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Bootsy Collins Shares Gratitude For Loyal Fans | GRAMMY Salute To Music Legends

Bootsy Collins

Photo by Rebecca Sapp / Stringer

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Bootsy Collins Shares Gratitude For Loyal Fans | GRAMMY Salute To Music Legends

Fan loyalty made his 2001 GRAMMY win even better, the funk singer said after his GRAMMY Salute performance

GRAMMYs/Oct 17, 2019 - 02:19 am

Bootsy Collins' warm energy was as great as his shiny purple outfit at the 2019 GRAMMY Salute To Music Legends. After his star-studded medley with George Clinton, Sativa, Eddie M, Sheila E., and Snoop Dogg in honor of George Clinton & Parliament-Funkadelic, Collins shared the amazing feeling and validation of winning a golden gramophone.

"You would think at some point you'd get past that feeling of certain things happening and you just feel incredible," he said, "but it just seems to kinda keep mounting and mounting and this is one that, you just feel amazing."

The "Bootzilla" singer said winning makes you thankful, especially to fans: "Everybody that was screaming for you while you were going through those growing pains, it's a good feeling." 

Watch Collins talk about how grateful he was to fans after his 2001 GRAMMY win, and catch GRAMMY Salute To Music Legends on Oct. 18 on PBS (check your local listings).

George Clinton: "The Funk Is Just Beginning" | GRAMMY Salute To Music Legends

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Why A World Without Herbie Hancock Is Unimaginable

Chick Corea describes how the legendary GRAMMY winner has created a musical touchstone for every future culture to aspire to

GRAMMYs/Oct 7, 2016 - 09:05 pm

("GRAMMY Salute To Music Legends" — a special all-star concert honoring The Recording Academy's 2016 Special Merit Awards recipients — will air Oct. 14 from 9–11:30 p.m. on PBS. Herbie Hancock, who received a 2016 Lifetime Achievement Award from The Recording Academy, will be among the artists saluted.)

Herbie Hancock was on the New York City jazz scene making some young musical noise a few years before I arrived in 1959, fresh out of high school in Chelsea, Mass.

I remember seeing him live for the first time when I went to the old Birdland at 52nd St. and Broadway. It was a Monday night. Mondays were the jam session nights at this venerable old club, and there was Herbie onstage with Joe Chambers and some horn players sitting in. I distinctly remember being amazed by the free and creative approach he and the band were taking with the standards they were playing. They were changing the rules and not asking for a license to do it. Right away, I connected with Herbie's sense of adventure and musical exploration, which I myself had just begun realizing.

The amazing thing about this adventure of his is that for a whole lifetime the adventure hasn't stopped. Miles set a powerful example for all of us — and Herbie was an integral part of that groundbreaking quintet that changed the face of jazz and music in general. But he has taken it several steps further by making full use of every new keyboard and sonic possibility, bridging new musical forms to combine the richness of our music’s past with the unknown of the new creative ideas from his seemingly infinite imagination. With his ongoing creativeness and successes in movie scores and both pop and classical music, he's certainly never been afraid to explore and to change — and does so frequently and unabashedly.

From his first solo albums Takin' Off, Empyrean Isles and Maiden Voyage, to his reach-out-to-the-world collaborations such as Possibilities, River: The Joni Letters and The Imagine Project, his ever-evolving musical creativeness continues to inspire and soothe souls the world over.

Ever since I've known Herbie, he has always inspired me and the music world to be free and reach for greater heights of accomplishment. His validation of the artist's imagination and his demonstration of its ultimate purpose through the amazing music he has created — and continues to create are a touchstone for every future culture to aspire to.

The world without Herbie Hancock is unimaginable. His contributions to music and to humanity on this planet are immeasurable. Congratulations, Herbie. You are simply the best!

(A 22-time GRAMMY winner, Chick Corea's extensive discography includes 1978’s An Evening With Herbie Hancock & Chick Corea: In Concert, a live album featuring both artists playing acoustic piano. In 2015 Corea released Two, a collaboration with GRAMMY winner Béla Fleck.)

Tyga Talks Inspiration Behind "Go Loko" & Collaborating With L.A. Rappers Like YG

Tyga 

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Tyga Talks Inspiration Behind "Go Loko" & Collaborating With L.A. Rappers Like YG

"Growing up in L.A., it's a really big culture here, Mexican culture," the rapper said. "So we really wanted to do something to give back to the culture."

GRAMMYs/Jun 8, 2019 - 04:16 am

Tyga's latest collab has him paying tribute to Los Angeles' large Mexican community. The rapper is featured on fellow L.A. rapper YG's  leading single, "Go Loko" off his latest album 4REAL 4REAL and when asked about his take on the song, he says much of it was inspired by Mexico's cultural impact. 

"Growing up in L.A., it's a really big culture here," he said. "Even YG could tell you, he grew up around all Mexicans, so we really wanted to do something to give back to the culture."

The video features visuals and symbolisms inpired by the Mexican community, including mariachi, but also by the Puerto Rican community (you'll easily spot the boricua flag). The song also features Puerto Rican rapper Jon Z. Tyga mentioned the diversity of Latinos on the different coasts and wanted to make a song that also celebrates the different Latin cultures in the country. "We wanted to do something different to kinda try to bring all Latins together," he said. 

Watch the video above to hear more about the song and the vibe when he joins forces with other L.A. rapppers. 

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Quarantine Diaries: ARI Is Cuddling With Her Cat, Making Her Own Tea & Preparing For Her Debut 'IDIOT GRL' EP Release

ARI

Photo: Nicole Davis

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Quarantine Diaries: ARI Is Cuddling With Her Cat, Making Her Own Tea & Preparing For Her Debut 'IDIOT GRL' EP Release

As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors

GRAMMYs/Aug 12, 2020 - 02:59 am

As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors. Today, rising singer/songwriter ARI shares her quarantine diary. ARI's debut IDIOT GRL EP is out Aug. 14.

[9:40 a.m.] A late start to the day. I just woke up to my cat Malakai licking my face and snuggling under my chin, desperate for cuddles. I reluctantly gave in before diving into my morning routine, which starts by going through all of the daily news on my Snapchat feed to see what’s going on in the world.

[11 a.m.] Just out of the shower and into the kitchen for the usual: tea and avocado toast. I don’t typically like tea or coffee, but I had this amazing tea from Starbucks once and fell in love with it. I ended up finding the recipe and making it myself, and to be honest, I like my version better. Once I boil the kettle, I start part two of my morning “meditation”: watching one of my favourite shows while I respond to emails. With the IDIOT GRL EP coming out next week, I can tell you there are a TON of emails. I turned on "Gilmore Girls" (my guilty pleasure) and opened up my laptop to go through my calendar.

[1:45 p.m.] Recording session time. Zoom calls have become my everyday life. It’s crazy to think that this time last year, you could actually be in a room with people. Now the most social interaction I get is virtually. On the positive side, I get to set up my little home studio from the comfort of my own bed and I find the sessions to be really productive with no outside distractions.

[3:30 p.m.] Malakai is meowing at my door. As I try to sing over him, eventually I can’t ignore his cute little voice. We take a quick break and I have a little playtime with him. I can hear my song playing in the living room—it still weirds me out hearing myself. My guess is my roommate aka my manager is sending off final approval for the “IDIOT GRL” music video, which comes out the same day as the EP. Super excited for everyone to finally see it!

[6:00 p.m.] Time for dinner. It may just be my favourite part of the day. During my session, my roommate cooked us some delicious pasta. We eat dinner together every night, which is really nice. Usually, after dinner, we wind down and watch TV, but we decided to try doing an arts and crafts project tonight. I watched this TikTok video of a DIY way to make music plaques. You take a screenshot of a song on Spotify and use a marker to trace out the name of the song, artist, play button, etc. Once that’s done, you simply add the album artwork of your choice, frame it, and voila! I thought it would be a cool idea to make a wall of each of the songs off of my EP.

[9:00 p.m.] After an eventful day, I decided to go watch a drive-in Maple Leafs game (wearing a mask, of course). My sister works for the TSN network and started hosting drive-in game nights to promote the network and social distancing events. I’ll admit, I’m not the biggest hockey fan, but I’ll never pass up an opportunity to spend time with my family.

[11:30 p.m.] I finally get home and hop straight into bed. I feel like I haven’t spent much time on Instagram today, so figured I’d open it up before getting some shuteye. I launched the pre-save link for the EP today and told my followers that I would DM anyone who pre-saved it and sent me a screenshot. I always love getting to interact with my fans and I can’t tell you how grateful I am to see how excited people are for my debut EP. It’s a great feeling to end the day with.

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EXCLUSIVE PREMIERE: Mexican Institute Of Sound Takes Gaby Moreno Into New Musical Territory With Mystifying "Yemayá"

Gaby Moreno 

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EXCLUSIVE PREMIERE: Mexican Institute Of Sound Takes Gaby Moreno Into New Musical Territory With Mystifying "Yemayá"

Listen to the synth-infused track blending pop and Latin sounds that's named after the Afro-Carribean goddess who represents fertility, water and self-love

GRAMMYs/Jun 25, 2020 - 08:56 pm

Anything Mexican Institute Of Sound (MIS), a.k.a Camilo Lara, touches turns into musical gold. The Mexican producer and artist proves that with celebrated GRAMMY-nominated singer/songwriter Gaby Moreno in "Yemayá."

Moreno, whose soothing voice we have heard magically adapt to a range of genres including Americana, Latin folk and R&B, continues exploring her creative range this time with GRAMMY-nominated Lara in the synth-infused, mystifying track blending pop and Latin sounds. The catchy song about the overpowering feeling of love is named after the Afro-Carribean goddess who represents fertility, water and self-love.

Moreno told the Recording Academy she and Lara wanted to capture the deity's essence in their collaboration:

"She's a powerful woman of color taking all forms. It's a universal theme and we wanted to incorporate this mysterious and mystic figure into the song, since it's part of the folklore of many different cultures." 

The song, which Lara brought to Moreno and was written in one day in 2019 at Red Bull Studios, takes Moreno into new territory. 

"I’ve been a big admirer of [Lara's] work and esthetic and the way he blends Latin folk music with electronic and hip hop. I come from a fairly different musical background, having very rarely experimented with synths and those kinds of sounds, so this was a really fun and different collaboration for me," she said. "I got to step out of my comfort zone and bring forth something a bit unusual but very much enjoyable, nonetheless."

The Guatemalan singer/songwriter will also soon be releasing "Fire Inside," a song she wrote with Andrew Bissell. The song has already been featured on ABC’s "Station 19", TLC’s promo "I Am Jazz," UK’s "Free Rein," NBC’s "American Ninja Warrior" and recently on YouTube’s "Dear Class of 2020."

Moreno is also working on an upcoming album she will produce herself and is also producing other artists. 

Listen to "Yemayá" in full above. 

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