WOMAD (World Of Music, Arts And Dance) festival, the international music and arts festival from Genesis founding member Peter Gabriel and others, has canceled its 2020 edition in the U.K. due to the growing coronavirus pandemic. Originally scheduled to take place July 23-26 at Charlton Park in Wiltshire, England, the festival, which featured headliners The Flaming Lips, Angélique Kidjo, Kate Tempest and Fatoumata Diawara, among many others, is confirmed to return next year (July 22-25), according to the updated dates on the event's official website. 

Festival organizers announced the event's cancellation via statements from Gabriel and the WOMAD team, both shared on the festival's official website and social media accounts today (April 8). In his statement, Gabriel said many of the artists originally confirmed for this year's festival "have already offered, or agreed," to return for 2021.

"Like many others, we have been hoping, waiting and watching the Coronavirus situation," Gabriel wrote. "Finally, we have been told that we will not be allowed to hold WOMAD this year at Charlton Park.

"Safety for all of our festivalgoers, artists and our own staff surpasses everything.

All of us involved with WOMAD have already been really touched by the help and generous offers of many of those we depend on to make the festival come to life. Many of the artists have already offered, or agreed, to play for us next year and we will now put our energies into making a great WOMAD 2021."

"We hope to see you all at Charlton Park next year for a big celebration, when we've put this meanie back in the bottle," he continued, alluding to the festival's return in 2021. "Your love and support for the dream that is WOMAD, has always meant a lot to us, but especially now."

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"Following a meeting with the Licensing authority, the combined emergency services and taking fully into account the government advice on halting the spread of the virus, it is clear, that in order to meet our goal of protecting the health, safety and wellbeing of the whole community there is no way we can go ahead with WOMAD 2020," a statement from the wider WOMAD team read. "We are devastated but confident that this is the right and responsible decision and that we have to play our part in helping the country stay safe and to recover."

For ticket holders for its canceled 2020 U.K. edition, WOMAD is offering a transfer of tickets for the 2021 edition or full refunds. For those who paid for their tickets in installments, the festival is allowing a temporary pause on payments to be picked up again next year for WOMAD 2021 or refunds for the face value of the tickets. More information about ticket transfers and refunds is available on the festival website.

The festival, which originally announced its initial lineup this past February, posted an update about the event's U.K. edition last month (March 19). "At WOMAD we are examining the advice of the government, other authorities and of course the healthcare professionals before making a final decision on what actions we should be taking to lead by example and help to keep everyone in the WOMAD community safe and well," the statement read. 

In February, WOMAD postponed what was to be its first-ever edition in Mexico, originally scheduled for March 27–29, "due to events outside of our control," according to a post shared on the festival's website. While no new dates have been announced, WOMAD Mexico will return "later in the year," the post reads. 

WOMAD has already completed three international festivals in 2020, including installments in Chile in February and in Australia and New Zealand in March. 

WOMAD is the latest festival to be canceled or postponed this year due to the coronavirus pandemic. Since March, Governors Ball, Glastonbury, Isle Of Wight, Download, All Points East, Lovebox and Parklife, Bonnaroo, New Orleans Jazz Fest, BottleRock Napa Valley, the Rock And Roll Hall of Fame induction ceremony, Coachella and Stagecoach, Ultra Music Festival, SXSW, Lollapalooza Argentina, Something In The Water, Treefort Music Fest, Afro Nation Puerto Rico, Brussels' Listen! Festival, Record Store Day and several other major events and festivals around the world were called off or rescheduled due to the COVID-19 pandemic.

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"You've got to get in to get out," Peter Gabriel declared, over and over, in Genesis' epochal "The Carpet Crawlers."

A highlight of 1974's The Lamb Lies Down on Broadway — Gabriel's final album with the prog giants — the track is drenched in philosophical and religious symbolism, redolent of a spiritual pursuit. A mystical staircase stretches into the firmament, and the eerie "crawlers heed their callers."

If that sounds maximum heady, it's because it is. And almost half a century later, Gabriel sang a nearly identical line. "Stuff coming out, stuff going in/ I'm just a part of everything," he announces in "i/o" — the title track to his album of the same name, which stands for "Input/Output," dropped Dec. 1 after a 21-year wait.

Not all critics were taken with that turn of phrase. But despite its simplicity, coming from Gabriel, it's profound.

Listening to Gabriel's inimitable body of work — whose cerebral art-pop captivated a generation, and unforgettable videos brought MTV to its knees — you get the sensation of widening the aperture, of considering an eternal timeline, of surveying and striving to transcend human limitations.

Like his past classics — the four eponymous albums, his 1986 knockout So, its 1992 dark-horse followup Us — i/o connects not just due to its vast purview, but because of Gabriel's gigantic, ever-beating pop heart.

The ballads, like "Playing for Time" and "So Much," are magnificent, showing how Gabriel can ably occupy an elder-statesman role and project gravitas that way. But so are the perky, uptempo numbers a la "Sledgehammer" of yore. "Olive Tree," with its ebullient, Graceland-like horn blasts, suggest Gabriel preserving the best parts of the '80s charts, holding them in the light, and discarding the rest.

Once you come out of i/o, you go back in: Gabriel released the album in two simultaneous, slightly different forms, dubbed the "Bright Side Mix" and "Dark Side Mix." As soon as you've finished your journey, you're asked to undertake it again, through an alternate series of corridors and halls.

Refractory, self-referential, mold-breaking, primevally moving — i/o ticks all those boxes. Here are five ways it adds to the six-time GRAMMY winner's discography.

Despite Its Piecemeal Release, It Flows As A Whole

If these songs seem familiar, that's because they are: last January, Gabriel began releasing one new single per every full moon, with an attendant, alternate mix on the new moon.

This one-by-one approach might have risked blunting i/o's impact, if the finished product didn't flow so incredibly well.

From opener "Panopticom" to closer "Live and Let Live," i/o ebbs, flows, and breathes: if you've been following these songs track by track, you're missing out if you don't behold it as a complete song cycle.

His Voice Is Still A Force Of Nature

By 73, many vocalists find their instrument diminished — yet, Gabriel's has aged like wine. Rather than stripping away its layers, the years have added ever more weight and body to his baritone.

A creamy center, with a biting edge of yearning and inquiry — this is just as we remember Gabriel's pipes, but they're arguably even more satisfying today.

Sonically, The Decades Paid Off…

Some legacy artists toil and toil on a comeback record for many years — and the result is still, paradoxically, a tad half-baked.

This is not the case at all with i/o — you're unlikely to hear an album this aurally detailed and mesmerizing for a while. Which doesn't mean it's overly commercial or slick: it means it's meticulously crafted, full stop.

…And He Didn't Spoil The Stew

Sad to say, there's another extreme that records of this ilk can fall into — becoming overproduced, overly teeming, terminally busy.

For how lush and expansive i/o is, there's a tremendous amount of space; nothing feels superfluous. That said, if you do wonder how these tunes might come across with something added or excised, the alternate mixes are right there to quench that curiosity.

There's (Hopefully) More On The Way

Yes, Gabriel is the consummate perfectionist — he called himself that to the New York Times.

"I'm a tinkerer," he elaborated. "So there's always a diversion. I've never had trouble — touch wood — with musical ideas. But getting to a point where I think there's a lyric that I'm happy with — that has been harder for me."

That being said, Gabriel doesn't foresee i/o being old enough to drink before the next one arrives.

In the same interview, he cited a "brain project" in the works, with "a lot of stuff in the can" — including a track called "What Lies Ahead," which he performed a number of times in 2023 and almost ended up on i/o.

Lucky us that a musical hero of past generations is still diamond-sharp. And that after so many years of Gabriel soaking up the input, his output flows freely again, sans resistance.

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December is a time for rejoicing and reflecting. How did this year go? And what will come next? As we look back on the meteoric 2023 and start planning for 2024, there’s a sundry of new music to usher in this journey.

This month, artists like Alicia Keys and the Killers will celebrate 20-year anniversaries with The Diary Of Alicia Keys 20 and Rebel Diamonds, respectively. Others will bring forth much-awaited sequels, like Nicki Minaj’s Pink Friday 2 and Chief Keef’s Almighty So 2. Adding to that, live performances by Pink and Khruangbin will get immortalized, while rising star Tate McRae will release her sophomore effort, Think Later, and Dove Cameron will debut Alchemical: Vol. 1.

Below is a guide to all the must-hear releases of December 2023, just in time to soundtrack your festivities and welcome in an inspiring new year. Read on for big releases from ATEEZ, Peter Gabriel, Neil Young, and more.

Dove Cameron - Alchemical: Vol. 1

Release date: Dec. 1

Following Dove Cameron's viral, platinum-certified 2022 hit "Boyfriend," expectations were high for the artist's first studio album. The singer and actress will release Alchemical: Vol. 1 at the top of the month.

"I wrote Volume 1 during a period of deep healing and space to process that I had never given myself. I hope you feel yourself in these songs as much as I do. Part 1: tear down. Part 2: rebuild," the singer shared on Instagram, teasing Vol. 2 of the collection (release date yet to be announced).

A follow-up to Cameron’s 2019 debut EP Bloodshot / Waste, Vol. 1 features eight tracks. Aside from "Boyfriend," she has revealed singles "Breakfast," "Lethal Woman," and "Sand," building up a sultry sound and an alluring mystique that prompt her as one to watch.

Dillon Francis - This Mixtape Is Fire TOO

Release date: Dec. 1

Eight years after This Mixtape Is Fire, Dillon Francis' latest "turned out better than I could have ever imagined," the DJ and producer shared on Instagram about his forthcoming album, This Mixtape Is Fire TOO.

"The whole goal of this album was to make amazing songs with artists I love and respect," he added. The 14-track record features several 2022 singles, such as "Free" with Alesso and Clementine Douglas, "LA On Acid" with Good Times Ahead, "Pretty People" with INJI, "Don't Let Me Let Go" with Illenium and Evan Giia and "buttons!" with Knock2.

Aside from collaborating with some of dance music’s biggest names, Francis seems intent on having fun. His latest single, "I’m My Only Friend" with Arden Jones, demonstrates that by pairing up his characteristic high-octane beats with an amusing music video featuring actor Billy Zane in an impromptu road trip adventure.

ATEEZ - THE WORLD EP.FIN: WILL

Release date: Dec. 1

K-pop’s favorite pirates ATEEZ are getting ready to release their second Korean full album: THE WORLD EP.FIN: WILL. The record will conclude the trilogy that began with EPs The World EP.1: Movement and The World EP.2: Outlaw.

With a slew of teaser pictures and a mysterious black-and-white trailer, the eight-member boy band continues to further their lore and leave fans eager to decipher their next chapters. In addition, a tracklist and an instrumental preview of the album’s upcoming 12 songs, including title track "Crazy Form," were revealed, promising exciting twists to their thunderous beats.

EP.FIN: WILL also brings a surprise in its unit and solo songs, all with lyrics co-written by the members: Jongho brings his powerful vocals to "Everything," "Youth" is a duet by Mingi and Yunho, "It’s You" is performed by Yeosang, San, and Wooyoung, and "MATZ" is the long-awaited collaboration between the band’s two eldest members, Hongjoong and Seonghwa.

Khruangbin - Live at Sydney Opera House

Release date: Dec. 1

After a yearlong series of live albums in partnership with other artists (Toro y Moi, Men I Trust, Nubia Garcya and others), Khruangbin will close out 2023 with the upcoming Live at Sydney Opera House — this time on their own.

The double LP was recorded in November 2022, and compiles their three-night residency at one of Australia’s most prestigious venues. With the announcement, the Texas trio also shared a new version of their 2015 hit, "People Everywhere (Shifting Sands Remix)."

The setlist also includes classics like "So We Won’t Forget," "A Calf Born in Winter" and "Friday Morning," attesting to the band’s expertise in highlighting the best of their career while giving tracks a fresh, unexpected spin.

Alicia Keys - The Diary Of Alicia Keys 20

Release date: Dec. 1

The end-of-year celebrations will start early for Alicia Keys and her fans. On Dec. 1, the 15-time GRAMMY winner will release a special version of her multiplatinum sophomore album, The Diary of Alicia Keys, in order to celebrate its 20th anniversary.

The 2023 LP will feature 24 tracks, including nine bonus songs including the previously unreleased "Golden Child." Keys also uprezzed four music videos from that era on YouTube: "Karma," "You Don’t Know My Name," "If I Ain’t Got You" and the live version of "Diary" with Tony! Toni! Toné! and Jermaine Paul.

To make the milestone even more special, Keys will perform the full album in an intimate, one-night-only concert at New York’s Webster Hall on the day of release. A portion of the earnings will be donated to the nonprofit organization she co-founded in 2003, Keep a Child Alive.

Peter Gabriel - i/o

Release date: Dec. 1

During every full moon this year, Peter Gabriel unveiled a new track off his upcoming studio album, i/o. It was a clever way to compensate fans for a lengthy wait. i/o is Gabriel’s first LP of new and original content since 2002’s Up, and has been in the works for almost three decades.

"I’m very happy to see all these new songs back together on the good ship i/o and ready for their journey out into the world," the British singer said in a press release. With 12 tracks "of grace, gravity and great beauty," the album tackles themes like the passage of time, grief and injustice, but never gives up on hope. Each track comes in three versions: the Bright-Side Mix by Mark ‘Spike’ Stent, the Dark-Side Mix by Tchad Blake, and the In-Side Mix by Hans-Martin Buff.

Gabriel also spent a good part of 2023 on the i/o Tour across Europe and North America. Attendees were lucky to witness the album played in full and some of the singer’s biggest hits, as well as the unreleased track "What Lies Ahead."

Atmosphere - Talk Talk EP

Release date: Dec. 1

From "Talk Talk (feat. Bat Flower)," a track off Atmosphere’s May album So Many Other Realities Exist Simultaneously, comes Talk Talk EP. According to a press release, the Minneapolis duo was so captivated by that song’s "vaguely alien and deeply human" sounds that they had to develop it into a ten-track deep dive.

In the album, rapper Slug and DJ/producer Ant "dart across threads of space-time" and become "titans of the electro-rap that was foundational to their youths," citing names like Kraftwerk and Egyptian Lover as inspirations. The press release also mentions that Talk Talk EP is a testament to rap’s connection to electronic music of the ‘70s and ‘80s.

That statement rings true, for instance, in the two singles they have released so far, aside from "Talk Talk": the sparkly "Rotary Telephone," and the haunting album closer, "Traveling Forever."

Pink - Trustfall Tour Deluxe Edition

Release date: Dec. 1

Following the smashing success of her ninth studio album, February’s Trustfall, and of her back-to-back Summer Carnival stadium tour and Trustfall arena tour this year, pop giant Pink will wrap it all up with the release of Trustfall Tour Deluxe Edition on Dec. 1.

The special record features six live recordings (from Summer Carnival), including "Cover Me in Sunshine" with her daughter Willow Sage Hart, as well as covers of Sade’s "No Ordinary Love" and Sinead O’Connor’s "Nothing Compares 2 U," with Brandi Carlile. It also includes July’s protest song "Irrelevant" and two new singles: "Dreaming" with Marshmello and Sting and "All Out of Fight."

As the unstoppable artist that she is, Pink has already announced a slew of 2024 Summer Carnival tour dates for Oceania in February and March, and the U.K. and Europe throughout June and July.

Tate McRae - Think Later

Release date: Dec. 8

"Here’s to 20 years old and figuring who the f[—] i am," celebrated rising sensation Tate McRae wrote on Instagram. Writing her sophomore album, Think Later, was "one of the most stressful, exciting, nerve racking, and fun things I’ve ever gone through. For the first time in my life I lived this year a little less with my head and a little more with my intuition — and I [really] hope [you] guys can feel that through the music," she added.

Produced by Ryan Tedder, the album dives into "the all-too-relatable feelings of falling in love and embracing the raw emotions that you experience as a result of leading with your intuition and heart," according to a press release. It is preceded by singles "Greedy" — of recent TikTok fame — and "Exes."

The Canadian singer has also announced an eponymous tour in support of the new album. McRae will visit Europe and North America from April to August 2024, bringing it to a close in Oceania throughout November.

Nicki Minaj - Pink Friday 2

Release date: Dec. 8

After several postponements, rap superstar Nicki Minaj is celebrating her birthday by bringing Pink Friday 2 to the world. The much-expected release marks Minaj’s first studio album since 2018’s Queen.

The album is a sequel to her acclaimed debut, 2010’s Pink Friday, and is supported by two singles, "Super Freaky Girl" and "Last Time I Saw You." During an Instagram Live on Oct. 24, as reported by People, Minaj shared that "this entire album will be the biggest gift I have ever given humanity thus far. I can stand by that. I will bet any amount of money that Pink Friday 2, the album, is going to make people fall in love immediately."

The Trinidadian American icon recently announced a 2024 tour in North America and Europe. Exact dates are yet to be announced, but the commotion was such that Minaj’s fandom, Barbz, crashed her website upon hearing the news.

The Killers - Rebel Diamonds

Release date: Dec. 8

It’s been almost 20 years since the Killers burst into the rock scene with their 2004 debut Hot Fuss. To honor that achievement, the Las Vegas band will release Rebel Diamonds, a compilation of 20 hits encompassing all their seven LPs, plus new track "Spirit."

In the tracklist, fans will be able to take a trip down memory lane with singles like "Mr. Brightside," "When You Were Young," and "Human," among other classics. "See, it’s been said that what’s remembered, lives," frontman Brandon Flowers said in a trailer for the album. "And we’ve racked up stadiums full of memories the past 20 years, enough to fill lifetimes." 

Flowers continued: "It sounds a bit like Bowie. Or is it Brando? Or maybe it's somewhere in between? It always is with us. And to our legion of victims, thank you, thank you, thank you. And do not fear. There is more mining to be done." The Killers released another best of in 2013, Direct Hits.

Neil Young - Before and After

Release date: Dec. 8

"Songs from my life, recently recorded, create a music montage with no beginnings or endings." That’s how folk legend Neil Young described his upcoming 45th studio album, Before and After, in a press statement.

The record spans a collection of 13 solo acoustic re-recordings among Young’s favorites in his catalog. The statement adds that "each of the songs blend and create one continuous flow, clocking in at a 48-minute pure and intimate listening experience," with Young summarizing it as an experience where "the feeling is captured, not in pieces, but as a whole piece — designed to be listened to that way."

Young also co-produced and co-mixed the record, which includes the previously-unreleased track "If You Got Love," among classics such as 1966’s "Burned," 1970’s "Birds" and 1994’s "A Dream That Can Last." Before and After is the latest in a series of archival releases by Young, arriving just a few months after "lost" album Chrome Dreams. 

Car Seat Headrest - Faces From the Masquerade

Release date: Dec. 8

In March 2022, indie band Car Seat Headrest was playing a three-night residency at New York’s Brooklyn Steel. Due to the COVID-19 pandemic, they asked the audience to mask up, but also to "accoutre yourself in whatever further costumery you please" for an evening of "music, dancing, and identity loss," according to a press release.

The result of that experience is Faces From the Masquerade, CSH’s upcoming double album that will bring the magic of those nights to the world. "The 2022 Masquerade was a crazy tour that ignited with a particular ferocity once we touched ground on the east coast," said vocalist Will Toledo in a statement. "Our time in New York captures that momentary magic where we’re playing at our peak and the crowd is responding as one giant body."

Faces From the Masquerade features 14 of the band’s best tracks as rearranged, revamped live versions — for example, "Deadlines" went through adjustments "to turn it into the climactic dance monster it always wanted to be," added Toledo. The record has been described as "simultaneously a joyride through the greatest hits and a conversation with the devoted and ever-growing following that has formed around the band, their songs and live communions."

Michael Nau - Accompany

Release date: Dec. 8

Multihyphenate Michael Nau has been building an extensive indie discography since the mid-’00s, both as the frontman of bands Cotton Jones and Page France and as a soloist. Next month, he will add on to that by releasing his fifth studio album, Accompany.

The album came to be when producer Adrien Olsen (the Killers, Lucy Dacus) invited Nau to record at his Richmond, Virginia studio. "I didn’t have much of a plan before Adrien reached out, so I wrote some songs specifically for the session," Nau explained in a release. "It had been a while since I’d made music in a room with other people. We just sort of started playing and didn’t really talk about what was happening."

The record's 11 tracks "come together to paint a beautiful picture" with imaginative lyrics that manage to be "introspective, but vague and open-ended. Nau recently announced tour dates across the U.S. from February to April 2024.

Chief Keef - Almighty So 2

Release date: Dec. 15

Rumors about Almighty So 2, the sequel to Chief Keef’s revered 2013 mixtape of the same name, have been going on since 2018. The Chicago drill pioneer went as far as teasing the cover art on Instagram in 2019 — only to spend years without further updates. In any case, it seems like the wait is finally over: Almighty So 2 is scheduled to drop on Dec. 15.

In the beginning of November, Keef shared two new cover arts for the album on Instagram, under the caption "2 real soon." While there’s no further info, the album will feature 17 tracks, including 2022 singles "Tony Montana Flow" and "Racks Stuffed Inna Couch," according to Apple Music.

Almighty So 2 is Chief Keef’s fifth studio album, arriving after 2021’s 4NEM. Recently, the rapper was featured on the track "All The Parties" off Drake’s latest album, For All The Dogs. This collaboration increased speculations about a possible Drake feature on Keef’s album as well — the latter commented "Don’t forget them vocals, crody" on Drake’s Instagram back in August.

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Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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This year marks the 15th anniversary of San Francisco's Outside Lands, and while the festival always boasts the Bay Area's best, the 2023 lineup is especially stacked with incredible female and nonbinary talent. From aespa making K-pop history to La Doña's homecoming, the fest's latest iteration is bound to be badass.

Whether you're planning on shimmying to Janelle Monáe, spitting every Megan Thee Stallion verse, or sobbing to Lana Del Rey, Outside Lands will be bursting with energy and seemingly endless options.

As San Francisco transforms Golden Gate Park into a lavish festival ground for three days, check out these 10 performers ready to electrify the city.

Megan Thee Stallion

Time to get lit like a match. Megan Thee Stallion has been hitting stages across the country this year — from LA Pride to her hometown of Houston for the Men's NCAA Final Four — and there's no doubt she'll bring the heat to Golden Gate Park on Sunday. Though the three-time GRAMMY winner is known for her high-hype, feel-good freestyles, her latest album, Traumazine, opens up about anxiety and the importance of self-care. So whether you're having a hot or healing girl summer, her headlining set will be the spot for festgoers to let loose.

Janelle Monáe

On Friday, Janelle Monáe will usher San Francisco into The Age of Pleasure. Sensuality and freedom flood the singer's most recent album, and for Monáe's headlining show, fans can expect bursting psychedelic soul, pop and hip-hop in an evening full of color and love.

Emphasizing intersectionality and identity (Monáe identifies as nonbinary), her wide-ranging performance will traverse her trailblazing concept albums like GRAMMY-nominated Dirty Computer and The ArchAndroid. Having conquered both the big screen and the stage as a multihyphenate, Monáe's set will be nothing short of a spectacle.

beabadoobee

Hot off supporting Taylor Swift's Eras Tour, beabadoobee is headed to Golden Gate Park on Sunday afternoon. The Filipino-English singer/songwriter has carved out a space for herself between indie rock and bedroom pop, first becoming known for her sweet, spacey falsetto and her sleeper hit "Coffee" in 2020. The indie star has since expanded her worldbuilding abilities rapidly, spinning intricate scenes from her debut Fake It Flowers into her scenic second album Beatopia — similarly, beabadoobee's Outside Lands set will likely flaunt the vitality of her imagination.

Raveena

Raveena is the definition of grace, and her Friday Outside Lands set is sure to swell with serenity. Mindfulness is the objective of the singer's soulful music as she grounds herself through tranquil mixes of R&B and pop. From her 2019 debut Lucid to 2022's Asha's Awakening, her voice epitomizes comfort whether it floats through delicate strings or stony drums. At Golden Gate Park, Raveena will bring momentary, blissful peace to the festival's chaotic fun.

Ethel Cain

Ethel Cain is ready to take concertgoers to church — even on a Friday. The experimental breakout star is known for dissecting dark, Southern Gothic themes in her music, establishing herself as a rising leader in the modern alternative genre (and also in the LGBTQIA+ community, as she is a trans woman). Her debut album Preacher's Daughter only came out last year, but the critically acclaimed album swiftly earned the musician a cult following. After bewitching Coachella audiences back in April, Cain's upcoming Outside Lands set is sure to be compelling.

NIKI

More than 10 years after she wrote her first original song, NIKI is ready to storm the Twin Peaks stage. Her deeply sincere indie pop drifts with bittersweetness, and it's powerful to witness how well the Indonesian singer's intimacy translates to massive crowds.

Signed to label 88rising in 2017, NIKI soon found herself playing concerts for a growing global fan base that resonated with her heart-to-heart songwriting. Ranging from the dramatic depths of her debut album, MOONCHILD, to 2022's earnest self-titled Nicole, NIKI's Outside Lands set will be perfect for listeners who want to escape with their head in the clouds.

Lana Del Rey

Lana Del Rey is the reigning queen of summertime sadness, and she'll be doin' time at Golden Gate Park as one of Saturday's headliners. Known for spinning tales of tragic romance, the GRAMMY-nominated singer/songwriter plans to enchant audiences at Twin Peaks stage following her release of Did You Know There's a Tunnel Under Ocean Boulevard. Her discography haunts and aches, filled with everything from folky gospel to trap pop; if one thing's for sure, Del Rey's highly anticipated performance is bound to be a spiritual journey.

La Doña

Born and raised in San Francisco, La Doña is making her city proud by performing at the Bay's biggest annual music festival. Taking the Lands End stage with her 11-piece band on Friday, the Chicana musician has come a long way since picking up the trumpet at age 7.

Centering around personal identity and community, her music beautifully merges traditional Latin folk with modern cumbia, reggaeton, and hip-hop. La Doña's progressive sound just earned her a spot on Barack Obama's annual summer playlist, and less than a month later, her hometown will get to see what all of the hype is about.

aespa

When aespa takes to Twin Peaks stage Friday, they'll make history as the first K-pop act to ever perform at Outside Lands. Exploding onto the music scene in 2020, the innovative South Korean girl group gives K-pop a fresh edge, distinctively inspired by hyperpop and hip-hop. The group's name combines the words "avatar," "experience," and "aspect," representing their futuristic style that's often embellished by a metaverse aesthetic. Their mind-blowing Coachella and Governors Ball debuts hinted that aespa is ready to pull out all the stops for their Outside Lands crowd.

Maggie Rogers

Maggie Rogers knows how to break free. The 2020 Best New Artist GRAMMY nominee will get the crowd hyped for Saturday headliners Foo Fighters with an enthralling set. Although her debut album Heard It in a Past Life pulses with steady revelations, her alternative follow-up Surrender leans into sweat and desire. As she's proven at many festivals past, Rogers' show will be infused with bright energy, from the slow emotional burn of "Light On" to the exhilarating "Want Want" as the sun goes down.

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