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5 Takeaways From Burna Boy’s New Album 'Love, Damini'
Burna Boy performs at the Glastonbury Festival.

Photo: Joseph Okpako/WireImage

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5 Takeaways From Burna Boy’s New Album 'Love, Damini'

On his sixth studio album, 'Love, Damini,' Burna Boy reveals a more vulnerable side while continuing to perfect and iterate on Afro-fusion.

GRAMMYs/Jul 11, 2022 - 08:19 pm

Burna Boy’s rapid ascent to becoming one of this generation’s biggest international superstars is a true wonder. The Nigerian-born star brought "Afro-fusion" — an infectious blend of Afrobeats, dancehall and reggae, hip-hop and pop — to the masses all while shattering stereotypes that Africa has a singular sound.

Burna Boy’s success in Afrobeats is multi-faceted: The 31-year-old artist has refused to be put in a genre-specific box, combining playful ego with an inability to ignore the political issues in his homeland. His journey — which netted a GRAMMY win for Best Global Music Album in 2021 — continues with his sixth studio album, Love, Damini.

Released on July 8, the 19-track album was initially meant to arrive on July 2 (the artist’s birthday) as a present of sorts. It’s his most personal record yet, telling a story of the discovery (and loss) of romance, finding peace within the overwhelmingly bright lights of fame, frustrations with the Nigerian government, and throwing a party with a handful of guest artists.

"It’s a bit personal [because] it’s bringing you into my head on my birthday — when you turn 31 and ain’t got no kids, everything is going good and bad at the same time. You reflect and then you get as lit as possible," Burna Boy told Billboard of the album title in May. "Then you sleep and wake up and reflect again. I’m reflecting on everything — what I’m doing and what’s happening where I’m from. Where I’m from is a part of where I’m going."

​​Here are five takeaways from Burna Boy’s new album Love, Damini.

Love, Damini Is A Love Letter Not Only To Burna's Fans, But To Himself

Don’t let album titles like African Giant and Twice As Tall fool you; Burna Boy hasn’t lost his sense of gratitude. On Love, Damini, the artist flips g the spotlight from himself to his fans. The album’s title is a blatant indicator of its theme. 

The appreciation for his fans is seen in jovial anthems like "Kilometre" (which instantly became a party favorite when it was first released last April). "For My Hand" reunites Burna Boy with Ed Sheeran, where he borrows the latter’s signature passionate balladry: "Whenever I'm lonely, you're there for my soul / Wherever you are, girl, that's where I call my home." 

There are also elements of self-love (especially on the title track), where Burna Boy forgives himself for past feelings of anger and reveals how he continues to work on being a better man.

Burna Boy Is Still A Master At Choosing Guest Features

Part of Burna Boy's charm is attributed to his "open arms" attitude toward collaboration, which he has been doing since his 2013 debut L.I.F.E. These selected artists often reflect Burna Boy’s own cultural memoir (born and raised in Nigeria, studying in London, discovering dancehall music as a kid, finding his place in the industry stateside). The guests on Love, Damini is arguably Burna Boy’s most mainstream pop-leaning in a general sense, following his own recent features with artists like Beyoncé, Sam Smith, Justin Bieber and Becky G.

As his star status rises worldwide, so do the guest features, but don’t confuse "mainstream" with being disingenuous — Burna Boy still sticks true to his background. Nigeria is reflected in the playful Squid Games-sampling "Different Size" featuring Victony; London appears through rapper J Hus ("Cloak & Dagger") and Sheeran ("For My Hand"); "Toni-Ann Singh" featuring Popcaan is a sweltering escape to Jamaica; J Balvin brings Burna Boy to reggaeton with "Rollercoaster." America also gets shown love with the Blxst and Kehlani-assisted "Solid" and the motivational "Wild Dreams" with Khalid.

His Introspective Lyricism Has Gotten Even Deeper

"My life came turnin’ around from runnin' wild in my town to the glory," Burna Boy muses on Love, Damini's opener "Glory." We’ve gotten a glimpse of the artist’s plight with juggling massive fame on 2020’s Twice As Tall, but Burna's latest finds him pulling back the curtain on his emotions even further. "It’s Plenty" is a self-reflective groove where he hopes to leave the darkness behind him and bask in celebration ("Don't wanna waste my days / I want to spend them on enjoyment"). 

But it’s "How Bad Could It Be" that displays Burna Boy at his most vulnerable. The track opens with British singer Jorja Smith, Nigerian martial artist Kamaru Usman and supermodel Naomi Campbell detailing how they overcome bad moods. Burna Boy’s brooding vocals and tearful lyrics will hit close to home for many ("Get nervous, then anxiety take over your mind / And your trouble just increase in size"), while showcasing how the artist breaks diasporic taboos of discussing mental health.

"Last Last" Is A Soon-To-Be Classic

Burna Boy’s albums often have that "it" track that is immediately branded as a surefire smash. "Ye" from 2018’s Outside quickly reached signature song status and the flirty "On the Low" from 2019’s African Giant became a beloved song on social media. Now, "Last Last" joins the ranks. 

This album highlight tugged at heartstrings when it first dropped in May, thanks to the combination of Burna Boy’s genuine expression of post-relationship heartache to the brilliant sample and twist of Toni Braxton’s 2000 single, "He Wasn't Man Enough." "Last Last" is laced with pure, infectious magic and will likely hold international song of the summer status for years to come.

Celebrating The Diaspora Is A Beautiful And Delicate Dance

Marrying themes of socio-political commentary, personal problems and celebration is often tricky, then throw in attempts to top charts and dominate radio without coming off as trying too hard. However, Burna Boy has yet to face this issue because he sticks to his roots. While Love, Damini may be a more sonically mellow album, it still follows his goal of highlighting the African and Caribbean diaspora. There is a beautiful balance, from the jovial anthems to shining a light on his native Nigeria’s economic issues.

Burna Boy has risen significantly on the global stage since he was first introduced in 2013, but it’s clear he’ll never falter on his musical mission — no matter how heavy his crown gets.

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Burna Boy Wins Best Global Music Album For 'Twice As Tall' | 2021 GRAMMY Awards Show

Burna Boy accepts his 2021 GRAMMY

Photo: Rich Fury/Getty Images for The Recording Academy

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Burna Boy Wins Best Global Music Album For 'Twice As Tall' | 2021 GRAMMY Awards Show

The Nigerian powerhouse Burna Boy takes home Best Global Music Album at the 2021 GRAMMY Awards Premiere Ceremony

GRAMMYs/Mar 15, 2021 - 12:28 am

Burna Boy won Best Global Music Album for Twice As Tall at the Premiere Ceremony of the 63rd GRAMMY Awards. This marks his first career GRAMMY win. They are the first winner of the recently renamed category, formerly known as Best World Music Album. Watch his heart-warming acceptance speech below, given in English and Yoruba.

His album bested fellow nominees AntibalasBebel Gilberto, Anoushka Shankar and Tinariwen

Later, Burna gave a fire performance to close out the Premiere Ceremony, featuring two Twice As Tall tracks—watch it here.

Stay tuned to GRAMMY.com for all things GRAMMY Awards (including the Premiere Ceremony livestream), and make sure to watch the 2021 GRAMMY Awards show, airing live on CBS and Paramount+ tonight, Sun., March 14 at 8:00 p.m. ET/5:00 p.m. PT.

Check out all the complete 2021 GRAMMY Awards show winners and nominees list here.

Watch Burna Boy Slay With Performance Of "Level Up," "Onyeka" & "Ye" At 2021 GRAMMY Awards Premiere Ceremony

2021 In Review: 8 Trends That Defined Pop

Taylor Swift

Photo: Will Heath/NBC/NBCU Photo Bank via Getty Images

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2021 In Review: 8 Trends That Defined Pop

Pop's reach became even wider this year, with newcomers, superstars and global acts all delivering some of the year's biggest hits and memorable moments

GRAMMYs/Dec 30, 2021 - 10:06 pm

It seems there's never a dull moment in pop music. But in 2021, the genre's rising stars and longtime greats all came out swinging, always giving fans something to be excited about.

Taylor Swift and her unofficial protege, Olivia Rodrigo, made for two of the biggest stories of the year: Swift began releasing her rerecorded albums, and Rodrigo had the world listening after she dropped her global phenomenon "driver's license."

Pop expanded its palette this year, too, with K-pop experiencing its biggest year yet and Nigeria proving that its Afropop stars have some serious promise.

On top of all of that, fans finally received some of pop's most-anticipated albums in 2021, making for a year that was truly monumental and memorable. Take a look at eight of the genre's most prominent trends below.

Teenage Angst Took Over

From the moment 2021 began, there was no denying it was going to be the year of Olivia Rodrigo. With the runaway chart and streaming successes of her two biggest hits so far — the teenage heartbreak ballad "driver's license" and the angsty, Paramore-sampling "good 4 u," which both debuted atop the Billboard Hot 100 — the 18-year-old was at the helm of young stars who weren't afraid to get raw and real in 2021.

A sense of vulnerability was the through-line of pop's new wave this year, and it clearly resonated. In addition to Rodrigo's triumphs, Australian breakout The Kid LAROI landed a Top 10 hit with the gut-wrenching acoustic track "Without You" as well as a Hot 100 and pop radio No. 1 with the Justin Bieber-assisted bop "Stay." And if the honest lyrics of his hit singles aren't enough indication, just look at the title of its parent album: F--- Love.

Tate McRae, another 18-year-old, also hit a sweet spot with her peers with her anti-sympathetic breakup song, "you broke me first." The song has amassed more than one billion streams worldwide, also reaching No. 1 on pop radio.

Of course, Gen Z first got in their feelings thanks to Billie Eilish, and she continued to carry her torch in 2021 with the release of her second album, Happier Than Ever. Though the album's jazz-influenced, downtempo nature was a departure from the trap-led sound of her debut, When We All Fall Asleep, Where Do We Go?, it lyrically stayed right in line with the trenchant honesty that made her a star — and, seemingly, opened the floodgates for her teen successors.

"Taylor's Versions" Caused a Frenzy

Nearly two years after Taylor Swift announced that she'd be re-recording her first six albums in order to regain artistic and financial control, the first two albums arrived in 2021. And boy, did Swifties have a field day.

The country starlet turned pop superstar knew exactly what her loyal legion of followers would want, releasing remakes of fan favorites Fearless and Red this year. Upon the April release of Fearless (Taylor's Version), the album had the biggest opening day for an album on Spotify in 2021, garnering 50 million global streams on its first day and subsequently debuting atop the Billboard 200.

Yet, it was Red (Taylor's Version) that became a phenomenon, becoming the most-streamed album in a day from a female artist on Spotify with nearly 91 million global first-day streams (breaking the record she previously set with 2020's Folklore). The album's immediate draw owed partial thanks to a 10-minute version of her beloved power ballad "All Too Well," which took on a life of its own. Along with becoming a short film that Swift debuted in New York City and earning the singer her eighth No. 1 hit on the Billboard Hot 100, it also blew up the Twittersphere with scathing (yet amusing) tweets about the song's supposed subject, actor Jake Gyllenhaal.

Among Red (Taylor's Version)'s many other feats, the 10-minute, 13-second version of "All Too Well" also became the longest song to top the Hot 100. With four re-records still left to release, who knows what kind of records Swift will break next?

Black Women Took The Genre By Storm

While 2021 wasn't necessarily a breakout year for Doja Cat or Normani, it was the year that both stars came into their own — and, ultimately, reinvented the pop star ideal.

After teasing her pop sensibility with her 2020 smash "Say So," Doja Cat struck pop gold again with the SZA-featuring "Kiss Me More." The disco-tinged hit was just one of the many A-list collaborations on Doja's hailed album Planet Her, which has accumulated more than 3 billion streams since its June release and debuted at No. 2 on the Billboard 200.

On the opposite end, Normani — who got her start in pop girl group Fifth Harmony and saw her first two solo hits (2018's "Love Lies" and 2019's "Dancing With a Stranger") take over pop radio — reminded listeners of her versatility in 2021. Following an empowered team-up with Megan Thee Stallion for the Birds of Prey soundtrack, Normani recruited Cardi B to help bring out her R&B side on the sexy slow jam "Wild Side," which earned the 25-year-old singer her first hit on Billboard's Hot R&B/Hip-Hop Songs chart (in the top 5, no less).

Two artists who did have breakout years were Beyoncé protegee Chloë and German singer/songwriter Zoe Wees. Chloë, one half of R&B duo Chloe x Halle, released her debut solo single "Have Mercy" to critical acclaim, putting on showstopping performances of the song at the MTV Video Music Awards and the American Music Awards. Wees closed out the AMAs with a powerful rendition of her poignant song, "Girls Like Us," the follow-up to her viral hit "Control."

Artists Loudly Proclaimed Their Sexuality

As acceptance becomes more prominent within mainstream music, stars are latching on to the new era of being open about however they identify.

Though Lil Nas X came out as gay in 2019, his sonic proclamation came in controversial form with "Montero (Call Me By Your Name)." The video for the flamenco-dripped track — whose title references the 2017 gay romance film Call Me By Your Name — depicted biblical and Satanic scenes in racy fashion. Despite resulting in backlash from religious groups, the song and video's bold statement served as an impactful one for the LGBTQ+ community — as Lil Nas put it himself, pushing for "more acceptance, more open-mindedness amongst humanity as a whole."

Demi Lovato (who announced they are non-binary in May) featured a song about their sexual fluidity on their seventh album, Dancing With the Devil, released in April. The wavy "The Kind of Lover I Am" declares "Doesn't matter, you're a woman or a man/ That's the kind of lover I am" on its rolling chorus.

Bringing back one of pop's first sexual fluidity anthems, Fletcher interpolated Katy Perry's "I Kissed A Girl" for her own single "Girls Girls Girls," which marked "the freedom and the celebration I've been craving my whole life," she said in a press release. One month later, she teamed up with Hayley Kiyoko (who has been dubbed "Lesbian Jesus" by her fans) for "Cherry," a flirty sapphic jam.

K-Pop's English Infusion Blew Up

Thanks to the likes of BTS and BLACKPINK — and now countless other groups — K-pop has made its way into the U.S. pop market in a major way in recent years. As it has continued to boom, more and more artists are releasing songs that are completely in English — and the genre is arguably bigger than ever.

Less than a year after BTS first dabbled in English-language singles with 2020's smash "Dynamite," they delivered the biggest hit of their career with the smooth sensation "Butter." The song debuted at No. 1 on the Billboard Hot 100, where it stayed for 10 non-consecutive weeks — a streak initially broken up by their third English-language hit, "Permission to Dance."

BLACKPINK saw two of its members go solo in 2021, Lisa and Rosé, who each issued English-language singles of their own. Lisa's "Money" and Rosé's "On The Ground" both landed on the Hot 100, respectively garnering more than 375 million and 255 million YouTube views alone.

Several other acts released notable English-language tracks, with SEVENTEEN and TWICE each putting out their first: "2 MINUS 1" features SEVENTEEN members Joshua and Vernon, and "The Feels" became TWICE's first top 20 hit on the Billboard Global 200, where it reached No. 12.

Read More: 5 K-Pop Songwriters & Producers Who Defined 2021: SUMIN, Teddy Park, ADORA, RM & SUGA

Pop Became More Global Than Ever Before

South Korea isn't the only far-flung country having a moment. In fact, Nigeria is arguably one of the most fruitful geographical founts of music — particularly thanks to the recent Afropop explosion.

Wizkid — who first saw global success with his Drake collaboration, "One Dance," in 2016 — earned his first Billboard Hot 100 hit as a lead artist with the R&B-tinged single "Essence." The song features fellow Nigerian singer Tems, making history as the first Nigerian song to break the Hot 100 top 10. The sultry track caught the attention of Justin Bieber, who hopped on a remix and declared it the "song of the summer."

Bieber also enlisted Nigerian star Burna Boy for his widely praised LP, Justice, one of the singer/rapper's many pop-driven appearances in 2021, including Sia, Jon Bellion and John Legend

Two other rising Nigerian acts, Joeboy and Fireboy DML, saw their Afropop takes resonate this year, too. Joeboy's "Alcohol" inspired a viral TikTok craze, and the success of Fireboy's "Peru" landed a remix with Ed Sheeran in December.

Elsewhere, Latin still proves to have a profound impact in the pop world. Puerto Rican newcomer Rauw Alejandro's irresistibly catchy "Todo De Ti" made its way to mainstream radio, as did Maluma's global hit "Hawái," the latter thanks to a remix with The Weeknd. And Pop queens Christina Aguilera and Selena Gomez also honored their Latin roots: Aguilera dropped two singles, "Pas Mis Muchachas" and "Somos Nada"; Gomez released her first Spanish-language project, Revelación.

In the streaming world, Bad Bunny — Spotify's most-streamed artist for the second year in a row — and BTS (No. 3 on Spotify's year-end tally) proved that Latin and K-pop are equal contenders to pop powerhouses like Taylor Swift and Bieber, who were No. 2 and 5, respectively.

Superstars Joined Forces

Sure, every year sees star-studded collaborations. But with artists having unprecedented downtime in 2020 and into 2021, some iconic pairings were born.

Ariana Grande and The Weeknd — no strangers to working together — scored their first Hot 100 No. 1 with a remix of The Weeknd's "Save Your Tears." Another Grande collaborator, Lizzo, teamed up with Cardi B for her latest single, "Rumors."

One of the most unexpected (and brilliant) partnerships came from Bruno Mars and Anderson .Paak, who joined forces for the '70s funk-inspired duo Silk Sonic. The pair dropped their silky debut single, "Leave the Door Open," just one week after announcing their joint project in February, and unveiled An Evening With Silk Sonic in November.

Veterans recruited some of pop's newer voices, too. Australian icon Kylie Minogue dueted with British electropop star Years & Years on "A Second to Midnight," a track from her reissue album, Disco: Guest List Edition. She also featured Dua Lipa on the album on a song titled "Real Groove."

Lipa co-starred with another legend, Elton John, on the chart-topping (and "Rocket Man"-sampling) hit "Cold Heart (PNAU Remix)." The single was part of John's jam-packed collaborative album, The Lockdown Sessions, which also featured Charlie Puth, Stevie Nicks and Stevie Wonder, among many others.

Long-Awaited Albums Arrived

Silk Sonic appeased those eagerly waiting for Bruno Mars to follow up his 2016 Album Of The Year-winning LP, 24K Magic, as the duo’s material featured plenty of signature Bruno power hooks and slinky melodies. But those still longing for a solo Bruno Mars record may have at least been satisfied by the other 2021 arrivals.

Six years in the making, Adele’s 30 finally landed in November — and, unsurprisingly, became the top-selling album of the year in just its first three days. The LP has now sold more than 1 million copies, and spawned the singer’s fifth Hot 100 No. 1 with the poignant lead single, “Easy on Me.” Beyond accolades, 30 sees Adele at her most vulnerable — as she's said herself, it centers around her divorce from entrepreneur Simon Konecki — which resulted in her most raw and powerful work yet.

Considering Ed Sheeran’s extensive touring schedule that had the singer/songwriter on the road until the end of August 2019, it was almost hard to believe it had been four years since his last album. Surely some Sheerios felt the agony, but it was worth the wait: =, Sheeran's fourth studio album, offered 14 new tracks that expand on the star's signature talents, from heartfelt falsetto to boot-stomping melodies.

In what felt like the day that may never come, Kanye West delivered his tenth album, Donda, in August. The project had seen multiple postponements since its originally scheduled release of July 2020, but perhaps that's because the final product has a whopping 27 songs. While the album leans more into West's hip-hop roots, its impressive roster of guest stars — from The Weeknd to Watch the Throne cohort JAY-Z — offered any kind of Kanye fan something to enjoy.

After such a whirlwind year, one big question stands out as we enter 2022: what's next?

2021 In Review: 8 Trends That Defined Latin Music

Review the 2022 Billboard Music Awards Performances:  Watch Megan Thee Stallion, Burna Boy, Rauw Alejandro & More
Machine Gun Kelly performing onstage during the 2022 Billboard Music Awards

Photo: Ethan Miller/Getty Images

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Review the 2022 Billboard Music Awards Performances: Watch Megan Thee Stallion, Burna Boy, Rauw Alejandro & More

From Megan Thee Stallion to Becky G to Machine Gun Kelly and beyond, revisit performances from the 2022 Billboard Music Awards

GRAMMYs/May 16, 2022 - 03:07 pm

The 2022 Billboard Music Awards nominations list displayed a notable array of diversity — and naturally, the performance roster followed suit.

What binds artists as disparate as R&B juggernauts Silk Sonic, Latin star Rauw Alejandro, and country hitmaker Morgan Wallen? They all put on an excellent show, and they didn't disappoint during the BBMAs this year.

The big night was momentous in multiple ways: Rapper Travis Scott made his first televised appearance since the Astroworld tragedy; neosoul great Maxwell rang in the 40th anniversary of Michael Jackson's Thriller; Mary J. Blige accepted the 2022 Billboard Icon Award from Janet Jackson.

Rewatch some performances from the 2022 Billboard Music Awards below:

"The Future Happened, Designing The Future Of Music" Explores The Art Of Music & Expands The Bounds Of Virtual Experience

Esperanza Spalding

Photo: Holly Andres

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"The Future Happened, Designing The Future Of Music" Explores The Art Of Music & Expands The Bounds Of Virtual Experience

Presented by the Museum Of Design Atlanta, the free online offering immerses visitors in the power of music and design, featuring 40 artists from around the world

GRAMMYs/Apr 9, 2021 - 11:53 pm

Today, April 9, the Museum Of Design Atlanta (MODA) debuted a visually and sonically stunning virtual exhibit dedicated to the interplay of design, art and music. "The Future Happened, Designing The Future Of Music" features stories, sounds, videos and images from 40 artists, including Burna Boy, Laraaji, Neneh Cherry, Charlotte Adigéry, Clipping, Nep Sidhu, Daito Manabe and Spillage Village.

A statement on the website explains: "This exhibition centers on creatives who invent new realities through design and music. Exploring innovation in design and technology that deepens our relationship with music, we open our eyes to new and radical narratives that have the power to transform our ways of being in the world."

To celebrate the new digital art space, the museum is hosting "The Future Happened: Curator's Talk" on Sat., April 10, from 3 – 4:30 p.m. EST. The curators—Lawrence Azerrad, Ruby Savage, Floyd Hall and Marlon Fuentes—will discuss the major themes of the works, how they created the exhibit and why creating this space was so important to all of them.

"The Future Happened is a celebration of the power of music as a form of community building, healing, interpersonal communication and placemaking. We are living in times of accelerated change that will challenge us with reimagining the role culture, technology and identity is utilized as a force for good," co-curator Fuentes, who is also the Global Music, Contemporary Instrumental and New Age genre manager at the Recording Academy, tells GRAMMY.com.

"Many of us futurists have been working on the other side of time for many years now, through fearless creativity and emerging technologies. This exhibit will showcase not only how we quickly adapt to a decentralized, borderless world, but also how the past informs the future so that more inspired creatives can shine their light on their own terms and design the future they wish to manifest."

Lead curator Lawrence Azerrad, a GRAMMY-winning creative director and author, also spoke to the power of the "The Future Happened:" "The exhibition opens our eyes to new and radical narratives that have the power to transform our ways of being in the world. It examines how design can be key in sharing our stories and amplifying our power to make a difference in the world, alongside exploring innovation in design and technology that opens our eyes to new and radical narratives that have the power to transform our ways of being in the world."

You can visit the free virtual MODA exhibit now at thefuturehappened.org.

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