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Press Play At Home: Lara Project Throw A One-Person, Shadow-Shrouded Dance Party With Their "Altas Horas" Performance
Lara Project

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Press Play At Home: Lara Project Throw A One-Person, Shadow-Shrouded Dance Party With Their "Altas Horas" Performance

Between pulsing, '80s-inspired rhythms, smooth vocal delivery and a surreal performance visual, Lara Project bring fans into a world that's all their own in this rendition of "Altas Horas."

GRAMMYs/Sep 22, 2022 - 05:26 pm

Retro, new wave-inspired synth sounds and a breezy, mid-tempo beat are at the forefront of "Altas Horas," the recently-released single from Venezuelan sibling duo Manuel and Félix Lara, aka the Lara Project.

In this episode of Press Play at Home, the duo share an evocative — and slightly eerie — live performance that adds a mesmerizing visual component to "Altas Horas.”

Therein, singer Félix stands alone on a circular wooden stage to perform the song, dancing around in the spotlight as he sings. Behind him is a background enshrouded in shadows, with only a couple of ladders visible behind him.

That simple backdrop allows viewers to focus in on the sounds and pulsing rhythms of "Altas Horas," a song that emphasizes the transportive power of a captivating beat and conjures up retro dance club vibes. The two artists say that while they were writing the song, they were subconsciously influenced by Daft Punk and Pharrell Williams' "Lose Yourself to Dance," and that influence comes through in the floating, full-body experience of listening to the song.

Lara Project's music often has a strong conceptual or visual emphasis, a result of both members' backgrounds as producers for other artists.

Félix, who typically spearheads the music's creative and visual elements, has worked as a producer for artists like Bad Bunny and Álvaro Díaz. Meanwhile, Manuel — a songwriter, producer and engineer — has also worked with Díaz, as well as Julieta Venegas.

The brothers' musical influences date back to childhood: Their father was a saxophonist and their mother was a ballet dancer. Those diverse artistic elements play out in their own music-making, which seeks to remove genre boundaries and use elements and styles from different formats and eras in order to create their own unique sound.

Press play on the video above to lose yourself in the full performance of Lara Project's "Altas Horas," and keep checking GRAMMY.com for more episodes of Press Play at Home.

Press Play At Home: Andrekza Steps Into The Studio For An Empowering Performance Of "Sangre Poderosa"

Press Play At Home: Watch Dodie Perform A Morning-After Version Of "Four Tequilas Down"

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Press Play At Home: Watch Dodie Perform A Morning-After Version Of "Four Tequilas Down"

In the latest episode of Press Play At Home, singer/songwriter dodie conjures a bleary last call in a hushed performance of "Four Tequilas Down"

GRAMMYs/Jun 24, 2021 - 07:38 pm

"Four Tequilas Down" is as much a song as it is a memory—a half-remembered one. "Did you make your eyes blur?/So that in the dark, I'd look like her?" dodie, the song's writer and performer, asks. To almost anyone who's engaged in a buzzed rebound, that detail alone should elicit a wince of recognition.

Such is dodie's beyond-her-years mastery of her craft: Over a simple, spare chord progression, she can use an economy of words to twist the knife. "So just hold me like you mean it," dodie sings at the song's end. "We'll pretend because we need it."

In the latest episode of Press Play At Home, watch dodie stretch her songwriting muscles while conjuring a chemically altered Saturday night—and the Sunday morning full of regrets, too.

Check out dodie's hushed-yet-intense performance of "Four Tequilas Down" above and click here to enjoy more episodes of Press Play At Home.

Press Play At Home: Watch Yola Perform A Rock-Solid Rendition Of "Stand For Myself"

Press Play At Home: Marcus King Delivers Blazing, Bluesy "Pain" In A Parking Garage Jam Session
Marcus King

Photo: Courtesy of Marcus King

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Press Play At Home: Marcus King Delivers Blazing, Bluesy "Pain" In A Parking Garage Jam Session

Marcus King pays tribute to his favorite classic rock trios in this soulful performance, which features a '70s flair, a whiplash-inducing guitar solo and a pair of classic cars as a backdrop.

GRAMMYs/Aug 25, 2022 - 05:22 pm

Rising rock singer Marcus King may only be in his 20s, but when it comes to his taste in music, he's an old soul. He learned his first musical lessons from his blues-rocker dad, and he cites his earliest memory as the time he opened up his dad's guitar case as a child and strummed the strings of an Epiphone El Dorado.

Now, as a singer/songwriter and guitarist himself, King expertly blends his classic rock and blues inspirations into his original music — most recently on his upcoming album, Young Blood, due Aug. 26. The project was produced by Dan Auerbach, who King also teamed with to write "Pain," a bluesy and fast-paced rock track that puts the singer's classic influences front and center.

In this episode of Press Play At Home, King and his three-piece band head to a parking garage for a grungy, searing performance of the track. From classic cars in the background to the outfits and visual aesthetics, vintage vibes are abundant — but it's the music itself that truly embodies the spirit of '70s rock.

"Pain" is just one example of the "classic power trio" sound that King strived for with Young Blood. He drew inspiration from musical idols like ZZ Top, Grand Funk Railroad and Black Sabbath, as well as his favorite films GoodFellas and Raging Bull. "We tried to make the music feel big," King explains in a press release, "like you’re seeing it in a theater."

Though the music takes plenty of cues from legendary acts from the past, King's blend of soul, rock, blues and country is uniquely his own. The GRAMMY nominee’s unmistakable raspy tenor crests over the instrumental lines and puts the singer/songwriter's signature stamp on the performance. 

Press play on the video above to watch King's blistering performance of "Pain," and keep checking back to GRAMMY.com for more episodes of Press Play At Home. 

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Press Play At Home: Francisca Valenzuela Performs Her Courageous Feminist Paean "La Fortaleza"

Francisca Valenzuela

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Press Play At Home: Francisca Valenzuela Performs Her Courageous Feminist Paean "La Fortaleza"

The outspoken Chilean singer/songwriter Francisca Valenzuela sings of womanhood and will to power

GRAMMYs/Feb 25, 2021 - 11:30 pm

For Francisca Valenzuela, feminism isn't a radical notion, but a self-evident truth. The daughter of two renowned Chilean scientists, she's published muscular, experiential poetry (like her 2000 book, Defenseless Waters, which she published in her early teens) and founded Ruidosa, a festival, platform and community that elevates female voices.

In this episode of Press Play At Home, Valenzuela sings "La Fortaleza," which contains her worldview in microcosm. "Everything that has happened has led me to today," she sings in Spanish. "I look ahead to the horizon and I bury the guilt and leave/I pack a suitcase, take a deep breath and don't look back/Setting sun, rising sun will accompany me."

Check out Francisca Valenzuela's riveting performance of "La Fortaleza" above, and watch other episodes of Press Play At Home.

Press Play At Home: Bliss Out To Jazzmeia Horn's "Where We Are"

Press Play At Home: Luke Sital-Singh Strips Back "Call Me When You Land" For A Haunting, Cathartic Performance
Luke Sital-Singh

Photo: Courtesy of Luke Sital-Singh

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Press Play At Home: Luke Sital-Singh Strips Back "Call Me When You Land" For A Haunting, Cathartic Performance

Folk singer/songwriter Luke Sital-Singh delivers a chilling, in-studio rendition of "Call Me When You Land," his fan-favorite 2020 collaboration with Old Sea Brigade.

GRAMMYs/Oct 20, 2022 - 05:01 pm

Emotional catharsis has been a favorite piece of Luke Sital-Singh's musical toolkit since the start of his career. Ever since his 2014 full-length studio debut, The Fire Inside, the London-born balladeer has gained a name for himself as a chilling performer, bolstered by his high vocal range and intimate lyrics.

Nowhere are those skills more exemplified than in "Call Me When You Land," a meditation on love and loneliness from Sital-Singh's 2020 EP All the Ways You Sing in the Dark, a collaborative effort with Old Sea Brigade. In this episode of Press Play at Home, Sital-Singh offers a stripped-down, solo performance of the fan-favorite track, putting a spotlight on his vocals and the song's longing message. 

Sital-Singh sits in the studio for his performance of the ballad, surrounded by his gear and strumming his electric guitar. From the warm, subtle vibrato of the song's early verses to the effortless falsetto of the chorus, "Call Me When You Land" emanates the loneliness of missing someone — and counting down the minutes until you can hear their voice again, even if it's only on the other end of a phone line.

While his performance of the song feels deeply introspective and self-contained, Sital-Singh has actually unlocked potent new musical directions by working with other artists. In "Call Me When You Land" and the rest of his All the Ways You Sing in the Dark EP, Sital-Singh found collaboration to be a deeply gratifying, productive format.

So much so, in fact, that he's continued to work with musical partners on subsequent projects. Sital-Singh's latest album, 2022's Dressing Like a Stranger, finds him working with a new collaborator, Dan Croll. 

Old Sea Brigade's Ben Cramer remains in the picture, too: The pair teamed up for album track "Can't Get High," and they're on tour together this fall.

Press play on the video above to watch Sital-Singh's intimate performance of "Call Me When You Land," and keep checking back to GRAMMY.com for more episodes of Press Play at Home.

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