed after two back-to-back underperforming albums. The lead single off her seventh studio album, Love?, pays homage to her dance background as she sings lyrics like "If you're a criminal, kill it on the floor/ Steal it quick on the floor" over a thumping beat.
Heavily interpolating Kaoma's "Lambada" from 1989 and featuring guest verses from Pitbull, "On the Floor" skyrocketed to No. 1 in over 30 countries and became 2011's best-selling single by a female artist, reinstating Lopez's staying power. (To further prove its impact, there are two versions of "On The Floor" on Spotify — both of which have more than 400 million streams each.)
"First Love," A.K.A. (2014)
Lopez was dating backup dancer Casper Smart, who was nearly 20 years her junior, when she dropped the feel-good "First Love." Their age difference raised eyebrows, but in typical J.Lo fashion, she wore her heart on her sleeve.
On the percussion-heavy track, she sounds carefree while seemingly acknowledging her failed romances. "I wish you were my first love/ 'Cause if you were first/ Baby, there would have been no second, third or fourth love," she sings on the chorus.
Even though it didn't fare well on the Hot 100, it marked her first and only time joining forces with pop genius Max Martin. It also gave Lopez her 15th No. 1 dance hit, tying with Donna Summer for the seventh-most on the chart at the time. Earning three more No. 1 dance hits between 2014 and 2020, Lopez surpassed Summer with an impressive 18.
In the nine years that have passed since Lopez's last studio album, A.K.A., Lopez has released dozens of one-off singles, including "Ain't Your Mama," "El Anillo," "Dinero," and "Medicine." Much to her fans' surprise and delight in the fall of 2022, she commemorated the 20th anniversary of This Is Me... Then with an announcement of This Is Me… Now, an aptly-titled sequel to her 2002 album. Lopez told Vogue that the forthcoming endeavor — which chronicles her rekindled relationship with now-husband Ben Affleck — is not only her most honest work to date, but "a culmination of who I am as a person and an artist."
While J.Lo has yet to announce an official release date, she just performed nine songs from the album at a special Apple Music Live show on Sept. 21. Once This Is Me… Now is finally unveiled, it will unlock a new era for the triple threat — one that only continues her awe-inspiring, ever-influential legacy.
Photos: (Top row) Jaime Nogales Medios y Media/Getty Images; Latin GRAMMYs/Getty; Erika Goldring/Getty Images; Michael Loccisano/Getty Images for Coachella; Mike Coppola/Getty Images (Bottom row) David Livingston/Getty Images; JOSE ALAVEZ
Listen To GRAMMY.com's Hispanic Heritage Month 2023 Playlist: Featuring Shakira, Peso Pluma, Karol G, Bad Bunny, Feid, & More
In honor of Hispanic Heritage Month, listen to 50 songs by groundbreaking artists from the U.S., Latin America, and Spain.
Latin music continues to make incredible strides, as language barriers between the world and music in Spanish and Portuguese become a thing of the past.
After going through a difficult chapter in her life, Shakira found healing and empowerment through her anthems, including her surprise collaboration with Argentine producer Bizarrap. Karol G made history in March when her album Mañana Será Bonito debuted at No. 1 on the Billboard 200 chart. She became the first woman to top the chart with an all-Spanish LP.
Regional Mexican music became a global force this year thanks to the success of acts like Peso Pluma, Eslabon Armado, Grupo Frontera, Fuerza Regida, and Yahritza y Su Esencia. Many of them argue that Mexican music is no longer regional. Also, Feid, Myke Towers, and Young Miko have become breakthrough stars with their music being streamed on the same level as heavy-hitters in English.
In honor of Hispanic Heritage Month, GRAMMY.com is celebrating Latin music through the biggest and most impactful songs of 2023. Below, take a listen to 50 songs by Latin artists from the U.S., Latin America, and Spain —- including "BZRP Music Sessions, Vol. 53" and "Ella Baila Sola" — on Amazon, Apple Music, Pandora and the Spotify playlist below.
Graphic Courtesy of the Latin Recording Academy
Latin GRAMMYs 2023: Record Of The Year Nominees — Read Them Here
Here are the nominees for Record Of The Year at the 2023 Latin GRAMMYs, which will air Thursday, Nov. 16 from Sevilla, Spain.
The Latin Recording Academy has just announced the nominees for the 2023 Latin GRAMMYs, which air Thursday, Nov. 16, from Sevilla's Conference and Exhibition Centre (FIBES), marking the first-ever international telecast in the history of the organization and awards. This year, 11 performing artists and producers have a chance at one of the night's top awards: Record Of The Year. Christina Aguilera, Pablo Alborán, Paula Arenas with Jesús Navarro, Bizarrap with Shakira, Fonseca with Juan Luis Guerra, Karol G, Natalia Lafourcade, Lasso, Maluma with Marc Anthony, Rosalía, and Alejandro Sanz with Danny Ocean have been nominated in the category this year.
Below, get to know all of the 2023 Latin GRAMMYs Record of the Year nominees. Then, be sure to tune into the 24th Latin GRAMMY Awards on Univision at 8 p.m. ET/PT (7 p.m. CT) to see who wins!
"No Es Que Te Extrañe" – Christina Aguilera
Christina Aguilera rounded out her self-titled Latin album last fall with "No Es Que Te Extrañe," one of her most personal songs. The pop icon highlighted her Latina heritage by embracing the music stylings of pasillo, a popular genre in Ecuador.
Aguilera's powerhouse voice soars as she sings about finding healing and closure from a traumatic childhood experience. The song builds from a vulnerable ballad to a moment of flamenco-infused catharsis.
"Carretera y Manta" – Pablo Alborán
Musical worlds collide in Pablo Alborán's "Carretera y Manta," in which the Spanish singer/songwriter blends '80s-inspired pop with elements of contemporary Latin urbano beats.
The standout single from his La Cuarta Hoja album, Alborán sings about not worrying about the destination, but instead enjoying the journey to get there. Alborán is known for big ballads and with this carpe diem anthem, he shows off a more upbeat and danceable side to his artistry.
"Déjame Llorarte" – Paula Arenas Feat. Jesús Navarro
Colombian singer/songwriter Paula Arenas explores the emotional depth of Latin pop music in "Déjame Llorarte," teaming up with Jesús Navarro, the powerhouse voice behind Mexican group Reik.
The heartfelt ballad is centered by Arenas and Navarro's sweet shared harmonies, which detail moving on from a breakup. Backed by piano and strings, the soulful collaboration was included on Arenas' A Ciegas album.
"Shakira: Bzrp Music Sessions, Vol. 53" – Bizarrap Feat. Shakira
Shakira turned a difficult time in her personal life into a global moment of empowerment. The Colombian pop icon teamed up with Argentinian producer Bizarrap for "Shakira: Bzrp Music Sessions, Vol. 53."
Bizarrap seamlessly blends elements of EDM and Latin urbano music, as Shakira unleashes her inner "She Wolf" once again. In her Bzrp session, Shakira gave women wronged by an ex a kiss-off anthem that is packed with plenty of punchlines. "Women no longer cry, women get paid," she sings in Spanish.
"Si Tú Me Quieres" – Fonseca & Juan Luis Guerra
Two giants in Latin music joined forces on the romantic "Si Tú Me Quieres." Colombia's Fonseca teamed up with Juan Luis Guerra, who hails from the Dominican Republic. The traditional vallenato sound of Fonseca's country is beautifully blended with the tropical music that Guerra is known for.
The dreamy duo serenade listeners around the world, trading verses about the power of love behind a kiss.
"Mientras Me Curo Del Cora" – Karol G
In addition to scoring further reggaetón hits from Mañana Será Bonito, Karol G also showed versatility to her artistry on her latest album.
The Colombian superstar sampled the feel-good classic "Don’t Worry, Be Happy" by Bobby McFerrin in "Mientras Me Curo Del Cora." With a bit of reggaetón in the mix, she turns a dark moment in her life into Latin pop positivity and allows listeners get to know Carolina Giraldo Navarro — the woman behind Karol G.
"De Todas Las Flores" – Natalia Lafourcade
After paying homage to the music of Mexico and Latin America in her past few releases, Natalia Lafourcade returned last year with De Todas Las Flores, an album of all original music.
On the hypnotic title track, Lafourcade shows why she is one of Mexico's most exciting and innovative alternative acts. Lafourcade masterfully melds the sound of her guitar, folkloric Latin music, and jazz in the song where she mourns the memories of a past romance.
"Ojos Marrones" – Lasso
Last year, Lasso scored one of the biggest global hits that was outside the Latin urbano genre. The Venezuelan singer/songwriter channeled the spirit of '70s soft rock in "Ojos Marrones, citing Fleetwood Mac as one of his inspirations for the alluring love song.
With his raspy voice, Lasso sings about getting lost in his partner's brown eyes. Lasso continued to put a refreshing spin on the music of pop past throughout his album Eva.
"La Fórmula" – Maluma & Marc Anthony
To tap into the sound of salsa music, Maluma teamed up with one of the genre's giants. In "La Fórmula," the Colombian superstar joined forces with Nuyorican icon Marc Anthony for a charming duet.
The colorful and sweeping song was included on Maluma's Don Juan album. Backed by a full band and tropical beats, Maluma and Anthony sing about wanting to reignite the romance with an old flame.
"Despechá" – Rosalía
Rosalía continued to push Latin music to new places in the deluxe version Motomami, last year's Latin GRAMMY Album Of The Year winner.
This year, the Spanish pop star blended elements of merengue, pop, and house music in "Despechá." Instead of being bogged down by a breakup, Rosalía gets the mambo dance line started while singing about cutting loose with her close friends. The genre-bending track was Rosalía's fierce remedy for channeling spiteful feelings into a cathartic club experience.
"Correcaminos" – Alejandro Sanz Featuring Danny Ocean
Spanish pop icon Alejandro Sanz teamed up with rising Venezuelan star Danny Ocean for "Correcaminos." The sultry collaboration combines the alternative reggaetón sound of Ocean with flamenco influences from Sanz's home country.
Sanz and Ocean sing from the heart about winning over the women of their dreams. Whether that happens in this lifetime or the next, both singers are determined to make that happen in this magical duet.
Graphic Courtesy of the Latin Recording Academy
Latin GRAMMYs 2023: Song Of The Year Nominees — Read Them Here
Here are the nominees for Song Of The Year at the 2023 Latin GRAMMYs, which will air Thursday, Nov. 16 from Sevilla, Spain.
The Latin Recording Academy has announced the complete list of nominees for the 2023 Latin GRAMMYs, and the race for Song Of The Year is on.
The prestigious Category features this year’s most-nominated artist, Mexican American songwriter and producer Edgar Barrera, who earned an impressive 13 nods. It also includes three Colombian singers who have collaborated with Barrera — Karol G, Camilo, Shakira — the latter of whom set a record as the first artist to have three entries in Latin GRAMMYs' Song Of The Year Category.
The 2023 Latin GRAMMYs show will also make history, as the Thursday, Nov. 16, ceremony will be the first-ever international telecast in the history of the organization and awards, broadcasting from the Conference and Exhibition Centre (FIBES) in Sevilla, Spain.
Read on to learn more about the 10 bops nominated for Song Of The Year, and the artists and songwriters that penned them. (All lyrics noted below are translated from Spanish.)
"Acróstico" — Kevyn Mauricio Cruz Moreno, L.E.X.U.Z, Luis Fernando Ochoa & Shakira, songwriters (Shakira)
"Acróstico," the third lead single from Shakira's upcoming 12th studio album, is a heartfelt love letter to her young sons Milan and Sasha, in the wake of her split from their father Gerard Piqué. The tear-jerking ballad features her sons' vocals.
The track's Spanish title translates to acrostic, which is a poem where the first letter of each line spells out a word — and in Shakira's song, the opening lyrics spell out Milan. "This year Milan has written songs that have made me tear up, and Sasha has dedicated hours playing the piano and discovering his voice. Both have spent some time with me in the studio, and upon hearing this song, they've asked to be part of it," she wrote in Spanish in an Instagram post about the song.
Shakira co-wrote the song with a powerhouse team of Colombian gold:Keityn and L.e.x.u.z, of La Crème collective, and longtime collaborator Luis Fernando Ochoa, who first linked with Shakira back in 1995 on Pies Descalzos. (Keityn, born Kevyn Mauricio Cruz Moreno, also worked on two of Shakira's other big 2023 hits and Song Of The Year contenders: the record-breaking "Shakira: Bzrp Music Sessions, Vol. 53" with Bizarrap and "TQG" with Karol G.)
"Amigos" – Pablo Alborán & María Becerra, songwriters (Pablo Alborán Featuring María Becerra)
Spanish singer/songwriter Pablo Alborán linked up with Argentian reggaetónera María Becerra on "Amigos," a platonic love song to the friend that always has your back — and makes life a party. They wrote the sweet, vibey song together for his late-2022 album, La cuarto hoja.
"Amigos" opens with a chilled guitar instrumental, building up to an anthemic shout-it-with-your-bestie chorus: "I can see life in color/ the whole neighborhood looks at us/ We drink the hours as if it were liquor."
"De Todas Las Flores" – Natalia Lafourcade, songwriter (Natalia Lafourcade)
On "De Todas Las Flores," the title track of Natalia Lafourcade's first album of all original music in seven years, she beautifully paints the picture of a lost love. "Of all the flowers we plant/ There are only a few left/ Every morning they wonder/ When you will arrive to sing to them," she sings over sparse, tenderly melancholic instrumentation.
The backing vocals offer ethereal ooohs and ahhhs, like the fading memories shared with the lover no longer there. The Latin GRAMMY- and GRAMMY-winning Mexican singer/songwriter has always been a compelling storyteller, and it's a joy to hear her rich voice share new sonic poems on the project she's called an "extremely personal musical diary."
"Ella Baila Sola" – Pedro Julian Tovar Oceguera, songwriter (Eslabon Armado, Peso Pluma)
"Ella Baila Sola" (or, she dances alone) was written by 20-year-old Pedro Tovar, lead singer of Mexican regional band Eslabon Armado. It's about two friends noticing a pretty girl at a party, and one of them winning her affection.
The song features rapidly rising Mexican singer/rapper Peso Pluma, who is bringing Mexican corridos worldwide, fused with reggaetón and Latin trap. The dynamo pairing has helped "Ella Baila Sola" have a massive, record-breaking run; after it went viral on TikTok, it became the first regional Mexican song to reach the Top 10 on the Billboard Hot 100 (reaching No. 4) and the first performed on late-night TV. It was also the most-streamed song globally on Spotify this summer, and second-most streamed song in the U.S.
"NASA" – Édgar Barrera, Camilo & Alejandro Sanz, songwriters (Camilo & Alejandro Sanz)
On "NASA," Latin GRAMMY-winning Colombian singer/songwriter Camilo teams up with Latin GRAMMY- and GRAMMY-winning Spanish star Alejandro Sanz to ask his lover for forgiveness for what he admits is unwarranted jealousy.
"I know/ That NASA has cameras rotating in space/ They spend day and night looking up and down/ And I'm about to call and ask for a job/ To see if I relax." It's a tender, vulnerable love song with playful lyrics exchanged back-and-forth by the two Spanish-language crooners, who also co-wrote the song together.
"Ojos Marrones" – Luis Jiménez, Lasso & Agustín Zubillaga, songwriters (Lasso)
"It's the first time/ I invited someone/ Since you left/ And I'm fine," Lasso opens on "Ojos Marrones," before revealing he's only kinda sorta fine. "Nothing is the same / Nothing is the same/ Nothing/ without your brown eyes," Lasso repeats empathetically in the chorus.
It's a sunset-hued pop rock heater with dreamy guitar licks reminiscent of those in Chris Issak's classic "Wicked Game." The Venezuelan singer/songwriter paired up Luis Jiménez and Agustín Zubillaga to pen the impactful track about trying — and failing — to get over an ex with a new lover, which is featured on his latest album, Eva. The track went viral on TikTok after a user compared its narrative to Justin Bieber's relationships, and its success spawned a remix with Sebastian Yatra.
"Shakira: Bzrp Music Sessions, Vol. 53" – Santiago Alvarado, Bizarrap, Kevyn Mauricio Cruz & Shakira, songwriters (Bizarrap Featuring Shakira)
It's an understatement to say that Shakira has had a momentous year. As she went through a very public separation — and tabloids across the globe zeroed in on her every move and social media post — she proved yet again she's a global pop superstar at the top of her game.
She started the year off with the viral "Shakira: Bzrp Music Sessions, Vol. 53," a sassy, synth-pop clap back at her ex. In just 24 hours, it garnered over 15 million streams on Spotify to top the platform's Top 50 global list, and the video saw over 55 million views on YouTube, the record for a Spanish-language track.
On it, she asserts herself and reclaims her power — who needs trashy gossip rags when Shakira is here to tell it like it is? "A she-wolf like me/ isn't for guys like you," the Colombian queen declares. "I was out of your league/ That's why you're/ With someone just like you," also coming for her ex's new girlfriend (the Casio he traded in for a Rolex, as Shaki put it). The fiery diss track came out of a session with forever-sunglassed Argentinan DJ and producer Bizarrap. They co-wrote the song with Keityn and Santiago Alvarado.
"Si Tú Me Quieres" – Fonseca, Yadam González & Yoel Henríquez, songwriters (Fonseca & Juan Luis Guerra)
It was a dream of Latin GRAMMY-winning Colombian singer/songwriter Fonseca to collab with Latin GRAMMY- and GRAMMY-winning Dominican superstar Juan Luis Guerra. "Si Tú Me Quieres" is a sweet tropical pop love song, a gorgeous result of Fonseca's dream brought to life.
It was co-produced by Colombian pop/rock king Juanes, and was co-written by Fonseca with two Latin GRAMMY-winning songwriter/producers: Puerto Rican Yoel Henríquez and Cuban Yadam González. When Fonseca finished the initial demo, he imagined Luis Guerra's distinctive voice on it, who quickly agreed to join in on it. They bring their voices, styles and homelands together for a joyful fiesta, with delightful touches of Colombian vallenato and Dominican bachata.
"Tqg" – Kevyn Mauricio Cruz, Karol G, Ovy On The Drums & Shakira, songwriters (Karol G Featuring Shakira)
Shakira and Keityn strike again — this time alongside Colombian reggaetónera Karol G, and her regular collaborator Ovy On The Drums.
On "TQG," Karol G and Shakira link up for the first time and come for their exes, reminding them who's on top. "You left and I went triple 'M'/ Much hotter, much tougher, much more class," Shakira sings defiantly.
"TQG" stands for te quedó grande, which roughly means too much for you to handle, and is featured on Karol's fourth album, MAÑANA SERÁ BONITO. When Karol saw the gossip fodder about Shakira, she knew she was the perfect collaborator to add fire to the reggaetón diss track,which she wrote with Keityn and Ovy during the same session of "Mamiii," her collab with Becky G.
"Un X100to" – Bad Bunny, Édgar Barrera, Marco Daniel Borrero & Andrés Jael Correa Ríos, songwriters (Grupo Frontera Featuring Bad Bunny)
With "un x100to," Grupo Frontera, a Texas-based regional Mexican band specializing in norteños, struck gold and brought regional Mexican music to the top of the charts. The song peaked at No. 5 on Billboard's Hot 100 — the fifth regional Mexican song ever to chart on it — with a little help from Puerto Rican superstar Bad Bunny.
Frontera lead singer Adelaido "Payo" Solis II and Bad Bunny sing passionately about trying to reconnect with an ex with a harrowing 1 percent battery left on their phone, on a playful romp that mixes norteño and cumbia. What makes the track even more remarkable is that Grupo Frontera didn't know Bad Bunny would be on the track until he appeared at the music video shoot — proving that sometimes the most impactful collabs can come from an unexpected pairing.