Photo and Graphic Courtesy of the Recording Academy
New Categories For The 2023 GRAMMYs Announced: Songwriter Of The Year, Best Video Game Soundtrack, Best Song For Social Change & More Changes
The Recording Academy has announced five new GRAMMY Awards categories to be awarded at the 2023 GRAMMYs, including Songwriter Of The Year (Non-Classical) and Best Score Soundtrack For Video Games, among other new categories and changes.
Updated on Thursday, July 14: The air date for the 2023 GRAMMYs, officially known as the 65th GRAMMY Awards, has been announced. The 2023 GRAMMYs will air live Sunday, Feb. 5, from the Crypto.com Arena in Los Angeles and will broadcast live on the CBS Television Network and stream live and on demand on Paramount+. 2022 Nominations for the 2023 GRAMMYs will be announced on Tuesday, Nov. 15.
The Recording Academy has announced five new GRAMMY Awards categories to be awarded at the 2023 GRAMMYs, officially known as the 65th GRAMMY Awards, including the newly added Songwriter Of The Year (Non-Classical) and Best Score Soundtrack For Video Games And Other Interactive Media categories, among other new categories and changes.
Additionally, a new Special Merit Award will be given out for Best Song For Social Change. Other amendments include changes to the GRAMMY Awards entry and voting processes and more.
All new category additions, process amendments, and updates go into effect immediately for the 2023 GRAMMYs.
These changes come through the Recording Academy's annual process of accepting proposals from the music creators and professionals that make up its membership body, and as part of the organization's commitment to evolve with the ever-changing musical landscape.
"We're so excited to honor these diverse communities of music creators through the newly established awards and amendments, and to continue cultivating an environment that inspires change, progress and collaboration," Recording Academy CEO Harvey Mason jr. said. "The Academy's top priority is to effectively represent the music people that we serve, and each year, that entails listening to our members and ensuring our rules and guidelines reflect our ever-evolving industry."
The 65th GRAMMY 2022 nominations are officially here. See the complete list of nominees across all 91 GRAMMY categories.
NEW GRAMMY AWARDS CATEGORIES ADDED:
Songwriter Of The Year, Non-Classical
Recognizes the written excellence, profession and art of songwriting honoring the most prolific non-performing and non-producing songwriters for their body of new work released during an eligibility year.
Best Alternative Music Performance
A track and single Category that recognizes the best recordings in an alternative performance by a solo artist, collaborating artists, established duo, or established group.
Best Americana Performance
A track and single Category that recognizes artistic excellence in an Americana performance by a solo artist, collaborating artists, established duo, or established group.
Best Score Soundtrack For Video Games And Other Interactive Media
Recognizes excellence in score soundtrack albums comprised predominately of original scores and created specifically for, or as a companion to, a current video game or other interactive media released within the qualification period.
Best Spoken Word Poetry Album
An album Category that recognizes excellence in spoken word albums specific to the performance of poetry with or without music.
SPECIAL MERIT AWARD ADDITION:
Best Song For Social Change This Special Merit Award will be determined by a Blue Ribbon Committee and ratified by the Recording Academy Board of Trustees. Submissions must contain lyrical content that addresses a timely social issue and promotes understanding, peacebuilding and empathy.
GRAMMY AWARD VOTING PROCEDURAL UPDATES:
Charging Fees For Entry Submissions
All Recording Academy members will receive five courtesy entries every year. For additional entries, members will pay $40 (Early Bird Fee); $75 (Standard Fee); or $125 (Final Deadline Fee) per additional entry. Registered media companies will pay a fee of $65 (Early Bird Fee); $95 (Standard Fee); or $125 (Final Deadline Fee) per entry. Considerations will be made for artists/members experiencing financial hardships. Any member who would be burdened by the entry fees can request the fees be waived by reaching out to the Recording Academy Awards Department.
To be eligible for GRAMMY Award consideration, an album must contain greater than 75% playing time of newly recorded (within five years of the release date), previously unreleased recordings. The previous eligibility rule was 50%. (Note: Best Compilation Soundtrack, Best Historical Album, Best Immersive Audio Album, Best Recording Package, Best Special Package, and Best Album Notes accept albums of recordings that are not newly recorded.)
Note: The updated album eligibility rule was approved in 2021, but is going into effect for the 2023 GRAMMYs cycle.
ADDITIONAL CATEGORY AMENDMENTS:
Classical Field: Creation of Craft Committees in Select Classical Categories
Three Categories within the Classical Field will now be determined by highly specialized Craft Committees: Producer Of The Year (Classical), Best Engineered Album (Classical) and Best Contemporary Classical Composition.
Classical Field: Recognition of Composers and Librettists in Best Opera Recording and Best Classical Compendium Categories
Category definitions have been updated to award composers and librettists in addition to artists, producers and engineers.
New Age, Ambient Or Chant Field: Renamed And Redefined Field and Category Name
The Category formerly known as "Best New Age Album" has been renamed "Best New Age, Ambient Or Chant Album" and the Field name has also been updated to reflect that change.
Musical Theater Field: Recognition of Composers and Lyricists in Best Musical Theater Album Category
Category definition has been updated to award composers and lyricists of more than 50% of the score of a new recording.
Music For Visual Media Field (Includes Film, TV, Video Games, And Other Visual Media): Best Compilation Soundtrack For Visual Media
Some language in the criteria for this Category, which had been removed, has now been restored to recognize principal artists and in-studio producers.
Production Field: Updated Definition of Best Remixed Recording Category
The newly amended definition of the Best Remixed Recording Category helps to reflect the remix craft as it currently stands in the industry: the creation of a new, full-track, unique performance created by a remixer from a previously released recording.
Spoken Word Field: Updated Category Name and Definition
The Category formally known as Spoken Word Album has been renamed Best Audio Book, Narration & Storytelling Recording. This Category recognizes excellence in spoken work albums (not including Spoken Word Poetry).
The 2023 GRAMMYs, officially known as the 65th GRAMMY Awards, returns to Los Angeles' Crypto.com Arena on Sunday, Feb. 5, 2023, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.
The eligibility period for the 65th GRAMMY Awards is Friday, Oct. 1, 2021 – Friday, Sept. 30, 2022. All eligible awards entries must be released within this timeframe.
The Recording Academy and GRAMMY.com do not endorse any particular artist, submission or nominee over another. The results of the GRAMMY Awards, including winners and nominees, are solely dependent on the Recording Academy’s Voting Membership.
GRAMMY SoundChecks With Gavin DeGraw
On Aug. 28 Nashville Chapter GRAMMY U members took part in GRAMMY SoundChecks with Gavin DeGraw. Approximately 30 students gathered at music venue City Hall and watched DeGraw play through some of the singles from earlier in his career along with "Cheated On Me" from his latest self-titled album.
In between songs, DeGraw conducted a question-and-answer session and inquired about the talents and goals of the students in attendance. He gave inside tips to the musicians present on how to make it in the industry and made sure that every question was answered before moving onto the next song.
Juan Gabriel named 2009 Latin Recording Academy Person Of The Year
Annual star-studded gala slated for Nov. 4 in Las Vegas during 10th Annual Latin GRAMMY Week celebration
Internationally renowned singer/songwriter/performer Juan Gabriel will be celebrated as the 2009 Latin Recording Academy Person of the Year, it was announced today by The Latin Recording Academy. Juan Gabriel, chosen for his professional accomplishments as well as his commitment to philanthropic efforts, will be recognized at a star-studded concert and black tie dinner on Nov. 4 at the
The "Celebration with Juan Gabriel" gala will be one of the most prestigious events held during Latin GRAMMY week, a celebration that culminates with the 10th Annual Latin GRAMMY Awards ceremony. The milestone telecast will be held at
"As we celebrate this momentous decade of the Latin GRAMMYs, The Latin Recording Academy and its Board of Trustees take great pride in recognizing Juan Gabriel as an extraordinary entertainer who never has forgotten his roots, while at the same time having a global impact," said Latin Recording Academy President Gabriel Abaroa. "His influence on the music and culture of our era has been tremendous, and we welcome this opportunity to pay a fitting tribute to a voice that strongly resonates within our community."
Over the course of his 30-year career, Juan Gabriel has sold more than 100 million albums and has performed to sold-out audiences throughout the world. He has produced more than 100 albums for more than 50 artists including Paul Anka, Lola Beltran, Rocío Dúrcal, and Lucha Villa among many others. Additionally, Juan Gabriel has written more than 1,500 songs, which have been covered by such artists as Marc Anthony, Raúl Di Blasio, Ana Gabriel, Angelica María, Lucia Mendez, Estela Nuñez, and Son Del Son. In 1986, Los Angeles Mayor Tom Bradley declared Oct. 5 "The Day of Juan Gabriel." The '90s saw his induction into Billboard's Latin Music Hall of Fame and he joined La Opinion's Tributo Nacional Lifetime Achievement Award recipients list.
At the age of 13, Juan Gabriel was already writing his own songs and in 1971 recorded his first hit, "No Tengo Dinero," which landed him a recording contract with RCA. Over the next 14 years, he established himself as Mexico's leading singer/songwriter, composing in diverse styles such as rancheras, ballads, pop, disco, and mariachi, which resulted in an incredible list of hits ("Hasta Que Te Conocí," "Siempre En Mi Mente," "Querida," "Inocente Pobre Amigo," "Abrázame Muy Fuerte," "Amor Eterno," "El Noa Noa," and "Insensible") not only for himself but for many leading Latin artists. In 1990, Juan Gabriel became the only non-classical singer/songwriter to perform at the Palacio de Bellas Artes in
After a hiatus from recording, Juan Gabriel released such albums as Gracias Por Esperar, Juntos Otra Vez, Abrázame Muy Fuerte, Los Gabriel…Para Ti, Juan Gabriel Con La Banda…El Recodo, and El Mexico Que Se Nos Fue, which were all certified gold and/or platinum by the RIAA. In 1996, to commemorate his 25th anniversary in the music industry, BMG released a retrospective set of CDs entitled 25 Aniversario, Solos, Duetos, y Versiones Especiales, comprised appropriately of 25 discs.
In addition to his numerous accolades and career successes, Juan Gabriel has been a compassionate and generous philanthropist. He has donated all proceeds from approximately 10 performances a year to his favorite children's foster homes, and proceeds from fan photo-ops go to support Mexican orphans. In 1987, he founded Semjase, an orphanage for approximately 120 children, which also serves as a music school with music, recreation and video game rooms. Today, he continues to personally fund the school he opened more than 22 years ago.
Juan Gabriel will have the distinction of becoming the 10th Latin Recording Academy Person of the Year honoree, and joins a list of artists such as Gloria Estefan, Gilberto Gil, Juan Luis Guerra, Julio Iglesias, Ricky Martin, and Carlos Santana among others who have been recognized.
For information on purchasing tickets or tables to The Latin Recording Academy Person of the Year tribute to Juan Gabriel, please contact The Latin Recording Academy ticketing office at 310.314.8281 or email@example.com.
Photo: The Recording Academy
Set List Bonus: Bumbershoot 2013
Welcome to The Set List. Here you'll find the latest concert recaps for many of your favorite, or maybe not so favorite, artists. Our bloggers will do their best to provide you with every detail of the show, from which songs were on the set list to what the artist was wearing to which out-of-control fan made a scene. Hey, it'll be like you were there. And if you like what you read, we'll even let you know where you can catch the artist on tour. Feel free to drop us a comment and let us know your concert experience. Oh, and rock on.
By Alexa Zaske
This past Labor Day weekend meant one thing for many folks in Seattle: Bumbershoot, a three-decade-old music and arts event that consumed the area surrounding the Space Needle from Aug. 31–Sept. 2. Amid attendees wandering around dressed as zombies and participating in festival-planned flash mobs to Michael Jackson's "Thriller," this year the focus was on music from the Pacific Northwest region — from the soulful sounds of Allen Stone and legendary female rockers Heart, to the highly-awaited return of Death Cab For Cutie performing their 2003 hit album Transatlanticism in its entirety.
The festival started off on day one with performances by synth-pop group the Flavr Blue, hip-hop artist Grynch, rapper Nacho Picasso, psychedelic pop group Beat Connection, lively rapper/writer George Watsky, hip-hop group the Physics, and (my personal favorite), punk/dance band !!! (Chk Chk Chk). Also performing on day one was Seattle folk singer/songwriter Kris Orlowski, who was accompanied by the Passenger String Quartet. As always, Orlowski's songs were catchy and endearing yet brilliant and honest.
Day one came to a scorching finale with a full set from GRAMMY-nominated rock group Heart. Kicking off with their Top 20 hit "Barracuda," the set spanned three decades of songs, including "Heartless," "Magic Man" and "What About Love?" It became a gathering of Seattle rock greats when, during Heart's final song, Pearl Jam guitarist Mike McCready joined for 1976's "Crazy On You."
Day two got off to an early start with performances from eccentric Seattle group Kithkin and Seattle ladies Mary Lambert and Shelby Earl, who were accompanied by the band Le Wrens. My highlight of the day was the Grizzled Mighty — a duo with a bigger sound than most family sized bands. Drummer Whitney Petty, whose stage presence and skills make for an exciting performance, was balanced out by the easy listening of guitarist and lead singer Ryan Granger.
Then the long-awaited moment finally fell upon Seattle when, after wrapping a long-awaited tour with the Postal Service, singer/songwriter Ben Gibbard returned to Seattle to represent another great success of the Pacific Northwest — Death Cab For Cutie. The band celebrated the 10-year anniversary of their album Transatlanticism by performing it from front to back. While a majority of attendees opted to watch the set from an air-conditioned arena, some of us recognized the uniqueness of this experience and enjoyed the entire set lying in the grass where the entire performance was streamed.
Monday was the day for soul and folk. Local blues/R&B group Hot Bodies In Motion have been making their way through the Seattle scene with songs such as "Old Habits," "That Darkness" and "The Pulse." Their set was lively and enticing to people who have seen them multiple times or never at all.
My other highlights of the festival included the Maldives, who delivered a fun performance with the perfect amount of satirical humor and folk. They represent the increasing number of Pacific Northwest bands who consist of many members playing different sounds while still managing to stay cohesive and simple. I embraced the return of folk/pop duo Ivan & Alyosha with open arms and later closed my festival experience with local favorite Stone.
For music fans in Seattle and beyond, the annual Bumbershoot festival is a must-attend.
(Alexa Zaske is the Chapter Assistant for The Recording Academy Pacific Northwest Chapter. She's a music enthusiast and obsessed with the local Seattle scene.)
Neil Portnow and Jimmy Jam
Photo: Michael Kovac/Getty Images
Neil Portnow Addresses Diversity & Inclusion, Looks Ahead During Speech At 2019 GRAMMYs
Jimmy Jam helps celebrate the outgoing President/CEO of the Recording Academy on the 61st GRAMMY Awards
As Neil Portnow's tenure as Recording Academy President/CEO draws to its end, five-time GRAMMY winner Jimmy Jam paid tribute to his friend and walked us through a brief overview of some of the Academy's major recent achievements, including the invaluable work of MusiCares, the GRAMMY Museum, Advocacy and more.
Portnow delivered a brief speech, acknowledging the need to continue to focus on issues of diversity and inclusion in the music industry. He also seized the golden opportunity to say the words he's always wanted to say on the GRAMMY stage, saying, "I'd like to thank the Academy," showing his gratitude and respect for the staff, elected leaders and music community he's worked with during his career at the Recording Academy. "We can be so proud of what we’ve all accomplished together," Portnow added.
"As I finish out my term leading this great organization, my heart and soul are filled with gratitude, pride, for the opportunity and unequal experience," he continued. "Please know that my commitment to all the good that we do will carry on as we turn the page on the next chapter of the storied history of this phenomenal institution."