The speakers for the 2019 Rock & Roll Hall of Fame have been announced. They include Janelle Monáe, who will introduce GRAMMY-winning pop icon Janet Jackson, Harry Styles will introduce Stevie Nicks, and Nine Inch Nails frontman Trent Reznor will introduce the Cure, among others.

The 34th induction ceremony will happen on March 29 at the Barclays Center in Brooklyn, N.Y. The announcement also noted that GRAMMY-winning producer David Byrne will introduce Radiohead, Duran Duran's John Taylor and Simon Le Bon will introduce Roxy Music, the Bangles' Susanna Hoffs will introduce the Zombies and Queen's Brian May will introduce Def Leppard.  

"Thrilled to announce our friend @DrBrianMay will be inducting us into the @rockhall on March 29 in Brooklyn," Def Leppard tweeted. The Zombies and Duran Duran also tweeted out their excitement for the announcement. 

It's officially official! Simon and John will be inducting Roxy Music into the @rockhall on March 29th at the @barclayscenter, Brooklyn, NY.

Read the press release on https://t.co/dNyWW8V8xc pic.twitter.com/wcEchtQkCo

— Duran Duran (@duranduran) March 13, 2019

The Cure, Stevie Nicks, Janet Jackson, Radiohead, Roxy Music, and the Zombies will all join the band as inductees.

The inductees' exhibit at the Rock Hall museum will be unveiled the same night in Cleveland. Fans who will not attend the ceremony can watch or listen at home via HBO on April 27.

Stevie Nicks Scores Her Second Rock And Roll Hall Of Fame Induction

In a world dominated by singles and streaming, it's even more important for albums to be cherished and preserved. The Recording Academy celebrates albums as essential, beloved formats of artistic expression, especially in the coveted Album Of The Year Category.

From gutsy pop to psychedelic soul, the eight nominees for Album Of The Year at the 2024 GRAMMYs — which are notably dominated by women, people of color, and the queer community — are a reflection of the joyous diversity within the music community.

Below, take a deeper dive into who's in the running for Album Of The Year on Music's Biggest Night.

Jon Batiste — World Music Radio

On the opening track of World Music Radio, Jon Batiste importantly reminds listeners that music is not just a passive recreation, but an experience. Or, at least the interstellar radio host Billy Bob does.

Narrated by Billy Bob, Batiste's 21-song concept album is made to sound like it's an actual radio station; amid intermittent static and between-song messaging, the station welcomes a slew of high-profile musical guests, ranging from Lana Del Rey to NewJeans to Lil Wayne. Including everything from smooth DJ interludes to crystal-clear saxophone solos to sparkling piano riffs, World Music Radio has something for everyone within its one-hour runtime.

With five GRAMMYs under his belt — including one for Album Of The Year — Batiste understands the significance of pushing boundaries in music. Consequently, World Music Radio questions genre as much as it questions how we can make the world a more inclusive place.

According to an Instagram post, Batiste's album aims to "'re-examine and redefine terms like world music as they exist in the culture."' The "'re"' prefix is what music is all about: reliving memories, reinventing what's been done before, and redefining things we previously thought we understood. Riding the airwaves all the way to an Album Of The Year nomination, Batiste's latest visionary work reminds us to reconsider what we think we know — and then, dial in.

boygenius — the record

On the vinyl version of the record, a locked groove leaves listeners perpetually listening to a single word: "'waiting."' The lyric goes eternally unfinished.

But good things come to those who wait, and for boygenius, a year like 2023 has never made this more discernible. Less than a year after the group debuted at Coachella and embarked on not one but two tours, they're now in the running for the GRAMMY for Album Of The Year.

Skyrocketing to headliner fame this year, the indie rock supergroup composed of Julien Baker, Phoebe Bridgers and Lucy Dacus released their debut album back in spring. Preceded only by a singular, successful EP from five years prior, the record proves itself to be very much worth the wait: chock-full of dreams of arson, $20 bills, and calls to kill the bourgeois, it froths with charisma and jocular amity.

This marks boygenius' first collective GRAMMY nomination, as well as the first nominations for Baker and Dacus. Bridgers' Punisher made her a 4-time GRAMMY nominee at the 63rd GRAMMY Awards. But it's not the group's only nod at the 2024 show — boygenius earned six nominations in total, including Record Of The Year.

What makes the record so momentous is its testament to the trio's vibrant, long-standing friendship — specifically, a companionship rooted in queerness, as well as in opposition to the idea that women in the industry should be pitted against each other. the record intensely and unmistakably feels the gravity of their organic bond, and in this way, it stands for so much more than 12 songs.

Miley Cyrus — Endless Summer Vacation

It's time to give Miley Cyrus her flowers. The GRAMMY-nominated artist already struck gold earlier this year, with her liberating lead single "'Flowers"' breaking records left and right. The track blossoms with the sweet nectar of independence, and this embrace of freedom is the heart of Endless Summer Vacation.

Her album's title denotes a perpetual stretch into eternity, but if there's one thing Cyrus is known for, it's change. Whether it's radically altering her style or switching up her aesthetic, the longtime pop queen knows that creative adaptability is one of her many strengths.

Endless Summer Vacation spotlights this versatility, from Cyrus warmly soaking up "'Violet Chemistry"' to reflecting on when she "'Used To Be Young."' Her signature gravelly drawl suits the album's disco-infused, beachy production — a major shift from the unyielding, punk rock of predecessor Plastic Hearts (2020), or the power pop-trap spotlighted on her 2019 EP, SHE IS COMING.

Notably, this marks Cyrus' first Album Of The Year nomination for her own work (she received a nod for her feature on Lil Nas X's 2021 LP Montero). The honor praises not just Endless Summer Vacation as a salient career highlight, but also applauds the singer's resilience after years of musical shapeshifting — Cyrus was due for a well-deserved vacation.

Lana Del Rey — Did You Know That There's A Tunnel Under Ocean Blvd

On her ninth studio album, Lana Del Rey honors kintsugi, or the ​​Japanese art of repairing broken pottery pieces with gold. Now, with an Album Of The Year nomination, she could be taking home GRAMMY gold.

Del Rey's last nomination in this Big Four category was for Norman Fucking Rockwell! at the 2020 GRAMMYs. While NFR! freewheeled along the West Coast, paving a soft rock landscape inspired by '70s Americana, Did You Know That There's A Tunnel Under Ocean Blvd leans away from Del Rey's habitual worldbuilding. Instead, the singer let spirituality guide her music-making process, dabbling in everything from gospel to trap.

Even though Did You Know That There's A Tunnel Under Ocean Blvd is Del Rey's most natural album yet, the work still feels otherworldly. Throwing caution to the wind, she delves into the multifaceted nature of her identity, candidly examining personal matters relating to religion, mortality and family.

In the same way a pottery artist might delicately approach kintsugi, Del Rey approaches making music with a keen eye and open heart. She searches for ways to sculpt beauty from flaws and fractures — after all, that's how the light gets in.

Janelle Monáe — The Age Of Pleasure

The rush of a crush, the sigh from a single touch — euphoria comes in many beautiful forms, and on her latest album, Janelle Monáe wants you to experience all of them.

The Age Of Pleasure ushers in Monáe's vision of rapture, dreamily blurring the lines between reality and fantasy. The 10-time GRAMMY-nominated artist has long defied labels, whether it be regarding genre or their personal identity, and their latest album celebrates love in all its color and fluidity.

It's all smooth sailing in The Age Of Pleasure. Soulfully, the multihyphenate singer swims through romantic R&B, plunges into funky rap, and bathes in soft pop radiance — but above all, Monáe floats. She's untroubled and unbothered, and that's more than enough to warrant raising a glass.

Monáe's nomination for Album Of The Year acknowledges not just the thrill of living a life carefree, but also celebrates the divinity of all-encompassing love. The album is more than hips and lips galore: beyond giving into passion, it's about cherishing community and, most importantly, choosing joy for yourself.

Olivia Rodrigo — GUTS

Though she's the youngest nominee on the list, Olivia Rodrigo knows she has nothing to prove.

Already a 3-time GRAMMY winner before her 20th birthday, the "'drivers license"' singer/songwriter unsurprisingly resisted the sophomore slump. On her plucky second album GUTS, she leans a little more into punkish pent-up rage than the crying-on-the-bathroom-floor heartache of her 2021 debut, SOUR — and impressively, her determination earned her a second consecutive GRAMMY nomination for Album Of The Year.

Whether her self-reflection appears in the form of piano-led balladry or pop-rock headbangers, Rodrigo tackles wilted relationships, growing pains and everything in between with her characteristically refreshing charm. From the gritty, Joan Didion-inspired "'all american b—"' to the leave-him-to-rot breakup anthem "'vampire,"' GUTS knows how to make a statement without forgetting to have a bit of fun.

Rodrigo, who won the GRAMMY for Best New Artist at the 2022 ceremony, understands the resonant power of her pen, and the singer's swift ascent to fame mirrors her swelling talent. It's already been almost two years since the smash success of "'drivers license,"' but Rodrigo isn't taking her foot off the gas.

Taylor Swift — Midnights

Best believe Taylor Swift is still bejeweled.

Of the megastar's extensive discography, Midnights might just be its crowning jewel thus far. Swift's tenth studio album dives deeper into pop experimentalism, steering away from the indie folk journeys that folklore and evermore so calmly encompassed; Midnights silhouettes the life of a beloved, high-profile "'Anti-Hero"' and assertively offers some of Swift's most ambitious work yet.

It's this fearless ambition that makes Swift no stranger to the GRAMMYs. On top of nearly 50 nominations total, the 12-time GRAMMY winner is the first and only woman solo artist to win Album Of The Year three times for her solo recordings. As Swifties know, she loves to break her own records — and if Midnights takes home GRAMMY gold, Swift would become the artist with the most Album Of The Year wins of all time.

This Midnights nomination marks a climax for Swift's career, and even though the singer has collected countless milestones, this year might be her most colossal yet. As she continues to bring all of her musical eras to life, Swift isn't just reliving her musical past — she's writing her future.

SZA — SOS

SZA knows how to build anticipation. Keeping her fans in suspense for five years, the prolific GRAMMY winner released her 2022 sophomore album SOS to wide critical acclaim — and while its title suggests a sense of helplessness, SOS puts forth plenty of strength.

SZA understands the vast power of vulnerability, and she wields this power expertly, whether it be forcefully or delicately. During the album's wade through loneliness and insecurity, the singer occasionally employs features from friends like Don Toliver, Phoebe Bridgers, and Travis Scott, but above all, SZA's self-discovery remains in the spotlight.

The R&B star scored her first GRAMMY just two years ago, sharing the award for Best Pop Duo/Group Performance with Doja Cat for their lovable collaboration "'Kiss Me More"' at the 2022 GRAMMYs. While the pop-rap collaboration bubbles with lost-in-the-moment delight, SOS looks at life with a wider lens; in her single "'Shirt,"' SZA admits that she's "'in the dark right now/ feeling lost but I like it,"' and it's these glimmers of self-assurance that show her a light at the end of the tunnel.

This Album Of The Year nomination nods to the singer's personal growth since her 2017 debut Ctrl. Although SZA sings about a fear of letting other people define her, SOS rejects other people's terms and soars as a bold reclamation: by defying others, she rediscovers herself.

The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, returns to Los Angeles' Crypto.com Arena on Sunday, Feb. 4, 2024, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

The Recording Academy and GRAMMY.com do not endorse any particular artist, submission or nominee over another. The results of the GRAMMY Awards, including winners and nominees, are solely dependent on the Recording Academy's Voting Membership.

2024 GRAMMY Nominations: See The Full Nominees List

Throughout his career, Harry Styles has proven that his music defies categorization. From his poppier days with One Direction to the more rock- and funk-inspired sounds of his solo music, every song and album have been a testament to his ongoing evolution as an artist.

His three solo albums thus far — 2017's Harry Styles, 2019's Fine Line, and 2022's Harry's House — have explored soft rock, psychedelic pop, and synth-pop. With such genre-fluid diversity in his discography, there's something for everyone to indulge in.

Styles' genre-blending techniques have undeniably made him a household name. The past two years solidified that, whether through his 169-show Love On Tour or his Album Of The Year win for Harry's House at the 2023 GRAMMYs. 

Though Styles has remained relatively quiet since the Love On Tour wrapped in July, he surely has fans anticipating his next move. For now, take a look at 10 Harry Styles tracks that illustrate the versatility and creativity that's helped him go from boy band member to solo sensation.

"Over Again," Take Me Home (2013)

A deep cut from One Direction's second album, Take Me Home, "Over Again" features an impressive solo from a then-19-year-old Styles. This song takes listeners on a nostalgic journey, looking back to the happier days of an ill-fated relationship, yearning for the ability to rewind time to a point before the love story unraveled.

Styles' emotionally charged vocal delivery accentuates and intensifies the profound sense of melancholy that is being relayed in the song. The depth in Styles' voice invites the audience to connect and empathize with the song's heartbroken narrative — a trait that still permeates in his solo ballads today. 

"Clouds," FOUR (2014)

Styles highlights his vocal prowess in a different way on One Direction's youthful FOUR cut "Clouds." Not only did it feature extensive, powerful vocal runs, but it also showcased the rock sensibilities of his voice. "Clouds" diverted from 1D's traditional pop sound and ventured into a more guitar-driven style, incorporating rock elements and arguably foreshadowing the sounds of Styles' debut album released three years later.

"Sign of the Times," Harry Styles (2017)

Styles kicked off his solo journey in bold fashion: a nearly six-minute ballad. The cinematic, '70s rock-inspired "Sign of the Times" presented a stark departure from his previous work with One Direction, hinting that he was more than ready to evolve musically on his own.

The release of the song marked a turning point in Styles' career, enabling him to embrace a more mature sound and gain credibility as a solo artist. His continued exploration of genres is a trait that Styles has carried into his later projects, ultimately establishing his status as a genre-fluid artist.

"Kiwi," Harry Styles (2017)

One of Styles' boldest steps into the rock genre, "Kiwi" tells a story about a rebellious and free-spirited girl who captures Styles' attention, despite knowing she's no good for him. In this lively track, Styles trades polished pop for unfiltered rock vocals, showcasing an edgier side he hadn't displayed in his boy band days — both lyrically and sonically.

The song's dynamic energy is further amplified by the rich supply of classic rock-inspired guitar grooves. While Styles hasn't revisited the raw sound of "Kiwi" much since, it serves as a reminder that he can tackle any creative technique he desires.

"Watermelon Sugar," Fine Line (2019)

One could argue that "Watermelon Sugar" is a perfectly crafted pop song: refreshing guitar grooves, a lively instrumental, sultry harmonized vocals. In fact, it's so flawless, it earned Styles his first GRAMMY in 2021 for Best Pop Solo Performance.

That's just one way the Fine Line single marked a pivotal moment in Styles' career. It also became his first No. 1 single on the Billboard Hot 100, proving that he has staying power as a pop star in his own right. And as one of two songs with more than 2 billion Spotify streams alone, "Watermelon Sugar" has also proven to be a Harry Styles classic. 

"Falling," Fine Line (2019)

One of Styles' most gut-wrenching tracks, "Falling" offers an introspective take on heartbreak. The haunting piano-driven melody emphasizes the pain in Styles' voice as he realizes his harmful habits caused him to lose a lover.

The song's emotional transparency and stripped-down vocals make it one of his most emotionally mature tracks, as well as one of his most captivating. While the track is Styles' lowest-charting single to date (it reached No. 62 on the Hot 100), "Falling" has proven itself to be a fan favorite, with more than 1 billion streams on Spotify. 

"Fine Line," Fine Line (2019)

Despite being the title track, "Fine Line" isn't just a deep cut from Styles' acclaimed 2019 album, it's an outlier in his whole discography — but in a beautiful way. The song is largely instrumental, with a lonely, yet emotionally-charged energy that highlights Styles' stunning falsetto.

In an interview with Capital FM, Styles cited a connection between the song's lyrics and his feelings throughout the album-making process; with the closing lyrics echoing, "We'll be alright," the song sheds light on the apprehension that often accompanies embarking on a new creative journey. The message foreshadowed Styles' subsequent ventures after the record's release, including a step into acting and the exploration of a new sound in Harry's House.

"As It Was," Harry's House (2022)

The lead single for Harry's House, "As It Was" served as Styles' first plunge into the synth-pop genre, which carried throughout the project. Despite the track's buoyant melody, its true essence conveys a more gloomy narrative. Styles explores the idea that nothing remains the same once being put into the limelight — a poignant message from one of pop's biggest stars.

Along with introducing a new sound for Styles, the brilliantly juxtaposing track also cemented him as a bonafide superstar. After "As It Was" debuted at No. 1 on the Hot 100 in April 2022, it reigned for 15 weeks, marking the most for a British artist in the chart's history. It was also a chart titan in Styles' home country, becoming the longest-running No. 1 and best-selling single of 2022 on the UK Singles Chart. What's more, it helped Styles earn his first Record Of The Year GRAMMY nomination, and undoubtedly contributed to his Album Of The Year win at the 2023 GRAMMYs.

"Late Night Talking," Harry's House (2022)

Taking the synth-pop of "As It Was" into the '80s, "Late Night Talking" blends retro-inspired vocal distortions and groovy instrumentation. Yet, somehow, it has a timeless groove that still feels contemporary — a skill that has become a Styles trademark.

The single had big shoes to fill as it followed the smash hit "As It Was" but it fiercely proved that Styles' had room for multiple hit songs under his belt. "Late Night Talking" landed the No. 1 spot on Billboard's Pop Airplay Chart and No. 3 on the Hot 100 Chart.

"Matilda," Harry's House (2022)

One of Harry's House's few somber tracks, "Matilda" instantly became another fan favorite in his catalog. As he gently sings over plucked guitar instrumentals, he comforts someone who feels out of place within their family at home ("You don't have to be sorry for leavin' and growin' up," he sings in the chorus).

While Styles has delivered plenty of tender moments, the storytelling and emotion of "Matilda" arguably helps it stand as his most thoughtful composition to date. Although it remains as an album cut, "Matilda" is further proof that Styles' has mastered the skill of making music that resonates with listeners — whether he's compelling them to shed tears or dance along.

Harry Styles' Sonic Evolution: How He Grew From Teen Pop Idol To Ever-Evolving Superstar

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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