Photo: Getty Images for The Recording Academy
GRAMMY Museum Presents 'The Power Of Women In Country Music' Exhibit
The immersive new exhibit highlights the past, present and future of women superstars in country music — and LeAnn Rimes is scheduled for a special public program to celebrate it on May 31
From international superstars including Dolly Parton, Rosanne Cash, LeAnn Rimes, Shania Twain, and Taylor Swift to contemporary artists such as Mickey Guyton, Rissi Palmer, Leah Turner, and Carly Pearce, the GRAMMY Museum's The Power Of Women In Country Music highlights the past, present and future of country music's greatest female trailblazers.
The exhibit launches on Fri. May 27 and will run through Sun. Oct. 2. LeAnn Rimes is scheduled for a special Public Program moderated by Marissa R. Moss, author of Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be, to celebrate the new exhibit on Tues, May 31. Tickets for Museum members will go on sale starting on Thurs, April 28 and for the general public on Sat, April 30.
The Power Of Women In Country Music explores the rich history of women as a driving force in country music. From Maybelle and Sara Carter to Patsy Montana, Patsy Cline, Wanda Jackson, and Emmylou Harris, women have always been instrumental in shaping the sound of country and documenting their own saga in song.
These legendary acts eventually made way for performers such as Reba McEntire, Shania Twain, and Faith Hill and present-day hitmakers Maren Morris, Yola, and Brandi Carlile. The exhibit celebrates a dynamic group of female songwriters and performers who come from diverse backgrounds and draw from a wide array of musical influences.
As said by some of the artists participating in the exhibit:
"I was thrilled to have my very own exhibit at the GRAMMY Museum a few years ago. They are fantastic at bringing music memorabilia to the fans. So, of course I wanted to support the Women In Country exhibit. I hope you enjoy a little glimpse into my world, from one country fan to another." — Dolly Parton
"It's humbling to be included in the Women In Country exhibition alongside such powerful and impactful female artists. This also couldn't be better timing to highlight items from some of my most memorable moments as this year marks my 25th anniversary in the industry. It's wild to think how quickly time goes by when you're doing something you truly love!" — LeAnn Rimes
"I am absolutely blown away to be included in the GRAMMY Museum's Women In Country exhibit. I have a tremendous amount of respect and admiration of the women included. This is thrilling!" — Rissi Palmer
The Power Of Women In Country Music will take visitors on a journey through the history of women in country music, from the early years and post-World War II, to the emergence of Nashville as a country music mecca, and to female country artists becoming international pop sensations. The exhibit will feature artifacts or special content from a diverse roster of 70 female country artists.
"I am so inspired by the fearlessness, creativity and resilience of these artists. Each generation of women in country music has paved the way for the next, and now, they're headlining festivals, winning GRAMMYs, and breaking streaming records," said Kelsey Goelz, GRAMMY Museum's Associate Curator and curator of the exhibit.
Graphic: The Recording Academy
A GRAMMY Salute To The Beach Boys Tribute Concert To Feature Performances By John Legend, Brandi Carlile, St. Vincent, Beck, Fall Out Boy, Mumford & Sons, Weezer & More; Tickets On Sale Now
Taking place Wednesday, Feb. 8, at the Dolby Theatre in Hollywood, California, the live concert special will feature a star-studded lineup that also includes Charlie Puth, LeAnn Rimes, My Morning Jacket, Norah Jones, Pentatonix, Lady A, and many others.
A few days after the 2023 GRAMMYs, the Recording Academy, along with Tenth Planet Productions and CBS, will present A GRAMMY Salute to the Beach Boys, a special tribute concert honoring the legendary, GRAMMY-nominated music icons, the Beach Boys. Taking place Wednesday, Feb. 8, at the Dolby Theatre in Hollywood, California, the live concert special will feature a star-studded performer lineup that includes GRAMMY-winning artists and past and current GRAMMY nominees including Beck, Brandi Carlile, Fall Out Boy, Andy Grammer, Hanson, Norah Jones, Lady A, John Legend, Little Big Town, Michael McDonald, Mumford & Sons, My Morning Jacket, Pentatonix, Charlie Puth, LeAnn Rimes, St. Vincent, Take 6, and Weezer, who will all celebrate and honor the Beach Boys’ everlasting music and impactful career.
A GRAMMY Salute to the Beach Boys will air on the CBS Television Network and will be available live and on demand on Paramount+ at a later date. More info on the event is below.
Wednesday, Feb. 8
Doors: 5:30 p.m. PT
Concert: 6:30 p.m. PT
6801 Hollywood Blvd
Los Angeles, CA 90028
PHOTOS (CLOCKWISE, L-R): KEVIN MAZUR/GETTY IMAGES FOR THE RECORDING ACADEMY, JEFF KRAVITZ/FILMMAGIC, MICHAEL CAULFIELD/GETTY IMAGES, CLIFF LIPSON/CBS VIA GETTY IMAGES, KEVIN MAZUR/WIREIMAGE
The Taylor Swift Essentials: 13 Songs That Display Her Storytelling Prowess And Genre-Bouncing Genius
Ahead of the 2023 GRAMMYs on Feb. 5 and Taylor Swift's "The Eras Tour" kicking off in March, revisit these 13 hits and beloved classics by the 11-time GRAMMY winner.
We're all under Taylor Swift's spell. From her poppy radio hits to her crying-on-the-floor anthems, her discography is as enthralling as it is extensive. She enchants with stories about not just heartbreak and lost loves, but also about wider reflections on life — self-worth, fame, politics, family, moving on, change.
Though Swift emerged as a country icon in high school, she has leapt across genres with ease in the years since, mastering them as well as shaping them. Whether she's busy conquering synth pop or molding indie folk, her songwriting cultivates a divine magic, one that merges reality and fiction with profound intimacy.
After expanding her sonic universe further with Midnights last year, Swift will kick off her "Eras Tour" in March. Simply the name of her tour indicates the expanse and power of her musical career thus far: as she bridges her eras, she builds her legacy.
Her legacy receives a unique nod through her four nominations for the 2023 GRAMMYs: while Swift is nominated for her Where The Crawdads Sing track, "Carolina," she's also nominated for songs that she wrote years ago, around the time of her original Red release. And just this month, Midnights' "Anti-Hero" broke Swift's personal record for her longest-running No. 1 single on the Billboard Hot 100, further proving that she hasn't lost her touch.
By cherishing her past while continuing to mold her musical future, Swift strikingly dominates with staying power. Ahead of the 2023 GRAMMYs and Swift's upcoming "The Eras Tour," here are 13 tracks that highlight Swift's evolution up to Midnights, honoring her trailblazing creativity and versatility.
"Our Song," Taylor Swift (2006)
A song about a song, how meta of Swift. One of her earliest meta songwriting moves, "Our Song" encapsulates a relationship's everlasting beauty with the warm breeziness of riding shotgun. Its lighthearted conversational lyricism emits an infectious joy that helped introduce Swift as a songwriter who is both relatable and captivating.
The banjo-led tune establishes the singer's country roots with a casual, but vivid image: Swift grinning with her elbow on the car door, hair windswept with the windows down. She may have written "Our Song" for a talent show back in high school, but Swift clearly had the songwriting prowess of a superstar — one that grew well beyond freshman year.
"White Horse," Fearless (2008)
Just two tracks after the whirlwind romance of "Love Story," Swift finds herself closing her fairytale storybook to disappointment. While "White Horse" sees the singer question her self-worth and cradle her crushed dreams, the heartbreaking track ended up earning Swift two GRAMMY Awards for Best Country Song and Best Female Country Vocal Performance in 2010. (The singer scored her first GRAMMY wins that year, taking home four GRAMMYs total. To date, Taylor Swift has won 11 GRAMMYs and received 42 nominations overall.)
Although the acoustic ballad wallows in sorrow, gloom eventually blooms into a necessary epiphany: "I'm gonna find someone someday who might actually treat me well," Swift realizes in the final chorus. In this way, "White Horse" prevails as one of the singer's most powerful ballads to date — and judging by what Swift has said about Midnights track "Lavender Haze," that realization has come true.
"Forever & Always," Fearless (2008)
"Forever & Always" is arguably one of Fearless' staple tracks, but what many fans may not know is that the timeless track almost didn't make the album. The pop-rock anthem track sees Swift denounce a hypocritical ex who misled her, and she criticizes them with a slew of questions she already knows the answers to: "Were you just kidding?" "Was I out of line?" "Did you forget everything?" From distress to confusion to anger, the song bursts with warranted rage at a betrayal, cementing Swift as a master of channeling heartbreak.
"Enchanted," Speak Now (2010)
Long before "Enchanted" spiraled into one of Swift's many viral TikTok moments, the Speak Now deep cut bewitched listeners from the second it arrived more than a decade ago. The song hums with anticipation, with early acoustic guitar later giving way to overwhelming yearning and anthemic production.
The way the song progresses is almost like a fairytale, starting with a longing stare and playful conversation before ending with a rosy-cheeked walk home. It's a near-perfect display of Swift's ability to capture an incisive, fleeting romance in song, from the smitten lyrics to cinematic production. And though the love song serves more of a captivating cliffhanger than a finished chapter, its story still leaves listeners blushing all the way home.
"Back To December," Speak Now (2010)
On Speak Now's "Back to December," Swift sifts through wilting roses and missed birthdays to unearth a sorrowful confession. As she comes to terms with her regret over ending a healthy relationship, the track swells with guilt and sincerity. While many of Swift's preceding romantic songs were characterized by longing or criticism, "Back to December" takes the rare form of a bittersweet, candid apology that exhibits maturity and grace.
"Mean," Speak Now (2010)
Complete with banjo and fiddle, "Mean" isn't just the only country-driven track on Speak Now, but it's also one of the last truly classic country songs of her catalog. The album's spunky sixth track goes down as one of Swift's most beautifully berating to date — even alongside "Look What You Made Me Do," "Bad Blood," and "Picture to Burn" — as she lambastes a cruel critic and realizes her self-worth.
Ironically, the Swift track that most put haters on blast is one of her most critically acclaimed, as the song won Swift two GRAMMY Awards for Best Country Solo Performance and Best Country Song in 2012. "Mean" also thrives as a manifestation — she has certainly become big enough that they can't hit her.
"Blank Space," 1989 (2014)
Nice to meet you, where you been? Swift's 1989 era submerged the singer in heavy synth and kaleidoscopic pop, and the record's exuberant second single "Blank Space" best flaunts Swift's multifaceted artist persona. The illustrious pop song satirizes the media's image of Swift as a serial dater, coasting with a sultry liveliness before escalating into ferocity.
Swift is scathingly and brilliantly self-aware as she acknowledges the world's view of her reputation: "Got a long list of ex-lovers/ They'll tell you I'm insane/ 'Cause you know I love the players/ And you love the game."
She continued poking fun at the "crazy ex-girlfriend" trope in the music video, from wrecking her former lover's car to setting his clothes on fire. The cleverly self-deprecating narrative (and genius visual) helped "Blank Space" become Swift's biggest streaming song to date, garnering a whopping 3 billion views on YouTube alone.
Accolades aside, "Blank Space" marked an important turning point for Swift. It was the first time she used her autobiographical songwriting style to take the power back — and most importantly, prove that no matter what is said about her, she'll keep cranking out the hits.
"Don't Blame Me," reputation (2017)
Defiance defines "Don't Blame Me," the fourth track from Swift's intrepid — and perhaps most unexpected — album reputation. The track personifies catharsis, uplifted by heavy bass and hard-hitting synth. Although the song is loosely about an intoxicating love, its ambition also represents Swift reclaiming her narrative once again.
Drawing comparisons to Madonna's "Like a Prayer" and Hozier's "Take Me to Church," the song marks more than moody melodrama, but shamelessly moving forward. Amid public quarrels with other celebrities — as well as the tabloids' obsession with her personal life — she makes a very definitive statement: don't blame her.
"Cruel Summer," Lover (2019)
"Cruel Summer" strikes Swift's discography in a zealous way, recalling the dreamy worlds of 1989's "Style" or reputation's "Getaway Car." The song sees Swift reminisce about a whirlwind summer romance with bittersweet intensity.
The track's assertive, immaculate electropop writhes irresistibly as Swift navigates the stark pain of secrets and love. Everything about "Cruel Summer" is sharp and exquisite, and the way its bridge bursts with melodramatic vigor is enough alone to make this a vital Swift track, even if it wasn't a single.
"the last great american dynasty," folklore (2020)
"the last great american dynasty" flourishes as one of Swift's most lucid, exquisite storytelling ventures — and as any Swiftie knows, that's saying something.
Reading like a short story, the crisp indie track recounts the life of American socialite Rebekah Harkness, one of the former owners of Swift's Rhode Island mansion. Swift weaves the past and present together seamlessly, drawing parallels between herself and Harkness with vivid detail and keen clarity. On this folklore track, Swift presents a refreshing creative vision by flaunting a new, innovative facet of her songwriting prowess.
"betty," folklore (2020)
Swift's first indie-folk foray, folklore, spins a tantalizing fictional love triangle across three tracks: "cardigan," "august," and "betty." The latter shimmers with reflective hope and heartache from the perspective of a character named James.
The apologetic, harmonica-driven folk rock track is reminiscent of Swift's earlier, country-rooted music — yet, the way its intricate narration uniquely interlocks with other album tracks is more characteristic of Swift's modern storytelling craft. Swinging between lighthearted and forlorn, "betty" cements Swift as a mystical mastermind.
"All Too Well (10 Minute Version) (Taylor's Version) (From The Vault)," Red (Taylor's Version) (2021)
Swift's "All Too Well (10 Minute Version)" might very well be her magnum opus. Although the original beloved song from Red was never released as a single, it emerged as a fan favorite for its tragic retelling of visceral heartbreak. And once Swift released a new — and much longer — 10-minute edition of the gut-wrenching track on Red (Taylor's Version) nearly a decade later, it almost instantly became the fan favorite.
The song broke the Guinness World Record for being the longest song to reach No. 1 on Billboard Hot 100 (beating out Don McLean's "American Pie"!), and its cinematic music video "All Too Well: The Short Film" continued to stretch the Swift multiverse. With lucid lyricism, cathartic storytelling, and riveting melodies, "All Too Well (10 Minute Version)" triumphs as the pinnacle example of everything that makes Swift a revered songwriter and certified star — one who continues to shine like an ever-lovely jewel.
"Anti-Hero," Midnights (2022)
"It's me, hi, I'm the problem, it's me," Swift sighs on "Anti-Hero." Self-hatred takes center stage on the lead single from Midnights, inspired by the singer's insecurities, nightmares and fear of depersonalization.
Over a swirl of steady upbeat production, the pop song draws comparisons to the heartbreaking honesty of Lover's "The Archer." Her poetic candor takes on a self-destructive quality ("I'll stare directly at the sun but never in the mirror," she admits) that conveys an all-consuming loneliness — and at the same time, stark self-awareness.
Yet, Swift isn't an anti-hero, she's a mastermind. Serving as a "guided tour" of the things she tends to hate about herself, "Anti-Hero" spotlights not only the weight of Swift's vulnerability, but also its power. This capability transcends beyond Midnights; her sweeping creative force stretches across her past records and conquered genres. And even despite any insecurities, her influence has only continued to grow — showing that Taylor Swift will never go out of style.
Photo: Focus On Sport / Contributor / Getty Images
The GRAMMY Museum Announces 'Shakira, Shakira: The GRAMMY Museum Experience,' Honoring Her Creative Legacy; Opening March 2023
To showcase Shakira's enduring career, the GRAMMY Museum presents 'Shakira, Shakira: The GRAMMY Museum Experience,' opening on Saturday, March 4, as part of the Museum's permanent Latin Music Gallery
On Saturday, March 4, The GRAMMY Museum will open Shakira, Shakira: The GRAMMY Museum Experience, showcasing Shakira's enduring creative legacy spanning more than three decades as a singer, songwriter, producer, dancer, visual artist, philanthropist, and global icon.
Visitors can see the exhibit on display in downtown Los Angeles at the Museum's permanent Latin Music Gallery.
A multi-GRAMMY-winning and Latin GRAMMY Award-winning artist, Shakira has sold more than 85 million records worldwide and has won numerous awards in addition to those from the Recording Academy. Her albums and releases consistently break records, and she is the most-viewed and -streamed Latin female artist of all time on YouTube and Spotify. She was also honored as the Latin Recording Academy’s Person of the Year in 2011 for her artistic achievements in the Latin music industry as well as their humanitarian efforts.
"It's an honor to have the journey of my career displayed at the GRAMMY Museum," Shakira said in a statement. "These pieces are a testament to so many indelible moments that I cherish, and I'm so happy to be able to relive these memories with those who have and continue to support me as an artist."
Shakira, Shakira explores the artist's musical evolution, from her origins as a Latin rock-loving singer/songwriter in Barranquilla, Colombia, to a global superstar whose catalog spans multiple genres, from bhangra and bachata to rock and reggaetón.
Early in her career, Shakira began fusing elements of her ethnicities and multicultural roots to construct a richly layered sonic universe that allowed her to grow as a creator while appealing to a worldwide audience. Partly by incorporating her Lebanese heritage on her father's side — along with Arabic dancing and the mainstream pop rock that she grew up with — she achieved international crossover success and broke boundaries for Latin artists.
To deepen visitors' appreciation and understanding of how these cultural elements have shaped every aspect of her songs, music videos, performances, and world tours, the first museum exhibit about Shakira features interactive features that provide fresh insights into her creative process.
It also includes a songwriting notebook with handwritten lyrics from her personal archive along with 40 other artifacts, acoustic and Swarovski-studded electric guitars, iconic outfits from her performances and album covers, three original films, and an immersive space that draws inspiration from her El Dorado tour.
Highlights from the Shakira, Shakira: The GRAMMY Museum Experience include:
Forty artifacts from Shakira’s personal archive
Shakira’s two 2020 Super Bowl LIV outfits (one red, one gold) and her Gibson Firebird electric guitar, covered with 70,000 black Swarovski crystals
Taylor acoustic guitar that Shakira uses for songwriting
Fender Stratocaster, covered with pink Swarovski crystals, that Shakira played on her Oral Fixation tour (2006-2007)
Gold Yamaha Revstar electric guitar Shakira played on her 2018 El Dorado tour
Iconic outfits from Shakira’s 2018 El Dorado tour
Leaf-covered bikini Shakira wore on the cover of her 2005 album, Oral Fixation, Vol. 2
Songwriting notebook with handwritten lyrics
This announcement comes on the heels of Shakira's latest release with Argentinian producer and DJ Bizarrap, "SHAKIRA || BZRP Music Sessions #53," which has made history in its own way. With the most streams in a single day for a Spanish-language song, it raked in more than 14 million streams in the first 24 hours and became the fastest Latin song to reach 100 million streams. Another historic moment for Shakira, the song debuted at #9 on the Billboard Hot 100, making her the first solo woman to reach the Top 10 on the chart with a song recorded in Spanish. She has also broken the all-time record for most monthly listeners for a Latin artist in Spotify history. The video amassed 160 million views on YouTube in the first week.
"Shakira is the rare superstar who has discovered a way to keep evolving as an artist while growing her expansive audience along with her," said Jasen Emmons, Chief Curator & Vice President of Curatorial Affairs at the GRAMMY Museum. "She's a serious student of music, and the GRAMMY Museum is excited to offer a dynamic exhibit that reflects her intelligence and artistry."
Photo: Jason Kempin/Getty Images
A Look Inside The 2023 Recording Academy Nashville Chapter Nominee Celebration, A Tribute To Its Supportive Musical Community
Two weeks before the 2023 GRAMMYs, the Recording Academy's Nashville Chapter celebrated its impressive 91 nominees with a slew of energetic performances and happy reunions.
If there's one way to sum up the Nashville Chapter of the Recording Academy, Chapter President, Ruby Amanfu, says it best: "It's about camaraderie, not competition."
That was exactly the feeling that resonated on Jan. 18, when Chapter members came together for the Nashville Chapter Nominee Celebration, honoring its 2023 GRAMMYs nominees. The three-hour event featured hors d'oeuvres (including hot chicken biscuits, a Nashville staple, and perhaps the largest charcuterie board you'll ever see), an open bar with signature cocktails from GRAMMYs sponsor Grey Goose, a red carpet, a photo booth, and performances from GRAMMY-winning Chapter members — and, of course, plenty of camaraderie.
"Nashville is really excellent at loving itself, in a lovely way. Supporting itself, and being proud of each other," Laura Veltz, one of the inaugural nominees in the new Songwriter Of The Year, Non-Classical category, told GRAMMY.com on the red carpet. "Everyone's coming with me, because this is validating us as a community."
Love and respect was abundant as attendees mingled — so much so that it was hard to tell who were the celebrators and who were the celebratees (well, other than silver gramophone pins that nominees sported). But it's quite possible that almost everyone in the room was nominated, because the Nashville Chapter boasts 91 nominees at the 2023 GRAMMYs.
As Amanfu noted before performers took the stage, the Nashville Chapter is the leader in 2023 GRAMMY nominations in the Americana, Bluegrass, Gospel, Contemporary Christian, and Country Fields; the Chapter also received nominations in all four General Field categories, as well as a wide array of categories from Best Contemporary Blues Album to Best Metal Performance.
The Chapter's diversity was celebrated with performances from rising pop singer/songwriter Morgxn, rap multihyphenate Derek Minor, spoken word artists S-Wrap and Minton Sparks, renowned bassist/songwriter Tommy Sims, country singer/songwriter Maggie Rose, banjo star Alison Brown, and Charles Kelley of country trio Lady A.
Each performer delivered covers of previous GRAMMY-winning and -nominated tunes, including Song Of The Year winners like Lorde's "Royals," Adele's "Rollin' in the Deep" and Eric Clapton's "Change the World" — the latter of which was co-written by Sims. (Musicians Tyler Cain, Rob Cureton, Jon Lucas, and Marcus Perry served as the backing band; three-time GRAMMY-winning producer Shannon Sanders emceed the event.)
Even those who are nominees couldn't help but salute other artists, including hitmaking songwriters Liz Rose and Lori McKenna, who walked the red carpet together. Each of them are nominated for a Taylor Swift song this year, Rose for Song Of The Year nominee "All Too Well (10 Minute Version) (The Short Film)," and McKenna for Best Country Song nominee "I Bet You Think About Me (Taylor's Version) [From the Vault]."
Rose touted Swift's efforts in creating a new world around the fan-favorite track — which also featured a short film that is nominated for Best Music Video — as well as her ability as a writer. "She's one of the biggest artists in the world, but she's also one of the best songwriters that ever lived, and we will always say that," Rose says. "For her to be recognized as a songwriter in the country category and overall is huge."
McKenna particularly loved the country recognition, as it's only Swift's second nomination in the Country Field since she transitioned to pop in 2014. (Swift was nominated for Best Country Song in 2018 for Little Big Town's "Better Man," which she wrote herself.)
"I was just kind of honored that the country community understood that she's part of our genre, she's part of our world," McKenna says. "We're always going to love our Taylor Swift, and she's always going to love us."
Country veteran Bill Anderson was celebrating his first nomination as an artist, Best American Roots Performance for his song "Someday It'll All Make Sense (Bluegrass Version)" with Dolly Parton. Though Parton couldn't be there to toast with him, Anderson says she did send him a note upon their nomination, and she was top of mind as he discussed the honor.
"If her name hadn't been attached to this, I probably wouldn't have this nomination," he says. "So thank you, Dolly, wherever you are."
The love for one another even rang true on stage, as Charles Kelley gave a congratulatory shout-out to his Lady A bandmate Hillary Scott — whom he referred to as "my family" — before closing out the event with a rendition of Marvin Gaye's "What's Going On." This year, Scott is nominated alongside two male artists that aren't her bandmates, but are good friends, Christian pop duo FOR KING & COUNTRY. (Their collaboration "For God Is With Us" is nominated for Best Contemporary Christian Music Performance/Song.)
Once the performances finished, several attendees stuck around — taking photos together, congratulating each other and giving each other hugs. After all, it's all about the camaraderie, not the competition.